A Conversation With Interior Designer Naomi Coe: The Queen Of Modern Nursery Design

Studio Dass, a design firm based in Portugal, created a modern and comforting nursery room within the Parque Principado shopping center in Oviedo, Spain. The primary objective of this project was to establish a dedicated, private space where parents could attend to their children's needs, such as changing diapers or feeding, in an environment that is both clean and comfortable. This approach acknowledges the unique challenges parents face while shopping and offers a practical solution to enhance their experience. The design successfully translates the intimate and trusting relationship between parents and children into a physical space. The nursery is characterized by its cozy ambiance, achieved through the extensive use of natural wood surfaces and subtle elements inspired by nature. This integration of organic materials aims to create a soothing and visually appealing environment that resonates with both adults and young children. The color palette and material choices contribute to a cheerful and bright atmosphere, which is essential for a space catering to families. A standout feature of the nursery is a gracefully swooping white wall, which not only serves an aesthetic purpose but also offers practical benefits. This wall, along with the changing counter, is constructed from Corian, a durable and non-porous material known for its ease of cleaning and maintenance. The choice of Corian underscores the importance of hygiene and practicality in a public nursery setting. The dynamic form of the wall adds a modern architectural element, preventing the space from feeling sterile or overly functional. Beyond just catering to infants, the nursery also provides a designated area for older children to play. This thoughtful inclusion ensures that the space is versatile and can accommodate families with children of varying ages, allowing parents to focus on their infants while their toddlers are engaged. The overall design prioritizes both functionality and aesthetics, demonstrating how a commercial space can incorporate elements that foster intimacy, love, and trust, ultimately enhancing the user experience within a busy shopping center. The project by Studio Dass showcases a contemporary approach to public facility design, particularly for family-oriented spaces. It emphasizes the importance of creating environments that are not only practical and hygienic but also emotionally resonant and visually stimulating. The use of modern materials like Corian, combined with warm natural elements, results in a nursery that is both cutting-edge and inviting, setting a new standard for parental amenities in commercial establishments. #StudioDass #NurseryDesign #InteriorDesign #CommercialDesign #FamilyFriendly #ModernDesign #Corian #ParentingAmenities

Dublin Design Week, an inaugural event, is set to highlight the contributions of Irish architects and interior designers to both national and international design. The event aims to showcase the significant global influence of Irish designers. One notable figure participating in this event is Maria MacVeigh, an architect and interior designer. After gaining experience in Spain and Chile, MacVeigh established MMV Design in Dublin in 2004. Her design philosophy emphasizes a rigorous process, detailed construction, and the careful selection of materials and finishes, which is reflected in her sophisticated and award-winning interiors. She has a history of collaboration with experienced professionals in the building industry, contributing to her extensive knowledge in the field. Among her distinguished projects is the interior design of Chapter One, a renowned restaurant in Dublin. For this project, MacVeigh meticulously handled every detail, from the specific green-bronze paint on the walls to the various natural stones utilized throughout the space. Chapter One is designed to offer an intimate dining experience, featuring a main area with several nooks, including a secluded demi-salle. A chef’s table is also part of the design, where diners can observe the culinary process from a semi-circular banquette. A central, sculptural marble-topped piece with an integrated induction hob serves as a focal point in the dining room, housing the Gaggenau Experience, which allows guests to witness fine dining preparations up close. The kitchen itself is a display of aesthetic design, featuring stainless steel, deep brown walls, a basalt table, oxblood floor, and green marble worktops. Chapter One undergoes an annual refresh, during which MacVeigh's focus extends to transforming areas like the cloakrooms. Maria MacVeigh's design approach is characterized by a commitment to timelessness, understated elegance, and personalization, moving away from transient trends. This philosophy was evident in a renovated 1950s home project, where she collaborated with her sister. The design aimed to encapsulate the essence of their family home, with a plan that maximized natural light. The project drew inspiration from mid-century modern aesthetics, not only as a homage to their upbringing but also to complement the architectural character of the surrounding neighborhood. Another significant undertaking involved the restoration of a Victorian redbrick property. This project presented the dual challenge of historical preservation and the integration of a contemporary extension and a new kitchen. For this, MacVeigh partnered with Eoin Lyons of LyonsKelly. Lyons, whose expertise lies in finishes, complemented MacVeigh's strengths in architecture, interiors, and fine detailing. Maria MacVeigh is scheduled to participate in a Design Talk at Anantara The Marker Dublin on Thursday, May 22, from 12 pm to 1:30 pm. During this event, she will engage in a conversation with architect and broadcaster Amanda Bone, where she will discuss how her dual professional background provides her with a distinctive perspective on design. Tickets for this event are priced at €35, with a reduced rate of €20 for students. #MariaMacVeigh #InteriorDesign #Architecture #DublinDesignWeek #ChapterOneRestaurant #HomeRenovation #VictorianRedbrick #DesignPhilosophy #AmandaBone

