Linda Kaysen of Spoon and Stable: Style Profile

Christine Lin, founder and principal of Form + Field, an interior design firm based in San Francisco, shares insights into her work, inspirations, and projects. Lin's background includes studies in architecture and mechanical engineering at MIT, where she also delved into furniture and product design and art history. This diverse academic foundation, combined with rigorous training in corporate and startup tech environments and an MBA from UC Berkeley, equipped her with expert management and execution skills. Her keen eye for design has been further honed through extensive study and global travel, seeking out new art, design, and architecture. Form + Field's design philosophy centers on integration and longevity, aiming to create holistic, enduring environments that promote joy and well-being. The firm intentionally crafts spaces tailored to individual needs, whether residential or commercial. Lin describes her style aesthetic as 'eclectic modernism with an emphasis on contemporary art and architectural detailing.' The design process at Form + Field is highly client-centric. It begins with a comprehensive discovery phase, including extensive questionnaires, to deeply understand clients' personal interests, preferences, and cherished memories of interiors. This information serves as a foundation for crafting a unique space. Lin likens the design process to a Venn diagram, where one circle represents the client's desires and functional requirements, and the other encompasses Form + Field's design principles. The 'overlap' between these two circles, which varies with each client, is where the firm identifies the magical and personalized aspects of a project. Lin finds inspiration primarily through conversations with passionate individuals across various crafts and arts, transferring that energy into her design work. One of her most inspiring projects to date is the Martis Camp project in Tahoe, a collaboration with Faulkner Architects, set to conclude in 2024. This project stands out for its ambitious scope, extensive custom design integrated with interior architecture, and the exploration of new vendors, fabrication processes, and color applications. Her dream project involves designing a small boutique hotel that offers a unique guest experience, deeply rooted in the surrounding culture and context of its location. Form + Field's ideal clients are described as kind, well-traveled, cultured individuals who value quality, invest in good design, appreciate architecture, and collect art. These clients are typically open to exploration, new ideas, and unexpected design solutions. Lin identifies Form + Field's 'design superpower' as their ability to interpret clients' needs and desires through their distinct lens, translating them into elevated, unique designs. The firm prides itself on creating spaces where each project possesses a distinct personality, clearly reflecting the occupants. Her design heroes include architect Rem Koolhaas/OMA, whose conceptual approach, focus on ideas over a singular aesthetic, and willingness to take risks are deeply inspiring. Looking ahead, Form + Field is embarking on a large, new-construction generational home project in Kauai, collaborating with Zak Architecture. This endeavor represents an exciting opportunity to create a holistic vision for a dream vacation home, building on an established trust with the clients, for whom this is their third project with the firm. #InteriorDesign #ChristineLin #FormAndField #DesignPhilosophy #EclecticModernism #ClientCentricDesign #ArchitecturalDetailing #DesignInspiration #CustomDesign

The article presents an interview with interior designer Katie Harbison, focusing on her approach to creating warm, contemporary, and effortlessly livable interiors. Harbison emphasizes her philosophy of blending architectural integrity with a Californian sensibility, drawing inspiration from classical influences while prioritizing comfort and natural materials. She describes her design process as beginning with a deep respect for the building's existing architecture, aiming to restore original period details where possible, especially in historic properties like New York townhouses. Harbison notes that a cohesive flow from the facade to the interiors is crucial. Harbison defines the Californian aesthetic that influences her as characterized by deep, comfortable seating, natural woods, soft color palettes, and a strong emphasis on materiality over excessive ornamentation. While she does not consider herself a minimalist, she balances a love for collecting and displaying vintage treasures with smooth, refined, and pared-back elements, such as marble bars, to prevent clutter and maintain a sense of calm. For modern homes lacking period details, she explains that character can be introduced through architectural features like curved arches, which can then be echoed in furniture to soften sharp lines. The overarching principle, she states, is always to find balance in design. Regarding essential design elements, Harbison expresses a strong preference for marble, which she uses extensively. She also favors limewash and plaster on walls for their rich texture. Her base palette typically consists of neutral, soft bone tones, but she incorporates bold, immersive colors in smaller spaces like powder rooms. In main living areas, color is often introduced through the natural veining of marble. She particularly appreciates stone with mossy green veining, seeking depth and subtlety in patterns rather than overly pronounced ones. Harbison discusses her strategy for achieving a pared-back yet curated look, even with an abundance of collected items. She avoids overcrowding rooms with large furniture pieces and utilizes negative space on shelves, arranging objects of varied heights and shapes to create visual rhythm rather than strict linear arrangements. Her design approach is informed by historical periods, with a particular affinity for the Renaissance due to its ornate details and the integration of elements like architraves with marble. She seeks to inspire a sense of calm and happiness in the spaces she designs, likening it to the comfortable and inspiring feeling of a thoughtfully curated hotel during a vacation. Finally, Harbison points out that symmetry is an often-overlooked aspect of home decoration. She clarifies that perfect symmetry isn't necessary but emphasizes the importance of aligning elements like joinery and paneling. To add intrigue and balance, she recommends including one or two unexpected touches within a room, such as a small, surprising mirror in a formal drawing room, to create a subtle lift and prevent the space from feeling too predictable. #InteriorDesign #KatieHarbison #DesignPhilosophy #CalifornianAesthetic #ArchitecturalIntegrity #Materiality #MarbleDecor #LimewashWalls #RenaissanceInfluence #SymmetryInDesign

