Tato Architects updates a traditional Japanese house with a curved plywood interior

Giselle Go and Philippe Terrien, co-founders of the Japanese clean beauty brand DamDam, embarked on a search for a tranquil weekend retreat near Tokyo. Their initial criteria included proximity to the city, high privacy, and a mountainside location. After a prolonged search, a friend, Naoko Kawamura, introduced them to a 75-year-old property overlooking the Pacific Ocean and Mount Fuji. The house, initially dilapidated, held historical significance as it was built by American postwar photojournalist Horace Bristol, known for his work on John Steinbeck’s 'Grapes of Wrath' and for magazines like 'Life,' 'Time,' and 'National Geographic' in the 1950s. Recognizing the challenges of renovating such an old property, especially one situated on protected heritage land, the couple enlisted the expertise of Motosuke Mandai of Mandai Architects. Their vision was to revive the house while preserving its past and integrating modern comforts. A significant part of the renovation involved working closely with the local temple that oversees the protected area to ensure all regulations were met. The couple meticulously retained original elements like wood beams, ceilings, and shoji screens. When original features such as the wood floors or the wood-burning stove could not be salvaged, they were replaced with identical materials to maintain the house's authentic character. The entrance to the home functions as both an entryway and a mudroom, where it is customary to remove shoes and don soft house slippers, a Japanese tradition. This space features a Hang-It-All coatrack by Eames for Herman Miller, a stool by Timber Crew, and a washi tray by Craig Ancelowitz, both for DamDam Atelier. Artwork includes a calligraphy on canvas by Mikiko Kayama and a wall sculpture by Yuichiro Kobayashi. The living room, a favorite indoor spot for the couple, boasts an Akari 21A pendant light by Isamu Noguchi, an Archimoon Soft table lamp by Philippe Starck for Flos, and Glo-ball table and floor lamps by Jasper Morrison for Flos. The sofa is an N701 modular model from Ethnicraft, complemented by an Airframe coffee table by David Chipperfield for Cassina. This room offers direct views of the sunset over the sea, with garden-facing windows framing the sofa, and features a wood-burning stove for winter warmth. The dining room serves as a dual-purpose workspace. Original shoji screens provide privacy from the north-side bamboo, while the room opens to sea views on the west. This area includes a Flowerpot Verner Panton 1968 pendant light from &Tradition, Series 7 dining chairs by Arne Jacobsen for Fritz Hansen, and an Airframe dining table by David Chipperfield for Cassina, which was restored with a new walnut-wood top by Timber Crew. Custom shelving by Douguya and an Akari 3x table lamp by Isamu Noguchi further personalize the space, along with washi artwork and a painting by Philippe’s son, James. The kitchen, a beloved space for Philippe, was enlarged by removing an old bathroom, placing it centrally within the home with garden access. To address the lack of natural light, Motosuke Mandai incorporated floor-to-ceiling windows into the traditional ranma (wall panels), creating the illusion of a floating roof and flooding the interiors with sunlight. An engawa, a traditional Japanese hallway, was transformed into a sunroom, enlarged and opened to a seaside deck for sunset aperitifs and gardening activities. This room is furnished with an Akari 1AG table lamp by Isamu Noguchi, an antique rattan table, a vintage lounge chair, and a Malawi chair from Couleur Locale. The decor reflects the multicultural backgrounds of Giselle, who is Filipino, and Philippe, who is French, blending midcentury-modern design, vintage finds, Japanese crafts, and textiles from their travels. The furniture, much of which was crafted by artisans known to them, imbues the home with a personal touch. The only fully enclosed room is the bedroom, which offers a private sanctuary feel, without glass windows on the ranma. The bed frame is by Timber Crew, and the table lamp is the Archimoon Soft by Philippe Starck for Flos. Wood stools designed by Timber Crew for DamDam Atelier complete the room. A large ofuro (bathtub) at the end of the bathroom provides a relaxing space. The interior design blends Japanese architectural elements like sugi-finish floors and preserved pinewood ceilings with a diverse collection of furnishings, embodying an old-world travel museum aesthetic that reflects the owners’ journeys and personal connections. #JapaneseHouse #ZenHideaway #HistoricRenovation #InteriorDesign #TokyoHome #ArchitecturalDesign #MidCenturyModern #MulticulturalDecor #DamDam