Anne-Sophie Rosseel, an interior and furniture designer, established House of RoRo after identifying a gap in the children's furniture market. Her motivation stemmed from a personal need for functional, ethically produced, and aesthetically pleasing children's furniture for her son that would integrate seamlessly into a home environment, rather than being confined to a playroom. Rosseel found existing options to be predominantly plastic, disposable, and overly cutesy, lacking the longevity and timeless design she sought. The initial prototypes of her furniture were developed for her own home and garnered significant positive attention from visitors, encouraging her to pursue the venture further. The process of creating her own collection offered a refreshing creative freedom, unburdened by client specific demands. The decision to officially launch House of RoRo was solidified when T Magazine expressed interest in featuring the upcoming line, providing an unexpected platform for her fledgling business. House of RoRo operates as a design studio specializing in children's furniture and objects, aiming to balance practicality with artistic expression. A core principle of the brand is the creation of high-quality, sustainable furniture that does not compromise on beauty. The brand's "Interlockables" collection exemplifies this philosophy, featuring flat-pack furniture designed like "puzzle pieces" that children can assemble themselves, with some parental assistance. This design choice addresses the common issue of children's furniture being short-lived and discarded, as House of RoRo's pieces are intended to grow with the child and endure over time. Rosseel emphasizes the importance of ergonomic design over mere cuteness, believing that children appreciate furniture that is comfortable and interactive. The Interlockables pieces are designed to be versatile and timeless, allowing them to fit into various home settings, including living rooms, without needing to be hidden away. Furthermore, recognizing that children's toys often accumulate, the furniture incorporates storage solutions to combine functionality with aesthetics. The brand prides itself on its ethical production practices, manufacturing locally with skilled artisans who receive fair wages. Production occurs in small batches to minimize waste, and even leftover material scraps are repurposed for samples or puzzles, demonstrating a comprehensive commitment to sustainability and conscious design. Her son, Iggy, is credited as a primary inspiration and motivator for the business, serving as the initial recipient and tester of the furniture. The endeavor, while demanding, was also seen as an opportunity to instill in her son the value of hard work in achieving one's aspirations. #InteriorDesign #FurnitureDesign #ChildrensFurniture #SustainableDesign #EthicalProduction #HouseOfRoRo #AnneSophieRosseel #Entrepreneurship #ProductInnovation

London-based interior designer Lonika Chande opted for a unique approach when designing her 2-year-old son Sasha's nursery, eschewing minimalist Scandinavian trends in favor of a cottagecore aesthetic. Influenced by her artistic family background, including her mother, Lucy Dickens (a celebrated artist and great-great-granddaughter of Charles Dickens), and her aunt, a former creative director for The Conran Shop and Habitat, Chande sought to create a room with a distinct point of view. Her design process involved sourcing a variety of vintage furnishings from flea markets and online platforms like Vinterior and Pamono. Notable finds include a dresser with a rich patina that once belonged to a painter, an antique Georgian nursing chair passed down from her mother, and a rattan cow head imported from Morocco. Chande emphasizes that beyond their aesthetic appeal and intriguing histories, these older pieces offer a practical benefit for parents: their pre-existing wear and tear alleviate the pressure to maintain pristine conditions, allowing for a more lived-in and child-friendly environment where minor nicks and dings are embraced rather than worried over. Prior to Sasha's arrival, Chande ensured the safety of the vintage items by making necessary child-friendly modifications. This included re-caning his Victorian crib for added reinforcement and securely bolting an antique, Chippendale-style armoire to the wall. For the flooring, she layered two rugs over the pine floors: a durable IKEA sisal rug designed to withstand the spills and activities of a toddler, topped with a plush checkerboard Berber rug, ideal for playtime. Chande's design philosophy embraced a gradual accumulation of items rather than a fully conceived plan from the outset. She intentionally left spaces within the nursery for future additions, such as travel souvenirs or meaningful gifts from family and friends. This deliberate approach ensures that every accent introduced into the room possesses a unique backstory, complementing the existing vintage treasures and contributing to the room's overarching narrative. The nursery's color palette and patterns were chosen to stimulate curiosity and imagination. Red lacquered trim, vibrant blue curtains, and pops of yellow echo the colors found in the "Alice in Wonderland" wallpaper, a central feature that captivates Sasha. This whimsical wallpaper serves as a backdrop for storytelling and imaginative play, with Chande engaging her son in discussions about the characters. These shared moments of discovery and connection underscore the magical atmosphere of Sasha's nursery, reflecting a thoughtful blend of vintage charm, practicality, and imaginative design. #NurseryDesign #CottagecoreStyle #VintageDecor #KidsRooms #InteriorDesign #ChildFriendlyDecor #CreativeDesign #StorytellingHome #LondonDesign

This article features an interview with Vanessa Rome, an interior designer based in New York City, discussing her career, business philosophy, and personal recommendations. Rome attributes her success to a Type A personality, strong organizational skills, and an unwavering passion for interior design. She emphasizes that her work feels less like a job and more like a calling, which allows her to dedicate long hours and weekends to her projects without feeling burdened. Vanessa Rome Interiors operates as a boutique residential interior design studio in New York City. Rome deliberately limits the number of projects taken on each year to fewer than ten. This approach ensures that each client receives a high level of personalized attention and meticulous care, reflecting the standard of service she would expect as a client herself. A key lesson she has learned in her career is the critical importance of measuring and re-measuring everything to ensure accuracy and prevent errors in design execution. When asked about recommendations for a friend visiting New York City, Rome suggests a culinary and cultural tour. Her top dining picks include Indochine, a long-standing favorite from her NYU days, and upscale Asian restaurants like Nobu and Mr. Chow. For activities, she recommends walking through the neighborhoods of Tribeca and Soho to explore various clothing and furniture stores, indulging her passion for both fashion and home aesthetics. A stroll through Central Park is also highlighted for its people-watching opportunities and scenic beauty. Rome acknowledges the significant contributions of several individuals and groups to her professional journey. She expresses gratitude for the support of her husband and family, who provide her with the freedom and encouragement to pursue her demanding career. Her team also receives recognition, as she states that she could not achieve her goals without their collaboration and dedication. Additionally, she values her fellow interior designer colleagues, who serve as sources of inspiration, guidance, and emotional support during stressful periods. The article also provides contact information for Vanessa Rome Interiors, including her website (vanessaromeinteriors.com) and Instagram handle (@vanessaromeinteriors). The illustrations accompanying the article are credited to photographers Marco Ricca and Julia Lynn. The interview concludes by encouraging readers to nominate other deserving individuals for recognition through Shoutout Miami's platform, reinforcing the community-driven mission of the publication. #InteriorDesign #VanessaRome #Entrepreneurship #NewYorkCity #DesignStudio #WorkEthic #BoutiqueBusiness #PersonalInterview