Olivia Smith, founder of Nodi Rugs, shares her journey in textile design, deeply influenced by her travels and connection to nature. Her initial steps into the world of textiles began in Milan, where she studied textiles and interned with a designer specializing in block-printed textiles from India. This experience introduced her to the beauty of handmade and traditional Indian textiles, and it was during this time that she learned the word "nodi," meaning 'knots' in Italian, which later became the inspiration for her brand name. After three years in Milan, facing the economic downturn of 2008, Smith moved to Sydney. There, she worked for a furniture company, gaining insight into the interiors market, trade accounts, and project specifications by working with interior designers and architects. Despite this, her passion for textiles persisted in the background. A trip to Japan served as a pivotal moment, inspiring her to move to India with the intention of learning and honing her textile skills rather than immediately starting a business. In India, she connected with an agent and various rug factories, ultimately choosing one to weave her initial designs. Smith's early designs were heavily influenced by her surroundings and travels, emphasizing the transformative power of new environments on creativity. Her first collection, consisting of five full rug designs and swatches, presented a logistical challenge upon their arrival in Sydney due to their weight. Undeterred, she created a catalogue, photographed the rugs, and began selling them to her contacts in the interior design community. Recognizing the need for a stronger support system to grow her business, she relocated to Mount Maunganui, New Zealand, where she established the foundational elements of Nodi Rugs. She secured retailers and gradually expanded her sales, leading to the release of a second collection. Over time, Smith adapted her design philosophy to cater to the New Zealand market, which she observed to be more conservative in its aesthetic preferences. This led her to introduce a new range that balanced her bold initial designs with more subdued, versatile options. Her "Staples" range was born from observing natural light and shadows in her Mount Maunganui office, directly inspiring the organic forms within the collection. She consciously chose natural materials like jute, banana silk, and cotton, aligning with the coastal environment she was then inhabiting. The commercial sector has become a growing segment for Nodi Rugs, with custom-made rugs for specific spaces being a favored aspect of her work. For her latest collection, Smith faced the challenge of balancing creativity with commercial viability. This collection, which required numerous redesigns, introduces a wool component to the Staples range and explores different spinning techniques for jute, creating a comprehensive array of staple rugs. Additionally, a new designer range called "Luna," meaning moon in Italian, emphasizes texture and yarn, further showcasing her commitment to natural inspiration and materials. Nodi Rugs exclusively uses natural fibers like wool and jute, avoiding synthetics, underscoring their inherent durability and resilience. Looking ahead, Smith envisions Nodi Rugs evolving into a global brand, exhibiting at major international trade fairs like Salone in Milan and Maison&Objet, while maintaining its core operations in New Zealand. #OliviaSmith #NodiRugs #TextileDesign #InteriorDesign #RugDesign #NaturalMaterials #HandmadeTextiles #TravelInspiration #NewZealandDesign

Ally Kim, a prominent design blogger, draws inspiration from various sources, particularly a planned trip to Scandinavia, which influences her current design preferences. Her blog, "From the Right Bank," launched in 2009, initially focused on home decorating and has since expanded to encompass personal style, home organization, and luxury travel. The blog's title is a nod to Paris, one of Kim's favorite cities. Her work has garnered national recognition from platforms such as Huffington Post Home and One Kings Lane. Kim's Scandinavian-inspired design vision emphasizes simple, black-and-white interiors, the integration of cool marbles, and botanical accents. This aesthetic is partly informed by her anticipation of visiting Ett Hem, a boutique hotel in Stockholm built in 1910, which was once the residence of artist Carl Larsson. This hotel is part of a larger travel itinerary that also includes exploring Norwegian fjords and Swedish archipelagoes. Several specific items and materials exemplify Kim's current design interests. These include the "Magnetism" magnetic wallcovering by Weitzner, a product that likely offers both aesthetic appeal and practical functionality. She expresses an affinity for objects with a spiky texture, citing the "Spike Pot" from Jayson Home as an example. For wall decor, she highlights the "Zebra Palm" wallpaper in ebony by Schumacher, indicating a preference for bold, nature-inspired patterns within her monochromatic theme. Accessories such as the Issey Miyake Bao Bao bag in white suggest a minimalist yet striking personal style that aligns with her interior design choices. Her selection of a metal organic hammered bowl from World Market and a vintage black-and-white vase reflects an appreciation for unique textures and retro elements. The Marimekko Tuuli pillow cover further underscores her interest in textile patterns and Scandinavian design influences. Kim's approach to design is characterized by a curated selection of items that blend modern aesthetics with natural elements and a touch of vintage flair, all underpinned by a clean, monochromatic palette. Her travel experiences and personal history of living on three continents contribute to her diverse and evolving design perspective, as reflected in the content of her blog and her current inspirations. The article provides a glimpse into the creative mind of a design professional, offering insights into her influences and preferred design elements. #AllyKim #Design #InteriorDesign #Scandinavia #HomeDecorating #Blogger #EttHem #BlackAndWhiteInteriors #BotanicalAccents

Krysti Lyn, a whole home designer, discusses her career journey, design philosophy, and personal experiences. She reveals that her career in design began at the young age of seven, identifying it as an innate gift for "seeing in scale." This ability allows her to visualize how objects fit within a room beyond their aesthetic contribution, a skill she considers a designer's superpower. Despite not actively choosing this path, she expresses gratitude for the opportunity to fulfill her purpose daily, serving clients who benefit from her unique perspective. Lyn specializes in a transitional design aesthetic, which involves blending and merging various design styles and periods. She emphasizes her versatility and ability to select appropriate materials for her clients, attributing her success to this client-centric approach. Her professional journey, however, has not been without challenges. She openly shares that her personal and work life was significantly impacted by domestic violence. This experience, while difficult, ultimately strengthened her resolve, teaching her the importance of self-advocacy and re-focusing on her future. She highlights that this period of adversity made her more determined and taught her to establish boundaries, including learning to say "no." Her professional goals include maintaining her status as an authority on design options, continuously integrating new products, tools, and styles into her practice. She prides herself on creating timeless designs for her clients, understanding that her work involves a significant degree of responsibility and trust. These two elements, she notes, are fundamental to her profession. She considers the ability to build and maintain trust with clients as paramount to her success. When asked about her recommendations for a friend visiting Los Angeles, Lyn outlines a personalized itinerary. This includes a casual meal at In-N-Out Burger, followed by a three-day staycation at her home in Palm Desert, complete with a hot tub, private massages, charcuterie, and Malbec red wine. The trip would also feature a short visit to Las Vegas for a show and a stay at a luxury hotel, interspersed with visits to quaint local spots for improv or murder mystery dinners. A morning drive to Malibu for breakfast to enjoy the scenic views is also on the list. For those interested in Hollywood, she mentions a visit to a famous celebrity cemetery. Significantly, she emphasizes introducing her friend, Kathy, to as many clients as possible, revealing Kathy's integral role as a faithful assistant, confidante, and source of support throughout her career. This acknowledgment underscores the importance of personal relationships in her professional life. Lyn also touches upon the role of mentorship in her career, stating that she did not have a traditional mentor. Instead, she navigated her early career through prayer and faith. She acknowledges one instructor from Harrington design college who authored a notable Modern Furniture Resource Book, and expresses that being recognized by Harpo Studios for her participation in "The Ugliest Room Contest" was a pivotal moment, making her feel understood and appreciated early in her career. This recognition served as a validation of her unique talent and approach to design. #InteriorDesign #HomeDecor #TransitionalDesign #DesignPhilosophy #Entrepreneurship #PersonalJourney #CreativeProfession #ClientRelationships #LosAngeles