The article presents the renovation of a 1970s wooden house located in Sumida City, Japan, undertaken by the architecture firm ROOVICE. Originally a dark and compact 65m² residence, the project focused on adaptive reuse with modest updates to align it with contemporary living standards. The revitalization effort is detailed through various aspects of its design and implementation. The project involved a comprehensive overhaul of the existing structure. The renovation aimed to maximize natural light and create more open, functional spaces. Key interventions included reconfiguring the interior layout, replacing outdated materials, and introducing modern amenities while preserving the house's inherent character. The design philosophy emphasized thoughtful, subtle changes rather than radical transformations, ensuring that the updated house retained a connection to its past while embracing modern needs. Material selection played a crucial role in the renovation. Wood, being the primary material of the original structure, was thoughtfully integrated into the new design. This likely involved restoring existing wooden elements, using new timber for structural enhancements or finishes, and ensuring a cohesive aesthetic that celebrated the material's warmth and texture. The choice of materials contributed to both the durability and the visual appeal of the renovated spaces. The layout modifications addressed the previous issues of darkness and compactness. Strategies to increase natural light might have included enlarging windows, creating new openings, or reorienting certain rooms. The aim was to foster a brighter and more spacious feel within the limited footprint of 65m². This spatial reconfiguration would have considered the daily activities of the occupants, designing areas that flowed seamlessly into one another and provided flexibility in use. ROOVICE, led by architect Sorai Takei, executed the project in 2023. The photographs by Akira Nakamura document the completed house, highlighting its transformed interior and exterior. The firm’s approach demonstrates a commitment to sustainable practices by revitalizing an existing building, thereby reducing the environmental impact associated with new construction. The project also serves as an example of how older residential properties in dense urban areas like Sumida can be successfully adapted for modern living. In terms of manufacturers, the project utilized products from Electrolux, Globo Daily, Miratap, and toolbox. These suppliers likely provided various fixtures, appliances, and construction components that integrated into the updated design. The mention of these manufacturers offers insight into the specific choices made for the interior fit-out and functional elements of the house. Overall, the renovation of the House in Sumida by ROOVICE showcases a mindful approach to adaptive reuse. It illustrates how a dated residential structure can be transformed into a functional and aesthetically pleasing modern home through strategic design decisions, careful material selection, and an understanding of contemporary lifestyle demands. The project contributes to the ongoing discourse on revitalizing existing urban housing stock. #ResidentialArchitecture #HouseRenovation #JapaneseArchitecture #AdaptiveReuse #WoodenHouse #InteriorDesign #SumidaCity #ROOVICE #ArchitecturalPhotography

Td-Atelier and Endo Shorijo Design, two Japanese design studios, have recently completed the renovation of a 120-year-old machiya townhouse in Kyoto, named House in Marutamachi. The project focuses on integrating minimalist interiors while preserving the original architectural elements of the historic residence. Machiya houses, traditional wooden townhouses characteristic of Kyoto, are rapidly disappearing, with approximately 800 such structures being destroyed annually. The studios aimed to counter this trend by blending traditional architecture with modern design and functionality. The renovation spans two floors of the long and narrow house, nestled between two other residential properties. The design approach involved retaining the building's existing wooden columns and beams as foundational elements. To accommodate modern living spaces, white volumes were strategically introduced to house the kitchen and study. This method allowed for the creation of new rooms without compromising the integrity of the original structure by avoiding harsh structural alterations. The varying sizes of these white volumes were deliberately chosen to evoke the diverse skyline of a city, creating dynamic interplay between old and new. The spatial arrangement is characterized by gaps and omissions between the newly introduced volumes and the existing architectural components such as columns, beams, walls, and floors. This design choice fosters a sense of continuity throughout the space, allowing the historical and contemporary elements to coexist harmoniously. The material palette is intentionally minimal, featuring a combination of light and dark woods, alongside smooth concrete surfaces. This subdued selection enhances the serene and understated aesthetic of the interiors. A notable example of material reuse from the original house is seen in the traditional tea room, where salvaged materials contribute to its authentic character. On the second floor, a timber breakfast bar is illuminated by a thin, sculptural light fixture, providing a contemporary focal point. This area is complemented by subtle-coloured stools, further emphasizing the minimalist theme. The exterior of the house also received careful consideration, with the garden maintaining original architectural features. These include sandy-hued lanterns and a chōzubachi, a traditional stone water bowl historically used for ritual hand washing before a tea ceremony. These elements connect the renovated machiya to its historical and cultural context. House in Marutamachi was recognized for its design, being shortlisted for the house interior of the year at the 2022 Dezeen Awards. The project exemplifies a successful approach to renovating historical structures in a way that respects their heritage while adapting them for contemporary use, addressing the broader issue of preserving Kyoto's traditional townhouses. #KyotoRenovation #MachiyaHouses #MinimalistInteriorDesign #TraditionalJapaneseArchitecture #TdAtelier #EndoShorijoDesign #ResidentialRenovation #JapaneseDesign #ArchitecturalPreservation

This article details the renovation of a 1960s ranch house in Ojai, California, undertaken by artist and Kiniko owner Sarah Yates Mora and her husband, Lou. Their primary objective was to raise the ceiling height to create an open and airy main living space, drawing inspiration from minimalist Japanese design, with a focus on vertical-grain Douglas fir throughout the home. The renovation project began in the summer of 2018, following the 2017 Thomas Fire, which led to a delay as tradespeople were scarce due to the rebuilding efforts in the area. Mora utilized this six-month hiatus to proactively source all materials for the project, a strategy that ultimately saved them money by avoiding contractor markups. The renovation involved several strategic splurges and thoughtful savings. A significant initial challenge was the discovery of asbestos during demolition, incurring an unexpected cost of $14,000 for testing and professional removal. Custom cabinetry was another area of investment, particularly in the kitchen, which was designed to integrate seamlessly with the adjacent living room. Appliances like the fridge and freezer were concealed within wood cabinetry to maintain a minimalist aesthetic. The most substantial splurge involved achieving 12-foot ceilings and an open-concept layout. This required tearing down walls, installing new drywall, and hiring an engineer to design and implement a 28-foot-long beam, costing an additional $2,000 for the engineer's services on top of the $30,000 labor cost for structural changes. Conversely, significant savings were realized by choosing not to wrap the structural beam in Douglas fir, saving approximately $4,000. The exposed beam, complete with its original stamp, contributed to the desired aesthetic. Ambient lighting was a priority, with investments in lanterns by Barber Osgerby for the dining room and kitchen, and a genuine Akari design by Noguchi for the living room, chosen for their glowy light quality. The fireplace received a clean, minimal facelift by covering the original stone with stucco, a task for which a subcontractor was hired to ensure a professional finish. Further savings were achieved through minimalist window treatments; the house's secluded location allowed forgoing curtains or shades in the main room, enhancing the clean aesthetic and facilitating cross-breezes through sliders and a Dutch door. Crucially, the homeowners saved considerably by salvaging enormous sliding glass doors in the living room. Instead of replacing these nearly 5-foot-wide panels, which would have been prohibitively expensive, they paid around $1,000 to relocate them, optimizing their position in the room despite the risk of breakage. This decision not only preserved a unique architectural feature but also contributed to the overall budget management of the project, demonstrating a balanced approach to renovation expenses and design goals. #HomeRenovation #OpenConcept #OjaiRanchHouse #JapaneseDesignInfluence #BudgetLiving #CustomCabinetry #StructuralEngineering #ArchitecturalSalvage #InteriorDesign