This article details how Christina Bryant Herbert, founder of the home brand St. Frank, designed her son France’s nursery in her New York City rental apartment. Unlike traditional nurseries filled with new furniture and pastel colors, Christina opted for a sophisticated, personal space utilizing hand-me-downs, vintage finds, and globally inspired textiles from her own company. The nursery also functions as a guest room, with a full-size bed proving useful during the challenging newborn phase. The design approach began with a versatile foundation, involving a soft blue wall color chosen to complement an existing upholstered bed and suitable for a baby's room. For furniture, Christina prioritized character and sustainability, sourcing most items secondhand from platforms like Chairish and 1stDibs. This choice reflects a preference for vintage pieces that can adapt over time, though a new crib was purchased to ensure safety. The overall aesthetic is layered, allowing elements to be easily relocated if the family moves. A key design decision involved using statement curtains instead of wallpaper, a practical choice for a rental apartment. Floor-to-ceiling drapes in St. Frank’s Teal Vines Suzani fabric, featuring a traditional Turkish tree of life embroidery, provide a significant visual impact. These panels offer flexibility as they can be re-hemmed for new windows or even repurposed for upholstery, a more permanent solution than wallpaper. This approach allowed for a strong pattern without the commitment of a landlord-unfriendly alteration. Christina emphasizes the use of forgiving fabrics, particularly washable natural fibers like cotton and linen, often in vibrant patterns that can conceal stains. An example is the Shell Psychedelic Kilim fabric, a Turkish flat-weave replica, used to reupholster a chair. This choice demonstrates a practical yet stylish solution for a child's room, ensuring durability and ease of maintenance without sacrificing aesthetic appeal. The selection of such textiles is crucial in creating a functional and beautiful nursery that can withstand daily use. Textiles and toys are treated as art within the space. An antique kantha quilt, which inspired the founding of St. Frank, hangs above the changing table, along with a vintage American quilt from Christina’s own childhood nursery displayed on a high shelf. While these are cherished pieces, they are positioned out of the reach of playful toddlers. Additionally, stuffed animals are displayed on lower ledges, and unique items like an antique doll’s chair, found by Christina’s mother, are mounted on the wall as decorative elements. This creative use of objects adds personality and a sense of history to the room. Finally, the nursery features a generous arrangement of pillows on the guest bed. Christina, who typically has limits on pillows in her main bedroom, enjoys the freedom to pile them on a bed that isn't frequently made, highlighting the room’s dual function and offering a designer's abundance of textiles. This detail contributes to the overall cozy and layered feel of the nursery, blending practicality with a rich, curated aesthetic that is both personal and adaptable. #NurseryDesign #KidsRooms #HomeDecor #VintageFinds #TextileDesign #RentalDecorating #SustainableDesign #GloballyInspired

Naomi Coe, founder of California-based design studio Little Crown Interiors, led the creation of a luxurious and functional nursery for real estate moguls in Beverly Hills. The 275-square-foot space was transformed into a "cozy, luxurious, and girly" environment for their new daughter, blending existing pieces with modern and traditional elements. The design process began with the client's request to incorporate a cherished Edra sofa, which served as a focal point around which the color palette of whites, pinks, and bronze accents was built. A key aspect of Coe's design philosophy for nurseries is ensuring the baby's crib is placed in a safe and central location. For this project, a Nursery Works crib, chosen for its all-acrylic construction, was positioned on the back wall opposite the sofa. This selection introduced a modern touch that harmonized with the home's traditional architectural features, while also contributing to an open and airy feel within the room. Blush hues and diverse textural elements were integral to achieving the desired aesthetic. Notable additions included a custom Kifu Paris changing table and a striking Alexander McQueen-designed rug. The rug, described by Coe as the centerpiece, introduced a whimsical element characteristic of a nursery while maintaining sophistication through subtle black accents, fulfilling the client's desire for an elegant yet playful space. To further enhance the room's traditional aspects and leverage its architectural features, Coe and her team looked to the ceiling. They collaborated with Rebel Walls to customize a wallpaper design that would fit the high, inset ceiling, creating a distinctive statement piece. The chosen color and pattern added a new dimension to the room, drawing the eye upward and contributing to the overall dreamy and curated atmosphere of the nursery. The project successfully combined practicality with high-end design, delivering a personalized and elegant space for the new family. #NurseryDesign #InteriorDesign #LuxuryInteriors #BeverlyHills #LittleCrownInteriors #HomeDecor #FeminineDesign #ModernLuxury #ResidentialDesign

