A renovated Georgian townhouse in Bath – full of color and quirky fun

The article details the comprehensive restoration of a Grade II-listed Georgian townhouse in London, a property that had remained untouched for eight decades. Creative director Mike Fisher of Studio Indigo led the architectural redesign, transforming the building into a modern home while preserving its historical integrity. The project aimed to infuse modernity into the 1820s structure, which retained many original architectural features despite suffering minor bomb damage during the 1940s. Nathalie Hirst, the homeowner and a property buyer, actively contributed to the design process, emphasizing the importance of selecting features that would enhance the property's value and create a special atmosphere. The renovation prioritized maximizing space, a crucial aspect given the townhouse's compact size of under 3,000 square feet. This was achieved by opening up connections between rooms, creating seamless views to the garden, and optimizing the layout to make the interior feel larger than its actual dimensions. Key structural changes included extending and opening up the ground floor to create a cohesive kitchen, sitting, and dining area, forming the heart of the home. The original form of the closet wing was preserved, and existing spaces were reconfigured to incorporate en-suite bathrooms. These new additions were designed with a modern aesthetic that remained sensitive to the house's historic character, avoiding overly contemporary elements that might clash with its Georgian roots. The restoration also involved reinstating and refurbishing period details such as paneling, cornices, skirtings, and architraves, ensuring that the historical essence of the building was maintained. Mike Fisher and Nathalie Hirst collaborated with interior designer Dominique Bonino for the decor. Bonino focused on curating Hirst's existing furniture and art pieces, blending them with new selections to achieve a timeless, transitional style. The chosen color palette for the interior was fresh and light, reflecting the Georgian period, with accents of yellow, green, blue, and ochre introduced through furniture and soft furnishings. The objective was to create an inviting and cozy environment that was functional for daily living, allowing Nathalie's heirloom pieces to shine while complementing them with carefully chosen contemporary elements. The design philosophy emphasized mixing modern and traditional pieces to create a balanced, enduring aesthetic, avoiding overly dark colors to maintain an airy feel while incorporating rich fabrics and exquisite patterns to add character without appearing bland. #GeorgianTownhouse #HomeRestoration #TransitionalStyle #InteriorDesign #LondonProperty #HistoricRenovation #SpaceOptimization #PeriodFeatures #ColorPalette

This article highlights the transformation of a Victorian terrace in south London, where designer Laura Stephens reconfigured its layout to inject light and modern living while preserving its historical character. The project addressed the common dilemma of modernizing classic townhouses by integrating contemporary elements without compromising original features like paneling, plasterwork, and traditional layouts. Instead of extensive structural changes, Stephens focused on a less interventionist approach, retaining the 19th-century architecture and skillfully adapting the floor plan to suit a modern family. Key changes included relocating the sitting room to the back, moving the kitchen to the middle, and positioning the dining room, which also functions as a small home office, at the front of the house. To enhance natural light, a glazed screen was installed between the hallway and dining room, creating an effect similar to an old-fashioned office partition, which significantly brightened the front of the home. The design incorporated fresh colors, and natural textures like jute and seagrass, along with subtle architectural details to create a living space that feels both contemporary and timeless. The kitchen features periwinkle blue cabinetry designed to complement the high ceilings, contrasted with 'utilitarian' white metro tiles and bronze hardware, which adds a touch of aged elegance. In the sitting room, a new fireplace was installed, and half-paneling was introduced to balance the striped wallpaper. The designer also focused on sustainability and cost-effectiveness by recovering existing furniture pieces such as sofas, armchairs, dining chairs, and an ottoman, demonstrating a commitment to preserving and repurposing items. The main bedroom underwent a significant transformation, with previously 'bleak' wardrobes being revitalized by glazed doors lined with gathered fabric. A gauzy pendant light was chosen for its sculptural quality, echoing the textured pink wallcovering that envelops the room. In the top-floor bathroom, an innovative solution was found when a shortage of mustard and white tiles led to the installation of a mirror panel. This not only extended the striped design but also visually expanded the cozy, eaves-tucked space. Laura Stephens also designed unique rugs in collaboration with Bombay Sprout, incorporating motifs based on antique passementerie and natural jute textures, reflecting the blend of past and present in the home's overall design. Laura Stephens shared her style inspiration, citing her satisfaction with the glazed wall, her preference for 'Spruce' by Paint & Paper Library as a go-to color, and drawing inspiration from interior design books, historical and contemporary, as well as her youngest daughter. She expressed admiration for architect Gil Schafer and the Chrysler Building in New York City. The project successfully created a bright, comfortable, and ageless living space that honors its Victorian roots while embracing modern functionality and aesthetics. #LondonTownhouse #VictorianRenovation #InteriorDesign #LauraStephens #HomeRedesign #ColorPalette #TextureMixing #NaturalLight #KitchenDesign #BedroomTransformation