Gladys Tay, a vintage dealer and social media personality from Singapore, showcases her eclectic and maximalist design style in her 1984 Shoreview split-level home. Her unique approach to interior design, which blends modern and traditional furnishings with a keen eye for sculptural and artistic pieces, has garnered a significant following on Instagram. Tay's design philosophy is characterized by a playful attitude towards objects, where items are not confined to their intended use but are reinterpreted as art or multi-functional pieces. This is exemplified by her perspective on a hand chair, which she views as both a functional item and a piece of art to be creatively integrated into her space. Tay's home, spanning 1,800 square feet, is a dynamic canvas where pieces are regularly rotated from storage to display, ensuring a fresh and captivating aesthetic. Despite the spontaneous appearance of her arrangements, each item's placement is thoughtfully considered to maximize its visual impact without overwhelming the overall design. She maintains a neutral color scheme throughout her home to create a sense of cohesion and continuity between different spaces, often moving items between rooms to achieve a desired look. Timelessness is a core value in Tay's design ethos. Her art collection, which spans various eras and styles from portraits to abstract works, is a testament to this principle. She believes that good design, regardless of its age, can stand the test of time. As a vintage dealer, finding such pieces is central to her work. She frequents Minneapolis stores like Covet Consign, Bauer Brothers Salvage, and Hunt & Gather, seeking out items that are at least 20 years old and possess strong aesthetic appeal, purpose, and functionality. Tay is particularly drawn to multi-use items, such as a console table that can serve as a desk, entryway table, or bathroom vanity, always considering how an item can contribute to a room's energy and character. Her passion for unique finds and eclectic design is deeply rooted in her childhood experiences. Her father, who traveled extensively for work, would bring back limited-edition items from places like Manila, Japan, Hong Kong, and China, fostering her appreciation for one-of-a-kind objects. This early exposure to diverse cultural artifacts shaped her current design sensibility. Tay's Instagram profile, @thegladystay, initially started for personal lifestyle sharing in 2016, evolved into a platform where she shares her home's evolving design and her distinct style. Her hand chairs, in particular, often generate significant engagement and discussion among her followers. Her advice to aspiring designers is to maintain an open mind when shopping, avoid preconceived expectations, and trust one's intuition, emphasizing that true design comes from within. She also operates a vintage market called Foo Shoppe on chairish.com/shop/fooshoppe. #GladysTay #EclecticDesign #MaximalistDesign #VintageDealer #HomeDecor #InteriorDesign #Shoreview #ArtCollection #TimelessDesign

Lisa Kanning, a Brooklyn-based designer, draws inspiration from the natural world to create texture-infused interior spaces. Her approach involves integrating with the project early to establish a palette that harmonizes with the surrounding landscape. Kanning's design philosophy emphasizes rich neutrals and organic materials, ensuring that each element contributes to a cohesive and flowing visual experience. She achieves this by incorporating various tonal colors and textures that allow the eye to move effortlessly across the space, preventing any single feature from dominating. For a recent project at a client’s Telluride, Colorado, residence, Kanning developed a mood board that exemplifies her design principles. This scheme centers on an earthy palette and tactile finishes, beginning with brushed European oak flooring. The design incorporates diverse textures, such as tawny faux fur fabric and metallic-accented abaca window coverings, to create a modern mountain home that maximizes scenic views while maintaining warmth. Kanning highlights the importance of balancing glass elements with warm tones and textural details to achieve this effect. Kanning elaborates on the specific components of her mood board, each selected for its unique contribution to the overall design. Among the selections is a birch wallcovering in Wisteria by Lisa Kanning for Hartmann&Forbes;, which features delicate bronze thread embroidered on a metallic cork background, offering a sophisticated artistic interpretation of birch tree bark. Custom twig coat hooks by CP Lighting provide organic forms, while Benjamin fabric in Putty by Zinc Textile introduces a luxurious faux fur texture. The Cenote windowcovering in Oro by Lisa Kanning for Hartmann&Forbes; showcases a natural ombre effect with interwoven metallic threading, creating both aesthetic appeal and practical functionality. Further enriching the material palette, the Talisman fabric in 020 by Carlucci at JAB Anstoetz is noted for its intense character, varied pile heights, and layered sheens. The Submerge rug by Kyle Bunting demonstrates complex designs and the workshop's versatility, including its expansion into wool and silk. Toluca fabric in Gouttes de Rosée by Élitis contributes a strong textural vibration through its irregular tied and dyed threads. Slayd Boxes by Nestor & Rotsen utilize ceramics in unique ways, highlighting the material's depth. Lighting and finishes are also carefully chosen to enhance the natural aesthetic. The Petra I Sconce in Smoky Quartz by Christopher Boots features natural quartz, providing an ethereal glow due to its translucency and organic shapes. Raw Urth Designs' vintage pewter finish offers a unique metal option for countertops and range hoods. Polished amethyst and citrine clusters from Starstuff Rocks are incorporated for their natural beauty and unique cylindrical forms. The foundation of the space is laid with Valor brushed European oak flooring by Hakwood, known for its exceptional variety. Naguri panels by Workbench are suggested for doors or accent walls, adding sculpted wood details. Fandango antique brass plated mesh by TWP is chosen for cabinet door inserts, allowing for light interplay. Finally, bronze-tinted glass by Meltdown Glass Art & Design provides a transparent material full of warmth through its tone and texture, challenging the perception of glass as a cold material. #InteriorDesign #LisaKanning #MoodBoard #TellurideResidence #OrganicMaterials #LuxuryDesign #MaterialSelection #CustomDesign

