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Anne Hathaway's kitchen lighting renews a classic style
The article describes how Anne Hathaway's kitchen lighting, designed by Pamela Shamshiri, reinvigorated the author's interest in modern farmhouse aesthetics. The author, a design industry editor, had developed a "modern farmhouse fatigue" due to the repetitive nature of the style. Hathaway's kitchen, however, presented a unique approach to lighting that stood out from the typical applications of modern farmhouse design. The designer opted for a combination of four clear glass flush mounts and two longer copper pendants, arranged against a paneled wood ceiling. This choice created an elegant contrast and drew the eye upwards, highlighting the vertical kitchen storage. The different heights and styles of the lighting fixtures also added a dynamic element to the upper half of the kitchen. A key aspect that captured the author's attention was the use of flush mounts instead of recessed lighting. The author notes that personality-free, fluorescent recessed lighting is a common and disliked feature in many modern farmhouse kitchens, contributing to the style's monotony. In contrast, Hathaway's flush mounts offered unobtrusive lighting while introducing elements of copper, glass, and a subtle sense of height. The article emphasizes the blend of antique and modern styles achieved through this lighting design. It suggests that while the flush mounts appear contemporary, the copper pendants were likely sourced from antique stores or vintage markets, creating a distinctive and intriguing look. This combination is presented as a potential future trend in kitchen lighting. The author's previous extensive coverage of Hathaway's kitchen design details indicates a thorough understanding of the space. The specific focus on the lighting in this article highlights its significant impact on the overall aesthetic and the author's perception of the modern farmhouse style. The design's ability to seamlessly integrate diverse materials and periods is lauded as a sophisticated and trend-setting approach. The article concludes by recommending that individuals interested in replicating this lighting scheme should select two different types of fixtures—four shorter lights and two longer ones—emphasizing that this approach is versatile and applicable beyond modern farmhouse interiors. Hathaway and Shamshiri are credited with revitalizing the author's perspective on a long-established design style through this thoughtful lighting arrangement.
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