'Modern style can be so sterile' – how one designer softened the look with heirloom pieces in a transitional design masterclass

This article explores a curated selection of vintage design classics that have been reissued with modern technologies and sustainable updates, demonstrating how iconic pieces from the past can be reimagined for contemporary living. The focus is on a variety of furniture and lighting designs from leading brands and design masters, each offering a blend of historical significance and renewed functionality. One featured piece is the ‘Parigi’ armchair by Aldo Rossi, reissued by UniFor. Originally part of Rossi's vision for an ideal office at the end of the 1980s, this armchair exemplifies his architectural background combined with furniture functionality. Its distinctive slanted black aluminium frame supports a bright red, surprisingly soft polyurethane foam seat, reflecting Rossi's desire to translate personal, fantastic elements into rational, repeatable pieces. The reissue, a Wallpaper* Design Award 2022 winner, maintains the original aesthetic while adapting to modern sensibilities. Charlotte Perriand’s ‘Petit Bureau en Forme Libre’, reissued by Cassina, is another highlight. Designed in 1952 for Perriand's own Montparnasse studio, this freeform desk showcases her pioneering approach to design with its curved forms that allow flexible use. Crafted from solid Canaletto Walnut and available in black, the updated version includes an optional compartment for sockets and cables, seamlessly integrating modern practicalities without compromising its innovative form. This piece also received a Wallpaper* Design Award 2022. The ‘265 Chromatica’ lamp by Paolo Rizzatto for Flos, designed in 1973, is reissued in its original colour-coded concept. Rizzatto's first lighting design, the lamp was initially based on drawings using blue for the moving arm, yellow for the counterweight, and red for the lampshade. This new chromatic edition celebrates Rizzatto's belief that colour defines light and its function within architecture, earning it a Wallpaper* Design Award 2022. The article also revisits Clara Porset’s ‘Butaque’ chair, reissued by Luteca. Porset, a Cuban-born designer who worked in Mexico, is celebrated for her reinterpretation of the traditional Latin American 'Butaque' chair, merging Spanish colonial and pre-Colombian forms. Luteca collaborated with the National Autonomous University of Mexico to faithfully recreate Porset’s 1940s design. CB2 has reissued several pieces by American designer Paul McCobb, including the 1952 ‘Pavilion’ outdoor collection and the 1951 ‘Exposior’ lighting range. The ‘Pavilion’ collection features delicate iron frames and Sunbrella fabrics, while ‘Exposior’ lighting combines brass, wood, and travertine, making these designs accessible to a wider audience while preserving McCobb's legacy. Mario Bellini's ‘Camaleonda’ sofa, designed 50 years ago, is reissued by B&B Italia with a strong sustainable focus. While retaining its modular, contemporary aesthetic, the internal structure is now made from FSC-certified beech wood and recyclable materials, with feet from recycled wood, emphasizing ease of disassembly and environmental responsibility. Very Good & Proper and Isokon Plus have reissued two tables by Bauhaus designer Marcel Breuer, based on blueprints from 1937. One was previously produced at Bauhaus, while the other remained unproduced. The reissue utilizes energy-efficient and environmentally conscious processes, honoring the original experimental designs and their inherent modernist values. Another Mario Bellini design, the ‘Duc-Duc’ sofa from 1976, has been reissued by Cassina. This modular piece, reflecting the free design spirit of its era, maintains faithfulness to the original while incorporating updated measurements and materials for enhanced comfort, including a 100% recycled fibre made from ocean-recovered PET. Acerbis, under new creative direction, has relaunched Giotto Stoppino’s ‘Menhir’ tables. These totemic compositions of colourful marble modules, originally created with company founder Lodovico Acerbis, represent a blend of pioneering Italian design and a commitment to bringing iconic midcentury pieces back to life. Nanna Ditzel’s ‘Arkade’ chair, originally designed in 1983, has been revisited by Brdr Krüger. This piece showcases Ditzel’s blend of traditional craftsmanship, new materials, and elegant geometries, with customization options for fabrics like Kvadrat’s ‘Hallingdal’. Gianfranco Frattini’s ‘Kyoto’ table, inspired by Japanese and Northern Italian woodworking techniques from his 1974 trip to Japan, has been reissued by Poltrona Frau. This table features an interlocking structure with a grid surface of 1,681 squares, where wooden elements dovetail to create a self-supporting, reconfigurable composition, embodying functional design without superfluous decoration. Finally, Cassina and Ginori 1735 collaborated to reissue Le Corbusier’s ‘Prunier’ tableware. Created in 1961 for London’s Prunier restaurant and inspired by his earlier tapestry work, these plates feature stylised motifs hand-applied on enameled white porcelain, merging quality and form. Achille Castiglioni’s ‘Diabolo’ lamp, his last lighting design for Flos from 1998, also returns in three new shades, maintaining its minimal design while referencing traditional Chinese toys. #VintageDesign #DesignClassics #FurnitureDesign #LightingDesign #SustainableDesign #ModernistDesign #ReissuedDesign #InteriorDesign #HomeDecor

