A Life-Giving Tree in Blue Sprawls Across a Mosaic Tile Facade by Michael Chandler

The article highlights the resurgence of botanical patterns in decorative tiles for interior design, particularly for the spring season. Kirsten Schmit, marketing and product manager at Decorative Materials, notes a shift towards more organic shapes and fluid lines, departing from the graphic and angular patterns popular in previous years. This trend is embodied in plant and flower-inspired motifs. Schmit offers guidance on effectively incorporating these whimsical florals and leafy fronds into home interiors. One key recommendation is to create a feature wall, with kitchen backsplashes and powder rooms identified as ideal spaces. The master bathroom shower is also suggested as an area where homeowners can explore bolder designs, such as a botanical-patterned stone-mosaic feature wall paired with white marble, which she describes as stunning. Another crucial tip is to select only one botanical pattern to be the focal point. Schmit advises against pairing it with other soft-lined patterns, emphasizing that the chosen design should stand alone. Supporting design elements in the room should be subtle in texture to allow the botanical tile to take center stage. Color palette selection is also a critical consideration. Schmit cautions that when opting for a bold pattern, the color scheme should not compete for attention. She suggests starting with natural materials like fieldstone or white marble, and employing a monochromatic palette to enhance the pattern's prominence. Finally, the article touches on practical limitations, specifically regarding the use of botanical-patterned tiles outdoors. Schmit advises against outdoor installations in regions with unpredictable weather, such as Colorado, due to frequent freeze-thaw cycles that are not conducive to the longevity of outdoor tile. The overarching advice is to prioritize functionality over mere aesthetics in such cases. The article concludes by inviting readers to view these tiles at Decorative Materials' Denver showroom. #TileTrend #BotanicalPatterns #InteriorDesign #DecorativeTile #HomeDecor #DesignTips #FeatureWall #ColorPalette

In the vibrant South Indian village of Vengola, the architecture firm Wallmakers has successfully completed the Jack Fruit Garden Residence, a 2,755-square-foot home that integrates harmoniously with its natural surroundings. The client, who desired a dwelling for a large family, specifically requested the preservation of a significant jackfruit tree on the property's southern side. This request profoundly influenced the home's design, which thoughtfully incorporates the tree as a central focal point. The residence features a unique compound wall that subtly twists upwards, seamlessly connecting with the curving ferro-cement roof. This roof, constructed from pre-cast, steel-reinforced arched shells, represents an innovative approach to minimize cement and steel usage while ensuring structural durability. The design creates a sheltered outdoor area that includes a Japanese-style rock garden, conveniently accessible from the kitchen, fostering a strong indoor-outdoor connection. Throughout the interior, curved forms are a recurring motif, notably seen in a sculptural staircase that appears to float within a light-filled atrium. A commitment to sustainability and upcycling is evident in the use of discarded pipes, salvaged from a scrapyard, for both the balustrades and the chandeliers in various rooms. This creative reuse of materials not only aligns with eco-conscious principles but also produces distinctive art pieces that cast captivating shadow patterns on the walls, enhancing the home's aesthetic appeal. The structural integrity of the home largely relies on environmentally friendly materials such as Compressed Stabilized Earth Blocks (CSEB), made from compressed gravel, sand, and cement, and rammed earth. These materials contribute to the dwelling's thermal performance and natural insulation. Strategic placement of openings maximizes natural ventilation, further reducing the home's environmental footprint and ensuring a comfortable indoor climate. The Jack Fruit Garden Residence stands as an example of sustainable architecture, blending traditional materials with modern design principles to create a functional, aesthetically pleasing, and environmentally responsible living space. #RammedEarth #SustainableArchitecture #Wallmakers #JackfruitTree #EcoFriendlyMaterials #Upcycling #NaturalVentilation #IndianArchitecture #FerroCementRoof

