Google and Chromasonic make sense of colour at Milan Design Week

The Danish company Notes has introduced a novel approach to the paint industry, simplifying the often-complex process of selecting paint colors. The company emerged from the observation that traditional paint brands present an overwhelming array of choices, making it difficult for consumers, designers, and architects to make informed decisions. Notes addresses this by offering a curated palette of 40 colors, which are carefully selected to embody Scandinavian aesthetic principles of simplicity and minimalism. The core philosophy behind Notes is to provide a foolproof color selection experience. The brand works with leading creatives in design and architecture to develop a cohesive and harmonious color palette, ensuring that any combination of their colors will result in an aesthetically pleasing outcome. This simplification is intended to empower individuals to confidently define the mood and aesthetic of their living spaces, highlighting that true freedom often stems from straightforward solutions. The brand's catalog serves as a source of inspiration, enhancing color awareness and demonstrating the profound impact color has on setting the emotional and intellectual ambiance of a home. Notes operates exclusively through an online shop, designed for ease of use and accessibility. The website features an editorial section where interior designers and stylists share their insights and experiences, providing guidance and inspiration for individual color choices. The online platform facilitates shade matching and combinations through clear examples and explanations, aiming to ensure optimal results for users. To further support customers, Notes offers free sample kits and a comprehensive tools section, supplying everything needed for a painting project, including brushes, primers, dust sheets, and tapes. Beyond aesthetics and user-friendliness, Notes places a strong emphasis on product quality and sustainability. The company offers a thick-textured paint formulated to provide a matte, uniform, and long-lasting finish, distinguished by its unique pigments. From an environmental perspective, the paint is water-based, features low Volatile Organic Compound (VOC) content, and is certified with both the EU Ecolabel and the Swan Ecolabel, underscoring the brand’s commitment to eco-friendly practices. The brand's innovative approach was showcased at the Milan Design Week 2023 as part of the “This is Denmark” exhibition, which highlighted how contemporary Danish creators interpret national heritage values through modern design. This exhibition featured 15 selected objects, with Notes demonstrating a practical and thoughtful application of Danish design principles to everyday home improvement. #HomeDecor #InteriorDesign #PaintIndustry #ScandinavianDesign #ColorPalette #SustainableDesign #MilanDesignWeek #OnlineShopping

The article explores the multifaceted world of color, highlighting its subjective and collective impact on individuals and trends in fashion and home design. Color choices are influenced by personal emotional reactions and memories, while broader trends can be generational or inspired by specific artistic movements. The article notes the cyclical nature of color trends, from the minimalist 1990s to the resurgence of vibrant hues, with natural colors like green gaining popularity due to sustainability concerns. The influence of pop culture, such as movies like "The Grand Budapest Hotel," and the red-carpet fashion of A-listers, is suggested as a factor in the renewed appreciation for flamboyant colors. Traditional color systems, such as Pantone's "Colour of the Year," Sweden's NCS, and Germany's RAL, are discussed as standardized methods for color reproduction and forecasting. Pantone's annual selection, like "Classic Blue" for 2020, is presented as a result of trend-forecasting research, aiming to capture the zeitgeist. However, many contemporary designers are moving away from these rigid systems, advocating for a more personal and experimental approach to color. Dutch designer Hella Jongerius is highlighted for her efforts to create a "new vocabulary" of color, challenging the standardization that she believes impoverishes the everyday color palette. Her work for Vitra and exhibitions like "Breathing Colour" showcase mutable colors and innovative formulations, such as 16 shades of black created without carbon. The article delves into the origins and commercial aspects of color forecasting, noting that firms like Carlin began creating forecasts after World War Two to serve retailers. While these systems offer practical value in ensuring color consistency across global manufacturing, they are also viewed as marketing tools. Justine Fox and Carolina Calzada Oliveira of Calzada Fox emphasize that their color development extends beyond aesthetics to functionality, encompassing brand awareness and sustainability. They observe a shift towards longer-term color forecasting in fashion and product design, similar to the automotive industry, in response to growing consumer demand for sustainability. However, challenges exist in implementing sustainable color practices on a mass scale, as textile designer Lindsay Hanson explains regarding bacterial dyes. While environmentally friendly, these dyes face limitations in color range, affordability, and durability compared to synthetic alternatives. The article emphasizes that colors are often best appreciated in combination, challenging the isolated focus of "Colour of the Year" concepts. Examples include Calzada Fox's paint range for Craig & Rose, which explored color interaction through immersive installations. Italian colorist Giulio Ridolfo's work for Kvadrat, Vitra, and Moroso exemplifies this layering approach, drawing inspiration from natural landscapes, art, and cinema. His designs for woven textiles like Remix, which feature multiple yarn colors, create rich, subtly changing hues that appear monochrome from a distance but reveal intricate contrasts up close. The book "Materialising Colour: Journeys with Giulio Ridolfo" by Jane Withers further explores his process, connecting it to historical color theory and emphasizing the "in-between" colors created by material interaction. UK-based textile design duo Wallace Sewell also embraces the unpredictable color combinations inherent in weaving, influenced by Bauhaus artist Johannes Itten. Their work for London Transport trains, featuring complex moquette designs, showcases how multiple colors can interact to create unique visual effects. They express skepticism about rigid color forecasting, advocating for designers' creative autonomy. The article concludes by looking to future innovations, such as Lindsay Hanson's Digitised Material project, which uses digital technology and structural color to allow wearers to change garment colors via a smartphone app. This approach offers a potentially sustainable model for reducing new garment production. Woven textile artist Ptolemy Mann shares a similar sentiment, embracing sophisticated secondary colors and asserting that "there is no such thing as a bad color combination," highlighting the importance of context in color perception. #ColorTrends #DesignInnovation #TextileDesign #ColorForecasting #SustainableDesign #HomeDecor #FashionTrends #MaterialScience #ArtisticExpression

