Inga Sempé Designs a Line of Graphic Tiles for Mutina

Nathalie Du Pasquier, a Milan-based French artist and designer renowned for her paintings and her role as a founding member of the Memphis design collective, has collaborated with Italian tile manufacturer Mutina to create an extensive tile collection named Mattonelle Margherita. This collection is a vibrant fusion of simplicity and boldness, featuring plain-colored tiles alongside those adorned with graphic patterns. The Mattonelle Margherita collection encompasses a total of 41 distinct designs. This includes 27 graphic patterns and 6 plain designs, all in a 20.5 x 20.5cm size. Additionally, there are 6 patterns and 2 plain designs available in a smaller 10.1 x 20.5cm format. The entire range of colors and patterns is intentionally designed for versatile combination, allowing for imaginative configurations across various surfaces. These tiles can be utilized to cover entire walls or floors, or selectively applied to specific areas such as around windows or door frames, offering a broad spectrum of design possibilities for both residential and commercial spaces. For those seeking guidance in their design choices, the collection provides a series of suggested options, ranging from straightforward applications to more elaborate and creative installations. This guidance caters to different aesthetic preferences and levels of design confidence, encouraging users to experiment while also providing accessible starting points for integration into diverse interior environments. The Mattonelle Margherita tiles are manufactured from glazed porcelain stoneware, characterized by satin surfaces that yield a bright and lively finish. This material choice ensures both durability and a visually appealing aesthetic. Recognizing the importance of safety and compliance with regulations, Mutina has also developed a specialized anti-slip finish. This option is available for areas where anti-slip properties are mandated, broadening the applicability of these decorative tiles to spaces that require enhanced safety measures, such as bathrooms, kitchens, or commercial settings prone to moisture or high foot traffic. The collaboration brings Du Pasquier's distinctive artistic style, characterized by geometric forms, vibrant colors, and a playful approach to design, to a functional and architectural medium. Her background with the Memphis Group, known for its post-modern designs and use of bright colors and abstract patterns, is evident in the dynamic and expressive nature of the Mattonelle Margherita collection. Mutina, known for its high-quality ceramic products and collaborations with leading designers, provides the technical expertise and manufacturing capabilities to realize Du Pasquier's artistic vision in a durable and practical tile format. This partnership aims to offer consumers and designers a product that is both aesthetically stimulating and functionally robust, capable of transforming ordinary spaces into visually engaging environments. The collection is suitable for various applications, from creating a focal point in a minimalist setting to fully immersing a room in a rich tapestry of pattern and color. #TileDesign #NathalieDuPasquier #MutinaTiles #CeramicTiles #InteriorDesign #GraphicPatterns #HomeDecor #MemphisDesign #PorcelainStoneware

Patricia Urquiola has developed a new collection of ceramic tiles named Cover for the Italian brand Mutina. This collection is one of five new additions to Mutina's product range, and it aims to explore diverse materialities and geometries through unglazed porcelain tiles. The Cover collection is distinguished by three primary textures: Base, Grid, and Nube. These textures can be further customized with a selection of eight distinct patterns, including Bouclé, Daphne, Liberty, Nouveau, Poppy, Rounded, Scarabeo, and Stitch. The designs primarily feature subtle geometric and figurative patterns that are intended to evoke a sense of continuous movement, similar to clouds shifting across the sky. The manufacturing process for the Cover tiles incorporates advanced Continua Plus compaction technology. This method facilitates the application of intricate aesthetic effects on large-format ceramic surfaces, allowing for a broad spectrum of irregular and geometric designs. The technology combines various clays with a micro-grit mixture to establish a foundational pattern, which is then refined using a silk-screen printing technique. This innovative approach enables Mutina to create a virtually limitless array of patterns, characterized by varying intensities and densities of color, even within the limited palette of white, grey, and black. The Cover collection offers tiles in multiple sizes to accommodate diverse design requirements. Large-format tiles, measuring 12 by 240 centimeters, are available in all three textures. Additionally, mid-size tiles (120 by 120 centimeters) and smaller tiles (30 by 120 centimeters) are part of the collection. The color variations within each of the white, grey, and black sets are achieved through differences in the intensity and density of the color application during manufacturing. Urquiola's design philosophy for Cover emphasizes the creation of unique material properties on large slabs, ensuring that the natural grit within the material body serves as a base for subtly contrasting patterns. A significant advantage of the compaction technology used is the enhanced strength and density of the resulting tiles compared to those produced by traditional pressing methods. This increased durability makes the Cover tiles suitable for both floor and wall applications, as well as for both interior and exterior environments. Patricia Urquiola has a long-standing collaboration with Mutina, dating back to 2008 with the launch of her Déchirer range, which Mutina credits with establishing its global reputation. The latest releases also include an extension of the Déchirer range, Déchirer XL, featuring large-format tiles with signature bas-relief decorations designed specifically for wall coverings, available in Gesso, Grafite, and Avana. Alongside Urquiola's collections, Mutina has introduced other new designs, such as Piano by French designers Ronan & Erwan Bouroullec, and Tape and Folded XL by London studio Raw Edges. These product launches coincide with Mutina's opening of a new showroom and a contemporary art exhibition space at its headquarters in Fiorano, Italy. The headquarters building itself was originally designed by architect Angelo Mangiarotti in the 1970s, underscoring Mutina's commitment to design and artistic expression. #PatriciaUrquiola #MutinaTiles #CeramicDesign #InteriorDesign #ProductDesign #ArchitecturalSurfaces #DesignCollaboration

