Mira Kapoor and Asian Paints explore design storytelling with royale play textures

Asian Paints has established itself as a leading innovator in design, empowering designers and architects to explore new aesthetic avenues through its diverse range of finishes and textures. The brand's 'Reinvent' initiative showcases how six design studios reimagined products using collections such as Woodtech Insignia, Royale Play International Designer Collection, and Nilaya. The Woodtech Insignia Collection, a collaboration with internationally renowned wood-coating brand Renner, introduces India to a range of “effects” for wooden surfaces. The Silver Micaceous effect, utilized by Objectry for its wooden products, captures the sparkle of a starry night. The Stringy effect, seen in creations by Paul Matter and Objectry, adds fluid grace and a sense of dramatic movement. The Craqulet effect provides a tactile, layered texture with visible cracks, mimicking nature’s imperfect beauty, as demonstrated by Objectry’s products and a candle holder by Various at Dhobi Talao. The Marble effect, inspired by natural limestone, adds a luxurious and weighty feel to surfaces, while the Patina effect lends an old-world charm, celebrated by a curved brass chair by Various at Dhobi Talao that accentuates the wood grain and brass elements. The Royale Play International Designer Collection draws inspiration from Italy’s rich artistic heritage, including neo-classical paintings, sculptures, and avant-garde fashion. The Archi Concrete finish, a versatile combination of concrete and plaster, was used by Lekha Washington for modular walls and Material Immaterial for a wooden stool, showcasing how even a stoic material can achieve high design. The Royale Play Midas finish, inspired by traditional gold leafing, transforms everyday objects into elegant collectibles, as exemplified by Material Immaterial’s door knob and hanging lamp, and Various at Dhobi Talao’s lamps. The Dune effect, with its interplay of color and metal, adds drama to surfaces, as seen in Material Immaterial’s floor lamp with its warm Dune Ombre texture. The Nilaya Collection combines Indian aesthetics, high design, premium materials, and flawless technique to offer an exquisite range of wallpapers, wall coverings, decals, borders, and paintable wallpapers. This collection also serves as a platform for artists and designers, featuring collaborations with talents like Kelly Hoppen, Ronald Redding, Candice Olson, and Sabyasachi Mukherjee. Sabyasachi Mukherjee’s Chittor Jaipur Blue wall covering, one of his five collections, provided a perfect colonial backdrop in the House of Mahendra Doshi. The in-house Nilaya Signature Series, drawing inspiration from nature, architecture, art, and history, is showcased by the 'Moods of Monsoon' wallpaper in the House of Mahendra Doshi, which harmonizes with the surrounding greenery and brings the essence of rain indoors. #AsianPaints #WoodtechInsignia #RoyalePlay #Nilaya #InteriorDesign #SurfaceFinishes #HomeDecor #SabyasachiMukherjee #DesignInnovation

This article introduces Shadé Akanbi, a Brooklyn-based freelance pattern designer and the Creative Director and Designer behind Printed Pattern People. Akanbi's design philosophy is rooted in her multicultural upbringing, which has instilled in her a passion for creating global fusion lifestyle and brands. Her work involves translating traditional ethnic patterns and textiles into contemporary interpretations suitable for everyday use. Akanbi's creative process often begins with identifying a specific motif or detail from traditional textiles. This chosen element then serves as the central inspiration, around which she constructs new patterns using fresh colors and additional details. She is prolific in her output, creating between one to six prints daily, drawing inspiration from personal collections, client ideas, or a combination of both. Akanbi is known for her collaborations with various brands, in addition to maintaining her extensive collection of global textiles. Her first major collaboration was with Anthropologie in early 2020, where her artwork was featured in an accessories and sleepwear collection. Since then, she has partnered with notable brands such as Intermix, Zuri, S'well, Chasing Paper, Netflix, and Target. Her most recent collaboration at the time of the article's publication was with Bounty Paper Towels, as part of their Inclusive Artists Project initiative. This partnership involved her artwork being featured on the Bounty Prints collection paper towels and her image appearing on the packaging, an experience she described as surreal due to the widespread nature of the household item. The article highlights Akanbi's ambition and future aspirations. As an avid traveler, she expresses a desire to collaborate with airlines and boutique hotel brands, specifically mentioning Delta, Jetblue, Kimpton, and Hyatt, envisioning these as platforms to showcase diverse art mediums. Her interest extends to athletic footwear brands like Nike, Adidas, Puma, and Vans, reflecting her passion as a sneaker collector. Furthermore, her background as a collegiate basketball player and a fan of the NBA/WNBA drives her dream to work with her favorite sports teams. Ultimately, Akanbi seeks to partner with brands with which she shares strong personal connections, aiming to utilize these collaborations as unique avenues for artistic expression. Her personal history significantly influences her artistic vision. Akanbi recounts how her upbringing, from her mother's styling choices to her father's Nigerian cooking, and her early travels, particularly her first trip to Nigeria, profoundly shaped her as an artist. These diverse experiences, encompassing sights, sounds, textures, tastes, and emotions, have cumulatively impacted her design sensibility. Her ability to blend cultural influences and her innovative approach to pattern design underscore her unique position in the design world. The article concludes by encouraging readers to explore more of Shadé Akanbi's work via her Instagram and mentions a past collaboration where she provided a Designer Desktop wallpaper for Design Milk. #PatternDesign #ShadeAkanbi #TextileArt #CulturalFusion #BrandCollaborations #ArtisticProcess #DesignInspiration #GlobalTextiles #CreativeDirector

