This Multitasking Lighting Fixture Dampens Sound Using Recycled Plastic Bottles

iGuzzini introduces Light Shed, an integrated lighting solution designed for various commercial environments including working spaces, retail, hospitality, and infrastructure. This product family combines acoustic absorption, decorative aesthetics, sustainable materials, and smart, human-centric lighting, aiming to enhance visual comfort and overall well-being. The design is characterized by its minimal appearance, transitioning from two-dimensionality to three-dimensionality, which visually breaks the ceiling plane and creates a dynamic and inviting atmosphere. The Light Shed is engineered with advanced technical features, including high-efficiency LEDs that can be controlled via a DALI system. This system allows for optimized energy usage, activating the lights only when necessary. A key aspect of Light Shed is its commitment to sustainability, being composed of up to 85% recycled materials and fully recyclable. This eco-conscious approach aligns with iGuzzini's broader objective of minimizing environmental impact throughout the product's entire lifecycle. The system provides a comprehensive, versatile solution that prioritizes performance, environmental responsibility, and user well-being. Light Shed offers powerful yet comfortable illumination through its microprismatic optic. Users can customize color temperatures to 3000K, 4000K, or utilize the Tunable White feature, along with high color accuracy. A specialized variant, the 60 dB model, incorporates sound-absorbing panels that effectively reduce ambient noise, contributing to a calmer and more focused environment. The product is available in a square format in three sizes (120 cm, 60 cm, and 30 cm) and can be installed as recessed or pendant fixtures. It comes in a selection of colors, including white, grey, green, and blue. Customization options extend to personalized ad hoc images or finishes. Additionally, smart accessories such as sensors and cameras can be integrated to enhance safety, comfort, and space management capabilities. Further expanding on its sustainable offerings, iGuzzini presents Light Shed Linen, an even more environmentally friendly and lightweight version crafted from a durable linen fiber composite. This variant integrates natural and artificial elements, adhering to biophilic design principles to foster environments that promote well-being and creativity. The use of linen fiber significantly reduces the product's carbon and water footprint, while also adding a natural aesthetic and improving its circularity. Equipped with a Tunable White system and integrated sensors, Light Shed Linen intelligently balances natural and artificial light to ensure optimal visual comfort and cultivate a serene atmosphere. The project information specifies the products as Light Shed and Light Shed Linen by iGuzzini. #SmartLighting #AcousticAbsorption #Ecodesign #RecycledMaterials #HumanCentricLighting #OfficeLighting #RetailLighting #HospitalityLighting

The transition of employees from silent home offices back to bustling communal workspaces often brings a sensory shock, primarily due to increased ambient noise levels. While close proximity can foster collaboration, the constant sounds of conversations and activities can significantly impede productivity and focus. Addressing this challenge, Luxxbox has introduced the Vapor Echo Acoustic LED Pendant, an innovative solution designed to both illuminate and acoustically treat commercial spaces. Traditional methods for reducing echo and sound amplification in rooms typically involve incorporating soft surfaces like upholstered furniture, rugs, or specialized acoustic wall panels. These elements primarily absorb sound waves within their immediate surroundings. However, sound also travels upward, reflecting off ceilings and contributing to overall noise pollution. The Vapor Echo pendant tackles this often-overlooked dimension by providing an overhead acoustic dampening solution. Part of a growing category of acoustic lighting, the Vapor Echo is specifically engineered for commercial environments. Its large surface area functions as an effective sound wave absorber, minimizing distracting noises such as phone calls and general office chatter. By intercepting sound waves before they can reflect and amplify, the pendant helps create a more serene and conducive work atmosphere. This is particularly beneficial in open-plan offices, conference rooms, and collaborative zones where uncontrolled sound can quickly become overwhelming. Beyond its acoustic properties, the Vapor Echo also serves as a high-quality lighting fixture. It boasts a Unified Glare Rating (UGR) of less than 19, indicating that it provides strong downward illumination with minimal lateral light output. This design ensures focused lighting without causing uncomfortable glare, which is crucial for tasks requiring concentration. The fixture can also be specified with an uplight component, offering options for ambient lighting and further enhancing the overall atmosphere of a space. Manufactured from recycled materials, the Vapor Echo underscores a commitment to sustainability. Its design versatility is evident in the available forms, which include rectangular and cylindrical options, allowing it to integrate seamlessly with various interior décors and spatial dimensions. The pendant comes in three sizes, with the largest measuring 58.3 inches in diameter, making it particularly effective for larger areas such as conference rooms or expansive meeting spaces. Additionally, the 100% recyclable Luxxbox pendant features dimmable LED technology and is available in a range of colors, providing flexibility for designers and facility managers. While the Vapor Echo Acoustic LED Pendant does not promise complete silence, its integration into a workspace, when combined with other carefully planned layouts and soft furnishings, can significantly improve the acoustic comfort. The collective effort of these elements can transform a potentially distracting environment into one that supports focused work and productive collaboration, offering a much-needed respite from the sensory overload often found in modern offices. #AcousticLighting #WorkspaceDesign #NoiseReduction #OfficeInnovation #CommercialDesign #SustainableDesign #LEDLighting #Productivity

