zaha hadid's eve lamp for LASVIT juxtaposes transparent and opaque glass

Lasvit, a Prague-based manufacturer, continues a rich tradition of Czech glassmaking, creating bespoke lighting and sculptural installations that are both luxurious and awe-inspiring. Founded in 2007 by Leon Jakimič, the company distinguishes itself by collaborating with a diverse array of in-house and external designers, including renowned artists like Nendo, Ross Lovegrove, and Daniel Libeskind, whose works are celebrated in museums worldwide. This approach has earned Lasvit accolades, such as the Harper’s Bazaar 2015 Best Lighting Brand award. Among their standout creations is Petra Krausova’s "Supernova," which received first prize for its innovative design. This undulating light sculpture consists of hundreds of individual glass pieces connected by wires to a complex system of motors. These motors allow the sculpture to transition into infinite forms, with each glass 'tile' capable of being raised, lowered, and tilted through gesture control. While envisioned for large public spaces, the artistic merit and technological sophistication of the Supernova highlight Lasvit's commitment to pushing the boundaries of lighting design. For those seeking more modest, yet equally distinctive, lighting options, Lasvit offers pieces like "Bonbon." This pendant light, shaped like a wrapped candy, features a crimped paper-like top and an internal lamp that resembles a hard candy, priced at approximately $1,990. Another notable collection is "Crystal Rock," a family of pendants that blend modern aesthetics with a raw, geological feel. These glowing, hand-cut faceted shapes come in various colors—amber, blue, clear, opal, and red—with a laminated interior surface designed to maximize sparkle. Crystal Rock is available in single, triple, and quintuple configurations, with pricing available upon request. The "Neverending Glory" series, designed by Jan Plecháč & Henry Wielgus, reimagines chandeliers from iconic global venues such as Milan’s La Scala, Paris’ Palais Garnier, and New York’s Metropolitan Opera. The designers aimed to capture the blurred, dynamic forms these chandeliers would take if spinning rapidly, creating a unique fusion of classic elegance and contemporary motion. The collection includes various models, such as the La Scala version, and is available in opal and clear glass, each priced around $2,380. Concluding with a high-end example, "Twill," by Taťána Dvořáková, showcases a fabric of woven crystals that can be customized into nearly any shape or design. Featured at Harrods, this installation integrates pinhole LED lights above the crystal fabric, producing a dazzling, organic ceiling that creates a sophisticated ambiance. Given its bespoke nature, the pricing for Twill is reflective of its custom craftsmanship and luxurious appeal. Lasvit's products are not widely available in all locations, with showrooms primarily found in eastern and western coastal states of the USA, including New York, Los Angeles, Miami, and Washington D.C. The closest showroom to Dallas, for example, is Luminaire in Chicago. Beyond individual pieces, Lasvit also specializes in large-scale bespoke installations for hotels, offices, and public spaces, transforming environments with their innovative glass and lighting artistry. The company's work, often encountered unknowingly, consistently leaves a lasting impression due to its beauty and ingenuity. #LasvitLighting #CzechGlassmaking #LuxuryLighting #BespokeDesign #SculpturalInstallations #HomeDecoration #InteriorDesign #LightingInnovation #ArtisticGlass

British architect Zaha Hadid has collaborated with the French crystal manufacturer Lalique to produce a new line of vases known as the Crystal Architecture collection. This collection features two distinct vase designs: Manifesto and Viso. Manifesto is characterized by its curved and ridged form, emphasizing texture, while Viso presents a slender, fluid, and aqueous tower-like structure. These contemporary designs are offered as signed and numbered limited edition pieces and are available in both clear and black crystal. Both vases showcase fluid lines and a polished finish, reflecting Hadid's signature architectural style. Zaha Hadid expressed her long-standing passion for glass and crystal, a fascination that began in her early life as she collected pieces of various shapes, sizes, and colors. She noted that the architectural language developed for this collection serves as a manifesto of her firm's continuous experimentation and research into the concepts of fluidity and transparency. Hadid is widely recognized for her deconstructivist approach to architecture, often incorporating organic and natural forms into her designs, which is evident in the dynamic and unconventional shapes of the Lalique vases. Silvio Denz, Chairman and CEO of Lalique, highlighted the significance of collaborating with new artists like Hadid. He explained that such partnerships allow Lalique's exceptional craftsmanship and know-how to be reinterpreted through fresh perspectives and innovative creative inspirations. This collaboration underscores Lalique's commitment to blending its traditional expertise in crystal manufacturing with modern design sensibilities, pushing the boundaries of what is possible in luxury crystalware. The Zaha Hadid Manifesto and Viso vases are scheduled to be released for purchase in April, exclusively available at Lalique stores. The collection positions itself in the high-end luxury market, with prices for these unique crystal pieces starting at €12,000, equivalent to approximately $16,400. This collaboration brings together a renowned architectural visionary and a prestigious crystal house, offering collectors and design enthusiasts a fusion of art, architecture, and luxury craftsmanship. #ZahaHadid #Lalique #CrystalVases #LuxuryDesign #ArchitecturalDesign #HomeDecor #LimitedEdition #ContemporaryDesign #FluidArchitecture

