Tom Dixon and Prolicht launch Code track lighting at VDF

Lumibright has introduced an innovative Integrated LED Handrail Lighting System, designed with a focus on both aesthetic appeal and practical functionality. This system is engineered to provide unique lighting solutions with exceptional uniformity and photometric performance. A key aspect of its design is the elimination of the need to illuminate entire areas, thereby contributing to increased safety and security while maintaining minimal energy consumption. The LED Railing Module is a versatile system that integrates lighting directly into handrails. Constructed with a durable stainless steel body and boasting an IP67 waterproof rating, this lighting system is suitable for a wide array of interior and exterior applications. These include staircases, atrium surrounds, balconies, viewing galleries, ramp ways, pedestrian bridges, and walkways. Its robust build quality ensures reliability and longevity in various environmental conditions. A primary function of these handrail lights, particularly in public spaces, is to enhance safety and provide resistance against vandalism. The integrated lighting significantly improves visibility, which is crucial in dimly lit areas or during nighttime. Beyond its safety features, the illuminated handrail system also serves as a decorative element, capable of being incorporated into street furniture and urban art installations. This dual functionality allows for both practical illumination and an enhancement of urban aesthetics. Each CREE LED module within the system is designed to be powerful yet unobtrusive. These modules produce an oval-shaped beam with a sharp cut-off, a design choice intended to deliver non-overbearing illumination. The system prioritizes a high degree of uniformity in light distribution, minimizing glare, light spill, and wasted light. This precise light control ensures that illumination is directed where it is most needed without causing discomfort or unnecessary light pollution. Flexibility in installation is another notable feature of the Lumibright LED Handrail Lighting System. It can be integrated into newly constructed handrails or retrofitted into existing ones, offering a practical upgrade solution for various settings. This adaptability makes it a suitable choice for a broad range of projects, from new developments to renovations, allowing for enhanced safety and aesthetic improvement across different architectural contexts. #LEDLighting #HandrailSystem #ArchitecturalLighting #SafetyLighting #UrbanDesign #OutdoorLighting #EnergyEfficiency #CREELED #Lumibright

The Govee TV Backlight 3 Pro is a TV backlighting system designed to enhance the viewing experience by reacting to on-screen content. The product is available in two sizes: one for 55- to 65-inch TVs priced at $179.99, and another for 77- to 85-inch TVs priced at $209.99. It can be purchased on Amazon or through Govee's official online store. The setup process for the Backlight 3 Pro is straightforward. Users are instructed to place the TV face down on a protected surface, attach the LED strips to the back, plug in the components, and then complete the setup using the Govee app. A crucial step involves using an orange calibration foam to precisely align the camera with the TV screen, which is essential for accurate color detection and replication. After calibration, the camera scans a light grey screen to finalize the setup, ensuring the strip orientation matches the on-screen colors. The Govee app offers extensive customization options, including four main settings for color replication: Solid, Vivid, Smooth, and Delicate. The Solid setting identifies the predominant color on the screen and applies it to the backlight. Delicate, conversely, aims to replicate as many color 'zones' as possible for highly accurate color matching. The reviewer found Solid to be adequate but felt it didn't fully utilize the backlight's features, while Delicate was deemed almost too granular due to constant color changes. Vivid was preferred for dynamic content like video games with frequent screen changes, and Smooth was ideal for other types of viewing. Additional features include a setting to ignore black bars during letterboxed movies and a sound-reactive mode, which the reviewer disabled due to ambient noise interference and quiet media playback habits. The system also includes a toggle for distinguishing between movie and game modes, though the reviewer noted no significant difference in performance. The performance of the Govee TV Backlight 3 Pro is described as highly responsive and immersive, with smooth color transitions that avoid being distracting. Whether viewing static YouTube videos or playing fast-paced games, the backlight accurately replicated colors without flashing or jarring changes. An intelligent feature of the Backlight 3 Pro is its ability to adjust brightness based on ambient room lighting. In dark environments, the LEDs dim to prevent eye strain, while in well-lit rooms, they brighten to ensure colors remain visible. This adaptive brightness control means the backlight enhances the viewing experience subtly, often making users forget it's even active. An unexpected benefit discovered during testing was the backlight's ability to alleviate eye strain. The presence of the backlight made bright screens less harsh, providing a more comfortable viewing experience. This observation aligns with general advice for reducing eye strain, which often includes using proper lighting to mitigate screen glare. The reviewer concluded that the Backlight 3 Pro significantly contributed to eye comfort, prompting consideration of similar low-brightness white LED strips for computer monitors. Overall, the Govee TV Backlight 3 Pro is highly recommended for anyone seeking a TV backlighting solution, despite minor issues with the Govee app and some features performing better than others. Its effectiveness in enhancing immersion and reducing eye strain positions it as a top choice in its category. #GoveeTVBacklight3Pro #TVBacklighting #SmartHomeLighting #LEDStrips #HomeEntertainment #EyeStrainReduction #GoveeApp #ColorCalibration #GamingSetup