This article, part of the weekly "STYLE BAROMETER" series, delves into several emerging trends across home decor, fashion, and lifestyle. The piece opens by exploring the growing phenomenon of the "vase wardrobe," highlighting how individuals are accumulating extensive collections of vases. Florists and interior designers, such as Willow Crossley, Laura Stephens, and Jacqueline Mercer, are cited as examples, with collections ranging from 80 to 500 vases. These enthusiasts justify their habit by explaining the need for variety to complement different floral arrangements and interior aesthetics, emphasizing that a carefully chosen vase can significantly enhance the presentation of flowers, much like shoes complete an outfit. Transitioning to fashion, the article introduces the "swamp coat" as a new autumnal trend. This style, characterized by oversized, sludgy-green coats with textured materials like fuzzy wool or shaggy shearling, is gaining popularity, with designers like Ferragamo, Burberry, and Cos offering various interpretations. This trend signals a departure from more conventional beige and camel tones, embracing a more distinctive and perhaps unconventional aesthetic in outerwear. Beyond material trends, the article also profiles Emily Austen, a relative of Jane Austen, discussing her upcoming book "Smarter." Austen's work addresses the evolving definition of ambition for working women in the post-"girlboss" era. Her book is presented as a manifesto that encourages women to define success on their own terms and navigate their careers "smarter," drawing inspiration from motivational literature while addressing a perceived gap in female-led perspectives on work-life balance and ambition. Austen humorously speculates that her famous ancestor, a highly ambitious woman herself, might have approved of her endeavor. Finally, the article touches upon a peculiar social trend emerging in New York City: the grocery store as a dating hotspot. Drawing parallels to Los Angeles's Erewhon, Happier Grocery is identified as a new destination where Gen Z individuals mingle while shopping for high-end, niche health foods. The store sells expensive products like canned pickle juice, bone broth, detox water, and “raw milk,” along with exclusive merchandise created in collaboration with Rose Bakery. The clientele, attracted by the store's unique offerings and the opportunity to meet like-minded individuals, underscores a broader cultural shift where health, wellness, and conscious consumption intersect with social interaction and personal branding, evidenced by items like transparent woven bags that become eBay collectibles. This highlights how curated retail environments are becoming unexpected venues for social connection and community building. #StyleBarometer #VaseWardrobe #HomeDecor #InteriorDesign #FashionTrends #SwampCoat #EmilyAusten #FemaleEmpowerment #WorkplaceCulture #NewYorkTrends #HappierGrocery #GenZCulture #WellnessLifestyle

Karina Espinosa, owner of KE Design, discusses her journey into entrepreneurship, drawing inspiration from her parents' dedication to their own business. She emphasizes the importance of hard work and passion in her career as an interior designer. Espinosa highlights that her determination to pursue a career she genuinely enjoys, rather than a job she dreads, led her to establish KE Design after gaining substantial experience and knowledge in the field. KE Design offers comprehensive interior design services, specializing in residential spaces and commercial buildings. The company provides window treatments and custom furniture tailored to clients' needs. Espinosa describes her design aesthetic as a blend of modern and transitional elements with an organic touch, prioritizing meticulous attention to detail to reflect each client's unique style. KE Design aims to create timeless spaces, whether they are large-scale projects or smaller refresh initiatives, guiding clients through a collaborative process to bring their visions to fruition. Espinosa attributes her current success to unwavering hard work, personal sacrifices, clear prioritization, and a strong vision. She notes that being a business owner demands constant engagement, often requiring a 24/7 work ethic. Responsiveness to clients and vendors is crucial, as it fosters strong connections essential for business growth. She also underscores the value of learning from both positive and challenging experiences, advocating for a positive mindset to significantly influence outcomes. When asked about recommendations for a visitor to Miami, Espinosa suggests an itinerary focused on enjoying the city's outdoor and culinary offerings. She highlights the appeal of spending time by the water, whether lounging on the beach, boating in the ocean, or taking a trip to the Florida Keys for a tropical escape. For dining, she recommends exploring diverse restaurants and mentions several favorites with great ambiance, including The Deck at Island Gardens, La Mar, Regatta Grove, Mila, and Cipriani. She also suggests notable sushi spots like Uchi, Omakai, Katana, and Paperfish, and stresses the quintessential Miami experience of trying a Cuban cafecito and croqueta. Espinosa expresses gratitude for the support and encouragement she has received throughout her journey. She dedicates her success to everyone who continues to support her, her loved ones who motivate her to achieve her goals, and her late mother. She credits her mother with instilling in her the passion and drive for design, emphasizing that the values taught by her mother continue to guide her in all aspects of her life and work. #InteriorDesign #Entrepreneurship #MiamiLifestyle #BusinessJourney #DesignServices #KEDesign #CareerPassion #ClientSatisfaction