Czech glassmaker Lasvit showcased a series of new lighting designs at Euroluce 2025, taking inspiration from various natural elements and textures to create pieces that explore the relationship between light, material, and well-being. The exhibition, titled 'Soaked in Light,' featured several highly textured designs that blended innovative glassmaking techniques with natural aesthetics. One of the standout creations was 'Vera,' a sculptural glass pendant designed by renowned French designer Patrick Jouin. The concept for 'Vera' originated from Jouin's observation of a twig, leading to experiments with torn paper and eventually a glass piece that mimics the appearance of bark. This design incorporates two types of handmade glass: delicate borosilicate for the light source and fused glass, where molten glass is poured over raw wood to capture its intricate grain and texture. This process allows the glass to take shape influenced by gravity and nature, resulting in a unique interplay of surface, shadow, and light that evokes a primal connection to forests and trees. Another highlight was 'Splash,' an extravagant glass installation by Lasvit designer Martin Gallo. This piece was designed to emulate the calming effect of water, featuring fused glass forms suspended in a dramatic arrangement. Visitors could walk among these forms, which resembled water in motion, reflecting light like ripples and creating an immersive experience that promotes tranquility and well-being. At the entrance of the exhibition, Lasvit artistic director Maxim Velčovský introduced 'Loomo,' a new lighting system inspired by woven textiles. Despite its smooth-to-the-touch surface, the glass in 'Loomo' is imprinted with a structured weave, effectively capturing the softness of fabric within a rigid form. Designed for compact spaces like corridors or bedside areas, 'Loomo' is available in two wall sconce sizes, both finished in a warm, golden hue that enhances their sculptural glow. Velčovský emphasized the playful approach to light in its development, aiming to optimize every centimeter to transform the atmosphere of a space. Rounding out the showcase was 'Niveo,' a collection by Czech designer Jan Plecháč. Named after the Italian word for 'snow-white,' 'Niveo' captures the fleeting beauty of hailstones in hand-blown glass. The collection includes linear pendants, clusters, and an inverted spherical table lamp, all featuring an irregular texture that produces an alluring, soft glow. Additionally, the exhibition featured the 'Herbarium Radiant,' an immersive, color-shifting lighting installation that incorporates a new type of glass made from repurposed waste. This piece, first launched at Design Miami 2024, allows users to adjust the light color for a dynamic and mesmerizing visual experience. Lasvit's installation at Euroluce 2025 served as a contemplative contrast to the bustling Milan Design Week. It offered a moment for visitors to pause and appreciate the subtleties of design, emphasizing nature-inspired aesthetics and innovative glass craftsmanship in lighting. #Lasvit #Euroluce2025 #LightingDesign #GlassArt #MilanDesignWeek #NatureInspiredDesign #InteriorLighting #CzechDesign #DesignInnovation

Architects Serene Kim and Elliot Meier, recognizing a common challenge in the design world, have launched Equal Equal, a new lighting studio dedicated to creating functional yet aesthetically pleasing light fixtures. The ongoing joke among architects and interior designers highlights the common issue where a visually striking light fixture often fails to adequately illuminate a room. Kim and Meier, having consistently encountered this problem on various projects, began custom-designing fixtures to bridge this gap between form and function. Their accumulated experience over a decade in crafting bespoke lighting solutions for projects ultimately led to the official launch of Equal Equal in May. The studio's name, Equal Equal, draws inspiration from the architectural symbol for equidistant length, 'EQ', reflecting their commitment to precise and balanced design. The company offers made-to-order pieces directly to consumers, encapsulating the architects' meticulous approach to design. Equal Equal's initial offerings include two distinct collections: the Frankie and the Vianne. The Frankie collection features classic ceramic lights, meticulously pressed and glazed in their New York City studio. These lights are highly customizable, available in an extensive palette of 18 color and glaze combinations. Expanding on the Frankie collection, the Sena light incorporates a hand-blown glass shade atop a Frankie light base, allowing for playful and unique color pairings that enhance the visual appeal. The Vianne collection introduces the Jessica pendant, a design that pays homage to the vibrant glasswork prevalent in 1920s French collectives, known for their bold colors and distinctive shapes. The glass components for the Jessica pendant are custom-produced at Brooklyn's KEEP studio, ensuring unique craftsmanship. Kim and Meier then personally assemble these pieces, integrating them with warm, contemporary hardware to create a harmonious blend of vintage inspiration and modern sensibility. The Jessica pendant is designed for versatility, capable of enhancing diverse spaces, from a dining area with a wooden table to a bathroom featuring tiled walls. Meier humorously likens the fixture's role to an award-winning supporting actor in a film, emphasizing its crucial yet complementary function. Despite the potentially bold color combinations, such as a pink-and-yellow sconce in a white-walled hallway, Kim and Meier encourage clients to embrace an open-minded approach to design. Kim articulates their philosophy, stating their goal is to demonstrate that color accents do not need to be overtly loud to create a significant impact. They believe that often, the most unexpected color combinations can result in the most harmonious and visually appealing outcomes, challenging traditional notions of color application in interior lighting. #LightingDesign #ArchitecturalLighting #CeramicLighting #GlassArt #HomeDecor #CustomLighting #InteriorDesign #ProductLaunch