For decades, architects and government officials have recognized the importance of energy-efficient buildings, especially since the 1970s energy crisis. Buildings, including their construction, materials, and associated infrastructure, contribute up to 40 percent of global carbon emissions, making energy efficiency a critical concern. This understanding is foundational in North American architecture schools and has been emphasized by European institutions for even longer. The "Passive House Design" approach, pioneered by German architects, considers a building's entire interconnected system, focusing on its integration with the site, climate, and social support. This philosophy extends beyond residential structures to all building types. A more recent evolution, the "Net Zero Design" approach, also led by German designers, takes this further by requiring buildings to be highly efficient, use minimal energy, and replace all the energy they consume, potentially even contributing excess energy back to the local power grid. Europe, with its advanced energy design and construction history, has developed numerous innovative building cladding systems that contribute to energy efficiency. These systems often incorporate specialty fabrics in intelligent ways, such as vertical shade systems, retractable awnings, and entire building wraps. Industry experts, including Steve Fredrickson from Serge Ferrari North America, note that Europe is significantly ahead of North America in this area due to a lack of air conditioning standardization in European homes and retail, creating a greater need for heat barrier solutions. Additionally, European building codes are more adaptable to new energy-reducing products and developments. In contrast, existing North American building codes and the time required for their amendment make widespread adoption of fabric shade systems more challenging. Architect Samuel Armijos observes that while European markets showcase many examples of vertical fabric systems, such projects are scarce in the U.S. This lack of visible examples hinders broader acceptance and design incorporation. Architect Nicholas Goldsmith, however, notes a growing recognition among North American designers that exterior shading, particularly in specific regional climates, offers advantages over other cladding systems, such as being lightweight, efficient, and cost-effective. Mike Squizzato of Stobag North America Corp. highlights that Europeans prioritize shade for cooling due to higher electricity costs, whereas North Americans typically rely on air conditioning. He believes that as electricity costs rise and climate concerns grow, North American markets will rapidly adopt shading solutions, with awnings and vertical shading providing natural air-conditioned environments and potentially saving over 50 percent on electricity bills. Paul Snustead, director of facades at Structurflex, acknowledges Europe's lead but points to Structurflex's efforts to advance fabric facade architecture in the U.S. Tensile facades, also known as textile, fabric, or flexible facades, offer an innovative, long-lasting, and cost-effective alternative to traditional metal mesh screens, often costing about 50 percent less. These systems act as a 'second skin' for buildings, providing screening and shading, which can contribute to reduced energy consumption and LEED certification. Despite the clear benefits, the adoption of fabric-based shading systems in North America faces challenges. Traditional cladding materials remain strong competitors. Armijos notes a decline in leads for shade jobs, with parking garages being the primary market, but even there, fabric competes with pre-fabricated concrete and metal mesh systems. He suggests a major global event might be needed to spur a push toward textile facades. Andrew Trowbridge of Ronstan International observes a shift away from stainless steel cables in fabric structures towards greening systems and perforated aluminum panels for shade and facade coverage. Conversely, Fredrickson sees growth in both static and retractable vertical shading options across North America. Snustead describes an exponential expansion in the fabric facade architecture market, particularly for tensile fabric meshes, membranes, and foils, initially driven by parking garage screening requirements. Structurflex has seen an 800 percent increase in facade projects annually, with fabric facades becoming a significant part of their operations. Squizzato predicts that as temperatures rise, North Americans will increasingly seek cost-effective cooling solutions beyond air conditioning, leading to buildings with more colorful awnings and widespread vertical shading, eventually mirroring European practices within 15 years. For companies looking to enter or expand in this market, experts emphasize the need for knowledge, education, and accessibility of information. The ideal company size varies by region and market, but success hinges on having the right products and expertise. Fredrickson warns against using cheap, unproven products, which can harm the market's reputation. Snustead highlights the versatility of tensile facades, which can span large distances with less structural support and use materials that are often 100% recyclable with long lifespans. Squizzato points out that many existing businesses, from awning companies to landscape architects, can leverage sun shade protection to expand their services, provided they have appropriate insurance, training, and competent staff. The overall outlook for vertical fabric shading remains positive, with continued growth anticipated, especially as architects and contractors become more familiar with the medium's innovation and economic advantages. #BuildingFacades #VerticalShading #EnergyEfficiency #FabricArchitecture #SustainableDesign #ArchitecturalTextiles #NetZeroDesign #ClimateControl #ConstructionInnovation

ArMo Design Studio undertook a residential project for a family with young children, where the primary design inspiration was an existing 13-meter-high Tabebuia rosea, commonly known as the Trumpet tree or Singapore Sakura, located at a corner of the property. This tree, the sole original vegetation on the site, became a central element influencing both the functional layout and the aesthetic form of the house. The design team's objective was to integrate the tree prominently into the house's narrative, ensuring its preservation while maximizing the Gross Floor Area (GFA) for future needs, all within a constrained budget. The site presented several challenges, including its location in a flood-prone zone, necessitating the elevation of the ground level in accordance with Urban Redevelopment Authority (URA) guidelines. These parameters led to the architectural solution of an exposed basement level, with the first story raised. This elevated design provided the living and dining areas on the first floor with enhanced views and improved ventilation, effectively addressing both the environmental and regulatory requirements. The swimming pool was strategically placed to adhere to the required 5-meter perimeter protection zone around the tree, running alongside the living room and further integrating nature into the immediate living space. The design philosophy centered on establishing a connected relationship with nature throughout the house. By making the existing tree a focal point, the architects aimed to create a unique and personalized living environment rather than a generic design. The careful consideration of the tree's position and height influenced the placement of key communal areas, such as the living and dining rooms, ensuring that residents could experience its presence from various vantage points within the home. This approach highlights how existing natural features can serve as powerful drivers for architectural design, fostering a harmonious coexistence between built structures and the natural landscape. Ultimately, the project demonstrates how thoughtful design can overcome site-specific challenges, such as flood susceptibility and budget limitations, while simultaneously elevating an inherent natural element into a defining characteristic of the home. The integration of the tree not only fulfills aesthetic goals but also contributes to the functionality and overall ambiance of the residence, creating a space where nature is not just observed but actively engaged with as part of daily life. The outcome is a home that balances modern living requirements with a profound respect for its natural surroundings, offering a unique and personal narrative tailored to its specific context. #HomeDesign #Architecture #SustainableDesign #NatureIntegration #ResidentialArchitecture #ArMoDesignStudio #FloodProneZone #TreePreservation

This article details a successful backyard transformation project in Toronto, where the initial challenge of a century-old willow tree was turned into a central design element. The project, led by John Kenyon, a sales manager and design consultant at Gib-San Pool and Landscape Creations, involved creating a contemporary outdoor oasis featuring a pool and backyard spa. Initially, the homeowners desired to remove the large willow tree, viewing it as a nuisance and anticipating an in-ground pool as the primary focal point. However, Kenyon recognized the tree's potential as a natural sculpture and an anchor for the overall design. He successfully convinced the clients that the tree was an asset, not an obstacle, noting that its removal would incur significant costs and potential fines due to local bylaws protecting mature trees. Inspired by the willow's proximity to the planned pool and the natural feel of the backyard, Kenyon developed a free-form pool shape, diverging from conventional rectangular designs. This organic shape was envisioned to mimic natural ponds, creating a harmonious blend of natural and man-made elements. The design incorporated contemporary and clean materials, including acid-etched architectural concrete and glass pool tiles, to add visual dynamics. As the project progressed and the clients' trust in Kenyon's vision grew, additional features were integrated into the design. These included a custom fire pit carved into the pool's concrete deck, maintaining the fluid lines of the pool, and a koi pond that served as an extension of the free-form design, complete with a natural waterfall and strategically placed stonework to enhance the natural aesthetic. A significant cultural element was incorporated through the design of the cabana. Kenyon hand-sketched a modern cabana with frosted glass panels, resembling rice paper, to honor the clients' Asian heritage. This structure, constructed from natural cedar, features skylights for natural daytime illumination and seamlessly integrates with the surrounding landscape. The project's success is attributed to continuous communication and collaboration between Kenyon and the clients. While some adjustments were made based on client requests, such as widening the pool for lap swimming, the core design remained true to Kenyon's initial vision. Two years post-completion, the property maintains its pristine condition, demonstrating the durability and thoughtful execution of the design. Kenyon emphasizes that the best designs often emerge not from a blank slate, but from addressing the unique challenges and opportunities presented by a site, effectively transforming a perceived 'mess' into a compelling and meaningful space. #backyardDesign #landscapeArchitecture #poolDesign #hardscapeProjects #treePreservation #outdoorLiving #culturalIntegration #sustainableDesign