The importance of a well-conceived lighting plan in home design is often underestimated, frequently being an afterthought rather than an integral part of the initial concept. Good lighting significantly contributes to an inhabitant's well-being, optimizes functionality, and elevates the overall aesthetic of a room, transforming an ordinary space into something remarkable through strategic fixture selection and placement. This principle was vividly demonstrated at the recent WOW!house design exhibit held at the Design Centre, Chelsea Harbour in London, England. The exhibition featured 22 unique rooms, each crafted by leading interior designers, where lighting often took center stage. The WOW!house exhibition, open to the public for a month in June to support the United in Design charity, was not a traditional house but an innovative installation. It comprised a series of exterior and interior spaces within the atrium of the Design Centre. These spaces were diverse, ranging from entries, kitchens, dens, bars, and dining areas to libraries, bathrooms, bedrooms, and outdoor courtyards, all brimming with originality and creative design solutions. Across most of these spectacular settings, lighting played a prominent role in defining the ambiance and functionality. One of the most striking examples was the grand entry of the installation, which featured an dramatic leaf chandelier by Cox London. Victoria Davar, founder of Maison Artefact, specifically requested a five-meter ceiling height to ensure the fixture was not only accommodated but also given pride of place, asserting its visual dominance upon entry. Davar emphasized that this height aligns with classical design principles. Her design philosophy for the entry embraced a blend of classical and modern elements, where the chandelier was framed against a traditional-surround fireplace. This approach allowed each element to balance the other, creating a dialogue between the old and the new. Davar intentionally utilized negative space, leaving the wall above the fireplace blank, to allow the chandelier to stand out as a sculptural piece without visual interruption, fostering a sense of airiness. Another innovative approach was seen in the courtyard room designed by Emma Sims-Hilditch. This multi-functional space, envisioned to support various aspects of country living such as a boot room, dog wash station, and gardening area, integrated classical elements of heritage country homes with modern touches. Sims-Hilditch positioned an oversized Charles Edwards lantern as a focal point above an island, drawing inspiration from classical English country house lanterns. The lantern received a contemporary update through its coloration, painted in Farrow & Ball's Lulworth Blue. Wall lights, inspired by carriage lanterns, and pendant lights with fabric shades in corner spaces were strategically placed to layer the lighting, ensuring both functionality and comfort. Sims-Hilditch underscored the importance of soft lighting and avoiding bare bulbs, opting for a layered system that included John Cullen Lighting for downlights and Soane Britain for wall lights. The bathroom designed by 1508 London exemplified how lighting can transform a functional space into a luxurious retreat. The design studio incorporated an advanced lighting system by John Cullen Lighting and Lutron, offering three distinct illumination programs: Ritual, Revitalizing, and Revery. Paris Albert, an associate at 1508 London, explained that “Ritual” supports daily cleansing routines, “Revitalizing” enhances vanities and showers for rejuvenation, and “Revery” creates a dreamlike state for relaxation. These options, accessible at the touch of a button, elevated the bathroom experience from mere utility to a restorative escape. Interior decorator and antiques dealer Daniel Slowik presented his morning room design, emphasizing subtle, layered lighting rather than bright, centralized fixtures or intrusive task lighting. He advocated for side lights, often converting decorative vases or antique items like Arts & Crafts candlesticks into lamps, to create ambient illumination. Slowik aimed for a subdued, not overlit, atmosphere, focusing on objects that also serve as beautiful design elements. While generally disliking overt task lighting, he integrated a brass floor lamp discreetly next to a reading chair, chosen for its distressed appearance that conveyed a sense of history and permanence. The unifying theme across all these designs is the necessity for lighting to be an intrinsic component of the overall design strategy. A thoughtful approach to illumination enhances comfort and functionality, highlights the aesthetic, and can dramatically transform a room into a unique and spectacular environment. #HomeDesign #InteriorDesign #LightingSolutions #WOWHouse #DesignExhibition #ArchitecturalLighting #DecorativeLighting #SmartLighting

