Philippe Malouin Creates a Geometric, Fully-Upholstered Chair for Resident

The ARBA chair, a collaboration between French designer Erwan Bouroullec and raawii, emphasizes the tactile and material qualities of objects, offering a blend of strong lines and balanced composition. The chair was unveiled at 3daysofdesign in Copenhagen, an exhibition that explored the interplay between market, gallery, and studio spaces, encouraging visitor interaction with all displayed items, which were also available for purchase. This initiative highlights accessibility as a core principle for the new partnership. The project seeks to address how designers can increase their involvement in the distribution and production of their work, aiming to grant them more influence within the industry and to re-evaluate product consumption. The ARBA chair is designed for end-user assembly, arriving flat-packed. Its construction incorporates two molded plywood forms that provide a balance of flexibility and stability, with careful attention paid to proportion and shape. The physical weight of the chair underwent continuous refinement to optimize its visual and environmental impact. The design strikes a delicate balance between a prototypical aesthetic and expertly proportioned elements. The ideation process for the ARBA chair took place in Bouroullec's countryside studio in France, where he concentrated on exploring the limits of engineering and testing within that specific environment. Erwan Bouroullec articulated that the design process began with a simple concept, followed by several days of welding, drilling, sewing, and painting in his studio. The aim was to achieve a “positive minimum” by being swift and lightweight in both conceptualization and physical execution, utilizing existing resources without extensive prior planning. This approach fostered discovery through the making process and intuition-driven finalization. The result is a lounge chair that is easy to comprehend and exhibits an intentional "roughness," which Bouroullec clarifies is not a stylistic choice but rather a foundational element for more efficient manufacturing in the future. Starting in September 2024, the ARBA Lounge Chair will be available in three base colors: Dark Green, Light Grey, and Burned Orange. It will also offer various painted and veneered finishes. Upholstery options from Kvadrat Textile and Spoor Leather are provided, contributing to an elegant and inviting profile that allows for additional comfort and personalization. The chair's design and production reflect a commitment to thoughtful methodology, affordability, and elegant materiality, aiming to create a lasting product. #FurnitureDesign #ProductDesign #ErwanBouroullec #Raawii #LoungeChair #HomeFurnishings #DesignProcess #InteriorDesign #FlatPackFurniture

Andreu World, an international furniture brand, has introduced the Giro Soft, a modular sofa system developed in collaboration with Swiss-Argentinian designer Alfredo Häberli. This launch is highlighted in an exclusive video interview where Häberli discusses the product's conceptualization and design process. The Giro Soft system features slender upholstered seats that are modular, allowing them to be connected to form larger sofas, catering to various spatial and personal needs. The design incorporates interchangeable legs, contributing to its adaptability and architectural aesthetic. The collaboration between Häberli and Andreu World began prior to the global pandemic, characterized by a shared vision and a hands-on approach to prototyping. Häberli emphasized their collaborative process, noting that initial sketches quickly progressed to 1:1 scale prototypes, which he considered crucial for a designer. The sofa's name, "Giro Soft," is derived from the Italian word "giro," meaning "curved," reflecting the system's design elements. These include various seating modules with straight edges, rounded ends, and curves at 90-degree or 45-degree angles, offering versatility in configuration. A key design philosophy behind Giro Soft was to create a reconfigurable system that could adapt to user requirements, both in terms of space and ergonomics. Häberli stated that the sofa is designed to be extremely comfortable for sitting, working, or relaxing. The collection also includes practical additions such as an optional swivelling table that can be integrated between seating modules. For public spaces, a power outlet can be incorporated into the end of a seating unit, enhancing its functionality. The leg designs for Giro Soft were carefully considered for both their structural integrity and aesthetic contribution. Options include sledge-like supports made from solid ash wood and injected aluminium frames available in matt, polished, white, or black finishes. Häberli described the base of the product as "very architectonic," with legs designed to minimize material use and create a lighter, "flying" appearance. He initially envisioned using materials that would blend with the floor to achieve a transparent, architectural effect, eventually settling on wood for its aesthetic qualities. Häberli conceptualized Giro Soft for use in larger spaces, where it could function as an architectural element to divide areas, much like a screen or partition. He envisioned its application in diverse environments such as hotels, airports, offices, and semi-public spaces. Despite being designed before the COVID-19 pandemic, Häberli suggested that Giro Soft is well-suited for a post-pandemic world. Its design allows for easy cleaning and provides ample distance between users, meeting critical requirements for future office and public environments. Furthermore, Häberli noted the pandemic's influence on domestic furniture demand, with a growing need for comfortable yet functional items for home offices, underscoring Giro Soft's relevance in evolving living and working conditions. #ModularSofa #FurnitureDesign #AndreuWorld #AlfredoHaberli #OfficeFurniture #PublicSpaceDesign #ContemporaryDesign #ErgonomicDesign #InteriorDesign

