Peter Marino’s new textile for Rubelli has that Venetian glow

Ranieri's New Lava Range introduces a novel application and evolution of the glazed aesthetic within the design world, leveraging volcanic stone as its core material. The Campania-based company's innovative approach highlights the material's unique and varied composition through diverse cutting styles, glazes, effects, finishes, and colorings. Each piece of lava stone is a solidified expression of geological formation, characterized by surfaces rich in minerals, apertures, metallic shards, and matte fragments, offering inherent variations in shades, colors, textures, and mineral compositions that make it inherently distinct from other materials. Lava stone's versatility and strength provide a broader range of technical possibilities compared to traditional materials like marble and ceramic. This makes it suitable for a wide array of applications in both interior and outdoor design, including tiles, wall claddings, bar and kitchen countertops, outdoor furniture, bathtubs, sinks, reception desks, spa and wellness areas, and swimming pools, given its natural heat-retention properties. Ranieri's focus on enhancing the stone's inherent qualities marks a significant shift in its utilization, moving beyond ancient applications to contemporary design. The design studio's pioneering treatment of lava stone honors and amplifies its natural state, building upon the rich tradition of craftsmanship in the Campania region. By emphasizing the stone's heterogeneity and rich surfaces, Ranieri has developed a new aesthetic that renders lava an innovative and multipurpose design material. Originating from extreme heat, lava stone uniquely endures the high temperatures required for glaze application, enabling vibrant and diverse color effects. Ranieri's cutting techniques allow for the creation of sculptural, three-dimensional tiles and elements that can be thinly glazed. The brand offers a variety of glaze options, which, in addition to the stone's natural chromatic peculiarities, are transformative. These options include the 'Bare' variant, where the stone is carved but unmanipulated; translucent colorings; and tinted, smooth, and deep colorings. Tinted surfaces apply a sheer veil of color, accentuating the natural scintillations and clefts of the lava. Smooth colorings result in a highly polished, enameled finish with dynamic reflections and varied chromatic intensity, while deep colorings involve dense enamel application, achieving solid, profound, and intense hues unique to lava stone. By challenging conventional perceptions of lava stone—whether used in its raw form or completely covered by enamel—Ranieri’s methodologies introduce new design philosophies. These trailblazing techniques deliberately accentuate the nuances of the magma, recontextualizing and rejuvenating the material for contemporary design applications. #Ranieri #NewLavaRange #VolcanicStone #GlazedAesthetic #InteriorDesign #OutdoorDesign #MaterialInnovation #ArchitecturalMaterials #ItalianDesign

Kvadrat, a renowned textile manufacturer, celebrated its widely recognized fabric, 'Divina,' by inviting 22 international designers to reinterpret the material for a unique exhibition during Milan Design Week. The exhibition showcased a variety of products, ranging from umbrella-like structures to stacked cushions, created by designers such as Max Lamb, Philippe Nigro, Martino Gamper, and Anton Alvarez. Among these installations were the 'Jib' stools designed by Peter Marigold. Marigold's 'Jib' stools are characterized by their individually upholstered components, which can be combined in various configurations. This modular approach allows for the pieces to be arranged as if selecting and comparing fabric swatches. The name 'Jib' is inspired by one of the main sails on a boat, suggesting a sense of adaptability and dynamic arrangement. When assembled, the stool parts are deliberately arranged asymmetrically, creating an impression of one piece 'jumping onto' the next. The design addresses a common challenge associated with 'Divina' wool: its density. Marigold noted that the fabric's bulkiness can result in visible seams that detract from the overall aesthetic if not handled carefully during upholstery. To mitigate this, Marigold aimed for the stool legs to present as solid blocks of color, ensuring that the seam lines did not interfere with the geometric purity of the design. The construction involves cutting a groove into the stool's structure, allowing the dense fabric seams to lie flat and maintain a smooth finish. Beyond individual stools, the modular design of the 'Jib' series enables further adaptation. Longer components can be incorporated to create larger furniture pieces, such as benches, while maintaining the same design language and aesthetic consistency. This flexibility highlights the versatility of Marigold's approach and the potential for 'Divina' fabric to be utilized in diverse applications, demonstrating its aesthetic and functional qualities within contemporary furniture design. The exhibition successfully transformed a single textile into a platform for innovative design exploration, showcasing the fabric's potential through varied and imaginative interpretations. #PeterMarigold #Kvadrat #DivinaFabric #MilanDesignWeek #FurnitureDesign #TextileInnovation #ModularFurniture #UpholsteryDesign

Older, a design brand founded by Letizia Caramia and Morten Thuesen, initially focused on revolutionizing hospitality uniforms. The duo, who met at Alexander McQueen, launched Older in 2013 to address what they perceived as a lack of ideology, sustainability, and imagination in the fashion industry. Their unique approach blended their interests in architecture, gastronomy, and wine, leading them to create utilitarian yet stylish uniforms. Older quickly gained recognition for its asymmetric silhouettes, high-quality bespoke bio-cotton fabrics, and meticulous attention to functional details like fastenings and pockets, all while prioritizing sustainability in their design and production processes. Over the years, Older has secured commissions from prominent clients, including Restaurant 108 in Copenhagen, Copenhagen Contemporary, Tate Modern, the Snøhetta-designed Under restaurant, and Massimo Bottura’s Refettorio. A significant project involved designing uniforms and accompanying objects for Olafur Eliasson’s Fjordenhus in Vejle, Denmark. This collaboration, which included textile sculptures and specially engineered napkins, profoundly influenced Caramia and Thuesen, inspiring them to expand their creative scope beyond uniforms. Their recent endeavor is "Wide Eye," a debut furniture and objects collection developed in collaboration with Danish artist Alexander Vinther. The collection reflects the designers' passion for radical Italian movements, such as those of Superstudio and Archizoom, the postmodern aesthetics of Afra and Tobia Scarpa, Carlo Mollino’s craftsmanship, and the Gesamtkunstwerk concepts of Joe and Gianni Colombo. Milanese curator Valentina Ciuffi, known for her work with Nilufar and Alcova, assisted in presenting the collection through an exhibition and a book. Ciuffi lauded Older’s profound understanding of the fashion system, their detached approach from its fast pace, and their impressive architectural sensibilities, noting how they conceptualize garments as wearable architecture. With "Wide Eye," Caramia and Thuesen reversed their initial design philosophy, transforming uniform concepts into sculptural and functional furniture pieces. The collection subtly incorporates references to the human body and clothing. For example, the "Wide Eye" sofa is upholstered in the same washable Limonta nylon fabric used for their uniforms, while the "Zhora" chair features a PVC covering reminiscent of a character from *Blade Runner*. Other pieces, like the "Papi" table, subtly allude to anatomical forms. The designers exhibit a deep commitment to craftsmanship, partnering with emerging artisans like Tuscany-based Francesco Basini Gazzi for their marble pieces and a manufacturer previously associated with Tobia Scarpa for their sofa. They recently relocated from Paris to Milan, establishing a hybrid live-work space that will serve as the backdrop for the "Wide Eye" collection's launch on September 29th. The launch will feature a set designed by curator Joseph Grima, emphasizing raw materials to highlight the furniture's forms. The "Wide Eye" collection also carries a significant pro-European message. Its title is derived from the ancient Greek etymology of "Europe," and a nylon band on the sofa displays the slogan "Wide Eye Wake Up." This political agenda was influenced by the rise of populist parties in the 2019 European elections, prompting the designers to create furniture that advocates for a tolerant, open, and united Europe, aiming to infuse their designs with a conscious and revolutionary spirit. #FurnitureDesign #UniformDesign #SustainableDesign #ItalianRadicals #BladeRunnerInspired #EuropeanArtisanship #MilanDesign #PoliticalDesign #TextileInnovation