Patricia Urquiola has collaborated with Italian brand Mutina to launch Cover, a new collection of ceramic tiles. This collection is one of five new additions to Mutina's repertoire, showcasing Urquiola's exploration of diverse materiality and geometric forms. The Cover collection features unglazed porcelain tiles available in three distinct textures: Base, Grid, and Nube. These textures can be further customized by combining them with a selection of eight patterns, including Bouclé, Daphne, Liberty, Nouveau, Poppy, Rounded, Scarabeo, and Stitch. This variety allows for extensive personalization and design flexibility. A notable aspect of the Cover collection is the inclusion of large-format tiles, measuring 12 by 240 centimeters. These oversized tiles are available across all three textures, a feat made possible by the application of Continua Plus compaction technology. This advanced method facilitates the application of intricate aesthetic effects on large ceramic surfaces. The manufacturing process involves blending different clays with a micro-grit mixture to establish a pattern base, followed by a silk-screen printing technique to finalize the design. This innovative approach enables Mutina to produce an almost limitless array of irregular, figurative, and geometric patterns, offering a unique visual landscape reminiscent of moving clouds in the sky. In addition to the large-format tiles, the collection offers mid-size tiles (120 by 120 centimeters) and smaller tiles (30 by 120 centimeters). The color palette for the Cover collection is confined to white, grey, and black. However, the manufacturing process allows for variations in the intensity and density of these colors, resulting in a range of greyscale shades within each color set. Urquiola's objective was to create large, irregular patterns with varying color intensities and densities, evoking the dynamic and ever-changing appearance of the sky. The Continua Plus compaction technology not only enhances aesthetic possibilities but also contributes to the structural integrity of the tiles. These tiles are engineered to be stronger and denser compared to those produced using traditional pressing techniques. Consequently, the Cover tiles are versatile and suitable for both floor and wall applications, accommodating both interior and exterior environments. This durability and adaptability make them a practical choice for a wide range of design projects. Patricia Urquiola has a longstanding partnership with Mutina, dating back to her Déchirer range launched in 2008. The Déchirer collection is recognized by Mutina as a pivotal release that differentiated the company in the global tile market. Mutina's recent product launches also include an expansion of the Déchirer range, named Déchirer XL. This extension features large-format tiles that allow the characteristic bas-relief decorations to span greater surface areas, minimizing the number of joints between tiles. The Déchirer XL unglazed porcelain tiles are specifically designed for wall coverings and are suitable for both indoor and outdoor use, available in Gesso, Grafite, and Avana colors. Further expanding their offerings, Mutina has introduced Piano, a casual collection by French designers Ronan & Erwan Bouroullec, and two designs by London-based studio Raw Edges, named Tape and Folded XL. Coinciding with these product releases, Mutina has also inaugurated a new showroom and a contemporary art exhibition space. Both facilities are situated at the brand's headquarters in Fiorano, Italy, a building originally designed by architect Angelo Mangiarotti in the 1970s. These developments highlight Mutina's commitment to design innovation and its engagement with the broader creative community. #PatriciaUrquiola #Mutina #CeramicTiles #CoverCollection #InteriorDesign #MaterialInnovation #HomeDecoration #DesignCollaboration #ArchitecturalFinishes

Nikki Chu, an interior designer with over two decades of experience, has launched her inaugural tile collection exclusively with The Tile Shop. Despite not having previously designed tiles, Chu leveraged her extensive knowledge of incorporating tiles into various rooms to create a line that reflects her signature “global modernism” aesthetic. Her collection stands out by focusing on organic, impactful patterns rendered in versatile, earthy neutral tones, a departure from the often brightly colored or overly patterned options she found lacking in the market. Chu emphasizes that while vibrant colors are readily available, finding sophisticated neutral patterns has historically been a challenge. The inspiration for Chu's tile collection, much like her previous lines of decorative pillows, bedding, and rugs, is rooted in her global travels. She specifically cites Africa, Indonesia, and Bali as primary sources, drawing from the textiles and cultural patterns observed in bazaars and markets. These elements are then simplified and refined to be palatable for a wide range of decor styles, maintaining a clean, soft, and contemporary feel without an abundance of color, aligning with her brand's established reputation for neutral textures. The collection features three distinct tile designs: Zulu, Tangier, and Luxor. The Zulu ceramic tile is praised for its modern versatility, allowing for various layout configurations—alternating horizontal and vertical patterns—to create eclectic visual texture while maintaining a peaceful, subtly colored aesthetic. Chu is installing this tile in her own home, highlighting its longevity and classic appeal. Zulu is available in Graphite, Pumice, and Cement colorways, all offering quiet, understated hues. Tangier, a porcelain pattern, showcases loose, concentric diamonds that deliver a bold impact. Its hand-drawn quality lends it a timeless simplicity, preventing it from feeling dated. Chu notes that Tangier's patterns are “flowy, easy-to-understand,” and substantial enough to make a statement without being overwhelming. She plans to use Tangier on a lanai floor for a celebrity client, bordered by Zulu tiles, to create a durable, rug-like effect. Luxor comprises ceramic subway tiles designed to complement Zulu and Tangier. These tiles, available in Winter White, Cement, and Pumice, feature an organic, handmade feel with intentional inconsistencies in texture and slight color variations. Chu’s aim with Luxor was to provide a clean yet artisanal option that enhances the collection's overall aesthetic. Her overarching design philosophy for this collection was to achieve a balance between extremes, creating patterns that are modern and contemporary without being excessively so, thus occupying a “sweet spot” that she intends to build upon in future designs. #NikkiChu #TileDesign #GlobalModernism #InteriorDesign #NeutralTones #PatternedTile #HomeDecor #TheTileShop #CeramicTile #PorcelainTile