This week's Dezeen Showroom highlights six new products, ranging from innovative seating solutions to versatile office furniture and timeless reissues. The collection features designs that prioritize both aesthetic appeal and functional adaptability for modern living and working spaces. Leading the selection is the Shrinx lounge chair by Boris Berlin for Danish furniture brand +Halle. This chair redefines the traditional armchair by using a skeletal steel frame and taut, heat-shrunk textile upholstery, creating a translucent, visually light seat that avoids the bulk of conventional foam padding. This innovative approach offers a distinct aesthetic while maintaining comfort. Another notable seating design is the Sundae modular lounge by Jason Ju for DesignByThem. This system is built from plump, upholstered components, allowing for extensive customization. Users can choose from four preset layouts or combine five different modules to create unique configurations, making it adaptable to various room sizes and design preferences. The Sundae modular lounge can also be upholstered in a range of materials, further enhancing its personalization options. For office environments, Kettal introduces the Kall booth, a compact office pod designed to balance privacy with an open feel. Available in four sizes, each booth incorporates two glass sides and two solid panels. This combination provides a sense of seclusion for focused work while preventing the enclosed feeling often associated with traditional office pods. Its slender profile makes it suitable for diverse office layouts. Designs of the Time presents the Ausarta collection fabrics, a line of linen-based textiles featuring earthy, neutral colorways and tactile, raw textures. These fabrics are versatile, suitable for a wide variety of upholstery applications, and come in various patterns, textures, and colors, allowing designers and homeowners to integrate natural elements and a sense of calm into their interiors. Keiji Takeuchi's Mimo modular seating for NaughtOne offers another flexible seating solution. Characterized by rectilinear frames encasing plush pillows, the collection includes a modular system, two- and three-seater sofas, a club chair, and coffee tables. All pieces share a low, lounge-like silhouette, designed to create a relaxed and inviting atmosphere in both residential and commercial settings. Finally, vintage furniture manufacturer Dagmar reissues the Model 36 desk, originally designed by Severin Hansen in 1958. This desk, crafted from solid walnut or oak, features daintily tapered legs and a contemporary aesthetic that remains relevant almost 70 years after its initial creation. Its timeless design and high-quality materials make it a classic piece suitable for various interior styles, demonstrating the enduring appeal of well-crafted furniture. #DezeenShowroom #FurnitureDesign #LoungeChairs #ModularSeating #OfficeFurniture #TextileDesign #MidCenturyDesign #ContemporaryDesign

In a year marked by physical distancing, the world of design is responding with a focus on intimacy and connection, introducing new two-seat sofas for 2020, commonly known as loveseats. These compact upholstered pieces are designed to seat two people comfortably, fostering closeness and a sense of warm embrace. Their contained dimensions offer a versatile solution for various spaces, addressing the needs of smaller living areas and promoting multi-functionality in both domestic and commercial environments. Loveseats serve as small refuges, crafted to protect intimacy and provide a degree of privacy, making them suitable for homes, bars, and even office settings. The concept of a two-seater sofa isn't new, with historical precedents like the Marquise armchairs and Indiscret sofas prevalent in French halls during the era of Louis XV. However, 2020's interpretations reimagine these classic pieces with contemporary flair. They often feature high backrests and welcoming seats that prioritize comfort without excessive depth, making them ideal for small living rooms, hotel lounge areas, or dedicated relaxation zones within offices. The new collections showcase a range of styles, from square and linear geometries to soft and sinuous volumes, reflecting a broader trend among furniture companies to resize and diversify sofa offerings. Alongside larger, transformable modular sofas, loveseats present a more reassuring and even romantic dimension of upholstered furniture. Several prominent designers and brands have contributed to this trend. Maxalto, with its 2020 collection, reinforces its domestic identity, expanding its catalog with new materials, linings, and textiles. The Amoenus Soft loveseat, designed by Antonio Citterio, exemplifies this with its round, embracing form that combines comfort with the intimate feel of an armchair. It features a tubular steel frame, flexible cold-shaped polyurethane foam padding, and structured fabric materials with geometric patterns. Gebrüder Thonet Vienna introduces the Jannis loveseat, a creation by Dainelli Studio. This piece is characterized by calibrated dimensions and dry volumes. Its exposed yet sturdy wooden structure, a nod to the company's heritage of steam-bent wood, supports a single seat cushion and backrest, accented by metal feet with a brass finish. This collaboration brings a traditional contract furnishing solution into a new context, with the designers adding bold color claddings to the linear design. Alfredo Häberli's Taba collection for Moroso, named after an Argentinian game, explores the interplay of form and poetry. The collection, which includes a sofa, armchairs, a bench, and ottomans, aims to evoke the irrational and provide versatile options for everyday living. Ditre Italia's Clip sofa collection, designed by Nika Zupanc, features simple geometries applied to round and sculptural volumes. The loveseat in this collection prioritizes a 'cocooning' experience with its soft lines that gently envelop the seats. A distinctive feature is the use of two different textiles and motifs for the internal and external sections of the backrest, creating an engaging optical effect where the inside is soft and welcoming, and the outside is structured and protective. Natuzzi also collaborated with Nika Zupanc for the Deep collection, inspired by the Adriatic Sea. The Wave loveseat from this collection embodies the designer's interpretation of water's forms through curves and continuous circles, aligning with Natuzzi's 2020 theme, 'The Circle of Harmony.' Zupanc describes the collection as being crafted with love to provide comfort and protection, encouraging users to find peace. Wave exudes an elegant and subtly retro aesthetic. Finally, Ligne Roset presents Hémicycle, a double-seated system designed by Philippe Nigro. Winding like an 'S' and recalling an original model from the Atelier de Recherche et de Création (ARC) of Mobilier National, Hémicycle encourages conviviality and relaxation. Its woven forms create two bordering halves, suggesting an infinity symbol, making it suitable for large offices, hotel lobbies, and domestic spaces. Nigro's design challenges perceptions of contemporary living by reinterpreting a classic piece with soft lines for modern sensibility. #Loveseats #TwoSeatSofas #FurnitureDesign #InteriorDesignTrends #CompactLiving #ModernFurniture #HomeDecor #DesignInnovation

