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An Interior Designer’s Minimalist Home in Rancho Bernardo
The article showcases the minimalist home of interior designer Carol Estes in Rancho Bernardo, highlighting her unique approach to interior styling and her journey to establishing her design business through Instagram. Carol, despite having characteristics often associated with millennials like skateboarding, a love for travel, and a significant Instagram following (over 70,000 followers), employs a timeless aesthetic in her home that has been cultivated over decades. Her design philosophy emphasizes patience and the accumulation of authentic pieces rather than quick, trendy acquisitions. She explicitly states her preference for waiting for the "right thing" to achieve an "authentic look" over a "model-home look."
Carol’s home reflects a European-inspired, slow-paced lifestyle, a dream she's nurtured since backpacking through Europe at 19. Though she initially pursued a practical career in accounting and finance, she and her husband, Lee, frequently traveled to Europe, fueling their passion for its architecture and lifestyle. Upon retirement, they fully embraced their creative pursuits: Lee in pottery and baking, and Carol in painting. It was through posting her artwork and later, pictures of her home on Instagram, that she organically built her interior design business, operating entirely through direct messages rather than a traditional website.
The article provides a room-by-room tour of her Rancho Bernardo residence. The living room features a striped area rug, a three-year search for which culminated in a find at Maison&Objet in Paris. This space showcases her earthy color palette of whites, browns, and blacks, complemented by an RH sofa, a commissioned artwork by Colette Cosentino, a West Elm coffee table, and Four Hands leather chairs. The entryway highlights Carol’s skill in antiquing, displaying skateboards belonging to her and her husband, a console table from Juxtaposition Home, artwork by Colette Cosentino, a Japanese stool from David Alan Collection, and an African bowl from the Rose Bowl Flea Market.
The kitchen, originally from the 1970s, underwent a significant modernization using upcycled materials, including reclaimed wood from the Cabrillo Bridge for open shelving and barn beams from Oregon for the ceiling. Built-ins were created for the oven hood and refrigerator, and the space is adorned with collected cutting boards from France and white pottery from Astier de Villatte in Paris. An adjacent laundry room was reconfigured into a butler's pantry. The creative room, once a family room, now serves as a space for artistic endeavors, anchored by an RH wooden table and featuring Parisian flea market art, Lee's ceramics, and Carol's own paintings. The Zen room, formerly Carol's art studio, functions as a guest room and a tranquil space, furnished with a daybed, a Room & Board leather chair, and two gallery walls displaying art from Parisian flea markets, local shops, and a collection of gold mirrors. The primary bedroom maintains the minimalist, airy, and earthy aesthetic seen throughout the house.
The overall design emphasizes minimalism, a natural color palette, and the incorporation of collected, meaningful items. The home is depicted as a space where French music plays, fresh pastries are baked, and carefully curated mementos contribute to an authentic and lived-in aesthetic. The article concludes by emphasizing that for Carol and Lee Estes, this lifestyle embodies minimalism at its best, allowing Carol to finally live out her dream.
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