Art serves as a universal form of expression and plays a significant role in interior decor, reflecting personality, taste, and style. The article defines art design as elements such as point, line, two-dimensional shapes, descriptive and abstract forms, which involve texture, value, space, shape, line, form, and color. Various art types, including abstract, modern, pop art, impressionist, cubism, contemporary, graffiti, surrealism, and fantasy, are discussed as categories that capture attention in art galleries. The article then presents a curated list of 20 simple and modern art designs suitable for enhancing home interiors. Each design includes a brief description, brand information, material, color, and size details, often suggesting its placement or utility. For instance, the first design, a 'Simple Art Design,' features a butterfly pattern in a wood and acrylic frame, ideal for a living room and as a gift item. The 'Modern Art Design' emphasizes an impeccable finish and multi-color elements to create a stylish and durable piece, suitable for gifting. A 'Beautiful Art Design' by DA creation is highlighted for its blend of modern and rustic aesthetics, creating a lively ambiance. This piece is noted for being an original artwork with an artist's signed authenticity certificate. The 'Best Art Design' emphasizes durability and quality through its framed painting with a matte finish, serving both as decor and a gift. For enthusiasts of 'Mandala Art,' a DIY option made from recycled paper is presented, encouraging creativity with various coloring tools. 'Wall Painting Art Design' and 'Wall Art Design' offer modern and stylish options, with the former having a 15-year color warranty and museum-quality prints, while the latter features bird depictions made of eco-friendly vinyl with numerous design variations. 'Word Art Design' and 'Name Design Art' cater to personalized and inspirational decor, with the former being an easy-to-clean vinyl sticker and the latter offering dual-name illusions for custom gifting. 'Mural Art Designs' feature vinyl wall stickers, particularly appealing to those with an interest in mathematics, suitable for various rooms. 'Doodle Art Designs' combine doodling and Mehendi patterns on matte-finished MDF wood trays, serving as both decor and serving tools. 'Paper Design Art' provides DIY paper craft kits for creative expression and family engagement. 'Clip Art Design' offers temporary body art designs inspired by henna, while 'Stencil Art Designs' provide reusable stencils made of PET for various artistic applications. 'Circle Design Art' presents a wooden wall-hanging sign for a vintage aesthetic, suitable for multipurpose decoration. 'Lippan Art Designs' showcase traditional mud and mirror mural craft from Kutch, India, known for intricate patterns and aesthetic perfection. 'Coffee Design Art' introduces stencils for creating decorative patterns on beverages. 'Abstract Art Designs' from Inephos are noted for their unique ideas from skilled artists and interior designers, featuring high-quality printing technology and a matte finish. '3D Design Art' consists of a set of five modern art paintings made from heavy wooden MDF board, offering a scenic view and positive ambiance, suitable for various settings. Finally, 'Mosaic Art Designs' are described as 5D paintings that enhance hands-on ability and provide a family bonding experience, allowing for personalized artistic expression. The article concludes by emphasizing art's role in communication and decor, encouraging readers to choose designs that resonate with their taste and blend seamlessly with their surroundings. #ArtDesigns #HomeDecor #InteriorDesign #ModernArt #TraditionalArt #DIYArt #WallDecor #GiftingIdeas #IndianArt

The interior design landscape is currently undergoing a significant shift from the previously dominant minimalist aesthetic of bright white walls, beige accents, and sparse decor. A new trend, dubbed "Dark Glamour" by Benjamin Moore, is emerging, characterized by deep, moody hues, rich jewel tones, dusky neutrals, and metallic accents, often with a gothic undertone. This shift emphasizes creating spaces with more color and emotional depth, moving away from a strictly neutral palette. Local interior designers are embracing this change, offering insights into successfully integrating these richer palettes into home environments. Tammie Ladd, owner of Tammie Ladd Design, highlights the importance of incorporating living elements like plants to prevent dark spaces from feeling too heavy. She also stresses the significance of contrast, drawing parallels to black-and-white photography, where a balance between light and dark elements—such as a dark floor with white walls or dark cabinetry with lighter hardware—creates visual interest and energy. Ladd illustrates this by describing a home study she designed with midnight blue walls contrasted by an untouched warm-toned wood ceiling, noting the complementary energy between blue and orange tones. Kasey Dobbins of Foxwood Design Co. shares a similar perspective, suggesting that for those hesitant to paint entire walls dark, painting the ceiling can be an effective alternative. She advises against an all-black-and-white scheme, preferring rooms within a mid-tone range for a more inviting feel. Dobbins encourages homeowners to select colors they are inherently drawn to, suggesting that personal comfort and preference should guide color choices, allowing homes to reflect individual personalities. Lighting plays a crucial role in these richly colored spaces. Ladd acknowledges the contribution of lighting specialists, emphasizing that strategic lighting can transform a dark room. Dobbins advocates for a layered lighting approach, combining various sources such as can lights, ambient sconces, and table lamps to create depth and warmth. She also provides practical advice for naturally low-light areas like basements, recommending medium-tone colors over very dark or stark white options, as white can make such spaces feel institutional. Beyond color and light, texture is another essential element for enhancing moody interiors. Ladd favors velvet for its calming properties and visual interest, while Dobbins is drawn to nubby bouclé fabric. Other textural elements like woven shades, sisal rugs, and waffle weave blankets can also enrich dark spaces. The article notes that even sheepskin throws, when used judiciously, can contribute to this textural complexity. Grasscloth wall coverings, reinvented with contemporary colors, are also recommended for adding a sophisticated textural layer. For luminous touches, natural stone, mirrored materials, and metals are suggested, particularly to complement candlelight. This trend towards rich colors and textures is seen as a corrective response to the previous monochromatic design extreme, aiming to reintroduce warmth and energy into living spaces, offering numerous options for homeowners to create refreshingly moody and personalized interiors. #InteriorDesign #DarkGlamour #ColorTrends #HomeDecor #TexturalElements #LightingDesign #MoodPalette #DesignTips #SpokaneDesigners