The article discusses the new Bedford Park collection from Morris & Co., a textile brand named after the influential British textile artist William Morris. The collection, spearheaded by lead designer Jessica Clayworth, aims to honor Morris's iconic Arts & Crafts designs while introducing a modern and unexpected twist through bold and supercharged color palettes. Clayworth's vision was to disrupt the market by reimagining classic patterns with punchy hues and dramatic color combinations, drawing inspiration from the psychedelic tones of the 1960s and '70s. The development process involved delving into the company's archives to select both well-known Morris bestsellers and lesser-known works by other significant Arts & Crafts designers. The goal was to bring attention to designs that had previously received less recognition and to highlight the contributions of artists like C.F.A. Voysey, Allan Francis Vigers, and J. H. Dearle, who were also impactful during the Arts & Crafts period. The Bedford Park collection features 15 wallpaper designs and 14 fabrics. Clayworth provides insights into several key patterns within the collection. For instance, the popular 'Pimpernel' pattern, originally characterized by soft, muted colors, has been reinterpreted with brighter, stronger colors such as Shamrock and Watermelon. This reinterpretation caters to customers seeking a more vibrant and audacious aesthetic. Another pattern, 'Spring Thicket,' which was Morris's last wallpaper design, has been updated from its original subtle peachy ground to striking bright blues, incorporating a lilac punch to modernize the colorway and enhance the floral and leaf motifs. The collection also introduces designs by C.F.A. Voysey, including 'The Savaric,' which features his signature bird motif. While Morris's designs are often described as structural, Voysey's style is noted for its naivete. The updated 'Savaric' maintains a gentle color palette, such as Garden Green, to align with Voysey's original vision while introducing his work to a broader audience. Voysey's 'Glade' and 'Laceflower' patterns are also part of the collection. 'Glade' stands out with its structural, stylized botanical design and Art Nouveau influence, offering a departure from some of the more elaborate patterns. 'Laceflower' reintroduces Voysey's characteristic birds, integrated within floral stems for a more dimensional effect compared to 'The Savaric.' Allan Francis Vigers' 'Campanula' design, with its dense field of vibrant flowers, is presented in a Sunburst colorway that closely honors the creator's initial vision, with colors slightly enhanced for impact. The wallpaper print for 'Campanula' also pays homage to the wooden printing blocks used during the Arts & Crafts era, reinforcing the collection's authentic origins. Many patterns in the Bedford Park collection are available in both fabric and wallpaper, allowing for maximalist decorating schemes. The collection is designed to evoke a sense of rebellion and statement-making, aiming to impress and inspire awe in observers. #MorrisAndCo #TextileDesign #ArtsAndCrafts #InteriorDesign #Wallpaper #Fabric #WilliamMorris #BedfordParkCollection #ColorCombinations