Andrea Ruggiero's Soundsticks are innovative noise-reducing space dividers designed for Swedish furniture manufacturer Offecct. These products offer a free-standing alternative to traditional acoustic panels, addressing the challenge of reducing ambient noise in various environments. The design concept for Soundsticks was initially inspired by everyday paperboard mailing tubes, with early prototypes utilizing leftover paperboard tubes from upholstery fabric rolls. However, this initial approach faced challenges due to the weight of the tubes, their limited sound absorption capabilities, and inconsistent availability of the material in sufficient quantities for high-volume production. To overcome these limitations, the design evolved away from using actual paperboard tubes. Ruggiero and Offecct explored various alternative solutions and materials, ultimately deciding on acoustic felt. The final Soundsticks are constructed from sound-absorbing acoustic felt, which is molded into a tube shape and then covered with fabric. This acoustic felt is itself a sustainable material, made from a blend of shredded textile off-cuts and shredded PET derived from recycled water bottles, highlighting a commitment to upcycling and circular design principles. Independent testing by the Swedish acoustic authority Akustikverkstan has certified the Soundsticks' effectiveness in reducing ambient noise, underscoring their functional performance. The exterior fabric covers of the Soundsticks are also made from recycled materials, specifically leftover upholstery fabrics collected during Offecct's furniture production processes. This results in a varied palette of four colors—reds, greens, blues, and greys—which were identified as the most common upholstery colors used by the company through an internal audit. Further enhancing their sustainability, the end caps of the Soundsticks are crafted from recycled aluminum, sourced from drink cans. These end caps are designed to be entirely reusable and recyclable, and the overall construction of the Soundsticks requires no glue for assembly. This glue-free design facilitates complete recovery and recycling of the components, making Soundsticks a truly circular product. The space dividers are available in linear, radial, and clustered configurations. The linear and radial versions can be suspended from extruded aluminum tracks, allowing for flexible arrangement to create defined "rooms within rooms" within larger spaces. This project emerged from Offecct's desire to expand beyond its existing line of Soundwave acoustic tiles, with a specific focus on developing free-standing acoustic solutions that are not attached to walls. Soundsticks have been recognized for their innovative design and sustainability, being shortlisted for the Dezeen Awards 2020 in the workplace design category. The product represents a significant step forward in combining effective acoustic solutions with eco-conscious manufacturing practices. #AcousticProducts #SpaceDividers #RecycledTextiles #UpcyclingDesign #CircularEconomy #WorkplaceDesign #SustainableMaterials #AndreaRuggiero #Offecct #DezeenAwards

Artyom Alimpiyev introduces the Gramophone Lamp, a lighting solution that merges minimalist aesthetics with a retro sensibility, drawing inspiration from vinyl records. The central feature of this dimmable desk lamp is its polycarbonate disc, which serves as the light diffuser, evoking the visual appeal of a classic vinyl. This design choice moves beyond conventional lighting fixtures, aiming to create ambient atmospheric lighting rather than direct task illumination. The lamp is meticulously handcrafted, featuring a singular aluminum stand that forms a curved support structure. This stand elegantly slopes down at the back to provide stability for the entire lighting unit. At the top of the aluminum stand, a boxy platform houses the control functions. This platform incorporates a trackpad-like surface, allowing users to effortlessly switch the light on and off, and to adjust its brightness. The brightness control is designed to be touch-sensitive, enabling intuitive adjustments with a simple swipe to match the desired mood of the space. A marble PLA encasing further complements the lamp's design, adding a refined touch. The polycarbonate diffuser disk is a key element, chosen for its ability to mimic the wispy, semi-translucent appearance of vinyl. This material not only contributes to the lamp's minimalist aesthetic but also plays a crucial role in magnifying the light and ensuring a serene, warm spread of illumination. Alimpiyev emphasizes that the Gramophone Lamp is conceived not as a functional desk lamp for direct work, but rather as a piece intended purely for atmospheric enhancement. In line with its retro inspiration, the lamp's design subtly suggests a second life for the concept of vinyl, as articulated by the designer's imagined motto: 'Give your favorite vinyl a second life!' This statement encapsulates the lamp's blend of nostalgic charm and contemporary utility. Functionality is also a core aspect of the Gramophone Lamp. It is equipped with a Lithium Ion 4000mAh rechargeable battery, allowing it to operate wirelessly for up to 24 hours at maximum brightness. The lamp includes a Type-C USB charger and port for convenient recharging. While the current model emits a warm white light at 3500K, future iterations may incorporate additional lighting elements and different color temperatures. As of its launch, the Gramophone Lamp is available in a limited edition of 100 units, priced at approximately 158 EUR per piece, and is available for order through ussadesign.com. This exclusive release underscores the artisanal nature and unique design proposition of Alimpiyev's creation, positioning it as a distinctive piece for those seeking to infuse their spaces with a blend of modern design and vintage allure. #GramophoneLamp #ArtyomAlimpiyev #LightingDesign #AmbientLighting #PolycarbonateDisc #VinylInspired #MinimalistDesign #RechargeableLamp #HomeDecor

The Kirei Acoustic Ceiling Baffle system is an innovative solution designed to enhance both the aesthetic appeal and acoustic performance of interior spaces, particularly those with high ceilings. Recognizing the increasing importance of room acoustics in modern design, Kirei, a company specializing in acoustic products, has developed this system. The Kirei Air Baffle, as it is named, draws inspiration from the iconic Nike Air Max, translating a design philosophy focused on performance and comfort into an architectural element. A key aspect of the Kirei Air Baffle is its commitment to sustainability. The product utilizes EchoPanel, a material made from at least 60% recycled PET, demonstrating a mindful approach to environmental responsibility in the manufacturing of acoustic solutions. Furthermore, the baffles are filled with Nike Grind fluff, a material derived from recycled athletic shoe waste. This integration of recycled content not only reduces waste but also contributes to the circular economy, offering an eco-friendly option for interior design. The Kirei Air Baffle product collection encompasses various models, including "No Window," "Short Window," and "Long Window" versions. These variations provide flexibility for different design requirements and aesthetic preferences. Each baffle features an outer hull of 12mm thick EchoPanel, ensuring durability and effective sound absorption. The internal Nike Grind fluff works to further enhance the acoustic properties of the panels, making them more than just decorative elements. Functionally, the Kirei Air Baffle system is engineered to significantly improve the acoustic environment of a room by reducing echo and reverberation. This is particularly beneficial in large open spaces or areas with hard surfaces that tend to amplify sound. The system is available in multiple sizes, including 40-inch, 48-inch, 72-inch, and 96-inch options, allowing for customization based on the specific dimensions and acoustic needs of a space. Each baffle is made to order, with a lead time of four to eight weeks, reflecting the tailored nature of the product. Designers and property owners can choose from 33 different colors of Kirei EchoPanels to seamlessly integrate the baffles into existing color schemes or to create a new visual impact. The installation process is designed to be straightforward, with products shipped ready for direct installation. They include necessary mounting hardware and suspension cables, eliminating the need for on-site assembly. This ease of installation streamlines the design and construction process, making it a practical choice for various projects. Beyond its functional benefits, the Kirei Acoustic Ceiling Baffle system contributes to the overall ambiance of a room, creating a softer visual and auditory experience. The curved design of the baffles, combined with their effective sound-dampening capabilities, ensures that while they improve acoustic performance, they also serve as an architectural design element that can be a focal point or blend harmoniously with the ceiling. This dual functionality highlights the product's role in creating more comfortable, aesthetically pleasing, and acoustically balanced indoor environments. #AcousticDesign #SustainableMaterials #InteriorDesign #CeilingBaffles #EcoFriendlyProducts #Soundproofing #ArchitecturalDesign #RecycledMaterials #ProductDesign