The 'Dancing Leaves' lighting installation, designed by glass specialist Luděk Hroch for the Czech brand Lasvit, is featured in Dezeen Showroom. This piece is crafted to emulate the delicate movement of leaves swaying in the wind. The initial concept for 'Dancing Leaves' emerged in 2014 during a project for the Peninsula Paris Hotel, where Hroch developed a glass sculpture that conveyed the fluidity of leaves as they are carried by the wind, floating and eventually drifting away. Lasvit emphasizes that while nature's movements are inherently elusive, glass offers a medium to bridge the gap between these natural dynamics and advanced design principles. Each component of the 'Dancing Leaves' installation is a testament to meticulous craftsmanship, comprising dozens of glass elements that have been individually refined and hand-sculpted by master glassmakers. This installation is part of Lasvit's residential Icons series, which reintroduces some of the brand's most popular signature designs with fresh variations. Within this new Icons collection, 'Dancing Leaves' sculptures are presented in a selection of configurations, including round, oval, and conical shapes, catering to diverse aesthetic preferences and interior design schemes. The available finishes for the glass leaves include clear, dark amber, light amber, and a distinctive soda finish, which incorporates tiny bubbles suspended within the glass to add texture and visual interest. Beyond the standard Icons range, clients have the option to custom-order the 'Dancing Leaves' installation. This bespoke service allows for tailor-made designs, offering a wide array of colors and shapes to precisely match individual user requirements and specific project needs, ensuring that each installation is unique and harmonizes with its intended environment. The piece is a blend of artistic expression and skilled glasswork, aiming to bring a natural, dynamic element into contemporary interiors through the medium of light and glass. #DancingLeaves #LightingInstallation #LudekHroch #Lasvit #GlassArt #HomeDecoration #InteriorLighting #CustomDesign #LuxuryLighting

Lambert & Fils, a design studio based in Montréal, is set to unveil its new lighting fixture, Laurent, at the upcoming ICFF (International Contemporary Furniture Fair). This introduction follows the positive reception of their previous Beaubien series. The Laurent collection is characterized by its blend of opalescent glass spheres and graphic metal elements, which combine to form sculptural and visually engaging fixtures. Each fixture in the Laurent series features two opalescent orbs that serve to secure a central black metallic component. These orbs offer adjustability, allowing them to be angled slightly inwards or to hang directly downwards, depending on the desired aesthetic and how they are anchored to the ceiling. This design flexibility provides various configurations to suit different interior preferences and spatial requirements. The Laurent collection reflects a modern and minimalist design philosophy, emphasizing clean lines and the interplay of materials. The opalescent glass diffuses light softly, creating a warm and inviting ambiance, while the metal components add a structural and contemporary edge. The design's modular nature allows for versatility in installation, making it suitable for a range of applications, from residential to commercial spaces. The ability to manipulate the angle of the orbs introduces a dynamic element to the fixtures, enabling users to customize the light distribution and visual impact. This adaptive feature ensures that the lighting can be tailored to complement various architectural styles and interior schemes. The development of Laurent Lighting builds on Lambert & Fils' reputation for innovative and high-quality lighting solutions. Their previous Beaubien series, inspired by Chinese screens, showcased their ability to merge traditional influences with contemporary design. The Laurent collection continues this tradition by exploring new forms and material combinations, pushing the boundaries of modern lighting design. The selection of opalescent glass and dark metal components creates a sophisticated contrast, enhancing the overall aesthetic appeal of the fixtures. The design process likely involved extensive experimentation with shapes, materials, and light diffusion techniques to achieve the desired sculptural quality and functional versatility. The launch of Laurent at ICFF provides an important platform for Lambert & Fils to showcase their latest work to an international audience of designers, architects, and industry professionals. This exhibition offers an opportunity to demonstrate the unique features and artistic merits of the Laurent collection, further establishing the brand's presence in the global design community. The photographs accompanying the announcement, taken by Arseni Khamzin and provided by v2com, highlight the intricate details and various applications of the Laurent fixtures, illustrating their potential to enhance diverse interior environments. These images capture the delicate balance between the spherical glass elements and the rigid metal frames, emphasizing the collection's sculptural presence. Overall, the Laurent Lighting collection by Lambert & Fils represents a significant addition to contemporary lighting design. It combines aesthetic elegance with functional adaptability, offering a distinctive and customizable lighting solution for modern spaces. The careful selection of materials and the innovative design approach ensure that Laurent fixtures are not only sources of illumination but also striking sculptural pieces that contribute to the overall ambiance and style of an interior. #LaurentLighting #LambertEtFils #ICFF #LightingDesign #ModernLighting #OpalescentGlass #SculpturalFixtures #HomeFurnishings #InteriorDesign