The "Pavilion Between Trees" by Branch Studio Architects is a modernist-inspired rural retreat that integrates seamlessly with its natural surroundings. The design for this semi-detached pavilion on a four-hectare property was largely dictated by the presence of three specific trees—a silver birch, a desert ash, and an heirloom pear—which influenced its precise location and continue to contribute to the structure's texture, tranquility, and shade. The architects aimed to foster a deeper connection between the building and the landscape by allowing the structure to interact with and yield to the trees. The pavilion was conceived as a rectangular form, encompassing a generous ensuite, dressing area, and bedroom spaces. A small, intentional indentation was created partway along its length to form a miniature courtyard, specifically framing the silver birch and delineating the bathing area from other programmatic spaces. Windows were strategically placed on the north and south sides to frame the stretching ash and the old-fashioned pear trees, respectively. To enhance the occupants' relationship with the landscape, a series of platforms gradually raises the floor level by a meter, creating varied perspectives and experiences within each section of the pavilion. For instance, the courtyard offers a view of a grey mottled tree trunk, while the western glazing is densely fringed with leaves. Inspiration for the pavilion's circulation and transparency was drawn from Ludwig Mies van der Rohe’s Farnsworth House. The central corridor was narrowed and then split into distinct "his" and "her" paths, which border the dressing and bedroom perimeters and a bank of three-quarter-height joinery. This design allows air and light to circulate freely above the joinery, creating a purposeful flow. The strategic placement of circulation to the edges leaves the central joinery to subtly divide the main sections, effectively obscuring views into private spaces from the central corridor, strengthening the connection to the exterior, and establishing a transparent pathway to the courtyard. The design incorporates personalized elements such as "thinking windows" and clusters of robes tailored to the clients' individual characters and interests. One window offers views of the stable, garden, and chickens, while another looks out onto a sturdy ash tree, surrounded by joinery reminiscent of a locker room. The ensuite is cleverly divided into two parts to avoid the traditional architectural taboo of accessing the bedroom through a bathroom. Basins and a toilet alcove are located on one side of the corridor, while an indoor shower, an outdoor shower, and an elegant bath are situated on the other. The bath, positioned at the interior-exterior threshold, can become open-air when folding glass doors are fully opened, with rammed-earth walls and a rusted steel grate intertwined with star jasmine and white mandevilla flowers providing privacy and protection. Along the southern side of the bedroom, informal seating is designed to be multifunctional, transforming from a sideboard to a dresser, then to a day bed and a window seat. Angled joinery screens the bedroom from the main house and seamlessly transitions into a low bedhead, emphasizing the importance of multifunctionality in design to avoid one-dimensional spaces. The main bedroom features full westerly glazing, angled to capture the setting sun and frame a stand of native trees. These full-height windows are particularly effective during the cooler parts of the day when the pavilion is primarily occupied. Dark sheer curtains and blockout blinds are also available for privacy and light control. To foster a sense of refuge, natural or indirect lighting is utilized, and a palette of organic and raw materials, including plywood, rammed earth, honed bluestone, and mock-oak veneer, were chosen for their integrity and non-synthetic qualities. Spare brass detailing serves as design punctuation, enhancing the sophistication of Branch Studio Architects' work. The interplay of circulation and glazing allows the textured surfaces to dynamically change with the weather, light, and surrounding trees, creating a constantly evolving aesthetic within the pavilion. #ModernistArchitecture #RuralRetreat #SustainableDesign #BranchStudioArchitects #FarnsworthHouseInfluence #IntegratedLandscape #MultifunctionalSpaces #NaturalMaterials #ArchitecturalDesign

Rachel Schlather, the blogger behind CLEfashionista, transformed her new Strongsville home with a Cleveland-themed gallery wall, making it a central decorating priority upon moving in last year. Her approach involved a curated collection of prints, posters, and art sourced from local shops, reflecting a style she describes as “midcentury modern with a touch of Cleveland.” Schlather aimed for a cool, un-kitschy vibe by taking her time with the selection process, acquiring pieces over several months. This allowed for a blend of budget-friendly items and more expensive art, ensuring a balanced aesthetic. Color coordination was a significant factor, leading her to even paint some frames to perfectly match the overall scheme. The meticulous planning involved laying out the gallery wall on the floor numerous times before finalizing its arrangement. The gallery wall is prominently displayed in the joint dining and living room of her 1960s ranch-style home, creating an immediate and lasting impression on visitors and serving as a conversation starter. One of Schlather's most cherished pieces is a print of the Leonard Schlather Brewing Co. This find holds personal significance as her husband is a distant relative to one of the brewery’s namesakes. Operating from 1857 to 1902, the company's storage facilities were historically located in the building that now houses the Great Lakes Brewing Co., a detail often mentioned during brewery tours. Further enhancing the local theme are two framed maps from Lakewood’s Cuyahoga Collective, positioned above the dining table. These maps feature Strongsville, her current hometown, and Marblehead, the location of her family’s lake house, a frequent summer retreat. These pieces serve as year-round reminders of cherished family memories and important geographical connections. A framed copy of The Plain Dealer front page commemorating the 2016 NBA Championship is another key element, included at her husband's insistence. This newspaper article celebrates a significant moment in Cleveland sports history, adding a dynamic and commemorative aspect to the collection. Beneath the gallery wall, a cozy sitting area is bathed in natural light. This space features midcentury-style chairs in a warm hue paired with a gray couch, designed for both admiring the art and relaxation. Schlather emphasizes the functional and inviting nature of this area, noting that the furniture and decor are not overly formal, making it practical for a household with two children. This sitting area is regularly used for enjoying coffee or working, underscoring the blend of aesthetics and utility in her home's design. #ClevelandThemedDecor #GalleryWall #HomeStyle #MidcenturyModern #LocalArt #StrongsvilleHome #HomeDecor #CLEfashionista