The article highlights a selection of acoustic products featured on Dezeen Showroom, designed to mitigate noise levels in various interior environments. These products range from lighting and seating with acoustic properties to sound-absorbing panels, addressing the common issue of excessive noise in modern spaces. Acoustic solutions are crucial not only in workplaces but also in residential, educational, healthcare, and hospitality settings, where maintaining a conducive and calm atmosphere is paramount. The featured acoustic items are typically crafted from fibrous materials known for their sound absorption capabilities, such as felt, with some incorporating recycled plastic, reflecting a growing emphasis on sustainable design practices. The selection showcases a diverse array of innovative designs from internationally renowned studios and brands, each offering a unique approach to sound management. Among the showcased products are the Sonus acoustic pods by Narbutas, designed as single-person pods with clean lines and a minimalist form. These pods provide a private space for focused work or meetings in open-plan offices and can be easily relocated thanks to discrete castors, offering flexibility in office layouts. Arturel, in collaboration with designer Nital Patel, presents Wave acoustic panels. These wall-mounted panels serve a dual purpose as both decorative art pieces and sound absorbers. Their design, featuring curving lines, draws inspiration from Danish coastlines, and they are sustainably made from 100 percent recycled plastic, with 75 percent sourced from the sea. Askia Furniture introduces Acoustic Ceiling Panels, a system of square panels designed for installation within conventional dropped ceiling grids. These panels can also be fitted onto separate frames, providing versatility. Available in various colors and patterns, they can be integrated into diverse interior design schemes. Vika acoustic lighting by Khodi Feiz for Abstracta offers a lighting solution that also dampens sound. The series features crimped, sculptural shades made from PET felt, concealing the lighting elements. Available as standing and pendant lights and in multiple colors, they are suitable for residential, hospitality, and office interiors. Carnegie Acoustic Solutions' Tuned collection comprises a range of acoustic products in diverse shapes, colors, and sizes. This collection offers both block colors and natural textures, allowing for integration into a wide array of interior design aesthetics. Zintra Acoustic's Emboss acoustic wall panels are floor-to-ceiling panels that absorb sound while also adding textural interest to rooms. These panels are available in various relief patterns and colorways, enhancing both the acoustics and visual appeal of a space. Kabin 1 pod by Kabin draws inspiration from luxury aircraft cabins, offering a compact acoustic pod. It features a glass door, steel frame, movable work surface, and an in-built screen, providing a private and functional space. Finally, Acoufelt's Framework Ceiling Frames present a ceiling-mounted grid system made from 60 percent recycled acoustic felt. These frames effectively dampen sound in busy interiors and are available in two formats—capped or open—and a selection of colors, offering an unobtrusive solution for sound management. #AcousticProducts #InteriorDesign #SoundAbsorption #WorkplaceDesign #SustainableMaterials #OfficeFurniture #ResidentialInteriors #LightingDesign

Narbutas, a prominent workplace furniture brand, has introduced a collection of three noise-minimising products under the name "Acoustic Artwork." This collection aims to address the common challenge of sound control in office environments while simultaneously enhancing their aesthetic appeal. The series comprises three distinct product types: Partitions, Clouds, and Tiles, each designed for either wall or ceiling mounting. The core objective of the Acoustic Artwork collection is to offer visually appealing solutions for managing sound within office spaces without compromising on design. The products are available in a variety of dynamic colors, allowing them to integrate seamlessly with diverse interior design schemes or to serve as focal points themselves. The design philosophy behind these acoustic solutions is to provide functional noise reduction alongside an attractive visual presence. Among the offerings, the Acoustic Partitions are specifically engineered to define and separate different functional zones within an office, such as areas designated for collaborative meetings, individual work, or social gatherings. These partitions are described as "walls that speak for themselves," implying their dual role as both sound barriers and design elements that subtly guide movement and delineate space within a busy office layout. Another innovative component of the collection is the Acoustic Clouds. These products are designed to be suspended from the ceiling, akin to decorative chandeliers, and their primary function is to effectively absorb ambient sound. By being positioned overhead, they contribute to a significant reduction in overall noise levels, creating a calmer and more focused atmosphere, particularly beneficial in open-plan offices where sound can easily travel. Completing the collection are the Acoustic Tiles, which also play a crucial role in minimizing unwanted noise. These tiles are offered in five distinct shapes and various sizes, providing flexibility to cater to different acoustic requirements and design preferences across a range of office settings. Their modular nature allows for creative configurations and custom installations, ensuring they can be adapted to specific spatial and acoustic challenges. Narbutas emphasizes its commitment to sustainability in the creation of these products. All the acoustic noise minimisers in the Acoustic Artwork collection are manufactured using PET (polyethylene terephthalate), with more than 50 percent of the material derived from recycled plastics. This commitment reflects a growing trend in the design and furniture industry towards environmentally responsible production methods, ensuring that functional and aesthetically pleasing products also contribute positively to ecological efforts. The use of recycled PET not only reduces waste but also promotes a circular economy approach in material selection. #AcousticProducts #OfficeFurniture #SoundControl #WorkplaceDesign #SustainableMaterials #PETRecycling #InteriorDesign #Narbutas

