Stillmade Debuts the Collaborative Series With Four Artists + Designers

The article details a collaborative campaign between Swedish fashion brand Totême and interior designers Halleroed, which uses a series of perspective-shifting images and 3D installations to celebrate their home city of Stockholm. Totême founders Elin Kling and Karl Lindman conceived the campaign with a strong focus on the geography and introspection afforded by their city, aiming to integrate fashion, lifestyle, and architectural elements. The campaign features photographs by Mikael Jansson, a renowned photographer admired by Totême for his work with luxury brands like Chanel, Brioni, and Dior. Jansson's contribution involved documenting an imagined day in Stockholm, capturing scenes such as a model dining at Teatergrillen, shopping at Hötorget market, and architectural facades, including Totême’s design studio. The collaboration with Jansson was facilitated by the restrictions that kept the creative team within Stockholm, which, according to Lindman, enhanced the campaign's value by utilizing local talent. Halleroed, long-term collaborators with Totême, were responsible for the 3D installations. Known for their sleek, materiality-focused retail spaces for brands such as Acne Studios and Byredo, Halleroed previously designed Totême's Art Deco-centric townhouse and its graphic space in Nordiska Kompaniet. Their affinity for Swedish materials is highlighted, and their architectural expertise was crucial in translating Totême's vision into physical manifestations. For this campaign, titled 'A Stockholm Story,' Halleroed constructed two-meter-high cuboid plinths using scarlet steel tubing. Elin Kling explained that the vibrant red tone was chosen for its elegance, contrasting effectively with Jansson's signature monochrome photography and offsetting the typically gloomy late summer Stockholm skies when the images were shot. This choice enhanced the industrial feel of the constructions while providing a visual pop. The campaign serves to emphasize Totême's distinct design cues and its deep connection to Stockholm. The article suggests that by showcasing elements of the city, from its scenic waterfront to its archipelago, Totême invites its audience to stylishly trace a route through the Swedish capital. This strategic use of local talent and a city-centric narrative aims to reinforce the brand's identity and its strong ties to its origins. #Fashion #Design #Stockholm #Toteme #Halleroed #MikaelJansson #Campaign #Collaboration #InstallationArt

This monthly series, "In Our Carts," highlights a curated selection of new product launches and collaborations in the home and lifestyle sphere. The June 2024 edition features a range of items, from bedding and rugs to furniture, lighting, and kitchenware, all chosen for their design and functionality. One of the notable collaborations is between Danish home brand Tekla and Artek, which resulted in a new line of bedding. This collection includes duvets and shams in three colors, adorned with Finnish architect Aino Aalto’s Kirsikankukka pattern, inspired by a Japanese scarf. The collaboration also marks Tekla's first venture into kids' bedding. Cold Picnic, known for its printed rugs, has expanded its offerings with a new collection of richly hued, solid-color rugs. These nature-inspired designs, such as Grass Green, Roasted Tomato, Sky Blue, and Pear, are crafted from 100% New Zealand wool, providing a luxurious feel underfoot. Dusen Dusen has introduced three new vibrant and graphic throw pillow designs: Daisy, Hourglass, and Ricrac. These pillows come in bold colors like sunflower yellow, denim blue, and Kelly green, adding a playful touch to home decor. CB2 has launched new alabaster sconces designed by Australian studio VUUE. These hand-carved alabaster globes are available in two sizes, 6 and 10 inches, and offer a blend of old-world glamour with a modern sensibility, suitable for various interior and exterior settings. Fashion designer Carly Cushnie has collaborated with Lulu and Georgia on her first furniture collection. This 11-piece line showcases a mix of materials, including cane, wood, bouclé, fringe, and velvet. Standout pieces include the warm-toned Yucca sofa and the burl-wood Sabal console table, offering extensive mix-and-match possibilities. Opinel has released a cleverly designed grilling set that emphasizes simplicity and utility. The stainless steel tongs are extra-long with notched tips and a curved edge for effective gripping. A unique feature is the folding knife that ingeniously transforms into a spatula handle, complete with a Virobloc locking ring. The knife handle also integrates a bottle opener, enhancing its functionality for outdoor cooking. R+D Lab has partnered with Mexican chef Elena Reygadas and Fenn Apartamento to create the Rosetta collection of glassware. This collection features three new glass shapes—Acqua, Sour, and Martini—inspired by ancient vessels discovered in Pompeii. While named for specific drinks, these versatile glasses are suggested for various beverages, such as white wine in the water cups and cordials in the stemmed glasses. Finally, Belgian architect Vincent Van Duysen continues to expand his collection with Zara Home. The latest additions emphasize natural materials like wood, concrete, and solid brass, featuring pieces such as a daybed, a library system, and organically shaped concrete side tables. Dark brown is a prominent color throughout this new iteration of the collection, reflecting a sophisticated aesthetic. Baggu has also collaborated with Collina Strada on a line of limited-edition prints for its reusable bags, picnic blankets, and towels. A new highlight from this collaboration is the Horse Bag, a mini zippered pony-shaped bag, and the Boxer Plaid print on the Small Cloud carry-on, combining playful design with practical application. #ProductLaunches #HomeDecor #InteriorDesign #TextileDesign #Furniture #Lighting #Kitchenware #DesignCollaborations #NewArrivals