Kourtney Kardashian, often recognized for her role in 'Keeping Up with the Kardashians,' has established herself as a significant figure in interior design, showcasing a distinctive and elegant approach to decorating her Calabasas home. Purchased in 2014 for £6.5 million ($8.5m), her 12,000-square-foot property, set within 1.86 acres, features a home cinema, spa, sauna, sports court, a large swimming pool, six bedrooms, and numerous meticulously designed living spaces. Kardashian's design philosophy emphasizes understated elegance, particularly evident in her living room. This space combines neutral furnishings and natural textures, creating a sophisticated monochrome scheme. Key elements include a classic piano, a monochrome wall hanging, and a unique chaise longue, all contributing to a stylish yet uncluttered aesthetic. A notable feature is the eye-catching tiled fireplace with herringbone tiling, serving as a striking focal point. She also advocates for using coffee table books to effortlessly update a room's decor, as highlighted on her website, Poosh. Her bathroom design exemplifies how to create a tranquil and spa-like environment. Soft cream walls are complemented by dark wood units, and the space is adorned with neatly folded towels, luxurious beauty products, and a touch of greenery, ensuring a relaxing ambiance. Kourtney suggests that even small changes, such as adding pretty soap or scents, can significantly enhance the bathroom's feel. In her office, Kardashian demonstrates a willingness to infuse personality into her decor. She combines chic finishes with whimsical touches, such as playful graphic prints and an unusual Batman portrait. Architectural floor lights and marble shelving complete the look, proving that a workspace can be both stylish and inspiring. Kardashian's appreciation for high-end design is evident in her love for British designer Tom Dixon. She particularly fancies his brass pieces, like a spun brass tea set, which she notes can be integrated into various interior styles to add a chic and eye-catching element. She highlights the enduring appeal of brass in home decor. She skillfully employs neutrals to create calming spaces, as seen in her bedroom. Here, neutral tones are paired with natural wooden accents, and a clutter-free environment is maintained. Tactile light grey carpet and floor-length curtains contribute to a soft and private atmosphere. Kourtney prioritizes organic bedding, specifically Legna linens, and suggests using simple glass carafes in guest bedrooms to reduce plastic use. While favoring neutrals, Kardashian also embraces bold elements. Her Christmas decor, for example, features a vibrant mix of opulent gold ornaments, glittery baubles, and peacocks, set against dramatic striped wallpaper. This showcases her ability to incorporate color and quirky art into her design scheme without overwhelming the space. Her outdoor living areas are as meticulously designed as her interiors. The garden features manicured lawns, rows of matching sun loungers, and large leafy trees, creating an atmosphere of alfresco glamour. A Mediterranean-style outdoor kitchen, complete with a covered breakfast bar and marble tables, provides a sociable space for entertaining by the pool. This demonstrates her comprehensive approach to home design, extending elegance to the exterior. Finally, Kardashian exhibits an innate understanding of current trends, as evidenced by her choice of crisp white sofas in her living room. This daring yet effective style statement highlights her ability to select pieces that are both fashionable and functional, maintaining a cohesive and stylish aesthetic throughout her luxurious home. Her design choices consistently reflect a sophisticated blend of elegance, personal expression, and practical living. #KourtneyKardashian #InteriorDesign #HomeDecor #LuxuryHomes #CelebrityHomes #Calabasas #UnderstatedElegance #ModernDesign #NeutralPalette

Delphine and Reed Krakoff, known for their distinct design philosophies in fashion and interior design, embarked on a significant undertaking by acquiring and renovating Lasata, a historic 11-acre estate in East Hampton, New York. This Arts and Crafts residence, built around 1917, holds historical significance as the childhood summer home of Jacqueline Kennedy Onassis. Despite its esteemed past, the property had seen minimal improvements since the 1960s, a condition Delphine described as featuring “vintage wallpaper and vintage plumbing.” The couple’s decision to purchase the estate was driven by their shared passion for revitalizing unique houses with rich histories that often deter other buyers. The property includes the main residence, a guesthouse, a poolhouse, and a small cottage. The initial phase of renovation focused on modernizing the essential systems of the house, addressing outdated plumbing and electrical infrastructures. Following this, the Krakoffs meticulously restored architectural elements, fixtures, and hardware, ensuring that all new additions were consistent with the home's original period. They opted for plaster with metal lath for walls instead of Sheetrock and chose reclaimed 200-year-old oak for flooring to maintain the house's authentic, creaky character after the original floorboards were damaged during re-leveling. A notable discovery occurred in the living room, where Louis XVI–style boiserie had been installed. Upon finding an old drawing of the room from Jacqueline Kennedy's childhood featuring simple grid-pattern millwork, the couple investigated, uncovering perfectly preserved original oak panels beneath the later addition. This find allowed them to restore the living room to its earlier state. While the architectural restoration aimed for historical accuracy, the interior decoration adopted a different approach, prioritizing an eclectic mix of furnishings to create a lived-in feel, as if the house had been furnished gradually over time. The living room exemplifies this blend, showcasing a 1970s John Dickinson mirror alongside an 18th-century Jacob Frères marquise chair and Queen Anne wing chairs, which were strategically used throughout the house to balance modern pieces. In the dining room, a midcentury Samuel Marx table with Lucite legs is paired with 1910 Tiffany pendant lamps. To ensure visual cohesion across the first floor, where multiple rooms are often visible from various points, all decorative lighting was selected from vintage Tiffany pieces. The bedrooms, though each featuring a dominant color palette, maintain a consistent theme with similar furnishings, including four-poster beds and geometric-patterned rugs, harking back to the original thematic designations like the “yellow room” or “blue room.” The exterior landscaping was entrusted to Perry Guillot, a long-time collaborator and Southampton-based landscape architect. Guillot refined the formal gardens by streamlining plantings and opening up the far side to enhance access to the expansive lawn. His work aimed to distill the original design into a contemporary yet appropriate form, reducing its Victorian formality. In the wooded areas surrounding the estate, neglected plantings were augmented with more of the existing species, such as cedar, linden, and rhododendron. This subtle approach to landscaping, mirroring their work on the house itself, aimed to create an impression that minimal intervention had occurred, allowing the natural beauty and historical integrity of the estate to shine through. #homeDesign #interiorDesign #historicRenovation #eastHampton #luxuryHomes #artsAndCrafts #jacquelineKennedyOnassis #krakoffEstate