Lotte Raun, an industrial designer and founder of Mute, has developed an innovative solution to combat excessive echo and ambient noise in homes and offices. Inspired by her Scandinavian background, where acoustic design is often integrated into architecture, Raun devised a method to transform everyday decor into sound-absorbing elements. Her journey began when she and her family moved into a villa in Dubai, where she experienced the common issue of pervasive echo due to minimal interior design and hard surfaces. This 'invisible problem' led her to create functional art that enhances both the aesthetics and acoustics of a space. Mute's flagship product, 'acoustic pictures,' features custom images, including photographs of her children, printed on acoustic-transparent canvases. These canvases allow sound waves to pass through to an inner acoustic core, which converts them into micro-vibrations, effectively dampening sound. Raun worked with local suppliers in Dubai to produce these items, ensuring that the frames are made in Jebel Ali and the acoustic canvas prints come from a local source. The flexibility to use personal photos or select from a curated catalog also supports local artists and photographers by providing new avenues for their work. The timing of Mute's launch proved opportune, coinciding with the rise of remote work during the pandemic. Many individuals faced challenges with poor audio quality during virtual meetings due to echoing environments. Mute's solutions addressed this need by improving speech intelligibility and overall sound clarity in home offices. Raun observed that clients often reported issues based on feedback from others on video calls rather than their own direct experience, highlighting the widespread nature of the problem. Beyond acoustic pictures, Mute has expanded its product line to include 'Mute Felt' panels, which are sound-absorbing felt panels made from recycled plastic bottles, designed for walls and ceilings. These panels offer a lighter and more cost-effective solution for larger surface areas. Mute is also developing products like 'Mute Curtain' and 'Mute Seals' to mitigate external noise, such as traffic or construction, coming through windows and doors, particularly relevant for residents in the UAE. For larger projects, Mute employs a comprehensive approach that starts with an acoustic assessment using specialized equipment to measure reverberation time. After the installation of Mute Pictures and Mute Felt, a follow-up measurement is conducted to quantify the acoustic improvements, making the 'invisible problem' of sound visible and verifiable for clients. Raun's business has seen significant growth, necessitating the recruitment of additional employees to meet the increasing demand for effective and aesthetically pleasing acoustic solutions for both residential and commercial spaces. #Soundproofing #AcousticDesign #HomeDecor #InteriorDesign #SmartHome #Wellbeing #NoiseReduction #WorkFromHome #SustainableMaterials

The Gatsby wall covering, designed by Jeffrey Ibañez for the Swiss brand Impact Acoustic, is an acoustic product that features a pattern of fine lines reminiscent of the Art Deco era. This wall covering is intended to be a minimal yet delicate geometric pattern, providing both aesthetic appeal and acoustic functionality. Impact Acoustic describes the design as bold, suggesting its potential to create a distinctive feature wall within a space. The Gatsby wall covering is versatile, capable of being used as a standalone design element or integrated with other products from Impact Acoustic's collection. This flexibility allows designers and consumers to create cohesive or varied aesthetic experiences within an interior. The product's material composition highlights a commitment to sustainability, as it is crafted from Impact Acoustic's high-performance Archisonic textile. This textile is derived from recycled plastic bottles, with approximately 88 PET bottles utilized per square meter of the wall covering. Environmental certifications further underscore the product's sustainable credentials. The Gatsby wall covering is both Cradle to Cradle certified and LEED accredited, indicating its adherence to stringent environmental and health standards throughout its lifecycle. These certifications ensure that the product meets criteria for material health, material re-utilization, renewable energy and carbon management, water stewardship, and social fairness. In terms of aesthetic options, the Gatsby wall covering is available in a diverse palette of 28 colors. These colors were developed in collaboration with the creative agency Colour Hive, offering a range that spans from neutral tones to deep hues and energetic brights. This extensive color selection allows for broad applicability across various interior design schemes and personal preferences. Furthermore, the product is offered in two distinct thicknesses, 24 millimeters and 12 millimeters, providing additional choices for visual depth and acoustic performance requirements. The Gatsby wall covering merges art deco-inspired design with modern acoustic technology and sustainable material practices, offering a versatile and environmentally conscious solution for interior spaces. #AcousticProducts #WallCoverings #InteriorDesign #SustainableMaterials #ArtDeco #RecycledPlastic #ImpactAcoustic #JeffreyIbanez #ArchitecturalSurfaces