Martyn Thompson, a New York-based artist and the creative force behind Martyn Thompson Studio, has discovered an innovative approach to repurpose discarded materials, transforming his used drop-cloths and rags into a collection of woven tapestries and fabrics. This initiative, aptly named ‘The Accidental Expressionist,’ debuted at The Future Perfect in New York. The collection is notable for its jacquard-woven textiles and murals, which reimagine the incidental marks and stains left by the artist during his previous projects. Instead of being mere by-products, these elements are elevated and given new significance, becoming the central focus of the final artworks. The essence of ‘The Accidental Expressionist’ lies in its celebration of often-overlooked details and the expressive traces of the artist's creative process. Each piece in the collection encourages viewers to engage in close examination, revealing layers of colors and stains that coalesce into Pollack-esque splatters. Thompson meticulously collects and photographs these incidental marks, transforming them from discarded elements into purposeful components of his art. This process not only breathes new life into otherwise waste materials but also redefines their aesthetic and conceptual value within a fine art context. At The Future Perfect’s showroom, the versatile applications of this collection were showcased, demonstrating how these unique fabrics can serve as upholstery for furniture, be crafted into pillows, and even form bespoke lampshades. A standout example is the 'Quarry' lamp, a collaborative effort between Thompson and artist Dove Drury Hornbuckle. Hornbuckle hand-crafts the lamp's structure, which resembles stacks of ceramic shards, while Thompson’s studio provides the distinctive bespoke shade, featuring the collection's unique textiles. The 'Quarry' lamp is also available in a cast bronze edition, offering a variety of patinas. ‘The Accidental Expressionist’ collection thus embodies a powerful narrative of transformation and artistic vision, converting what was once considered refuse into objects of beauty and design. It highlights the potential for creativity to find inspiration and value in unexpected places, challenging conventional notions of artistic materials and processes. The collection offers a fresh perspective on sustainability in art and design, illustrating how an artist's personal history and working methods can be intimately woven into the fabric of their creations. The exhibition at The Future Perfect provided an immersive experience for visitors to witness the innovative use of these transformed materials in various interior applications, from large-scale murals to intricate lighting fixtures. #MartynThompsonStudio #AccidentalExpressionist #TextileArt #SustainableDesign #WovenTapestries #ArtisanCraftsmanship #InteriorTextiles #TheFuturePerfect #CollaborativeArt

The article reviews "Every Wall is a Door," Superblue Miami’s inaugural exhibition, which features large-scale, immersive artworks by teamLab, James Turrell, and Es Devlin. The exhibition builds upon the visionary ideas of new media pioneer Stan VanDerBeek, who in 1966 envisioned "intermedia experience machines" that would help people process the rapid changes brought by technological innovation. VanDerBeek believed in the importance of artistically cultivated experiences to foster a new, shared vocabulary, incorporating concepts from ecology and cybernetics alongside immersive and collective audience participation. teamLab, a Tokyo-based collective of over 400 "ultra-technologists," is presented as a modern-day realization of VanDerBeek's vision. Their interactive digital installations, such as _Flowers and People, Cannot be Controlled but Live Together - Transcending Boundaries, A Whole Year per Hour_ and _Universe of Water Particles, Transcending Boundaries_ (both 2017), are central to the exhibition. These works utilize darkened rooms, large-scale projections, and intricate visual effects to create immersive environments where visitor participation directly influences the artwork. Flower petals and water particles respond to movement, and luminous flora and swirling streams contribute to a sensuous, expansive illusion accompanied by a dreamy soundtrack. The collective's populist approach encourages audience engagement, ranging from taking selfies to observing the evolving scenery, effectively transforming the gallery into a technologically enhanced "black-box" where art is "democratized." In contrast to teamLab’s vibrant sensory overload, James Turrell’s _AKHU_ (2021) offers a more subdued, perceptual experience. This installation is an iteration of his "Ganzfeld" series, featuring a white chamber that uses high-chroma light to manipulate visual perception. The LED-halo color-cycling is so gradual that it creates an illusion of stillness and ambiguity in space and time. Viewers experience shifts in tonality that are products of their own minds, highlighting the role of perceptual agency in art. This piece emphasizes that the lack of conscious control over perception is not a flaw but a core element of the artwork itself. Es Devlin’s _Forest of Us_ (2021), a London-based stage designer's contribution, concludes the exhibition. Visitors first watch a video montage that draws parallels between fractal branching in nature, such as air movement in bronchial passages, and the interconnectedness of humanity with nature. Following this, they enter a recursive, curvilinear mirror-maze with winding corridors, stairwells, and bright white lights that create infinite reflections. The accompanying cinematic sci-fi synths and slow breathing sounds contribute to an ethereal atmosphere. While the thematic link between the video and the maze might become less apparent during the experience, Devlin’s meticulous execution and background in theatrical design are evident in the installation’s visual impact and spatial choreography. Superblue Miami aims to be a next-generation art space dedicated to large-scale, immersive art, seeking to challenge and transform visitors' understanding of themselves and their relationship with the world. The curated route of "Every Wall is a Door" guides guests through a diverse array of experiential poetics, balancing high-tech spectacle with analog immersion. The installations explore themes of illusion, reality, memory, forgetting, and human agency. The ultimate success of Superblue is presented as residing not just in the artworks themselves, but in their capacity to elevate the viewer's aesthetic sensitivity, leading them to recognize the immersive potential of art and everyday life beyond the confines of a traditional museum setting. Steven Pestana, a visual artist and writer, contributed this review, drawing on his background in digital media and art history. #ImmersiveArt #DigitalArt #NewMediaArt #ArtExhibition #InteractiveInstallation #StanVanDerBeek #teamLab #JamesTurrell #EsDevlin #SuperblueMiami