This article explores seven distinct children's room designs that blend playfulness, whimsy, and style, catering to discerning parents who seek tasteful yet functional spaces for their little ones. These designs span newborn nurseries to rooms for older children, drawing inspiration from various architectural and cultural contexts. The first example is a London penthouse designed by Charu Gandhi, who created a sophisticated yet playful environment for two young children. The design features bespoke bunkbeds with a climbing wall, a desk, and adjustable lacquered cherry red shelves, all incorporating an oceanic theme. The children's bathroom includes charming handmade scalloped tiles and a unique bath, reflecting a blend of whimsy and elegance that ensures the space's longevity as the children grow. Next, a 6,500-square-foot child-friendly home in Ahmedabad, designed by MuseLAB, emphasizes a personal, maintenance-free, and childproof aesthetic. The daughters' bedroom features a watercolor wallpaper and varying levels, designed to stimulate inquisitive minds and adapt as they age. This home, dubbed 'The Nest,' is characterized by fluid and 'homey' elements, fostering warmth and joy. Sonam Kapoor's Mumbai home showcases a maximalist cocooning style, distinguished by Indian craftsmanship. Designer Kavita Singh collaborated on the project, with Jaipur-based fresco artist Vikas Soni painting a whimsical Indian jungle mural in the nursery. Custom furniture, stuffed animals, a 1960s Art Deco chandelier, and Hermès toys contribute to a rich and unique atmosphere. A 6,500-square-foot Hyderabad home, titled 'Equinox' by Studio Nilasha, merges Indian and Dutch cultural influences. The children’s wing, designed for twin daughters, contrasts with the rest of the house by using light oak wood and soft blush accents, avoiding overly feminine decor. This adaptable space features a playroom with a ball pit, reading nooks, a mock play kitchen, and custom cots convertible into standard beds. An Indian tech entrepreneur’s San Francisco house, designed by Alexis Banks Humiston, incorporates Indian spirit through hand-painted Phuljari murals, bone inlay tables, and copper leaf details. The 9,500-square-foot home for three young daughters prioritizes comfort, liveability, and adaptability within a mid-century modern structure, celebrating heritage and family. Finally, a Zen Haven in Bengaluru, a 6,600-square-foot home by Balan + Nambisan Architects, highlights a nursery and daughter’s bedroom. The nursery features playful wallpaper, an arched canopy bed, rounded furniture, and a Montessori-style playhouse with multi-level steps, a magnetic board, and a game zone, promoting creativity and activity while maintaining a serene backdrop. #NurseryDesign #KidsBedrooms #HomeDecor #InteriorDesign #ChildrensRooms #LuxuryHomes #PlayroomIdeas #CustomFurniture

Rebecca Constable, an interior designer known for creating timeless and inviting homes that also accommodate daily life, recently launched Room by Room Interiors. This new venture offers ready-to-go design schemes, providing an accessible and affordable alternative for individuals seeking design assistance without the commitment of hiring a full-time designer. These schemes include comprehensive guidance, from key design principles to specific recommendations for paint colors, furniture, and accessories. Constable's design journey began after transitioning from a career in management consulting and project management at John Lewis. Following the birth of her children, she sought a more flexible profession, initially redesigning her own home and then assisting friends and family, which organically led to the growth of her interior design practice. She notes the significant overlap between project management and interior design, highlighting the organizational aspects crucial to both fields. Her personal home is characterized by a vibrant and layered approach, incorporating color, pattern, and various textures. Each room is distinct, and Constable frequently uses different fabrics to achieve this variety. She also emphasizes the use of natural materials such as oak floorboards, marble tiles, and quartzite counters, embracing the natural wear and tear these materials exhibit over time. Her favorite room is her and her husband's bathroom, which she describes as a calm and luxurious space for relaxation. Constable's design philosophy is deeply influenced by her Swiss grandmother, whose home featured a rich collection of antiques, self-painted oil paintings, and hand-decorated furniture. This eclectic mix of old and new, combined with a love for color and pattern, defines Constable's style. Her own home reflects this sensibility, blending antique pieces with more modern elements. Regarding her latest endeavor, Room by Room Interiors, Constable explains that the platform addresses the challenge many people face in finding the right design elements for their homes. By curating complete design schemes, the service aims to simplify the decorating process for those who lack the time or inclination to research extensively. This initiative makes professional interior design principles and product selections available to a wider audience. Constable also shared a wish list of ten items that align with her design aesthetic and current preferences. These items include a versatile sofa bed from The House Upstairs, a Folia Scalloped Natural Linen Wall Light from Lights & Lamps for architectural detailing, and a Wilmington Reeded Bedside Table from Alfred Newall, valued for its curves and the timeless quality of limed oak. Other items comprise a Frill Pouffe from Six The Residence for bedrooms or dressing rooms, a Dunes Rug from Pelican House x Lucy Williams, praised for its brown and blue color combination, and an Exton Mirror from Vaughan, considered a timeless piece suitable for various spaces. The list also features Marton Side Tables from The White Company for their utility in small spaces, a Ma Ma Lay Rattan Tray from Kalinko for desk or bedside organization, Brass Wiggle Handles from Bias Editions for a fun and luxurious touch, and a Rosemary Willow Diffuser from Bamford, appreciated for its fresh scent and aesthetic appeal. These selections collectively showcase Constable's commitment to functionality, natural materials, and a balanced blend of classic and contemporary elements. #InteriorDesign #HomeDecor #RoomByRoomInteriors #RebeccaConstable #DesignInspiration #Furniture #HomeAccessories #TimelessDesign #NaturalMaterials