Transitional style in home design represents a fusion of traditional and contemporary elements, offering a balance that is both timeless and adaptable. It emerged in the 1950s as a response to the starkness of mid-century modern design, incorporating the clean lines and bright aesthetic of the era while adding the warmth and character found in traditional styles. Unlike purely traditional design, which is deeply rooted in 18th and 19th-century aesthetics with a strong emphasis on symmetry, order, and often heavier, darker furniture, transitional style offers a more relaxed and playful approach. Casey Hardin, a designer from Decorist, describes transitional style as having its roots in traditional design but being more laid-back. It uses traditional design as a foundation, then integrates contemporary pops of color and accent pieces. This blend ensures the space remains timeless without feeling as formal or stuffy as a strictly traditional room. Traditional design prioritizes symmetry, creating a peaceful environment with often neutral color palettes and a sense of predictability. Its furniture tends to be darker and heavier, and it features ornate patterns and heavy drapery, which can sometimes feel too intense for modern sensibilities. The key distinction between traditional and transitional style lies in the latter's brighter and more playful nature. Transitional design allows for the incorporation of modern elements such as funky wallpaper, mixed-metal tables, or tables combining wood bases with marble tops. This flexibility enables homeowners to experiment with current trends without the risk of the room becoming quickly dated. The goal is to achieve a look that remains relevant for several years, essentially a traditional style with a contemporary twist, allowing for a gradual transition rather than a complete overhaul. To successfully achieve a transitional look in a home, the advice centers on a strategic mix of old and new. It is recommended to select large furniture and investment pieces in a traditional style to ensure longevity and avoid quick regret. Complementing these with contemporary accents like throw blankets, pillows, side tables, and lighting allows for trendy updates without significant financial commitment. Retailers such as Target's Threshold collection, Pottery Barn, and Bed, Bath & Beyond are suggested for affordable transitional furniture and accents, while Lulu & Georgia and West Elm offer more contemporary pieces. Six specific tips for nailing the transitional aesthetic include: focusing on a few traditional statement pieces, highlighting original architectural features like exposed beams or crown molding, using modern accent pieces for contrast (especially light fixtures), adding coordinated pops of color to liven up the room, varying textures and tones in fabrics for a polished look, and blending contemporary art with traditional frames or mirrors. This last tip encapsulates the essence of transitional design, creating an inviting atmosphere that combines sophistication with approachability, signaling that the space is beautiful yet comfortable enough for relaxation. #TransitionalStyle #HomeDesign #InteriorDesign #DecorTips #TraditionalStyle #ContemporaryDesign #HomeDecor #DesignTrends

Traditional home design, encompassing styles from coastal grandmother to grand millennial, is experiencing a resurgence in popularity. Unlike modern or contemporary designs, traditional spaces are characterized by a soulful, rich, and warm aesthetic. Crafting such an environment can be more intricate, requiring careful attention to detail and layering. One effective technique to enhance a traditional space is through mixing patterns. Jennifer Beek Hunter, an interior designer, advises focusing on a consistent color palette while varying the scale and proportion of prints. For instance, combining a large floral chintz with a subtle pinstripe can create a fresh yet traditional feel. If pattern mixing proves too challenging, Sarah Solis suggests repeating the same patterns throughout a room or using identical patterns in different colorways to achieve a cohesive look. Comfort is paramount in traditional homes, particularly for seating. Betsy Burnham, principal designer at Burnham Design, emphasizes the importance of plush, deep, and well-tailored sofas and chairs that invite relaxation. She recommends fabrics like washed denim, Belgian linen, and cotton velvet for their appealing texture and durability, though she encourages personal preferences if other materials offer similar comfort. The goal is to create furniture that people genuinely want to spend time in. Layering furniture and decor from various eras is another key aspect of traditional design. Rita Naffas, from Rita Naffas Design, highlights that the best traditional spaces feature classic, timeless pieces that appear to have been accumulated over generations or travels. To maintain interest and relevance, she suggests integrating vintage and modern decor and art. For those without inherited pieces, antique stores and estate sales offer excellent alternatives for acquiring items with a lived-in feel. Adding a stair runner can instantly elevate traditional homes with multiple stories. Kate Marker notes that a striped or playful patterned runner introduces whimsy, while a natural jute runner provides texture and warmth underfoot. Beyond aesthetics, stair runners offer practical benefits by improving safety, especially in households with children or elderly individuals, by reducing the risk of slips and falls. Wallpaper is an essential element for embellishing traditional spaces, offering a richness and depth that paint cannot replicate. Victoria Holly of Victoria Holly Interiors explains that wallpaper, whether featuring a traditional pattern or a grasscloth texture, consistently contributes to a more traditional aesthetic. Sources like Red From Scalamandré provide a diverse range of classic yet bold prints for maximum design impact. Finally, internationally curated details are crucial for making traditional homes truly unique. Sarah Rosenhaus points out that a traditional space is defined by elements such as beautifully wallpapered walls, luxurious drapes with intricate pleats, and well-placed antique pieces. Decorative crown molding, ornate lighting, and richly patterned rugs further contribute to this layered and maximalist approach, where a “more is more” mentality often prevails. By incorporating these elements, homeowners can successfully create a traditional and inviting atmosphere. #TraditionalDesign #InteriorDesignTips #HomeDecoration #PatternMixing #ComfortableSeating #StairRunner #WallpaperTrends #AntiqueDecor #LayeredDesign

Colton Dixon Winger, cofounder and owner of the styling agency Cuniform, has expanded his expertise from personal wardrobe curation to sustainable home design. Winger’s approach, rooted in the philosophy of repurposing existing items and sourcing vintage or pre-owned goods, mirrors his successful strategy in fashion. His venture into interior design began with "rearranging services," where he would reorganize a client's current furniture and decorative items to create more cohesive and intentional spaces. This hands-on method stems from his lifelong interest in architecture and interior arrangement, a passion he cultivated since childhood by constantly reconfiguring his own room. Now, Cuniform Interiors operates with a dedicated head of design, Bethanie Jones, and offers comprehensive services, including 3D renderings, structural modifications, and full kitchen remodels. A significant challenge in this expansion has been adapting the sustainable ethos from clothing to home furnishings, as the logistics of transporting and sourcing larger items differ considerably. However, the core principle remains consistent: prioritize what a client already possesses and, when new items are necessary, seek out sustainable and second-hand options. One notable project involved Mia Malave, a long-standing styling client of Cuniform, who sought Winger’s help when moving into a midcentury modern home in West Seattle. Malave desired an open, interconnected living space where conversations could easily flow between the living room, dining room, and kitchen. Her existing kitchen, however, was enclosed by walls and low-hanging cabinets, obstructing the desired open-plan feel. Winger collaborated with Casual Surveying Co., a local design-build firm, to dismantle these barriers, creating an open-concept kitchen furnished with midcentury-appropriate walnut cabinets and a central oak island. For Malave's guest room, Winger skillfully repurposed her existing rug, table, and other decor, augmenting them with unique finds like a vintage metal ladder from Epic Antique to serve as a blanket holder. The furniture for the ground floor was meticulously sourced, with nearly every piece being vintage or recycled. This commitment to intentional, sustainable sourcing often requires patience, as clients may need to wait longer for the perfect, ethically acquired item rather than settling for readily available new products. For instance, a Parisian desk was acquired from local antique dealer Kassie Keith, and a large bamboo dining table was found on Craigslist for a mere $100, complemented by refurbished German chairs. After several attempts to find a suitable sofa, Bethanie Jones located an investment-quality 1970s Milo Baughman piece from her warehouse, which became a central element in Malave’s living room. Malave, still searching for a coffee table, has embraced the deliberate pace and vintage aesthetic, acknowledging that her preference for timeless, well-preserved older items aligns perfectly with the midcentury character of her home. The process highlights Cuniform's dedication to functional design and conscious consumption, demonstrating that beautiful, meaningful spaces can be created through thoughtful selection and repurposing rather than relying solely on new purchases. #HomeDesign #InteriorDesign #SustainableDesign #VintageFurniture #MidcenturyModern #Repurposing #ConsciousConsumption #WardrobeCurator #SeattleInteriors