The article discusses BAUX's innovative Acoustic Felt, a sound solution made from 100% traceable recycled polyester sourced from textile offcuts. BAUX, a venture by industrial design studio Form Us With Love, aims to create sustainable acoustic building materials by repurposing textile waste, a significant global problem contributing 92 million tonnes of waste annually. Fredrik Franzon, head of product and founding partner at BAUX, emphasizes the challenge of tracing recycled materials and the brand's commitment to circularity. BAUX collaborated with The Loop Factory to source 100% polyester-based threads from Swedish textile manufacturer Ludvig Svensson. This collaboration allows for a small, traceable manufacturing network, avoiding reliance on larger, less transparent processing facilities. The process involves hand-sorting textile offcuts by color, followed by an undisclosed treatment that enables material reuse while maintaining original quality. These treated offcuts are then combined with energy-efficient polyester fibers to form the material's structure, a process designed to accommodate varying fiber qualities and minimize additional waste. The fibers are locally dyed in Sweden, adhering to strict environmental regulations, and the resulting material is pressed into molds and cut into nine different sizes suitable for desk dividers and wall panels. Prioritizing function, the BAUX Acoustic Felt range is flexible, easy to handle, and modular, allowing for quick scaling. The design eliminates the need for glue or hardware, promoting repurposing and reuse. This approach addresses common office environment challenges and sets new standards for business-as-usual practices. The hardware pieces are standardized for effortless setup and reduced production waste, contributing to a completely traceable source from industrial production facilities that would otherwise discard and incinerate the waste. This marks a crucial step towards BAUX's long-term goal of achieving full circularity. The Acoustic Felt is one of BAUX's collections, complementing their 2019 Acoustic Pulp panel, which uses 100% biodegradable and organic content for high sound absorption. BAUX's core values include innovation, adherence to circularity principles, waste reduction, and the development of new product categories to meet future architectural demands. The material development involved BAUX and Form Us With Love for product design, and The Loop Factory for sustainable material, product, and technological solutions. BAUX aimed to offer a novel product that pushed boundaries in sustainability and features, recognizing the market's need for traceable and truly sustainable felt products despite felt's inherent absorptive, shaping, and aesthetic qualities. The problem addressed was the difficulty in tracing the origin of recycled materials, a lack of demand from the market on businesses, and the traditional use of mixed synthetic fibers in industrial felt. Without control over material components, there's a risk of sourcing from corrupt supplies, potentially increasing plastic production and compromising circularity. BAUX solved this by securing a completely traceable source from industrial facilities, controlling the content of their recycled products, and preventing textile waste from being incinerated. The manufacturing process involves collecting textile offcuts from Ludvig Svensson, hand-sorting them, treating them, mixing them with low-melt polyester fiber to produce a nonwoven sheet, pressing it into a rigid sheet, and water-jet cutting it into various sizes. The materials used include 40% textile offcuts (Oeko-Tex® Standard 1000 certified, REACH-compliant dyeing chemicals), 50% thermoplastic fiber (CO-PET/PET), and 10% polyester fiber (PET). The innovation lies in the treatment method that allows for the reuse of textile offcuts, resulting in a 100% traceable and recycled product designed for longevity and adaptability within office spaces, with components that are easy to update, replace, and extend. #TextileRecycling #AcousticPanels #SustainableDesign #CircularEconomy #RecycledPolyester #MaterialInnovation #InteriorDesign #OfficeDesign #SoundInsulation

BAUX, a renowned Swedish acoustics brand, has launched its new X-FELT collection, designed in collaboration with international design studio Form Us With Love. This collection introduces precision-cut acoustic panels and tiles that can be combined to create unique interior rhythms. The design concept draws inspiration from the distinct harmony found in Japanese Zen Gardens, aiming for a sense of calm and vibrant continuity in interior spaces. The X-FELT collection features large-format, high-performance acoustic panels measuring 1 x 2.8 meters and tiles of 6 x 6 meters. These products were unveiled during Stockholm Design Week 2025. A key aspect of the collection's sustainability is its construction from ultra-fine, high-quality polyester fibers derived from GRS-certified PET. This material choice eliminates the necessity for harmful fire-retardant treatments, thereby reducing toxic emissions during production, use, and eventual disposal. The panels and tiles possess a smooth, compact, and lightweight layered sandwich structure, contributing to their durability and effective sound absorption. From an environmental perspective, the X-FELT collection is fully recyclable. It can be processed at facilities that handle PET or returned through BAUX’s dedicated BAUX Circle Programme, emphasizing the brand's commitment to circular economy principles. The product also meets safety standards, being rated Fire Class Bs.1-d0 for both wall and ceiling applications. Visually, the X-FELT collection is characterized by intersecting, curvilinear lines that form structured yet flowing geometric compositions. It offers a diverse color palette, including solid and contrasting duo colors. The design utilizes a repeated grid of rectangular panels, each containing mirrored and rotated variations of a single motif. This approach creates symmetrical arches and wave-like curves that interlock, generating a tranquil yet dynamic visual movement across the surface. The interplay of curves and occasional sharp points introduces structured contrast within the fluid patterns, enhancing the aesthetic appeal and rhythmic continuity across entire wall surfaces. The lightweight and large format of these panels and tiles enable the creation of cohesive and visually striking sound-absorbing installations, particularly suitable for larger spaces. BAUX, established in 2014, is a joint venture by Fredrik Franzon, Johan Ronnestam, and Form Us With Love founders Jonas Pettersson and John Löfgren. The company, which now has a global presence in over 30 regions with clients like Google, Stella McCartney, WeWork, Spotify, and Nike, operates with a core belief in developing building materials that are sustainable, highly functional, and visually appealing, without compromising environmental and safety standards. The X-FELT collection exemplifies this ethos, providing interior designers with extensive creative freedom to craft ambiances that are both sensitive and engaging. #AcousticPanels #SustainableDesign #InteriorDesign #RecyclableMaterials #ZenInspiredDesign #FormUsWithLove #BAUX #InnovativeMaterials #SoundAbsorption