New York-based design studio Trueing has unveiled its latest lighting collection, Cerine, at this year's NYCxDesign festival. The collection, which includes two pendants, a floor lamp, and a sconce, features bold, hand-formed chain links made from thick borosilicate glass in a variety of vibrant colors. The Brooklyn studio, co-founded by Aiden Bowman and Josh Metersky, aimed to offer an "interesting spin on the familiar" by reinterpreting traditional chain motifs found in jewelry, industrial settings, and architectural ornamentation. The design draws inspiration from diverse sources, such as delicate golden chain necklaces, robust metal chains seen in shipyards, and the decorative elements on Beaux-Arts building facades. Metersky explains that while chain is a common element in traditional lighting design, Trueing sought to create a fresh interpretation, making the chain itself the focal point rather than merely a functional component. Each individual chain link is precisely seven centimeters wide and twelve centimeters tall, and can be customized in seven opaque or transparent color options to suit various bespoke arrangements. Beyond their aesthetic contribution, the glass chains play a crucial role in the structural integrity of the lights, allowing them to be positioned and held in place. The metal finishes accompanying the glass elements are available in brushed brass, satin or polished nickel, and oil-rubbed bronze, providing a range of complementary material options. Metersky highlights the unique character of the hand-made links, noting that their individual imperfections contribute to a cohesive and natural overall appearance. The Cerine series showcases different applications of these distinctive chains to support mouth-blown glass bulbs. One pendant design uses two hooks to suspend the fixture from the ceiling, creating a significant, inverse-arch-like droop. The sconce variant incorporates three glass links that dangle from a metal arm, which in turn holds the light bulb. The floor lamp design features nine stacked pieces of Carrara marble forming its base, with five pastel pink glass links suspended from an arched arm that supports the glass orb. The glass orb itself can be specified in classic white opaline or a selection of custom colors. Trueing launched the Cerine collection through a partnership with Pas De Calais, a Japanese clothing store situated in Manhattan's Soho district. This collaboration was deemed a natural fit due to the shared design sensibilities between Trueing and the fashion label, both prioritizing purity, nostalgia, and a refined, elemental approach to traditional forms. Bowman emphasized that the collection's essence—recalling traditional design pieces rendered in a reductive manner—aligns perfectly with Pas De Calais's ethos and aesthetic. The Cerine exhibition at 482 Broome Street was open until the end of May, coinciding with NYCxDesign 2019, which ran from May 10th to 22nd. This marks Trueing's second collection, following their debut range launched in January at The Future Perfect in Manhattan. The NYCxDesign festival also featured other notable exhibits, including Workstead and Calico Wallpaper's designs showcased at New York's Arcade Bakery, and an immersive lighting installation by Snarkitecture. Photography for the Cerine collection was provided by Lauren Coleman, with additional images by Alan Tansey for the installation at Pas De Calais. #LightingDesign #GlassChains #NYCxDesign #ProductDesign #InteriorDesign #TrueingStudio #HandFormedGlass #DesignExhibition #CerineCollection

The Overlook House in Lexington, Massachusetts, designed by architect Marcus Gleysteen and lighting consultant Doreen Madden, demonstrates how sophisticated lighting and thoughtful volumetric design can effectively differentiate living spaces within an open-plan home. This residence, recognized in the 2011 myMarvin Architect's Challenge, achieves LEED silver certification through its commitment to sustainability, incorporating geothermal heating, energy-efficient Marvin windows, and strategic use of natural light. Gleysteen's approach to open-plan living centers on the principle that the best architectural elements—light, proportion, and space configuration—are not costly additions but fundamental design principles. To create distinct zones without relying on physical walls, the design employs varied lighting schemes and spatial volumes. For instance, the living room is characterized by large volumes and diffused lighting, fostering a sense of openness and relaxation. In contrast, the kitchen, though part of the open layout, is designed as a more intimate area with focused task lighting and a singular window, clearly defining its functional purpose while maintaining a visual connection to the broader living area. This method ensures that each space retains its unique identity and atmosphere, preventing the kitchen from intruding on the ambiance of the living room. The project emphasizes the delicate balance between aesthetic design and practical livability. Gleysteen notes that while many impressive architectural designs prioritize beauty, they often overlook the daily functional requirements of a home. The Overlook House successfully integrates a contemporary design language focused on light and energy efficiency with practical considerations for everyday living, such as designated areas for children to study and places for muddy boots. This integration showcases that a modern, less traditional design approach can effectively address common livability challenges, making the home both beautiful and highly functional. Sustainability is a core tenet of the Overlook House, extending beyond mere hardware to encompass the entire design philosophy. Gleysteen advocates for building only what is truly necessary and maximizing its utility. He argues that the most sustainable homes are those that people desire to live in for extended periods, rather than those that are merely energy-efficient but quickly resold or extensively renovated. A well-designed and well-built home fosters long-term occupancy and appreciation, contributing more significantly to sustainability than short-lived, energy-efficient structures. Despite this broader view, the Overlook House is indeed highly energy-efficient, utilizing high-performance Marvin windows for ample natural light, coupled with strategic shading and overhangs to regulate solar gain. Urethane foam insulation and a geothermal heating and cooling system with zone management further minimize energy consumption, underscoring the home's commitment to environmental responsibility. The design process for the Overlook House notably incorporated Google SketchUp, a valuable and accessible 3D modeling tool. This software allowed the design team to explore numerous three-dimensional concepts efficiently and cost-effectively. By integrating SketchUp with Google Earth, the team could precisely orient the architectural model, analyze solar paths, and understand how sunlight would interact with the building throughout the year. This advanced simulation capability was crucial in determining optimal volumes and window placements, ensuring the effective harnessing of natural light and control over solar exposure, ultimately contributing to both the aesthetic quality and energy performance of the house. #OverlookHouse #ResidentialArchitecture #SustainableDesign #LEDLighting #OpenFloorPlan #EnergyEfficiency #ArchitecturalDesign #MarvinWindows #LEEDCertified