In an era marked by rapid urbanization and increased reliance on digital devices, a burgeoning movement among contemporary artists is rekindling a connection with the natural world through their art. This movement focuses on creating murals and wall-based art inspired by nature or botany, aiming to uplift urban environments and domestic interiors. The article highlights five such artists: Anne von Freyburg, Epoh Beech, Gary Myatt, Graphic Rewilding, and Sophie Mess, whose works infuse public and private spaces with natural beauty, offering a visual respite from contemporary pressures. Sophie Mess, known for her delicate and subtle representations of nature, creates large-scale botanical murals that blend graffiti, pop art, and traditional muralism. Her work, characterized by vivid colors and abstract forms, can be found across Europe and is currently featured at the Saatchi Gallery with her eight-meter-high mural, 'Journey of Progress.' Mess believes art can positively impact the environment and mental well-being, using walls as canvases to tell stories that bridge urban settings with artistic expression. Her inspirations include Dutch Master floral still lifes and Georgia O’Keeffe’s detailed flower paintings, often incorporating flowers grown in her own garden. Anne von Freyburg, a Dutch artist based in London, incorporates textiles and decorative art into her wall-based floral pieces. Her work, inspired by Rococo paintings and 17th-century Dutch Still Life artists, brings a bold, sculptural natural element into interiors. Von Freyburg's solo exhibition, 'Filthy Cute,' at Saatchi Gallery, showcases her textile paintings from 2022 to 2025. Her installations, often of irregular shapes with dripping fringes, reimagine scenes from Rococo paintings, advocating for themes of freedom and self-reliance beyond traditional romantic narratives. Graphic Rewilding, a collaboration between Brighton-based artists Lee Baker and Catherine Borowski, aims to uplift lives with large-scale botanical and nature-inspired artworks in urban settings. Their installations, seen across the UK, China, Italy, Saudi Arabia, and Texas, provide 'visual endorphins' as an antidote to the scarcity of green spaces in cities. Drawing inspiration from Japanese art, particularly Edo-era painter Ito Jakuchu, Baker and Borowski integrate elements like leaves into their paint, creating immersive experiences that, despite being imagined nature, offer psychological benefits akin to real natural interaction. London-based artist Epoh Beech, with a background in fine art and art therapy, is renowned for her hand-drawn animations and intricate wallpaper designs. Her upcoming solo exhibition, 'The Pegasus Papers,' features hand-drawn wallpapers and pen and ink drawings inspired by French narrative wallpapers, the Bayeux Tapestry, ancient Chinese handscrolls, and mythology. Her bespoke wallpaper designs, developed over four years, involve meticulous hand-drawing, scanning, and digital printing, transforming static images into dynamic visual narratives that engage the viewer’s imagination. Gary Myatt, a mural artist and trompe l’oeil specialist, draws inspiration from Old Masters and the Arts & Crafts movement to create bespoke murals for high-profile locations. His work, which can be found in London, Europe, India, and the Middle East, focuses on evoking a distinct atmosphere through landscape imagery rather than mere illusion. Myatt's artistic process involves painting murals on canvas in his studio before installation, allowing for greater control and practical efficiency, while capturing the subtle transitions of color, texture, and light found in nature. These artists collectively demonstrate the profound impact of nature-inspired art on both urban aesthetics and human well-being. #NatureInspiredArt #Murals #WallArt #ContemporaryArt #UrbanEnvironment #InteriorDesign #BotanicalArt #MentalWellbeing #SaatchiGallery #StreetArt

Matches Fashion, a prominent online luxury retailer, has expanded its offerings with the launch of its Homewares Studio. This new venture aims to provide a curated selection of designer homewares, mirroring the high-end fashion experience the platform is known for. The initiative comes in response to a growing consumer demand for elevated home aesthetics, driven in part by social media and the desire to create interiors as fashionable as personal wardrobes. The Homewares Studio features a diverse range of products, including throws, cushions, tabletop items, and decorative pieces. It brings together established luxury brands and emerging designers, creating a comprehensive collection for interior design enthusiasts. Among the notable established brands included are Gucci, known for its distinct homewares that inspire complete remodelling fantasies; Maison Margiela; Loewe; and the homewares stalwart Missoni, recognized for its vibrant patterns and textiles. The platform also champions new and exciting talents in the design world. For instance, British designer Luke Edward Hall's ceramic pieces, which serve as canvases for his hand-painted illustrations of classical sculptures, flora, fauna, and bold slogans like “VICTIM OF LOVE,” are featured. Other emerging brands highlighted include Once Milano, offering sophisticated crushed-linen table linens in muted tones; Cire Trudon, specializing in haute parfumerie through its exquisite candles; and Raawii, a Copenhagen-based brand celebrated for its modernist crockery and rich color palettes. Matches Fashion’s approach to its homewares offering mirrors its successful strategy in ready-to-wear fashion: introducing shoppers to exclusive and innovative talents. An example is Kilometre Paris, which presents a collection of embroidered tea towels, cushions, and aprons designed to evoke postcards from exotic destinations, with each piece intricately crafted by region-specific female artisans. The studio also addresses specific trends, such as the popularity of Pendleton blankets, famously featured in Raf Simons’ Calvin Klein 205W39NYC collection for Spring 2018, which are now available for purchase. In addition to these designers, the article highlights a variety of specific items available, such as the Raawii Strom small ceramic jug, Once Milano rectangular crushed-linen tablecloth, L’Objet large Teo vase, Cire Trudon Marie-Antoinette Bust decorative candle, Calvin Klein 205W39NYC x Pendleton wool-cotton saddle blanket, Luke Edward Hall fish-painted ceramic serving platter, La Double J Editions set of two Housewives glasses, Cinnamon Projects Circa Mineral dalmation stone incense burner, Pendleton Fire Legend wool and cotton-blend blanket, Kilometre Paris palm-tree embroidered cotton apron, Maison Margiela embroidered clock, Saved NY cloud-jacquard cashmere blanket, Gucci Herbarium Verde porcelain salad bowl, Anya Hindmarch Anya Smells Washing Powder small scented candle, Missoni Home Ridley zigzag-knit cotton throw, and Perfumer H Ash scented candle. Each item is presented with its price and a direct link to Matches Fashion for purchase. The launch of the Homewares Studio reflects a broader trend of integrating fashion and lifestyle, allowing consumers to extend their personal style into their living spaces. By offering a meticulously chosen range of high-quality, designer home goods, Matches Fashion positions itself as a destination for creating aspirational interiors, reinforcing the idea that home décor is as crucial to personal expression as clothing. The platform encourages consumers to embrace the concept of "dressing for the home you want," turning their living spaces into curated reflections of their desired lifestyles. #MatchesFashion #HomewaresStudio #DesignerHomewares #InteriorDesign #LuxuryLifestyle #HomeDecoration #FashionRetail #EmergingDesigners #HighEndDecor