The interior design landscape for 2025 is marked by a bold shift towards expressive and personalized spaces, moving beyond the neutral palettes that have dominated recent years. Presentations at Milan Design Week 2025 and Paris’s PAD 2025 revealed a strong embrace of color, pattern, and experimental forms. While the influence of maximalism persists, there's also a subtle integration of 'quiet luxury' principles, emphasizing comfort, relaxation, and monochromatic schemes. However, the overarching theme is a departure from subdued tones, with designers championing vibrant colors, often inspired by natural elements. Clients are increasingly seeking interiors that not only offer a sense of sanctuary but also distinctly reflect their individual personalities, driving a willingness to experiment with diverse materials, textures, and furnishings. Designer Anne Dereaux notes that a space's uniqueness now stems from a mix of classic and sculptural pieces, handmade objects, or even found items with a narrative, contributing to a holistic sense of well-being. A significant trend emerging is "material drenching," a concept introduced by designer Jake Arnold. This involves decorating an entire room with a single material like wood, stone, plaster, or fabric, moving beyond the color-drenching trend of previous years. This approach adds dimension and an elevated aesthetic, drawing inspiration from historical paneled or plaster-clad rooms but with a brighter, lighter contemporary interpretation. Reflective materials, such as high-gloss paints and strategically placed mirrors, are also gaining traction to add energy and manipulate perception without making spaces feel confined. Furthermore, there is a growing demand for evocative and enveloping spaces where comfort and well-being are paramount. This translates into moodier interiors featuring dark wood cabinetry, plush textiles, and layered drapery, often incorporating bold colors and patterns reminiscent of 20th-century design luminaries like Sister Parish and Mario Buatta. Installations at Milan Design Week, such as Pierre-Yves Rochon's Villa Héritage and Dimoremilano's "La Prima Notte di Quiete" with Loro Piana, exemplify this trend with rich hues, luxurious materials, and inviting elements like conversation pits. Craft-focused furnishings are also experiencing a significant revival, driven by increased consumer interest in quality, uniqueness, and sustainability, especially since the pandemic. The global market for arts and crafts is projected to reach $74.3 billion by 2033. Designers like Laura Lubin highlight the value of handcrafted pieces for their detail, timeless appeal, and ability to tell a story, reflecting a broader movement towards supporting artisans and embracing slow design. Examples include bronze furnishings at PAD Paris and Studio Lugo's work at Alcova Milano, which utilizes traditional Turkish techniques and materials. This emphasis on handmade items also caters to the desire for personalized spaces, with retailers increasingly featuring artisanal craftsmanship and connecting consumers to the makers behind the pieces. Color palettes for 2025 are expanding beyond earthy hues to embrace a full spectrum of nature-inspired greens and blues. Reports from the National Kitchen & Bath Association indicate a preference for colorful kitchens and bathrooms over traditional all-white designs, with designers observing a growing client interest in extending these shades throughout the home. This trend is linked to a desire to strengthen the connection between indoor spaces and the outdoors, providing a calming ambiance. Kathleen Walsh, a New York City-based designer, notes that project palettes are deeply rooted in the surrounding landscape, using softer foundation hues punctuated with vibrant accents. The integration of statement colors with natural materials is seen as a sophisticated approach. Sustainability and durability are central to interior design in 2025, with homeowners increasingly prioritizing natural, long-lasting materials for well-being. Clients are more conscious of material origins, seeking to avoid plastic-based products and opting for furniture designed to endure. Milan Design Week showcased a strong focus on sustainable materials, from cork used in Rockwell Group's "Casa Cork" exhibition to textiles made from mycelium and lighting from waste oyster shells. This trend also involves an appreciation for existing structures, with designers noting a shift towards working with and enhancing current conditions rather than always starting anew, partly influenced by rising construction costs. Finally, sumptuous textures are making a comeback, reflecting a return to romanticism in interiors. While contemporary designs use less chintz, there's a clear appetite for soft, billowing drapery, plush furniture, Venetian plaster, and Moroccan tadelakt, creating luxurious yet inviting spaces that offer tactile comfort and reflect homeowners' personalities and the history of their homes. #InteriorDesignTrends #MilanDesignWeek #MaterialDrenching #Craftsmanship #SustainableDesign #NatureInspiredColors #LuxuryInteriors #HomeDecor #TexturalDesign

Milan Design Week, also known as Salone del Mobile, traditionally serves as a pivotal event for design enthusiasts and a leading international exhibition for furniture and interior design. In recent years, the event has expanded its scope, attracting significant participation from the fashion industry. Brands such as Gucci and Loro Piana are increasingly featured alongside established home brands, presenting events and new product launches that blur the lines between fashion and home design. Among the highlights of Milan Design Week 2025 is Miu Miu's Literary Club, which dedicates two days to exploring the works of French philosopher and writer Simone de Beauvoir. Concurrently, Prada Frames will host a symposium centered on the multifaceted concept of transportation. Louis Vuitton is set to introduce a new home collection, further solidifying the convergence of high fashion and interior aesthetics. La DoubleJ will host tarot card readings at its new headquarters, adding a unique experiential element to the design week offerings. Loewe, marking its ninth appearance at Salone, has collaborated with 25 artists, designers, and architects to create a collection of teapots. These pieces, crafted by figures such as Edmund de Waal, Walter Prince, and David Chipperfield, explore the cultural significance and conventions surrounding tea, ranging from highly literal to abstract interpretations. Loewe is also offering a Salone homewares collection, which includes coasters and leather charms. Prada Frames, the annual symposium organized by Prada, focuses this year on “In Transit,” investigating the infrastructures that facilitate the movement of both people and ideas. Discussions are held in unique historical settings, including the recently restored 1950s train, Arlecchino, designed by Gio Ponti and Giulio Minoletti, and the ornate Padiglione Reale, a former royal waiting area at Milan’s Central Station. Louis Vuitton is launching its inaugural home collection, showcased at Milan’s Palazzo Serbelloni. This new line encompasses furniture, lighting, tableware, textiles, and games, with a pinball machine reportedly inspired by Pharrell. The collection complements the brand’s existing Objets Nomades, a series of limited-edition pieces created by notable designers like India Mahdavi and the Campana brothers, which will also be on display. La DoubleJ is celebrating its 10-year anniversary by unveiling its new five-story headquarters, dubbed the “LDJ Starquarters,” in Milan’s Navigli district. This new space is designed to foster positive energy and will host a week of events, including tarot card readings and sound healing sessions in the newly opened Gong Temple on its rooftop. The brand is also releasing new versions of its Napoli Rosa homeware collection. Miu Miu's Literary Club returns for its second chapter, “A Woman’s Education,” building on last year's “Writing Life.” This year’s program explores themes of girlhood and love through the works of Simone de Beauvoir and Japanese author Fumiko Enchi, featuring performances and talks by authors such as Lauren Elkin, Geetanjali Shree, and Naoise Dolan. Gucci presents “Bamboo Encounters,” an exhibition at the 16th-century Milan monastery Chiostri di San Simpliciano. Curated by architect Ippolito Pestellini Laparelli, the exhibit highlights bamboo’s historical significance to the house through multidisciplinary works, including sculptures, bamboo baskets, and kites. Kartell is commemorating 25 years of its lighting line with an exhibition at its Milan flagship store, featuring iconic lamps and lighting pieces. The Kartell Museum, also celebrating its 25th anniversary, will host a retrospective on Italian industrial designer Joe Colombo. New products and re-editions, including a reissue of Colombo’s 1964 KD28 lamp, will also be released. Finally, Loro Piana has partnered with Dimoremilano to create “La Prima Notte di Quiete,” an installation transforming the courtyard of Loro Piana’s headquarters into a 1970s-style home. The space features furniture by Dimorestudio for Loro Piana Interiors, Dimorestudio pieces with Loro Piana fabrics, items from Loro Piana’s The Art of Good Living collection, and artworks from Milanese galleries. #MilanDesignWeek #FashionHomeCrossover #LuxuryInteriors #ArtAndDesign #PradaFrames #LouisVuittonHome #LaDoubleJ #MiuMiuLiteraryClub #GucciBamboo #KartellLighting #LoroPianaDimoremilano