The Dulux and Australian House & Garden teams recently traveled to Italy, specifically Milan Design Week 2025, to identify and interpret the latest color trends shaping interior design for the upcoming year. The event, a significant global design showcase, highlighted a strong resurgence of color in interiors, moving beyond monochromatic or neutral schemes. Nine distinct color palettes emerged from the observations, offering a comprehensive guide for homeowners and designers. These palettes aim to inspire and inform color choices, catering to various aesthetic preferences, from bold statements to subtle, calming environments. Each palette is accompanied by specific Dulux paint suggestions, allowing for easy implementation. **Bronze Icon** introduces a sense of grounded opulence with rich, nature-inspired hues like velvety olives, chocolate browns, and warm golds. This palette is designed to create elegant and sophisticated spaces, particularly suitable for living rooms and entertaining areas, evoking comfort and refinement. Suggested Dulux colors include Shallot Leaf, Spinach Green, and Ecology Green. **Gold Rush** focuses on infusing interiors with sunshine tones to bring joy and upliftment. The spectrum ranges from zesty yellows to rich honey and dandelion shades, capitalizing on the enduring popularity of butter yellow. This palette is ideal for adding a dose of vibrancy and positive energy to any design scheme. Dulux recommendations are Species, Wiggle, and Dandelion Yellow. **Pensive Quarter** offers a soothing combination of subtle mauve, blush, and ivory. This palette is designed for intimate zones such as bedrooms or quiet corners, promoting a calming and restful atmosphere. The addition of tactile finishes like marble, linen, and warm timber, or contemporary stainless steel accents, can enhance its depth. Suggested Dulux colors include Tip Toes Half, Bay Fog, and Whisper White. **Chocolate Souffle** embraces the comeback of earthy browns, renowned for their versatility, warmth, and ability to add layered sophistication. This palette includes rich caramels, soft camels, and cinnamon tones, as well as deeper bitter chocolate shades, which pair well with fluffy textiles, marble, and woodgrains, suiting diverse interior styles. Dulux offers Guitar, Braid, and Passionate Blue for this palette. **Warm Nutmeg** is a spiced monochrome palette that emphasizes layered luxury through both paint colors and timeless materials. While less overtly vibrant, it creates a significant impact. Materials such as burl wood, earthenware, velour, and leather accents complement this palette effectively. Dulux suggestions are Caramel Sundae, Camel Hide, and Yardbird. **Symphony Red** signifies the resurgence of vibrant, chili-toned crimsons, aiming to liven up spaces. Whether used boldly or subtly, red can add a fiery touch to interiors. Milan Design Week 2025 showcased designers and brands incorporating this intense hue, suggesting its use in splashes through cushions, artworks, or feature decor for a less committed approach. Dulux Red Box, Red Terra, and Bright Delight are recommended. **Ceylon Tea** aims to evoke warmth and nostalgia through harmonious muted colors. Inspired by mid-century designs, this palette features taupe, fawn, and mocha, all contributing to an aesthetic character. Suggested Dulux colors are Baton, Coffee Dush, and Bedbox. **Natural White** continues the trend of forest-inspired palettes, focusing on a restful and calming atmosphere. This scheme combines a warm white base with terracotta and browny-green accents, drawing inspiration directly from nature. Dulux Clay Court, Lush Hosta, and White Duck are ideal choices. **Sapphire Stone** presents a sophisticated yet soothing base with dusty deep blues. This classic blue and white pairing evokes a Hamptons sensibility, especially when complemented by stripes, brass, and hydrangea-cobalt accents, bringing coastal calm to any room. This palette was notably featured at the Ralph Lauren boutique in Milan. #MilanDesignWeek #ColorTrends2025 #InteriorDesign #DuluxColors #HomeDecor #ColorPalettes #DesignInspiration #DecoratingTrends #HomeStyling

Pantone's selection of 'Cloud Dancer' white as the Colour of the Year 2026 has sparked considerable debate within the design community, following previous choices like Mocha Mousse and Peach Fuzz. Described by Pantone as 'a lofty white whose aerated presence acts as a whisper of calm and peace in a noisy world,' this off-white shade has elicited strong reactions from designers and curators, who offer varied perspectives on its significance. Design curator Priya Khanchandani, formerly of the Design Museum, critically analyzed the choice, particularly on social media. She argues that 'Cloud Dancer' is an inappropriate selection given current global socio-political contexts. Drawing on David Batchelor’s 'Chromaphobia,' Khanchandani posits that Western society exhibits an inherent resistance to color, often dismissing it as childish, feminine, or kitsch. She concludes that the rejection of color is not merely an aesthetic preference but an ideological stance, interpreting the choice of white as a resistance to plurality. Khanchandani suggests that at a time when white nationalism is rising and efforts toward broader representation are being challenged, selecting white feels insensitive and misses an opportunity to celebrate diverse colors and identities. Conversely, textile and color designer Margrethe Odgaard finds the choice captivating, viewing 'Cloud Dancer' as an invitation for awareness rather than a conservative decision. She emphasizes that it is not a stark, industrial white but a hue that prompts deeper consideration. Odgaard describes it as 'a scaffolding for the colour spectrum,' suggesting it functions as a neutral backdrop that allows other colors to shine. Its warm, creamy tone, she explains, evokes the soft glow of lime whites, ensuring that shadows remain vibrant in spatial contexts. For Odgaard, the selection encourages a shift away from pure, calibrated whites towards more natural, earthy hues that engage the senses over intellectual thought. She also interprets 'Cloud Dancer' as a subtle symbol of hope amid global conflicts. Julien Sebban of Uchronia, known for his multi-layered palettes in interior and product design, expressed surprise at Pantone's choice. Having previously collaborated with Pantone on a celadon green suite, Sebban perceives white as a neutral starting point rather than a color in itself—a background rather than a bold statement. He suggests that choosing black or white as Colour of the Year might reflect a deeper global mindset leaning towards neutrality, uniformity, and a reluctance to take risks. He notes the increasing prevalence of an international beige aesthetic, which he finds somewhat melancholic and underwhelming, especially when creativity, diversity, and boldness are critically needed. Giulio Ridolfo, a designer renowned for his textile and chromatic palettes, also offers an insightful perspective on white. He highlights its diverse symbolic uses across cultures, from signifying widowhood in India to representing peace and light. Ridolfo acknowledges white's omnipresence, stating, 'White has always accompanied me throughout my life, there are moments when you can't be without white, like you can't live without black.' He prefers to call it 'biancore' (whiteness) and, as a color designer, often draws inspiration from nature rather than adhering strictly to Pantone's predefined colors. He particularly favors the white of Greek islands and natural pigments found in KT paint catalogues. These varied interpretations underscore the complex and often contradictory meanings embedded in Pantone's 2026 Colour of the Year, Cloud Dancer. #PantoneColorOfTheYear #CloudDancer #ColorTheory #DesignCommunity #InteriorDesign #TextileDesign #CulturalSymbolism #DesignCritique #AestheticDebate