Lindsey Adelman Studio has unveiled its latest lighting collection, 'Paradise,' which embodies an ethos of wanderlust and spontaneous luxury. Launched in March 2021, the collection was conceived by designer Lindsey Adelman prior to the COVID-19 pandemic, drawing inspiration from the concept of a nomadic lifestyle and redefining luxury as freedom and optionality. Adelman aimed to create pieces that encourage the mind to wander and to approach the world with fresh perspectives, rejecting habituated ways of thinking and experiencing. The 'Paradise' collection features elegant and unconventional compositions, combining textured Venetian-inspired glass orbs with brass curb chains and clusters of metal fringing. The design intentionally avoids straight vertical lines, a common challenge in lighting design, to achieve a more organic and fluid aesthetic. Adelman was influenced by a bracelet she owned, seeking to reinvent traditional chandelier elements into sculptural pieces that set a mood. A key innovation in the collection is the collaboration with textile artist Taryn Urushido, who crocheted electrical wires onto heavy chains, transforming the electrical component from something to conceal into an opulent, drapey element. The collection manifests a bohemian, almost Moroccan textile-like quality, designed to appear spontaneous and less prescribed in its placement within a room. This aesthetic aims for opulence and indulgence while suggesting a dynamic quality, as if the pieces could change at any moment. The design incorporates oversized, jewelry-esque rings for suspension and utilizes long, needle-like pins to attach additional glass vessels, enhancing its intricate and artisanal feel. 'Paradise' evolved from 'Paradise City,' an immersive sculptural work Adelman presented at Design Miami Art Basel in 2019. This continuity of theme reflects Adelman's design philosophy, where all her collections engage in a conversation with each other, allowing clients with multiple pieces to maintain a cohesive yet varied aesthetic. The collection offers versatility, available in chandelier, pendant, and sconce forms, and is highly customizable. Adelman emphasizes that the added details in the 'Paradise' collection highlight its optionality, suggesting that elements like the 'baubles' could move, ensuring nothing feels rigidly fixed. This flexibility and the extensive custom work offered by her studio allow clients to tailor the pieces to their specific needs, a core driver of her design process. The collection is characterized by its blend of heavy brass chains, slender polished pins, and a palette featuring shades of pink and amber, creating a riot of irregular and unpredictable forms that celebrate spontaneous design. #LindseyAdelman #LightingDesign #ParadiseCollection #LuxuryLighting #InteriorDesign #GlassArt #BrassDetails #CustomLighting #BohemianDesign

This article details the journey of Ivy Karlsgodt, a former costume designer who founded Ace of Shades, a Brooklyn-based business specializing in handmade lampshades. During the 2020 COVID lockdown, Karlsgodt, laid off from her costume industry job, began making lampshades to personalize her apartment, driven by a long-standing appreciation for vintage glamour and maximalism. This newfound hobby quickly evolved into a passion, leading her to document her intricate lampshade-making process through videos shared on Instagram and TikTok. Her online presence rapidly cultivated a significant following, captivated by both the soothing nature of her process videos, often set to old-timey music, and the visual appeal of her finished products. These creations are characterized by unique color palettes and opulent combinations of silk, lace, beads, and fringes, drawing inspiration from Victorian, Art Deco, and Art Nouveau aesthetics, yet with a modern twist. Her work is also recognized for its meticulous, slow craftsmanship, a refreshing contrast to the fast and inexpensive production common in today's market. Karlsgodt's approach to learning the craft was largely self-taught, building upon her extensive professional background in sewing and hat-making techniques. She utilized instructional DVDs by Mary Maxwell for foundational knowledge but largely developed her own methods. She emphasizes that while her videos are crucial for business growth and exposure, she only records a fraction of her work, prioritizing unique or particularly ornate commissions due to her heavy workload. The recording process, although sometimes disruptive, is deemed worthwhile due to its impact on her business success. She notes that the formulaic nature of her videos and efficient editing help mitigate the time commitment. Her design process is iterative, often starting with a specific frame shape, fabric, or color combination, then building the rest of the design around that initial inspiration. She utilizes an iPad for detailed drawings, comparing various material and color options before finalizing a design and sourcing supplies. When working on commissions, she offers clients extensive involvement in the design process, often presenting multiple versions for their selection. Materials for her lampshades are sourced globally, including custom-made frames from LA, wholesale fringe and braid from Spain, and fabrics and trims from NYC's Garment District, Etsy, and eBay. She also prioritizes the reuse of vintage materials, such as old dresses or embroidery, to create unique lampshades. Karlsgodt expresses surprise at the unexpected evolution of her hobby into a full-fledged business, a path she had not initially envisioned for her career. Her proudest moment to date involved her work being licensed for Stevie Nicks' concert backdrop, a significant full-circle experience given Nicks' influence on her style. This unexpected journey highlights the power of combining traditional craftsmanship with modern digital platforms to build a successful and personally fulfilling enterprise. #LampshadeDesign #HandmadeCrafts #SocialMediaMarketing #HomeDecor #MaximalistDecor #DesignProcess #CostumeDesignInfluence #VintageGlamour #ArtisanEntrepreneurship