Neydine Bak, co-founder of Verhaal Studio and co-creative force behind various concept spaces such as Collective Africa, Bungalo34, and Flamingo Room by tashas, shares insights into her inspirations, personal style, travel preferences, and culinary interests. Her design philosophy is deeply rooted in creating tangible experiences, a passion stemming from her childhood love for special occasions and her mother’s talent for entertaining. This early influence, combined with her grandmother's encouragement of creativity, guided her towards interior architecture, allowing her to curate meaningful spaces. Bak describes her personal style as classic with a distinctive touch, eschewing trends in favor of pieces that resonate with her and tell a story. She emphasizes that her focus isn't on brand names but on how items make her feel, often incorporating unique jewelry to add flair to timeless silhouettes. This approach extends to her work, where she draws inspiration from individuals who appreciate beauty in everyday moments, citing designers like Tristan Auer for his meticulous detail, Hugo Toro for his blend of heritage and modernity, and Laura Gonzalez for her bold use of color and contemporary materials. Travel plays a significant role in her creative process, with bookstores being a favorite destination during her trips. She enjoys exploring independent shops and local boutiques that offer handcrafted treasures reflecting local culture. A notable purchase was an embroidered linen kaftan from Lima, Peru, valued for its traditional craftsmanship and personal significance. Another cherished item is a piece from South African jeweler Pichulik, whose work beautifully merges tradition and luxury, serving as a reminder of Bak’s South African roots. Her aesthetic preferences extend to a monochrome color palette accented with gold and silver, allowing accessories to stand out. Italy holds a special place in her heart for its rich history, architecture, and craftsmanship, which consistently spark new ideas. South Africa, her home country, is another cherished destination, appreciated for its people, landscapes, and culture. Greece is also mentioned for its raw and beautiful scenery, offering tranquility and inspiration. Bak's home reflects her travels, filled with unique glassware, ceramics, and artwork collected from various journeys. She is currently curating a collection of non-matching crockery and cutlery to create playful and culturally diverse table settings. In terms of literature, "The Culture Map" by Erin Meyer has been particularly impactful for navigating multicultural work environments, and "Lean In" by Sheryl Sandberg provides continuous guidance for workplace complexities. While not a frequent TV viewer, she enjoys films and theatre, particularly biopics and documentaries, and finds inspiration in the set designs of movies like "Dune: Part II" and "Jeanne du Barry." A recent stay at Sterrekopje Farm in South Africa introduced her to Agathosma Betulina, a unique herb that inspired ideas for a new residential project and a fragrance. Her music taste is eclectic, ranging from Tame Impala for upbeat afternoons to Nina Simone for relaxed mornings and 80s retro for nostalgia. She also enjoys Purple Disco Machine for dancing with her children. Cooking is another passion, with Ottolenghi, Donna Hay, Thali, and Matt Lindsay among her favorite chefs to draw recipes from. A treasured possession is a colorful, intricately painted pedestal cabinet from Sri Lanka, valued for its unique artistry and the story behind its creation, symbolizing the joy of discovering hidden gems. Bak's diverse interests and experiences continuously fuel her creative approach to interior design. #InteriorDesign #NeydineBak #VerhaalStudio #CreativeProcess #TravelInspiration #PersonalStyle #CulturalInfluence #HomeDecor #ArtAndDesign

Designer Leanne Ford assisted her brother, Steve Ford, and his wife, Andrea, in creating a nursery for their first child, Jack, within their 7,000-square-foot warehouse home in downtown Pittsburgh. Steve Ford had initially converted the industrial space into his residence in 2019, which later accommodated Andrea. The arrival of a baby necessitated a strategic redesign to incorporate a functional and comfortable nursery without relocating. Leanne Ford, known for her work on 'Restored by the Fords' and her design aesthetic, took on the task of transforming a former dining room/dance floor area into a 300-square-foot nursery. The chosen location for the nursery was previously an open area adjacent to an old garage door. Steve Ford undertook the construction, building a new room with double doors and a curved wall. Leanne Ford was then responsible for decorating this windowless space. Her design approach integrated elements from her Crate & Kids line, which had recently been released, featuring whitewashed woods and black accents. This style complemented the existing industrial character of the warehouse home, ensuring the nursery felt like a natural extension rather than a separate, incongruous addition. Steve and Andrea appreciated that the design seamlessly blended with their established home aesthetic. The absence of natural light in the nursery, while initially a potential challenge, proved to be advantageous for a newborn's sleep schedule. To prevent the space from feeling enclosed or dark, Leanne implemented several design strategies. She installed extra-long linen curtains from Etsy on slinky wires in front of the old garage door, which helped to soften the industrial backdrop. Layering rugs on the concrete floors added warmth and texture, making the room more inviting. Despite the 12-foot ceilings, the combination of carefully selected furniture, playful artwork, and varied textures on the walls, floor, and lighting contributed to a cozy and warm atmosphere for the entire family. Leanne Ford challenged conventional nursery layout rules by not pushing all furniture against the walls. Instead, she positioned Jack’s Canyon Spindle Crib closer to the center of the room and brought the bouclé rocker inward. This arrangement fostered a sense of flow and provided easy access for parents from multiple directions. The casual decor extended to leaning artwork on the dresser, a temporary solution until Jack becomes more mobile, and incorporating repurposed drop-cloth art from The Salt Air Farmhouse, which added a whimsical touch to the space. A significant and playful element in the nursery's design is an enormous vintage disco ball, prominently displayed over the center of the room. This choice reflects a shared affection for disco balls between Leanne and Steve, with Leanne having previously designed a disco ball holiday ornament for her Crate & Barrel collection. Beyond its aesthetic appeal, the disco ball serves a functional purpose by reflecting light from the five sputnik-like flush-mount lights, illuminating the space. Steve Ford personally installed all the fixtures, utilizing his Hart Power and Hand Tools, demonstrating his hands-on involvement in the project. The article concludes by listing several products used in the nursery design, including a Homespun Kids Wicker Hamper, Canyon Spindle Crib, Joy Table Lamp, and a Faded Organic Geometric Baby Crib Quilt, all from Leanne Ford's collections. Overall, the project exemplifies a successful integration of a child's space within an unconventional industrial home, maintaining both functionality and a consistent aesthetic through thoughtful design choices and personal touches. #NurseryDesign #WarehouseConversion #IndustrialInterior #LeanneFord #KidsRooms #InteriorDesign #HomeRenovation #SpacePlanning #UniqueDecor