Fischbacher 1819, a Swiss heritage textile brand, presented "Ancient Memories" at Milan Design Week 2025. This immersive textile exhibition explores the emotional and material depth of fabric, taking a deliberate pause from fast-paced design trends. The project, in its second chapter, is a collaborative effort between designer Marcel Wanders, textile artist Caterina Roppo, and the brand’s creative director Camilla D. Fischbacher. Together, they have developed a series of materials that convey narratives through their aesthetic and tactile qualities. These materials include hemp, jute, and recycled cotton, emphasizing the significance of memory as a design principle. Central to "Ancient Memories" is a deep respect for traditional craft and a deliberate pace in production. The collection prominently features hemp, a historically significant fiber, symbolizing ancient knowledge and offering a counter-narrative to contemporary consumerism. This foundation allows for the creation of new materials imbued with historical textures. Examples include "Animalia Echo," a flat-weave rug made from undyed jute and wool, designed to evoke the appearance of ancient stone engravings. "Puffy Loom" combines soft knots with rough textures, creating a striking contrast in its woven structure. "Animalia Traces" is a tufted piece crafted from silky Tencel, featuring a primal motif that subtly incorporates the initials of its creators. These pieces are intended to be perceived as artifacts, each with its own unique story. Textiles within the collection, such as "Sacred Bark" and "Eco Saga," exemplify a raw and personal aesthetic. These pieces integrate jute warps with recycled cotton wefts, producing textures reminiscent of natural elements like bark and earth, and embodying a sense of memory. "Nature’s Canvas" displays a vintage fade, with its appearance subtly shifting after each cut, highlighting the natural evolution of the material. "Animalia Genealogy" is a jacquard trim depicting imagined animals, suggesting a connection to ancient myths. A key message conveyed through these textiles is the appreciation of imperfection and variation, viewing them not as flaws but as inherent elements that enhance the value and character of each piece. The passage of time is also embraced as a contributing factor in the design process. The Milan Design Week exhibition transformed Fischbacher 1819's showroom into a dynamic archive. Rugs and textiles were curated alongside vintage furniture and works by international designers, creating a cohesive spatial narrative and an emotionally resonant environment. Textile artist Caterina Roppo contributed to the exhibition with her solo presentation, "Everybody has pain somewhere," which delves into the layering of time through material. A video installation by Rashed Qurwash further enriched this multidisciplinary dialogue, adding another layer to the overall experience. The exhibition underscores the importance of considering design as a form of storytelling. Ultimately, "Ancient Memories" is not merely about evoking nostalgia; it advocates for resilience in design. It challenges conventional views on materials, proposing they be considered as legacies rather than fleeting trends. Fischbacher 1819 demonstrates that sustainable design extends beyond minimizing negative impacts; it involves creating with profound meaning and intention. The collection encourages a reflection on enduring qualities in a world often preoccupied with novelty, urging an appreciation for what lasts and holds intrinsic value. Fischbacher 1819, a Swiss textile house with over two centuries of history, continues its legacy of crafting luxury textiles, rugs, and wall coverings for both private and public spaces, guided by a commitment to craftsmanship, creativity, and material excellence. The family-run company, now led by the sixth generation, integrates tradition with contemporary sensibilities. #TextileDesign #SustainableDesign #MilanDesignWeek #Fischbacher1819 #MarcelWanders #CaterinaRoppo #InnovativeMaterials #Craftsmanship #MaterialMemory

Liberty, traditionally known for its heritage floral textiles, has launched a new interiors and fashion fabrics collection named FuturLiberty. This collection, which debuted at Milan Design Week 2023, is deeply influenced by the early 20th-century art movements of Futurism and Vorticism, both of which celebrated the dynamic and rapidly evolving aspects of modern life. The creative direction for FuturLiberty was spearheaded by nonagenarian Italian designer Federico Forquet. His collaboration with Andrea Petochi, Liberty Fabrics’ managing director, began after the Covid pandemic, with Forquet challenging Liberty to look beyond its signature floral designs and explore how avant-garde artists responded to periods of crisis and social change. Forquet specifically pointed towards the Futurists, an Italian art group from the early 20th century known for their admiration of machines, industry, power, and speed, expressed through abstract and dynamic forms. Under Forquet’s guidance, Liberty’s fabrics and product team, led by design director Mary-Ann Dunkley, delved into Futurist paintings to develop new patterns. Dunkley highlighted Forquet’s emphasis on geometrics and the importance of rhythm in each design. The design process involved extensive research into Liberty's own archives, spanning over 50,000 historic designs. The team found inspiration in the 1960s collections of former Liberty design director Bernard Nevill, particularly his Tango and Jazz ranges, which were inspired by Vorticism—the British art movement that evolved from Futurism. This discovery provided a valuable historical connection for Liberty, aligning the new collection with the brand’s past while embracing an avant-garde aesthetic. After gathering a wealth of inspirational material, Dunkley’s team synthesized and adapted pictorial references to create repeatable fabric patterns. These patterns, characterized by a strong geometric language, were then applied to various fabrics in a diverse range of colorways. Forquet's emphasis on color and nature helped to infuse a playful quality into the designs, distinguishing them from the potentially more austere nature of their artistic inspirations. To further contextualize the FuturLiberty collection, Liberty is hosting two exhibitions in Milan. One exhibition, at Museo del Novecento, showcases the original Futurist and Vorticist artworks that inspired the collection, alongside some of the new FuturLiberty interiors fabrics, demonstrating the translation of artistic inspiration into design. The second exhibition, at Palazzo Morando, explores Liberty’s historical trajectory from the Arts and Crafts movement through Nevill's 1960s designs to the contemporary FuturLiberty collection. This exhibition prominently features the fashion fabrics of the new collection in an immersive installation. Both exhibitions were developed in collaboration with Ester Coen, a renowned art historian, who underscores the exhibitions’ aim to highlight the dialogue between Futurism and Vorticism and to show how FuturLiberty embodies the energy and commitment of avant-garde art towards a valuable future. In conjunction with Milan Design Week, Liberty is also launching a book about the FuturLiberty project, published by Thames & Hudson, which will delve deeper into the interplay between art and design. Andrea Petochi views this initiative as a return to Liberty's artistic roots, fostering a dialogue between society and creativity. As Liberty approaches its 150th anniversary in 2025, the FuturLiberty collection positions the brand as both an innovator and a disruptor, grounded in its rich tradition. #MilanDesignWeek2023 #Futurism #Vorticism #LibertyFabrics #FedericoForquet #TextileDesign #InteriorDesign #FashionFabrics #ArtAndDesign