The article explores the perennial question of whether to follow interior design trends, gathering insights from various interior designers on how to approach trends in a way that results in a stylish yet timeless home. The author highlights that the year's trends have emphasized an anti-trend sentiment, with transitional styles dominating over fleeting micro-trends. This shift prompts a deeper discussion on the longevity and impact of trend adoption. Catherine Ebert, an interior designer, suggests that trends are acceptable in moderation and only when they align with personal preferences and the existing home aesthetic. She advocates for integrating new trends subtly, using them to complement existing furnishings rather than replacing everything. Ebert provides an example of combining organic shapes with geometric elements, demonstrating how contrast can create a more engaging and interesting space. Kati Curtis, another designer, echoes this sentiment, stating her preference for creating spaces that blend various styles to achieve a unique and timeless aesthetic. She emphasizes curating environments that possess character and history, always considering the home's architectural style to avoid the transient nature of trends. Curtis also acknowledges that exposure to design and art shows inevitably influences her, but she reinterprets these influences to maintain a cohesive and enduring design. The inherent downside of blindly following interior design trends is the risk of creating a home that quickly becomes outdated, necessitating frequent overhauls. To circumvent this, the article promotes adopting a transitional style, which involves harmonizing diverse styles, eras, and trends. This approach prevents a home from being overly committed to a single, potentially short-lived look. Jennifer Davis, a designer, emphasizes that homes should reflect the inhabitants' personalities and stories, rather than merely current popular styles. She warns against the costly and unsustainable practice of constantly updating interiors to keep up with trends, instead advocating for investments in well-crafted, timeless pieces that are both eco-friendly and contribute to a beautiful, lasting home. In considering how to thoughtfully incorporate trends, the primary recommendation is to select only those that genuinely resonate and integrate seamlessly with the home's existing aesthetic. It is advised against undertaking extensive and expensive renovations solely to align with a current trend. For those drawn to potentially ephemeral trends, like the author's fondness for wavy pieces, the advice is to introduce them through small, inexpensive items that can be easily replaced. Bethany Adams, a designer, suggests experimenting with throw pillows or decorative vases, which allow for personal style exploration without significant financial commitment. She cautions against investing heavily in trendy furniture or architectural modifications unless thoroughly considered and potentially with professional guidance, as today's trend can quickly become tomorrow's faux pas. Jennifer Walter offers a concluding piece of advice: if there is any hesitation regarding a trend, it is best to wait. If a trend demonstrates longevity, it will likely become accessible at more affordable price points in mainstream stores. When uncertainty persists, limiting trend adoption to smaller, easily changeable accessories like pillows or candlesticks is prudent. Major, permanent alterations such as tiling floors or painting kitchen cabinetry should be approached with caution. However, if working with an interior designer, trusting their expertise and understanding of personal comfort zones is encouraged. #InteriorDesign #HomeDecor #DesignTrends #TimelessDesign #TransitionalStyle #HomeStyling #DesignPhilosophy #SustainableDesign