Milan Design Week 2022 showcased a variety of temporary installations designed to captivate the design community. These installations frequently leveraged unique settings, ranging from abandoned nunneries and military hospitals to former sports venues and historic villas, to create impactful experiences. The event featured nine notable installations that demonstrated innovative approaches to design and material use. One featured installation was “A Statement of Form” by Gaggenau, a kitchen manufacturer, which was located in the Villa Necchi Campiglio, a historic Italian villa known from the film “House of Gucci.” This installation, a collaboration with architecture firm 1zu33, marble expert Salvatori, and ceramic specialist Kaufmann, presented a sleek kitchen design within a luxurious setting. Another highlight was "Monumental Wonders" by SolidNature, exhibited at Alcova’s Lavanderia building. This installation showcased the versatility of natural and semi-precious stones, featuring nine types of onyx in a dramatic entry portal. OMA designed a stone-wrapped doorway and marble-and-onyx furniture pieces, including a rotating cabinet and a bed with hidden storage. Sabine Marcelis contributed a pink onyx bathroom sculpture, demonstrating the material’s aesthetic and functional potential. “Silentscape” by Isabella Del Grandi for Slalom, also at Alcova, focused on acoustics. This colorful sound studio installation integrated soft surfacing materials and suspended upholstered spheres to create a calming, sound-absorbing environment, highlighting acoustic system solutions. Hermès presented "Houses" by Charlotte Macaux Perelman, a luminous installation of ash wood and translucent colored paper structures at La Palota. Inspired by water towers, these glowing geometric forms displayed new cashmere fabric designs for the home. Flos’s “See the Stars Again” exhibition, curated by Calvi Brambilla at the Fabbrica Orobia, introduced 14 new lighting products. A key feature was the anniversary edition of the Arco lamp, Arco K, which showcased its lead-free crystal base. The exhibition also included sculptural displays and indoor gardens. Lee Broom’s “Divine Inspiration” presented six new lighting collections and 30 products in a gallery setting. Drawing inspiration from religious architecture, the exhibition featured unique moods in each room and included limited-edition hand-sculpted pieces, such as a broken pendant light in the Requiem collection. Amine El Gotaibi’s 300-pound ceiling-mounted weaving for Beni Rugs, titled Spoken Lines, was unveiled at Alcova. This site-specific artwork, made from 80 feet of natural wool, set the stage for a collection of 10 rugs and was crafted by a cooperative of female weavers in Morocco. Caffè Populaire, a collaboration between Lambert & Fils and DWA Design Studio, offered an _aperitivo_ garden at Alcova. The installation combined sculptural lighting from Lambert & Fils with flowered wallpaper by Superflower and various plantings. It featured an elevated interior garden and a water sculpture, contrasting Brutalist lighting forms with hyperrealistic floral imagery. Finally, "Holotype" by Refractory, a newly launched furniture brand, was presented at Alcova’s E/Space building. The installation created a unique sensory experience with the scent and visual presence of turmeric, used to tint concrete walls and piled on the ground. This backdrop framed Refractory’s artisanal furniture and lighting pieces, crafted from materials like cast bronze and solid black walnut, and incorporated paleontological specimens and imagery of America’s West. #MilanDesignWeek #InstallationArt #ProductDesign #InteriorDecor #FurnitureDesign #LightingDesign #TextileArt #MaterialInnovation #ExperientialDesign

Behr's 2026 Commercial Color Forecast presents 50 curated shades, reflecting a cultural pull towards duality, encompassing both grounding and escapism, familiarity and innovation. This forecast builds upon the blurred boundaries introduced in the previous year's palette, which explored the intersection of heritage and futurism, and natural and synthetic elements. Erika Woelfel, vice president of color & creative services, highlights the intentional optimism derived from channeling the tension between these dualities. The 2026 collection translates these hybrid influences into a structured format, organized into five distinct subpalettes: EVOLVEDNeutrals, SOULScape, MYSTICWave, METROChic, and FUSIONDream. Each subpalette offers a unique emotional tone, while maintaining flexibility across various sectors and spatial types. EVOLVEDNeutrals grounds the forecast with pure and toned shades that provide balance and clarity. SOULScape, drawing inspiration from Mediterranean landscapes, exudes a warm and immersive feel. MYSTICWave incorporates aquatic hues to evoke a sense of calm. METROChic is characterized by its tailored and refined aesthetic, capturing the energy of urban environments. FUSIONDream introduces an expressive, generational energy through its blend of pastels and brights. Woelfel emphasizes the goal of providing designers with versatile neutrals, calming aquatic hues, and expressive accents, enabling the creation of spaces that are both contemporary and comforting. The intention was to offer balance without restricting creativity. This year's forecast is notable for being the first developed in collaboration with Behr’s Designer Council, a group of eight professionals spanning commercial interiors, residential design, product development, and global trend research. The Designer Council, which includes experts such as Alena Capra, Patti Carpenter, Stephanie Lindsey, John McClain, Mia Johnson, Manuella Moreira, Christopher Kennedy, and Jennifer Sun, provided a practical perspective to the creative process. Their input was crucial in ensuring that the colors would resonate across diverse project types and client needs. The council’s combined expertise informed a palette shaped by practical insight, extensive experience, and evolving design priorities. Their feedback on elements like texture pairings and cultural references helped refine the palette, making it more dimensional, grounded, and adaptable to future trends in commercial design. The article includes several illustrative examples of how these palettes can be applied in various commercial and residential settings. For instance, a high-energy mix of Eon, Midnight Blue, Integrity, Inferno, and Radiant Sun showcases the visual impact and contrast central to FUSIONDream. Stonewashed Brown and Blank Canvas establish a grounded palette, reflecting SOULScape’s focus on moody, welcoming tones in a long hallway with an arched entryway. Sculptor Clay and Shoelace ground the exterior of a home in warm, natural tones, demonstrating the anchoring intent of EVOLVEDNeutrals. Eastern Bamboo and Nano White carry SOULScape’s Mediterranean influence through organic contrast and softened warmth in a bedroom. Blank Canvas and Dove from EVOLVEDNeutrals soften a healthcare setting with pared-down contrast and warmth. Ultra Pure White and Azalea Leaf lend a clean, composed feel to a coffee shop interior, shaped by MYSTICWave’s emphasis on comfort and ease. Nano White and Extreme bring precision and edge to an interior, reflecting METROChic’s tailored and urban sensibility. A gradient of Coral Cloud, Beach Foam, Mayan Treasure, and Deep Fire reflects MYSTICWave’s palette of softened warmth and atmospheric depth in an outdoor hallway. Finally, Eon, Sultana, and Coveted Gem introduce a saturated rhythm drawn from the FUSIONDream palette in an office setting, while Ultra Pure White and Fine Wine combine crisp contrast and saturation, aligned with METROChic’s polished tonal structure in a conference room. These examples collectively demonstrate the versatility and thoughtful consideration behind Behr's 2026 Commercial Color Forecast. #BehrColorForecast #CommercialDesign #InteriorDesignTrends #ColorPalette #DesignDuality #ErikaWoelfel #DesignerCouncil #ArchitecturalColors #SpatialDesign