Dedar Milano has unveiled its latest 'light and luminous' fabric collection, launched at the close of 2024, which serves to reinterpret and enrich the brand's existing textile library. This new collection features 20 sheer materials and wallcoverings, expanding upon Dedar’s White Writings family with new embroideries, vibrant color palettes, and metallic voiles. The collection introduces a range of transparencies, blending natural fibers such as linen and hemp with wool to create lightweight and airy designs. Textural sheers incorporate innovative materials like raffia and explore new weaving techniques to vary levels of transparency. While many of these sheer fabrics utilize muted tones to emphasize subtle details, Dedar Milano has also incorporated bold colors, offering a broader spectrum of design possibilities. A notable addition is "Lumillumina," inspired by the Finnish word for snow, which reinterprets the geometric motifs of Dedar’s "Nevicava" fabric. This new iteration integrates metallic veins, drawing parallels to jewelry from the early 20th century, evoking the styles of René Lalique and Georges Fouquet, as well as the fashion trends of the Roaring Twenties. Further expansions in the transparencies category include two soft, drapey sheers with distinct natural characteristics. One is a slightly slubbed, linen-rich canvas weave, and the other is "Cnossian," a hemp fabric that presents white nuances with a warm, golden undertone. The collection also features wool fabrics, offering an unusual billowy interpretation for luminous curtains. "Leporello" introduces a wavy, three-dimensional effect through pleating, while other flexible fabrics use wool yarns of varying thicknesses in sparse weaves to achieve increasing levels of transparency. A textured woolly canvas weave, "Autrebois," highlights the importance of texture within the collection. Two fire-retardant fabrics, available in double width, are also part of the transparencies range, offering washability and crease resistance. These fabrics present a diverse array of styles, from the micro-geometric patterns of "Kin" to linen-like textures, all enhanced by airy weaves and bulky ondé threads. The collection also features fabrics enriched with embroidery and artistic touches, particularly within the "White Writings" family. These new sheers introduce unprecedented visual and design elements, creating volumetric chiaroscuro effects through the play of light and shadow when viewed against a backlight. The embroidered motifs, sometimes placed on existing collection grounds, allow for numerous combinations, from conventional to more surprising and personal expressions. The degree of transparency varies significantly, from dense and precise embroideries like "Cielo" and "Aplomb" to more irregular textures on a "Wide Linen Sablé" ground. Several embroidered motifs revisit patterns from "Promenade Kafkaïenne" and "Liberabirinto," applying them to different grounds. "Dancing the Horizon" uses a fine, densely warped merino wool, while "Regolith" features pure linen with a textural translucency. "Rabdomante" stands out with its energetic, instinctive topstitched motif on a semi-transparent, extra-fine wool ground, offering a sartorial drape. "Calicanto Lieve" explores an abstract combination of materials, animated by expressive fil coupé fringes. Dedar Milano has also transformed these sheer fabrics into wallcoverings. "Goral Wall" combines organic shapes resembling branches or corals with a background of thick, uneven matka silk. "Lost in Nazca Wall" depicts a prehistoric labyrinth on pure silk shantung, while "Za Wall" and "Ze Wall" superimpose pictorial motifs on frosted linen chintz and laminated jute, respectively. "Idola Theatri Wall" features an amplified light burnishing effect that creates an evanescent forest on laminated jute, and "Yamnaya Letters Wall" evokes imaginary alphabets. "Marmore Wall" draws inspiration from Japanese suminagashi and Turkish ebru marbling, outlining gentle, circular patterns inspired by nature. In the realm of moiré wallcoverings, Dedar, a pioneer in reinventing moiré since the 1990s, introduces "Amoir Libre" and "Amoir Fou." These new moirés, with their multicoloured "tail" effects, complement silkier fabrics and marbled textile wallcoverings, coexisting harmoniously with the new white-based wallcoverings in the collection. Dedar's approach to moiré has modernized its use, moving beyond classical applications to embrace affinities with natural forms like marble veining and ocean waves, giving it a contemporary appeal. #DedarMilano #FabricCollection #TextileDesign #InteriorDesign #Wallcoverings #SheerFabrics #LuxuryTextiles #Moiré #WhiteWritings

This article discusses a recent art installation at the Dior Homme store in Paris, created by young Italian artist Andrea Mastrovito. The installation, inaugurated last Thursday, features a multitude of black decoupage butterfly replicas. These replicas are intricately arranged to serpentine across the ceiling and walls of the store's white interior, evoking a visual parallel to birds in flight, albeit with a less menacing and more aesthetic appeal. The project was specifically commissioned by Kris Van Assche, the artistic director for Dior Homme. His inspiration for this particular installation stemmed from his Fall/Winter '08 collection, which prominently featured butterfly motifs. This collection integrated butterflies into various clothing items, ranging from blazers and t-shirts to uniquely designed butterfly-shaped bow ties, showcasing a whimsical and distinctive aesthetic. The installation consists of nine thousand individual black decoupage replicas, meticulously placed throughout the boutique. The visual effect created by these numerous replicas is one of dynamic movement and artistic grace, transforming the space into an immersive experience for visitors. The choice of black for the butterflies against the white backdrop of the store enhances their visual impact, making them stand out as a striking design element. Mastrovito's work is intended to be a temporary exhibition, enhancing the store's ambiance for a limited period. The installation is scheduled to remain on display for one month, after which it will be dismantled. This temporary nature adds to its exclusivity and artistic appeal, encouraging visitors to experience it within its specific timeframe. The Dior Homme store, where this installation is housed, is located at 25 rue Royale, Paris 8ème. This address is a notable location in Paris, contributing to the prestige and visibility of the art project. The collaboration between a contemporary artist like Andrea Mastrovito and a high-fashion brand such as Dior Homme highlights a growing trend of integrating art into retail spaces, creating unique brand experiences that go beyond mere product display. Such initiatives serve to blend fashion, art, and design, offering a multifaceted engagement for the audience. The installation not only serves as an artistic statement but also as a homage to Kris Van Assche's past work and his enduring influence on Dior Homme's aesthetic. By reinterpreting a key motif from a previous collection, the project bridges different periods of the brand's creative history, providing a sense of continuity and evolution. The detailed craftsmanship involved in creating and installing nine thousand decoupage pieces underscores the dedication to artistic quality and the immersive experience sought by both the artist and the brand. This event contributes to the cultural landscape of Paris, positioning Dior Homme not just as a fashion retailer but also as a patron of contemporary art. #DiorHomme #AndreaMastrovito #ArtInstallation #ParisFashion #FashionAndArt #RetailDesign #KrisVanAssche #DecoupageArt

