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This Mary McDonald-Designed Pebble Beach Château Redefines Modern Livability
The article details the transformation of a 1980s Normandy-style château in Pebble Beach, California, by renowned decorator Mary McDonald. The property, acquired by Stefanie and Robert Skinner, offered ample space and stunning ocean views but suffered from heavy, dated interiors characterized by yellow tones. McDonald was tasked with modernizing the 12,000-square-foot home to better reflect gracious California living while honoring its architectural roots.
The decorator's primary approach involved a wholesale brightening of the space. She initiated this by painting the walls a creamy white and lightening dark wood finishes with pickling solutions, effectively casting a soft glow throughout the château. To address the challenge of a ballroom-sized living room, McDonald cleverly divided it into three distinct seating areas, each delineated by a different rug. This strategy allowed for the integration of diverse textures and patterns, including a leather-trimmed sisal, a contemporary Khotan carpet, and a rustic cowhide, preventing the vast room from feeling overwhelming. McDonald emphasized a seamless blend of European antiques with new reproductions from Dennis & Leen, known for classical styles, creating a collected and layered aesthetic. The upholstery choices leaned towards textural, tonal neutrals with minimal patterns, contributing to a more modern sensibility that still accommodated the client's preference for French-influenced pieces.
Further demonstrating her design philosophy, McDonald reimagined the library. She replaced the original wood fireplace mantel with a reproduction limestone version, bringing a touch of classic elegance. The walls were painted a soothing smoky gray, establishing a calm and ethereal palette. This soft color scheme extended to the primary bedroom, where the client desired a bright and airy atmosphere. A subtly patterned Khotan rug by Mansour, in shades of gray, set the tone for the room's furnishings. Recognizing that the ocean views were the true focal point, McDonald selected clean-lined pieces, including a nine-foot-high four-poster bed of her own design, deliberately avoiding "colorful noise" to maintain a cohesive and understated elegance. The only visual extravagance in the bedroom was a large gilded bronze chandelier, which served as a nod to the home's original Gallic influences and McDonald's inherent sense of glamour. McDonald described her intervention not as a complete overhaul of a 'terrible house,' but rather as a process of 'lightened French,' taking the traditional aesthetic to a more contemporary and clean interpretation. The project successfully infused the grand mansion with a gracious patina and redefined its livability for a modern family.
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