Momina Watton, the visionary founder of Atelier278, shares insights into her creative journey and the philosophy behind her furniture designs, which emphasize modern aesthetics, natural materials, and meticulous craftsmanship. Watton's design philosophy is characterized by a "classic with a twist" approach, evident in her personal style and the interiors of her apartment, which combine luxurious materials like marble, linens, and velvets with contemporary chrome and stainless-steel accents, creating unexpected yet harmonious pairings. This consistent aesthetic has been a part of her life since childhood, with her interiors brand, Atelier278, solidifying these long-held inspirations. Her creativity, though not formally studied in art or design, manifested in everyday activities from a young age, such as elaborately setting tables for Saturday morning breakfasts. This innate creative drive eventually led to her career in furniture design. A significant source of inspiration for Watton is Roman architecture, particularly its enduring use of natural stone. The timeless appeal of marble columns and travertine buildings serves as a constant reminder that classic design and natural materials possess lasting relevance. This appreciation for the historical use of stone informs her contemporary pieces, ensuring they feel both ancient and modern. Watton's transition into furniture design was unexpected. Formerly working in beauty PR, the pandemic provided her with an opportunity to explore her passion for interiors. She began by sharing her interior finds on Instagram, which led to sourcing vintage marble furniture for notable figures like Bettina Looney and Suki Waterhouse. This experience eventually spurred her to design and create her own pieces. A memorable acquisition was a vintage marble coffee table, discovered in a reclamation yard, which now resides in the home of Vogue Commerce Director, Naomi Smart. This find underscores Watton's ability to see potential in overlooked objects and her talent for transforming them. Her mother's strong, independent sense of style significantly influenced Watton, teaching her the importance of authenticity in personal expression. When it comes to color, Watton expresses a deep affection for green, from vibrant matcha to earthy olive tones, valuing its versatility and pleasing aesthetic in interiors. Green onyx, in particular, is a favored material for her accessories due to its natural texture and rich color. Travel, especially to Copenhagen, also provides rich inspiration. She admires brands like FRAMA and Yonobi Studio for their immersive experiences that extend beyond mere shopping, fostering a sense of community. Collecting glassware is another passion, as Watton believes the vessel can enhance the drinking experience. Her collection spans diverse origins, from Marrakech mint tea glasses to Parisian wine glasses and cut crystal tumblers for negronis, necessitating a dedicated cabinet in her kitchen. In terms of media, she is drawn to films with exceptional art direction and escapist qualities, citing "Call Me By Your Name," "The Talented Mr Ripley," and "A Single Man" for their incredible interiors and settings. Music also plays a crucial role in her creative process, with playlists featuring artists like Arooj Aftab, Sufjan Stevens, The Cure, Mazzy Star, and The Cranberries. Cooking is another creative outlet, with her signature dish being a sea bass recipe inspired by a restaurant in the south of France. Watton holds admiration for fellow designers, particularly the team at Banda, whose interior designs she finds consistently beautiful. The work of the Bille Brahe family, including Frederik's restaurants and Sophie's jewelry, also serves as inspiration. Among her own creations at Atelier278, the Ellipse Dining Table in Unfilled Romano Travertine, designed for Rosie Huntington-Whiteley, stands out for its organic finish and statement presence. The Octavia Console is also highly popular, largely due to the demand for custom-sized console tables that are often difficult to find. Her accessories, such as coasters, are celebrated for their blend of functionality and style. #FurnitureDesign #InteriorStyle #NaturalStone #Atelier278 #DesignInspiration #MominaWatton #ClassicWithATwist #RomanArchitecture #HomeDecor

Transitional style, an interior design approach that blends traditional and modern aesthetics, often leads to common mistakes that can compromise the overall look and feel of a space. While the concept of combining old and new elements seems straightforward, achieving a harmonious and effortlessly stylish outcome requires careful consideration and expertise. One prevalent error is acquiring all decor items simultaneously. This approach can result in a space that lacks personality and appears staged rather than curated over time. Designers advise mixing existing cherished pieces with new acquisitions, emphasizing the importance of collecting quality items gradually to imbue a home with character and a sense of history. Impulse buying can detract from the organic evolution that defines successful transitional interiors. Another significant pitfall is a lack of harmony in design elements. The balance between modern and traditional components can be disrupted if proportions are not carefully considered. Overwhelming a space with too many small traditional furnishings or incorporating large, overly modern equipment without proper integration can lead to a jarring effect. Achieving equilibrium involves thoughtfully merging heavy and lightweight pieces to ensure visual coherence. Attempting to alter or conceal original architectural features is also a common mistake. Instead of painting over natural brick or wood finishes, it is often more effective to restore and highlight these existing elements. Preserving and integrating a room's inherent character can contribute to a more authentic and appealing transitional style, ensuring that the melange of old and new feels intentional rather than chaotic. Suboptimal lighting choices frequently undermine transitional interiors. Selecting fixtures that are either too overtly modern or excessively traditional can clash with the blended aesthetic. The solution lies in choosing lighting that combines sleek lines with timeless materials, providing a seamless transition between eras. Furthermore, oversized or garish light fixtures can overpower a space, disrupting the desired cozy and livable atmosphere. Scale and subtlety are crucial for effective transitional lighting. A bland effect resulting from an overly neutral color scheme is another mistake. While neutrals can provide an excellent foundation for transitional design, relying solely on them without introducing varied textures or subtle patterns can strip a space of personality. Incorporating diverse textures like natural fibers and old wood can add visual intrigue and warmth, even within a monochromatic palette, preventing the room from appearing sterile or uninspired. Conversely, color overload can also be detrimental. Using bold contemporary colors indiscriminately can overshadow the inherent elegance of transitional design. A more effective strategy involves maintaining a neutral base and using bold colors sparingly as accents. Current trends, such as the "Unexpected Red Theory," advocate for strategic pops of color, demonstrating how a vibrant hue can be introduced to a neutral scheme without overwhelming it, thus achieving the right balance. Finally, an excessive reliance on modern textures can create a sterile environment. Overly sleek materials can detract from the inviting warmth that transitional style aims to achieve. To counteract this, designers recommend incorporating a variety of textures, including natural fibers and aged wood, to add depth, warmth, and visual interest. This textural interplay ensures that the space feels rich and inviting, rather than cold or impersonal. In essence, successful transitional design hinges on a deliberate and balanced approach to mixing traditional and modern elements. Avoiding these common mistakes by curating pieces over time, ensuring harmony in proportions, respecting original features, optimizing lighting, and employing thoughtful use of color and texture can lead to sophisticated and enduring interiors. The goal is to create a home that feels both current and timeless, reflecting a carefully considered blend of different eras and styles. #TransitionalStyle #InteriorDesign #HomeDecor #DesignMistakes #ModernTraditionalMix #HomeStyling #DecoratingTips #LightingDesign