Hélène Séguin and Vincent Lavoie, inspired by their 1996 trip to Japan, embarked on a journey to design and build a timber-frame home that blended their needs with Japanese Zen elements. They envisioned a residence that would offer balance and calm, surrounded by natural beauty. The couple spent years meticulously developing their plans, collaborating with ConSpecTek, a structural timber-house design firm, and architect technician Carl Fournier to translate their vision into detailed 2D/3D blueprints. In 2001, Séguin and Lavoie acquired a 5,109-square-meter lot in Hudson, bordered by a protected natural forest reserve. The construction of the B.C. fir timber frame, crafted by Heirloom Timber Frames, began in the spring of 2007. Donald Elliot, a general contractor from Hudson, was enlisted to oversee the project, ensuring a professional and committed team was in place. The self-build project presented its share of challenges. A significant budget overrun occurred when the selected metal roofing firm became unavailable, necessitating the choice of a more expensive alternative. This unexpected cost led to the postponement of certain additions, such as a garage. Despite these hurdles, the couple, along with their two young sons, moved into their partially completed home in February 2008. Over the years, Séguin and Lavoie have continued to enhance their property, adding a pond, sunrooms, a spa with a pergola, and extensive landscaping. The house itself measures 18.28 meters by 13.71 meters and is clad with horizontal white pine planks stained a cedar color. It features cathedral ceilings up to 7.31 meters high in some areas. With no basement, most of the approximately 233 square meters of living space is on the ground floor, complemented by a 20-meter mezzanine housing the main bedroom. Toitures Vaillancourt installed the galvanized sheet-metal roof, and the facade is adorned with a mix of shrubs, climbing plants, and seasonal decorations. Upon entering the house, the Japanese influence becomes immediately apparent. The entryway features slate slabs covered in a glossy, wet-looking epoxy resin, evoking the imagery of a natural riverbed. A Japanese cherry-wood lamp illuminates these details. Two large openings in the wall, designed for glass aquariums that house koi during winter, separate the entryway from the kitchen and offer a view through to the living room and the forest beyond. The dining room incorporates a unique feature: a hollow space 45.72 centimeters lower than the floor, allowing for Japanese-style seating with legs comfortably tucked under the suar wood table. Tatami mats and carbonized bamboo plank floorboards enhance comfort and style. An antique Chinese buffet, acquired during the couple's time in Luxembourg, adds a touch of international flair. The dining room and sunrooms offer views of the pond, with one sunroom serving as an extension of Séguin's psychology office during the summer months. The kitchen, designed for a modern and clean aesthetic, features stainless steel. Pierre Morency Architecte, known for his restaurant kitchen designs, contributed to the layout and suggested a 4.57-meter-long B.C. fir beam as the island counter. Stainless steel cabinets, designed and manufactured by Cajo Métallurgie Inc., were added later around the refrigerator. The kitchen and living room form a cohesive, airy space with Chinese slate flooring from Ramacieri Soligo. Radiant heating from hot-water pipes embedded in the concrete slab ensures warmth throughout the house. A notable architectural detail in the living room is a curved lower timber beam, mimicking a Japanese Torii gate. The space is furnished with an Italian leather sofa purchased in Luxembourg and an antique Chinese cabinet adorned with photos of jazz musicians. Pine wood steps attached to a single galvanized steel beam lead to the main bedroom on the mezzanine, with a custom-made handrail by a Dorion tinsmith and tightly stretched wire cables extending along the mezzanine. The main bedroom, an open-concept ensuite overlooking the living room, features a king-size mattress on tatami mats on an elevated level. The room receives ample light from the living room's upper windows, which align perfectly with the mezzanine. A free-standing Japanese-style vanity required careful planning, including the creation of a false beam to accommodate plumbing without obstructing light. The ceiling is decorated with bamboo slats and natural bamboo poles. Outdoors, the pergola is constructed from B.C. fir beams by Heirloom Timber Frames, and the spa base is made of IPE wood, known for its durability and resistance to humidity, rot, and insects. The exterior pond, a focal point visible from several rooms, was built by Jean Brulé of Jardins Aquadesign, drawing inspiration from a Japanese pond visited by the couple. It features three levels for various aquatic plants and is surrounded by natural stones laid by JPL Excavation and Landscaping. The pond is home to 25 to 30 koi, some purchased and others adopted, which are hand-fed daily. The residents affirm that their home, surrounded by nature, embodies a peaceful and Zen atmosphere, fostering a sense of balance and calm, with ongoing plans for future enhancements to their personal paradise. #JapaneseDesign #TimberFrameHome #ZenLifestyle #HudsonArchitecture #CustomHomeBuild #InteriorDesign #SustainableLiving #LandscapeDesign #HomeRenovation