The online tile retailer clé has unveiled its new Artist Cement Collection, a series of handmade encaustic cement tiles. This collection is a collaborative effort, featuring designs from eleven artist studios spanning Europe, South America, and the United States. The curated group of artists, architects, designers, and sculptors includes ALT for Living, Boris Aldridge, Coletivo Muda, Deborah Osburn, Erica Tanov, Gachot Studios, John Whitmarsh, Michelle Weinberg, Ruan Hoffmann, Sarah & Ruby, and Smink Things. The Artist Cement Collection showcases a diverse range of aesthetic styles, moving from bold, graphic geometric patterns to motifs inspired by nature, and even incorporating typography. Each tile is available in 8-inch by 8-inch square and hexagonal formats, offering flexibility in design application. A key feature of these tiles is their pre-polished and pre-sealed finish, which enhances their durability and versatility. This treatment makes them suitable for a wide array of applications, both indoors and outdoors, and for installation on either walls or floors, expanding their potential use in various architectural and interior design projects. Among the featured designs, Coletivo Muda contributes the 'Lagoa' tile, which appears multiple times in the illustrations, highlighting its distinct appeal. Michelle Weinberg's contributions include 'Pattern 1' and 'Pattern 2,' demonstrating a varied artistic approach. Smink Things presents several designs that bear its studio name, indicating a unique and recognizable style. Ruan Hoffmann offers a selection of patterns, including 'Amsterdam Express,' 'Arrow Dynamic,' and 'Bio Circuit,' each bringing a different visual narrative to the collection. Deborah Osburn's 'Manuscript Letters' introduces a textual element, adding another dimension to the tile offerings. Boris Aldridge provides 'Pattern 4' and 'Pattern 5,' showcasing his design philosophy. Gachot Studios also features 'Pattern 4,' suggesting a potentially different interpretation or variation from Aldridge's similarly named pattern. Erica Tanov presents 'Baccio' and 'Jacobson,' contributing unique artistic expressions. Finally, Sarah and Ruby's 'Pattern 5' completes the selection of artists and their designs, ensuring a rich and diverse collection for consumers and designers. The collection emphasizes both artistic expression and practical application. The use of cement as a medium for these artistic designs provides a tactile and durable surface, while the handcrafted nature of the tiles ensures uniqueness in each piece. The curated selection of artists from various global locations brings a wide spectrum of cultural and artistic influences to the collection, allowing for a broad appeal across different design preferences and styles. The collection aims to provide distinctive and high-quality options for residential and commercial spaces, allowing for personalization and artistic flair in surface design. #CementTiles #ArtistDesigned #EncausticTiles #HomeDecor #InteriorDesign #TileCollection #ArchitecturalSurfaces #HandmadeTiles #GlobalArtists

Studio GdB, founded by Gilles de Brock and Jaap Giesen in ‘s-Hertogenbosch, The Netherlands, has revolutionized ceramic tile production through the development of a custom-built digital printer. This innovative machine allows for the computer-controlled application of liquid glazes onto ceramic tiles in their biscuit state, resulting in unique and highly customizable designs. The studio's process addresses a previous limitation in finding suitable finishes for their design vision, prompting them to engineer their own solution. This bespoke technology enables them to create a diverse range of patterns and vibrant color schemes, offering endless possibilities for aesthetic expression in tile design. The tiles produced by Studio GdB are characterized by their bold colors and visually complex, almost psychedelic patterns, which evoke a handmade quality despite being digitally fabricated. This blend of precision engineering and artistic flair allows for a broad spectrum of design choices, from subtle and understated to highly intricate and elaborate, catering to various design preferences. The custom printer's capability to accurately apply liquid glazes directly onto the ceramic surface ensures a high level of detail and consistency in each tile, surpassing the limitations of conventional manufacturing methods. The development of this specialized machinery highlights a creative approach to overcoming technical challenges in the design and production of ceramic tiles. By taking control of the manufacturing process, Studio GdB has opened up new avenues for customization and artistic experimentation within the realm of interior design materials. The studio's commitment to innovation has enabled them to achieve desired finishes that were previously unavailable, offering designers and consumers access to truly distinct and personalized tile options for various applications, from staircases to coffee tables and backsplashes. The resulting product line from Studio GdB provides an opportunity for integrating unique and visually striking elements into interior spaces, allowing for highly personalized and dynamic environments. The ability to create seemingly infinite patterns and color combinations means that each project can feature a bespoke tile installation, reflecting individual tastes and design concepts. This innovative method bridges the gap between traditional craftsmanship and modern technology, creating ceramic tiles that are both a functional building material and a work of art. The tiles are suitable for diverse settings, adding a distinctive touch to both residential and commercial projects. #CeramicTiles #DigitalPrinting #CustomDesign #InteriorDesign #StudioGdB #HomeDecor #ArchitecturalSurfaces #GlazeApplication #InnovativeManufacturing

This article details the journey of Amy and Bruce Paul in designing and decorating their 11,000-square-foot home in Rye, New York, focusing on integrating their extensive art collection into a cohesive interior design. Having previously lived in a post-modern home with traditional furnishings and a growing contemporary art collection, the Pauls sought to create a new residence where the exterior architecture and interior aesthetics were harmoniously aligned with their personal taste in design and art. Their objective was to construct a home that could comfortably accommodate their family of six while optimally showcasing their practiced and perfected collection of paintings and sculptures. The couple acquired a 13-acre estate in Rye before the 2001 World Trade Center attacks, subdividing it into seven lots and reserving a two-plus-acre parcel for their own home. They collaborated with builder Michael DiChiaro to construct a six-bedroom, seven-full-bath residence that offers views of a wooded yard, later enhanced with a pool and waterfall by Coral Sea Pools, and adorned with bronze sculptures by Mexican artist Bruno Luna. For the interior design, Amy Paul enlisted Joseph R. Stabile of J.R. Cattington, who had previously worked with them. Stabile and his team were involved from the ground up, providing input on architectural design, interior finishes, electrical layouts, and lighting selection. Stabile chose a palette of cream and gold to complement the Pauls' artwork and suggested structural modifications, such as adding a doorway to improve flow in the formal living room. Amy's primary design directive was for a "light and bright" home, which was achieved in the living room through buttery gold satin-striped fabric from Robert Allen for window treatments and crystal wall sconces by Crystorama. This room serves as a gallery for various notable paintings, including works by Janet Treby, Liane Abrieu, and Russian artists. The soft color scheme is accented by silk brocade wing chairs with colorful throw pillows and fuchsia and silk rugs from China. The family room continues the luminous theme with yellow walls, a toile pattern by Antonia Vella, Seabrook wallcoverings, and similarly colored fabrics in lemon, green, and persimmon for window treatments, pillows, and side chairs. Crystal chandeliers from Murano, imported by Castilian Imports, were chosen to coordinate with paintings by Isaac Maimon and Charles Levier. The coffered ceiling in a green apple shade with cream-colored woodwork further enhances the vibrant, garden-like atmosphere. Bruce Paul's personal space, a clubby card room, contrasts with Amy's preferences, featuring dark wood paneling, built-in bookcases, a bar, and masculine fabrics. This room, separated from the family room by a stone-front fireplace, includes Biedermeier chairs with leopard-print fabric and various personal artifacts. Stabile designed the fireplace with intricately carved mahogany lions and used a Serengeti Leopard carpet to connect Bruce’s adjoining office. The Pauls' children, Joanna, Ryan, Matt, and Jason, also contributed to the design of their respective bedrooms and bathrooms, incorporating elements such as Masland Carpets, Bernhardt furnishings, and Thibaut wallpapers. The master bedroom, with its vaulted ceiling, presented a challenge in scale, addressed by Stabile using Highland Court silk brocade for a cornice "headboard" that coordinates with custom curtains. The article highlights the Pauls' passion for art collection, which began with a French artist Charles Levier painting and expanded to include works from their travels to Europe, South America, Asia, and the Southwest. Despite concerns about diminishing wall space, their quest for art, driven by personal connection and memories from their travels, continues. #HomeDesign #InteriorDecor #ArtCollection #LuxuryHome #RyeResidence #JosephStabile #CustomDesign #ArchitecturalFeatures #PersonalStyle