Jamb founders Will Fisher and Charlotte Freemantle, known for their bespoke lighting tailored for leading interior designers, are set to launch their new Deco collection. This collection, which will debut at London Design Week, features five distinct pieces that deliberately eschew current trends, focusing instead on timeless design and exceptional craftsmanship. The duo, operating from their London home and studio, emphasizes traditional skills and meticulous attention to detail, a philosophy that stands in contrast to the rapid-fire launch cycles common in contemporary design. The Deco collection is characterized by a glamorous and somewhat majestic aesthetic, designed to soften the edges of each piece in a romantic fashion. This romantic sensibility extends from their previous work, including their distinctive pink room at the Wow! House at Chelsea Harbour Design Centre. Will Fisher's background in studying antique objects heavily influences their design process. The team initiates new designs by identifying original antique pieces that serve as the foundational inspiration. Their deep immersion in historical objects led to the early twentieth-century themes evident in the Deco collection, drawing from movements and periods such as The Bloomsbury Group, the Roaring Twenties, and the Belle Époque. The collection highlights a focus on rich materiality, combining hand-planished metal, luminous alabaster, and shimmering silk textiles to create compelling juxtapositions. Some designs incorporate hand-carved patterns, which are then cast using the traditional lost wax technique, a method Will Fisher describes as the "noblest form of manufacture." Charlotte Freemantle is particularly interested in integrating decorative fabrics, a concept carried over from the Wow! House show, into their new product lines. She notes that drapery softens and diffuses light in a room, and similarly, the textiles in their collection evoke the gentle glow of candlelight, enhancing the overall ambiance. Often described as the "jewelry of the home," lighting in the Deco collection aims to create unique and inviting atmospheres. The pieces are designed to complete and complement diverse interior aesthetics, whether mid-century modern or traditional, effectively bucking trends and potentially establishing new ones. To illustrate their versatility, the designers have photographed the collection in various in situ settings, demonstrating how these objects can seamlessly integrate into different environments. The article specifically mentions pieces like the Hopper Alabaster wall sconce, the Thelma pendant light with its hand-stippled brass frame and optional linen or silk skirt, a new floor lamp styled with antique furniture, and the Hatton Rod, which embodies the Art Deco aesthetic with its alabaster bowl and brass detailing, offering both down and uplighting. The collection will be available from Jamb at 95-97 Pimlico Road, London, and through their website. #JambLighting #DecoCollection #LondonDesignWeek #BespokeLighting #InteriorDesignTrends #AntiqueInspired #Craftsmanship #AlabasterLighting #LuxuryLighting

Czech glassmaker Lasvit showcased a series of new lighting designs at Euroluce 2025, taking inspiration from various natural elements and textures to create pieces that explore the relationship between light, material, and well-being. The exhibition, titled 'Soaked in Light,' featured several highly textured designs that blended innovative glassmaking techniques with natural aesthetics. One of the standout creations was 'Vera,' a sculptural glass pendant designed by renowned French designer Patrick Jouin. The concept for 'Vera' originated from Jouin's observation of a twig, leading to experiments with torn paper and eventually a glass piece that mimics the appearance of bark. This design incorporates two types of handmade glass: delicate borosilicate for the light source and fused glass, where molten glass is poured over raw wood to capture its intricate grain and texture. This process allows the glass to take shape influenced by gravity and nature, resulting in a unique interplay of surface, shadow, and light that evokes a primal connection to forests and trees. Another highlight was 'Splash,' an extravagant glass installation by Lasvit designer Martin Gallo. This piece was designed to emulate the calming effect of water, featuring fused glass forms suspended in a dramatic arrangement. Visitors could walk among these forms, which resembled water in motion, reflecting light like ripples and creating an immersive experience that promotes tranquility and well-being. At the entrance of the exhibition, Lasvit artistic director Maxim Velčovský introduced 'Loomo,' a new lighting system inspired by woven textiles. Despite its smooth-to-the-touch surface, the glass in 'Loomo' is imprinted with a structured weave, effectively capturing the softness of fabric within a rigid form. Designed for compact spaces like corridors or bedside areas, 'Loomo' is available in two wall sconce sizes, both finished in a warm, golden hue that enhances their sculptural glow. Velčovský emphasized the playful approach to light in its development, aiming to optimize every centimeter to transform the atmosphere of a space. Rounding out the showcase was 'Niveo,' a collection by Czech designer Jan Plecháč. Named after the Italian word for 'snow-white,' 'Niveo' captures the fleeting beauty of hailstones in hand-blown glass. The collection includes linear pendants, clusters, and an inverted spherical table lamp, all featuring an irregular texture that produces an alluring, soft glow. Additionally, the exhibition featured the 'Herbarium Radiant,' an immersive, color-shifting lighting installation that incorporates a new type of glass made from repurposed waste. This piece, first launched at Design Miami 2024, allows users to adjust the light color for a dynamic and mesmerizing visual experience. Lasvit's installation at Euroluce 2025 served as a contemplative contrast to the bustling Milan Design Week. It offered a moment for visitors to pause and appreciate the subtleties of design, emphasizing nature-inspired aesthetics and innovative glass craftsmanship in lighting. #Lasvit #Euroluce2025 #LightingDesign #GlassArt #MilanDesignWeek #NatureInspiredDesign #InteriorLighting #CzechDesign #DesignInnovation