The importance of a well-conceived lighting plan in home design is often underestimated, frequently being an afterthought rather than an integral part of the initial concept. Good lighting significantly contributes to an inhabitant's well-being, optimizes functionality, and elevates the overall aesthetic of a room, transforming an ordinary space into something remarkable through strategic fixture selection and placement. This principle was vividly demonstrated at the recent WOW!house design exhibit held at the Design Centre, Chelsea Harbour in London, England. The exhibition featured 22 unique rooms, each crafted by leading interior designers, where lighting often took center stage. The WOW!house exhibition, open to the public for a month in June to support the United in Design charity, was not a traditional house but an innovative installation. It comprised a series of exterior and interior spaces within the atrium of the Design Centre. These spaces were diverse, ranging from entries, kitchens, dens, bars, and dining areas to libraries, bathrooms, bedrooms, and outdoor courtyards, all brimming with originality and creative design solutions. Across most of these spectacular settings, lighting played a prominent role in defining the ambiance and functionality. One of the most striking examples was the grand entry of the installation, which featured an dramatic leaf chandelier by Cox London. Victoria Davar, founder of Maison Artefact, specifically requested a five-meter ceiling height to ensure the fixture was not only accommodated but also given pride of place, asserting its visual dominance upon entry. Davar emphasized that this height aligns with classical design principles. Her design philosophy for the entry embraced a blend of classical and modern elements, where the chandelier was framed against a traditional-surround fireplace. This approach allowed each element to balance the other, creating a dialogue between the old and the new. Davar intentionally utilized negative space, leaving the wall above the fireplace blank, to allow the chandelier to stand out as a sculptural piece without visual interruption, fostering a sense of airiness. Another innovative approach was seen in the courtyard room designed by Emma Sims-Hilditch. This multi-functional space, envisioned to support various aspects of country living such as a boot room, dog wash station, and gardening area, integrated classical elements of heritage country homes with modern touches. Sims-Hilditch positioned an oversized Charles Edwards lantern as a focal point above an island, drawing inspiration from classical English country house lanterns. The lantern received a contemporary update through its coloration, painted in Farrow & Ball's Lulworth Blue. Wall lights, inspired by carriage lanterns, and pendant lights with fabric shades in corner spaces were strategically placed to layer the lighting, ensuring both functionality and comfort. Sims-Hilditch underscored the importance of soft lighting and avoiding bare bulbs, opting for a layered system that included John Cullen Lighting for downlights and Soane Britain for wall lights. The bathroom designed by 1508 London exemplified how lighting can transform a functional space into a luxurious retreat. The design studio incorporated an advanced lighting system by John Cullen Lighting and Lutron, offering three distinct illumination programs: Ritual, Revitalizing, and Revery. Paris Albert, an associate at 1508 London, explained that “Ritual” supports daily cleansing routines, “Revitalizing” enhances vanities and showers for rejuvenation, and “Revery” creates a dreamlike state for relaxation. These options, accessible at the touch of a button, elevated the bathroom experience from mere utility to a restorative escape. Interior decorator and antiques dealer Daniel Slowik presented his morning room design, emphasizing subtle, layered lighting rather than bright, centralized fixtures or intrusive task lighting. He advocated for side lights, often converting decorative vases or antique items like Arts & Crafts candlesticks into lamps, to create ambient illumination. Slowik aimed for a subdued, not overlit, atmosphere, focusing on objects that also serve as beautiful design elements. While generally disliking overt task lighting, he integrated a brass floor lamp discreetly next to a reading chair, chosen for its distressed appearance that conveyed a sense of history and permanence. The unifying theme across all these designs is the necessity for lighting to be an intrinsic component of the overall design strategy. A thoughtful approach to illumination enhances comfort and functionality, highlights the aesthetic, and can dramatically transform a room into a unique and spectacular environment. #HomeDesign #InteriorDesign #LightingSolutions #WOWHouse #DesignExhibition #ArchitecturalLighting #DecorativeLighting #SmartLighting

The "Vegas" lighting collection, a collaboration between Italian artisanal manufacturer MASIERO and industrial designer Marc Sadler, reinterprets iconic glass and metal Art Deco lights. This collection aims for a luxurious and high-end aesthetic, blending contemporary design with a timeless quality, inspired by the bold and flamboyant energy of Las Vegas. The partnership brings together MASIERO's in-house artisanal manufacturing capabilities in northern Italy and Marc Sadler's extensive experience and technical design prowess, recognized by multiple international design awards including the Compasso d’Oro ADI. Sadler, known for pioneering innovative uses of materials, has a diverse background, having worked across Europe, Asia, and North America, with his designs featured in permanent collections at the MOMA in New York and the Beaubourg in Paris. The Vegas collection is characterized by its meticulous combination of glass and metal. Transparent glass strips are precisely positioned around a metal structure, held in place by invisible eyelets and an ultraviolet gluing process, eliminating the need for visible screws or drilling. The bases, stems, and internal structures are crafted from metal, beautifully gilded in champagne gold leaf, though other metal finishes are available to meet customer preferences. Illumination is provided by dimmable LED strip lights, integrated along the frame and protected by plexiglass for easy cleaning. The aesthetic of the Vegas collection is opulent and refined, achieving a classical feel through the use of soft gold and clear, textured glass. The glass strips evoke both ice and precious jewels when illuminated, contributing to a sculptural quality where they appear delicately suspended. The inner metal structure provides a clean geometric form, and when viewed through the glass, it creates a rippled gold effect, adding depth, particularly striking in the curved vertical wall lights. Each glass strip is unique, featuring a ‘rock’ effect created by a special heat process that deliberately deforms thick glass pieces, incorporating trapped air bubbles. This technique imparts an "emotional allure" reminiscent of the work of master glass artisans. The collection offers an extensive range of individual pieces, unified by consistent materiality and the repeated use of curved glass strips nestled over a gold band. Pendant styles include single lights from 12cm to 60cm in diameter, as well as circular clusters of three or five lights, with the largest cluster measuring 80cm. Rectangular alignments of pendant lights are available with three, five, or seven drops, and variations with multiple vertical tiers exist, including a tall piece at 175cm in height with a 27cm diameter. For larger surfaces like dining tables or billiard rooms, there are sweeping oval shapes with vertical glass strips and long tubular forms that run horizontally, echoing the tiered drops. The collection also comprises curved vertical wall lights and ceiling variations, along with an oval table lamp. This broad array of refined shapes, resulting from dedicated experimentation and adherence to the design concept, makes the Vegas collection highly versatile for both commercial and residential applications. Its dramatic and sculptural presence is designed to be a focal point in any space, offering a refined flair. #LightingDesign #LuxuryLighting #ArtDecoInfluence #GlassAndMetal #ArtisanalCraftsmanship #ContemporaryClassic #MarcSadler #Masiero #InteriorDesign