Vancouver-based interior designer Sophie Burke, founder of Sophie Burke Design, has carved a niche for her understated yet sophisticated approach to both residential and commercial projects. Her distinctive style and client-centric methodology have earned her national recognition within Canada. Burke's design philosophy emphasizes creating spaces that authentically reflect the personalities and lifestyles of their inhabitants, eschewing generic trends in favor of bespoke, intimate environments. Burke's design journey began in Vancouver, where she studied art history at the University of British Columbia, followed by interior design studies in London, England. This international experience, particularly her initial role with Sir Terence Conran at Conran and Partners, exposed her to a rich tapestry of design influences, including European aesthetics and Scandinavian styles, alongside a blend of modern and historical architecture. This diverse background significantly shaped her approach, enabling her to draw from a broad spectrum of design elements. Upon returning to Vancouver, Burke established her own studio, concurrently managing her burgeoning career with raising three children. A hallmark of her work is the profound attention she dedicates to understanding her clients. She views each project as a collaborative journey, often spanning two to four years, during which she delves deeply into clients' hobbies, passions, daily routines, and functional needs. This meticulous process ensures that the resulting interiors are not only aesthetically pleasing but also highly functional and deeply personal, avoiding repetitive or formulaic designs. Burke notes that the year 2020 saw a significant shift in interior design priorities, partly due to global circumstances that encouraged more time spent at home. This led to an increased investment in home renovations and a heightened demand for spaces that offer comfort and appeal. Key areas of focus for clients included dedicated home offices, serene bedrooms, and personal wellness spaces, such as areas for practicing yoga, indicating a move towards creating functional and calming environments within the home. A prominent trend observed by Burke is the growing preference for natural materials, textures, and organic elements. This trend reflects a desire to foster a connection with the natural world, especially as individuals spend more time indoors. She anticipates a rise in the use of green hues, specifically mossy, forest-like tones, in 2021, further emphasizing this connection to nature. Additionally, disruptions in global supply chains have inadvertently spurred a positive development: a greater emphasis on sourcing local design and products. Burke highlights several Canadian companies and florists, such as Provide Home, Barter Design, Lock and Mortice, Marmalade, The Wild Bunch, and Quince, as exemplary local businesses contributing thoughtful and beautiful products to the design landscape. #InteriorDesign #HomeDecor #SophieBurkeDesign #VancouverDesigner #DesignTrends #PersonalizedInteriors #NaturalMaterials #LocalDesign #PostPandemicDesign

Nicole Crowder, a renowned upholstery professional, has recently returned to her hometown of Minneapolis, bringing her distinct and vibrant design aesthetic to the Twin Cities. Her work is characterized by bold colors, intricate patterns, and unexpected details, distinguishing her from a local design scene that she describes as generally more subdued. Crowder's creative approach is evident in her custom-designed chairs, loveseats, stools, and other furniture pieces, which are highly sought after by designers and homeowners nationwide. Crowder's journey into upholstery began in 2013 as a side pursuit while working as a photo editor. By 2017, her passion for the craft led her to dedicate herself fully to upholstery. Her self-taught expertise largely stems from extensive research on YouTube, where she meticulously studied various techniques like topstitching and different blind stitches. She honed her skills through practical, hands-on experience, often acquiring inexpensive practice chairs from Craigslist, thrift stores, antique markets, and even roadside finds. This period of trial and error in her living room formed the foundation of her current mastery. Fashion serves as a significant source of inspiration for Crowder, influencing her preference for incorporating unique details, buttons, zippers, and unconventional fabrics into her furniture designs. She enjoys projects that allow for experimentation, enabling her to infuse pieces with narrative elements, such as feathers, paper flowers, or fringe, to enhance texture and layering. Despite her vibrant professional and home aesthetics, Crowder admits her personal wardrobe leans towards neutrals, considering her furniture as an "alter ego" where her love for color and patterns truly shines. Since her return to Minneapolis in February, Crowder has embraced a phase of rediscovery, actively exploring the city's design, culinary, music, and arts scenes. She expresses excitement about connecting with other local creatives, who, in turn, introduce her to hidden gems across the city, including shops, parks, and architectural styles. This exploration is crucial for her to understand how people utilize and maximize their home spaces and daily activities, which informs her contribution to the local design landscape. Crowder's ambition is to infuse more energy and boldness into the Twin Cities' design scene. While appreciating the existing "chill energy" of Minnesota, she aims to elevate it with her signature style, characterized by bright colors, dynamic patterns, and an overall sense of vibrancy. She envisions her pieces, such as a Moroccan blue chair with an orange stripe, becoming iconic representations of her unique "stamp" on the community. Her personal favorite shopping spots for furniture and fabric include MidModMen+friends, Loft Antiques, Marva’s Place, and SR Harris Fabric, valuing their diverse and curated selections. She also enjoys the city's culinary offerings, frequently visiting establishments like Rosalia, Martina, and Barbette, and finds inspiration in the outdoor spaces and cultural institutions like the lakes and the Minneapolis Institute of Art. #Upholstery #FurnitureDesign #InteriorDesign #NicoleCrowder #MinneapolisDesign #HomeDecor #CreativeEntrepreneur #Artisan

Tina Norden, the Interior Designer of the Year at The Brit List Awards 2021 and a partner at Conran and Partners, recently discussed her career and design philosophy. Norden's consistent presence and influential voice in the industry throughout the pandemic, addressing emerging trends, the impact on hospitality, inclusive design, and quality craftsmanship, earned her this prestigious recognition. Her dedication extended to mentoring junior team members and managing large-scale projects remotely, maintaining a positive and productive environment. Norden's passion for interior design and architecture stems from both her upbringing and personal interests. Her father, a landscape architect, and her formative years in Hamburg, Germany, a city known for its creativity, significantly shaped her career path. At 18, she moved to London, drawn by its vibrant music scene, and pursued higher education in architecture and design. A pivotal year-out placement at Conran and Partners solidified her belief that it was the ideal environment for her. During her time at the Royal College of Art (RCA), where she completed her Part II, Norden further developed her interest in interior architecture through a course that uniquely combined design and architecture. She continued her involvement with Conran and Partners throughout her studies and beyond, relishing the creative freedom and collaborating closely with Sir Terence Conran on notable projects. Her design approach emphasizes enduring style over fleeting fashion, a principle she attributes to Sir Terence Conran himself. This philosophy ensures that her projects are both aspirational and long-lasting. Over her career at Conran and Partners, Norden has revitalized numerous projects and led her team with an empathetic style. Her impressive portfolio includes the German Gymnasium, Skylon, South Place Hotel, Finsbury, and the Maximilian Hotel in Prague. More recently, she completed the new Park Hyatt hotel in Auckland, FEAST within Hong Kong’s EAST hotel, a new dining destination and members’ club at London’s Taj Hotel, and the Peninsula Boutique and Café in Hong Kong. Norden and her team also played a significant role in the HIX Event 2021, where they designed the WFHotel installation. This collaborative project explored how changing consumer attitudes towards working from home/hotel could reshape conventional lobby designs. Norden’s contribution focused on fostering community-focused interactions within these spaces, reflecting her commitment to human-centric design. This interview is part of an editorial series sponsored by GROHE, the Broadcasting Partner of The Brit List Awards 2021. #InteriorDesign #HotelDesign #Architecture #ConranAndPartners #TinaNorden #BritListAwards #HospitalityDesign #DesignTrends #LuxuryInteriors