Designers are increasingly moving away from traditional, subdued tiling options, embracing bold colors, unique patterns, and varied textures to create distinctive interior spaces. This shift challenges the conventional use of standard subway tiles in kitchens and bathrooms, encouraging homeowners to infuse their personal style and vibrant hues into their living environments, even on floors. Katie Deedy of Grow House Grow, known for her narrative-inspired wallpapers, has successfully transitioned into designing cement tiles. Her Cuban heritage influenced her desire to create tiles reminiscent of those seen in family photos, but with a contemporary twist. While initially aiming for wallpaper-matching tiles, she adapted her designs to the tile format, exemplified by her cephalopod-inspired Captain Smith tile, which mirrors her best-selling wallpaper. The brand continues to prioritize nature-inspired themes, as seen in their three new tiles and the popular Otomi collection, featuring animal and floral folk art. These tiles are predominantly used on floors but are also gaining traction for backsplashes and walls, creating cohesive, patterned nooks in bathrooms. Artistic Tile, in collaboration with Michael Aram, also presents nature-inspired designs. Their Orchid Dimensional collection, a 2017 Interior Design magazine award winner for Best Wall Covering, combines innovation with natural stone. This collection showcases crystalline white Thassos marble flowers emerging from polished Bianco Carrara marble, offering a sophisticated and seductive aesthetic. Color is a significant trend, with Artistic Tile embracing vibrant palettes and mixed materials in their designs. Rachel Adler, a representative for the brand, highlights their new Fan Club mosaic glass design, which features a captivating blue ombre colorway. This design is suggested for adding a touch of elegance to wet bars or as a striking feature wall. Popham Design’s ceramic tile collection also emphasizes rich colors and playful patterns. Design editors, including Tori Mellott of Traditional Home Magazine, recommend these graphic tiles for entryways, noting their ability to set the mood and convey the homeowner's personality—whether formal, playful, artsy, or busy. Encaustic tiles, in particular, are praised for their individuality in entryways. Elle Decor editor-in-chief Whitney Robinson is particularly fond of India Mahdavi’s pink-driven collection for Bisazza, suggesting it for creating a personalized and cheerful washroom. Robinson argues that while bathrooms are utilitarian, they are also frequently visited spaces that should evoke happiness. Pink tiles, she notes, also have the added benefit of making skin appear radiant. Customization is another growing trend, allowing homeowners to create truly unique tile designs. Sarah Watson, founder of Balineum in England, specializes in small-batch custom orders. Her Hanley collection offers ceramic tiles in a dozen hand-mixed solid-color glazes, and clients can request custom glaze colors to match specific Pantone references, fabrics, or wallpapers. Watson highlights the passion customers have for finding the perfect hue, citing an instance where two brothers requested slightly different shades of blue for their shared bathroom. She suggests arranging custom tiles in graphic patterns like chevron to enhance their uniqueness. For those seeking texture and dimension, Granada Tile’s new Relief collection, launched after extensive development, masterfully combines color with unexpected tactile elements. Melanie Stephens, director of design and marketing, explains that these tiles achieve a tone-on-tone effect by contrasting a highly polished top surface with the matte finish of indented areas. Each pattern is available in four colors from Granada’s 40-color palette, with certain designs, like Tangalle, lending themselves to specific earth and rock tones. Textured tiles are also used to create futuristic and dynamic wall statements. The Tile Shop’s Yara Metal hex ceramic wall tile series, available in metallic black, silver, or white with a 3D geometric pattern, adds a reflective and conversational element. Pittsburgh designer Lauren Levant champions sculptural wavy tiles from Porcelanosa, emphasizing how textured tiles, made from materials like natural stone, porcelain, wood, metal, and glass, can introduce depth and allow light to interact beautifully with the surface. Even the classic subway tile receives a modern update. San Francisco designer Jon de la Cruz, known for the 2017 House Beautiful Kitchen of the Year, recommends Fireclay Tile’s handmade glazed thin brick. These recycled brick tiles offer texture and rich, saturated colors that suit both traditional and modern aesthetics, making them ideal for kitchen backsplashes and fireplace surrounds, adding a subtle patina while maintaining a clean and fresh look. The abundance of colorful and textural tile options makes decorating exciting, with the primary challenge being deciding where to begin. #TileDesign #HomeDecor #InteriorDesignTrends #CementTiles #NatureInspiredDesign #ColorPalette #CustomTiles #TexturedTiles #ModernTiling