Designer Jenni Kayne, known for her laid-back-yet-chic closet staples, is expanding her aesthetic to home decor through a new collaboration with Lulu & Georgia. Kayne's existing website already features decorative items like Alpaca throws, oak tables, and linen sofas, but this latest endeavor focuses on bringing her quintessential California vibe to flooring through a range of rugs. The partnership between Kayne and Lulu & Georgia is a natural fit, given their shared interest in interior beautification and their Southern California roots. Sara Sugarman Brenner, CEO and Founder of Lulu & Georgia, notes that the capsule collection distinguishes itself with a strong emphasis on Kayne's signature breezy, beach-inspired style. The rugs are characterized by their use of natural materials, such as handwoven hemp and wool, which aligns with current fall home decor trends. They also feature a minimalist color palette and patterns, reflecting a simple yet sophisticated approach to design. Kayne herself highlights the versatility of these rugs, particularly for layering, a decorating technique she favors. She states that the collection is designed for layering and offers a blend of vintage classics and timeless, everyday pieces. The collaborative collection offers a wide range of rug sizes, suitable for various spaces within a home, from small 2x3-foot rugs to larger 12x15-foot options. This variety in size is reflected in the pricing, which ranges from $128 to $3,998. The five distinct rug designs from the collection are available for purchase on both Jenni Kayne's and Lulu & Georgia's websites. The article notes that the items are selling quickly, suggesting a high demand for Kayne's California casual aesthetic in home furnishings. The timing of the release also taps into the current interest in creating a 'staycation' feel at home, offering consumers a way to infuse their living spaces with a relaxed, beach-inspired atmosphere. The article implicitly suggests that acquiring one of these rugs is an opportune way for individuals to incorporate this popular design trend into their homes. It also includes a standard disclaimer about product selections and potential affiliate sales, indicating that the featured products were independently chosen by the editorial team and that the publication may earn a commission from purchases made through the provided links. #JenniKayne #LuluAndGeorgia #HomeDecor #RugCollection #CaliforniaAesthetic #InteriorDesign #NaturalMaterials #MinimalistStyle #DecoratingTrends #HomeFurnishings

A Southern California couple, now empty nesters, embarked on a significant home renovation, upsizing their residence from 6,000 to 10,500 square feet on the same property where they raised their children. This project involved a dramatic shift from a traditional architectural style to a contemporary one, led by Los Angeles-based KAA Design and San Diego’s Pamela Smith Interiors. The collaborative effort resulted in a dwelling affectionately named the 'Tree House,' emphasizing its deep integration with the surrounding natural environment. The property itself is a striking two-acre site on a promontory overlooking the Pacific Ocean, featuring mature oak, Torrey pine, and magnolia trees. The design philosophy centered on preserving and incorporating these trees into the architecture. Grant Kirkpatrick, founder of KAA Design, articulated the vision of treating the entire site as a canvas for both the house and an extensive indoor-outdoor living environment, which includes generous lawns, a swimming pool, and a bocce court. The approach to the property was reimagined to create a 'romantic entry sequence,' as described by KAA partner Duan Tran. Instead of directly accessing a garage, visitors follow a winding path through the trees, past a monumental board-formed concrete gate, leading to a porte-cochère and a motor court. This area features a zen garden with a granite boulder and a pruned Japanese black pine, serving as a contemplative transition space before entering the main residence. The two-story house is characterized by interconnected volumes, where cubist simplicity belies a sophisticated design. The layout emphasizes voids as much as solids, with extensive glazed expanses designed to maximize sweeping ocean views that were previously obstructed. The house is conceived as an assemblage of pavilions, with a prominent cedar-clad box seemingly supported by plaster-and-concrete plinths. Below this cedar box, an all-in-one great room serves as the central hub, integrating the kitchen, dining, and family areas. Limestone walls frame the walnut kitchen cabinetry and a fireplace, which also houses a collection of wood-turned bowls. The boundaries between indoor and outdoor spaces are fluid, with double-sided glass sliders that can be fully opened, creating a breezeway that extends directly to an uninterrupted panorama of the Pacific. The larger of the two plaster-clad concrete plinths accommodates a two-car garage, service spaces, and formal dining and living rooms, with the latter cantilevering over the stepped lawn. The smaller plinth contains the main bedroom suite, envisioned as a sanctuary. This suite features a custom walnut platform bed and a private courtyard with a reflecting pool and a Japanese ofuro soaking tub, enclosed by limestone with a special cutout for a Buddhist deity statue. The bathroom offers an uninterrupted view of the Pacific from a freestanding soaking tub. Interior sight lines are equally dramatic, with a curving walnut and painted-steel stair ascending to the second-floor mezzanine library, an intentional reference to DNA, given the client's biotech background. This level also includes an office and three additional bedroom suites. Pamela Smith curated the furnishings, blending custom pieces with designs from prominent designers, all while maintaining a contemporary yet warm and inviting aesthetic. The great room, for instance, features a live-edge walnut dining table by PSI, a Lindsey Adelman chandelier, Hans Wegner chairs, leather bar stools, and Jeffrey Bernett swivel chairs. Custom pieces by Smith, including an acrylic and painted-aluminum coffee table and a cherry console, contribute to a harmonious composition. The project was intended to be a timeless companion to the natural surroundings and an heirloom, especially as the family expands with seven grandchildren and more on the way. #LuxuryResidence #ContemporaryDesign #IndoorOutdoorLiving #SouthernCalifornia #KAADesign #PamelaSmithInteriors #CoastalArchitecture #SustainableDesign #BiotechInspired