Designers and homeowners are increasingly embracing the character and depth that antiques bring to interior spaces. These handcrafted, high-quality pieces possess an individuality and charm often lacking in contemporary items, allowing for a unique expression of personal taste and identity within a home. The appeal of antiques is expected to continue through 2025, with experts offering various strategies to integrate historical elements into modern living. One effective starting point for incorporating antiques is through lighting. Vintage lighting fixtures, even small table lamps, can significantly impact a room's aesthetic by adding gravitas and grounding the space. Many vintage lamps can be re-wired, making them functional additions that blend seamlessly into a design scheme, regardless of their original condition. The concept of mixing old and new is also gaining traction, with transitional decor ideas proving popular. Antiques introduce a lived-in warmth and thoughtful contrast to newly built homes or contemporary interiors. Designers emphasize buying pieces one loves, irrespective of their era, to create an eclectic and engaging environment. Juxtaposing antique furniture with modern elements, or updating old pieces with fresh fabrics, helps maintain a current and interesting aesthetic, ensuring antiques feel approachable and integrated rather than out of place. Antique textiles offer another versatile avenue for decoration, ranging from embroidered cushions to tapestry wall hangings. These fabrics imbue a home with charm and coziness, contributing a sense of heritage and country-style appeal. Textiles like suzanis and tapestries can be repurposed as wall hangings, curtain panels, or even headboards, providing a significant visual impact. Similarly, old woven fragments can be transformed into ottomans or pillows, adding gravitas and texture. Furniture, being the structural foundation of a room, benefits immensely from the inclusion of antiques due to their inherent durability and craftsmanship. Vintage side tables, nightstands, and martini tables, for instance, introduce patina and texture. While antique furniture can be sourced online, designers often recommend exploring flea markets and antique emporiums for unique and often more affordable pieces. When selecting wooden furniture, preferences lean towards oak and walnut, with the option to sand and paint pieces made from less desirable woods to suit modern tastes, rather than purchasing new. Reimagining existing antique pieces through upcycling is also encouraged. Simple updates like a fresh coat of paint, new upholstery, or updated hardware can breathe new life into pre-loved items. For example, old chests of drawers can be transformed into distinctive bathroom units by adding a marble top and basin. This approach not only extends the life of the antique but also allows for customization to fit contemporary design needs. Decorating with antique paintings is another powerful way to infuse a home with timeless charm. Vintage art, whether detailed oil paintings or simple sketches, adds depth and soul to a space. Creating eclectic gallery walls by mixing different sizes and frame styles allows for dynamic displays that tell a unique story, blending various periods and styles effortlessly. Antique art often proves more affordable than new pieces, carrying a rich history and narrative. Beyond paintings, tapestries, sculptures, and architectural fragments can also serve as meaningful statement pieces, contributing to a truly collected aesthetic. Finally, integrating meaningful and sentimental antique pieces enhances a home's personal narrative. Designers advocate for selecting items that evoke a personal connection or reflect family history, contributing to a layered and individualized space. This approach aligns with the 'nostalgia core' trend, which embraces items with sentimentality and charm. Starting small and being intentional—perhaps by adorning a bookshelf with antique trinkets or a brass object—allows for gradual integration without overwhelming a space, emphasizing the importance of thoughtful acquisition over hasty purchases. #AntiqueDecor #InteriorDesign #VintageStyle #HomeDecor #DesignTips #TransitionalDecor #UpcyclingFurniture #EclecticInteriors

The article discusses interior design trends that are considered outdated or "tacky" by design experts, along with timeless styles that are expected to remain popular. It highlights that, similar to fashion, interior design trends continuously evolve, and some design choices can quickly become unfashionable. The article emphasizes that while social media often influences design ideas, it is better to pursue original concepts rather than copying trends that are already prevalent. Six design experts were consulted to identify specific home trends they believe should be left behind due to oversaturation, lack of practicality, or cultural insensitivity. The first trend identified as outdated is head-to-toe Midcentury Modern design. While acknowledging its historical significance, designers Mark Schubert and Allison Handler suggest that the market became oversaturated with this aesthetic. They recommend incorporating Midcentury Modern pieces judiciously, mixing them with other styles and softer textures to create a more integrated and less cringey look. Chevron-patterned upholstery is another trend that designer Amy Elbaum regrets, citing its bold, high-contrast nature that quickly causes visual fatigue and limits its versatility with other design styles. Mikel Welch expresses regret over his past enthusiasm for Ikat fabric, finding its loud and busy designs chaotic and less sophisticated than his current minimalist preferences. Welch also criticizes Buddha-inspired furniture, reflecting on his earlier use of a red Buddha chair in a model home project. He recognizes this choice as shallow and culturally insensitive, emphasizing the importance of depth and respect in design decisions. Designer Ali Budd points out the issue of cheap chrome pieces, particularly when they are knock-off versions of iconic furniture, highlighting a concern about design integrity rather than mere trendiness. Kristy Turner notes that over-the-top glam furniture, once a symbol of luxury, now appears dated and heavy-handed, with a shift towards understated elegance, clean lines, and natural materials. Alicia Held-Morris controversially names jewel-toned velvet sofas as a trend that has not aged well, primarily due to the practical downsides of certain velvets, such as their tendency to crush, show wear, and highlight stains, especially in rich colors. Finally, button-tufted Chesterfield seats are deemed problematic by Held-Morris due to their susceptibility to snagging, dust accumulation, and discomfort. She suggests opting for cushioned backs or placing such pieces in low-traffic areas. The article then shifts to discussing timeless design elements that designers believe will endure. These include natural materials like linen in slipcovered sofas, which Mikel Welch praises for their comfort and effortless elegance. Weathered wood, with its natural patina and evolving character, is another enduring choice. Amy Elbaum champions neutral hues and fabrics, explaining that they allow for aesthetic evolution through changes in accessories, rugs, pillows, and art, providing a lasting foundation. Quality antiques are celebrated by Kristy Turner for their craftsmanship, character, and ability to blend seamlessly with contemporary decor. Lastly, Hans Wegner dining chairs are highlighted by Alicia Held-Morris for their timeless beauty, comfort, and engineering marvel, representing practicality and style that transcends trends. #HomeDesignTrends #InteriorDesigners #HomeDecor #DesignMistakes #TimelessDesign #MidcenturyModern #NeutralColors #NaturalMaterials #Antiques