The article explores the profound and long-standing influence of Islamic art and design on Western artistic creation, particularly highlighting its role in shaping modernity. It begins by discussing the exhibition "Cartier and Islamic Art: In Search of Modernity," currently at the Dallas Museum of Art, which showcases how Islamic geometric designs inspired Cartier's groundbreaking modern aesthetic in fine jewellery at the turn of the 20th century. This exhibition underscores a relationship between European and Islamic art that has been historically complex, marked by both fascination and political dynamics. In the 19th century, with the advent of the colonial era, increased Western influence in the Middle East opened up travel opportunities for European and North American artists. These artists traveled to cities like Constantinople, Jerusalem, Cairo, and Marrakech, creating paintings that, despite their often clichéd and Orientalist depictions of people and cultures, accurately rendered the beauty of Islamic craftsmanship. These works offered Western audiences their initial exposure to Islamic art, including stylized floral tiles, geometric architectural features, ornate metalwork, jewellery, and textiles. Experts note that these artistic portrayals preceded serious academic scholarship, driving a market for Islamic artefacts among collectors. While collectors sought originals, designers found inspiration in Islamic motifs. Ottoman ceramics influenced European manufacturers, and Alhambra vases inspired imitations. Books from the period, such as Christopher Dresser's "Studies in Design," even provided guidance on incorporating Islamic elements into home decor. However, this growing Western appreciation coincided with a decline in the practice of these crafts in their native countries due to Western colonization and cultural infiltration, leading to a period of artistic stagnation and Western aesthetics overpowering indigenous traditions. Early Western exhibitions of Islamic art, such as the 1893 display by the Union Centrale des Arts Décoratifs, faced criticism for their Orientalist scenography and genre mixing. It was not until Gaston Migeon's 1903 "Exposition des arts Musulmans" that a more scientifically organized and critically acclaimed display emerged, generating significant enthusiasm and opening Western eyes to the true depth of Islamic art. Louis Cartier, though not confirmed to have visited the exhibition, certainly had access to its catalogue, and it is believed to have been a pivotal source of inspiration for him. At a time when European jewellers were recycling historical styles, Cartier sought a new aesthetic, rejecting the prevalent Art Nouveau. The 1903 exhibition provided him with a new visual vocabulary rooted in the geometry and distilled motifs of Islamic art. He began integrating these elements into his designs as early as 1903, sometimes in minimalist pieces and other times blending them with existing garland styles. A subsequent groundbreaking exhibition in Munich in 1910 further spurred Cartier's interest, leading him to build his own collection of 16th and 17th-century Iranian and Indian manuscripts, paintings, and inlaid objects. From then on, Islamic architecture, manuscripts, and textiles became a consistent source of inspiration for Cartier, influencing motifs like crenelated parapets, brick patterns, almond-shaped mandorlas, finials, and scrolls. The colours and materials of the Iranian world, such as lapis lazuli, sapphire, jade, and emerald, became prominent in his designs, often mimicking the glazed ceramic brickwork of Central Asia. The article highlights a 1922 bandeau by Cartier featuring coral, onyx, and diamonds, which exemplifies the integration of miniature architecture and curvilinear forms. Beyond Cartier, the influence of Islamic design permeated various artistic fields. Henri Matisse's visit to the Alhambra after the 1910 Munich exhibition led to more intense colours and flatter patterns in his work, with his paper cut-outs showing unmistakable similarities to tessellated tile work. MC Escher was also deeply inspired by the Alhambra's symmetry and mathematical ingenuity. In performing arts, Leon Bakst's Oriental costumes for the Ballets Russes influenced couturiers like Paul Poiret, who created lifestyle experiences incorporating Islamic-inspired fashion, furniture, and textiles. Carlo Bugatti, an innovative furniture designer, similarly integrated Islamic effects like muqarnas and horseshoe arches into his creations. Although Islamic design fell out of favour in the West by the mid-20th century, recent exhibitions, such as "Islamophiles: L'Europe moderne et les arts d'Islam" (2011) and "Inspired by the East: How the Islamic World Influenced Western Art" (2019), have revived interest. The ongoing Cartier exhibition aims to serve as a catalyst, reintroducing these historical objects to new audiences and potentially inspiring a new generation of artists and designers, reflecting a continuous trajectory of influence and reinterpretation. #IslamicArt #CartierJewellery #ModernAesthetics #ArtHistory #CulturalExchange #DesignInfluence #Orientalism #Exhibition