In a design landscape increasingly concerned with environmental impact, ALT Design, a French studio founded by Alexandre Touguet and Lise Rissel, has launched ALT Light, a brand focused on sustainable lighting solutions. Their latest offering is a 3D-printed lamp crafted from bio-sourced polylactic acid (PLA), a plastic derived from renewable corn starch. This initiative demonstrates a commitment to integrating advanced manufacturing with eco-conscious material choices, aiming to reduce the environmental footprint of product design. The selection of PLA as the primary material is a key aspect of the lamp's sustainability. Unlike conventional petroleum-based plastics, PLA is biodegradable under industrial composting conditions, offering a more environmentally friendly alternative. This material choice helps mitigate carbon emissions associated with plastic production and minimizes long-term waste. Beyond its ecological benefits, PLA is suitable for 3D printing, allowing for precise and intricate designs that might be challenging with other materials. The use of PLA enables the creation of lamps that are both sustainable and structurally sound. From an aesthetic perspective, the lamp combines modern simplicity with playful elements. It features a rectangular base that smoothly transitions into a flared, sculptural top, echoing traditional lampshade forms while offering a contemporary twist. The surface of the lamp is adorned with vertical ribbing, which not only adds a dynamic texture but also interacts with light in a way that enhances its visual appeal. This design detail provides a sense of movement and makes the lamp a distinct accent piece within any modern interior setting. Functionality and versatility are also central to the ALT Light’s design. The lamps are available in various sizes, including a compact wall light and larger medium and table lamps, accommodating diverse spatial requirements. Customers can opt for either translucent or transparent finishes, influencing how light is diffused. The translucent option provides a softer, more ambient glow, ideal for creating a warm atmosphere, while the transparent version offers a clearer and more directed illumination, suitable for task lighting or highlighting specific areas. One of the most forward-thinking aspects of ALT Light's production model is its made-to-order approach. This method avoids the waste associated with mass production and excess inventory, as each lamp is printed only after a customer places an order. This strategy also facilitates extensive customization options, allowing buyers to select from a range of two-tone color combinations. This bespoke capability ensures that each lamp can be tailored to individual preferences, harmonizing with existing decor or expressing personal style through unique color pairings. This integration of sustainable materials, advanced manufacturing, and customizable design positions ALT Light as a notable example of contemporary product development that prioritizes environmental responsibility without sacrificing aesthetic quality or consumer choice. #3DPrintedLamp #SustainableDesign #BioSourcedPlastic #PLA #HomeLighting #EcoFriendlyProducts #ModernDesign #CustomizableLighting #ALTLight

NOWN, an architectural product manufacturer, has introduced a range of 3D-knitted products designed for architectural specifiers, focusing on sustainable acoustic surfaces. Headquartered in Amsterdam, The Netherlands, NOWN is composed of designers, engineers, creators, and architects collaborating to develop materials for walls and ceilings that aim to create stylish and transformative spaces while prioritizing sustainability. Central to NOWN's philosophy is a commitment to precision and quality in material development. An exemplary product is InfiKnit, a 3D-knitted polyester material that features a distinct 3D texture and sound-absorbing properties. This material is specifically engineered to mitigate and control reverberations within interior environments. InfiKnit is suitable for various interior settings, including assembly halls and conference rooms, and boasts a highly efficient manufacturing process that generates only 0.1 percent waste, making it fully recyclable. InfiKnit is offered in a variety of colors and four unique 3D textured pattern collections, intended to enhance acoustic comfort within interiors. The product leverages industry-leading knitting technology alongside established architectural manufacturing techniques, providing designers with a versatile tool to soften, expand, absorb sound, and transform spaces. InfiKnit's material composition and distinctive 3D texture are effective in reducing noise from common office disturbances such as ringing, typing, and conversations, thereby fostering more pleasant and productive environments. Additionally, NOWN states that the production of InfiKnit uses 95 percent less water compared to other textile furnishings, reinforcing the brand's dedication to environmental responsibility. By integrating InfiKnit into design projects, specifiers contribute to a more sustainable future. The 3D-knitted yarns offer significant flexibility, allowing for innovative designs that can adapt and transform spaces creatively. The InfiKnit wall and ceiling panels are designed for installation on a grid system and can be paired with NOWN's Soft Sound material backing for enhanced acoustic performance. Soft Sound is manufactured from polyethylene terephthalate (PET) plastic, with up to 60 percent of its content derived from recycled sources. Beyond InfiKnit, NOWN also produces Graphic Perf panels, which are perforated. A customized version of these panels was utilized for a Tesla showroom in California, where Michael W Folonis Architects adapted them to create a patterned, curved facade that also functions as a sunlight filter. NOWN's commitment to sustainability extends to its partnership with German brand Made Of Air, through which it develops carbon-negative materials. These materials are designed to actively sequester more carbon dioxide than they emit, contributing to carbon neutrality and the fight against climate change. The brand emphasizes creating products with patterns that appear complex but are straightforward to install, offering both aesthetic appeal and practical functionality. In 2023, the company rebranded from Arktura to NOWN to better integrate into the European market, adapting its business culture to meet the diverse demands of the region's architecture and design field. The brand positions itself as a collaborative partner for designers, offering solutions that range from bespoke creations to adaptations of standard products, aiming to fit seamlessly into diverse design projects. #AcousticMaterials #SustainableDesign #3DKnitting #ArchitecturalProducts #InteriorDesign #RecyclableMaterials #CarbonNegativeMaterials #MaterialInnovation #ArchitecturalFinishes