The Barava lava lamp, designed by Johnny Betz, represents a modern reinterpretation of the iconic 1970s and 80s lava lamp, integrating smart technology with retro aesthetics. This product capitalizes on the current trend of nostalgia, evident in various cultural phenomena such as 80s music revivals and vintage home decor. Unlike traditional lava lamps, the Barava is app-controlled, smart-home compatible, and features dynamic light syncing with music, offering a contemporary twist to a classic item. Functionally, the Barava is versatile, designed to serve as both a tabletop fixture and a hanging pendant light. Its design aims to be captivating while incorporating several advanced features. The lamp is equipped with a touch-sensitive control for manual operation, but can also be managed via a dedicated app or through smart home assistants, allowing for convenient activation with voice commands. When illuminated, the Barava provides direct light from its base and creates ambient mood lighting through the mesmerizing movement of its internal blobs. The lighting system of the Barava is highly customizable, featuring built-in RGB LEDs that offer access to millions of colors across the entire spectrum. A key feature is its ability to synchronize these colors with music, creating a dynamic visual experience that reacts to auditory input. The integration of Internet of Things (IoT) capabilities allows the Barava to seamlessly connect with smart home ecosystems, enabling users to switch it on or off and adjust its settings through voice commands, thereby enhancing its convenience and functionality in a modern living space. The Barava lamp stands 12.2 inches tall and contains a non-toxic, glycol-based 'ooze' within a premium optical-grade glass vessel, facilitating the characteristic arbitrary movement of the lava. Multiple RGB panels are strategically placed to illuminate both the interior of the lava lamp and its base. Activation can be achieved through the app or by simply touching the top or bottom of the fixture. The product is available in two formats: a pendant version that connects to ceiling outlets and a tabletop version that includes a 28-inch tall metal stand. Priced at $289 for the tabletop model and $309 for the pendant version, the Barava includes a 1-year warranty and supports global shipping, positioning itself as a nostalgic yet technologically advanced lighting solution for contemporary homes. #lavaLamp #SmartLighting #RetroDesign #HomeDecor #AppControlled #IoT #MoodLighting #ProductDesign

Lucifer Lighting, a company that has grown from a family business to a global entity, is headquartered in San Antonio, Texas, on a 13-acre campus alongside Salado Creek. This facility serves as the hub for all creative processes, including design, assembly, prototyping, and management. The spaces are adorned with art, and the building offers access to 20 miles of walking and biking trails. In addition to its Texas headquarters, Lucifer Lighting expanded its presence by opening a showroom in San Francisco's Jackson Square in 2022, followed by its first New York City showroom in 2023. The company continues its expansion, with 2025 being particularly active, marked by the debut of its new decorative fixture, Stellaris, at Euroluce during Milan Design Week. Gilbert Mathews, the founder of Lucifer Lighting, discussed the evolution of their decorative fixtures. He noted that Stellar, their first decorative fixture, was launched in 2020 to commemorate the company's 40th anniversary. While Stellar is characterized by its elegance and modest scale, Stellaris, their latest creation, measures approximately 30 inches in diameter and is designed to command a striking presence, capable of defining the ambiance of a space independently. A key innovation in Stellaris is its ability to integrate both downlight and volumetric light within a single form. Mathews expressed particular pride in the patented fold design, which incorporates discrete, concealed LEDs within the waveguide, creating a mesmerizing effect that prompts observers to question the light source. Stellaris is slated for an official launch in September 2025. The Stellaris design comprises two primary components: a suspended enclosure featuring internally illuminated tubes and a translucent barrier that defines the fixture. This design was a collaborative effort with the architecture firm Gensler, which also designed Lucifer Lighting's showrooms. All of Lucifer Lighting's finished products are assembled in the United States, with 93% of the fixture components sourced from North America. Mathews emphasized the company's philosophy regarding architectural lighting, stating that “the best lighting is the kind that no one notices.” He explained that their architectural lighting can be customized with special baffles, kick reflectors, and discrete aiming and adjustment mechanisms, allowing for precise illumination without drawing attention to the light source itself. Their motto, “Design, Define, Disappear,” highlights this paradoxical approach where beautifully crafted fixtures are designed not to be the focal point. Mathews noted that this philosophy represents a departure from traditional American lighting product design, which he found to be largely utilitarian and purely functional. He drew inspiration from European lighting fixture design, appreciating its sleek aesthetic, and sought to elevate this approach through Lucifer Lighting's engineering and fabrication capabilities. He finds inspiration in the seamlessly integrated surfaces of sculptural forms, comparing them to fine watches, cameras, and Italian sports cars. The company's work has graced prominent hotels and flagship stores globally, including The Peninsula, The Standard, Four Seasons, Mandarin, St. Regis, Rosewood, and The Ritz Carlton, as well as retail spaces for Apple, Chanel, Cartier, Gucci, Louis Vuitton, Ralph Lauren, and Tiffany & Co. The company's name, Lucifer Lighting, originated from its first strip light, the Lucifer Light, derived from the Latin root "luciferous," meaning "light-bringing," a name that proved memorable and distinctive. #LuciferLighting #LightingDesign #MilanDesignWeek #Stellaris #ArchitecturalLighting #InteriorDesign #ProductInnovation #LuxuryLighting