Contemporary interior design is witnessing a profound transformation, moving beyond mere aesthetics to create deeply personal, experiential, and expressive living spaces. This shift is marked by a resurgence of sculptures as primary design elements, transcending their traditional roles in museums and gardens to become integral components of architectural design within homes. Sculptures are now seen as instrumental in shaping the atmosphere and guiding movement within a residence, reflecting a growing appreciation for contemplative beauty in everyday life. Internationally recognized Indian sculptor Murtikar Naresh Kumar Kumawat, renowned for his Samudra Manthan mural in the new Parliament, emphasizes that sculptures are establishing themselves as a permanent fixture in interior design. Historically, Indian sculptures primarily depicted divine figures, animals, and intricate stone carvings. While these traditional forms continue to inspire contemporary aesthetics, modern Indian artists are broadening the scope to include abstract and kinetic art, utilizing diverse materials such as industrial steel, polished resin, and ceramic alloys. This evolution encourages residents and designers to approach the entire space as a canvas, where a singular, impactful sculpture can redefine the room's character. For instance, a large, abstract metal sculpture placed in a minimalist foyer can become a dynamic focal point, its raw energy invigorating an otherwise quiet space and complementing the overall architectural design. Sculptures possess a unique ability to engage viewers and redefine three-dimensional space in ways that two-dimensional paintings cannot. They invite interaction from multiple perspectives, influencing the flow and perception of a room. Designers are leveraging this characteristic, using sculptures to subtly direct movement and attention. A series of wall-mounted pieces, a rhythmically arranged collection, or a delicately suspended installation can guide the eye through a space. Furthermore, a strategically positioned large vertical sculpture in an open-plan living area can function as an elegant, non-physical divider, separating conversational zones from dining areas without the need for solid walls. This architectural utility is highly valued by individuals seeking distinctive living environments. There is a discernible trend among homeowners to view their residences as extensions of their identity, artistic preferences, and personal philosophies. This perspective has led to an increased demand for sculptures that function as small-scale architectural installations, indicative of a sophisticated artistic sensibility. In modern design, the selection of a sculpture often precedes furniture choices, with the artwork dictating the room's color palette, material textures, and lighting scheme. Subsequent furnishings are then carefully chosen to complement and support the sculpture, ensuring it remains the artistic nucleus of the space. In contemporary homes, sculptures are often placed to foster a seamless connection between indoor and outdoor environments. A robust stone or bronze figure, for example, can effectively anchor an interior, bridging the gap between sleek modern designs and the dynamic elements of a garden, thereby imparting a sense of timelessness and intentional connection with nature. Kumawat notes that this burgeoning artistic trend has significantly benefited the Indian contemporary art market. Homeowners are actively commissioning both emerging and established Indian sculptors for site-specific works, thereby fostering a stable and robust ecosystem for creative talent. This practice not only ensures an aesthetic fit tailored to individual homes but also cultivates a deep personal connection to local craftsmanship and artistic vision. The use of innovative and unconventional materials further enriches this trend. Sculptures crafted from reclaimed wood, repurposed textiles, or recycled industrial waste not only offer visual interest but also reflect a growing environmental consciousness and a commitment to responsible consumption among Indian consumers. Therefore, sculptures are no longer mere accents but central characters that structure and elevate modern Indian homes, transforming ordinary living areas into sophisticated, complex, and highly personalized works of art that capture a cultural moment characterized by optimism and discerning taste. #SculptureDesignTrend #HomeInteriors #ArchitecturalSculpture #IndianArt #MurtikarNareshKumarKumawat #ContemporaryArtMarket #SustainableArt #PersonalizedHomeDecor #ExperientialDesign

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

Art history frequently features paintings of home interiors, offering valuable insights into artists' lives and working environments. For example, Henri Matisse's 1911 painting, *Red Studio*, not only showcases his identifiable artworks and objects but also reveals the arrangement of his studio, functioning as a historical record of his artistic space. Recognizing the historical and personal significance embedded within these interior paintings, the creative agency NeoMam, in collaboration with the home-improvement service HomeAdvisor, embarked on a project to re-imagine six such historically significant rooms. They transformed these famous art-historical interiors into realistic computer-generated (CG) renderings, presenting a modern interpretation of how these spaces might appear today. One of the re-imagined rooms is Vincent van Gogh's *The Bedroom* (1888), which provides an intimate glimpse into his personal life in Arles, France. Van Gogh intended the painting to evoke peace and relaxation. Historical analysis by the Van Gogh Museum in Amsterdam indicates that the vibrant, strongly contrasting colors seen today are partly due to years of discoloration; the walls and doors were originally purple, not the blue that is now prominent. Another featured interior is from Grant Wood's 1928 painting *The Sun Shine on the Corner*. Wood, a Midwestern realist painter renowned for his rural American depictions, including *American Gothic* (1930), presents a charming and inviting nook in this work. The painting's muted, earthy color palette contributes to its welcoming atmosphere. Wassily Kandinsky's 1909 painting *Interior (My Dining Room)* is also among the chosen works. Kandinsky, a pioneer of abstraction, used this painting not only to explore color and texture but also to depict his home. The eclectic palette employed in the artwork imbues the space with a distinct personality, reflecting his artistic approach even in a domestic setting. Konstantin Korovin's 1913 painting *Interior* portrays a Russian Impressionist setting. Korovin, known for his landscapes, portraits, and still lifes, used rose and beige hues, complemented by the view of winter snow outside the window, to create a quiet and comforting environment in this work, emphasizing warmth and tranquility through its depiction of bare wood. Finally, the project includes Roy Lichtenstein’s 1991 work, *Interior With Restful Paintings*. This piece, representative of Lichtenstein’s mature Pop Art style, is part of his “Interiors” series. In this series, he depicted domestic environments, often drawing inspiration from furniture advertisements. A recurring element in these works is an artwork placed within the artwork itself, here positioned above a couch. The CG rendering of this interior provides a contemporary view of Lichtenstein's distinct flat pop imagery in a three-dimensional context. The collection also highlights Eduard Petrovich Hau’s 1835 watercolor of *Empress Alexandra Feodorovna’s Sitting Room*, detailing the opulent interior of Russia's last empress's living space with rich ornamentation. #ArtHistory #InteriorDesign #FamousPaintings #DigitalArt #CGIRenderings #HomeDecor #ArtInterpretation #VisualCulture