Nicole Crowder, a renowned upholstery professional, has recently returned to her hometown of Minneapolis, bringing her distinct and vibrant design aesthetic to the Twin Cities. Her work is characterized by bold colors, intricate patterns, and unexpected details, distinguishing her from a local design scene that she describes as generally more subdued. Crowder's creative approach is evident in her custom-designed chairs, loveseats, stools, and other furniture pieces, which are highly sought after by designers and homeowners nationwide. Crowder's journey into upholstery began in 2013 as a side pursuit while working as a photo editor. By 2017, her passion for the craft led her to dedicate herself fully to upholstery. Her self-taught expertise largely stems from extensive research on YouTube, where she meticulously studied various techniques like topstitching and different blind stitches. She honed her skills through practical, hands-on experience, often acquiring inexpensive practice chairs from Craigslist, thrift stores, antique markets, and even roadside finds. This period of trial and error in her living room formed the foundation of her current mastery. Fashion serves as a significant source of inspiration for Crowder, influencing her preference for incorporating unique details, buttons, zippers, and unconventional fabrics into her furniture designs. She enjoys projects that allow for experimentation, enabling her to infuse pieces with narrative elements, such as feathers, paper flowers, or fringe, to enhance texture and layering. Despite her vibrant professional and home aesthetics, Crowder admits her personal wardrobe leans towards neutrals, considering her furniture as an "alter ego" where her love for color and patterns truly shines. Since her return to Minneapolis in February, Crowder has embraced a phase of rediscovery, actively exploring the city's design, culinary, music, and arts scenes. She expresses excitement about connecting with other local creatives, who, in turn, introduce her to hidden gems across the city, including shops, parks, and architectural styles. This exploration is crucial for her to understand how people utilize and maximize their home spaces and daily activities, which informs her contribution to the local design landscape. Crowder's ambition is to infuse more energy and boldness into the Twin Cities' design scene. While appreciating the existing "chill energy" of Minnesota, she aims to elevate it with her signature style, characterized by bright colors, dynamic patterns, and an overall sense of vibrancy. She envisions her pieces, such as a Moroccan blue chair with an orange stripe, becoming iconic representations of her unique "stamp" on the community. Her personal favorite shopping spots for furniture and fabric include MidModMen+friends, Loft Antiques, Marva’s Place, and SR Harris Fabric, valuing their diverse and curated selections. She also enjoys the city's culinary offerings, frequently visiting establishments like Rosalia, Martina, and Barbette, and finds inspiration in the outdoor spaces and cultural institutions like the lakes and the Minneapolis Institute of Art. #Upholstery #FurnitureDesign #InteriorDesign #NicoleCrowder #MinneapolisDesign #HomeDecor #CreativeEntrepreneur #Artisan

The article introduces "Patch," a novel modular sofa system designed by Chris Martin for Massproductions, a furniture company he co-founded with Magnus Elebäck nearly 15 years ago. Massproductions, known for its successful and recognizable furniture brand in Scandinavia, launched its first product, the “Tio Chair,” in 2009. The "Patch" sofa system is characterized by its unique diamond-shaped backrest panels and aims to offer a warm, welcoming, informal, and luxurious seating experience. One of the key innovations in the design of "Patch" is its construction method, which minimizes the use of polyurethane foam. Instead, the sofa incorporates steel springs, typically found in the bedding industry, and features innovative corner designs. This approach not only conserves resources but also reportedly provides a superior comfort experience compared to traditional foam and webbing straps, offering a buoyant feel without dead zones, as explained by the designer, Chris Martin. The aesthetic inspiration for the "Patch" sofa draws from diverse elements such as an upturned duffle bag, moc toe boots, and a string of sausages. These inspirations contribute to the sofa's distinctive design language, particularly evident in its eye-catching diamond-shaped "patches." The rounded shapes of the top panels are deliberately incorporated to soften the substantial volumes of the seating and backrest modules, thereby giving the "Patch" sofa its unique personality. Chris Martin emphasizes that a sofa system should be an inviting refuge, a comfortable space for individuals to enjoy with family, friends, and even strangers. He believes that the "Patch" sofa successfully captures this feeling, offering a range of various and limitless configurations to suit different needs and preferences. The design reflects Massproductions' ongoing commitment to innovation and comfort in furniture design, building on their established reputation since their inception. Overall, the "Patch" sofa represents an evolution in modular seating, combining aesthetic appeal with thoughtful engineering to enhance user comfort and minimize environmental impact. The integration of steel springs and the reduction of foam usage highlight a move towards more sustainable and durable furniture solutions. The design's modularity also allows for adaptability, ensuring it can fit into various living spaces and cater to different functional requirements, maintaining the brand's reputation for quality and inventive design in the furniture industry. #FurnitureDesign #ModularSofa #InteriorDesign #ChrisMartin #Massproductions #SustainableDesign #ProductInnovation