Interior designer Marie Flanigan advocates for expanding the use of tile beyond traditional flooring applications, encouraging homeowners to integrate this versatile material into various parts of their living spaces. Flanigan highlights a growing trend where tile is being reimagined as a stylish design element that introduces texture, color, and design sophistication to areas traditionally not tiled, such as walls, vanities, countertops, and even island countertops. She emphasizes that while tile is conventionally used for floors and practical bathroom surfaces, contemporary design is exploring more unconventional placements to make significant design statements. One key recommendation from Flanigan is to consider unexpected tile placements. This approach involves applying tile to surfaces like accent walls, fireplace surrounds, or even as decorative trims and borders to introduce color or pattern. For example, tiling a fireplace wall can create an instant focal point, particularly when using glossy, reflective materials like zellige tiles, which add a unique pop of texture and visual interest. Whether using neutral, large-format tiles for subtle texture or intricate patterns with smaller, decorative tiles, the visual impact is distinct and difficult to replicate with other materials. While tiling kitchen or island countertops can be a divisive choice due to concerns about grout lines and maintenance, Flanigan suggests that with careful selection and modern design approaches, these applications can remain fresh and stylish, avoiding a dated 1970s aesthetic. Flanigan also encourages the use of handmade and organic tile materials. She suggests exploring options such as hand-glazed ceramics, natural stone, or reclaimed terracotta to infuse warmth, character, and individuality into a space. Handmade tiles are particularly valued for their unique variations in tone, texture, and inherent imperfections, which contribute to a dynamic and artisanal aesthetic. These materials can create a soft, textural feel that enhances the overall ambiance of a room. Finally, Flanigan stresses the importance of playful pattern arrangements with tiles. She notes that current tile trends extend beyond conventional laying methods, focusing instead on creative placement and pattern play with grout lines and grid patterns. Designers are experimenting with changing the orientation of tiles to create diverse patterns like basket weaves, plaids, or stripes, especially in areas like shower surrounds. Vertical striped tiles can visually elongate a shower wall, imparting a sense of height, while horizontal stripes can make a room appear more expansive. A plaid pattern offers a timeless and comforting aesthetic. This creative freedom allows for personalized and modern twists on classic tile applications, making the possibilities for design truly extensive. By embracing these unconventional methods, organic materials, and playful patterns, homeowners can transform ordinary spaces into uniquely designed environments. #TileDesign #InteriorDesign #HomeDecor #MarieFlanigan #DesignTrends #ZelligeTiles #HandmadeTiles #PatternPlay

Heath Ceramics, renowned pottery makers, has introduced 'Mural,' their latest addition to a series of pre-configured tile pattern combinations. The inaugural design within this series is named 'Twill,' which incorporates the 'Little Diamond' shape from their 'Dwell Patterns' collection. This unique pattern is distinguished by its use of six distinct glazes, creating a multidimensional and visually intricate effect. The combination of these glazes is carefully curated to produce a mind-tripping aesthetic, where the interplay of colors and textures adds depth and complexity to the overall design. The Twill pattern is available in eight different color ways, each meticulously designed to offer a dynamic configuration. These color ways integrate both matte and gloss finishes across the six glazes, allowing for a varied sensory experience. The glazes are strategically applied to enhance the multidimensional aspect of the tile, with each color way presenting a unique visual narrative. The inclusion of both matte and gloss elements ensures that the tiles not only offer a diverse visual appeal but also a tactile richness. Among the eight available color ways, several notable options are presented, each with its own distinct character. 'Arctic' offers a cool and serene palette, evoking images of icy landscapes. 'Rhythm' suggests a more energetic and flowing visual, possibly through a harmonious arrangement of colors and finishes. 'Yarrow' likely features a warm and earthy tone, drawing inspiration from natural hues. 'Alabaster' provides a classic, subtle, and perhaps luminous option, indicative of its namesake material. 'Black Walnut' hints at a deeper, richer color scheme, possibly incorporating dark and sophisticated tones. Further options include 'Tide Pool,' which might display a blend of blues and greens, reminiscent of shallow ocean waters. 'Old Growth' could feature colors and textures that evoke ancient forests, suggesting a natural and weathered aesthetic. Lastly, 'Denim' points to a familiar, comforting blue, possibly with a textured finish that mimics the fabric. These diverse color ways demonstrate the versatility of the Twill pattern, allowing it to adapt to various interior design styles and preferences. The introduction of Mural and its Twill pattern underscores Heath Ceramics' commitment to innovation in tile design, blending traditional craftsmanship with contemporary artistic vision. The multidimensionality achieved through the careful selection and combination of glazes and shapes offers a new avenue for interior designers and homeowners to create visually engaging and sophisticated spaces. The article highlights the intricate details and thoughtful design process behind these new tile patterns, providing insight into the aesthetic considerations and technical execution. #HeathCeramics #MuralTile #TwillPattern #TileDesign #InteriorDesign #HomeDecor #MultidimensionalPattern #CeramicGlazes #DwellPatterns

The Diarama collection of glazed porcelain stoneware tiles, designed by Dutch industrial designer Hella Jongerius for the Italian manufacturer Mutina, offers a versatile solution for incorporating color and vibrancy into interior spaces. These tiles are particularly well-suited for individuals looking to enhance their homes with visual interest and a sense of dynamism, requiring minimal effort in terms of design application. The collection, though unified by a single rectangular size of 9.4cm x 18.7cm, achieves remarkable diversity through its innovative use of color. A key feature of Diarama is its layered approach to color application. A variety of glazed colors are applied over seven distinct matte-colored bases, resulting in a broad spectrum of palettes. This technique allows the collection to cater to diverse aesthetic preferences, offering options that range from contemporary, ultra-modern appearances to designs that evoke a retro-inspired charm. The interplay between the matte bases and the glazed finishes creates a nuanced visual texture and depth, adding sophistication to any surface. The standardized rectangular dimension of the tiles, 9.4cm x 18.7cm, promotes ease of installation while also enabling various pattern formations, such as herringbone or stack bond, further contributing to the design flexibility. This consistent sizing ensures that the tiles can be seamlessly integrated into different areas of a home, from kitchens and bathrooms to living spaces and hallways, providing a cohesive design element throughout. Hella Jongerius’s design philosophy, often characterized by her experimental approach to materials and colors, is evident in the Diarama collection. Her ability to blend traditional ceramic craftsmanship with modern industrial design principles allows for a product that is both aesthetically appealing and functionally robust. The use of glazed porcelain stoneware ensures durability and ease of maintenance, making these tiles a practical choice for both residential and commercial applications. The collection's ability to transition between modern and retro aesthetics is particularly noteworthy. For a contemporary setting, homeowners can select combinations that feature bold, contrasting colors or subtle, monochromatic schemes. Conversely, to achieve a vintage or retro look, certain color pairings and matte base selections can evoke styles reminiscent of earlier design eras. This adaptability makes Diarama a suitable option for a wide array of interior design themes. In Singapore, the Mutina Diarama collection is exclusively distributed by Rice Fields. Pricing for these tiles is available upon request, reflecting the premium nature of their design and manufacturing quality. The availability through a dedicated distributor ensures that customers have access to expert advice and support when selecting and installing these specialized ceramic products. The article includes a gallery of eight images to provide further inspiration on how these tiles can be utilized in different interior settings, showcasing their versatility and visual impact. #Renovation #Tiles #CeramicTiles #HellaJongerius #Mutina #InteriorDesign #HomeDecoration #PorcelainStoneware #DesignInspiration