The Acoustic Artwork collection, developed by workplace furniture brand Narbutas, introduces a range of noise minimisers designed to enhance both the acoustic performance and aesthetic appeal of interior spaces. This collection comprises three distinct product types: Partitions, Clouds, and Tiles, each offering unique functionalities and design integrations. The primary objective of these products is to provide effective solutions for sound control in various environments, particularly within office settings, without compromising on visual quality. The Acoustic Partitions are specifically engineered to segment different areas within a workspace. They serve as physical dividers, helping to delineate zones for specific activities such as meetings, collaborative work, or social interactions. By creating defined areas, these partitions contribute to better organization and flow within the office. Available in a diverse array of dynamic colors, the partitions are intended to be visually appealing, moving beyond mere functionality to become integral elements of interior design. Their design is described as 'walls that speak for themselves,' emphasizing their role in shaping the office environment and directing movement. The Acoustic Clouds are another component of the collection, designed for ceiling installation. These products are akin to chandeliers in their overhead placement but serve the critical function of absorbing ambient sounds. By suspending from the ceiling, they effectively muffle noise that might otherwise reverberate throughout a room, thereby improving the overall acoustic comfort. This is particularly beneficial in open-plan offices or large common areas where sound can easily travel and create distractions. Like the partitions, the Clouds are also available in various designs and colors to complement diverse interior styles. Completing the collection are the Acoustic Tiles, which are engineered to minimize unwanted noise through wall or ceiling mounting. These tiles come in five distinct shapes and a selection of sizes, offering flexibility for customization and integration into different spatial layouts. Their modular nature allows for creative arrangements, enabling designers to form unique patterns and visual textures while simultaneously addressing acoustic needs. The variety in shapes and sizes ensures that they can be adapted to specific requirements, whether for targeted sound absorption in a small meeting room or broad noise reduction across a larger wall surface. Narbutas demonstrates a commitment to sustainability through the material choice for the Acoustic Artwork collection. All the acoustic noise minimisers in this range are manufactured using PET (Polyethylene Terephthalate) felt, which incorporates more than 50 percent recycled plastic. This material not only provides excellent acoustic properties but also aligns with contemporary environmental responsibility efforts by repurposing plastic waste. The use of recycled PET contributes to reducing the ecological footprint of the products, making them an environmentally conscious choice for modern interiors. The combination of innovative design, effective noise reduction, and sustainable materials positions the Acoustic Artwork collection as a comprehensive solution for managing sound and enhancing aesthetics in various professional and commercial spaces. #AcousticProducts #OfficeFurniture #WorkplaceDesign #NoiseReduction #SustainableMaterials #PETfelt #InteriorDesign #Narbutas

The increasing use of transluminous ceilings in architectural design is discussed, highlighting their contributions to sustainable building and occupant well-being. These ceilings, often employing thermoformed panels, leverage advancements in lighting technology to offer aesthetic and functional benefits. The article delves into the sustainability aspects of the materials used, particularly rigid vinyl (uPVC), addressing common concerns about vinyl's environmental impact. It emphasizes that while some organizations red-list vinyl due to manufacturing chemicals and combustion toxicity, certain manufacturers produce uPVC without harmful precursors and with stringent environmental controls. These panels can also achieve GreenGuard Gold certification for low volatile organic compound (VOC) emissions. The article notes that PVC compounds are inherently fire-resistant, and the minimal mass of thermoformed panels reduces their potential fuel contribution during a fire. Furthermore, the light weight and compact nature of these panels decrease the environmental burden associated with manufacturing, shipping, and handling. Beyond production, the life cycle performance of vinyl is explored. Despite vinyl's non-biodegradable nature, which is a disadvantage in landfills, it proves beneficial in building applications due to its durability. Thermoformed ceiling panels are water-resistant, do not support mold or fungi growth, and are easy to clean. Their robustness ensures resistance to damage during installation or maintenance, and UV inhibitors prevent discoloration. The article points out that these panels can often be salvaged and reused during redecoration or at the end of a building's life. If not reused, they are recyclable, with some manufacturers accepting scrap material to produce new panels with over 98 percent recycled content, demonstrating a high-quality closed-loop recycling process. The evolution of luminous ceilings, particularly with the integration of light-emitting diodes (LEDs), is a key focus. Grids with closely spaced LEDs positioned above and behind light-transmitting surfaces minimize the required distance between light sources and the finished ceiling. The article provides an example of LEDs spaced 25 mm (1 in.) on-center, positioned 125 mm (5 in.) above ceiling panels. This configuration allows frosted panels to create uniformly illuminated surfaces, while clear panels with molded surfaces effectively scatter the bright LED light. The unique interaction of different thermoformed panel styles with the LED array results in varied visual effects, and the appearance changes dynamically with the viewer's position. The discussion then draws upon Richard Kelly's three elements of visual design: focal glow, ambient luminescence, and play of brilliants. Traditional luminous ceilings excelled at providing ambient luminescence, characterized by shadowless, diffused light that minimizes form and suggests infinity, creating a reassuring and restful atmosphere. Modern transluminous ceilings have advanced to incorporate focal glow, achieved through variations in light intensity and color, which draws attention and highlights important areas. They also offer the 'play of brilliants,' creating sparkle and excitement through light shining through panel perforations or clear panel facets, akin to crystal chandeliers or Times Square at night. This technological evolution allows transluminous ceilings to provide a comprehensive lighting experience that can engage and stimulate occupants in diverse ways. #AcousticalCeilings #SuspendedPlasticCeilings #LuminousCeilings #Ceiling #Lighting #LED #Transluminous #SustainableDesign #Vinyl