Clap Studio has collaborated with the Spanish furniture brand Missana to develop 'Worm,' a modular sofa bench system. This project marks Missana's first foray into modular seating, following two years of intensive research and development. Missana is recognized for its contemporary designs and high-quality upholstery, and 'Worm' aims to expand its offering with a versatile and adaptable seating solution. The 'Worm' sofa system is inspired by the millipede, specifically its ability to bend and scroll, which translates into a design that is both playful and highly functional. The sofa is composed of three distinct modules: an end module, a straight module, and a curved module. Each module features an upholstered seat and an internal structure, which includes an iron base and short, thin legs that subtly resemble the legs of a millipede. This modular approach allows for an infinite number of seating configurations, catering to diverse spatial needs and aesthetic preferences. The design philosophy behind 'Worm' addresses the contemporary demand for adaptable spaces in various environments. Clap Studio emphasizes the necessity of creating furniture that can be reconfigured to suit different projects and situations, highlighting the system's utility in residential, workplace, and hospitality settings. The flexibility offered by the three-module system enables users to customize the sofa's size, shape, and color combinations, providing a tailored seating experience for any given space. The inspiration drawn from the millipede reflects a desire to inject an element of whimsicality and natural form into functional design. The designers recalled childhood explorations of millipede shapes, leading to the conceptualization of a furniture piece that emulates the creature's segmented and flexible nature. This innovative approach allowed Missana to introduce a product that not only meets practical requirements but also stands out for its unique aesthetic and creative origin. Overall, 'Worm' represents a significant development for Missana, offering a versatile, playful, and adaptable seating system that aligns with modern design principles prioritizing flexibility and user-driven customization. The collaboration between Clap Studio and Missana has resulted in a modular sofa bench that is designed to transform and adapt, making it suitable for a wide array of interior design contexts. #FurnitureDesign #ModularSofa #InteriorDesign #ClapStudio #Missana #ProductDesign #AdaptableSeating #SpanishDesign #WorkplaceDesign

The Italian design brand Desiree, established in 1968, exemplifies a synthesis of quality, innovation, and collaboration in its furniture creation. This commitment is evident in the Melvil sofa, a new design resulting from a partnership with French designer Marc Sadler. The Melvil sofa offers a modern interpretation of Bauhaus principles, integrating elements of fine art with industrial craftsmanship. The Bauhaus movement, founded in Germany in the early 20th century by architect Walter Gropius, championed geometric simplicity, functional design, and the seamless integration of art, craft, and technology. Influential figures like Mies van der Rohe and Marcel Breuer emphasized clean lines, practicality, and an industrial approach to materials, values that continue to shape contemporary design. Marc Sadler’s Melvil sofa pays homage to this legacy while introducing a contemporary flair to its geometric precision. The sofa is constructed from three primary components: a deep, capitonné-effect seat; adjustable, movable backrests; and a robust black chromed-metal frame. These elements combine to form a modular design that allows for flexible seating arrangements, accommodating various user preferences and spatial requirements. The backrests are not fixed, providing the ability to create different configurations for comfort or aesthetic appeal. Users can choose straight or angled backrests, or a combination of both, offering extensive personalization options. Key to the Melvil sofa's appeal is its adaptability. Its modular components, available in both linear and angular forms, facilitate numerous arrangements, ranging from simple, streamlined setups to more dynamic configurations. This versatility makes the sofa suitable for diverse environments, whether a formal seating area or a casual lounge. This inherent flexibility, coupled with its clean, geometric aesthetics, directly reflects the Bauhaus principle of functionalism, ensuring the piece is not only visually pleasing but also highly practical and user-adaptable. Beyond its utilitarian aspects, the Melvil sofa incorporates refined details. The capitonné upholstery introduces a touch of luxury, contrasting and complementing the industrial character of the black metal frame. Subtle stitching details enhance the sofa’s sleek profile, achieving a balanced interplay between softness and structural integrity. Sadler’s collaboration with Desiree on the Melvil sofa is part of a broader history of their joint projects, all reflecting Desiree’s philosophy of expressing emotion through design, influenced by the tranquil landscapes of Treviso, Italy. Desiree, under the ownership of Gruppo Euromobil since 1995, has also broadened its focus to include sustainability. The company employs eco-friendly and recyclable materials in its production processes, ensuring that environmental impact is minimized without compromising product quality. This dedication to circularity extends to its packaging, which is fully recyclable. The Melvil sofa is offered in a wide array of luxurious fabrics and leathers, providing numerous customization options to seamlessly integrate into various interior styles, from minimalist to eclectic or traditional. Ultimately, the Melvil sofa exemplifies Desiree’s and the Bauhaus tradition’s commitment to purposeful design. It combines aesthetic allure with functional utility. Its modular structure ensures flexibility and comfort, while its ergonomic design offers sustained support. Constructed from robust materials, the sofa is built for durability, making it an ideal choice for modern interiors. #FurnitureDesign #BauhausDesign #ModularSofa #MarcSadler #DesireeFurniture #InteriorDesign #SustainableDesign #ItalianDesign