teamLab, an international art collective, has partnered with TikTok to launch an innovative immersive art and sauna experience in Tokyo called 'TikTok teamLab Reconnect.' This unique exhibition, open until August 31, aims to allow visitors to experience art in an enhanced mental state, referred to as a 'sauna trance.' This state is achieved by cycling through saunas, cold showers, and periods of rest, which are believed to sharpen the senses and clarify the mind, enabling a deeper appreciation of the art. The concept draws inspiration from ancient Japanese traditions, blending this historical pastime with digital and immersive art. The exhibition features various saunas, each equipped with colorful lighting and calming scents, followed by a cold bathing area. After this cycle, visitors enter one of five immersive art installations. The experience encourages repeating this process before viewing each new art piece. The installations showcase several of teamLab’s signature boundary-defying works, including pieces from their new project, 'Supernature Phenomena.' Notable installations include 'Levitation,' 'Ephemeral Solidified Light,' 'Proliferating Immense Life in the Rain,' and 'Step into the Light Circle.' These pieces incorporate elements such as levitating orbs that pulsate with energy and color, and floating crystals of solidified light, creating an otherworldly environment. The exhibition challenges conventional notions of art viewing by integrating a physical and mental conditioning process. In collaboration with TikTok, teamLab also developed an augmented reality (AR) piece called 'Every Life Survives in Fluctuating Space,' which can be experienced remotely through the TikTok app. This extends the accessibility of the art beyond the physical exhibition space. The entire experience of 'TikTok teamLab Reconnect' is designed to be unconventional, pushing the boundaries of how art is perceived and interacted with. Further details about the exhibition are available on teamLab's official website. #TeamLab #ImmersiveArt #SaunaExperience #DigitalArt #ArtInstallation #TokyoExhibition #TikTokCollaboration #SupernaturePhenomena

In a period marked by global confinement and escalating concerns over environmental destruction, a new wave of visual artists is leveraging 3D rendering to construct utopian and fantastical environments. These digital creations, ranging from ethereal seaside homes to surreal, pastel-hued dreamscapes, have gained considerable popularity as individuals seek imaginative escapes from their daily realities. This trend is further fueled by the pervasive influence of the coronavirus pandemic, which has amplified the desire for alternate realities and a change of scenery, even if purely fictional. These digital spaces are not merely aesthetic exercises; they serve as a powerful outlet for imagination and a response to the contemporary need for escapism. Prominent figures in this emerging field, such as Paul Milinski of Vaulter and interior designer Charlotte Taylor, highlight the growing demand for these imaginative renderings. Taylor, who often collaborates with 3D artists to actualize her conceptual spaces, notes that these utopian settings tap into a fundamental human desire for novelty and wonder. This sentiment was evident during events like Offsite Online, a virtual design fair where designers, unable to physically produce and photograph their work, collaborated with visualizers to create digital photoshoots. This collaboration led to the emergence of highly imaginative and fantastical spaces, demonstrating the adaptability and creative potential of digital visualization in the design industry. The featured artists showcase a diverse range of approaches to creating these fantasy worlds. Charlotte Taylor, in collaboration with Riccardo Fornoni of Cream Atelier, envisions Villa Saraceni, an oceanside home seemingly carved from chalky white stone, blending realistic details with fictional architecture. Andrés Reisinger's work explores dreamlike spaces, such as a lilac room with an eye-shaped portal, emphasizing emotional connection over strict realism, and demonstrating how digital concepts can manifest in physical forms, as seen with his Hortensia Chair. Alexis Christodoulou, influenced by video game aesthetics, crafts sophisticated sun-dappled scenes with circular pools and craggy boulders, seeking to evolve the genre beyond conventional fantasy and sci-fi tropes. Barcelona-based Six N Five studio draws inspiration from Japanese culture to create tranquil tatami mat-lined rooms overlooking meticulously pruned gardens, designed to invite relaxation and meditation. Stefano Giacomello presents a striking living room against a rugged rock face, where furnishings appear bathed in intense desert sunlight, reflecting his minimalist and evolving aesthetic. Mue Studio's "Somewhere in the World" series offers idyllic, potentially nonexistent global locations, aiming to provide a peaceful 'rest stop' for viewers navigating a digitally saturated world. Kefan Weng, drawing inspiration from cinematic architecture and dreams, creates oddly scaled buildings hovering over dark waters, emphasizing the audience's individual interpretation. Paul Milinski designs whimsical scenes like "Work Party," filled with playful elements such as oversized balls and a blush pink sofa, intending to evoke infectious high spirits and transport viewers to potential future inspirations. Lastly, Davit and Mary Jilavyan's Sonora Art Village project features vibrant, geometric buildings and spiky cacti under blue skies, presenting an imaginary community in Mexico that offers a vivid contrast to the 'grey reality' of the pandemic. These artists collectively demonstrate the power of 3D rendering to fulfill the contemporary need for escapism, imagination, and utopian visions in design and art. #DigitalArt #3DRendering #FantasyInteriors #UtopianDesign #EscapistArchitecture #VisualArt #ArchitecturalVisualization #InteriorDesign #CreativeRendering