Transitional style spaces, characterized by their blend of modern elegance and traditional charm, offer a timeless and inviting aesthetic. Achieving this look requires a discerning eye, balancing a pared-back color palette with furniture from various periods. Interior designers emphasize a neutral color palette as the foundation, typically incorporating whites, grays, beiges, and browns. This neutral base serves as a canvas, allowing for small pops of color through accessories like throw pillows, art, and rugs, ensuring a fresh yet classic feel. Designers like Philip Thomas Vanderford and Becky Shea highlight that this neutral backdrop for paint and millwork creates enduring core design elements, while more expressive artwork and objects can be easily updated. Mixing old and new furniture is crucial for transitional design, creating a harmonious balance between classic and modern elements. Paul Corrie suggests pairing modern, clean-lined upholstery with antique case pieces, emphasizing that the key is a soft, quiet marriage of styles. Cynthia Lananh notes that ornate details combined with clean lines make transitional design welcoming, exemplified by a comfortable sofa with soft lines alongside a sleek, clean-lined coffee table. This approach ensures that pieces complement rather than compete, contributing to a collected look. Despite the neutral color scheme, transitional interiors achieve visual interest and depth through a variety of textures and materials. Alinta Lim and Philip Thomas Vanderford recommend combining diverse textures such as wood, metal, glass, and fabrics like linen and velvet. This layering extends beyond textiles to include flooring, where a balance between traditional hardwood floors and modern area rugs with bold patterns adds contemporary flair. Architectural details like crown molding and wall moldings further contribute to the intricate, textured look, according to Aman Than. A minimalist mindset is essential, with Becky Shea stressing that every element should be purposeful, prioritizing quality over quantity. Heather Vercellino advises decluttering to create a serene environment, removing excess accents and reintroducing them thoughtfully. Alinta Lim reinforces this by recommending furniture and decor with clean, straight lines and minimal ornamentation to maintain a streamlined appearance. Incorporating vintage pieces is a cornerstone of transitional style, adding nostalgic charm, depth, and character. Philip suggests vintage items with a modern twist, while Lauren Kavanagh points to coffee tables, statement armchairs, and bookcases as ideal vintage additions. The art lies in pairing these vintage finds with newer, updated furniture and decor to keep the space current. Andrea West recommends styling an older piece with a newly purchased item, such as a new lamp on an antique side table, and adding layers like books and trays to soften modern spaces. A timeless sofa is a must-have anchor piece. Brianna Untener and Philip Thomas Vanderford advocate for a neutral-colored sofa, such as off-white or gray, made from high-quality fabrics, as it allows for creative elements to be introduced elsewhere. Eugenia Triandos and Alinta Lim suggest modern sofas with clean lines and soft curves, possibly with subtle piping, and accessorizing with accent chairs that feature contemporary shapes and traditional materials. Durable, neutral upholstered furniture, especially in Crypton fabric, is recommended for longevity. Investing in a characterful area rug grounds the space and adds warmth. Kate Winnington sees rugs as perfect for introducing texture or flair. Glenna Stone recommends large-scale rugs with minimal patterns or textures in neutral colors. Philip emphasizes selecting rugs with rich textures and subtle patterns to add dimension without overpowering the design. Eugenia Triandos notes that rugs counterbalance modernity, while Alinta Lim highlights their role in anchoring the space and complementing the color scheme. Layered lighting is crucial for both decorative and functional purposes. Diana Bastone suggests clean-lined chandeliers, pendant lights, and sconces alongside classic table and floor lamps to create a cohesive, chic landscape of light. Glenna Stone emphasizes minimalistic, modern light fixtures and advises updating window treatments to lighter fabrics or simple shades to maximize natural light. Becky Shea views decorative lighting as an opportunity to be expressive in form while maintaining functionality, injecting new textures or materials within a neutral palette and clean lines. Finally, curating a unique mix of accessories is vital, especially within a neutral, minimalist scheme. Philip suggests using throw pillows, art, and rugs for tasteful pops of color. Eugenia Triandos believes unique accessories bridge traditional and contemporary styles, infusing character. Diana Bastone agrees, noting that carefully curated artwork, mirrors, and decorative pieces, often a mix of vintage and modern styles, tie the space together, creating a collected and personalized aesthetic. #TransitionalDesign #InteriorDecorating #NeutralColorPalette #MixedFurniture #TexturalLayers #MinimalistAesthetic #VintageElements #TimelessSofa #LayeredLighting