Bouclé, a textured fabric characterized by looped or curled fibers, is experiencing a resurgence in popularity across various design sectors. The material's origins trace back to the late 1940s when Eero Saarinen designed the Womb Chair, upholstered in Knoll's Classic Bouclé, at the request of Florence Knoll. Historically, bouclé referred to either the yarn, crafted from a series of looped fibers, or the resulting fabric. While wool is the most common fiber used in this technique, cotton, linen, and silk also lend themselves to creating bouclé’s distinctive textured feel. Following its mid-century debut, bouclé gained traction in fashion couture, with Chanel notably incorporating it, and became a staple in furniture design. The appeal of bouclé lies in its versatile properties. It is substantial enough to provide acoustic absorption, making it suitable for applications like window treatments, yet sufficiently soft for use in pillows. Designer Tina Ramchandani attributes the material's current popularity to a broader societal need for comfort and security. In an era marked by environmental concerns and political turbulence, individuals seek to create safe and cozy home environments that promote well-being. This sentiment aligns with bouclé’s inherent comfort and inviting texture. Bouclé particularly complements curvilinear furniture forms, as evidenced by its application in iconic midcentury designs by Saarinen and Vladimir Kagan, and more contemporary pieces such as Pierre Yovanovitch’s Papa and Baby Bear Armchairs. At Salone del Mobile, Sé showcased an arced Ini Archibong-designed Oshun sofa upholstered in an eggshell-hued bouclé from Perennials, further illustrating this synergy. As consumer demand increasingly favors fabrics that offer both rich texture and breathability, textile manufacturers are expanding their bouclé collections. Several textile houses are responding to this trend by introducing new bouclé offerings. De Le Cuona's Flint bouclé collection, for instance, features a blend of wool and linen, suitable for both drapery and upholstery, and is available in six colorways. Sella Concepts launched the Ladies Pond collection, its first commercially available furniture, featuring hand-turned tulipwood pieces finished with stone composite and coordinating bouclé upholstered cushions. Frank Ponterio’s inaugural collection for Clarence House includes bouclé fabrics in four distinct colorways, blending linen, cotton, and alpaca. Perennials x Sé Collections highlight performance bouclé on modern organic sofa forms, as seen at Milan’s Rosana Orlandi. Stella TriBeCa offers bouclé throws woven from Stansborough wool and New Zealand mohair, providing warmth and softness. Lastly, Christophe Delcourt’s EKO Meridienne chair, upholstered in bouclé, draws inspiration from Le Corbusier’s Ronchamp chapel, incorporating sweeping planes and geometric forms. These diverse offerings demonstrate the material's adaptability and its continued relevance in contemporary design. #BoucleFabric #TextileTrends #InteriorDesign #FurnitureUpholstery #MidcenturyDesign #HomeComfort #FabricInnovation #ModernInteriors

The article highlights a growing trend among luxury brands to utilize their boutiques as spaces for artistic and design installations, moving beyond mere retail outlets. This phenomenon is exemplified by Delvaux's Brussels flagship, designed as an art gallery, and Loewe's Mayfair store in London, which showcases an eclectic art and design collection. The Row's first European flagship in Mayfair also integrates expertly curated and purchasable design objects, such as pieces by Charlotte Perriand and Corbusier, into its retail environment. Since taking over Jil Sander in 2017, Lucie and Luke Meier have significantly enhanced the brand's artisanal identity through various architectural and artistic collaborations. Notable examples include a Tokyo flagship designed by John Pawson and a living installation at the Milan headquarters in collaboration with artist Linda Tegg during Salone del Mobile 2019. This strategic approach culminated in the announcement that Jil Sander's Via Saint Andrea store in Milan would be exclusively dedicated to temporary installations and exhibitions, thereby complementing the fashion collections housed at its Via Pietro Verri flagship. For the inaugural installation at the Via Saint Andrea store, the Meiers presented large, bulging sculptures crafted from padded down inflation. These sculptures were a direct reference to their ongoing fascination with architectural and buoyant silhouettes, reflecting a deep-seated interest in fabrication. This interest was previously evident in the label's S/S 2020 women’s collection, which featured intricate designs incorporating raffia, paper, beading, and elaborate intarsia techniques. The Meiers explained that these installations offer a platform to showcase items that do not fit into the typical runway or campaign presentations, allowing for a broader expression of their creative vision. Jil Sander's second installation at the Via Saint Andrea space is dedicated to Japanese denim, a material widely recognized for its superior quality and craftsmanship. The installation transforms the space with long curtains of dark denim, illuminated by tubular strip lighting. This dramatic backdrop showcases a new range of unisex denim styles, alongside men’s denim shirts and women’s shirt dresses, emphasizing the versatility and aesthetic potential of the fabric. The Meiers underscored that the Via Saint’Andrea space provides a unique opportunity for experimentation and exploration, suggesting a continuous evolution of thematic installations. The article underscores that these installations are not just about displaying products but about creating an immersive brand experience that physicalizes the artistic and design inspirations behind Jil Sander's work. By transforming retail spaces into cultural venues, brands like Jil Sander are engaging customers on a deeper level, offering more than just merchandise but a glimpse into their creative philosophy and craftsmanship. This approach solidifies the brand's position at the intersection of fashion, art, and design, promising an exciting future for their exploratory installations. #JilSander #JapaneseDenim #MilanFashion #FashionInstallation #LuxuryBrands #ArtAndFashion #LucieAndLukeMeier #TextileInnovation