This article introduces Shadé Akanbi, a Brooklyn-based freelance pattern designer and the Creative Director and Designer behind Printed Pattern People. Akanbi's design philosophy is rooted in her multicultural upbringing, which has instilled in her a passion for creating global fusion lifestyle and brands. Her work involves translating traditional ethnic patterns and textiles into contemporary interpretations suitable for everyday use. Akanbi's creative process often begins with identifying a specific motif or detail from traditional textiles. This chosen element then serves as the central inspiration, around which she constructs new patterns using fresh colors and additional details. She is prolific in her output, creating between one to six prints daily, drawing inspiration from personal collections, client ideas, or a combination of both. Akanbi is known for her collaborations with various brands, in addition to maintaining her extensive collection of global textiles. Her first major collaboration was with Anthropologie in early 2020, where her artwork was featured in an accessories and sleepwear collection. Since then, she has partnered with notable brands such as Intermix, Zuri, S'well, Chasing Paper, Netflix, and Target. Her most recent collaboration at the time of the article's publication was with Bounty Paper Towels, as part of their Inclusive Artists Project initiative. This partnership involved her artwork being featured on the Bounty Prints collection paper towels and her image appearing on the packaging, an experience she described as surreal due to the widespread nature of the household item. The article highlights Akanbi's ambition and future aspirations. As an avid traveler, she expresses a desire to collaborate with airlines and boutique hotel brands, specifically mentioning Delta, Jetblue, Kimpton, and Hyatt, envisioning these as platforms to showcase diverse art mediums. Her interest extends to athletic footwear brands like Nike, Adidas, Puma, and Vans, reflecting her passion as a sneaker collector. Furthermore, her background as a collegiate basketball player and a fan of the NBA/WNBA drives her dream to work with her favorite sports teams. Ultimately, Akanbi seeks to partner with brands with which she shares strong personal connections, aiming to utilize these collaborations as unique avenues for artistic expression. Her personal history significantly influences her artistic vision. Akanbi recounts how her upbringing, from her mother's styling choices to her father's Nigerian cooking, and her early travels, particularly her first trip to Nigeria, profoundly shaped her as an artist. These diverse experiences, encompassing sights, sounds, textures, tastes, and emotions, have cumulatively impacted her design sensibility. Her ability to blend cultural influences and her innovative approach to pattern design underscore her unique position in the design world. The article concludes by encouraging readers to explore more of Shadé Akanbi's work via her Instagram and mentions a past collaboration where she provided a Designer Desktop wallpaper for Design Milk. #PatternDesign #ShadeAkanbi #TextileArt #CulturalFusion #BrandCollaborations #ArtisticProcess #DesignInspiration #GlobalTextiles #CreativeDirector

The article highlights the recent collaboration between Mark & Graham, a personalized lifestyle brand, and Sanderson, a British design group, which introduces a new collection of gifts and decor featuring Sanderson's iconic floral prints. This partnership is particularly exciting for those looking to infuse their homes with vibrant colors and soft floral patterns, especially during the colder months. The collaboration draws upon Sanderson's rich heritage, a brand that was granted a Royal Warrant in 1924 for supplying fabrics and wallcoverings to the British royal family, signifying over a century of trusted elegance. Mark & Graham's in-house design team meticulously selected six signature floral prints from Sanderson's extensive archives, some dating back over a hundred years, such as the Rose & Peony print from 1914 and the recolored Hollyhocks print. These historic designs are now featured across a diverse range of products, including everything from practical items like beach totes and pet bowls to decorative pieces like ceramic tissue box covers, luxury chess sets, and elegant packing cubes. The collection incorporates various textures and patterns, including woven raffia, subtle stripes, blooming flowers, and distinct inky botanical motifs. The article showcases several key items from the collection that stand out for their design and functionality. Among the recommended pieces are a Sanderson Ceramic Ring Holder, a versatile 3-in-1 Chess, Checkers, and Dominoes Game Set, and a 5-Piece Packing Cube Set, all adorned with the unique floral patterns. Other notable items include the Sanderson Ceramic Frame, featuring a scalloped trim and patterned border, and the Sanderson Ceramic Vase, available in different sizes and patterns to suit various floral arrangements. Additionally, the collection offers a Sanderson Dresser Top Jewelry Box, a Sanderson Dual Travel Organizer to keep accessories neat on the go, a Sanderson Scalloped Ceramic Catchall for everyday essentials, a Sanderson Scalloped Raffia Box for stylish storage, and a Sanderson Ceramic Tissue Box, designed to elevate mundane household items. The collaboration provides an opportunity for individuals to incorporate a touch of 'grandmillennial flair' into their living spaces, blending classic elegance with modern functionality. These pieces are presented as ideal options for housewarming gifts or as personal additions to one's home decor, offering a blend of historical charm and contemporary appeal. The collection celebrates timeless floral designs, making them accessible for everyday use and home enhancement. #MarkAndGraham #Sanderson #FloralDecor #HomeAccessories #BritishDesign #RoyalWarrant #SpringDecor #GrandmillennialStyle #InteriorDesign