Floating Canvas Company aims to democratize access to contemporary art through an art-on-subscription service, making it accessible and affordable for homes and commercial spaces. The company was co-founded by Shakti Swarup Sahu, Aagam Mehta, and Rahul Singh, who recognized the challenge of acquiring original art for many individuals. They believe that art provides a personal touch to any space and serves as a foundational element for aesthetic decisions like color palettes, textures, lighting, and furniture. While similar services exist internationally, Floating Canvas Company distinguishes itself by working directly with artists and offering services across major Indian cities including Delhi NCR, Mumbai, Pune, Bengaluru, Kolkata, Hyderabad, Chennai, and Ahmedabad. The subscription model starts at an affordable INR 90 per month, extending up to INR 8,000, ensuring that price is not a barrier to experiencing quality art. Subscribers commit to a minimum rental period of one year, with flexible payment options available on a monthly, quarterly, or half-yearly basis. A key feature of the service is the flexibility to switch artworks: subscribers are entitled to a free artwork switch every six months during their tenure, allowing them to refresh their space with new pieces from the collection without additional charges. For first-time subscribers or those less familiar with art selection, Floating Canvas Company offers a comprehensive 'filter' feature. This tool assists users in choosing artworks based on both practical and aesthetic criteria. Users can shortlist art by themes, styles, and types (e.g., paintings, photographs) and also refine their choices based on practical considerations such as size, budget, orientation, and the designated area within their space. The platform showcases works from a diverse group of featured artists, including Sajid Wajid Shaikh, Pratap Chalke, Pulkit Kamal, and Isha Pimpalkhare, providing subscribers with a wide array of options. Upon selection and payment of a refundable deposit, the chosen artwork is shipped to the subscriber. The company manages warehousing, delivery, and pick-up, with customized processes designed to minimize handling and potential damages. After an artwork is returned, it undergoes a thorough quality check. In cases of damage beyond normal wear and tear, the cost of repairs is adjusted from the refundable deposit or addressed directly with the subscriber on an individual basis. This model benefits artists by offering a new avenue for monetizing their work and introducing it to a broader audience, fostering a more vibrant art ecosystem. #ArtRental #AffordableArt #HomeDecor #InteriorDesign #FloatingCanvasCompany #ArtSubscription #IndianArt #ContemporaryArt