The chair, an object of utility and design, has undergone continuous reinvention throughout history, evolving from ancient status symbols to modern ergonomic solutions. Initially, chairs, specifically folding stools, served as portable symbols of dignity for royalty and religious figures. The Industrial Revolution marked a pivotal shift, introducing new technologies and materials that dramatically broadened the scope of chair design, transitioning from Jugendstil and Arts and Crafts styles to the sleek cantilever designs of the Bauhaus movement. Today, the diversity of chairs is immense, catering to various needs, including specialized designs like gaming chairs, which reflect contemporary leisure trends. While folding and stacking chairs are prevalent for their practicality, the dining side chair, an armless seat with a straight back, is considered among the most common. The COVID-19 pandemic also saw a resurgence in the popularity of classic office chairs, highlighting the increasing importance of ergonomics in modern chair design due as professions became more computer-based. The evolution of modern chair design is largely a narrative of material innovation. Designers have continuously explored and utilized low-cost materials such as plywood, steel, aluminum, and plastic to revolutionize seating. Tubular steel emerged in the 1920s, followed by bent plywood in the 1930s to 1950s, and plastic in the 1960s. A contemporary focus in furniture manufacturing is sustainability, with designers incorporating waste and upcycling into their products. An example is a chair acquired by the Vitra Design Museum, constructed from decommissioned army chair parts by the Tunisian collective El Warcha Design Studio. Notable contemporary designers include Gunjan Gupta, an Indian designer whose Old Bori Throne chair uses everyday objects like jute bags, and Jomo Tariku, an Ethiopian American artist and industrial designer inspired by traditional African aesthetics, whose work has been featured in major exhibitions and films. Digital artist Andrés Reisinger is also recognized for his sculptural Hortensia chair, which exists in both virtual and physical realms. The article then details 23 influential chair designs that have shaped the industry. These include Finn Juhl's iconic 45 Chair, Thomas Lee's Adirondack Chair, Ludwig Mies van der Rohe's Barcelona Chair, Michael Thonet's Bentwood Chair (No. 14), the 17th-century Bergère Chair, Mart Stam's Cantilever Chair, the elongated Chaise Longue, the traditional Chesterfield Chair, the 19th-century Club Chair, the portable Director’s Chair, Charles and Ray Eames’s Eames Lounge Chair, Arne Jacobsen’s Egg Chair, Philippe Starck’s Ghost Chair, the historical Ladderback Chair, the intricately carved Ming Chair, the tranquil Rocking Chair, Faye Toogood’s Roly-Poly Chair, Verner Panton’s Stacking Chair, Eero Saarinen’s Tulip Chair, the sturdy Windsor Chair, the enveloping Wingback Chair, Hans Wegner’s Wishbone Chair, and Eero Saarinen’s Womb Chair. Each of these chairs represents a significant moment in design history, showcasing innovations in form, material, and cultural impact. #ChairDesign #FurnitureHistory #ModernDesign #InteriorDesign #DesignIcons #Ergonomics #SustainableDesign #ArchitecturalDigest #HomeFurnishings