OTA Architects undertook the renovation of the 'Rectangles House' in Gunma Prefecture, Japan, transforming a 60-year-old, 100-square-meter residence to cater to a young couple and their two cats who had relocated from an urban environment. The project prioritized enhancing the spatial experience while adhering to a budget. Collaborating with carpenter Mr. Yamaya Yamanaka, who possessed expertise in shrine construction, the architects ensured the structural integrity of the dwelling throughout the renovation. The initial condition of the house, nestled amidst lush greenery and neighboring structures in a mountainous setting, was notably dim, even during daylight hours, prompting a primary design objective: to infuse the interior with natural light. The renovation began with a strategic intervention on the first floor, where a section was removed to create an upper atrium space within the living room. This modification was complemented by converting a former bedroom window into a high sidelight, effectively drawing ample natural light into the living area. The original floor plan included a storage area adjacent to the living room, contributing to the house's lack of brightness. To address this, two new walls were introduced along the stairwell. These walls were designed with strategic openings, allowing natural light to penetrate deeper into the interior, thereby fostering a warmer and more illuminated atmosphere within the home. A significant aspect of the renovation involved the discovery of 48 built-in door and window frames during the demolition phase. Embracing principles of sustainability and cost-efficiency, the architects decided to repurpose these elements, aiming to minimize industrial waste. The frames were stripped of their original finishes, revealing their natural wooden bases. These reclaimed wooden frames were then systematically stacked to form a distinctive lattice wall along the stairwell, which also served as a functional handrail. To introduce a contemporary aesthetic and a playful contrast against the natural outdoor surroundings, the uneven texture of the wood was enhanced with a coat of pastel green paint. The project details indicate that OTA Architectural Design Office, led by Yutaro Ota, was responsible for the design, with construction handled by Yamaya / Yamanaka Ryo. The total floor area of the renovated house is 155 square meters, with a building area of 75 square meters and an extension bed area of 102 square meters. The design phase spanned from January 2022 to April 2022, and the construction was completed between June 2022 and September 2022. Takashi Uemura provided the photography for the project, which effectively captures the transformed interior, highlighting the successful integration of natural light and repurposed materials. The renovation not only addressed the practical needs of the residents but also created a bright, unique, and sustainable living space. #HomeRenovation #JapaneseArchitecture #SustainableDesign #RepurposedMaterials #NaturalLight #InteriorDesign #ResidentialArchitecture #OTAArchitects #GunmaPrefecture

ROOVICE has completed the Shirokanedai House project, a renovation of a 50-year-old wooden residence in Tokyo's Minato ward, Japan. The primary objective of this project was to upgrade the 1970s two-story house for enhanced earthquake resistance, establishing safety as the fundamental principle guiding all subsequent aesthetic and functional improvements. The renovation successfully integrates traditional Japanese architectural elements with contemporary design principles, aiming to improve the property's overall functionality, safety, and visual appeal for continued rental use. The decision to renovate rather than demolish was driven by the prohibitive costs associated with demolition in Japan and the property's sound structural condition. The ground floor underwent a significant transformation to create a more open and inviting living space. This involved the removal of existing dividing walls and ceiling boards, effectively merging the former kitchen with two tatami rooms into a single, expansive area. The previously dim, grayish walls were repainted in a crisp white, and new windows were installed to maximize natural light penetration, contributing to a brighter atmosphere. The traditional tatami floors were replaced with hemlock wood flooring, and the kotatsu stove pit was covered. The kitchen and corridor areas were updated with durable clinker tiles, and a custom-made kitchen counter was installed, adding a contemporary touch. A distinctive triangle-shaped built-in cupboard in the corridor wall was visually accentuated by a diagonal wall connecting it to the kitchen wall. A new glass door, designed to complement the cupboard's style, was also added, enhancing both functionality and aesthetic coherence. Further enhancements on the ground floor included the bathroom, which was reconfigured to accommodate a washing machine. The front room's flooring was updated with practical PVC sheeting. A new bathtub and white wall tiles were installed, while traditional Tamaishi tiles, reminiscent of the Shōwa era, were selected for the bathroom and toilet floors. The wooden steps connecting the living room to the garden were replaced with stone steps, fostering a more robust connection between the interior and exterior spaces. Upstairs, the renovation maintained a respectful link to the home’s traditional roots while introducing modern updates. The kitchenette in the corridor was removed, and the wall in this area was tiled with the same clinker tiles used on the ground floor, ensuring design consistency. New tatami mats were laid in the tatami rooms, and the shoji doors were refurbished, preserving their traditional character. The outer corridor’s flooring and windows were updated to align with the ground floor's design. All walls throughout the upper level were painted white, contributing to a cohesive and bright ambiance. In the third room on the second floor, old wood boards were replaced with new lauan wood ones, and a beige carpet was laid, offering a soft contrast to the wooden elements. The balcony received waterproofing treatments, and its fencing was repainted black, concluding the comprehensive refresh of the home's exterior. #ROOVICE #HouseRenovation #EarthquakeResistance #JapaneseArchitecture #TokyoRenovation #ShirokanedaiHouse #TraditionalModernDesign #InteriorDesign #ArchitecturalUpdate