The owner of a two-bedroom London maisonette, Gemma Edwards, who frequently travels for work with a government conservation agency, opted to hire interior designer Sean Symington to transform her home. Edwards sought a unique and non-standard interior, explaining her desire to avoid a “cookie-cutter” look and her focus on enjoyable aesthetic changes rather than extensive structural renovations. Symington, known for his adept use of color and pattern, was selected to invigorate the apartment. The living room, despite its inherent character, was previously described as dull and lacked a central feature. Symington addressed this by introducing a fireplace surround and incorporating alcove shelving, which served both as a focal point and provided display and storage options. A marble mantelpiece, sourced from a reclamation yard, enhances the room's coziness, particularly when candles are lit, despite not being a functional fireplace. The room features watermelon velvet sofas from Sofa.com and an armchair upholstered in an animal spot velvet. Edwards's existing Dashiki curtain fabric was adapted for the south-facing living room, with Sean lengthening them using an additional panel, offering a cost-effective alternative to purchasing new curtains. The room also benefits from a small balcony, providing a pleasant outdoor space for morning coffee and a developing potted garden, accommodating Edwards's busy schedule that limits traditional gardening. In the kitchen and bathroom, the strategy focused on redecorating rather than replacing existing fixtures and appliances, which were of good quality, to avoid waste. Edwards prioritized investing in fabrics and furniture, elements she could potentially take with her if she were to move. The kitchen now boasts soft, earthy red walls contrasting with dark blue cupboards and a chequerboard floor. Radiators were painted to match the walls, a budget-friendly solution. A matching Roman blind and sink skirt introduce softness, and vintage dining chairs were reupholstered. The narrow hallway was not overlooked in the decorative scheme. One wall features a gallery of framed prints, each without a backing to expose the wall behind. The radiator is cleverly concealed by a fabric skirt and a shelf, providing both style and utility. The main bedroom showcases a vibrant palette of emerald and mustard, combined with natural materials. A half-tester over the bed creates a bold statement, complemented by a classic William Morris print wallpaper. Table lamps from Pooky and smaller reading lights with scalloped seagrass shades adorn wicker-topped bedside tables. Fitted wardrobes, painted in Bancha by Farrow & Ball to match the woodwork, include both panelled doors and open shelves, aiding in creating a sense of spaciousness, with Ikea baskets used for storage. The home office underwent a significant transformation from an unliked baby blue to a warmer Farrow & Ball India Yellow. This color provides a suitable backdrop for a painting and a kilim rug, a souvenir from Edwards's time working in Africa. An antique desk from Vinterior and practical shelves with decorative scalloped edging complete the space. Edwards expresses her satisfaction with the final result, highlighting how each room now possesses a distinct character and individual color scheme, attributing the elevated aesthetic to the paint colors and fabrics chosen with Symington's expertise. #LondonMaisonette #InteriorDesign #ColorfulHome #PatternedDecor #BudgetDecorating #LivingRoomDesign #BedroomDesign #HomeOfficeIdeas #Renovation #SeanSymington

Russell Loughlan, a budding British designer and illustrator, deliberately designed his 19th-century Georgian-style rowhouse on Kent, England’s oceanfront with social media in mind. Loughlan's journey to this dream home involved moving four times over a decade, each time getting closer to the water. The renovation itself presented numerous challenges; Loughlan acquired the property through a bank auction, discovering that it had served as a vacation home for 96 years and was in significant disrepair. Issues included a lack of heating, eroded steel supports, widespread mold across its five floors, and even unexpected features like fake doors and smuggler's tunnels to the beach. The original layout was also top-heavy, with cramped living spaces downstairs and larger bedrooms upstairs. Complicating matters further, the home is a preservation site, meaning Loughlan faced strict regulations. He needed approval for every paint swatch and piece of hardware, with local counselors meticulously documenting changes, from repainting the exterior a distinctive Tiffany blue to replacing radiators. Rather than altering the constrictive floor plan, Loughlan embraced it, using bold color schemes to define and differentiate each room. The entryway features a burnt orange, while the enclosed stairwell is painted teal. For the kitchen, inspired by a tapas bar in Seville, he opted for a monochrome palette reflecting the English Channel outside, incorporating turquoise backsplash tiles, navy lower cabinets, and half-painted walls, extending the two-tone concept even to the kitchen door. Upstairs, Loughlan implemented creative color combinations in the form of hand-painted stripes. He eschewed wallpaper, preferring the visible imperfections of a hand-painted finish. This painstaking process, which took four days to complete just one wall, resulted in a guest bedroom adorned with sage and white stripes and a bathroom featuring emerald green stripes. The seemingly tight layout ultimately proved beneficial for creating Instagram-worthy vignettes. Loughlan views each corner of his home as a mini, yet fully livable, set, meticulously curating scenes to draw viewers into the home's narrative. His social media feed frequently showcases original wood-burning fireplaces with styled mantels and color-blocked doorways that reveal transitions between striped and solid walls or shades of burgundy and blue. The fixer-upper, now affectionately known as the House on Dolphin Street, has garnered over 10,000 Instagram followers. Loughlan's behind-the-scenes content, particularly his approach to the bedroom walls and art collection, has been especially popular, leading to new design commissions. He initially aimed to create a home he loved and hoped others would appreciate, a goal he has successfully achieved, and then some, transforming his personal design project into a professional springboard. #HomeTour #InteriorDesign #SocialMediaInfluence #RenovationProject #ColorPalette #GeorgianArchitecture #HandPainted #DesignInspiration #CoastalHome