Artist Stephanie Dillon and her husband, Reilly, were captivated by a model home in Eden Prairie, which boasted a blend of whitewashed shiplap and shakes on its exterior, creating a timeless and airy aesthetic. The interior featured light-filled communal spaces, each with a distinct character, moving away from conventional floorplans. The color scheme ranged from calming charcoals and pale neutrals to deep greens and rich terra-cotta, evoking a European atmosphere. Kelli Fontana Vogelgesang, owner of West Bay Homes and the designer behind the model, drew inspiration from her travels to Paris, characterizing the style as French contemporary farmhouse. She envisioned the kitchen as a French pastry shop, integrating multiple layers of meticulously detailed materials throughout the 5,000-square-foot residence. The kitchen's design incorporates three types of glazed tiles for the backsplashes, with a small hexagonal tile chosen for its light-reflecting properties, contributing to an elevated visual experience. Dillon, an acrylic and mixed-media artist known for painting her emotions, found a kindred spirit in Vogelgesang, whose design philosophy also prioritized passion and feeling. Dillon retained Vogelgesang to complete the interior design of their new home. The designer expressed enthusiasm for incorporating Dillon's extensive rug collection. Elements like shiplap and painted charcoal, seen on the exterior, were repeated inside on the basement's fireplace wall and the vaulted ceiling of a lounge area adjacent to the kitchen, along with charcoal-colored square tiles extending from counter to ceiling in the kitchen backsplash. This repetition of color ensures cohesiveness and a holistic progression throughout the home, where all environmental elements relate to one another. Vogelgesang skillfully managed the abundance of materials, preventing a busy or cluttered appearance, much like Dillon blends colors on her canvases. Some design choices stand out, others recede, and some shimmer, collectively defining the mood of each space. The materials coalesce into a balanced and proportionate composition, resulting in a home tailored for an artist. Vogelgesang aims to create spaces that are timeless and elegant without being overly delicate or cost-prohibitive. The lower-level bar area features charcoal shiplap around the fireplace, painted in Sherwin-Williams’s Dorian Gray, and steps down into a sunken media room, showcasing the designer’s preferred brass and gray combination. Brass hardware also adorns the front entry doors. Light fixtures, including those from Mitzi on the library ladder, were strategically chosen. The unexpected entry leads to a "dining hall" that functions as a grand foyer, as described by Vogelgesang. This space features nine-inch-wide-plank white oak floors laid in a herringbone pattern, with ceiling beams bisecting its soaring height, allowing ample natural light. The built-in bar features a backsplash of alternating light and dark neutral tiles, custom cabinetry with dental molding, and a marble sink skirt. Open shelving in the kitchen displays two sizes of backsplash tiles from The Tile Shop, with custom alder wood cabinetry finished with a clear whitewashed stain and brass hardware for an enhanced shimmer. The kitchen, inspired by Parisian pastry shops, includes two islands for ease of navigation, with only one housing a sink to allow for uninterrupted dining on the other. The mudroom boasts large-format heated tiles combined with white oak cabinetry, finished in a whitewash stain, offering an industrial concrete look harmonized with French country cabinetry. A basement guest bath incorporates vibrant color through whimsical floral tiles from The Tile Shop on one wall and Sherwin-Williams’s Perfect Periwinkle on the adjacent wall. The library features a bold mix of Sherwin-Williams paints: Canyon Clay on the walls and Gauntlet Gray in a high-gloss enamel finish on the moldings and doors, complemented by chartreuse chairs. A wide-plank whitewashed cedar wall on the rear deck provides privacy. The prep kitchen off the mudroom embraces color with Waverly Classics wallpaper by York, cabinets painted in Sherwin-Williams’s Green Onyx, and a hammered copper sink, showcasing how personal touches can enhance practical areas. The powder room dazzles with an antiqued mirrored glass tile wall from The Tile Shop, a custom white oak vanity with a marble shelf, and Savoy House sconces. The floors throughout the home incorporate patterned ceramic tiles from The Tile Shop. The home's floor plan, while a traditional rambler, diverges into an unconventional layout where the front entry opens into a vaulted foyer and dining room, serving as a pass-through to the kitchen and great room. #HomeStyle #InteriorDesign #HomeTours #FrenchContemporaryFarmhouse #CustomCabinetry #TileDesign #ArtisticHome #ArchitecturalDetails #EuropeanInfluence

Marina Baisel, the founder of Rarares, a contemporary art space in DIFC, is approaching the art gallery model with a unique perspective, informed by her previous career in interior design. While Dubai's art scene typically features either large commercial galleries showcasing international artists or smaller ones dedicated to local talent, Rarares aims to bridge this gap by bringing both emerging and established global artists whose works are rarely exhibited in the UAE. The gallery's name, derived from the Latin word 'rarus' meaning rare, reflects this curatorial philosophy. Baisel's background in interior design provides a distinct advantage in the art world. Having spent nearly a decade incorporating artistic elements into interior projects, she understands the synergy between art and living spaces. She views interior design as a canvas where art plays a crucial role in enhancing the overall experience, capable of transforming spaces, evoking emotions, and narrating stories. This passion for the artistic component of interior design motivated her transition to becoming a gallery owner, seeing it as a natural progression to combine her love for aesthetics with a desire to support and promote artists. Her interior design expertise significantly influenced the gallery's physical design and exhibition curation. Baisel believes a gallery should be an immersive environment that enhances the viewer's experience, not just a display space. Consequently, the layout, lighting, and overall aesthetic of Rarares are meticulously planned to highlight each artwork, creating a cohesive narrative throughout the space. This careful curation extends to individual exhibitions, where Baisel leverages her design knowledge to consider how artworks interact with each other and their surroundings. Each exhibition is thoughtfully organized to guide visitors through the space, fostering meaningful engagement with the art. Aspects such as lighting, forms, and palettes are considered to establish a harmonious balance between the artworks and the gallery setting. Currently, Rarares is featuring 'Eidos,' a solo exhibition by multidisciplinary artist Mederic Turay, which marks his debut collection of ceramic works and his first show in the UAE. Following this, in April, the gallery will host 'Powerful Spring,' a group female exhibition that explores the philosophical concept of soft power and acceptance, serving as an ode to feminine strength. The gallery's approach reflects a thoughtful integration of art and design principles, offering a fresh perspective on art display and engagement within the Dubai art scene. #Art #FineArt #Gallery #InteriorDesign #DubaiArtScene #ContemporaryArt #ArtCuration #MarinaBaisel