Cavalcanti, a company known for its commitment to high-quality design, is set to introduce its latest "Optical Illusion" handwoven rug collection at Paris' Maison&Objet 2017. Conceived by designer ChiChi Cavalcanti in collaboration with Natasha Phillips, this collection explores the captivating realm of monochromatic eye trickery, offering a fresh perspective on contemporary rug design. The rugs are meticulously crafted to blend playful optical illusions with subtle yet impactful touches of color, resulting in pieces that are both visually stimulating and sophisticated. Each rug in the collection is handwoven, reflecting Cavalcanti's dedication to traditional craftsmanship and ensuring a unique, artisanal quality for every piece. The design philosophy behind the "Optical Illusion" collection centers on creating a dynamic interplay of texture and depth. Through clever use of patterns and color gradients, the rugs achieve a three-dimensional effect that can transform the perception of space within a room. This approach not only adds an artistic dimension but also introduces an element of intrigue and energy to any interior setting. The monochrome palette, punctuated by carefully integrated color accents, enhances the optical effects, making the rugs appear to shift and change depending on the viewing angle and lighting conditions. This careful consideration of visual dynamics ensures that the rugs are not merely floor coverings but rather central artistic statements within a space. The collection is designed to be versatile, capable of enhancing a variety of decor styles, from minimalist and modern to more eclectic environments. The optical illusions are not overly aggressive but rather subtle and refined, allowing the rugs to integrate harmoniously while still making a significant visual impact. This balance between boldness and subtlety is a hallmark of Cavalcanti's design ethos, ensuring that their products possess both contemporary appeal and timeless elegance. The forthcoming debut at Maison&Objet 2017 signifies a significant moment for Cavalcanti, showcasing their innovative approach to textile design and their ability to push the boundaries of traditional rug-making. The collection is expected to garner considerable attention for its unique aesthetic and the meticulous craftsmanship evident in each handwoven piece. The "Optical Illusion" collection promises to be a notable addition to the world of home furnishings, offering discerning customers an opportunity to incorporate a blend of artistry, innovation, and comfort into their living spaces. The rugs embody a harmonious fusion of traditional techniques with modern design sensibilities, creating functional art pieces that engage the eye and elevate interior aesthetics. #Cavalcanti #HandwovenRugs #OpticalIllusion #MaisonObjet #HomeFurnishings #InteriorDesign #TextileArt #MonochromaticDesign #ChiChiCavalcanti

Dan Mazzarini, a New York-based designer and creative director of BHDM Design and Archive by Dan Mazzarini, is exploring a bolder color palette in his current home renovation project on the North Fork of New York. Traditionally drawn to warm, creamy neutrals, Mazzarini is now incorporating shades like terra cotta, olive, sage, and sand into his design. His latest mood board, inspired by his Long Island property, showcases a harmonious mix of earthy materials and vibrant hues, aiming for a casual and coastal aesthetic with rich earth tones and organic motifs, embodying an "Americana cottage vibe" that is both easygoing and sophisticated. The design incorporates a variety of textures and patterns, including striped fabrics, patterned wallpaper, and splatterware plates, with an emphasis on textiles suitable for both indoor and outdoor use. Key elements in Mazzarini's current design include a woven leather lumbar pillow cover from Arhaus, which adds a timeless texture and an unexpected material choice for a pillow. A vintage mirror contributes a sense of heritage and history to the space, offering a "crusty, dusty" appeal. For lighting, a custom stitch edge coolie pendant light shade from Jack Of All Shades is designed for the dining table, reflecting Mazzarini's preference for whipstitch shades. Textiles play a significant role in introducing color and pattern. The "Shade of Sycamore" fabric in saffron by Katie Leede & Company is a bold botanical print that unifies the home's color scheme. A "Woodard Weave" rug in Cedar Hill from Woodard & Greenstein, with its overscale stripe and multiple colors, provides a fun and unexpected addition to the living room, stepping outside Mazzarini's usual quiet palette. For a guest room, the "Auspicious" wallcovering by Zak+Fox, with its evocative design, was chosen because the material resonated deeply with the designer. Leather is incorporated through Mont Blanc leather in caramel by Moore & Giles, specifically for built-in banquette cushions in the beach house, highlighting a love for saddle leather in any project. Kerry Joyce's "Addison Stripe" fabric, used in both Brick Sand and Peat Sand colorways, brings a vintage yet timeless sophistication, with the earthy Peat Sand complementing neutral palettes. Gauzy striped fabric from Rogers & Goffigon Ltd. is being used for cafe curtains in the kitchen and bathrooms, reviving an old charm. Decorative items include French wine glasses from Crate & Barrel, inspired by Ina Garten, to set a perfect summer table. Vintage pottery from Beall & Bell Antiques adds delightful color and character to rooms and tablescapes. For hardware, unlacquered brass light fixture finishes from HB Lighting are preferred for their warmth and patina. Paints like Benjamin Moore's "Green Grove" are used for contrast doors, creating a non-traditional twist and a striking look when paired with brass hardware. Durability and practicality are considered with materials such as "Sauvignon Oak" extra-wide flooring from Cali Bamboo, selected for its prefinished colors and resilience in homes with pets and guests. Fabric choices for seating include Thibaut's "Arboreta" in charcoal for graphic pillows on a white sofa, and Valley Forge Fabrics Inc.'s "Vineyard Way" indoor/outdoor fabric for living room chairs, chosen for its polyamide composition that withstands wet conditions. A touch of luxury is added with Rose Tarlow Melrose House's "Lugano" velvet in paprika. A classic ticking stripe fabric, "Stirling" in taupe from Threads at Graham Sanderson Interiors, is utilized for concentric square pillow covers. Finally, a vintage ribbed wood lamp adds a warm wood tone to kitchen counters, evoking childhood memories, and custom basket art by Michael McGuire provides primitive yet architectural elements to all his homes, adding unique, found items that bring a personal touch to the overall design. #InteriorDesign #HomeRenovation #ColorPalette #CoastalDesign #Textiles #Furniture #Lighting #Wallpaper #Flooring #VintageDecor #MaterialSelection #DesignInspiration