Octavia Dickinson, a renowned interior designer, created a vibrant and welcoming Georgian London townhouse for a couple who frequently entertain guests. The design prioritizes sociability, featuring two entrances to the kitchen for optimal flow and drinks cabinets on both the ground-floor sitting room and the first-floor drawing room, enabling entertainment across multiple levels. Dickinson's signature layered decorating style is evident throughout the home, characterized by deep sofas, tactile fabrics, and soft, diffused lighting, contributing to an overarching sense of warmth and comfort. The homeowner, a first-time buyer, was drawn to Dickinson's playful and joyful aesthetic, aligning with her own upbringing in colorful homes. The client's significant art collection was also a key consideration, with Dickinson, an art history expert, meticulously integrating these pieces into the various schemes. She often determines artwork placement once the room's design is complete, advocating for the flexibility to move pieces around as desired. While renovations of the Grade II-listed townhouse were already underway when Dickinson joined the project, with the architect handling the kitchen extension, joinery, and bathrooms, Dickinson introduced strategic adjustments. In the kitchen, she fine-tuned the cabinetry, commissioning low cabinets and wall shelves from a craftsman, painted in a bright turquoise to contrast with the coral-pink walls. Frilled lampshades and upholstered dining chairs further softened the space. Dickinson frequently begins a design scheme with a particular fabric. For the first-floor drawing room, an exuberant floral fabric was chosen for the sofa, which required craning through a window. The same fabric was extended to the blind in the adjoining snug, a cozy space separated from the drawing room by theatrical circus-striped curtains. These curtains are lined with fabric matching the snug's wallpaper, creating an enveloping effect when drawn. A similar cozy atmosphere was achieved in the main bedroom with half-tester drapes featuring an exquisite floral pattern. Decorating with antiques is integral to Dickinson's richly layered approach, incorporating sumptuously patterned rugs, arresting wall sconces, and mirrors. The search for specific pieces often takes time, as exemplified by the striking glazed mahogany bookcase in the drawing room, which serves as one of the drinks cabinets. Despite being one of the last items sourced, its precise measurements were crucial to fit the available space without encroaching on circulation, illustrating Dickinson's belief in waiting for the perfect piece to complete a design. #GeorgianTownhouse #LondonHome #InteriorDesign #OctaviaDickinson #SociableSpaces #LayeredDecorating #ArtIntegration #AntiquesInDesign #ColorfulInteriors

Architect and designer Ili Hidalgo-Nilsson, owner of Terracotta Design/Build, undertook a comprehensive renovation of a 1990s Decatur townhouse to create a vibrant and personalized living space for herself and her daughter. The primary appeal of the property was its abundant natural light, facilitated by 12-foot ceilings and numerous windows in the corner unit. This feature allowed for light fixtures to be chosen more for their aesthetic contribution than their functional necessity, contributing to the home's luminous atmosphere. Hidalgo-Nilsson prioritized factors such as a charming neighborhood, good schools, proximity to work, and minimal landscaping maintenance, all of which the townhouse satisfied. The renovation involved several key transformations. A significant aspect was the application of high-gloss paint to all walls and trim throughout the house. This choice was deliberate to amplify natural light, creating a glowing effect that brightens the interiors. The design philosophy integrated classical modern aesthetics with personal touches inspired by Hidalgo-Nilsson’s Puerto Rican heritage. For example, the office features a woven rug that evokes Caribbean porch styles, and the kitchen’s concrete tile backsplash, with its geometric navy-and-white pattern, is reminiscent of coastal Caribbean design, providing a sense of home and a visual anchor when descending the stairs. Experimentation with a more exuberant color palette marked a departure from previous residences. Favorite shades of blue were prominently used in the kitchen and master bath, while raspberry and lavender accents complemented a base of light gray and white in other areas. The renovation adhered to an 'edit, edit, edit' mantra, which involved removing dated elements such as columns, archways, cherry kitchen cabinets, and ornate lighting. Hardwood floors were refinished from a honey tone to a refined gray. Furnishings were curated to a selection of beloved antiques and contemporary pieces, reflecting a balance between old and new. Specific room transformations included a kitchen remodel where original cabinetry was replaced with ceiling-height units, featuring a wall of high-gloss navy cabinets that ground the space against pale-gray island and perimeter cabinets, all equipped with Thermador appliances. The staircase was modernized with glossy white paint and a simplified railing, and museum trim was added to highlight artwork. The former dining room was converted into a stylish office, featuring a glossy gray ceiling, white lacquered furniture from West Elm, and raspberry accents through X-benches and Jonathan Adler lamps. A sunroom was repurposed into a dining area, furnished with a Saarinen dining table and ivory leather reupholstered chairs, alongside a gallery wall displaying personal items including a vintage Caribbean map and a drawing by her father. A bar area was updated with light lavender-gray cabinets, glass doors, and a mirrored backsplash, complemented by a bargain light fixture from Cost Plus World Market. The master bedroom, a spacious area, accommodates a tranquil sitting area with an Oushak rug and furry benches from Mitchell Gold + Bob Williams. The master bath’s design was inspired by ocean art, influencing the choice of striking blue, shiny cabinets, and includes a wooden ledge for convenience near the tub. Bird prints, acquired inexpensively, were elevated with gold frames in the master bedroom’s seating area, adding a sophisticated touch. The project served as a demonstration of the significant impact high-gloss paint can have on interior spaces, showcasing a blend of glamour and functionality. The design choices, from material selections to color schemes, collectively contribute to a sophisticated yet personally resonant home that maximizes its natural light and embodies the architect’s creative vision. #DecaturTownhouse #HomeRenovation #InteriorDesign #HighGlossPaint #ColorfulInteriors #TerracottaDesignBuild #IliHidalgoNilsson #ModernClassics #PuertoRicanInfluence