Interior decorator Starrett Zenko Ringbom and artist Happy Menocal collaborated on a whimsical, hand-painted mural for the entryway of Ringbom’s Upper East Side Manhattan apartment. Their working relationship, which began with Ringbom's branding materials, evolved into a friendship, making them an ideal creative pair due to their shared bright, playful aesthetics and willingness to take design risks. Ringbom expressed implicit trust in Menocal's understanding of her aesthetic point of view. The mural serves as a central focal point in the newly redecorated two-bedroom residence, which exudes significant character. The design inspiration for the home, and consequently the mural, stemmed from bold hues and the surrealist design of a Fornasetti umbrella stand situated in the entry. Ringbom describes her interior decor theme as neo-traditional, envisioning an Italian aristocrat who, after facing financial hardship, moved into a smaller pre-war apartment but still sought to live grandly and eccentrically. This concept underscored her desire for a mural in the entry. Ringbom was committed to realizing her dream of a tailor-made, hand-painted entry, emphasizing that small spaces should not limit style. She cited the entrance to L’Institut Guerlain, designed by Jean-Michel Frank with wall murals by Christian Berard, as a long-standing inspiration for her own mural project. The collaboration with Menocal involved incorporating themes from the rest of the home into the personalized painting. Menocal noted that Ringbom’s apartment and overall aesthetic blend "zippy Italian mid-century" with "classic old-guard formality." To honor this, and Ringbom's admiration for writer and illustrator Ludwig Bemelmans, Menocal integrated elements like topiary and cypress trees to evoke an Italian feel, alongside stylized color fields and a limited palette for a 1960s mod touch. The resulting mural is a spirited, celestial depiction of Ringbom and her family, featuring ethereal foliage and a muted background. Each family member is represented in portrait-painted medallions, reminiscent of characters from Bemelmans’ famous creation, _Madeline_. Achieving her vision of luxury and customization, Ringbom encourages others to consider mural painting in their own homes. She suggests it as an excellent alternative to wallpaper for spaces like entries or powder rooms. Ringbom advises embracing bold design choices, stating that "half-measures and fear will only restrain what could be glorious. Be brave!" The article highlights how a personalized artistic element can transform a space, making it both unique and deeply reflective of the homeowner's personality and inspirations. #InteriorDesign #MuralArt #EntrywayDecor #PersonalizedDesign #HomeDecor #ArtistCollaboration #UpperEastSide #NeoTraditional

The practice of incorporating natural elements, particularly plants, into home design and decoration has a long and rich history, reflecting humanity's continuous desire to emulate nature and achieve an ideal aesthetic. From ancient civilizations to modern trends, botanical motifs have served as a recurring source of inspiration for architects, artists, and designers. In ancient Egypt, the sacred lotus flower was central to temple pillars and various artifacts, while the Greeks utilized lotus, palm, acanthus, olive, and grape motifs. The early Islamic period and Byzantine mosaics also showcased plant and flower ornamentation. In the Philippines, the Maranaos' traditional 'okir' design, featuring curvilinear floral and leaf patterns, emerged around 600 CE and flourished during the Islamization of Mindanao in the 14th century. The Gothic architectural style of the 13th century prominently featured natural forms, such as rose windows, leaf-shaped pointed arches, and floral traceries in stained glass. The Renaissance era saw an increased interest in realistic botanical imagery in frescoes, textiles, and wallpaper, coinciding with a broader appreciation for nature. This opulence continued through the Baroque and Rococo periods, which were characterized by intricate foliage embellishments in furniture and decoration, while the Victorian era offered a more subdued yet equally nature-inspired approach through its wallpapers and textiles. The Industrial Revolution prompted the Arts and Crafts movement in the mid-19th century, advocating for craftsmanship over mass production. This movement, exemplified by William Morris, incorporated natural elements and folk styles into textile and wallpaper patterns. Art Nouveau, flourishing from 1890 to 1910, further embraced natural forms, particularly the sinuous curves of plants and flowers, integrating them into architecture, furniture, lighting, and tableware. In the early 1900s Philippines, indigenous foliage like anahaw and banana leaves were commonly used in architecture and interior design. Even in postmodernism and minimalism, botanical motifs persisted, albeit in simpler, less elaborate forms. The ongoing pandemic has led to a renewed emphasis on incorporating plants and vegetation into interiors, driven by a desire for lightness and a sense of harmony with nature. This contemporary trend, termed “Vege-Crazy” by Maison & Objet trend forecaster François Delclaux, is characterized by profusion, exuberance, accumulation, and extravagance in plant-inspired decor. This includes oversized leaf patterns and florals, often blending historical styles, as seen in updated classical textiles and old-fashioned bouquets. Examples include the floral velvet prints from Indian Song, which collaborates with artisans in Jaipur, and lamps from Traces of Me, covered in silk with plant motifs. Natural materials like coconut, reeds, bamboo, rattan, and wicker are also prevalent in lamps, baskets, and decorative objects from brands like J-Line. Soothing shades of green are widely used across home accessories, tableware, and textiles, often complemented by fruity and floral accents. Filipino brands are actively participating in this trend: Paperbound offers unique sage wallpaper with abundant foliage and witty representations of the mythical aswang, while JB Woodcraft creates carved floral wall decor with ombré effects, and Cebu Home Craft produces floral bowls. Kitchen and dining ware feature vegetation-inspired colors, exemplified by Moroccan glazed earthenware from Chabi Chic and Syrian bubble glass cups from La Maison Dar Dar. In the Philippines, Lucy Gomez's bone china tableware line, available at Topiary.store, features indigenous flowers like Medinilla Magnifica and Renanathera Storiei, providing both aesthetic beauty and support for livelihood projects in Leyte. The integration of nature into home decor thus not only enhances aesthetic appeal but also contributes to a sense of well-being and community support. #HomeDecor #InteriorDesign #BotanicalMotifs #PlantDecor #ArtsAndCrafts #ArtNouveau #FilipinoDesign #SustainableDecor #VegeCrazy