This article explores the growing acceptance and diverse applications of composite building materials in home design, highlighting their advantages over natural materials in terms of durability, low maintenance, and sustainability. These high-technology processed materials, while some have been in the market for decades, are now offering increased customization and sustainable solutions, driven by a post-pandemic shift towards home-centric living and a desire for convenient, long-lasting products. The article discusses wood-plastic composite (WPC) products, such as those offered by Everwood, which are primarily used for outdoor applications like facades, railings, and fins. WPC materials mimic the aesthetic of wood but offer superior weatherproofing and termite resistance, requiring minimal maintenance. Floor Sketch, a brand founded by Rajesh M. in 2019, has seen a resurgence in demand for pergolas and gazebos made from WPC, offering custom designs that can withstand harsh climates and come with material life warranties. The brand also uses Stone Polymer Composite (SPC), a limestone-based material for interlocking floors, which gained popularity before the pandemic due to its termite-proof and waterproof properties, enabling quick installations, such as an overnight floor replacement in a Chennai apartment. Floor Sketch emphasizes its green certifications for various indoor and outdoor products. Aluminium composite panels (ACP), in use for over 50 years, have seen increased demand in India, particularly with the growth of the IT sector. Brands like Eurobond, Alucobond, and Aludecor provide ACPs for architectural applications, allowing for extensive customization in color and design. Siddharth A. Shah of Eurobond notes the desire for unique building aesthetics, offering 380 designs and colors, with custom branding options for large orders. ACPs, originally developed for their long life, low maintenance, UV resistance, and fire safety in external curtain walls, are now widely used for fascia cladding. Eurobond has also introduced 32 new shades and offers a 100% recyclable ACP with an aluminum honeycomb structure, valued for its lightness, strength, and rigidity. The article also notes a trend of residential clients adopting ACPs for false ceilings, a use traditionally reserved for commercial buildings. The discussion then shifts to wood-alternative composites. Reliance's RelWood produces Natural Fiber Polymer Composite (NFPC) boards using patented German technology, offering a waterproof, low-maintenance, termite-proof, and recyclable alternative that can also be thermoformed for furniture. Indowud, founded by the Benganis after exiting the plywood industry, focuses on sustainable, 'zero wood' boards. After two years of research, they developed Indowud NFC (Natural Fibre Composite) by incorporating over 110 kg of agricultural husk for every 100 kg of resin, challenging standard WPC products that use less wood fiber. This high fiber content results in strong and durable boards, offering a sustainable, eco-friendly, and GreenPro certified alternative to plywood and MDF. Indowud NFC boards, available in different densities, are competitively priced with high-quality plywood and are suitable for wardrobes, kitchens, furniture, and exterior facades. Their complete resistance to termites, water, corrosion, decay, molding, and fungus, along with their ability to be thermoformed into non-standard curved elements, offers architects and designers significant flexibility for customized interior and exterior applications. #CompositeMaterials #SustainableBuilding #HomeRenovation #InteriorDesign #ExteriorCladding #WPCProducts #SPCFlooring #ACPPanels #ZeroWoodSolutions

Dezeen Showroom has unveiled 14 new products this week, featuring a diverse range of furniture, lighting, and finishes for both commercial and residential projects. Among the highlights is the "Technicolour" textile collection by graphic designer Peter Saville for Danish brand Kvadrat. This collection draws inspiration from the colorful sprays used by farmers to mark sheep, translating this rustic aesthetic into a series of vibrant handwoven and robot-tufted rugs with color spots, iridescent curtains, and upholstery made from British sheep's wool. Saville describes the collection as bringing "the industry of the land, in raw form, into the living environment," likening it to "rural graffiti." Other notable product additions include the "Mouro" lamp, designed by Patricia Perez for Case Furniture. This portable and rechargeable table lamp, suitable for indoor and outdoor use, features a disc-shaped LED light that rotates 360 degrees, enclosed within a rectangular frame that doubles as a handle. Rainlight's "Phlox" collection for Okamura offers a comprehensive range of seating and tables, including conference chairs, lounge chairs, high stools, and five table shapes. The collection, characterized by its gently undulating silhouettes, is inspired by the petals of the night-blooming phlox flower. For storage solutions, Bruno Rainaldi's "Ptolomeo" bookshelf for Opinion Ciatti is designed to emulate the appearance of books stacked in high piles while providing structural stability. Named after the founder of the Library of Alexandria, this stainless steel shelf is available in black, white, or Corten effect lacquered finishes. Dedar introduces two new textile collections: "The Art of Jacquard" and a "Textile wall covering collection." The Jacquard collection features ultra-thin yarns woven directly into the fabric to create rich patterns, including tropical bird motifs, nature-inspired designs, bold graphics, and abstract floral landscapes. The wall covering collection, inspired by grand tapestries, includes four patterns, such as screen-printed illustrations on linen and classic weaves of jute and linen, aimed at creating a cozy atmosphere. The "Hymn" lamp by Hiroto Yoshizoe for Ambientec is another portable and durable lighting option for indoor and outdoor settings. It employs two magnets to create constant oscillations, producing a flickering effect reminiscent of a candle flame. GamFratesi's "Beetle Chair," available through Suite NY, has been re-released with four new upholstery options in neutral shades, alongside black or brass leg finishes. John Pawson's "Frame" dining table for Nikari, originally designed for his own farmhouse, is a minimalist piece made from responsibly sourced ash or oak wood with a natural oil finish, boasting a lifespan of over 100 years. Alegre Design's "Talent" desk for Actiu is a versatile, mobile, and height-adjustable workstation designed for educational and training environments, featuring a dry-erase worktop that functions as a whiteboard when folded. Finishes also see new additions with CDUK's expanded "Corian Solid Surface" range, now available in a broader spectrum of neutral and warm colors. This material is lauded for its hygienic, durable, abrasion-resistant, and fade-proof qualities, making it suitable for both commercial and residential applications. Forbo Flooring Systems introduces "Marmoleum Linear," a carbon-neutral, plant-based linoleum flooring made from linseed oil, waste wood flour, and jute, designed to mimic wood with irregular grey and neutral stripes. ADEX presents the "Habitat" tile collection, a sustainable ceramic option for interior walls made with 55 percent white-body ceramics for enhanced durability. Lastly, Decocer's "Crag" tiles offer a family of porcelain tiles that replicate the look of stone and weathered steel, suitable for indoor and outdoor walls and floors, characterized by an industrial aesthetic and textured matte finish. #ProductLaunch #InteriorDesign #FurnitureDesign #TextileDesign #LightingDesign #SustainableMaterials #DesignInnovation #HomeDecor #WorkplaceSolutions