Milan Design Week and Salone del Mobile 2024 provided a prominent platform for Japanese design, showcasing a diverse range of innovative creations from various brands. The event highlighted traditional craftsmanship integrated with modern aesthetics, spanning furniture, lighting, textiles, and art installations. Several key brands presented new collections and exhibitions across Milan, emphasizing unique materials and design philosophies. Karimoku Case, known for its woodworking and manufacturing precision, exhibited at Salone del Mobile with a theme of 'Natural Contrasts.' The exhibition, curated by architect Keiji Ashizawa, created a serene atmosphere with spaces designed to connect indoor and outdoor elements. A notable feature was the reintroduction of _keyaki_ (zelkova) wood, traditionally used in temples and shrines, into contemporary furniture, aiming to revive its popularity. Designs by Ashizawa, Norm Architects, and Norman Foster were prominently displayed, reflecting a holistic approach to furniture within specific project settings. Three other Karimoku brands also held separate exhibitions. Seyun, a collaboration fusing Zaha Hadid's futuristic designs with Karimoku's wood craftsmanship, unveiled a new side table, tray, and lounge chair, all crafted from single pieces of wood. Mas, creatively directed by Wataru Kumano, debuted in Milan with 'Project Hinoki,' an exploration of Japanese cypress wood, featuring minimal lights by Daniel Rybakken and low triangular tables by Ville Kokkonen. Karimoku New Standard, with David Glättli as creative director, presented its first solo show in five years, showcasing pieces like the Polar sofa by Moritz Schlatter and textiles from a collaboration with Reiko Sudo's nuno, all in an atmospheric artist's studio setting. The textile industry was represented by Hosoo, a centuries-old Kyoto maker, in collaboration with Michele de Lucchi. Their 'Mind Landscape Collection' explored forest aesthetics through four new textiles (Cedar, Red Elm, Red Oak, Afzelia) with motifs derived from macro photographs of wood fibers and satellite imagery, blurring the lines between wood and fabric. Issey Miyake's 'Fold and Crease' installation, created by Dutch collective We Make Carpets, featured 60,000 hand-dyed bamboo skewers forming an undulating abstraction, evoking an underwater landscape within the brand's flagship store. Sugiyama Furniture, specializing in solid iron craftsmanship, presented 'The Beauty of Lines,' showcasing the versatility of iron in minimalist interior products. Collaborations with Japanese creatives yielded pieces like Kazuteru Murasawa's Felice chairs, combining lightweight iron with organic leather details, and Fumie Shibata's Wall Deco series. Ambientec, a Japanese lighting brand, introduced Fotika, a hybrid portable and desk lamp designed by Kensaku Oshiro, inspired by the light filtering through ocean waters and crafted from a single piece of aluminum. Majotae, a Japanese hemp brand, presented Majotae 9490, a new line of bedding made from _tamai-fu_, a super-fine traditional hemp, with textiles displayed in natural dyes. The exhibition also showcased historical hemp artifacts and a live demonstration of traditional weaving. Stellar Works, a Japanese furniture brand based in Shanghai, returned with an expansive showcase inspired by Marco Zanuso, featuring new Neri & Hu products like the Qi collection sofas and the Taiko terrazzo table by Studio Stefan Scholten. Finally, Nagano Interior, making its Salone del Mobile debut, presented solid wood furniture crafted from materials like red oak and Japanese ash, embodying the concept of 'wa' or harmony, with pieces like the DT614 table and Corona chair. Ritzwell, another Fukuoka-based furniture maker, blended Japanese craftsmanship with functional design, showcasing the Constantino Armchair by Shinsaku Miyamoto and the MT Coffee Table, alongside new wood color shades Sohbobku and Gen. #MilanDesignWeek #SaloneDelMobile #JapaneseDesign #FurnitureDesign #TextileInnovation #LightingDesign #Craftsmanship #SustainableMaterials #InteriorDesign