The practice of painting porch ceilings a light blue hue, known as "haint blue," is a deeply rooted tradition in the Southern United States, particularly in areas like Georgia, Florida, and South Carolina. This aesthetic choice is not merely for decoration; it carries significant cultural and historical weight, especially within Gullah traditions. The Gullah Geechee people, descendants of enslaved Africans in the Deep South, coined the term "haint" for ghostly or evil spirits and believed that light blue-green shades, or "haint blue," would safeguard homes by deterring these unwanted entities. This belief also extended to the deterrence of insects, with the idea that the color mimics the sky or water, making insects believe they can pass through rather than settle. While the visual appeal of haint blue is undeniable, offering an airy and open feel to outdoor spaces, its efficacy as an insect repellent is a subject of scientific skepticism. Dr. Michael Reiskind, an Entomology Professor and Director of Graduate Programs at North Carolina State University, states that colors are unlikely to be effective repellents for insects, except in very specific and rare circumstances. He clarifies that while certain colors might attract particular insects—such as specific shades of blue for flies or electric blue and black for tsetse flies mimicking large mammals—the concept of color repellency lacks strong scientific support. Most studies perceived as demonstrating color repellence often indicate only a relative lack of attraction compared to other colors, rather than an active deterrent effect. For those seeking reliable solutions for bug control, Dr. Reiskind's expert opinion suggests that traditional haint blue paint on porch ceilings may not provide the desired insect-repelling benefits. Instead, effective pest management typically relies on scientifically validated methods and products. The Good Housekeeping Institute offers several tested and recommended bug repellent alternatives for those who prioritize proven efficacy over traditional beliefs. These products are designed to actively deter or eliminate insects, providing practical solutions for homeowners. #HaintBlue #PorchCeiling #BugRepellent #SouthernTradition #GullahCulture #HomeDecor #PestControl #OutdoorLiving #PaintColors

The 'Rising Sun Redbud' tree, scientifically known as Cercis canadensis, is gaining significant attention online due to its unique and vibrant multi-colored foliage, which shifts throughout the growing season. This ornamental tree features heart-shaped leaves that emerge in an orange-red hue, transition to gold, and then mature into a lush green. This continuous color transformation provides year-round visual interest, making it a popular choice for gardeners seeking to add dynamic color to their landscapes. Beyond its aesthetic appeal, the tree also produces delicate purple blooms in the spring. Experts attribute the tree's popularity not only to its stunning appearance but also to its adaptability and ease of care. Certified arborist Ben McInerney highlights that the 'Rising Sun Redbud' thrives in USDA zones 5-9, accommodating a broad spectrum of climates. Its flexibility extends to soil conditions, as it can grow in various soil types, though it prefers well-drained, slightly acidic soil. The tree's tolerance to both full sun and partial shade further enhances its appeal, allowing for diverse planting locations. With a compact mature height of 12-15 feet, it is well-suited for smaller urban gardens and even rooftop spaces, providing significant curb appeal without requiring extensive room. While generally hardy, the 'Rising Sun Redbud' can face certain challenges that require attention. Leaf scorch, characterized by sunburn on its delicate apricot leaves, can occur, especially in hot, dry climates. To mitigate this, planting the tree in locations that offer afternoon shade, such as on the east side of buildings, is recommended. Another potential issue is Verticillium wilt, a fungal disease that can be prevented by ensuring proper drainage and avoiding overwatering. Canker, identified by sunken areas on branches, can weaken the tree but is manageable through regular pruning of affected areas and maintaining the tree's overall health, with organic fungicides serving as a preventive measure. Deer browsing is another concern, as deer find the tree's young leaves particularly appealing. Solutions include using deer repellents, physical barriers, or planting aromatic herbs nearby as natural deterrents. Additionally, common garden pests like caterpillars and leaf-hoppers may be attracted to the 'Rising Sun Redbud.' Organic insecticides are effective in controlling these infestations. These issues, whether stemming from common gardening mistakes or natural factors, are treatable with consistent care, making the tree a viable option for those looking to add a unique, colorful plant to their collection. The 'Rising Sun Redbud' is a dwarf tree, typically reaching 8 to 12 feet, and flourishes best in locations with ample sunlight, though it can tolerate partial shade. Its ability to display a spectrum of colors throughout the year, coupled with its manageable size and general hardiness, makes it an attractive and rewarding addition to both large and small gardens. #RisingSunRedbud #GardenDesign #TreeCare #FoliageTransformation #DwarfTrees #LandscapeDesign #PlantAdaptability #PestControl #SeasonalColor