The Prisma Lighting Series, created by Lucie Koldova, artistic director of Brokis, draws inspiration from Brutalist architecture, a design movement often associated with large-scale, raw concrete buildings. Koldova's approach reinterprets this style for smaller, interior objects, specifically lighting fixtures. The collection is characterized by its inherent strength and structural qualities, reflecting the foundational principles of Brutalism. The name "Prisma" directly refers to the decagonal metal prism structure that forms the core of each lighting piece. This geometric form is crucial to the design, as it interacts with light in a dynamic way, creating varied reflections depending on the observer's viewing angle. The angular, robust nature of the metal prism contrasts with the softer elements of the design, creating a balanced aesthetic. Complementing the metal prism, each end of the fixture features a handblown glass sphere. These glass spheres are responsible for emitting light and are designed to illuminate unexpected shapes and patterns from within, adding an artistic and intricate dimension to the otherwise straightforward Brutalist inspiration. The combination of industrial-grade metal and delicate handblown glass highlights a thoughtful interplay of materials and textures. The Prisma series offers versatility in its application, being available as both a pendant light and a table lamp. This dual offering allows the lights to be integrated into various interior settings, serving different functional and aesthetic needs. The collection also comes in three distinct finishes: brushed steel, galvanized yellow zinc gloss, and galvanized yellow zinc matte. These finish options provide designers and homeowners with choices to match different interior palettes and desired visual effects, from a sleek, modern look to a more industrial or rustic feel. When incorporated into an interior space, the Prisma lighting series aims to introduce an industrial and architectural element. The strong lines and geometric forms of the lights contribute to a sense of structure and modernity within a room. Despite this emphasis on form and material strength, the design simultaneously prioritizes the creation of a soft and inviting ambiance. The interaction of light with the prism and glass spheres is engineered to produce a gentle, diffused glow, ensuring that the lights enhance the atmosphere rather than overpowering it. This balance between raw industrialism and gentle illumination is a hallmark of the Prisma series, making it a distinctive addition to contemporary home furnishings. #PrismaLighting #BrutalistArchitecture #LucieKoldova #Brokis #GeometricDesign #HandblownGlass #InteriorLighting #IndustrialDesign #HomeFurnishings

The article highlights the significance of lighting in interior design, emphasizing its capacity to unify a room and establish ambiance, often overlooked in favor of larger furniture items. It showcases eight Hudson Valley-based businesses and artists specializing in diverse lighting solutions, aiming to provide local alternatives to urban design sources. These establishments offer a range of styles, from hand-blown glass pendants and modern-chic sconces to vintage fixtures and custom neon art. Niche Modern, located in Beacon, NY, is featured for its brightly colored, hand-blown glass pendant lighting. Founded by Jeremy Pyles and Mary Welch, the company is known for its contemporary yet deeply colored glass products, operating from a historic factory building and offering significant discounts at annual factory sales. The Culture+Commerce Project in Hudson, NY, a design consultancy, represents regional artists, including Rafael Avramovich of Work and Design. Avramovich creates "Living in Harmony" pendants using recycled metal strips of iron, steel, and brass, designing pieces that evoke emotion and blend organic-industrial aesthetics suitable for various settings. While their retail store has closed, they continue operations online and by appointment. Materia Designs, led by husband-and-wife team Matt Ensner and Megan Sommerville, integrates diverse backgrounds from choreography to landscape design into their work. They produce lighting, furniture, and home accessories, along with undertaking residential and commercial interior design projects. Their design philosophy focuses on elemental materials such as marble, parchment, porcelain, un-lacquered brass, and leather, resulting in authentic, high-quality pieces. Their operations, including a showroom, design studio, and workshop, are consolidated in a 4,500-square-foot facility in Accord. Luddite Antiques in Germantown, NY, caters to those seeking vintage lighting. This Brooklyn retail expat offers a wide array of early electric lighting, from Victorian chandeliers to Art Deco sconces and neon bar signs, alongside other antique furnishings like wooden card catalogs and 18th-century apothecary cabinets, all displayed in their tin-ceilinged showroom. Lite Brite Neon in Kingston, NY, began in 1999 as artist Matt Dilling’s studio, focusing on neon's decorative and architectural potential. It has since grown to include a team of neon artists creating everything from gallery pieces to commercial signage and restoration. The studio moved its production to a 15,000-square-foot facility in Kingston, where its 12-member fabrication team handles hundreds of projects annually, transforming client concepts into neon realities. FRG Objects & Design/Art in Hudson, NY, is founded by FR Gillette, a stylist, photographer, and interior designer. His 3,000-square-foot space serves as his home, office, and showroom, reflecting a curated aesthetic characterized by a disruptive approach to color and mixing fabrics and art. Gillette's work was showcased at Design Hudson 2018, and he recently collaborated with Italian engineer Daniele Gualeni on the "Design by Demand" lighting collection, featuring pieces produced in Italy by master craftsmen using metal, ceramic, Murano glass, and marble. Lightexture, a Troy-based design studio, creates perforated white clay spherical and egg-shaped pendant lamps. These lamps are designed to illuminate modern kitchens and dining areas by casting star-like patterns on walls and ceilings while providing warm light below. Each pendant uses an energy-efficient xenon bulb with a long lifespan. Finally, Entner Glass in Rhinebeck, NY, showcases Barry Entner’s sculptural lighting. His works, which are more artistic visions than commercial products, involve meticulously planned designs using hundreds of components to create gravity-defying glass and metal sculptures. Entner’s art has been exhibited internationally and is part of numerous private and public collections. #HudsonValley #LightingDesign #InteriorDesign #HomeDecor #ArtisanLighting #VintageLighting #NeonArt #GlassArt