Dill green is projected to be a prominent color trend for summer 2025, according to Pinterest's trend report. This hue, characterized by its vibrant and fresh qualities, is seen as a versatile choice suitable for year-round application in home decor, offering a connection to the outdoors, particularly relevant in the context of biophilic design. Anu Jain of Atelier Oleana describes dill green as a "love letter to nature—fresh, earthy, alive," distinguishing it from more aggressive or minimalist green tones. It evokes imagery of herb gardens and vintage apothecaries, providing a flavorful yet grounded aesthetic in contrast to prevalent grays and beiges. The appeal of dill green extends to its adaptability, as it can be used for color-drenching entire spaces or as a subtle accent. Designer Marika Meyer notes a shift in client preferences since 2020, with green surpassing blue as a frequently requested color, driven by a desire to reconnect with nature. This trend is also influenced by the popularity of British design, which often features green decor items, paints, and wall coverings. Several strategies for incorporating dill green into home interiors are suggested. One approach involves pairing it with cool tones such as blues and pinks. While a natural inclination might be to combine dill green with neutrals, designers encourage bolder combinations. David Mann of MR Architecture + Decor suggests using it with complementary blues or other greens like olive to create a complex and engaging environment. Meyer advocates for either fully committing to the color or using it sparingly, emphasizing its synergy with various hues. Another application for dill green is in kitchen spaces, particularly for cabinetry in butler's pantries. Ginny Padula of Town & Country Design Studio highlights how this brings color into areas often overlooked, balancing a desire for color with neutral elements elsewhere. The color's earthy quality is also a significant factor in its appeal. Mann attributes its trending status to its ability to evoke harmony with nature, bringing a sense of calm and balance indoors. Kristen Wolff of Brandon Architects recommends grounding dill green with warm woods like oak or walnut, while Jain advises thinking botanical rather than rustic. Ellie Christopher suggests using dill green wallpaper, including grasscloth or printed patterns, to add depth and richness, noting the availability of peel-and-stick options for renters. Dill green naturally lends itself to tablescapes, especially for outdoor entertaining. Gifty Walker of Joybird suggests incorporating it through linens, florals, stoneware dishes, or decorative items like vases and glassware to create a casual elegance. The color also complements natural textures such as teak wood, wicker, and woven placemats. For those who prefer a more conservative approach, using dill green as an accent color is effective. Mann recommends integrating it through curtain trimmings, art, throws, books, or glassware to add freshness and create a layered look. Ariane deBraux Triay of La French Goose advises connecting these accents visually by matching them with other elements in the room, such as bed sheets or rugs, to achieve an intentional design. Finally, dill green pairs well with natural materials like rattan and colors such as cream. Rebekah Zaveloff of Imparfait Design Studio explains that this combination creates a sophisticated yet relaxing "bringing nature indoors" vibe. When using dill green as a primary color, it is best to complement it with other nature-inspired tones, avoiding bright, clashing colors. This approach maintains a bright and light atmosphere, allowing dill green to function as a sophisticated neutral. #DillGreen #ColorTrend #HomeDecor #InteriorDesign #BiophilicDesign #KitchenDesign #Tablescape #AccentColors #NaturalMaterials

The new Gearbox studio in Montreal, Canada, designed by Patriarche, showcases an innovative approach to office design within challenging architectural parameters. The primary challenge was the building's distinctively long and rectangular floor plan. Patriarche, an agency that practices "augmented architecture" by integrating technical, sociological, and scientific knowledge into its design process, tackled this by employing high color contrasts across walls, ceilings, and furnishings. This strategy serves a dual purpose: it injects energy into the various spaces and aids in wayfinding throughout the office, making it easier for employees and visitors to navigate the expansive layout. The collaboration between Gearbox and Patriarche was a continuation of a successful previous project that had received an award from the Grand Prix du Design, ensuring a high standard of both functionality and aesthetic appeal for the new workplace. The office provides a diverse range of workspaces designed to support different modes of work, accommodating the varied needs of a video game development team. It includes 208 open-space workstations for collaborative or individual tasks, 11 enclosed offices for more private work, 12 dedicated meeting rooms for team discussions and presentations, and 11 lounge areas for relaxation and informal interactions. This variety offers team members the flexibility to choose an environment best suited to their current tasks, promoting productivity and comfort throughout the day. The intentional division of space through color blocking not only creates visually stimulating zones but also subtly guides occupants, ensuring that despite the large and linear floor plan, different functions are clearly delineated and accessible. Beyond functionality, the design draws inspiration from Montreal's Old Port neighborhood, known for its urban and industrial character. Patriarche integrated elements of street art and 90s pop culture into the office environment, moving away from conventional neutral office aesthetics. This creative direction is evident in unexpected details such as stools shaped like tree trunks, a transparent yellow curtain repurposed from a welding workshop, and colored glass doors. These unconventional design choices deliberately reject the notion that office spaces must be bland or understated to foster creativity. Instead, they aim to create an inspiring and dynamic atmosphere that reflects the vibrant and innovative nature of the video game industry, encouraging a more playful and imaginative work environment. The comprehensive design ensures that the Montreal studio is not just a place to work, but a stimulating hub that supports collaboration, focused effort, and creative thinking. #CommercialDesign #OfficeDesign #ColorBlocking #Patriarche #GearboxMontreal #InteriorDesign #WorkplaceInnovation #MontrealArchitecture

Milan Design Week transforms the city into a global design hub, attracting attendees to both Salone del Mobile and Fuorisalone. This year's event showcases a diverse range of installations, highlighting innovative approaches to design, lighting, and materiality. Atelier Biagetti, a recurring favorite at Fuorisalone, presents "The King," an exploration of obsessions inspired by Elvis Presley. Their installation reimagines a fantastical living room featuring "The King Sofa," a modular piece accompanied by guitar cases cleverly reinterpreted as tables with intricate Ravenna mosaics. This piece exemplifies their propensity for the impossible and their unique artistic vision. Ross Gardam, an Australian lighting designer, offers "Transcendence," an exhibit focused on the allure of illuminated glass. Gardam, known for creating meditative moods with his fixtures, demonstrates his broad talents and deep fascination with glass's ability to transcend physical boundaries. The installation promises a dynamic curation of luminaires, showcasing the material's unparalleled qualities. Giopato & Coombes, Treviso-based lighting masters, unveil "18 Pockets" after six years of dedicated research. This exhibit provides a glimpse into their creative process, highlighting the magical qualities of the immaterial. Their previous fixtures are transformed into 18 unique luminaires through a complex system of weight and balance, creating charming and poetic combinations. Galerie Philia's "Desacralized" exhibition takes place in a deconsecrated 11th-century Milanese church, fittingly exploring the theme of desacralization. Over 20 artists from the gallery's roster contribute to this unique setting. Notable pieces include Studiopepe's octagonal marble side table, inspired by Italian baptisteries, Kar Studio’s chair, drawing inspiration from ancient Chinese Shang Dynasty script, and a monumental chandelier by Morghen Studio, designed to offer a transformative experience of light within the historic space. SolidNature returns with "Beyond the Surface," an OMA-designed installation that metaphorically connects quarrying stone with the act of dreaming across seven distinct rooms. A highlight is Sabine Marcelis’s lustrous table, an ombré glass coffee table anchored by impressive stone blocks, demonstrating her experimental approach to materials. Objects of Common Interest, composed of Eleni Petaloti and Leonidas Trampoukis, presents "Poikilos." Inspired by ancient Greek references to iridescence and insights from Romanian artisan Ovidiu Colea, their ethereal objects and tables with opalescent finishes and sinuous curves inject energy into the Nilufar Depot. Loewe Chairs, under Jonathan Anderson's direction, reinterprets chairs into distinctive totems through an emphasis on texture, personality, color, and weaving. The display integrates materials close to Loewe’s brand identity, such as leather and raffia, with unexpected techniques like incorporating thermal blankets, elevating the humble stick chair into a canvas for elaborate woven decoration. Suchi Reddy, founder of Reddymade Architecture and Design, collaborates with Lexus on "Shaped by Air," an installation focused on carbon neutrality. Visitors navigate a forest of Matisse-like forms to discover a life-sized interpretation of the Lexus Electrified Sport, designed to evoke the sensation of being shaped by air. Lastly, "Bar Flora" is a collaboration between Sophie Lou Jacobsen, Nick Ozemba, and Felicia Hung of In Common With. Building on their Flora Collection, which employs Venetian glassmaking techniques to mimic natural forms, this installation transforms Palinurobar into a floral oasis. It introduces two new additions, including a sandblasted amber colorway, further enhancing their partnership. Byredo, known for its unconventional approach to fragrance, showcases "Bal D’Afrique by Dozie Kanu." Founder Ben Gorham teamed with Portugal-based artist Dozie Kanu to capture the essence of the beloved fragrance through a showcase that merges Kanu's unique objects with photographic negatives from Adjoa Armah’s _saman archive_, creating a multi-sensory experience that extends beyond traditional perfumery. #MilanDesignWeek #DesignInstallations #Fuorisalone #LightingDesign #FurnitureDesign #MaterialInnovation #CollectibleDesign #ArtAndDesign