Christie Tonnessen, founder of Tonnessen Studio, was determined to create a dream nursery for her daughter, Parker, despite living in a rental home. Drawing on her expertise in interior design and marketing for design brands, she developed a plan that focused on impactful, portable elements and cost-efficient details. Tonnessen opted for a curated color palette inspired by a sage green floral fabric from Chelsea Textiles, applying it to ceiling trim, baseboards, and closet doors to infuse character into the previously plain guest room. A key feature of the nursery is a custom-designed daybed, which Tonnessen envisioned as a cozy nook for nursing and comfortable overnight stays. With landlord approval for minor construction, she created a daybed that appears built-in but is actually a twin bed frame and paneled section designed to slide out, simplifying bed-making. The daybed area is further enhanced by custom curtains and a matching Roman shade from Everhem, framing the space and giving it a distinct, cocooning feel. To personalize the nursery, Tonnessen incorporated meaningful touches. Despite assumptions that she would have a boy, she leaned into an animal theme for universally appealing decor. A wicker elephant side table evokes memories of her honeymoon in Thailand, while framed photographs of baby zebras capture her safari experiences. Her husband, Bobby, contributed by finding wall turtles at a flea market, including a baby turtle in the set. Family heirlooms also feature prominently, such as a dresser from Tonnessen's maternal grandmother and an antique French mirror. Navigating the room's layout presented challenges due to its three windows, two doors (including one to a Jack-and-Jill bathroom), and two sets of closet doors, limiting available wall space. Tonnessen strategically placed the crib along the most open wall, while the daybed created a dedicated corner for feeding and reading. The window seat was revitalized with new wall lights and cushion upholstery, becoming a favorite spot for Bobby. The design ensures ample floor space for Parker as she grows and becomes more mobile, with pillows available for comfort against the daybed or window seat. Flexibility and resourcefulness were central to Tonnessen's design philosophy, given the rental constraint. She chose drapery for pattern instead of fabric-wrapped walls, as curtains can be re-hemmed for future homes with different ceiling heights. Similarly, a generously proportioned custom wool rug from Bellbridge was selected with future adaptability in mind, allowing for it to be cut down and re-bound if moved to a smaller space. These thoughtful decisions underscore a practical yet stylish approach to designing a temporary home, reflecting the demands of new parenthood. #NurseryDesign #RentalFriendlyDecor #KidsRooms #InteriorDesign #SpacePlanning #PersonalizedDecor #DIYDesign #FamilySpaces #CreativeSolutions

The article presents a curated list of the top ten design stories of 2022, as selected by Wallpaper*'s design editor, Rosa Bertoli. The year marked a significant return of design weeks and events to the global stage, fostering an environment rich with innovation and creativity. The selection encompasses a diverse range of design narratives, from exclusive interviews with prominent figures in the design world to groundbreaking projects and new conceptual spaces. One highlight includes the 2023 horoscopes by Studiopepe, which explored the zodiac signs of renowned 19th and 20th-century designers. Chiara di Pinto and Arianna Lelli Mami of Studiopepe discussed the fascinating connection between astrological traits and the design philosophies of figures like Ludwig Mies van der Rohe (Aries, 'less is more'), Verner Panton (Aquarius, visionary), and Charlotte Perriand (Sagittarius, adventurous). They also noted Ettore Sottsass, a Virgo, whose need for order in everyday life contrasted with the chaos he contained internally, offering a fresh perspective on the geometry in his work. Another significant feature was Kelly Wearstler, a prominent American designer and Wallpaper*'s guest editor for the October 2022 issue. The article delves into her Beverly Hills home, exploring her insights on technology, craft, and her extensive portfolio of interior projects. Wearstler's influence, almost 13 years after being dubbed 'the presiding grande dame of West Coast interior design,' continues to grow, marked by her bold interiors, furniture design ventures, and a substantial social media following. The Tígín Tiny Homes project by Irish social enterprise Common Knowledge presented an alternative to conventional renting solutions. These mobile small homes, whose name means 'small house or cottage' in Gaelic, are designed with thoughtful considerations and eco-conscious materials, making their building information freely accessible. This initiative aims to inspire self-build projects and offer sustainable living options without being a universal housing solution. The article also features an interview with British-Nigerian designer Yinka Ilori, held in his new London studio ahead of his first solo exhibition at the Design Museum. Ilori discussed how traditional Nigerian parables and African fabrics deeply influence his work, emphasizing the power of storytelling as a core element of his creative process. Studio Formafantasma's new Milan studio, located in Assab One, is showcased as a testament to designers Andrea Trimarchi and Simone Farresin's ability to create holistic and aesthetically pleasing designs. The studio, which doubles as an office and home, features bespoke furniture designed to adapt to the post-COVID workspace, reflecting the blurring lines between professional and domestic environments. Collaborations in design are also highlighted, such as the all-season tent developed by Icelandic outerwear brand 66 North and German innovator Heimplanet. This tent, inspired by Icelandic shelters, boasts a geodesic dome structure, inflatable framework, and robust weatherproof materials, designed for extreme conditions and accommodating up to four people. An exclusive interview with Danish designer Bodil Kjær, celebrating her 90th anniversary, sheds light on her philosophy. Kjær, who defines herself not as a furniture designer but as an 'environment designer,' emphasizes solving defined problems with creations that serve as 'elements of architecture,' rigorously considering structure, functionality, and aesthetics. Molteni & C's new pavilion complex in Giussano, designed by creative director Vincent Van Duysen, integrates hospitality into the brand's architectural history. Inspired by Luca Meda and Aldo Rossi’s original showroom, the pavilion serves as a reception, restaurant, and hospitality space, surrounded by gardens, embodying the synergy between architecture and furniture. The Terra Carta Design Lab, founded by King Charles III and Sir Jony Ive, is recognized for its commitment to regenerative design. This initiative champions young designers developing high-impact, low-cost solutions to the climate crisis, emphasizing a shift from merely sustainable practices to restorative ones. Finally, the article explores the growing movement of regenerative design, with architect Michael Pawlyn advocating for a paradigm shift from sustainable practices to actively restoring ecosystems. This approach, which aims for humans to co-evolve with nature, involves nurturing biodiversity and reducing carbon footprints in the production of homes, infrastructure, furniture, and food, emphasizing integration with the web of life rather than separation. #DesignTrends #InteriorDesign #Architecture #DesignInnovation #SustainableDesign #DesignerInterviews #HomeDesign #RegenerativeDesign #LuxuryInteriors