The Parisian interiors studio Liaigre has introduced its inaugural customizable seating solution, the Arpège modular sofa. This innovative design prioritizes both comfort and adaptability, offering a versatile piece of furniture suitable for a variety of settings and uses. The Arpège sofa range is composed of 14 distinct seating modules, providing extensive possibilities for configuration. Users can create anything from a compact, individual armchair to an expansive, multi-seater couch designed for larger gatherings or extensive lounging. This modularity ensures that the sofa can be precisely tailored to fit the specific dimensions and functional requirements of any given space, reflecting a contemporary approach to furniture design that emphasizes flexibility. A key feature of the Arpège collection is the availability of various upholstery options and additional accessories. These elements further enhance the sofa's customizability, allowing clients to personalize the aesthetic and utility of their chosen configuration. The modules themselves vary in size, encompassing one-person units, two-seaters, and three-seaters. Additionally, a chaise longue-style module is offered, which is instrumental in constructing corner sofas or U-shaped arrangements, catering to diverse spatial layouts and comfort preferences. The thoughtful integration of accessories extends to certain modules that can be equipped with armrests or incorporate lacquered or oak storage trays, offering practical solutions for keeping living spaces tidy and organized. Each module within the Arpège collection is consistently designed with deep seating and generously proportioned, plush cushions. This uniform design ensures maximum comfort across all configurations. The structural integrity and clean aesthetic are maintained through hidden oak feet, which also serve as the connectors that link the individual modules together, creating a seamless and cohesive appearance. For upholstery, customers can select between high-quality leather or durable woollen fabric, both chosen for their comfort and longevity. These materials are presented in a curated palette of four shades, ranging from a classic cream white to a sophisticated deep Prussian blue, allowing for further personalization to complement existing interior decor. Frauke Meyer, Liaigre's creative director, stated that the Arpège sofa embodies the core principles of the Liaigre brand: timeless aesthetics, balanced proportions, and the use of refined materials. She highlighted the sofa's concept as a “private island of comfort” that dynamically adapts to various occasions and movements throughout the day, fitting a modern lifestyle with an informal approach to entertaining. The design encourages continuous reinvention, ensuring the sofa remains a relevant and functional centerpiece in any home or setting. The Arpège modular sofas are accessible for purchase through Liaigre’s official website and their showrooms. The collection is also available at selected vendors, providing multiple avenues for acquisition. Prospective buyers can utilize an online configurator on Liaigre’s website to design their ideal modular Arpège sofa, exploring different module combinations, upholstery choices, and accessory integrations. For those preferring a physical consultation, the Liaigre UK showroom, located at 68-70 Fulham Road, London SW3 6HH, offers an opportunity to experience the collection firsthand and receive expert guidance on creating a bespoke design. #ModularSofa #Liaigre #CustomisableFurniture #SeatingDesign #InteriorDesign #HomeDecor #LuxuryFurniture #FlexibleLiving #ModernLifestyle

German design graduate Meike Harde has developed an innovative range of upholstered benches and stools under the name "Zieharsofika." This furniture collection is characterized by its unique construction method, which involves simply folding foam mats and securing them to wooden frames using elastic bands. Harde's primary motivation for this design was to explore novel approaches to upholstery construction, specifically aiming to create a rigid yet comfortable cushion from a flat foam mat, challenging conventional upholstery techniques. Harde explains that traditional upholstery often strives for wrinkle-free fabric, a process that typically involves complex construction and significant time investment. In contrast, her Zieharsofika method embraces the natural creases and folds of the foam, using them as both an aesthetic ornamentation and a functional element to achieve stiffness. This approach streamlines the manufacturing process significantly. The construction of Zieharsofika furniture is remarkably simple, relying on just three core components: foam, rubber bands, and wood. The process begins with a foam mat, which is layered and gathered tightly to form distinct waves. These waves are then held together at the top and bottom with elastic bands. Following this, the foam cushion is compressed further and secured with longer elastic bands applied in the opposite direction. Finally, a wooden stool or bench frame is inserted underneath these elastic fastenings, completing the assembly. A key advantage of this design is the absence of permanent connections between the foam cushioning and the wooden frame. This allows for easy replacement of the cushions if they become worn or damaged, extending the lifespan of the furniture and offering practical maintenance. The collection includes both small stools, which Harde likens in appearance to broccoli, made from square foam pieces, and benches constructed from rectangular foam pieces. Addressing potential questions about comfort, Harde clarifies that the Zieharsofika furniture is intended to function as a bench rather than a very soft armchair. She draws a comparison to the comfort level of Chesterfield leather furniture, suggesting a firm but supportive seating experience. Harde's previous work includes a series of thought-provoking masks titled "Too Beautiful to be True," demonstrating her diverse design explorations. The Zieharsofika project stands out for its elegant simplicity, efficient use of materials, and innovative approach to furniture construction and upholstery. #MeikeHarde #FurnitureDesign #Upholstery #ProductDesign #InnovativeMaterials #Seating #FoamFurniture #IndustrialDesign #SustainableDesign