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

The article explores the concept of timelessness in design, challenging the often-overused descriptor and advocating for a focus on longevity, circularity, and adaptability in design processes. It begins by questioning the premature claims of timelessness made by designers, suggesting that true timelessness is earned over time, rather than declared. The piece highlights the subjectivity inherent in defining timelessness, arguing that it's difficult to establish universal principles for "good design" that transcend trends, technology, or personal taste. The author points out that terms like "iconic," "sustainable," "classic," and "authentic" are frequently employed with similar lack of critical examination. Despite the critique of the term itself, the article emphasizes the crucial importance of designing for the long term. It proposes that instead of focusing on "timelessness" as a product attribute, the industry should adopt terms such as circular, renewable, repairable, dismountable, adaptable, and regenerative to describe the design process and system. This shift in vocabulary aims to ground the concept of enduring design in tangible, responsible practices. The article suggests that acknowledging the extractive nature of design and striving for endurance becomes the primary viable claim of responsibility for designers and manufacturers. Throughout the discussion, the article showcases a curated selection of furniture, lighting, objects, and materials that embody a commitment to longevity. These examples include both historical pieces, some reissued with modern relevance, and contemporary designs that integrate principles of durability and adaptability. Specific items mentioned include the ‘Martini’ table by Eddie Olin, the ‘Drinking Set No. 238 Patrician III’ wine glass by Josef Hoffmann, the ‘Argento Liquido’ daybed by Supersedia, the ‘Tetrami’ console and ‘Topan’ lamp by Verner Panton, the ‘Juicy Salif’ squeezer by Philippe Starck, candy dishes by Oswald Haerdtl, the ‘Tua’ pitcher by Mario Botta, and the Beogram 4000c turntable by Bang & Olufsen. Also featured are a sculpture by Eva and Peter Moritz, the ‘Superwire’ floor lamp by Formafantasma, the ‘Alpaca Natural’ rug, and fabrics like ‘Déjà Vu Jamais’ by Dedar and ‘Ancient Writing 1936’ by Anni Albers. The article continues to present diverse pieces such as the ‘Réaction Poétique’ tray by Jaime Hayon, the ‘Nara’ console by Jean-Marie Massaud, the ‘Pan’ daybed and armchair by Gordon Guillaumier, the ‘Porthole’ mirror by Willo Perron, and the ‘Lofty’ chair by Piergiorgio Cazzaniga. Other notable items include the ‘Etruscan’ pitcher by Mentze Ottenstein, the ‘Toio’ floor lamp by Achille and Pier Giacomo Castiglioni, the ‘Grand’ rug by Nordic Knots, and ‘Feral’ fabric by Formafantasma. Further examples highlight the ‘Brutalist’ speaker by Transparent, the ‘Nymphenburg’ coat stand by Otto Blümel, a media unit by Fritz Haller for USM, ‘Perspectives’ candleholders by Mathias Kiss, the ‘Pigreco’ chair by Tobia Scarpa, ‘Table No. II’ by Devin Wilde, and custom tiles by Palet. The ‘CH07 Shell’ chair by Hans J Wegner, ‘Sculptural House Numbers’ by Reinoud Oudshoorn, the ‘Opus’ floor lamp by Walter Manici, the ‘Dylan Small’ sofa by Rodolfo Dordoni, the ‘Butterfly’ stool by Sori Yanagi, the ‘Rio’ coffee table by Charlotte Perriand, ‘Dinner Service’ cups and plate by Donald Judd, ‘Random Solo’ pendants by Chia-Ying Lee, the ‘C’ chair by ERM Studio, the ‘Saarinen’ table by Eero Saarinen, and the ‘123 chair by Michael Anastassiades are also included. Finally, the ‘Infilled’ chair by Soft Baroque, the ‘Floor Mobile Chandelier’ by Michael Anastassiades, the ‘Seconda’ chair by Mario Botta, and the ‘Nocturne Shell’ room divider by Middernacht & Alexander are presented, all demonstrating various facets of enduring design—whether through innovation, reissuing, guaranteed repairability, or inherent adaptability. The article concludes by asserting that these chosen pieces, old or new, are expected to withstand the test of time, with time itself ultimately serving as the final arbiter. #TimelessDesign #LongevityInDesign #SustainableDesign #ProductDesign #InteriorDesign #DesignPhilosophy #FurnitureDesign #LightingDesign #MaterialSelection

The journey of decorating a home can often feel daunting, akin to cooking without a recipe, especially for those new to interior design. While seasoned decorators might instinctively create beautiful spaces, a foundational understanding of design styles can significantly simplify the process for everyone. This guide aims to demystify popular aesthetics, asserting that while adherence to a single style isn't mandatory, familiarity with their core elements is crucial for successful home decor. Drawing insights from Decorist, a prominent online design platform, five of the most frequently requested design styles are identified: traditional, modern, transitional, eclectic, and mid-century modern. Each style is explored through the perspectives of expert interior designers, offering a comprehensive overview and practical advice on integrating these aesthetics into one's living space. The article first delves into the traditional style, described by Decorist celebrity designer Charlotte Lucas as a design approach centered on classic pieces. This doesn't necessitate an antiquated feel; rather, it emphasizes timeless elements that can be personalized. Enthusiasts of this style often gravitate towards antiques like Louis XVI chairs, French commodes, mahogany dining tables, and gilt mirrors. Lucas suggests paying attention to intricate details such as passementerie, fringe, and tiebacks on furniture. Additionally, a vibrant Oushak rug can introduce warmth and character to a traditionally refined room. Next, the modern aesthetic is introduced by Dan Mazzarini, principal of BHDM Design, who characterizes it by clean lines, meticulous details, and a focus on sleek, honest materials like veined marble, refined metals, and glass. Modern design pieces often possess enduring beauty and relevance, regardless of their age. To incorporate modernism, classic pieces from brands like Knoll or iconic items such as the Barcelona coffee table are excellent choices. Mazzarini also recommends contemporary sources like BDDW, Ferm, and showrooms like Fair by Brad Ford for their honest and contemporary designs. The transitional style emerges as a blend between modern and traditional elements, aiming to create an approachable and welcoming atmosphere. Shea McGee, founder of Studio McGee, highlights its goal to feel clean, current, and fresh. This style encourages mixing elements without concern for perfect matching. For minimalist homes, warmth can be added through wood, textiles, and layers. Conversely, a traditional base can be updated with streamlined metal and glass silhouettes, achieved through quick swaps like a simple globe pendant or a sleek desk. Eclectic design, as articulated by Decorist designer Max Humphrey, is highly personal, allowing for a mix of items as long as they hold meaning to the homeowner. It is characterized by fewer strict rules but benefits from careful curation. Humphrey advises a blend of high-end and low-end, new and vintage pieces collected over time. In an eclectic space, variations in wood finishes, metal fixtures, or patterns are not only acceptable but encouraged. Examples include pairing a Chinese coffee table with a mid-century modern sofa and vintage family heirloom lamps. Finally, mid-century modern, ranking fifth in popularity, is presented as a style with a strict classification rooted in movements like Germany's Bauhaus and influenced by minimalist Scandinavian design. Interior designer Jessica Hansen notes the playful yet enduring quality of furniture from this era. This aesthetic's lasting appeal lies in its simplicity combined with clever details, often featuring materials like plastic, fiberglass, vinyl, Lucite, and plywood. Iconic pieces that exemplify this style include the Poul Henningsen PH5 pendant lamp, the Isamu Noguchi Akari table lamp, and the Eames lounge chair, all of which bridge classic and unconventional design. #DesignStyles #InteriorDesign #HomeDecor #TraditionalDesign #ModernDesign #TransitionalDesign #EclecticDesign #MidCenturyModern #Decorist