Milan Design Week and Salone del Mobile, annual events in April, draw a global audience of designers, curators, buyers, editors, and visitors. This week serves as a hub for creative ideas and industry discussions, offering insights into future trends in interiors, product design, and architecture. Four interior design experts from Arighi Bianchi, ROCCIA, Apollo Blinds, and My Fitted Bedroom analyze the potential impact of this year's key trends on UK interiors. One significant trend is "Playful Maximalism," indicating a shift away from subdued minimalism towards bold, expressive designs. This approach embraces vibrant colors, whimsical forms, and a mix of eclectic materials, as seen in Louis Vuitton’s flower-shaped record player and Loewe’s artistic teapots. Gavin Farrington of ROCCIA notes that this trend, especially in kitchens and bathrooms, encourages bold tile choices, expressive textures, and unexpected color pairings like deep emeralds with blush pinks or terrazzo floors with sculptural brassware. Maximalism emphasizes curated expression through purposeful layering of patterns, finishes, statement lighting, and art. Lucy Mather of Arighi Bianchi adds that this trend promotes freedom and personal reflection in home decor. Another emerging trend is "The Reflective Renaissance," characterized by the widespread use of shiny chrome, aluminum, and mirror finishes. Examples include Hiroto Yoshizoe’s ‘ubique’ lights and Nilufar Depot’s ‘Silver Lining’ concept, highlighting luminosity and depth. Lucy Mather believes this trend is gaining momentum in the UK, especially in smaller spaces where reflective materials can bounce light, add depth, and uplift a room without extensive structural changes. Mirrored coffee tables or chrome light fittings can transform spaces with limited natural light. The key is balance, using well-chosen high-gloss elements to make rooms feel bigger and brighter, while also creating tactile contrast when paired with plush fabrics like velvet or boucle, as observed by Matt Thomas from Apollo Blinds. The "Fusion of Fashion" trend sees major fashion houses integrating their brand DNA into home interiors. Gucci reinterpreted its bamboo motif, Prada focused on sustainability with discussions on a vintage train, and Dolce & Gabbana revitalized baroque print furniture with vibrant patterns. Missoni Home’s debut boutique further solidified the connection between fashion and home decor, emphasizing storytelling through spaces and objects. Lucy Mather appreciates how interiors are becoming as expressive as fashion, driven by inspiration from online magazines, Instagram, TikTok, and Pinterest, leading to increased confidence in color, curated clashes, and layered textures. Finally, "The Human Touch" highlights a return to craft and tradition, focusing on human-centric design and inclusivity. SaloneSatellite’s ‘New Craftsmanship’ theme underscored personal connection and wellbeing. Brands like Cassina and Natuzzi revisited their archives, reinterpreting heritage with fresh energy. New furniture lines with organic curves and immersive sensory installations were designed to evoke emotion and enhance mood and wellbeing. Megan Baker of My Fitted Bedroom notes that this trend reflects a desire for furniture with purpose, precision, and personality, moving away from disposable trends. It emphasizes creating spaces that make life easier, more beautiful, and deeply personal, where comfort and emotional connection are paramount. The overarching theme observed by all experts is the increasing role of technology in home design, with installations at Fuorisalone and LG demonstrating the blend of physical and digital worlds. #MilanDesignWeek #SaloneDelMobile #InteriorDesign #PlayfulMaximalism #ReflectiveRenaissance #FashionFusion #HumanCentricDesign #HomeDecorTrends #ProductDesign