Sarah Peake, founder of Studio Peake, showcases one of her most cherished interior design projects: a double-fronted Georgian cottage in South London. This project was particularly significant as it marked her first solo endeavor after establishing her studio. The cottage, located on a wisteria-filled terrace, previously featured an industrial aesthetic dominated by black and grey, and an unsympathetic 1980s rear extension. The initial phase of the project involved extensive renovation to restore original architectural elements such as architraves, doors, skirtings, cornices, and radiators, which had been lost or altered over time. The clients, who had moved into the house after their honeymoon, lived there for six months to understand its nuances before commissioning Peake. Their brief was to create a vibrant, distinctive, yet comfortable and cozy home. The kitchen, rather than being completely replaced, underwent a significant refresh to combine existing features with new additions. A new limestone floor, Lanyan Limestone by Artisans of Devizes, was installed, and the existing joinery was painted in a custom green matched by Dulux. Carrara marble replaced the laminate countertops, and new drawer handles were sourced from Lassco reclamation yard. A French polisher from Portobello Painters restored the timber cupboards, while a custom floor paint from Papers and Paints and 'Stone I' from Paint and Paper Library were used for the walls. To introduce coziness, soft furnishings were added, including curtain fabric from Namay Samay with a Samuel & Sons fringe, an A Rum Fellow rug, an embroidered cushion from William Yeoward, and a white lamp from Porta Romana, effectively balancing the hard surfaces. In the main living space, a bespoke yellow paint color, mixed by Papers and Paint, was chosen for the walls, extending the painted wooden floor from the kitchen. A colorful rug from Ornate Rugs complemented the vibrant walls. A fireplace surround made of Bardiglio marble from Jamb and a chandelier from The English House were key features. The client's appreciation for art was evident with a William Crozier painting from Piano Nobile displayed above the fireplace. The design aimed for an interesting yet unoverbearing space through a mix of patterns, plains, and finishes. A small, low-ceilinged area at the back was transformed into a cozy nook with bespoke TV and bookcase joinery by Billy Crawshaw, carpeted with Tim Page Claremont, and featuring a David Seyfried chair upholstered in Fermoie fabric with Besselink & Jones wall lights. The master bedroom, described as Peake’s favorite, achieved a balance of color and tranquility. The walls and joinery were painted in Fencing Blue by Papers and Paint Library. Curtain fabric from Lasso by Pierre Frey and a Kelly Wearstler headboard with Romo Linara piping were incorporated. A painting by Venetia Berry, already owned by the client, served as the color palette's foundation for the room. Bed linen from Gayle Warwick Siena, a throw from Once Milano, and a custom cushion made from Guy Goodfellow fabric with a Samuel and Sons fringe completed the space. Moving to the landing and stairs, the entrance hall was designed as a crucial introduction to the house. Sanderson ‘Hemp’ wallpaper provided a muted backdrop, contrasting with the more defined colors in adjacent rooms. The French polisher from Portobello Painters restored the handrail, and Edward Bulmer’s Celadon paint was used on architraves and doors. An antique chair, a Sarah Balme painting, a mid-century chandelier from Pamono, and a white lamp from Porta Romana adorned the half-landing. For the guest bedroom, situated opposite the main bedroom, the focus was on the view of the bed. A shaped headboard by Pat Giddens Ltd, upholstered in Holland and Sherry fabric, was a central element, complemented by Afghan hats from Etsy above the bed. Hand-dyed velvet cushions by Kirsten Hecktermann and a custom-embroidered rectangular cushion from A Rum Fellow added luxurious touches. An antique pedestal desk was brightened with modern pieces, including a Benchmark chair upholstered in Vaughan and Holly Hunt fabrics, a raspberry lacquered lamp from Salvesen Graham, and a gathered silk shade by Penny Morrison. Finally, the tiny box room underwent a significant transformation. Previously painted black with acid green wallpaper and a low, angled ceiling, it was re-envisioned with a ‘bed nook’ to maximize standing height. Billy Crawshaw paneled the walls with MDF, painting them in Edward Bulmer’s Fair Blue. Ottoline Devries’ wallpaper and fabric were used within the bed nook, along with Samuel and Sons contrast piping and Colefax and Fowler roman blind borders. A bookcase above the headboard and a wall light replaced a traditional bedside setup. The bathroom, largely preserved due to its existing good condition, received subtle enhancements using leftover stone and marble, Edward Bulmer Celadon paint on woodwork, a touch of Soane wallpaper, and a rattan mirror from Kempton Racecourse, demonstrating that minor changes can have a major impact. #InteriorDesign #HomeDecor #GeorgianCottage #StudioPeake #SouthLondon #Renovation #ColorfulInteriors #CozyHome #ArchitecturalRestoration

This article details the renovation of a bathroom in a Georgian cottage, transforming it into a luxurious farmhouse-style space. The owners, who purchased the run-down cottage in Somerset, embarked on a slow renovation process, starting with essential repairs before tackling the family bathroom. The primary challenge was the original layout, which featured a non-functional bath and a toilet in a separate room adjacent to the main bathroom. Historical clues from the floorboards indicated that these two spaces were originally a single room. The renovation began by removing the wall separating the toilet and bathroom, combining them into one large, luxurious area. This architectural decision not only created a more expansive bathroom but also revealed a beautiful arched ceiling, celebrating the cottage's original structure. The owner drew inspiration from hotel bathrooms and a trip to Florence, aiming to create a serene sanctuary where she could relax and unwind, emphasizing the importance of a deep, luxurious bath. A key design element is the freestanding bathtub, admired for its stunning shape and small feet. Integrated lighting beneath the bath highlights its raised position and the herringbone stone flooring, which is made from replica porcelain tiles from Mandarin Stone. These tiles were chosen for their practical advantages in a bathroom setting, including water resistance and ease of cleaning, while mimicking the terracotta and brickwork seen in Florence. The flooring significantly contributes to the overall farmhouse aesthetic and creates the illusion of more floor space. The color palette for the bathroom features warm, muted browns complemented by natural materials such as wood and stone. A vintage double vanity unit, sourced from a local antique shop, serves as a focal point. The shop owner customized the unit by sanding it back and adjusting the drawers to accommodate two sinks, and a stud wall was built to ensure a precise fit within the space. This double vanity was a 'must-have' for the couple, providing ample storage and personal space in the large room. Lighting was another crucial aspect of the design, especially given the cottage's small windows. The owner incorporated various lighting options, including main overhead lights for general illumination, wall lights with ribbed glass for ambient glow, and undershelf LED lights for subtle accentuation. Extensive structural work was required due to the cottage's age, including reinforcing the floor to support the heavy bathtub. The entire renovation process for the bathroom took approximately one year to complete, resulting in a space that the owners are highly satisfied with, viewing their cottage as a continuous, evolving project. #BathroomRenovation #FarmhouseStyle #GeorgianCottage #LuxuryBathroom #InteriorDesign #HomeRenovation #VintageDecor #BathroomLighting