Twin Cities interior designer Emily Pueringer views tile not merely as a decorative finish but as a medium for storytelling, a perspective she developed from a young age. Her childhood home's red tile countertops and Mexican Saltillo floors, which even featured tiny kitty paw prints, instilled in her an early appreciation for the imperfections and unique character that can be embedded in a home's design. This early exposure to the soul and story within architectural elements continues to influence her design philosophy today. Pueringer's professional journey further solidified her expertise and passion for tile. After college, she worked at a high-end plumbing and tile showroom in Denver, immersing herself in a world of exquisite tiles. This experience was followed by a role at Mercury Mosaics in Minneapolis, where she gained a deeper understanding of the artistic and manufacturing processes behind handmade tiles. Subsequently, a position at Kohler enhanced her technical knowledge, providing her with a comprehensive appreciation that blends both artistic and practical aspects of tile design. Currently, tile is a significant component in almost all her projects, and it remains one of the most enjoyable aspects of her work. In an interview, Pueringer elaborated on her enthusiasm for tile, describing it as the convergence of art and utility. She highlights its tactile, enduring, and expressive qualities, emphasizing its potential to convey a narrative. This narrative can be personal, such as a handpainted motif that holds special meaning for a client, or contextual, like a color palette that reflects the surrounding natural environment. For Pueringer, thoughtfully selected tile becomes an integral part of the home's architecture, weaving a story into its very fabric. Her approach to using tile has evolved from purely decorative to one that treats it as an heirloom—a timeless element that appears to have always belonged and will continue to endure. She is particularly drawn to tiles with imperfect edges, painterly glazes, and artisanal craftsmanship, favoring selections that are quieter yet richer in texture and depth. Her current focus is on evoking a sense of feeling and patina rather than relying solely on patterns. While she generally avoids fleeting trends, she appreciates the current resurgence of textured, earthy, handmade tiles, and a preference for muted, natural palettes and materials that feel grounded and storied. This aligns perfectly with her design philosophy of creating soulful spaces. For homeowners looking to make a statement with tile, Pueringer advises starting by defining the desired mood for the space—whether it's grounded, romantic, playful, or old-world. She stresses that tile's impact goes beyond color or shape; it's about the emotion it evokes. She also encourages embracing irregularity, noting that the 'wabi-sabi' charm of handmade tiles brings a warmth and authenticity that machine-made alternatives cannot replicate. For those unsure where to begin, she suggests starting with a small area, such as a powder room backsplash, a hearth, or a pantry wall, and allowing the design to expand organically from there. Pueringer also emphasizes the collaborative nature of tile work, involving the designer, maker, and installer, considering it a magical process when all three elements are harmoniously aligned. She views tile as a timeless way to infuse beauty and permanence into a home. #EmilyPueringerDesignStudio #InteriorDesign #TileDesign #HandmadeTile #HomeDecor #DesignPhilosophy #ArtisanCraftsmanship

Award-winning Milanese architect and designer Cristina Celestino, also the creative director of Fornace Brioni, has introduced two new collections of ceramic tiles: Araldica and Fluviale. These collections fuse a handmade aesthetic with factory-made technical ceramic tiles, showcasing Celestino’s talent for marrying industrial production with artisanal design. The Araldica collection features two distinct geometric patterns: Ducato and Corte. Ducato is characterized by its parallelogram-like shape, while Corte is circular. Both patterns incorporate white terra-cotta alongside Fornace Brioni’s signature variegato clay, resulting in rich, earthy tones. The design inspiration for Araldica comes from the intricate 12th-century mosaic work of the Cosmati family, renowned for their tessellations found throughout Rome. These tiles evoke Euclidean geometry through their complex arrangements. Beyond their aesthetic appeal, the Araldica tiles are noted for their durability and suitability for outdoor use, including exposure to water, making them a versatile choice for various applications. In contrast, the Fluviale series draws inspiration from nature, specifically the meeting of land and water, and nature's brushstrokes. This collection delves into tonal variations and layered textures. Within the Fluviale series, two patterns are highlighted: Alveo and Golena. Alveo is distinguished by its dense coloration, offering a strong visual presence. Golena, while also exploring tonal and textural nuances, contributes to the series' overall theme of natural fluidity. Both Alveo and Golena aim to capture the organic beauty and subtle complexities found in natural landscapes. Celestino’s approach in both collections emphasizes a sophisticated balance between modern manufacturing techniques and traditional artistic craftsmanship. By integrating a handmade feel into industrial products, she ensures that the tiles not only meet contemporary standards for durability and performance but also carry a unique, artistic character. The use of variegato clay, with its inherent variations, further enhances the artisanal quality of the tiles, ensuring that each piece contributes to a distinctive overall look. These collections are designed to add visual depth and sophistication to a wide range of interior and exterior spaces, reflecting Celestino’s vision for contemporary surface design. #CristinaCelestino #FornaceBrioni #CeramicTiles #GeometricPatterns #Tessellations #ArchitecturalDesign #InteriorDesign #ProductDesign