The article highlights the emerging trend of "Mango," a vibrant yellow-orange shade, as a prominent color for fall interior design, moving away from traditional warm browns and darker tones typically associated with the season. This bold hue, described as juicy, saturated, and possessing dark undertones with a warm, enveloping feel, is increasingly appearing in new design collections, including Ruggable's latest Iris Apfel rug range and Rose Uniacke's new saffron-yellow paint shade, 'Buttercup.' The popularity of Mango is attributed to its ability to bring warmth and coziness to spaces during the cooler autumn months, effectively counterbalancing the shorter, darker days. Interior designer Rose Uniacke emphasizes that this vivid saffron yellow evokes the feeling of sunshine, contributing to a lively atmosphere. The color also aligns with the recent revival of vintage-inspired paint colors and 1970s decor, tapping into a sense of nostalgia. For incorporating this Mango shade into home interiors, the article suggests several approaches. As yellow is intrinsically a happy and primary color, it is considered a timeless choice. Cassandra Leisz, Ruggable's senior creative director, notes that yellow shades introduce an uplifting and cheerful mood, infusing living rooms with warmth, energy, and optimism, making them vibrant and welcoming. The color is also associated with creativity, encouraging social interaction and relaxation, ideal for fall hosting. The versatility of yellow allows it to pair well with various other colors. The article recommends using the "double-drenching" technique, combining Mango with softer pastel yellows like butter or with an accent color such as a daring deep cherry red. In terms of design styles, Mango complements an eclectic aesthetic, encouraging the mixing of bold patterns, textures, and statement pieces. For a less dramatic approach, small pops of Mango through items like curtains or colorful rugs can instantly warm up a room. Alternatively, accent colors that complement a yellow palette, such as oranges, purples, and greens, can be incorporated in pillows and decor, grounded by natural elements like wood and linen. The article also features specific product recommendations for integrating the Mango trend, including paint shades like Grafclean in Buttercup from Rose Uniacke, Buttercup from Benjamin Moore, and "Color of the Year - Yellow-Orange Rubberband" from Backdrop. Decor items highlighted include a Gingham Curtain in Honey from Anthropologie, a Better Homes and Gardens Yellow Sunny Pillow available at Walmart, and a Juneau Frame in Ochre from Williams Sonoma, providing tangible ways for readers to embrace this cheerful and stylish fall color trend. #MangoColorTrend #FallDecor #InteriorDesignTrends #Ruggable #YellowInteriors #HomeDecor #ColorPsychology #EclecticStyle #PaintColors

Nicole Roby, a Birmingham-based interior designer, has launched a new lifestyle brand called Rome Curate. The brand offers a diverse collection of home furnishings, décor, and skincare products designed to be both timeless and functional for everyday living. Roby, a mother of three young children, emphasizes the durability and ease of maintenance of her products, ensuring they can withstand daily use and spills. The Rome Curate collection features custom furnishings and carefully selected notable finds that reflect a classic aesthetic. Roby's motivation for creating Rome Curate stemmed from identifying a gap in the market for accessible yet elevated design pieces. Her goal is to provide customers with curated items that facilitate the creation of an elegant living space without sacrificing practicality. She highlights that every piece in the collection is designed with functionality in mind, intended to be lived on and enjoyed. This philosophy is particularly evident in the materials chosen for items like furniture and rugs, which are made to be easily cleaned. In addition to furnishings, Rome Curate offers a hand-picked selection of rugs featuring timeless patterns and colorways, designed to serve as foundational elements for any room. The brand also supports local artists by showcasing their home décor and art, which complement the overall aesthetic of the collection. A unique aspect of Rome Curate is its inclusion of luxurious Korean skincare products. Roby integrates her family's connection to Korean beauty traditions, offering high-end brands known for their exclusive formulations, such as The History of Whoo and O HUI. As the holiday season approaches, Rome Curate is presented as a destination for holiday décor and gifts. Examples of seasonal offerings include Christmas tree door hangers made with solid brass and real leather, as well as stylish candles and the aforementioned luxury skincare products, suitable for stocking stuffers. To celebrate the launch, Rome Curate and Nicole Roby Designs are hosting a giveaway for a $5,000 gift card towards home furnishings and rugs, coupled with a two-hour design consultation worth $500. The brand's products are available online through their website and by appointment at their showroom located at 3409 5th Ave S, Birmingham, AL 35222. #RomeCurate #NicoleRobyDesigns #InteriorDesign #LifestyleBrand #HomeFurnishings #HomeDecor #Skincare #BirminghamBusiness #HolidayShopping

Idarica Gazzoni, an Italian artist turned textile designer, began her journey into decorative arts two decades ago while transforming an 18th-century Milanese palace apartment into a family home. Faced with challenging, stiff Lombard furniture inherited by her then-husband, Gazzoni opted to redirect attention to the walls and ceilings, embellishing them with fantastical trompe l’oeil scenes. Her living room was reimagined as a Napoleonic military headquarters, complete with campfires and tiny soldiers. The sitting room took on the ambiance of an exotic boudoir with a ceiling painted in Cintamani symbols, while the bedroom was transformed into a Scottish woodland, featuring shimmering foliage in the mist. Her unique approach quickly garnered attention, leading to numerous commissions worldwide. These projects included a Mondrian-inspired room in an 18th-century country villa in Parma, a Pierre Loti-inspired Turkish salon in Tel Aviv, a bedroom in Venice reminiscent of a Fabergé box, and a wine bar in Florence adorned with floor-to-ceiling decorative motifs based on vine leaves. Three years prior to the article's publication, Gazzoni decided to pivot from large-scale wall painting to designing her own line of printed fabrics. She established an atelier in her home and named her fabric company Arjumand, a tribute to the Mughal empress whose story of deep love inspired the Taj Mahal. Gazzoni explains that the empress's story resonated with her during a personal period of transition, helping her reconnect with the idea of romance. Arjumand's legendary travels also influenced Gazzoni's creative process, inspiring distinct collections. Her Russia Collection draws from the 17th-century palaces of the czars, while the China Collection is a deep dive into the vibrant culture and colors of southern China's Miao people. The Japan Blue Collection emerged from her exploration of Japan's late-19th-century fascination with indigo blue. Beyond her fabric designs, Gazzoni continues to undertake interior decorating projects globally. She recently completed the interior design for Liza, a prominent restaurant in Beirut, in collaboration with decorator Maria Ousseimi. She also decorated a house in Patmos, Greece, incorporating fabrics from her latest collection. Despite her focus on textiles, Gazzoni admits to a continued inclination for painting walls, even finding herself back on scaffolding for these projects. Her fabrics are available through harbingerla.com. #IdaricaGazzoni #TextileDesign #PatternDesign #InteriorDesign #MilanPalace #TrompeLoeil #ArjumandFabrics #GlobalInspirations #HomeDecoration