The article details a bathroom renovation project undertaken by designer Caitlin Murray of Black Lacquer Design for a couple with young children, focusing on creating two distinct yet cohesive spaces within a 1930s bungalow. Murray faced the challenge of transforming two dated bathrooms, one with "McDonald's-yellow" walls and the other with a "retro pink sink," into modern spaces that respected the home's original architectural style while reflecting individual personalities. Instead of creating two identical bathrooms, Murray opted for a more unconventional approach, designing two drastically different spaces. Her design philosophy centered on paring back elements to align with the 1930s era, acknowledging the home's beautiful but previously altered architectural features. The primary challenge was to ensure that these unique spaces did not feel disjointed from each other or the rest of the home. Murray's first trick involved drawing inspiration from the house's history. In the larger bathroom, she chose zellige tiles for the shower, aiming for a timeworn aesthetic that deviated from standard ceramic tiles. For the smaller bathroom, she embraced a bolder design, highlighting the original arches with a pendant light and using bright teal penny tiling. Fixtures were largely vintage, including antique rugs and gilded mirrors. A key decision was replacing a built-in vanity with a repurposed credenza in one bathroom to prevent a contemporary piece from overwhelming the space, emphasizing the idea of a supporting cast rather than a single star element. Another technique employed by Murray was using color to establish cohesiveness across the distinct designs. Pink served as the unifying color, subtly incorporated into the floral wallpaper, which was one of the first design choices made, and echoed on the walls of the larger bathroom. This specific shade of pink was chosen because it complemented the blue and yellow reflections from the stained glass windows. Murray noted that a common denominator like this color allows for the integration of various styles without creating a fragmented appearance. Finally, Murray designated the smaller bathroom as a space for creative experimentation, labeling it a "jewel box." This allowed for bolder design choices, given the smaller square footage and the reduced financial and commitment risk associated with it. She advised considering the surrounding areas; if adjacent spaces are neutral, it provides more leeway for vibrant and impactful designs within a smaller room. This strategy maximized the visual impact in a compact area while maintaining a balanced aesthetic throughout the home. #BathroomRenovation #InteriorDesign #HomeDecor #VintageStyle #DesignInspiration #ColorPalette #HistoricHome #SmallSpaceDesign

Megre Interiors has undertaken a significant renovation of 'Fonarnye Bani,' one of St. Petersburg's oldest and most historically important bathhouses, which dates back to 1870. The bathhouse had been closed for 15 years prior to this extensive reconstruction project. The design team, in collaboration with restorer Rafael Dayanoy, aimed to restore certain areas of the building to their original historical appearance, based on fragments of stucco, decor, brackets, rods, and cornices discovered within the dilapidated structure. However, for a substantial portion of the complex, a full historical recreation was not feasible, necessitating a modern reinterpretation of the historic building while respecting its heritage. The core challenge for Megre Interiors was to strike a balance between preserving the building's historicism and integrating contemporary design elements. Their approach centered on design purity, ensuring that the preserved architectural elements, proportions, and volumes remained prominent, while simultaneously crafting a cozy and functional space. The design strategy involved a gradual transition in interior aesthetic as guests move deeper into the facility. This progression begins with a welcoming lobby characterized by rich brick bardo walls and a carved chocolate wood fireplace, leading to a pristine, snow-white soapy lobby where a thin black line subtly highlights the historical architecture. A key aspect of the restoration involved reinstating the front entrance from Fonarny Lane, a possibility realized through the efforts of Artem Shakhnazarov. Megre Interiors meticulously recreated the interior of this entrance, using an exact replica of the original tiles, a fragment of which was discovered during the dismantling of an old wooden cash register from the 1930s. The boutique area for bath products at the entrance was also restored. Guests are directed to the second floor via the main staircase, arriving at the central lobby, which features a circular reception desk designed with carvings reminiscent of the historical period. The original communication pathways, including the central cross of corridors and stairs designed by Suzor, were maintained in the new planning solutions. The second floor now accommodates the main lobby, complete with its fireplace and comfortable sofas, a café-pub with cast-iron tables (restored from historical engravings) and marble walls, changing rooms, a salon, and a barber’s office. Below this level are economy and individual rooms, with a restaurant situated on the floor above. The female changing room is envisioned as a romantic and enveloping space, incorporating elements inspired by surviving engravings, such as a large carved fireplace and a central column, which introduce an unusual level of coziness for a changing area. In contrast, the men's changing room on the second floor boasts a restored tiled fireplace and a bronze mascaron with a triton's head, both original to the building. The men's recreation area also saw restoration according to historical sketches, with the entrance area designed to echo this style. Furnaces from the 1930s renovation were preserved during the reconstruction. The soap zones in both locker rooms share a unified aesthetic, though the economy rooms downstairs utilize different materials to alter the spatial perception. The individual bath areas are designed to exude comfort and luxury, creating an atmosphere akin to a private merchant's house rather than a public bath. #HistoricRenovation #BathhouseDesign #InteriorDesign #StPetersburgArchitecture #ArchitecturalRestoration #MegreInteriors #AdaptiveReuse #CulturalHeritage