Inga Sempé introduces her latest lighting design, the ‘Sempé W153’ clamp lamp, developed for Wästberg and unveiled at the 2015 Stockholm Furniture Fair. This innovative design aims to elevate the traditional clamp lamp typology, which Sempé notes often appears awkward and unstable when not clamped. The ‘Sempé W153’ addresses this by offering a multi-purpose lighting solution that seamlessly transitions between various placements without compromising its aesthetic or functionality. The core concept behind the ‘Sempé W153’ is its versatility. While retaining its primary function as a clamp lamp, it is ingeniously designed to stand independently on a flat surface or be mounted on a wall. This adaptability ensures that the lamp remains a coherent and integrated element in any setting, regardless of whether it is clamped, standing, or wall-mounted. Sempé drew inspiration from the utilitarian clamp lamps of her childhood, which were widely available and celebrated for their practicality, though often lacked standalone elegance. Each ‘Sempé W153’ lamp is equipped with a high-quality, energy-efficient LED light source, underscoring a commitment to modern lighting standards. A distinctive feature of the design is its adjustable shade, which is held in place by a magnet construction. This magnetic attachment allows users to effortlessly rotate and position the diffusing cover, directing light precisely where needed. This mechanism enhances user experience by providing smooth and intuitive control over the light's direction. Sempé explains that her intention was to transform the basic clamp lamp into a more sophisticated and versatile object. She noted that traditional clamp lamps, much like folding chairs, often lack the perceived status of their more conventional counterparts due to their specialized use and awkward appearance when not fulfilling their primary function. By integrating a flat base and wall-mounting capability, the ‘Sempé W153’ transcends these limitations, offering a comprehensive lighting solution that is both functional and aesthetically pleasing in multiple scenarios. The design pays homage to the simplicity and effectiveness of older clamp lamps while bringing a contemporary sensibility and expanded usability to the product category. The design process focused on overcoming the inherent 'infirm' appearance of clamp lamps when not attached, ensuring that the W153 is self-sufficient and balanced in any configuration. This multi-functional approach aims to grant the clamp lamp a renewed status as a highly useful and adaptable lighting fixture for various home and office environments. The lamp's presentation at the Stockholm Furniture Fair highlighted its innovative features and its potential to redefine perceptions of this classic lighting type. #ClampLamp #IngaSempé #Wästberg #LightingDesign #MultiPurposeLamp #StockholmFurnitureFair2015 #LEDLighting #MagneticShade

Serena Confalonieri has designed 'Tarsine,' a new range of modular inlaid wooden wall coverings for Portego, which debuted at Maison&Objet. This collection offers a contemporary reinterpretation of the ancient technique of inlay work, a craft that gained prominence during the Baroque period and was notably used in the flooring of Venetian Republic monuments and buildings. Historically, this technique involved intricate decorations using multi-colored marble, stone, and ivory. Confalonieri's 'Tarsine' pays homage to this rich artisan tradition while modernizing its style and application for contemporary interior spaces. The 'Tarsine' wall coverings are constructed from modular maple panels, each featuring an inlaid decoration crafted from burnished oak. These decorations extend across the entire surface of the panels. The design incorporates distinctively geometrical motifs, characteristic of traditional marquetry, yet these are refined and enlivened by the inclusion of fluid, stylized crenellations. These subtle lines are carefully combined to form a soft, sinuous pattern that flows across the wall, introducing a new and delicate visual dynamism to the interior environment. Each 'Tarsine' panel measures 25 cm in length and 25 cm in height, offering significant versatility for integration into various rooms and interior design schemes. The manufacturing process utilizes 2D laser cutting, ensuring precision and consistency in the intricate designs. Furthermore, the panels are treated with a special waterproof finish, making them suitable for use in diverse environments, including bathrooms, where moisture resistance is crucial. This thoughtful consideration of material and treatment enhances the functional applicability of the wall coverings, extending their use beyond typical dry spaces. Confalonieri's approach bridges historical craftsmanship with modern manufacturing techniques and aesthetic sensibilities. The project highlights a commitment to preserving and evolving traditional artistry through innovative design. By transforming a classic technique into a modular, adaptable product, 'Tarsine' offers designers and homeowners a unique option for creating sophisticated and visually engaging interior surfaces. The collection reflects a balance between historical reverence and contemporary innovation, making a statement about the enduring appeal of craftsmanship in modern design contexts. #SerenaConfalonieri #Portego #MaisonEtObjet #ModularWallCoverings #InlaidWood #InteriorDesign #HomeDecoration #DesignExhibition #VenetianBaroque

Artist and architect Inés Esnal has unveiled her Prism installation, transforming the lobby of a new residential building in New York City. The artwork utilizes colorful elastic ropes to create intricate triangular formations that serve to filter light, producing a dynamic interplay of vivid colors and optical illusions. This installation provides a stark and compelling contrast to the lobby's existing concrete walls, injecting an element of artistic vibrancy into the otherwise stark architectural setting. The Prism installation is characterized by its use of stretched elastic ropes, meticulously arranged to form geometric patterns. These ropes, varying in color, intersect and overlap, creating a complex web that interacts with the ambient light. As light passes through these colored strands, it is fractured and dispersed, casting a spectrum of hues across the lobby space. This optical phenomenon changes throughout the day, depending on the angle and intensity of natural light, offering a constantly evolving visual experience for residents and visitors. The design intention behind Prism is to introduce an element of surprise and visual engagement within a functional architectural space. By contrasting the inherent rigidity and monochromatic nature of concrete with the fluidity and vibrant palette of the elastic ropes, Esnal challenges conventional perceptions of lobby design. The installation effectively redefines the entrance area, transforming it from a transitional zone into an immersive artistic environment. Esnal's work often explores the relationship between art, architecture, and human perception. In Prism, she employs principles of geometry and optics to manipulate space and light, thereby creating an illusory depth and movement within a static structure. The triangular shapes formed by the ropes evoke the concept of prisms, which are known for their ability to refract light into its constituent colors. This not only imbues the space with aesthetic appeal but also invites viewers to contemplate the scientific and artistic principles at play. The installation aims to enhance the sensory experience of the building's occupants, offering a momentary escape from the urban environment. The selection of elastic ropes as the primary material allows for flexibility in form and an ethereal quality that belies the material's strength. This choice also contributes to the lightweight and seemingly gravity-defying appearance of the artwork, further emphasizing its illusory nature. The vibrant colors chosen are intended to evoke a sense of energy and warmth, counteracting the potentially cold aesthetic of modern concrete architecture. The overall effect is one of harmony between the artistic intervention and the architectural context, demonstrating how art can profoundly alter and enrich built environments. #ArchitecturalInstallation #PublicArt #LobbyDesign #InesEsnal #OpticalIllusions #ElasticRopeArt #NYCArchitecture #ColorTheory #GeometricArt