Allied Maker, a New York-based design and manufacturing studio founded in 2012, recently introduced four new lighting fixtures at the Architectural Digest Design Show. The studio is known for its minimalist designs that emphasize the inherent beauty of materials such as brass, glass, and hardwoods. The newly unveiled collection continues this aesthetic, incorporating both angular, structural lines, specifically triangles, and soft, curving circular forms into their latest creations. One of the new additions is the Tri Cone Pendant, a fixture that features a cone-shaped shade designed to direct a focused beam of light. This focused illumination is achieved with a glass disc, all contained within a tetrahedron-inspired structural frame. The design seamlessly blends geometric precision with functional lighting, creating a visually compelling piece that is both modern and elegant. Another significant launch is the Grand Aperture 4, an expanded version of Allied Maker's existing Aperture 4 chandelier. This larger chandelier is specifically engineered to make a substantial visual impact in spacious environments. It comprises four glass domes strategically placed to encircle four distinct light sources. This arrangement ensures a broad and even diffusion of light, making it suitable for grand living areas or commercial spaces where significant ambient lighting is desired, all while maintaining a sophisticated aesthetic. The collection also includes the Contour Wall Lamp 22”. This wall-mounted fixture is characterized by its graceful, hand-bent arc, which extends to connect with a glass sphere. The design's functionality is enhanced by its ability to swivel against the wall, allowing for adjustable lighting direction and adaptability to various room configurations. The elegant curve and spherical element offer a blend of art and utility, providing both illumination and a sculptural presence. Completing the quartet of new fixtures is the Concentric 15”, a versatile piece designed for either wall or ceiling installation. This fixture stands out due to its handcrafted wooden dome, which features a series of concentric circles. These circles create a topographic effect, giving the fixture a unique textural and visual depth. The pleasing arrangement of the concentric rings adds a subtle yet striking decorative element to any space, reinforcing Allied Maker's commitment to thoughtful design and meticulous craftsmanship. These new offerings from Allied Maker reinforce their dedication to creating lighting solutions that are not only functional but also serve as artistic statements within a space. The combination of high-quality materials, expert craftsmanship, and a keen eye for minimalist design ensures that these fixtures enhance the ambiance and aesthetic of contemporary interiors. #AlliedMaker #LightingFixtures #ArchitecturalDigestDesignShow #MinimalistDesign #BrassLighting #GlassDesign #Chandeliers #WallLamps #HomeFurnishings

Decimal, a company with bases in Vancouver and Mexico City, is at the forefront of integrating design and technology to produce innovative 3D printed light fixtures. The company emphasizes a novel approach to lighting, departing from the traditional lightbulb and socket paradigm that has persisted since 1879. Instead, Decimal centers its products around a single, high-quality LED module, engineered for longevity and superior performance. These LED modules are designed to last up to 70,000 hours, offering a sustainable and efficient lighting solution. The unique forms of Decimal's light fixtures are made possible through additive manufacturing, commonly known as 3D printing. This technology allows for the creation of intricate and previously impossible shapes and designs, offering a significant advancement in the aesthetic and functional possibilities of lighting. The company highlights that these fixtures are highly customizable, with a variety of attractive colors and finishings available to suit diverse preferences and interior design schemes. This level of customization ensures that each fixture can be tailored to meet specific aesthetic requirements. Decimal operates on a collaborative platform, engaging tech-savvy designers from around the globe to create its 3D printed shades. This international collaboration fosters a diverse range of design perspectives and constantly pushes the boundaries of lighting design. The company aims to appeal to individuals worldwide who possess a passion for both design and technology, offering them access to cutting-edge lighting solutions that merge artistry with engineering. The integration of LED technology and additive manufacturing represents a transformative period in the lighting industry. LED technology provides endless design possibilities by liberating designers from the constraints of traditional light sources, allowing for greater flexibility in form and function. Concurrently, additive manufacturing empowers the creation of complex geometries and intricate details that would be unachievable with conventional manufacturing methods. Decimal positions itself at this intersection, leveraging these advancements to deliver a new generation of light fixtures that are both visually striking and technologically sophisticated. By focusing on a single, optimized LED light source and utilizing the creative potential of 3D printing, Decimal is challenging conventional notions of lighting. Their products are not merely functional items but serve as contemporary design elements that embody the synergy of modern technology and global design talent. This approach promises to reshape consumer expectations for lighting, offering products that are durable, energy-efficient, customizable, and aesthetically revolutionary. #3DPrinting #LightFixtures #LEDTechnology #ProductDesign #AdditiveManufacturing #HomeDecor #TechnologicalInnovation #SustainableDesign