Interior designer Boo Randle undertook a comprehensive redesign of her 1906 Uptown New Orleans home, transforming a previously all-white interior into a vibrant, personalized space. Randle, who moved into the home in spring 2022, aimed to create a living expression of her personal style that was also family and animal-friendly, and conducive to entertaining. She approached the project with a structured methodology, similar to how she manages client projects, assembling a team of an architect, contractor, fabricators, installers, and artisans from the outset. The redesign began with conceptualization, moving through design, procurement, and installation. Randle envisioned a home that felt collected, layered, and timeless, incorporating a mix of antique, vintage, and modern pieces. Many items have a personal history, such as 1960s wingback chairs that have been reupholstered multiple times, a glass and iron table from her childhood home, and mid-century modern lamps acquired from a former employer. This approach ensures that the home tells a story and retains sentimental value, aligning with her philosophy of integrating clients' special pieces into their designs. A distinctive aspect of Randle's design is her color palette, which features a blend of greens, blues, and soft pinks. She strategically used darker, richer colors in the front rooms, transitioning to cream paint in areas with more natural light towards the back of the house. To maintain cohesion, the same green trim was used throughout the main level, and a consistent color palette was echoed in various combinations across rooms. Randle views the downstairs as a single, interconnected space, where each room flows into the next, and elements like rugs and trim complement each other seamlessly. Whimsical elements are also integrated to add a playful touch. For instance, the formal dining room features music-inspired wallpaper from MINDTHEGAP, reflecting Randle's love for music. Near the bar area, a southern tropical wallpaper adds another layer of print, complemented by bold-patterned vinyl floor covering from Spicher and Company, which Randle praises for its durability and aesthetic appeal in high-traffic areas. The renovation encountered structural challenges typical of historic homes, particularly in the kitchen. Instead of moving the range due to electrical issues, Randle opted for sleek European custom cabinetry to enhance aesthetics and storage. An island made of Infinity White Quartzite was added to the kitchen, creating more prep space and fostering an open, welcoming environment for entertaining, a crucial aspect given the kitchen's role as the central gathering spot for her family and guests. Upstairs, a significant design decision involved combining two bedrooms and two bathrooms into a quad design, achieved in collaboration with architect Kim Payne Allen of Studio BKA. This transformation was driven by the need for more functional space, including a large, multifunctional closet and a larger bathroom, sacrificing a fifth bedroom to accommodate these desires. Architectural obstacles, particularly concerning existing plumbing, led to creative solutions like a walk-through shower. The design prioritized natural light, especially in the primary bedroom and bathroom, where wood plantation shutters offer views of pecan trees and enhance the lustrous marble surfaces. Allen's design for the closet made the original fireplace a focal point, framing the display of Randle's shoes and bags, creating a stylish backdrop. The expanded space also includes an office nook, his and her closets, and a small exercise area. Randle's personal touches, such as French artwork, vintage dressers, plush rugs, and objet d’art, further personalize the bedrooms, which are kept light and bright to maximize natural light, with color accents in upholstery and accessories. The entire project reflects Randle's ethos of surrounding oneself with beloved items, resulting in a home that is authentically her, functional, and imbued with warmth. #HomeRedesign #HistoricHome #InteriorDesign #UptownNewOrleans #BooRandle #ArchitecturalRenovation #PersonalStyle #ColorPalette #WhimsicalElements

This article details the six-year renovation of an 18th-century, Grade-II listed Georgian cottage in a historic village in the UK's South Downs National Park by its owners, Matt and Holly Clements. The renovation aimed to restore the property sensitively, uncovering and preserving its original features while adapting it for modern family life. The exterior restoration began with the removal of damaging pebbledashed cement render, replaced with a breathable limewash color-matched to original fragments. Georgian sash windows were also restored off-site and fitted with hand-blown glass. Inside, the kitchen, though due for a full replacement, was refreshed with Atelier Ellis' 'Quiet Grey' paint. The space is characterized by unfitted elements, vintage accessories, and an heirloom farmhouse table and chairs. Devol handles and a brass hanging rail were added to existing cabinets, complementing a soft white Everhot range cooker. In the living room, the painstaking process continued as internal cement render around the bay window was removed, revealing original lime plaster. This multi-functional space, the primary gathering area outside the kitchen, was furnished with neutral colors, vintage leather armchairs from Vinterior, an antique Indian cot serving as a coffee table, and a high-street jute rug, creating a calm and inviting atmosphere. The main bedroom offered significant discoveries. A false ceiling concealed original beams, which were found wrapped in crumbling insulation and required extensive work. Beneath layers of plasterboard, a Georgian fireplace was uncovered and gently repaired. The original wide plank floorboards, crudely altered for modern utilities, were carefully cleaned and restored with wire wool and white spirit. To respect the cottage's history, the fireplace wall's original brick was exposed, while other walls received a lime render. A hand block-printed floral wallpaper, 'Garland by Flora Roberts' for Hamilton Weston, was chosen for the bedhead wall, inspired by a 1700s fragment, with Earthborn’s St John clay paint on the remaining walls, blending historical accuracy with contemporary design. The bathroom combines original features like exposed ceiling beams with modern comforts, including a marble-look walk-in shower. The wooden floor was repurposed from a 400-year-old barn, and the plasterboard ceiling was removed to reveal characterful original beams. Holly incorporated vintage accessories such as a Georgian tilt-top table, a French mid-century painting, and antique Hungarian pieces to soften the space without creating a pastiche. The children's rooms are thoughtfully curated with vintage treasures and adaptable designs, reflecting the family's approach to the entire home. The children actively participated in painting and cleaning. A peg rail in one room displays an antique mirror and chair, with walls and paneling painted in Atelier Ellis' 'Stony Ground'. Finally, the backyard features a secluded seating area excavated from a large cement and chalk lump, providing an alfresco dining space with an antique Hungarian trestle table and a window-frame mirror from an antiques fair. The entire renovation underscores a deep respect for the cottage's history, combining meticulous restoration with personal touches and vintage finds to create a cohesive and charming family home. #CottageRenovation #GeorgianArchitecture #HistoricHome #InteriorDesign #VintageDecor #SustainableRenovation #FamilyHome #ArchitecturalRestoration #HomeStyling