Jaima Brown Emmert, an artist based in Naples, creates distinctive wallcoverings through her brand, Daisy Bennett Designs. Her work is deeply influenced by her fine art background, with each wallpaper designed to tell a story and evoke specific emotions within a space. Emmert believes that her murals transform a white wall into an experience, with colors and patterns designed to resonate deeply with viewers. Emmert's studio, a private apartment near her home, serves as her creative sanctuary. Here, she paints and styles patterns while listening to classical music, drawing inspiration from a vast collection of vintage wallpapers and textiles gathered during her extensive travels. She often reinterprets classic motifs, such as chinoiserie, by incorporating local elements like Gulf Coast birds and Florida sunset color palettes. An industrial printer in her studio allows her to visualize her designs, such as the Heron Mural, which features birds alongside a floral motif, and helps her refine the interplay between different design elements. Emmert's journey into the wallpaper industry began serendipitously during a silk-screening class, leading to a tour of Toronto’s Sunworthy wallpaper factory. Captivated by the artisans' skill in hand-mixing colors and painting designs, she secured a position as a print designer at Sunworthy. During her tenure, she created the Magnolia Lane collection, which blended Italian motifs with painterly depictions of flowers. This collection achieved significant success, selling 2 million rolls across Canada and Europe. She further honed her expertise as the design director for S. A. Maxwell & Co., one of the oldest wallpaper companies in the United States. After two decades of independent work, Emmert now operates with full creative freedom through Daisy Bennett, a company named in honor of her late black lab. Her designs reflect her English heritage and global travels, incorporating elements from various cultures. For instance, her former Chelsea Lane collection was inspired by the Royal Horticultural Society’s Chelsea Flower Show in England, featuring bold floral and whimsical butterfly motifs. Once a composition is finalized, it is digitally scanned and modified to ensure seamless pattern repetition, creating a painted-on effect. Before production, a sample is hung in her studio for final review, reflecting her meticulous approach to achieving balanced compositions. Emmert's lakefront home doubles as a showcase for her vibrant designs. The foyer, for example, features an iridescent, silver-blue grasscloth mural with birds among lemon trees, extending into her breakfast nook where chandelier lampshades are adorned with a coordinating blue-spotted print. Each room in her home highlights a different design from her career, including an energizing, undulating blue abstract pattern reminiscent of a kaleidoscope. Her recent ventures include printing her designs on fabrics for bedding, pillows, and accent chairs. Emmert is also exploring innovative digital processes for her new line of murals, which incorporate textured materials such as grasscloth, ultra-thin cork, and burnished metal paper that mimics gold and silver leafing. She views these new designs as a creative gamble but trusts her intuition in their development. #WallpaperDesign #JaimaBrownEmmert #DaisyBennettDesigns #InteriorDesign #HomeDecor #ArtisticWallcoverings #NaplesDesign #TextileDesign #CreativeProcess

Ancient symbols are serving as a rich source of inspiration for contemporary designers aiming to imbue meaning into interior spaces. Elements such as the twisted knot, the labyrinth, chequerboard patterns, and the triangle are increasingly appearing in modern furniture, lighting, and wallpaper designs. This trend may be influenced by popular culture's fascination with mysticism, as seen in works like Harry Potter, Game of Thrones, and Lord of the Rings. French designer Mathieu Lehanneur's latest furniture collection, "Illuminations," prominently features the checkerboard pattern on a stone and marble cabinet. Lehanneur notes his long-standing interest in ancient symbols and secret societies, which he incorporates into his designs. The twisted knot, also associated with secret societies, has been reinterpreted as a wall light made of metal rods, symbolizing connection and brotherhood. Another significant symbol in his collection is the triangle, used in a fireplace design. In ancient mythology, the equilateral triangle represented concepts such as woman, God, and fire, and holds particular significance in Freemasonry due to its association with the number three. Lehanneur emphasizes his need for meaningful elements in his work, viewing his "Illuminations" collection as an "ecosystem of symbols" where individuals can discover their own meaning. The checkerboard pattern also played a crucial role in early heraldry, or coats of arms, which emerged in the 12th century when crusaders used symbols on their shields for identification. Stephen Slater, a Fellow of the Heraldry Society of England, explains that simple, geometric patterns were effective for recognition from a distance. Clive Cheesman, a herald of the College of Arms, confirms that geometric heraldry heavily featured checkered patterns. Cheesman suggests that the geometric nature of medieval heraldry, with its stripes, zigzags, chevrons, dots, and bold colors, possesses an "op-arty" aesthetic that appeals to contemporary designers. He notes that a modern black-and-white zigzag pattern would have been recognizable during that period. Belgian design agency Studio Job exemplifies this aesthetic with a conceptual interior for Creutz & Partners in Luxembourg, featuring a black-and-white striped floor. UK-based designer Sue Timney also incorporates bold stripes and geometric patterns into her homewares and rugs, appreciating the introduction of strong, ordered color into interiors after periods of muted designs. Both Studio Job and Timney also engage with more literal interpretations of coats of arms. Job Smeets, co-founder of Studio Job, explains that while heraldic symbols traditionally conveyed power and formality, their studio infuses them with humor and modern context. For Creutz & Partners, they created a fantastical façade installation that included a hand-moulded sign and heraldic flags, using the formal structure of a coat of arms in a contemporary setting. Timney, influenced by her military family background, finds a sense of history, provenance, and security in heraldry, admiring the timeless beauty of its graphic symbolism. Her Ancestral Lineage wallpaper, for instance, is adorned with heraldic symbols. There is a common misconception that heraldic symbols were initially chosen for their inherent meaning. Cheesman clarifies that heraldry was not esoteric; rather, meanings were often attributed to designs after their introduction. Slater further explains that by Tudor times, heralds designed shields to signify illustrious descent, often assigning symbolic attributes to colors, which he dismisses as attempts to create symbology. Certain images, like the heraldic rearing lion, became popular through imitation. Cheesman points out that lions were desirable symbols due to their association with strength, fierceness, and nobility. Beyond heraldry, other ancient sources of symbols carry inherent meanings. Wallpaper designer Jennifer Shorto draws inspiration from stories, fairy tales, myths, and Rosicrucianism. Her interest in 13th and 14th-century murals by artists like Giotto stems from their powerful use of references and symbolism. Shorto’s "Golden Bees" wallpaper features bees, symbols of fertility, productivity, and wisdom across centuries, while her "Joseph’s Maze" wallpaper incorporates the ancient labyrinth, representing a journey. She believes her designs allow people to dream and their minds to wander. Ultimately, whether drawing from heraldry, medieval aesthetics, secret societies, or myths, symbolism continues to offer significant design potential in the 21st century, reflecting that society lives in a highly visual age. #InteriorDesign #AncientSymbols #Heraldry #ContemporaryDesign #DesignInspiration #MathieuLehanneur #StudioJob #SueTimney #JenniferShorto