Emily Ward, half of the design duo Pierce & Ward, along with her partner, actor Giovanni Ribisi, transformed Japanese ceramic artist Mineo Mizuno’s mid-century house in Atwater Village, Los Angeles, into a family retreat. The two-bedroom property, originally serving as an office and studio for Ribisi, became their primary residence after Ward decided to downsize from their larger Marin County home. The renovation focused on re-imagining the existing structure, particularly the kitchen and primary bathroom, without a complete gut renovation. Ward aimed to infuse warmth into the industrial interiors, characterized by concrete floors and stainless steel countertops, while embracing the house's original Japanese aesthetic. A central aspect of the transformation involved updating the kitchen and primary bathroom's 1970s IKEA cabinetry. Instead of replacing these well-preserved, ample storage units, Ward opted to refinish them. She highlighted the excellent condition of the existing cabinetry, noting the perfectly aged wood inside and the superior quality of the old European hinges compared to modern alternatives. The industrial elements were retained, with Ward choosing to 'lean into what felt organic and Japanese' to achieve a harmonious blend of styles. This approach demonstrated a commitment to sustainability and a creative use of existing resources. For the kitchen cabinets, Ward used car paint to achieve a super-high-gloss finish in Benjamin Moore’s Chocolate Candy Brown. This process required several attempts to achieve the desired color match and necessitated a 30-day evacuation of the house due to paint fumes. The result was a highly satisfying, durable, and lustrous surface that dramatically altered the kitchen's appearance. Similarly, in the primary bathroom, Ward applied the same refinishing technique to the existing cabinetry, countertops, and sink, using Benjamin Moore’s Southfield Green, a color consistent with the Pierce & Ward store's aesthetic. The refinishing work was executed by Miracle Method, which employs a specialized process involving surface cleaning, a bonding agent, and fine-spray compressor application of the car paint. Ward's renovation also incorporated elements of Japanese art, such as kintsugi, the art of repairing broken pottery with gold. This philosophy inspired her to repair the broken Formica backsplash behind the stove with a slab of pebbly green marble. Leftover marble was then used to patch a gap in the floor created when the dining room was opened up to the living room, exemplifying a 'waste not, want not' approach. Another unique feature was the repurposing of a wall-mounted display case, inherited from the previous owner, Mizuno, who used it for ceramic work. Ward transformed it into a storage solution for 84 mugs, showcasing both practical utility and sentimental value with handmade ceramics from her family. Lighting in the kitchen underwent a significant change from harsh fluorescent office lighting. Rather than removing the existing fixtures, Ward and Ribisi opted to diffuse the light using custom shoji screens, further integrating the Japanese aesthetic and enhancing the overall ambiance of the space. This strategic upgrade contributed to the desired warm and organic feel of the industrial interiors. The entire renovation, particularly the kitchen's transformation, was featured on the cover of Domino's special collector’s Makeover issue, highlighting the impact of these thoughtful and strategic design choices. #HomeRenovation #IKEACabinetry #CarPaintFinish #MidCenturyModern #JapaneseDesignInfluence #SustainableDesign #KitchenRemodel #BathroomMakeover #InteriorDesign #BeforeAndAfter

Tamada & Wakimoto Architects have completed the 'Roof House' in the rural outskirts of Tochigi, Japan, on a former farmstead surrounded by rice fields and small factories. This residence is designed to integrate daily life with its garden surroundings. The project is situated on a 2,000-square-meter plot, which previously held a large farmhouse and was framed by hardwood trees. The client, a young individual relocating from the city, sought a space that could facilitate living, working, and social connection, while also offering adaptability for future needs. The architects responded to this brief by disaggregating the house into several compact buildings, which are then strategically arranged around semi-outdoor courtyards. These intermediate spaces, referred to as 'earthen floor' gardens, are unified beneath a single, thin, and extended roof. This design approach results in a relaxed, low-slung architectural form that encourages fluid movement between indoor rooms and outdoor areas. This integration allows the surrounding landscape, prevailing weather conditions, and local daily rhythms to significantly influence and shape the occupants' interaction with the house. The design of Roof House imbues each side with a distinct character. The main garden is oriented towards the existing trees, and an outdoor kitchen is incorporated for cooking and social gatherings, particularly during the spring cherry blossom season. Near the entrance, a shaded zone beneath the eaves serves as an informal space for sitting, conversing, or receiving visitors. To the north, a walled garden provides a dedicated area for weekend activities such as carpentry or car maintenance, reflecting common rural pursuits. Central to the Roof House's concept is its inherent adaptability. The architectural plan allows for future reconfigurations over time. For instance, the private section of the house, which includes the bedroom and bath, could continue to function as a vacation home. Concurrently, other segments of the structure are designed with the flexibility to be repurposed, potentially serving as a small retail shop or an art gallery. This forward-thinking design ensures the residence can evolve with the client's changing needs and aspirations, maintaining its utility and relevance in the long term. #JapaneseArchitecture #ResidentialDesign #GardenIntegration #AdaptableArchitecture #RuralLiving #CourtyardHouse #ArchitecturalInnovation #TamadaWakimotoArchitects