Harriet's House, an addition to a Georgian cottage in Launceston, Tasmania, is the result of a six-year collaboration between design historian Harriet Edquist and SO: Architecture, led by Liz Walsh and Alex Nielsen. The project involved distilling a complex brief into a single vaulted room with integrated services, creating a surprising and joyful space within a modest heritage-listed cottage. The original cottage, built in the 1830s, features a basalt plinth and a single-story brick structure with a hipped roof. Historically, there's evidence of a kiln on site, suggesting the building materials were locally sourced. Its design, while simple, subtly references Regency architecture through expressed piers and recessed panels. The new addition respects the cottage's original form, reinstating the integrity of its four rooms by decommissioning a later doorway. A rear service wing, previously altered in the 1980s, was removed, preserving only its Victorian-era brick fireplace, which is now integrated into the new design. A new plinth, extending from the cottage's rear, uses local red bricks to form a base for the new light-colored brick shell, mirroring the original light-over-dark masonry pattern. The new form exhibits an austerity consistent with the existing structure, softened by intricate brickwork details such as header courses, corbelled openings, and subtle variations in brick color and tone due to the limited space for brick storage during construction. These variations, a result of having only one pallet of bricks on site at a time, narrate the construction process and the material's origin. The exterior of the addition is characterized by its simple geometry, concealed roof lights, and a single strategically placed window, maintaining privacy. Internally, a deep, timber-lined vault is revealed. The design draws inspiration from Sir John Soane, a Regency-era architect known for his vaults and mastery of natural light. Unlike Soane's shallow saucer domes, Harriet's House features a fully-fledged hemispherical vault, which appears suspended due to natural light washing down from above. This vaulted space provides a sense of openness, contrasting with the more compressed rooms of the original cottage. The multi-layered space beneath the vault serves for both living and working. It incorporates a kitchen along one edge and shelving for personal objects along another. The design allows for flexible furniture arrangement, accommodating favorite pieces around the reclaimed fireplace or in the morning sun. This interior space extends to a small courtyard, enclosed by a steep embankment of endemic Tasmanian plants, designed by landscape architect Miriam Shevland of Playstreet. The project masterfully balances old and new, and inside and outside, reflecting the collaborative discussions between the client and architects. Adolf Loos's modernist principles, known to Harriet through her work on Viennese modernism, also seem to influence the building's making and its interior. The exterior’s spareness complements intimate interiors that modulate volume, light, materials, and crafted fixtures. The project, Harriet’s House, stands as an exceptional accomplishment, showcasing the architects' skill in navigating historical contexts and contemporary design. Key products and materials used include Lysaght Custom Orb roofing, Austral Access and Yarra bricks, Johnson Tiles Spectrum tiles, Artedomus Yohen Border tiles, Knauf plasterboard, Gubi Semi 400-mm pendant lighting, Fisher and Paykel appliances, Streamline tapware, and Devi electric underfloor heating. The project team included Liz Walsh and Alex Nielsen of SO: Architecture, with Anstie Constructions as the builder, Aldanmark Consulting Engineers, Jonathan Hearn Landscape Design and Construction, Playstreet, and Green Building Surveying. The house is built on the land of the Stoney Creek nation. #ResidentialArchitecture #GeorgianCottage #ArchitecturalRenovation #VaultedCeiling #HeritageBuilding #TasmanianDesign #BrickworkDetail #SustainableDesign #InteriorDesign