Dwell and Concrete Collaborative have launched a new multipurpose line of handcrafted tiles, the Strands Collection, drawing inspiration from California surf culture and shared design ideals. The partnership brings together two women-founded companies, leveraging Concrete Collaborative's extensive knowledge in concrete and Dwell's design focus. These tiles, designed by architect Chris Deam, are characterized by bold midcentury colors and are created using an encaustic process, where pigmented clay is inlaid into each concrete tile rather than glazed on top. This traditional method ensures a durable finish suitable for various applications, including bathroom floors, kitchen backsplashes, and courtyards. The collaboration builds on Concrete Collaborative's existing Strands Collection and reflects their strategy of partnering with the architecture and design community to foster innovative designs. Kate Balsis, a founding partner at Concrete Collaborative, highlighted the synergy between the two companies and the shared goal of inspiring customers. The manufacturing process involves creating tiles in small batches, where the color is an integral part of the form, fused under high pressure from a cement mixture pressed into metal molds. This results in a product specifically engineered for use in wet areas and high-traffic spaces, possessing an organic, handmade feel while offering a long-wearing, commercial-grade finish. The concrete solution features a high-density, low-porosity formula for sophistication and durability, suitable for both indoor and outdoor use. Architect Chris Deam, husband of Dwell founder Lara Deam, conceived the tile designs. His inspiration stemmed from a long-standing fascination with pattern-making, particularly the repeating designs of William Morris, and his recent immersion in surfboard design during the COVID-19 lockdown. Deam, an avid surfer, translated various surfboard tail shapes into tile designs after studying how different boards affect the experience of riding a wave. He emphasizes that his approach to tile design considers not only visual presentation but also how the geometry of repeating structures relates to the surrounding architecture. The collection features five distinct styles, which can be purchased individually or as a mixed box for diverse combinations. These styles include the Squash, Swallow, Pin, Wave, and Stringer designs. The Squash, Swallow, and Pin designs offer numerous possibilities for mixing and matching, available in five standard colors: ochre, navy, olive, taupe, and a cool blue. The Wave tile boasts clean lines and a distinctive pinstripe detail, providing additional options for graphic wall or floor installations. The Stringer tile, a hexagonal form with subtle tick marks, reinforces geometric aesthetics. Deam intends for these tiles to be smart, fresh, functional, and versatile, serving as a starting point for individuals to express their own design vision, aligning with Dwell's foundational principles. The Concrete Collaborative website provides further information and sample ordering for the Dwell collection. #TileDesign #ConcreteCollaborative #DwellCollaboration #SurfCultureInspired #EncausticTiles #InteriorDesign #ArchitecturalTiles #HomeDecor #ModernTiles

Artist Stephanie Dillon and her husband, Reilly, were captivated by a model home in Eden Prairie, which boasted a blend of whitewashed shiplap and shakes on its exterior, creating a timeless and airy aesthetic. The interior featured light-filled communal spaces, each with a distinct character, moving away from conventional floorplans. The color scheme ranged from calming charcoals and pale neutrals to deep greens and rich terra-cotta, evoking a European atmosphere. Kelli Fontana Vogelgesang, owner of West Bay Homes and the designer behind the model, drew inspiration from her travels to Paris, characterizing the style as French contemporary farmhouse. She envisioned the kitchen as a French pastry shop, integrating multiple layers of meticulously detailed materials throughout the 5,000-square-foot residence. The kitchen's design incorporates three types of glazed tiles for the backsplashes, with a small hexagonal tile chosen for its light-reflecting properties, contributing to an elevated visual experience. Dillon, an acrylic and mixed-media artist known for painting her emotions, found a kindred spirit in Vogelgesang, whose design philosophy also prioritized passion and feeling. Dillon retained Vogelgesang to complete the interior design of their new home. The designer expressed enthusiasm for incorporating Dillon's extensive rug collection. Elements like shiplap and painted charcoal, seen on the exterior, were repeated inside on the basement's fireplace wall and the vaulted ceiling of a lounge area adjacent to the kitchen, along with charcoal-colored square tiles extending from counter to ceiling in the kitchen backsplash. This repetition of color ensures cohesiveness and a holistic progression throughout the home, where all environmental elements relate to one another. Vogelgesang skillfully managed the abundance of materials, preventing a busy or cluttered appearance, much like Dillon blends colors on her canvases. Some design choices stand out, others recede, and some shimmer, collectively defining the mood of each space. The materials coalesce into a balanced and proportionate composition, resulting in a home tailored for an artist. Vogelgesang aims to create spaces that are timeless and elegant without being overly delicate or cost-prohibitive. The lower-level bar area features charcoal shiplap around the fireplace, painted in Sherwin-Williams’s Dorian Gray, and steps down into a sunken media room, showcasing the designer’s preferred brass and gray combination. Brass hardware also adorns the front entry doors. Light fixtures, including those from Mitzi on the library ladder, were strategically chosen. The unexpected entry leads to a "dining hall" that functions as a grand foyer, as described by Vogelgesang. This space features nine-inch-wide-plank white oak floors laid in a herringbone pattern, with ceiling beams bisecting its soaring height, allowing ample natural light. The built-in bar features a backsplash of alternating light and dark neutral tiles, custom cabinetry with dental molding, and a marble sink skirt. Open shelving in the kitchen displays two sizes of backsplash tiles from The Tile Shop, with custom alder wood cabinetry finished with a clear whitewashed stain and brass hardware for an enhanced shimmer. The kitchen, inspired by Parisian pastry shops, includes two islands for ease of navigation, with only one housing a sink to allow for uninterrupted dining on the other. The mudroom boasts large-format heated tiles combined with white oak cabinetry, finished in a whitewash stain, offering an industrial concrete look harmonized with French country cabinetry. A basement guest bath incorporates vibrant color through whimsical floral tiles from The Tile Shop on one wall and Sherwin-Williams’s Perfect Periwinkle on the adjacent wall. The library features a bold mix of Sherwin-Williams paints: Canyon Clay on the walls and Gauntlet Gray in a high-gloss enamel finish on the moldings and doors, complemented by chartreuse chairs. A wide-plank whitewashed cedar wall on the rear deck provides privacy. The prep kitchen off the mudroom embraces color with Waverly Classics wallpaper by York, cabinets painted in Sherwin-Williams’s Green Onyx, and a hammered copper sink, showcasing how personal touches can enhance practical areas. The powder room dazzles with an antiqued mirrored glass tile wall from The Tile Shop, a custom white oak vanity with a marble shelf, and Savoy House sconces. The floors throughout the home incorporate patterned ceramic tiles from The Tile Shop. The home's floor plan, while a traditional rambler, diverges into an unconventional layout where the front entry opens into a vaulted foyer and dining room, serving as a pass-through to the kitchen and great room. #HomeStyle #InteriorDesign #HomeTours #FrenchContemporaryFarmhouse #CustomCabinetry #TileDesign #ArtisticHome #ArchitecturalDetails #EuropeanInfluence