The "A Round and Around Home Renovation" project by HAMS and, Studio, completed in 2024 in Japan, focused on transforming a 65 square meter residence. The design philosophy aimed to create a living space that seamlessly connects the interior and exterior, drawing a parallel between the act of reading a book and opening a window. This concept emphasizes a continuous flow and interaction within and beyond the home. The renovation was specifically designed for an architect who wished to integrate his personal collection of cherished items, accumulated over time, into his living environment, contrasting with contemporary trends that often favor non-ownership and minimalism. The project prioritizes the integration of personal history and belongings into the architectural space. Instead of a minimalist approach, the design celebrates the architect's past and possessions, creating a home that reflects his unique journey and values. The 65 sqm area is efficiently utilized to accommodate these items and foster a sense of personal connection to the space. The renovation emphasizes functionality while also providing aesthetic appeal through thoughtful material selection and spatial organization. Key materials used in the renovation include Ferrum+, Haymes Paint, Kvadrat, and TAJIMA ROOFING, indicating a focus on quality and specific design choices. The lead architects for the project were Yota Hokibara from HAMS and, Studio, and Ken Kazama, with ROOVICE handling the construction. The project is categorized under renovation and apartment interiors, reflecting its scope and context within a residential setting in Japan. The photographs by Akira Nakamura visually capture the essence of the design, showcasing the interior spaces such as the dining room, kitchen, and areas with shelving. These images illustrate how different elements like tables, chairs, and windows are arranged to achieve the desired flow and aesthetic. The visual documentation, including floor plans, sections, and diagrams, further elaborates on the spatial relationships and structural modifications undertaken during the renovation. This detailed portrayal helps in understanding the design intent and its execution. The project exemplifies a personalized approach to home renovation, moving beyond generic design trends to create a space deeply resonant with the occupant's identity. The integration of personal items and the creation of a fluid connection between indoor and outdoor environments are central to this design. The emphasis on carefully chosen materials and the collaboration of experienced architects and construction teams underscore the project's commitment to quality and unique architectural expression within a compact urban setting in Japan. #HomeRenovation #JapaneseArchitecture #InteriorDesign #HAMSAndStudio #AkiraNakamura #ResidentialArchitecture #ApartmentInteriors #ArchitectsHome #PersonalizedDesign

Amanda Gunawan and Joel Wong, co-founders of OWIU Design, have transformed a 1973 Ray Kappe-designed modernist home in the hills of La Cañada Flintridge, California, into a serene dwelling influenced by Japanese aesthetics. The couple, originally from Singapore, were drawn to the unique combination of the modernist house and its two-acre forested lot, which contrasts with the traditional suburban homes in the area. They embarked on a yearlong, full-gut renovation while meticulously preserving key elements like the redwood ceilings and wall panels, which exude the home's original character. A significant architectural modification involved replacing exterior walls with a 14-foot-tall glass box enclosure that offers expansive views of a newly installed swimming pool, enhancing the connection between indoor and outdoor spaces. The interior design adopted a fluid approach, focusing on creating strategic viewpoints of nature rather than adhering to a rigid floor plan. Furniture selections are low and minimal to maintain unobstructed sightlines to the surrounding gardens and landscape. An example of this is the living room, which features Eames lounge and accent chairs and a Barcelona Day Bed, all chosen for their midcentury design and ability to complement the natural views. Japanese design philosophy deeply influenced the renovation, reflecting Gunawan and Wong's extensive travels to Japan. They admire the Japanese commitment to excellence and sought to integrate a restrained aesthetic, drawing inspiration from traditional Japanese ryokans (inns) to evoke a sense of groundedness and tranquility within their home. This influence is evident in the use of tatami mats; a sleek black tatami, custom-made by a traditional tatami artisan, covers the primary bedroom's bed platform, providing a modern interpretation while respecting its traditional purpose. The outdoor areas also showcase a strong Japanese sensibility. The gardens feature a meticulously designed small stream with flowing water and a koi pond, developed with the consultation of a Kyoto-based landscape designer. The couple covers the koi pond at night to protect the fish from local wildlife. The renovation included a new facade accented by a sakura tree, which blooms with cherry blossoms every spring, further enhancing the Japanese garden theme. Water elements are strategically placed throughout the property, from the main entrance's Japanese-inspired water fountain to the stream and fish pond, all contributing to a continuous visual flow of water from the house to the distant Pacific Ocean, as advised by Japanese gardeners. The original sunroom was converted into a glass-enclosed space, further enhancing the indoor-outdoor connection. Custom white oak built-ins, an island, and cabinetry, constructed by Inflexion Builds, define the kitchen space. Art pieces, such as a parchment painting in the living room by a Korean artisan and an ink on canvas painting by Japanese artist Tomoka Naka, add personal and cultural touches. The primary bathroom features a large marble soaking tub, reminiscent of a Japanese ofuro, while the guest bathroom is enveloped in kiln-dried Douglas fir. Even the previously oddly-shaped pool was rebuilt to be more functional and aesthetically integrated with the surrounding landscape, providing a peaceful retreat with access to a nearby forest. #ModernistArchitecture #JapaneseDesign #HomeRenovation #InteriorDesign #LandscapeDesign #RayKappe #OWIUDesign #CaliforniaHomes #Tatami