The article details the transformation of a 1960s West Palm Beach bungalow by designer Gillian Segal for a young family. Initially acquired as a temporary residence, the family became so fond of the home's location and structural integrity that they decided to renovate it. The interiors, originally described as "neutral and bland," were given a quirky update that blended traditional Palm Beach style with West Coast and bohemian influences. The designer's approach was to create a fun and welcoming atmosphere, echoing the client's vision of an old Hollywood Hills bungalow with open windows and wind chimes. The renovation focused on cosmetic changes and furnishing for the 2,400-square-foot, three-bedroom, three-bathroom home. The kitchen was entirely revamped with new surfaces, including a custom island with intricate millwork and a built-in onyx bar, which became a focal point. Bathrooms were updated without significant structural alterations. A key element in personalizing the space was the integration of the client’s expanding vintage collection, featuring items like horn coffee tables in the living room and a set of 12 hand-carved wood and leather dining chairs from the 1960s. These vintage pieces were given prominence against a more neutral backdrop in the living room, featuring a vintage sofa covered in Italian boucle fabric. Color was introduced strategically through wall paint, such as Faded Terracotta by Farrow & Ball in the office, and patterned wallpaper in a child's room. Specific details and furnishings mentioned include Millwork paint in Sand by Farrow & Ball, a floor lamp from Hive Home, Gift, and Garden, James Bond wall art from Samuel Own Gallery, and a wicker cabinet from Show Pony Vintage in the living room. Draperies were sourced from Mac Fabrics/Terry Lynn, and a custom rug added to the unique aesthetic. Vintage items were prominent, including a gold chair and table lamp. The kitchen's custom island was crafted by JB Millwork with a countertop from Noel’s Marble. The dining area featured a vintage dining table from Show Pony Vintage, and vintage pendants, dining chairs, and a light fixture over the dining table. Sheepskins were noted as belonging to the client. The office, a consistent highlight in projects between Segal and the client, was drenched in Faded Terracotta by Farrow & Ball. Furnishings in the office included RH rugs, custom Mac Fabrics draperies, art and side tables from Hive Home, Gift, and Garden, vintage accent chairs upholstered in Manuel Canovas and Kelly Wearstler fabrics, a vintage coffee table with a Kelly Wearstler cushion, vintage Knoll desk chairs, and a vintage desk, light fixture, sofa, and sofa fabric. The powder room extended the monochromatic style with Faded Terracotta paint on the walls and vanity, a vintage mirror from Show Pony Vintage, and vintage sconces. The primary bedroom adopted a moody, monochromatic palette to highlight vintage treasures, featuring Matteo bedding, a bedside table from Show Pony Vintage, and a custom bed, headboard, and fabric made from vegetable-dyed linen from the client's garment factory. The primary bathroom included a delicate vintage sconce and curved mirrors from Mecox. Children's bedrooms incorporated vibrant elements, with one featuring Roller Rabbit wallpaper and matching bedding, and another adopting a more neutral palette with a graphic lamp from Crate & Barrel. Beds were from RH and Mac Fabrics, bedding was from Matteo, a rug from Anthropologie, and bedside tables from Show Pony Vintage. Segal emphasized that personality and richness were achieved through bold colors, special materials, and unique pieces without extensive renovations. The budget was primarily allocated to the new kitchen and vintage furnishings and art. Cost-saving measures included sourcing many local vintage items, benefiting both the budget and the environment by reducing waste, and working with craftspeople with whom existing relationships were in place. Utilizing the client's meaningful personal items, such as a hat collection, also served as a decorative and cost-effective solution. The designer also highlighted the collaborative nature of her relationship with the client, which had evolved into a friendship over multiple projects, making the design process highly interactive and enjoyable. #InteriorDesign #HomeRenovation #WestPalmBeach #BohemianStyle #VintageDecor #GillianSegal #KitchenDesign #BedroomDesign #ColorPalette

This article details the renovation of a historic Brooklyn townhouse owned by Jenny O’Leary, an architect, and Adam Bossy, led by contractor Erica Padgett of Decorum Design Build. The project, described as challenging due to the home's mid-1800s origins, focused on preserving original details while integrating modern amenities. A key aspect of the renovation was transforming a second-level office/bedroom into an en suite bathroom with a freestanding tub, a complex task given the kitchen's plaster ceiling medallion directly below. Padgett employed "creative plumbing" to achieve this, highlighting the clients' clear vision for their home. A notable example of preservation and repurposing involved the kitchen's original pantry cabinet. Instead of discarding it, Padgett's team carefully disassembled the unit, which came apart in approximately 40 pieces. These pieces were then moved upstairs and reassembled with minor modifications to create a double bathroom vanity, complete with space for mirrors and a stone countertop. This meticulous reconstruction, though costly, yielded a pleasant surprise: during its removal, leaflets dating back to the 1870s were discovered within the cracks of the original unit, offering a tangible connection to the home's history. While the renovation prioritized salvaging historic elements, O’Leary adopted a pragmatic approach to change. She balanced preservation with modern updates, exemplified by painting the entryway woodwork glossy black and installing graphic tiles from Barber & Osgerby. Another instance of adapting to modern comfort involved installing a polished nickel ceiling fan in the living room, which necessitated careful integration into a plaster medallion on the ceiling, a process that reportedly caused some anxiety for the homeowners due to the delicate nature of the original structure. The kitchen renovation presented its own set of logistical challenges, particularly concerning lead times for custom orders. The Reform cabinets, ordered in November 2020, were installed nearly a year later. Similarly, Thermador appliances ordered the previous fall arrived in June 2021, with the vent hood initially missing. A significant mishap occurred when the island countertop arrived in an incorrect color, showing up as traditional gray instead of the requested black concrete, indicating the rarity of their specific custom order. Another major hurdle was encountered during the primary bathroom renovation. After reframing the sagging extension that housed the bathroom, exciting new elements like tadelakt plaster and a reeded glass shower door were introduced. The selection of a terrazzo tub from France & Son, estimated to weigh around 450 pounds, proved problematic. Upon arrival, the tub was found to be severely cracked, leading to the difficult decision to scrap it due to the traumatic experience of attempting its installation. Ultimately, a more manageable 111-pound tub from West Elm was installed. The homeowners, despite the challenges and emotional rollercoaster of renovating an old home, expressed satisfaction with the final outcome. #TownhouseRenovation #HistoricPreservation #KitchenRemodel #BathroomDesign #RepurposedFurniture #PlumbingChallenges #DesignInspiration #GreenpointBrooklyn