The Flora lighting series, a collaboration between French-American designer Sophie Lou Jacobsen and Brooklyn-based studio In Common With, showcases a blend of distinct aesthetic viewpoints. This 20-piece collection, comprising glass light fixtures, chandeliers, table lamps, and sconces, integrates Jacobsen's characteristic glass objects with the minimalist approach of In Common With co-founders Felicia Hung and Nick Ozemba. The design process for Flora was deeply influenced by traditional Venetian glassmaking techniques, employing methods such as handblown, mold-blown, and slumped-glass. These historical techniques provide a foundation for the contemporary designs, ensuring a rich texture and form throughout the series. A notable aspect of the Flora collection is the incorporation of playful elements, such as applied geometric dots and fins, which add a modern and whimsical touch to the classic glass forms. The color palette further enhances the collection's appeal, featuring sophisticated pastels alongside vibrant, rich hues like Tobacco and Poppy Red. This diverse range of colors allows the fixtures to complement various interior design schemes, from subtle and elegant to bold and expressive. Each piece in the Flora series reflects a careful balance between artistic expression and functional design, demonstrating how traditional craftsmanship can be reinterpreted for contemporary spaces. One of the standout pieces in the collection is Fazzo, which draws its name and technique from the 2nd-century process of fazzoletto, an Italian word meaning handkerchief. This method involves allowing gravity to pull spinning molten glass downward, creating a uniquely flirty and organic shade. This technique not only highlights the material's fluidity but also showcases the designers' commitment to exploring historical glassmaking processes to achieve distinctive and innovative forms. The Fazzo fixture exemplifies the series' overarching theme of integrating historical depth with modern design sensibilities. The collaboration between Jacobsen and In Common With represents a successful merging of different creative voices, resulting in a cohesive yet varied collection. The designers' ability to synthesize their individual styles and technical expertise has led to the creation of lighting fixtures that are both aesthetically pleasing and technically sophisticated. The Flora series, therefore, serves as a testament to the power of collaborative design, where shared vision and respect for traditional methods lead to innovative and beautiful products for the modern home. Overall, the Flora collection by Sophie Lou Jacobsen and In Common With is a significant contribution to contemporary lighting design, offering pieces that are rooted in tradition yet forward-looking. The use of Venetian glassmaking techniques, combined with a modern aesthetic and a thoughtful application of color and form, makes these fixtures versatile and distinctive. They are designed not only to illuminate spaces but also to serve as artistic focal points, enriching the interior environment with their unique character and craftsmanship. The series embodies a new language in lighting, where history and innovation converge. #GlassLightFixtures #VenetianGlassmaking #SophieLouJacobsen #InCommonWith #LightingDesign #InteriorLighting #GlassArt #ContemporaryDesign #HomeDecoration

The LUMNES collection of lamps, designed by product designer Isabel Brouwers, takes inspiration from the mesmerizing phenomenon of photo-luminescent algae. This unique lighting series is a direct result of Brouwers' experience during a swimming journey in Cambodia, where she encountered a species of algae that naturally produces light. The designer sought to capture and immortalize this fascinating moment, allowing the installation to evoke the marine plant's captivating properties within an interior setting. The LUMNES series specifically draws its essence from the *Pyrocystis fusiformis* algae, a particular species renowned for its bioluminescent capabilities. A key characteristic of this natural light production is its reliance on oxygen. Brouwers has cleverly integrated this biological requirement into her lamp design, where the lighting fixtures themselves react to the ambient oxygen levels, thus echoing the algae's photogenic behavior. Each lamp in the LUMNES collection is a unique piece, crafted through the traditional and intricate method of glassblowing. This handcrafted approach ensures that every lamp possesses individual variations, much like organisms in nature. Furthermore, the glassblowing process itself inherently involves the use of oxygen, a detail that serendipitously aligns with the scientific principle behind the algae's luminescence, where oxygen is essential for light to originate. This meticulous attention to both aesthetic representation and scientific accuracy underscores the thoughtful design process behind the LUMNES series. The inspiration for the LUMNES lamps stems from a personal encounter with nature's beauty, specifically the luminous algae observed by Isabel Brouwers. Her objective was to translate this ephemeral natural phenomenon into a tangible, artistic product. The resulting lamps are not merely sources of illumination but are also sculptural interpretations of the *Pyrocystis fusiformis*, capturing its form and the environmental conditions necessary for its glow. The hand-blown glass technique employed in their creation emphasizes the organic and fluid shapes that characterize the algae, making each lamp a delicate and artistic representation of its natural muse. The interactive element, where the lamps' light production is linked to oxygen, creates a dynamic and living quality, inviting observers to engage with the product on a deeper level, appreciating the intricate connection between light, life, and environmental factors. This project highlights a unique intersection of natural inspiration, traditional craftsmanship, and innovative design thinking. #LightingDesign #ProductDesign #IsabelBrouwers #LUMNESLamps #Bioluminescence #Glassblowing #NatureInspiredDesign #HandmadeLamps #ArtisticLighting