This article details the transformation of a rundown two-bedroom, two-bathroom bungalow in Los Angeles's Eagle Rock neighborhood into a two-story, three-bedroom Japandi-inspired home with an accessory dwelling unit (ADU). The project was undertaken by designer Kirsten Blazek of a1000xbetter for developer Waleed Delawari of Pacifica Ventures Group. The original bungalow was in poor condition, characterized by a strange layout and general dilapidation. The renovation involved dismantling the structure down to its front wall to reconstruct a more functional and aesthetically pleasing space, while maximizing usable square footage as requested by the developer. The design approach adopted was Japandi, a fusion of Scandinavian and Japanese aesthetics. This style was deliberately chosen by Blazek to differentiate the project from the prevalent modern farmhouse trend in new constructions. Japandi design emphasizes warm wood tones, clean lines, vertical elements, and an overall organic and warm feel. Blazek prioritizes designing spaces that feel authentic and lived-in, even in new builds, by incorporating natural materials and thoughtful details to avoid a cold or generic ambiance. For the layout, Blazek collaborated with an architect to prevent the long and narrow lot from resulting in a 'railroad-style' house. This was achieved by introducing various layers and zones within the home. For instance, guest bedrooms near the front door were designed with privacy in mind, utilizing a shoji-inspired vertical slat sliding door to close them off. A bathroom was strategically placed between these bedrooms, and a sitting room was added to the right of the front door to provide an additional entertaining area. Throughout the house, wood was extensively incorporated to infuse warmth and a lived-in character. This included open shelving, built-in benches, ceiling details, flooring, and doors. The main living area at the back of the house features large French doors, fostering an open flow into the kitchen and dining area. The dining room also boasts large sliding doors that open to a patio, promoting indoor-outdoor living, a hallmark of contemporary design. The kitchen's central feature is a curved black fluted island, which serves to soften the otherwise angular space by introducing a curvilinear element. This technique of subtle softening was applied throughout the house, evident in circular windows in the front door and dining room, which counteract the prevalent linear forms. The primary bedroom, bathroom, and closet are situated on the second floor. The primary bathroom features a modern concrete tub, balanced by warm brass fixtures to maintain the overall design philosophy. The ADU in the backyard mirrors the main house's design principles, incorporating wood tones and clean lines. The project was highly successful, indicating strong market reception for this elegant and uniquely detailed home. #JapandiStyle #HomeDesign #BungalowRenovation #InteriorDesign #LosAngelesRealEstate #KirstenBlazek #ArchitecturalTransformation #HomeTours

Noesis Architecture & Design has completed KDH2, a two-story residence situated on the periphery of Okayama city, Japan. This project, conceived for an architect and his family, delves into the intricate relationship between internal living areas and the surrounding urban environment. The architectural approach is heavily influenced by the Japanese concept of ‘Ma’, emphasizing the dynamic interplay of space and time. The house is meticulously designed to facilitate a smooth transition between private family zones and the more public aspects of the neighborhood. The design incorporates strategically placed apertures that serve multiple functions. These openings allow for the ingress of indirect natural light, illuminating the interior spaces with a soft, diffused glow. Concurrently, they frame carefully curated views of the adjacent neighborhood and the distant city, thereby strengthening the occupants' sensory and perceptual connection to their external environment. These visual connections also provide subtle glimpses of the family's daily life to the outside world, fostering a sense of community and enhancing human interaction with the surroundings. The KDH2 residence features an open, continuous spatial arrangement that seamlessly links the upper and lower floors. A distinctive element of the second floor is its undulating wooden ceiling, which not only draws the eye towards panoramic views of the city but also instills a feeling of stability and enclosure within the primary family activity area. Through subtle architectural cues rather than physical barriers like doors, various zones within the house are differentiated. This design choice allows family members to maintain an awareness of each other's presence through auditory cues, such as voices and ambient sounds, reinforcing a sense of togetherness within the open layout. An L-shaped floor plan is central to the home's design, ensuring that every room benefits from a direct connection to the garden. This configuration further blurs the lines between indoor and outdoor living, creating a harmonious and integrated living experience. Noesis Architecture & Design has opted for a palette of simple, enduring materials, including natural wood and stucco. These materials are chosen for their timeless aesthetic and their ability to age gracefully, developing a rich patina over time that symbolizes the accumulation of family memories and experiences within the home. This intentional material selection contributes to the house's organic integration into its environment and its capacity to evolve aesthetically with its inhabitants. #JapaneseArchitecture #ResidentialDesign #FluidSpaces #UndulatingCeiling #IndoorOutdoorLiving #OkayamaHouse #ModernArchitecture #WoodAndStucco

This article details the renovation of a 40-year-old, three-story reinforced concrete house in a regional Japanese city, undertaken by YŪ Momoeda Architects. The original structure, built under outdated seismic codes, suffered from excessive size for a single-family household, numerous unused rooms, and poor natural lighting due to its proximity to an adjacent medical clinic. The renovation project focused on three main objectives to modernize the dwelling and improve its living conditions: enhancing natural light, upgrading thermal insulation, and optimizing the spatial layout by consolidating essential living areas. To address the issue of insufficient natural light, the architects introduced vertical voids and skylights. These architectural interventions were designed to channel natural light deep into the building, particularly illuminating the ground floor, which previously experienced significant dimness. This strategic alteration aimed to create a brighter and more inviting interior environment, a critical improvement for the inhabitants' well-being and daily life. The integration of skylights also contributed to a more dynamic interplay of light and shadow within the living spaces throughout the day. Thermal performance was another key area of improvement. The original house had poor insulation, leading to high thermal loads and inefficient energy consumption. The renovation focused on upgrading the building envelope with modern insulation materials and techniques. This measure was intended to significantly reduce heat loss during colder months and heat gain during warmer periods, thereby improving the overall energy efficiency of the house and ensuring a more comfortable indoor climate year-round. Such enhancements align with contemporary standards for sustainable building practices. Furthermore, the functional layout of the house was reconfigured. The architects consolidated the essential living areas onto the first and second floors, effectively transforming the previously three-story residence into a more manageable and efficient two-story home. This reorganization addressed the issue of unused rooms and aimed to create a more cohesive and functional living space tailored to the needs of a single-family household. The third floor, though not explicitly detailed in its new function, was presumably integrated or repurposed to align with the new two-story configuration. The project was completed in 2025 and spans an area of 257 square meters. Key personnel involved included Yu Momoeda as the lead architect, Naoya Isemoto, Koki Okumura, and Yuma Kuroda for architectural design, Kosuke Araki for structural engineering, Miki Kihara and Abiru Mika from KOIZUMI LIGHTING TECHNOLOGY CORP. for lighting design, and YAMAKAWAGIKEN Co.,Ltd. for construction. Additional contributions were made by Studio Nora for environmental engineering and Makoto Sato for design refinement. The transformation highlights a thoughtful approach to adapting older structures to meet contemporary lifestyle demands and environmental considerations. #ArchitecturalRenovation #JapaneseArchitecture #ResidentialDesign #SustainableDesign #NaturalLighting #ThermalInsulation #SpatialReconfiguration #ModernLiving