The interior design landscape is currently undergoing a significant shift from the previously dominant minimalist aesthetic of bright white walls, beige accents, and sparse decor. A new trend, dubbed "Dark Glamour" by Benjamin Moore, is emerging, characterized by deep, moody hues, rich jewel tones, dusky neutrals, and metallic accents, often with a gothic undertone. This shift emphasizes creating spaces with more color and emotional depth, moving away from a strictly neutral palette. Local interior designers are embracing this change, offering insights into successfully integrating these richer palettes into home environments. Tammie Ladd, owner of Tammie Ladd Design, highlights the importance of incorporating living elements like plants to prevent dark spaces from feeling too heavy. She also stresses the significance of contrast, drawing parallels to black-and-white photography, where a balance between light and dark elements—such as a dark floor with white walls or dark cabinetry with lighter hardware—creates visual interest and energy. Ladd illustrates this by describing a home study she designed with midnight blue walls contrasted by an untouched warm-toned wood ceiling, noting the complementary energy between blue and orange tones. Kasey Dobbins of Foxwood Design Co. shares a similar perspective, suggesting that for those hesitant to paint entire walls dark, painting the ceiling can be an effective alternative. She advises against an all-black-and-white scheme, preferring rooms within a mid-tone range for a more inviting feel. Dobbins encourages homeowners to select colors they are inherently drawn to, suggesting that personal comfort and preference should guide color choices, allowing homes to reflect individual personalities. Lighting plays a crucial role in these richly colored spaces. Ladd acknowledges the contribution of lighting specialists, emphasizing that strategic lighting can transform a dark room. Dobbins advocates for a layered lighting approach, combining various sources such as can lights, ambient sconces, and table lamps to create depth and warmth. She also provides practical advice for naturally low-light areas like basements, recommending medium-tone colors over very dark or stark white options, as white can make such spaces feel institutional. Beyond color and light, texture is another essential element for enhancing moody interiors. Ladd favors velvet for its calming properties and visual interest, while Dobbins is drawn to nubby bouclé fabric. Other textural elements like woven shades, sisal rugs, and waffle weave blankets can also enrich dark spaces. The article notes that even sheepskin throws, when used judiciously, can contribute to this textural complexity. Grasscloth wall coverings, reinvented with contemporary colors, are also recommended for adding a sophisticated textural layer. For luminous touches, natural stone, mirrored materials, and metals are suggested, particularly to complement candlelight. This trend towards rich colors and textures is seen as a corrective response to the previous monochromatic design extreme, aiming to reintroduce warmth and energy into living spaces, offering numerous options for homeowners to create refreshingly moody and personalized interiors. #InteriorDesign #DarkGlamour #ColorTrends #HomeDecor #TexturalElements #LightingDesign #MoodPalette #DesignTips #SpokaneDesigners

The article presents a curated selection of ten notable furniture and lighting designs created by prominent architects and studios, which were showcased at Milan Design Week. These designs span a range of products from chairs and tables to various lighting fixtures, highlighting the intersection of architecture and product design. Among the featured pieces is "La Magie du Bois" by Swiss studio Herzog & de Meuron, a furniture collection developed in collaboration with Marta Sala Editions Milano. This collection emphasizes wooden craftsmanship and includes four series, notably the Meninas armchairs, crafted from Canaletto walnut and fabric, specifically designed for the renovation of Hotel Les Trois Rois in Basel. The collection was exhibited at Salone del Mobile. Danish architecture studio BIG showcased their "Arctic" lamp collection at the Euroluce 2025 exhibition. This lighting series is characterized by geometric components that create a play of light and reflection, inspired by the geometry of ice crystals. The lamps feature a sculptural Archimedean form with mirrored surfaces and a central core that diffuses light, while the mirrored surfaces reflect the surroundings when the light is off. Phantom Hands, a furniture brand, collaborated with the Geoffrey Bawa Trust to reintroduce Sri Lankan architect Geoffrey Bawa’s furniture collection. This collection, encompassing chairs, tables, and lighting, recreates pieces originally developed between the mid-1960s and mid-1990s, including wood and metal furniture like the curvaceous Kandalama chairs. Gae Aulenti’s "Alcinoo" table lamp was reinterpreted by lighting brand Artemide, 50 years after its initial design. The lamp features a rounded form of blown glass encased within a cylindrical metal cage, balancing transparency and structural strength. A sphere emerges from the top, and three internal light sources filter through its transparent exterior. Japanese architect Kengo Kuma collaborated with Spanish outdoor design brand Gandia Blasco to create the limited-edition HOS collection, which includes a deckchair and stool. These pieces, displayed at Salone del Mobile, feature wooden joints, reflecting Japanese architectural traditions, and are made with tactile fabrics from recycled PET fibers. Lebanese architect Aline Asmar d'Amman presented "The Power of Tenderness," a furniture series comprising bookshelves, tables, and chairs made from marble, concrete, and stone. The Béton Littéraire series includes a bookshelf made from books and rough concrete, while other pieces like the Stone Cloud table series and Georgia lounge seating range feature plush finishes and swivel bases. Brazilian architect Marcio Kogan of Studio MK27, in collaboration with Minotti, launched the "Bézier" and "Bézier Cord Outdoor" collections. These collections, known for their organic forms, feature modular seating systems with plush finishes and coffee and dining tables with textured surfaces. Engineering firm Arup introduced "Internode," a lamp crafted from bamboo and aluminum components. Showcased at Artemide's Euroluce exhibition, this task light uses spring-free joints, relying on friction and equilibrium for its function. Norwegian studio Snøhetta, in partnership with Italian lighting manufacturer Viabizzuno, launched the "Aura" lighting collection. This collection focuses on optimizing light quality through transparent "light prisms" rather than the fixture itself. Swiss architect Mario Botta collaborated with Italian design company Alias to create the "Saturno" table collection and "Zeta" stool. The Zeta stool, built from colored MDF, is inspired by the letter Z, while the Saturno series features tables with solid central bases, reflecting Botta’s architectural style. These designs represent a blend of architectural principles and furniture aesthetics, offering functional and artistic pieces for contemporary spaces. #MilanDesignWeek #FurnitureDesign #LightingDesign #ArchitecturalFurniture #ProductDesign #ContemporaryDesign #InteriorDesign #SaloneDelMobile