This article features Lauren Jarrett and Melissa Greenwood, the Indigenous artists behind the brand Miimi + Jiinda, who gained recognition for their artwork showcased in Deb and Andy’s living area on the television show 'The Block.' The artists discuss their journey, inspirations, and creative process. Lauren, one half of the duo, has been painting for most of her life, while Melissa became seriously involved in art six years prior. Their inspiration stems from their tribal lands, ancestral teachings passed down through generations of grandmothers, and the stories of their strong matriarchal lineage. Their beautiful Gumbayngirr country and Melissa’s experiences as a modern-day Indigenous woman also significantly influence their work. They describe their art as a symbolic portrayal of their interpretation of Dreaming stories, drawing inspiration directly from nature. They utilize acrylics and pastels, with a distinct influence from their feminine matriarchal line. Creating a piece of art can vary in duration, from a week for smaller works to several months for larger ones, with the artists often working on multiple paintings simultaneously to maintain creative flow. Their personal aesthetic is characterized as earthy, natural, and minimal, deeply influenced by the textures and beauty of their traditional homelands. They also express a fondness for bright and bold elements that uplift the senses. The names for their artworks are derived from their Gumbayngirr language, which serves as a constant source of inspiration. The article highlights specific artworks, such as 'Mirrinmi' (Be Happy), which symbolizes finding joy in one's life path, and 'Yuludarra,' which represents their three hero ancestors in Gumbayngirr culture. The artists recount how their involvement with 'The Block' began when Deb and Andy contacted them via Instagram for a commissioned painting. Andy, being Biripi, was specifically seeking Aboriginal art, and the connection was made given Miimi + Jiinda’s Gumbayngirr heritage, located just a few hours from the Biripi Nation. They expressed immense excitement and honor in creating the piece for 'The Block,' hoping it would promote greater visibility for First Nations art across Australia and showcase their rich culture. They find inspiration in artists like Albert Namatjira and prefer to create their art 'on Country,' surrounded by their ancestral lands. Their creative environment often involves a soundtrack featuring artists such as Xavier Rudd, Ben Howard, Vance Joy, Ziggy Alberts, Nora Jones, and Baker Boy. A typical day for Lauren and Melissa is dynamic, ranging from intensive painting sessions, where their studio is filled with art supplies, to administrative tasks, order fulfillment, and sourcing materials. They also dedicate time to walking on Country, gathering natural fibers for weaving, and seeking inspiration for future artworks. Regarding balancing art with life and family, they suggest involving children in the creative process, as it can be a source of entertainment for hours and fosters shared artistic enjoyment. The article concludes by showcasing some of Miimi + Jiinda’s artwork, available online, and emphasizes their stunning original creations. #IndigenousArt #ArtistSpotlight #TheBlock #AustralianArt #GumbayngirrCulture #HomeDecor #ContemporaryArt #DreamingStories #ArtisticProcess

Joy Williams, an interior designer, recently undertook a hallway makeover for the Adler on the Park showhouse in Chicago, demonstrating that even small spaces can be transformed into engaging and vibrant areas. The original hallway was a mere pass-through with gray walls and light wood flooring, lacking character. Williams aimed to create a space that would encourage residents to pause and interact, rather than simply moving through. The Adler on the Park showhouse is housed within a landmark building, a set of four row homes constructed between 1915 and 1917, designed by David Adler and Henry Dangler. The building underwent a comprehensive renovation and partial restoration, allowing designers creative freedom while respecting its historical integrity. Williams embraced a global theme, intricately weaving together elements from West African and Asian design traditions. Her inspiration for the space was deeply personal, drawing from Chicago's diverse immigrant neighborhoods, the captivating cherry blossom season she experienced in Kyoto, Japan, and her appreciation for West African architectural design and structure. This diverse palette of influences culminated in a unique and inviting entrance hall. Williams' transformation of the hallway was extensive, moving beyond the existing flooring and a black unit door. She introduced bold color to the walls using bright pink and red paints from Sherwin-Williams, complemented by a pink patterned wallpaper by Thibaut. A focal point was established at the end of the hall, where she designed a white and gold credenza. This credenza, adorned with brass urns, palms, a statue, and custom art by a local artist, was inspired by her travels through Morocco. The renovated foyer now functions as an inspiring passage, guiding residents to their respective units. Its welcoming and homey ambiance is intended to enhance the residents' experience, encouraging them to linger and enjoy the entrance hall rather than treating it solely as a transitional space. Williams also shared insights into the project's challenges and budget allocation. She mentioned that varying ceiling heights necessitated a change in lighting fixtures, leading to the substitution of a chandelier with a wall sconce from Hubbardton Forge, a change that ultimately integrated seamlessly into the design. The majority of the budget was allocated to artwork and furniture, including the custom rift-sawn oak credenza painted in Benjamin Moore bright white and gold. Cost-saving measures included purchasing plants from Home Depot, which offered a good selection. Williams' favorite aspects of the completed space are the vibrant color combination and the original artwork. #InteriorDesign #HomeDecor #HallwayMakeover #GlobalDesign #WestAfricanDesign #AsianDesign #ColorPalette #Showhouse #ChicagoDesign