This article details the construction and design of a new three-bedroom modern Japanese-style house located in Lennox Head on the NSW north coast, built by video editor Raquel Banks and builder Jack Nyboer of Nobo Build. The project, which took approximately two years from design to completion, features a single-story layout with two courtyards and a self-contained studio, thoughtfully integrated into its natural surroundings overlooking a nature reserve. The house's design centers around maximizing daylight and connecting indoor and outdoor living spaces through dual north-facing courtyard gardens. The central courtyard serves as a communal outdoor space ideal for entertaining, while a more private rear courtyard, adjoining the main bedroom, includes a plunge pool and outdoor shower, creating an adult retreat. This innovative layout ensures that every area of the home enjoys a view of the garden, fulfilling Jack's initial vision for the property. The exterior of the home features charred jarrah-clad walls, utilizing the Japanese shou sugi ban technique for timber preservation, which also provides a raw, maintenance-free aesthetic that contrasts with the brighter interior. The interior palette, selected by Raquel, emphasizes warmth and coziness through materials such as spotted-gum veneer kitchen cabinetry, travertine benchtops and bathroom tiles, and polished concrete flooring. This neutral base allows for personalization through soft furnishings and contemporary artworks by local artists, which introduce summery and playful colors. Collaboration was a key aspect of the project, with long-time friends architect Hayley Pryor and landscape designer/carpenter Rhys Heggie contributing their expertise. Hayley Pryor was instrumental in proposing the two separate courtyards and the detached studio. The construction itself was largely a hands-on effort by Jack and Rhys, involving long days but ultimately resulting in a home that surpassed expectations. Material choices throughout the house were inspired by the landscape, featuring organic and simple finishes selected for their textural and tonal qualities. The kitchen combines spotted gum cabinetry with overhead MDF cabinets in Moss Grey, complemented by a travertine benchtop. In the bathrooms, travertine flooring and custom-made spotted-gum mirrors reflect the natural theme. The landscape design incorporates Australian native plantings such as coastal pigface, kangaroo paw, and banksia and blueberry ash trees, thriving in the local climate. The living zone boasts a soaring raked ceiling and louvered windows that facilitate cooling breezes and cross-ventilation, especially during warmer seasons. Expansive glazing throughout the home frames views of the lush courtyards. Though the couple has since sold the house, they express immense pride in their first joint project, emphasizing the journey from an initial idea to a tangible home and the value of teamwork. #JapaneseStyleHome #CoastalLiving #CourtyardDesign #SustainableDesign #IndoorOutdoorLiving #ArchitecturalInnovation #MaterialPalette #LennoxHead

Architect Andrew Lister designed a distinctive home for actor Yuri Kinugawa and film producer Owen Hughes in the Auckland suburb of Waterview. The residence, characterized by its tall silhouette, narrow upper window, and a blank cedar-clad facade, adheres to the principles of the Direct Compass, a Japanese discipline akin to feng shui. The home's exterior, covered in cedar weatherboards, initially appears utilitarian, yet conceals a thoughtfully designed interior. The house's structure is composed of two primary boxes connected by a passageway and an adjoining bathroom. Despite its compact footprint, the design creates an illusion of greater spaciousness, as noted by Hughes. A prominent feature of the living room is a two-story bookcase spanning the entire northern wall, housing Hughes’ extensive book collection. This vertical storage solution ingeniously maximizes space, drawing the eye upwards and adding visual texture without encroaching on floor area. The central area of the home is laid out efficiently, with the kitchen to the left and the bedroom to the right. Above these spaces, two offices are stacked, accessible via a stairway at the rear of the room. The interior is enriched by family antiques and Japanese textiles, which introduce complementary textures, transforming the angular space into a welcoming environment. Following Direct Compass principles, the bedroom, considered vital for family relationships, overlooks a small zen garden on the south side of the house. This placement is believed to promote mental clarity due to cooler temperatures. A six-foot-long passageway clearly delineates the transition from the public kitchen and dining areas to the private bedroom. The traditional Japanese bathroom, situated off the central passageway, serves as a space for washing before bathing in a wood-lined onsen (tub). While the north side of the house offers views of an estuary, the street-facing facade maintains a minimalist, private appearance. In stark contrast, the west-facing side features a double-height glass wall that can be fully opened, merging the living space with a veranda. This outdoor area overlooks the garden, estuary, and harbor, providing a setting for observing sunsets and occasional dolphin sightings. The home's exterior features low-maintenance Canadian cedar cladding and aluminum joinery, designed to age gracefully and harmonize with the surrounding garden's sculptural desert plants. The durability of these materials is crucial, given the home's exposure to south-westerly winds laden with salt from the estuary, a condition the chosen plants tolerate well. #JapaneseDesign #BoxHome #TwoStoryBookcase #SmallSpaceLiving #DirectCompass #AucklandArchitecture #CedarCladding #ZenGarden #OpenPlanLiving