Quintessence, a lifestyle blog, has successfully transformed into a robust business, largely due to its popular "At Home With" video series. Co-creator Susanna Salk highlights the shift in media consumption, where traditional categories are blurring, allowing for a broader exploration of topics like home, fashion, travel, and personal stories. Stacey Bewkes, the founder of Quintessence and a former art director for Simon & Schuster, developed her videography skills by creating a retrospective DVD for her daughter's fifth-grade graduation, which eventually led to the inception of the video series. The first video, featuring Thom Filicia, was launched on Valentine's Day in 2013. The early videos showcased Salk and Bewkes shopping with designers in New York, where designers shared their preferences and insights. The series has since featured prominent designers such as Suzanne Rheinstein, Cathy Graham, and Paolo Moschino. Despite their individual projects—Bewkes managing the Quintessence blog and Salk writing books—the duo has cultivated a strong working relationship, even collaborating on books. This synergy is central to their success, with Bewkes noting their shared work ethic and enjoyment in their creative endeavors. Salk particularly values the connections forged with designers and the community engagement fostered through their content, citing an example where a custom dog collar seen in Emma Burns's home led to a collaboration between her neighbor and a local artisan. Maintaining the content machine for Quintessence involves significant effort. Bewkes admits that the workload is substantial, especially for creating original content. Initially, she posted five times a week, a schedule that proved unsustainable, leading her to reduce it to three times a week, and now even less frequently due to the demanding nature of video editing. She acknowledges the necessity of taking breaks and managing expectations regarding content volume. The financial sustainability of Quintessence was initially a challenge, with Salk and Bewkes investing considerable personal time and money into the project. However, the venture began generating revenue through sponsorships. With 5 million views over five years, and a significant portion of those views accumulated in 2018 alone, sponsorships became a viable option to support their passion project. They currently charge $6,000 per sponsored video, integrating commercials and ensuring that these sponsorships are permanently attached to the chosen videos. This model contrasts with print media, which is more expensive and ephemeral, as Quintessence's videos continue to attract viewers months and even years after their initial release. Publicists and marketing directors often facilitate these sponsorships by pitching clients whose licensed collections or brands align with Quintessence's content. Approximately 80 percent of their videos are now sponsored. Despite not yet reaching their desired earnings, Bewkes and Salk view this as a progressive step. A core principle for them is maintaining editorial integrity; they commit to only featuring brands they genuinely admire, ensuring that sponsorships do not compromise the quality or authenticity of their content. This commitment to their shared vision and ethical approach has been crucial in building and maintaining their audience's trust. #Quintessence #SusannaSalk #StaceyBewkes #LifestyleBlog #VideoSeries #DesignIndustry #ContentCreation #MediaMonetization #Sponsorships #HomeDesign

This article introduces Dana Gibson, a designer known for her fresh and vibrant home accessories, textiles, and art. Her design philosophy centers on a new traditional approach, blending historical influences with a modern sensibility. Gibson started manufacturing home accessories in 1993, drawing inspiration from ancient ikats, Chinese vases, painterly florals, and curvaceous ogees. Her work is characterized by bright colors and bold, hand-painted patterns that reflect a relaxed and lighthearted aesthetic. The article highlights Gibson's ability to imbue traditional forms, such as ginger jars, with a new identity through her distinctive use of color and pattern. Her artistic lineage is noted, as she is the great-granddaughter of Charles Dana Gibson, creator of the iconic Gibson Girl drawings, suggesting a family tradition of artistic expression. This legacy contributes to her unique perspective on beauty in the world. Gibson's loose, painterly style is evident across her diverse product range, which includes textiles designed for Stroheim, as well as collections of furniture, wall coverings, art prints, and various home accessories. She has successfully transitioned from an artist focused on pottery to a multifaceted designer, expanding her creative output into a wide array of home decor items. The article emphasizes that Dana Gibson's designs are recognizable and stand out, aiming to bring a sense of cheerfulness and modern flair to any living space. Her approach offers a way to enhance home interiors with elements that are both rooted in tradition and strikingly contemporary, appealing to those who appreciate vibrant and distinctive decor. The piece concludes by inviting readers to explore her refreshing designs and learn more about her unique contributions to the world of interior design. #DanaGibson #HomeDecor #InteriorDesign #Textiles #HomeAccessories #TraditionalDesign #ModernAesthetic #BoldColors #PatternDesign

This article features an interview with artist Kylie Daniel, who discusses her life as a creative, her artistic journey, and her unique approach to art. At 53, Daniel expresses contentment and reflects on a diverse creative past that includes radio announcing, festival MCing, feature writing, and co-owning a guitar teaching clinic, all while consistently painting. She has been actively developing her distinct artistic style for many years. Kylie Daniel draws her primary inspiration from the Australian outback, particularly its vast, unforested landscapes. She finds solace and a sense of simplicity in these regions, viewing them as opportunities to disconnect from modern technology. Her art is characterized as unconventional, moving beyond typical pretty landscapes to focus on the geological formations of the land itself. She aims to capture the earth's surface changes resulting from events like fire, drought, and flood. Daniel incorporates various finishes to emphasize the textures and sheens of the landscape, inviting viewers to engage with her work not just visually but also tactilely, experiencing the physical sensation of the Australian Outback. Her artwork has gained significant recognition through its feature on "The Block," an Australian reality television series focused on house renovations. Following a successful placement last year with contestants Steph & Gian, Daniel's art was again selected for the show this year, with three pieces chosen by Kristian & Mimi. She views this exposure as a validation of her hard work and dedication. Her art was strategically placed in prominent areas within the homes, such as the entry and a hallway, and received positive commentary from judges, including Neale Whittaker. Daniel attributes the ongoing success to the support from The Block, The Block Shop, Artist Lane, and the contestants. Being a Block Shop artist is profoundly meaningful to Daniel, offering validation for her unique artistic style and chosen color palette, which she believes resonates with the public. When asked about her favorite Block couple, she playfully names Kristian & Mimi but also acknowledges the authenticity of Haydn & Ricky. Among artists, she expresses admiration for Jackson Pollock, valuing artists who break traditional molds and pioneer distinctive styles. Daniel finds inspiration in the idea of creating something entirely new and recognizable as her own. Her creative process often takes place outdoors, where she feels most inspired by nature, surrounded by wildlife. While working, she enjoys listening to country rock music, finding that its themes of land and country life align with the imagery she aims to convey in her art. A typical day involves managing her online presence, including social media and website interactions, before heading to her studio. She often works on multiple pieces simultaneously, as her heavy-textured works require several drying applications. Daniel can spend entire days and nights immersed in her art, describing it as her dream job. For holidays, she consistently chooses the Outback, specifically mentioning places like Cobar, Broken Hill, and Dubbo, where the landscape takes center stage. If she were to shop at The Block Shop, her obsession with Manchester would lead her to purchase sheet sets and quilt covers. Her favorite house decorating trend is "Japandi" due to its earthy, warm aesthetic and ease of pairing with furnishings, a style she believes has lasting appeal. Finally, her most cherished artwork is an original piece by Grace Brown, a respected Indigenous artist. #KylieDaniel #ArtistSpotlight #AustralianOutbackArt #TheBlock #HomeDecor #JapandiStyle #ArtisticProcess #InteriorDesign #TexturedArt