Milan Design Week 2023, the first to return to its regular April schedule since 2019, showcased significant shifts and emerging trends in interior design. Attendees observed a strong emphasis on comfort and inviting silhouettes, with “Squish Is the New Blob” emerging as a dominant theme. Oversized, plump seating, such as Gal Gaon’s Macaron chairs at Nilufar Gallery and Cassina’s Moncloud sofa by Patricia Urquiola, highlighted a preference for soft, curvaceous forms designed for relaxation. Fendi Casa also embraced this trend with its Blow Up modular sofa, indicating that comfort remains a top priority in contemporary design. Outdoor living spaces are undergoing a technicolor transformation, moving away from traditional neutrals to incorporate vibrant hues and pastels. Joana Vasconcelos’s new indoor/outdoor BomBom chairs for Roche Bobois exemplify this trend, inspired by Portuguese sunsets and transforming showrooms into kaleidoscopic displays. Flexform and Dedon also introduced colorful outdoor furniture, with Dedon developing a unique color-shifting fiber for its seating, underscoring a desire for playful and expressive outdoor environments. Nature-inspired design, specifically “Moss-Core,” is another prominent trend, moving beyond subtle nods to nature to an immersive integration. Buccellati’s exhibit, featuring accessories nestled among carnivorous plants curated by Lily Kwong, and Forma Rosa’s ceramics paired with real flora and fauna at Alcova, illustrate this approach. Rinck’s designs incorporating undulating vine motifs further highlight the trend of intertwining design with natural elements, expected to influence textiles, rugs, and soft furnishings. Lighting is becoming more portable and versatile, reflecting a move towards indoor-outdoor living. Euroluce, the biennial lighting fair, featured portable lamps that can be easily moved, exemplified by Ginori 1735’s perfume bottle-inspired lights designed by Luca Nichetto, and Tom Dixon’s miniature versions of popular silhouettes. Italian design house Porada also contributed with the Ekero Move, a small, portable wood lamp, showcasing the growing demand for flexible and functional lighting solutions. Murano glasswork is experiencing a contemporary resurgence, with new designers breaking into the traditional space. Barbini Specchi Veneziani’s exhibit at Alcova showcased traditional Venetian glass alongside modern interpretations by emerging artists like Lucia Massari, whose confectionary Toppings chandeliers were displayed at Nilufar Depot. Dolce & Gabbana’s collaboration with Bradley Bowers on the chrysalis-like Fiosa vase, and Sofia Zevi Gallery featuring Akira Hara’s intricate vessels, demonstrate a fresh approach to this heritage craft. Aluminum is gaining traction as a preferred material, appreciated for its lightness and versatility. At Alcova, Arthur Vandergucht presented industrial tables and stools made of aluminum, emphasizing minimalist design and functional adornments. Kiki Goti’s debut collection also featured aluminum components in sconces, candlesticks, and mirrors, showcasing its playful potential. Ledongil Workshop from Korea presented functional objects with stainless steel bases and aluminum plates coated in glass fiber, creating a light, plastic-like appearance. Trompe-l’œil effects are adding a chic, deceptive element to design. Rinck, the French cabinetmaker, presented furnishings with subtly marbled surfaces that, upon closer inspection, were revealed to be lightweight composites. The Touch Wood duo developed a unique terrazzo using wood chips, challenging traditional material perceptions. Additionally, N/A, a design partnership between Natalia Triantafylli and Andrew Scott, utilized 3D printing to create clay mirrors and vessels based on scanned objects, blending traditional craft with digital aesthetics. Finally, textile design is focusing on sustainability and innovative production methods. Goran Sidjimovski’s BOI collection featured home textiles knitted from dead-stock yarns, organic cotton, and recycled polyester, with a production process that minimizes waste. Atelier LUMA presented a wool tent with a working felt machine and floor pillows woven from palm leaves, highlighting alternate uses for underloved textiles. Demeter Fogarasi’s “Frozen Textile” chair, made from a heat-pressed jute-based biocomposite, showcased how innovation can create inviting and comfortable forms from unexpected materials. #MilanDesignWeek #InteriorDesignTrends #FurnitureDesign #SustainableDesign #LightingDesign #MaterialInnovation #OutdoorLiving #TextileArt #DesignExhibitions

This lookbook presents ten interior design projects that demonstrate the effective use of colour theory to create vibrant and dynamic spaces. The article highlights two primary approaches: using analogous colours, which are adjacent on the colour wheel, and complementary colours, which are opposite each other, a technique often referred to as colour-blocking. This latter method, popularized by Dutch artist Piet Mondrian, has transcended art to influence fashion and interior design. Each featured project showcases how designers apply these principles to transform various spaces, from residential apartments to commercial establishments and university facilities. The examples begin with Bun, a Milanese burger restaurant designed by Masquespacio, which employs lilac and avocado green to delineate different functional areas, creating a youthful ambiance. Another Masquespacio project, the Resa San Mamés student accommodation in Bilbao, challenges conventional colour pairings by using baby pink seating with dark red walls, demonstrating how analogous colours can create warmth and an inviting community feel. This project specifically showcases pink and red together, illustrating that colors not traditionally paired can work cohesively to create a welcoming environment. Sophie Dries's design for a Haussmann-era apartment in Paris features strong colours as a backdrop for a client's street art collection, combining grey cabinets with orangey-red floors, ceilings, and walls. Dries innovatively substitutes the traditional blue complement of orange with dark grey to achieve a unique colour-blocking effect. Similarly, R2 Studio's renovation of a London townhouse uses splashes of blue, orange, yellow, and green, with a kitchen that boldly pairs bright yellow and blue cabinets, alongside orange bar stools and green floors and walls, exemplifying how opposing colors can integrate effectively. Forma's work for Yale University's student radio station employs grey and vibrant orange blocks in recording studios and performance spaces, accented by bright orange chairs, to create visually stimulating environments. Office S&M;’s Mo-tel House in London features a multicoloured staircase with a yellow banister complementing dark blue, invigorated by pink accents, showcasing a bold and vibrant colour palette in a previously dark space. Adi Goodrich's design for Wine and Eggs, a grocery store in Los Angeles, utilizes a checkerboard green and blue floor, green walls, and a blue roof, drawing inspiration from eclectic European grocery stores and integrating plants to enhance the analogous colour scheme. Studio11's workspace in Minsk demonstrates a more subtle application of colour-blocking, with strips of muted plum and teal blue lining the office, complemented by a pale pink kitchen island and delicate grey concrete floors. Wutopia Lab's His House and Her House in Shenzhen, China, explores gender constructs through pink and blue buildings, with interiors reflecting this theme; the blue building, for instance, features green walls and blue ceilings inspired by Henri Matisse. Finally, Adam Nathaniel Furman's Nagatachō Apartment in Tokyo transforms a previously claustrophobic space into a bright, pastel-hued environment with a lilac carpet and complementary colour-blocking seen in bright yellow doors with pale pink borders, likening the aesthetic to icing on a cake. These examples collectively illustrate the versatility and impact of colour theory in interior design, showcasing diverse applications of analogous and complementary colour schemes to create varied moods and functional distinctions within spaces. #InteriorDesign #ColourTheory #ColourBlocking #HomeDecor #ApartmentDesign #CommercialInteriors #VibrantSpaces #Masquespacio #ResidentialDesign