This article details the journey of Amy and Bruce Paul in designing and decorating their 11,000-square-foot home in Rye, New York, focusing on integrating their extensive art collection into a cohesive interior design. Having previously lived in a post-modern home with traditional furnishings and a growing contemporary art collection, the Pauls sought to create a new residence where the exterior architecture and interior aesthetics were harmoniously aligned with their personal taste in design and art. Their objective was to construct a home that could comfortably accommodate their family of six while optimally showcasing their practiced and perfected collection of paintings and sculptures. The couple acquired a 13-acre estate in Rye before the 2001 World Trade Center attacks, subdividing it into seven lots and reserving a two-plus-acre parcel for their own home. They collaborated with builder Michael DiChiaro to construct a six-bedroom, seven-full-bath residence that offers views of a wooded yard, later enhanced with a pool and waterfall by Coral Sea Pools, and adorned with bronze sculptures by Mexican artist Bruno Luna. For the interior design, Amy Paul enlisted Joseph R. Stabile of J.R. Cattington, who had previously worked with them. Stabile and his team were involved from the ground up, providing input on architectural design, interior finishes, electrical layouts, and lighting selection. Stabile chose a palette of cream and gold to complement the Pauls' artwork and suggested structural modifications, such as adding a doorway to improve flow in the formal living room. Amy's primary design directive was for a "light and bright" home, which was achieved in the living room through buttery gold satin-striped fabric from Robert Allen for window treatments and crystal wall sconces by Crystorama. This room serves as a gallery for various notable paintings, including works by Janet Treby, Liane Abrieu, and Russian artists. The soft color scheme is accented by silk brocade wing chairs with colorful throw pillows and fuchsia and silk rugs from China. The family room continues the luminous theme with yellow walls, a toile pattern by Antonia Vella, Seabrook wallcoverings, and similarly colored fabrics in lemon, green, and persimmon for window treatments, pillows, and side chairs. Crystal chandeliers from Murano, imported by Castilian Imports, were chosen to coordinate with paintings by Isaac Maimon and Charles Levier. The coffered ceiling in a green apple shade with cream-colored woodwork further enhances the vibrant, garden-like atmosphere. Bruce Paul's personal space, a clubby card room, contrasts with Amy's preferences, featuring dark wood paneling, built-in bookcases, a bar, and masculine fabrics. This room, separated from the family room by a stone-front fireplace, includes Biedermeier chairs with leopard-print fabric and various personal artifacts. Stabile designed the fireplace with intricately carved mahogany lions and used a Serengeti Leopard carpet to connect Bruce’s adjoining office. The Pauls' children, Joanna, Ryan, Matt, and Jason, also contributed to the design of their respective bedrooms and bathrooms, incorporating elements such as Masland Carpets, Bernhardt furnishings, and Thibaut wallpapers. The master bedroom, with its vaulted ceiling, presented a challenge in scale, addressed by Stabile using Highland Court silk brocade for a cornice "headboard" that coordinates with custom curtains. The article highlights the Pauls' passion for art collection, which began with a French artist Charles Levier painting and expanded to include works from their travels to Europe, South America, Asia, and the Southwest. Despite concerns about diminishing wall space, their quest for art, driven by personal connection and memories from their travels, continues. #HomeDesign #InteriorDecor #ArtCollection #LuxuryHome #RyeResidence #JosephStabile #CustomDesign #ArchitecturalFeatures #PersonalStyle

Architectural details such as low-sloped roofs, arched front doors, or prominent turrets are commonly associated with charming homes like Craftsman, Spanish Colonial, or Queen Anne styles. However, even ordinary residences, such as split-levels or traditional brick row houses, can significantly enhance their curb appeal through the strategic use of exterior tile. The versatility and durability of porcelain and ceramic tiles, traditionally used in bathrooms and kitchens, can be extended to outdoor applications. The recent launch of OuterClé, a platform dedicated to outdoor-friendly tile products, highlights new opportunities for incorporating materials like terracotta and terrazzo into patios and garden pathways. Interior designers have also begun utilizing trendy materials like handmade zellige around firepits and swimming pools, further demonstrating the potential of exterior tiling. Architects are increasingly integrating tiles into building exteriors, whether by cladding entire facades or adding tiled sections to new additions. This approach allows for the creation of unique and personalized looks that can rival the character of historic Victorian or cozy Craftsman homes. The article presents eight examples of tiled exteriors, showcasing various creative applications and design impacts. One approach involves building custom patterns from simple rectangular tiles. For instance, Richard Christiansen, founder of Flamingo Estate, clad his garden office in Los Angeles with turquoise tiles arranged in various directions to create a patchwork effect. This design utilizes vibrant shades of green and blue, reflecting Christiansen's aesthetic preference. Another technique focuses on enhancing rooflines. In Costa Nova, Portugal, residences feature striped tiled facades, which, when combined with high-pitched roofs, create the illusion of increased height. Tile can also be used to create inviting covered spaces. In Lisbon, Portugal, an architectural firm utilized dark green tiles, including on the ceiling of a covered patio, to achieve a cocooning effect. This design transforms a simple overhang into a serene retreat, ideal for relaxation. Public transit systems can even serve as inspiration for exterior tile designs. London's Underground tube stations, with their distinctive curved corner tiles and specific pink glazes, have influenced architects to replicate similar aesthetics on Victorian terrace houses. This demonstrates how urban elements can be adapted for residential use, adding a unique historical and local flavor. For efficiency and cost-effectiveness, KitKat-style mosaic tiles offer a practical solution. These tiles come in large sheets, making installation quicker and more affordable. A Melbourne Victorian home, designed by Dan Gayfer, utilized this type of tile to introduce new natural light and update its interior efficiently. Tiled seating is another functional and aesthetic application. At a home in Buenos Aires, white square tiles were used to clad a rooftop entrance and integrate a built-in bench, effectively utilizing surplus material while maintaining a consistent design theme with large gridded windows. Mixing two tones of cement tile on a facade provides both durability and aesthetic depth. Cement tiles are robust, resistant to chips, scratches, dirt, and moisture, and available in a wide array of colors. An example from a UK home showcases the pairing of two similar blue shades in a random arrangement, creating a weathered, established appearance. Finally, framing windows with tile adds definition to flat architectural structures. A care home in Zoersel, Belgium, used minty green tiles for its facade, inspired by the surrounding forest, and further enhanced the windows with dark green tiles to provide contrast and visual interest to an otherwise boxy design. These diverse examples illustrate the transformative potential of exterior tiling in adding charm, personality, and architectural distinction to various types of homes. #ExteriorTile #ArchitecturalCharm #HomeImprovement #OutdoorDesign #FacadeRenovation #TileDesign #Zellige #CementTile #MosaicTile