Skims, the shapewear brand launched by Kim Kardashian in 2019 and valued at $4 billion in 2023, has expanded its physical retail presence with the opening of its flagship store on Fifth Avenue in New York City. This development marks a significant step for the brand, which initially sold merchandise through pop-ups and in department stores like Nordstrom and Bergdorf Goodman. The flagship store, formerly occupied by Versace, was designed by Rafael de Cárdenas to reflect Skims' signature monochromatic and modern aesthetic. The store officially opened on December 11, with a celebratory launch party attended by various personalities. Kim Kardashian expressed that the flagship is a dream realized, aiming to embody the brand and enhance the customer experience. Jens Grede, CEO of Skims, noted that the store is the culmination of insights gained from previous retail endeavors, offering an immersive brand experience. Both Kardashian and Grede have indicated plans for further expansion, with future stores projected for locations such as Los Angeles and Charlotte. Upon visiting the store a few days after its opening, the exterior immediately conveyed Skims' brand identity. Situated between Longchamp and Cartier, the cream-colored stone facade and subtle Skims logo aligned with the brand's neutral color palette. Arched windows provided a glimpse into the interior, revealing a large sculpture. Despite opening at 10 a.m., a line of approximately 40 people waited outside around 11 a.m. to enter the store, with security and staff managing customer flow. The waiting system appeared to prevent overcrowding, and visitors were admitted in groups, resulting in a manageable 10-minute wait. The interior of the store was segmented into distinct rooms, each dedicated to specific Skims product lines. The entryway featured a large, armless, headless, and footless 15-foot statue of a woman designed by Vanessa Beecroft, positioned amidst beige tile floors and curved walls. This artistic installation, framed by leafy plants on cream platforms, created an atmosphere reminiscent of a museum. Beyond the central statue, the initial display rooms showcased Skims' classic shapewear, bras, and underwear in various flesh tones. Mannequins, diverse in shape and representing the brand's inclusive sizing from XXS to 5X, were strategically placed on shelves above the racks and in hallways connecting the different sections. The curved architecture of the stairwells, consistent with Kardashian's home aesthetic, also featured groups of five mannequins. Employees, dressed in matching pale-purple sweatsuits, were present in each display room to assist shoppers and stock merchandise. Store maintenance, including floor mopping, was observed to be ongoing, with staff temporarily pausing their tasks for customers. The back room on the first floor contained a wider array of products and incorporated subtle holiday decorations, such as Christmas lights and wrapped gifts, without compromising the minimalist aesthetic. While Skims offers colorful items, these were subtly placed, with the front room exclusively featuring neutral tones. The second and third floors maintained a similar layout, focusing more on clothing displays than sculptures or plants. Each floor had a checkout counter to streamline the shopping process. The ability to physically interact with products allowed for a better assessment of fabrics and fit. Raised platforms for mannequins provided 360-degree views of the garments. The top floor featured more exclusive items, including the Skims x Dolce & Gabbana collaboration pieces and the brand's slip dresses, alongside a dedicated menswear section. The men's mannequins, while diverse in color, exhibited less variation in shape compared to the women's. The steady flow of customers taking their time to browse, converse with employees, and try on items in the dressing rooms indicated the store's popularity. The overall design, product selection, and customer experience of the Skims flagship store were consistent with the brand's image as modern, stylish, sophisticated, and accessible, suggesting its potential for lasting success. The artistic and practical elements of the store, from the architecture to the mannequin displays, reinforced Kim Kardashian's vision for the brand. The observed customer traffic further underscored the store's immediate impact and potential longevity. #Skims #KimKardashian #FlagshipStore #RetailDesign #FifthAvenue #MonochromaticDesign #FashionRetail #InteriorDesign #StoreExperience

Kim Scodro Design's dining room at the 2024 Kips Bay Decorator Show House Dallas is a multi-purpose space designed for modern entertaining, drawing inspiration from a 1948 Vogue photograph by Cecil Beaton. The vision behind the room was to create a space where contemporary women could enjoy cocktails and dinner without leaving the house, reflecting a shift in how dining rooms are utilized today. The design journey began with a photograph of women in glamorous gowns, which informed the room's elegant and colorful aesthetic. The color palette for the dining room was directly inspired by the gowns in Beaton's photograph. Scodro collaborated with The Shade Store to produce horizontal stripe curtain panels using beautiful silk fabrics that serendipitously matched her vision. Gracie contributed an ethereal botanical wallcovering, complemented by a matching Benjamin Moore paint color on the ceiling, enhancing the room's sophisticated atmosphere. The dining table, from Hickory Chair, is adorned with candy-colored Ginori 1735 china, adding a touch of playful luxury. Antiques played a significant role in furnishing the space, with pieces sourced locally from Wolf-Hall and Legacy, including striking pastel glass chandeliers. These elements contribute to the room's timeless elegance and character. Custom design details, such as a box-pleat armless chair and bespoke silk pinstriped built-in banquettes, were incorporated to maximize comfort and visual appeal. Scodro expressed that the room embodies her personal style, characterized by a sense of beauty and comfort in every detail. The design successfully merges traditional dining functionality with a dedicated bar area, offering a seamless transition from pre-dinner cocktails to a full meal. This approach acknowledges the evolving role of the dining room as a versatile hub for social gatherings and relaxation. The overall design is a cohesive blend of historical inspiration and contemporary needs, creating a luxurious and inviting environment that is both visually stunning and highly functional for entertaining guests. #KimScodroDesign #KipsBayDecoratorShowHouse #DallasDesign #DiningRoomDesign #VogueInspired #InteriorDesign #LuxuryDecor #HomeDecor #EntertainingSpace