Designing a nursery for a newborn offers a joyful and imaginative experience, but it also necessitates forward-thinking to ensure the decor adapts as the child grows. This article provides expert tips for creating a chic yet playful nursery. The first tip emphasizes choosing a timeless design scheme. For instance, Anusha Nanavati of Anusha Nanavati Design Studio created a classic, warm, and positive nursery for Sonam Kapoor Ahuja's son, Vayu, featuring organic tones of wood and rattan. Similarly, Sarah Sham of Essajees Atelier designed a nature-inspired nursery for her daughter, prioritizing an uncluttered space with accessible furniture and convenient toy storage, along with a sofa-cum-bed for parental comfort. The second tip advocates for moving beyond traditional pinks and blues. Nishil Shah, founder of Studio Hasta, suggests a youthful, gender-neutral envelope with whimsical elements that avoid overstimulation. He stresses designing nurseries to be adaptable for 5-10 years, allowing for flexible layouts where items like toy bins can be replaced with study furniture as the child matures. Sonam Kapoor's nursery, for example, features custom jungle-themed wallpaper in a monochromatic palette, making it age-appropriate for longer. The third tip focuses on adapting the nursery layout for siblings. Rachna Agarwal of Studio IAAD advises designing shared bedrooms that consider each child's personality and promote visual cohesion. She suggests innovative solutions like bunk beds with a crib underneath to maximize space, which can later be converted into a full bed as the younger sibling grows. The fourth tip highlights the importance of balancing utility and aesthetics. Sahiba Madan of Insitu by Kalakaari Haath exemplifies this by creating cozy, whimsical, and tropical-inspired nurseries that seamlessly integrate with the home's existing decor. She successfully designed a compact 100-square-foot nursery using dry partitions and functional, aesthetically pleasing furniture, such as a floral upholstered couch that also serves as a napping spot. Visual connectivity was maintained through a white paneled door with glass infills. Finally, the fifth tip recommends selecting a playful yet serene color palette. Vinithra Amarnathan, founder of Weespaces, suggests using wallpaper or paint to introduce patterns and playfulness, as these can be easily updated over time. A calm and happy color scheme ensures the nursery harmonizes with the rest of the home, creating a restful and inviting environment for the child. #Nursery #NurseryDesign #KidsBedrooms #HomeDecor #InteriorDesign #ParentingTips #SonamKapoor #TimelessDesign #SpaceSaving

Fariha Nasir, a Houston-based, self-taught interior decorator and DIY enthusiast, has gained prominence through her popular home décor and DIY blog, “Pennies for a Fortune.” Her work focuses on budget-friendly DIY projects and home renovations, offering a comprehensive approach to home organization and design that extends beyond simple decluttering. Nasir's blog has cultivated a large community of design and DIY enthusiasts who are inspired by her practical and aesthetic solutions for creating personalized living spaces. Nasir's design philosophy is characterized by her ability to blend her South Asian cultural heritage with contemporary design elements, resulting in unique and culturally rich interiors. Born and raised in Pakistan, she brings a background in fine art and a keen appreciation for rich textiles to her work. She emphasizes the importance of inspiration, noting that a significant aspect of her job is to empower others, particularly women from South Asia, to undertake their own DIY projects, as such activities are not traditionally common in her home region. Her personal journey into interior design began with a builder-grade house she purchased with her husband, Hassaan, and their son, Zaki. Initially lacking experience with power tools, Nasir was inspired by other women on social media who were successfully completing DIY projects. Driven by a desire for a custom home without the budget for professional designers and contractors, she embarked on a self-taught path, learning to use power tools and execute simple projects to achieve a high-end designer look at a fraction of the cost. Over two years, she transformed her 3,400-square-foot house into a cozy, family-friendly space. Nasir's growing influence has led to her work being featured in a reality series titled “Problem Spaces,” which is now available for streaming on HBO Max via Magnolia Network. This series further amplifies her reach, allowing a broader audience to witness her transformations and learn from her DIY expertise. Her dedication to making custom home design accessible and her ability to inspire others have established her as a notable figure in the home décor and DIY community. #FarihaNasir #InteriorDesign #DIYHomeDecor #HomeRenovation #PenniesForAFortune #PakistaniAmerican #CulturalHeritage #ProblemSpaces #HGTV