This blog post from Wickes showcases their extensive range of tiles designed to help homeowners transform their living spaces. It emphasizes the variety of designs, materials, and applications available, catering to diverse aesthetic preferences and functional requirements. The article highlights that tiles can be used to reflect a unique personality and style, suggesting their versatility beyond traditional kitchen and bathroom settings to include hallways, conservatories, and even bedrooms. The content is structured to guide customers through different tile categories and provide helpful advice. It begins by encouraging users to explore various tile options, from intricately patterned floor tiles to sleek, modern designs, all aligned with current trends. The post categorizes tiles by their intended use, such as Bathroom Tiles, Kitchen Tiles, Floor Tiles, Wall Tiles, Outdoor Tiles & Paving, and Wet Room Tiles, making it easier for customers to navigate and find what they need for specific projects. Additionally, it features specialized collections like Boutique Tiles and Mosaic Tiles for those seeking unique or decorative options. Beyond just showcasing products, the article provides practical guidance through a dedicated "Tiling Ideas & Advice" section. This includes a step-by-step guide on "How to tile a bathroom wall," aiming to demystify the tiling process and empower DIY enthusiasts to achieve a professional finish. Another advice piece, "Tiling ideas & advice," offers inspiration for using tiles in various rooms and highlights the aesthetic benefits of incorporating them into home makeovers. The inclusion of a "tile buying guide" further assists customers in making informed decisions by considering factors such as application, desired aesthetic, budget, and maintenance requirements. The blog post addresses frequently asked questions regarding tile installation and selection. It specifically tackles whether it's possible to drill into tiles, providing detailed instructions on the necessary tools and precautions, such as using diamond-tipped drill bits and masking tape to prevent cracking. It also clarifies the different types of tiles available, including ceramic, porcelain, and glass, and explains their respective benefits and suitable applications. For instance, it mentions porcelain and ceramic tiles for durability, contrasting polished variations (beautiful shine, less slip-resistant) with matt tiles (more slip-resistant), and distinguishing between rectified tiles (straight edges for clean lines) and pressed tiles (natural look). Finally, the article lists various tile-related accessories and services offered by Wickes, such as Tile Adhesives, Tile Grout, Tile Tools & Accessories, and Underfloor Heating. It also promotes the availability of Tile Samples, allowing customers to test options before committing to a purchase. The overall aim is to position Wickes as a comprehensive resource for tiling needs, combining product offerings with practical advice and support. #Tiles #HomeImprovement #InteriorDesign #BathroomTiles #KitchenTiles #FloorTiles #WallTiles #TilingAdvice #DIYHome

Pita and Bloom, founded in 2010 by Florencia Pita and Jackilin Hah Bloom, emerged from their collaborative experience at SCI-Arc and Greg Lynn's Form. The firm, a finalist in MoMA PS1's YAP competition in 2014, is recognized for its distinctive approach to architecture, which emphasizes color theory, abstraction, and pop art influences. Their designs integrate bright color palettes, collage, pattern, and geometry, intentionally embracing ornament in an architectural context. The practice is typically small, consisting of the two founders, and occasionally expands to include one or two designers and interns for specific projects. The motivation behind establishing their practice stemmed from a strong working relationship and friendship developed during their time at Greg Lynn's office. This led to a natural collaboration, initially exploring shared ideas on color and form through competition projects and speculative work. This early body of work provided the foundation for their nomination in the MoMA PS1 competition. Over time, their collaboration evolved from self-initiated projects to commissioned architectural work, with their academic roles at the Southern California Institute of Architecture (SCI-Arc) continuously informing and being informed by their practice. An example of this synergy is Florencia's Los Angeles River studio, which reimagined the infrastructural space as a public landscape through painting the concrete riverbed, leading to the project 'Flat Pools,' featured in 'Art Papers.' One significant challenge faced by Pita and Bloom is grounding their interests and ideas within the rapidly evolving discourse of architecture, which shifts with advancements in arts, technology, and society. Having transitioned from traditional drafting methods to embracing digital technology, and now navigating a landscape where representational techniques define architecture, they employ a range of analog and digital tools tailored to each project. Despite these evolving mediums, their core template remains consistent: defining the parameters of color and form in architecture. Their projects consistently explore color as a material with texture and patterns, and forms that transition from flat to 2.5D through concurrent lines and volumes. The firm does not set specific goals for its size, viewing growth as an organic process. They value the contributions of talented collaborators and project teams, which allows their practice to remain open and experimental while maintaining a serious and earnest approach. The benefits of a small practice, though not always by choice, include the ability to dedicate extensive time and focus to idiosyncratic and self-initiated projects. This affords them the luxury of sustained creative thought and exploration of ideas, contributing to their unique architectural output. The article showcases several projects by Pita and Bloom, illustrating their design philosophy. 'FLAT POOLS' for the Los Angeles River proposes painting the riverbed to transform it into a public landscape. 'LA MEDIANERA' in Tetla de la Solidaridad, Mexico, presents a rural house prototype for Infonavit's 'From the Territory to the Dweller' initiative. 'THE NEW ZOCALO' for Mexicantown, Detroit, was a project for the 15th Venice Architecture Biennale's U.S. Pavilion, 'The Architectural Imagination.' Finally, 'SIGNATURES' is an entry façade installation for the Princeton School of Architecture in Princeton, New Jersey. These projects exemplify their consistent exploration of color, form, and ornament in diverse architectural contexts. #ArchitecturalDesign #ColorTheory #OrnamentInArchitecture #PitaAndBloom #SmallPractice #ArchitecturalInnovation #LosAngelesArchitecture #AcademicPractice #ArchitecturalCollaboration