The article discusses the architectural installation "Spirit of the City" by London-based United Visual Artists (UVA) at A/D/O in New York, presented during New York Design Week. This installation is a collaboration with Mini, hosted in their innovative creative space, A/D/O. The primary goal of the installation is to offer a reflective experience within the dynamic urban environment, metaphorically and physically mirroring its surroundings and New York City at large. The installation consists of 9-foot-high modular columns that revolve, creating an immersive experience for visitors. The rotation patterns are not arbitrary; they are based on extensive research into human activity within the city. This research allowed UVA to develop a 24-hour algorithm that dictates the movement of the columns, transitioning from tranquil rhythms to more urgent, dynamic movements. As visitors navigate the space around these colossal totems, they can observe subtle shadows cast onto the ground, forming intricate, poetic patterns that respond to the kinetic energy of the columns. The surface of the columns themselves presents varying perspectives, shifting from serene sky blues to the grittier, industrial aesthetics of A/D/O's creative hub. This visual transformation further emphasizes the interplay between the installation and its urban backdrop. UVA, founded in 2003, is known for its art practice that integrates technology to create experiences that often extend beyond conventional physical boundaries. Their previous works have been showcased globally in prestigious institutions such as the Victoria and Albert Museum and YCAM in Japan. Matt Clark, founder of UVA, poses a fundamental question through "Spirit of the City": do human activities shape urban landscapes, or do urban landscapes, in turn, define human activities? This philosophical inquiry underpins the interactive and reflective nature of the installation. A/D/O itself, located in a converted warehouse in Brooklyn, opened the previous year, featuring a diverse array of design-focused retail, bars, and restaurants, aligning with Mini's broader design agenda. Mini's head of brand strategy and business innovation, Esther Bahne, states that Mini believes in design's capacity to foster a more humane world. A/D/O initially launched with Design Academy, a three-day festival for professional designers to explore cultural themes. "Spirit of the City" marks the space's first major showcase for NYCxDesign since its opening and was on display until 2 September. The installation, through its thoughtful design and interactive elements, invites contemplation on the symbiotic relationship between people and their urban surroundings. #NewYorkDesignWeek #ArchitecturalInstallation #UnitedVisualArtists #UrbanEnvironment #AdoSpace #MiniCollaboration #KineticArt #PublicArt

RH, a prominent home furnishings retailer, has launched RH Contemporary, a new business branch that significantly expands its product offerings through collaborations with a diverse array of global designers. This initiative marks RH's most substantial concept launch since RH Modern in 2015, reinforcing the company's ambitious growth trajectory. The new collection encompasses a wide range of items, from large furniture pieces such as sofas, beds, wardrobes, and outdoor furniture, to lighting, textiles, and decorative objects. The launch of RH Contemporary follows other significant developments for the company, including the unveiling of RH San Francisco, the acquisition of private planes and a yacht for charter, and plans for future locations in Manhattan, Oxfordshire, Paris, London, Milan, and an 'RH Ecosystem' in Aspen featuring the company's first spa. The development of RH Contemporary began prior to the pandemic, with RH leadership strategically using that period to focus on long-term growth initiatives rather than short-term revenue pursuit. A key aspect of RH Contemporary is its multi-tiered approach to elevating production standards and materials. This includes a partnership with Holland & Sherry, an established Savile Row tailor, to supply a comprehensive range of fine textiles for upholstery and curtains. Additionally, the collection features high-caliber Indian hand-loomed throws and pillow covers by textile artist Neeru Kumar, whose work has been acquired by the Victoria & Albert Museum. A significant portion of RH Contemporary's upholstered furniture, including modular leather seating and low linear sofas, is crafted in Italy. To achieve this, RH collaborated with expert Italian upholsterers, ALT in Romagna and Crivellari in Padova, whose founders are prominently credited on the RH website alongside the designers. Italian-sourced materials, such as travertine stone from outside Rome and Arabescato marble, are also widely used, although some fabrication occurs elsewhere. The emphasis on top-tier materials and production, including lacquered burl wood, hand-carved Spanish alabaster, and hand-applied plaster on lighting, is reflected in the collection's higher price points, with items like Jonathan Browning’s ‘Vouvray’ chandelier starting at over $35,000 and Joris Poggioli’s ‘Vitolo’ dining table starting at over $12,000. Gary Friedman, RH chairman & chief executive officer, notes that RH Contemporary items are priced approximately 30 to 35 percent higher than the current RH offerings. While large-scale furniture forms the core of the collection, smaller shoppable items are also included, such as vases and decorative dishes by Brooklyn-based ceramicist Dina Nur Satti, which incorporate her Sudanese and Somali heritage. Friedman expresses strong belief in RH Contemporary's potential impact, stating that it will likely have a greater influence on the company than RH Modern, not only from a design perspective but also in terms of quality. He anticipates that this new venture will redefine consumer perceptions of RH and expand its market aperture significantly. #RHContemporary #DesignerCollaborations #LuxuryFurniture #InteriorDesign #HighEndMaterials #ItalianCraftsmanship #GlobalDesigners #HomeFurnishings