The article details the transformation of a lower-level space into a multi-purpose, family-friendly media room by designer Rajni Alex. Initially, the house lacked a sufficiently expansive area for large gatherings like movie nights or Super Bowl parties, with existing family rooms and reading spaces being too small for 'big' entertaining. The chosen location for the new lounge, at the end of a lower-level hallway with direct access to the backyard, offered an ideal setting for group activities. To achieve an elevated lounge aesthetic, Alex implemented several design elements. A metallic ombré wallcovering by Phillip Jeffries was installed above a curved seating bank, complemented by cubbies featuring soft-glow LED lighting. The ceiling was adorned with a faux suede material, selected for its realistic appearance and lighter weight. Additional walls received textural treatments through striated grasscloth and a layered plaster-and-paint hatchwork pattern, ensuring visual cohesion despite their individual characteristics. The designer aimed for the wallcoverings to possess unique identities while harmoniously blending together, creating an environment that feels both sophisticated and inviting. For the media aspect of the room, a custom console with a TV lift was developed in collaboration with Walker Woodworking. This innovative design allows the television to be concealed when not in use, integrating it seamlessly into the room's decor as a piece of furniture. To enhance the theatrical experience, chocolate brown draperies, lined with trim designed by Ben Johnston for S. Harris, were added to both sides of the space. These design choices collectively contribute to a sense of being enveloped in comfort, which was a key objective for Alex. The lounge also features a five-foot wide, organically shaped chandelier from Visual Comfort & Co., designed to mimic branches, adding both architectural interest and a sculptural element while maintaining a modern feel. A 16.5-foot armless sofa, upholstered in burnt orange mohair, serves as a central point for relaxation, capable of accommodating multiple people for various activities. This area can be easily reconfigured for cocktail seating with the introduction of sleek drink tables and pattern-backed swivel chairs. A 48-inch midcentury-style shagreen pedestal table from Elan Atelier is designated for card games or backgammon, further enhancing the room's versatility. Velour draperies contribute to the luxurious screening-room ambiance. Additional seating is provided by two barrel-back swivel chairs, offering views of either the surroundings or the fireplace. The flooring consists of a plush yet durable JD Staron indoor-outdoor area rug layered over a Fibreworks rug, chosen for its resilience against spills and its ability to withstand foot traffic, reflecting a practical approach to design without compromising comfort. The fireplace surround is crafted from Cosentino and Architectural Grille products. Key components and furnishings throughout the lounge include a Bernhardt sofa with S. Harris fabric, Harlequin pillow fabrics, Coley Home chairs with Fabricut and S. Harris fabrics, Uttermost tables, and S. Harris drapery fabric and trim. Accessories were sourced from Wayfair Professional, West Elm, and Accent Decor. The custom cabinet was created by Walker Woodworking, housing a Samsung TV, with hardware by Philip Watts Design and art by Angela Simeone from Minted. The bar area features a reflective, tile-like wallcovering from Zoffany as a backsplash, with glassware from Replacements, Ltd., Kohler fixtures, an Architectural Grille shelf railing, and a Cosentino countertop. The millwork is painted in Grate Black from Farrow & Ball, and the bar art is by Amanda Carol. These selections emphasize a blend of luxury, functionality, and family-friendliness. #HomeDesign #InteriorDesign #MediaRoom #LoungeDesign #FamilyFriendly #CustomFurniture #Wallcoverings #TexturalDesign #LuxuryInteriors

Danish design brand Hay and London-based designers Nipa Doshi and Jonathan Levien have collaborated to create the 'Quilton' sofa, a modular system characterized by its quilted motif and sartorial inspiration. This partnership, which began in 2014, builds on previous successful projects like the 'Uchiwa chair' and the 'Dapper' chair, demonstrating a strong, focused collaboration between the two entities. The 'Quilton' sofa emerged from Doshi Levien's strategic suggestion to Hay to introduce a softer, more elegant, and tailored seating collection. The designers' hands-on approach, involving extensive sketching and hand-prototyping in their London studio, was central to its development. This method fostered a relationship of trust with Hay, allowing the design to evolve from initial sketches without the need for elaborate renderings. Modularity is a core aspect of the 'Quilton' sofa, offering 13 distinct modules and a standalone three-seater option. The design aims for a balanced aesthetic, combining elegance with generous, soft forms. The bold quilting on the seat is a defining feature, inspired by classic sofa designs, yet it is applied with restraint to maintain a clean and uncluttered appearance, particularly on the back of the piece. Attention to detail is evident in various elements of the sofa, such as the subtle floating base that contributes to its lightness. A thin strip of material separates the sofa from its base, enhancing this effect. The modular configuration also allows for customization, enabling users to mix and match materials and colors for the front, back, and base of the sofa, with options in textiles and leather. Given Doshi and Levien's extensive experience with surfaces and textiles, the choice of upholstery was crucial. The debut collection features Kvadrat fabrics, including 'Raas' with voluminous yarns, Margrethe Odgaard’s ‘Re-wool,’ ‘Atlas,’ and Fanny Aronsen’s ‘Vidar’ in a bold green. The designers also art-directed the launch photography at their Barbican apartment in London, aiming to convey a sense of eclecticism and cultural exchange by blending modern design with traditional objects and the architectural context of the Barbican. The 'Quilton' sofa, introduced in 2021, also acknowledges the shifting role of furniture in a post-pandemic world. As homes have become central to work and daily life, the sofa is now viewed as a versatile platform. The design reflects this change by offering comfort and functionality for various activities, underscoring the increased importance of home environments that are both appealing and adaptable. #DoshiLevien #HayDesign #ModularSofa #QuiltonSofa #FurnitureDesign #InteriorDesign #CollaborativeDesign #TextileDesign #ContemporaryFurniture