Transitional design is an interior style characterized by its blend of traditional and modern elements, offering a timeless and chic aesthetic. This approach acts as a "palate cleanser" among more rigidly defined design styles, combining formal and ornate features with relaxed touches to create cohesive and inviting spaces. Interior designers Jenn Feldman and Ariel Okin highlight that transitional spaces are often defined by a tonal, textural, monochromatic, and minimal aesthetic, though they can incorporate elements from various styles like minimalism or midcentury design without losing their transitional essence. The core idea is to achieve a fresh, updated look with cleaner lines and softer palettes than purely traditional styles, while also being warmer, more layered, and softer than contemporary interiors. While transitional and contemporary designs might appear similar, a key distinction lies in their temporal focus. Contemporary interiors reflect current popular styles and are ever-evolving, whereas transitional interiors aim for timelessness by merging modern and traditional aesthetics. Contemporary design, originating from the 1970s, borrows from diverse styles to define an 'on-trend' look, often utilizing cooler metals and palettes. In contrast, transitional design leans towards warmer greige palettes, unlacquered brass, and nubby neutrals, making it feel more enduring. Historically, traditional design traces back to the 17th and 18th centuries in Europe, marked by ornate elements like chandeliers and crown molding. The emergence of modern design in the mid-20th century, favoring minimalist principles, led to the development of transitional style as a harmonious merger of these two distinct aesthetics. This style, therefore, offers a "best-of-both-worlds" scenario, balancing clean lines and neutral color palettes with pared-back ornamentation. Defining elements of transitional design include neutral color palettes (whites, creams, tans, grays) with potential pops of color through accessories, organic textures with an emphasis on layering, statement lighting, metallic accents, and comfortable, practical furniture that combines both curved and straight lines. The overall feeling of a transitional space is monolithic and cohesive, even when incorporating diverse details, patterns, or styles. Examples across various rooms illustrate these principles: kitchens feature sleek cabinetry, neutral palettes, and pendant lighting; dining rooms emphasize clean lines and textured upholstery; living rooms opt for warm palettes and coarser textiles; and bedrooms blend modern furniture with traditional decor accents like chandeliers. To integrate transitional design into a home, designers suggest starting by selecting three beloved objects or furniture pieces and identifying common connections among them, such as a shared color or complementary textures. This approach allows for the gradual layering of elements that maintain a cohesive aesthetic. Another strategy involves incorporating neutral textiles, layering tone-on-tone colors, and utilizing elements like unlacquered brass and clean-lined furniture to achieve the desired transitional look. This design philosophy offers flexibility and longevity, allowing spaces to evolve while maintaining a classic yet current appeal. #InteriorDesign #HomeDecor #TransitionalStyle #ModernDesign #TraditionalDesign #NeutralPalettes #HomeInteriors #DesignElements #TimelessDesign

Arjealy Wisseh, a 2021 Interior Design alumna from Rochester Institute of Technology (RIT) and founder of Maiyn Design, has gained international recognition through her work being published on Moro, a global platform dedicated to interior design inspiration, professionals, and products. The featured project showcases a co-working office design and her contributions to a six-story space. This comprehensive project, developed in collaboration with peers Emma Canny and Raquel Rojas, exemplifies a successful fusion of traditional and modern interior design elements, catering to both commercial and residential applications. The article highlights several key aspects of the featured design, illustrating how Wisseh and her team balanced different aesthetic principles. The co-working office space emphasizes functionality and collaboration while incorporating modern design trends. Elements such as an open, inviting layout with abundant natural light, ample seating, and integrated greenery contribute to a vibrant and productive environment. This design approach reflects contemporary workplace needs, prioritizing comfort and aesthetic appeal to enhance employee well-being and productivity. The inclusion of various seating options and green elements suggests a focus on creating flexible and biophilic spaces, which are increasingly important in modern office design. Further illustrations within the article provide a detailed look at the residential components of the project. A kitchen rendering reveals an open-concept design that seamlessly integrates with living areas, promoting a sense of spaciousness and connectivity. This open-plan layout is a hallmark of modern residential design, fostering interaction and accessibility. The kitchen's aesthetic likely combines sleek, contemporary finishes with traditional materials or subtle classic details, achieving the project's overarching theme of blending styles. The use of neutral color palettes, clean lines, and integrated appliances further enhances the modern appeal, while specific design choices could introduce traditional warmth or texture. The bathroom design, depicted in a rendering, features a black, white, and gray color scheme, equipped with a shower and a dual sink. This monochromatic palette is characteristic of modern design, offering a sophisticated and timeless look. The inclusion of a dual sink enhances functionality, especially in shared living spaces, while the overall minimalist approach to fixtures and finishes maintains a contemporary feel. The design likely incorporates high-quality materials and efficient layouts, balancing luxury with practicality. The article also showcases various other functional areas, including open workspaces with desks and seating, demonstrating a thoughtful approach to space planning and utility. Tall bookshelves in an open workspace suggest an emphasis on both storage and visual interest, contributing to the professional yet inviting atmosphere. A lounge area featuring a wall-installed electric fireplace further illustrates the blend of styles, combining modern comfort with a traditional element that provides warmth and ambiance. This detail highlights the team's ability to create cozy and inviting zones within larger commercial or residential settings, adding a touch of domesticity to a professional environment or enhancing relaxation in a home setting. Finally, a large, open room with a long conference table and chairs is presented, indicating the project's capacity to accommodate formal meeting spaces. This area maintains the overall aesthetic coherence, featuring a design that is both professional and visually appealing. The choice of furniture and room arrangement likely reflects a balance between modern ergonomics and a classic sense of formality, ensuring that the space is suitable for various professional functions. Overall, the project by Arjealy Wisseh and her team demonstrates a sophisticated understanding of how to merge traditional and modern design philosophies to create versatile and aesthetically pleasing environments for diverse uses. #InteriorDesign #ModernDesign #TraditionalDesign #CoWorkingSpace #ResidentialDesign #CommercialDesign #RITAlumni #MaiynDesign #MoroPlatform