If a home's interiors appear bland, boring, or monotonous, incorporating layering techniques can transform these spaces into curated, inviting, and stylish environments. Layering involves combining various textures, finishes, and materials to add depth and make a space feel more "lived in" and vibrant. This approach goes beyond mere aesthetics, aiming to create a multi-sensory experience that engages sight, touch, and movement, resulting in a harmonious flow within the composition. One effective method for layering involves grounding the space by utilizing rugs. Since the floor is often the largest uninterrupted surface, it serves as an ideal canvas for introducing texture and depth. This can be achieved by starting with a large, handwoven base rug made from materials like jute, wool, or a silk blend, which anchors the room. To add personality and create a focal point, a smaller, patterned rug, such as a kilim, Moroccan Beni Ourain, or antique Persian, can be layered on top. Furthermore, using an organic-shaped rug over a rectangular base can soften architectural edges and help delineate specific zones within open-plan living areas, contributing to both visual interest and functional organization. Walls also offer significant opportunities for layering to enhance a room's character. Applying various wall treatments can impart a sense of architecture and tactility. Textured wallpapers, including grasscloth, silk, or linen, can introduce subtle richness and visual interest. Panelling, whether in wood, lacquer, or fluted profiles, creates dynamic shadow play and adds depth to the walls. A sophisticated and finished look can be achieved by combining these elements, for example, by framing a silk wallpaper within slim timber panelling, which adds a tailored touch. Textiles can transcend their traditional roles as upholstery or drapery to become striking art pieces. Hanging a vintage suzani, a woven wall hanging, or a contemporary tapestry can bring softness and a narrative quality to a room. To further enhance dimension and establish a dynamic focal point, a sculptural wall light or a floating shelf can be strategically placed in front of the textile, drawing the eye and adding another layer of visual complexity. Sculptural elements also gain presence when carefully layered with other materials. A ceramic, stone, or bronze sculpture can be positioned in front of a textured wall, such as one finished with silk, timber, or polished plaster, to create a compelling contrast. On shelving units, grouping smaller sculptures with books, framed art, and decorative vessels can contribute to a collected, lived-in feel, reflecting a curated aesthetic. Finally, achieving a balanced and cohesive layered look requires intentional contrasts. Pairing smooth materials like marble with open-weave linen, placing a matte clay vase against a lustrous lacquered cabinet, or introducing woven baskets into a room with clean-lined furniture can effectively soften the overall aesthetic and create a harmonious yet dynamic interior. #HomeDecor #InteriorDesign #LayeringTechniques #TexturedWalls #RugsAndThrows #SculpturalElements #TextileArt #VisualDepth #ContemporaryHomes

Amanda Khouri and Mary Catherine Murray, the dynamic duo behind the interior design firm Murray Khouri, have been making significant strides in the design world, undertaking projects from New York to Nashville. Their distinctive approach to interior design is characterized by a spirited and unique style that incorporates abundant layers of texture and textiles, aiming to tell a compelling design story in every space they create. Their work recently garnered national attention when they were the only Nashville-based firm to exhibit at Atlanta’s prestigious Southeastern Designer Showhouse & Gardens, highlighting their growing influence and recognition in the industry. The inspiration for their design careers stems from varied personal experiences. Amanda, always a creative individual, discovered her passion for design during the renovation of an early 1900s apartment in Washington, D.C. This experience solidified her desire to transition from a political career, where she had worked on Capitol Hill and as an in-house lobbyist for Twitter and Google. She reconnected with Mary Catherine, whom she had met years prior during a Senate Staff Delegation trip to China, and together they decided to pursue their shared dream of establishing a design firm. Mary Catherine's love for design was sparked at a young age by her grandparents' eclectic collection of global treasures, which illustrated the power of a home to narrate a life story. This early exposure instilled in her a desire to help others craft personalized spaces filled with unique items, a vision she now realizes through Murray Khouri. When asked about their favorite projects, both designers emphasized the importance of client trust and collaboration. They find immense satisfaction in projects where clients are open to their suggestions, particularly those that might initially seem unconventional or risky. These instances, they note, consistently lead to the clients' most beloved spaces within their homes, underscoring the success of their collaborative approach. Their recent participation in the Southeastern Designer Showhouse & Gardens was a significant milestone, occurring rapidly after an unexpected invitation. With only ten weeks to prepare, they chose to transform a lower porch into a space that challenged conventional outdoor design, incorporating readily available antiques and vintage pieces. Their goal was to demonstrate that antiques can be utilized in unexpected settings to create warm and inviting atmospheres, pushing the boundaries of traditional interior design. Their Showhouse space drew inspiration from their travels, particularly envisioning the breezy, open-air ambiance of an old Moroccan hotel. They aimed to create a design that encouraged connection and conversation, making bold decisions while maintaining a sense of livability and serenity. This vision translated into a space that transported guests and invited them to linger. For those seeking to elevate their homes, Amanda advises focusing on the "little things"—the details that often make the biggest impact. Mary Catherine encourages buying only what one truly loves, advocating for patience to find cherished items that bring lasting satisfaction, rather than settling for less. This philosophy aligns with their aesthetic, which Mary Catherine describes as starting with a traditional foundation, then thoughtfully layering interesting and exotic accents to create a collected, energetic, inviting, and timeless feel. In their personal homes, both designers cherish items that reflect their unique tastes and experiences. Amanda's favorite piece is a large portrait by Nashville artist Anton Weiss, admired for its colors and the mischievous expression of its subject, acquired from an estate sale—a testament to her love for finding deals. Mary Catherine is particularly fond of the whimsical chintz wallpaper by Soane in her powder room, a choice inspired by a special piece of art from Marrakesh and reminiscent of Lee Radziwill's consistent use of beloved prints. Looking ahead, Amanda is excited by trends such as authenticity, citrus colors, and increased attention to ceiling design. Mary Catherine expresses enthusiasm for the decline of the open floor plan, preferring the value of cozy, intimate spaces that offer more opportunities for unique and diverse designs. #InteriorDesign #MurrayKhouri #TraditionalDesign #HomeDecor #DesignPhilosophy #Showhouse #ClientCollaboration #DesignTrends