This article highlights six innovative acoustic products featured on Dezeen Showroom, designed to effectively control noise levels in various interior spaces. The featured products range from disguised acoustic panels that double as wall decor to dedicated solo work booths and specialized ceiling tiles, all contributing to quieter and calmer environments. The increasing demand for noise-dampening solutions stems from the prevalence of open-plan offices and mixed-use spaces, but acoustic products are also gaining traction in educational, healthcare, and hospitality settings. These products typically incorporate compressed fibers such as felt, wool, or foam, which are known for their sound-absorbing properties. A notable trend in their manufacturing is the growing use of sustainable materials, with recycled PET plastic becoming a common component in felt, and natural wool maintaining its popularity due to its renewable origins. One of the highlighted products is the Buddyhub desk by Busetti Garuti Redaelli for Pedrali. This enclosed desk features an integrated, three-sided screen that provides both privacy and sound dampening. Available in various colors and with optional accessories, the Buddyhub desk can be adjusted for both seated and standing use, making it versatile for different work styles. Another innovative solution is the OmniRoom room-in-room system by Mute. This modular system, designed by architects, allows for the creation of functional, noise-regulated zones within open-plan workspaces. The system includes modules for meeting rooms, private offices, and breakout lounges, all equipped with acoustic systems to manage sound effectively. Narbutas introduces the Parthos acoustic column, a tubular piece of furniture that serves multiple purposes: dampening noise, providing decorative elements, and offering storage. This column comes in 12 colors and three heights, allowing for customization to suit different interior aesthetics and functional needs. For individual focus, Room's Phone Booth acoustic pod offers a quiet zone for solo work and phone calls. This single-person booth is constructed with three sound-absorbing layers—MDF, PET felt, and natural wool—which collectively reduce noise levels by 30 decibels, according to the manufacturer. This makes it an ideal solution for minimizing distractions in bustling environments. Woven Image presents the Fuji acoustic ceiling tiles, inspired by Art Deco and Japonisme design periods. These dish-shaped tiles are designed to be mounted on the ceiling, controlling noise and allowing for diverse pattern configurations to complement interior design schemes. Their aesthetic appeal combined with acoustic functionality makes them a versatile option. Finally, the Abstracta x Wall of Art collaboration features acoustic art prints that combine visual appeal with sound absorption. These wall art pieces have a sound-dampening fabric backing, effectively controlling noise while also serving as decorative elements. This integration of art and acoustics provides an elegant solution for improving sound quality in interiors. Each of these products demonstrates a commitment to enhancing the acoustic comfort of modern interior spaces while often incorporating sustainable materials and thoughtful design. #AcousticProducts #InteriorDesign #NoiseControl #OfficeFurniture #SustainableMaterials #ModularSystems #WorkplaceSolutions #CommercialInteriors #DesignInnovation

The Air Light is a sustainable and recyclable lighting fixture designed to introduce elegance and a warm ambiance into home spaces. This innovative suspension lamp is the result of a collaboration between Italian brand Contardi Lighting and designer Adam Tihany, who aimed to address the question of "green lighting." The design emphasizes both aesthetic appeal and environmental responsibility. The Air Light features a dual lampshade design that actively contributes to a warm and inviting atmosphere. This is achieved through an engaging interplay of light and shadow, enhanced by precisely engraved laser cuts on the lampshades. The fixture's aesthetic is intended to serve as a sculptural element within a room, reflecting the owner's personal taste and sophisticated curation capabilities, while simultaneously fulfilling its primary function of illumination. From its initial design concept through the entire production process, significant attention was given to minimizing the environmental impact of the Air Light. A key aspect of this commitment is the material choice: the lamp is constructed from Green Cast, an acrylic material that is 100% recyclable. Green Cast is particularly noteworthy for its ability to incorporate recycled industrial waste and end-of-life products into its composition. Despite multiple recycling cycles, Green Cast consistently maintains its mechanical, thermal, and aesthetic integrity. Further demonstrating its eco-conscious manufacturing, Contardi Lighting applies the cream-colored finish to the lamp during the production phase, thereby eliminating the need for a separate lacquering process. This strategic approach further reduces the environmental footprint associated with the manufacturing of the Air Light. The Air Light possesses a sculptural and ethereal quality, giving the impression of floating both upwards and downwards, which creates a visually intriguing illusion. The fixture is equipped with both upper and lower LED lights that emit a comprehensive glow, contributing to a cozy and peaceful atmosphere in any interior setting. This design aims to seamlessly integrate functionality with sophisticated, environmentally responsible aesthetics, offering a lighting solution that is both visually captivating and sustainably produced. #AirLight #SustainableLighting #RecyclableDesign #HomeDecor #LightingFixture #ContardiLighting #AdamTihany #GreenCast #EcoFriendlyDesign

Milan-based designer Libero Rutilo of DesignLibero has developed an innovative method to upcycle PET plastic bottles into aesthetically pleasing vases using 3D printing technology. The collection, which consists of external shells, is designed to transform ordinary half-liter bottles into functional and decorative pieces. This approach not only provides a second life for discarded plastic bottles but also merges sustainable practices with contemporary design. The process involves inserting an empty PET bottle into one of Rutilo's 3D-printed shells. The bottle is then securely screwed into the shell, much like a cap, creating a stable and cohesive unit. The external shell, rather than being a standalone vase, acts as a decorative cover and structural support for the bottle, which holds the water for flowers. This clever integration means that the primary function of holding liquid remains with the original bottle, while the 3D-printed component adds artistic value and a new purpose. The collection features four distinct designs, each characterized by intricate, mesh-like patterns. The 'iSinuous' design showcases a fluid, wavy pattern composed of graceful curves, offering a sense of organic movement. The 'iKnitted' design, as its name suggests, mimics the texture and appearance of knitted fabric, bringing a cozy and handcrafted feel to the piece. The 'iLace' vase features a delicate, crochet-like pattern, evoking a classic and elegant aesthetic. Finally, the 'iSpider' design stands out with its biomorphic pattern, which draws inspiration from natural forms, giving it a unique and organic presence. Libero Rutilo's project highlights the potential of 3D printing in product design and its role in promoting sustainability through upcycling. By focusing on creating external shells, the designer minimizes the amount of new material required for each vase, making the production process more environmentally friendly. The versatility of 3D printing allows for complex and diverse patterns, demonstrating how technology can be used to elevate simple, everyday objects into works of art. This initiative encourages consumers to reconsider the lifecycle of plastic waste and offers a practical and stylish solution for repurposing plastic bottles into home decor items. #3DPrinting #Upcycling #ProductDesign #SustainableDesign #VaseDesign #HomeDecor #LiberoRutilo #PETBottles #DesignLibero