Australian designer Marcel Sigel, in collaboration with the furnishings and décor brand Gohome, has introduced the 'Lunar' collection, a series of three chairs designed to offer flexible seating solutions for various environments, including residential, hospitality, and commercial settings. The collection is characterized by its soft, curving lines, which are achieved through injected 3D foam manufacturing. A distinctive feature of the 'Lunar' chairs is an arched lumbar scoop, a detail that not only enhances comfort but also contributes significantly to the aesthetic character of the pieces. This design element is said to be reminiscent of a rising moon, from which the collection derives its name. The 'Lunar' collection comprises three distinct styles: 'Lander', 'Rover', and 'Orbiter'. Each style shares the core design philosophy of comfort and visual appeal, adapted to slightly different forms or functionalities. The chairs are upholstered with Camira fabric, offering a choice of four colors: black, grey, blue, and red. This color palette allows for versatility in fitting into diverse interior designs and themes. The use of injected 3D foam manufacturing is a key aspect of the chairs' construction, enabling the creation of smooth, ergonomic curves that conform to the body while maintaining a streamlined appearance. Attention to detail is evident in the design, particularly with the contrasting stitching on the back of the chairs. This subtle yet impactful detail adds a dynamic visual element, preventing the chairs from appearing monolithic and instead providing a sense of movement and crafted quality. The 'Lunar' collection is intended to be adaptable, catering to a broad spectrum of interior design needs. For instance, the 'Lunar Orbiter' model is highlighted as being stackable, a practical feature that makes it suitable for spaces requiring efficient storage or flexible arrangements, such as event venues, conference rooms, or even compact residential areas. The collaboration between Marcel Sigel and Gohome brings together innovative design principles and manufacturing capabilities to produce furniture that is both aesthetically pleasing and functional. The collection aims to provide comfortable and stylish seating options that can seamlessly integrate into various contemporary settings. The inspiration drawn from the moon's shape not only gives the collection its poetic name but also influences the gentle, inviting contours that define each piece within the series. The durability and material choices, such as the Camira upholstery, suggest a focus on longevity and ease of maintenance, further broadening their appeal for both private and public spaces. #MarcelSigel #Gohome #LunarCollection #ChairDesign #FurnitureDesign #3DFoamManufacturing #CamiraUpholstery #InteriorDesign

This article explores the aesthetic and functional versatility of chaise lounges within home interiors, particularly in living rooms, bathrooms, and bedrooms. Designers Chris Barrett and Anthony Baratta offer their perspectives on selecting and styling various chaise lounge models, emphasizing their sculptural quality and potential to serve as focal points. The chaise lounge, often perceived as a dramatic and space-demanding piece, is presented as an item that can significantly enhance a room's design if integrated thoughtfully. The article highlights that these pieces, typically 60 inches or more in length, possess a unique sculptural quality unmatched by other furniture. While some chaises may prioritize aesthetics over comfort, their visual impact can justify their inclusion. Baratta shares his experience with a 1960s Milo Baughman chaise upholstered in vivid yellow, noting its prominent display in his Palm Beach living room despite its limited comfort, underscoring its role as a sculptural element. Barrett recounts learning from romance novelist Judith Krantz to place chaises in unexpected locations, such as bathrooms and large closets, to achieve maximum effect, even extending their use to children's rooms. The article then details a curated selection of twelve different chaise lounge designs, each accompanied by commentary from both designers on their features, potential placement, and suitability for various interior styles. Each chaise is presented with its brand, price, and specific design attributes. The first chaise features a sweeping profile and brushed-brass finish, recommended for rooms with ample space to appreciate its sculptural form. The designers suggest it could serve as a room divider or be placed in front of windows, with one designer preferring leather upholstery. Another model, with a classic Klismos chair feel, is described as suitable for a covered terrace or as a central room piece due to its attractive back. A pared-down chaise is noted for its versatility, fitting into various rooms, including at the foot of a king-size bed, and described as an updated recamier with a modern silhouette. A smaller, low-sitting chaise with metal legs is highlighted for its suitability in compact spaces like small bedrooms or bathrooms, praised for its simple, well-made construction and elegant tailoring details. Further options include a barrel-backed chaise with a 1960s vibe, characterized by its scale, green velvet upholstery, and biscuit tufting, though one designer wishes for stronger legs. A chaise with a squared-off back and wood frame is presented as having a masculine profile, suggested for a men's library aesthetic with plush upholstery. A couture-like chaise is celebrated for its craftsmanship, precise upholstery, and elegant profile, with suggestions for flanking a fireplace with a pair of them. A classic 1956 Scandinavian-inspired chaise is noted for its exposed maple-wood frame and higher seat, making it suitable for more public spaces. A "rock-and-roll" style chaise with firm upholstery is described as chic and modern, ideal for contemporary interiors or poolside settings. A traditional velvet chaise, used in a bedroom, is praised for its current feel and unexpected neutral color. The Cannes Chaise by Ralph Lauren Home, with an old-world traditional glamour, is suggested for intimate spaces like boudoirs, appreciated for its pretty shape and welting. Lastly, a piece that blurs the line between a chaise and a daybed is presented as sleek, sculptural, and comfortable for relaxation. Throughout the discussion, the designers provide practical advice on how to integrate these unique furniture pieces into different home environments, considering factors such as room size, existing decor, and desired aesthetic. They emphasize the importance of viewing a chaise lounge not just as a seating option but as a significant design element that can define or enhance a room's character. #ChaiseLounges #FurnitureDesign #InteriorDecor #HomeFurnishings #LivingRoomDesign #DesignerTips #SculpturalFurniture #LuxuryFurniture #HomeStyling