Designer Lee Broom launched his new 'Optical' lighting collection by transforming his studio's delivery van into a mobile exhibition space. This innovative concept, named 'Salone del Automobile,' involved meticulously designing the van's interior to resemble a traditional Italian palazzo. The transformation included painting the van's interior in Broom's signature grey, and adding ornate Corinthian columns, architraves, and stuccoed details, complemented by an illuminated floor. This elaborately decorated van served as a dramatic backdrop for the new monochromatic lighting fixtures. The 'Salone del Automobile' embarked on a journey from Broom's London headquarters to Milan, where it was showcased at various prominent locations during Salone del Mobile, including Brera Design District, Spazio Rossana Orlandi, ZonaTortona, San Gregorio Docet, and Ventura Lambrate. This unconventional exhibition strategy allowed the collection to reach a wider audience and provided a unique viewing experience, highlighting the pieces within an unexpected, yet grand, setting. The 'Optical' lighting collection itself features illuminated globes adorned with graphic, linear patterns. These designs are asymmetrical, creating a dynamic visual effect where their appearance shifts depending on the viewer's angle. Broom drew inspiration for this collection from his own experiences in the early 1990s, specifically recalling his use of monochrome graphics when decorating his bedroom. This personal connection to the design imbues the collection with a sense of nostalgia while maintaining a contemporary aesthetic. The collection is characterized by its stark black and white palette, which further emphasizes the graphic quality of the patterns. Each piece is designed to create an interplay of light and shadow, enhancing the 'optical' illusion and making the fixtures captivating from all perspectives. The installation within the van was carefully orchestrated to maximize this effect, presenting the lights as functional art pieces within a curated, mobile environment. This method of presentation not only served as a launch for the 'Optical' collection but also demonstrated a creative approach to exhibition design in the competitive world of furniture and lighting. By bringing the showroom directly to the audience in an artistic and memorable way, Lee Broom successfully generated significant attention and discussion around his new works, solidifying his reputation for innovative design and marketing. #LeeBroom #LightingDesign #SaloneDelMobile #ProductLaunch #ExhibitionDesign #OpticalLighting #MilanDesignWeek #InteriorDesign

iGuzzini introduces an innovative smart lighting system featuring the Newfo spot and the Filorail track, designed to seamlessly integrate into architectural spaces while providing advanced lighting capabilities. This system represents a significant advancement in lighting design, offering a blend of modern aesthetics and cutting-edge technology. The primary goal is to provide versatile lighting solutions for diverse environments such as museums, exhibitions, retail spaces, and hospitality venues, emphasizing both functionality and visual appeal. The core of this new infrastructure is the Filorail track, distinguished by its incredibly slender design with a 3.6 mm opening, making it almost invisible once installed. This micro-connected track facilitates the easy attachment of various lighting systems, including the Newfo spot, Libera suspension, Palco LV, Robin, Laser Blade XS, and Laser. Its discreet nature allows for creative lighting compositions on vertical surfaces and ceilings, accommodating both linear and curved configurations. The track operates on low voltage, ensuring high efficiency and aligning with iGuzzini’s broader commitment to sustainable and smart lighting. It also supports multiple control protocols such as PWM, BLE, and DALI Powerline, offering flexible and intelligent management of lighting setups. The Newfo spot is specifically engineered to work with the electrified Filorail track, offering a wide array of lighting designs that transcend the limitations of traditional systems. This contemporary lighting fixture draws inspiration from the 1977 UFO spotlight, which was notable for bringing theatrical lighting precision to architectural applications. The Newfo spot features a distinctive squircle design, combining elements of a square and a circle, which contributes to its compact and elegant form factor. This design not only enhances its aesthetic integration but also ensures that the fixture itself remains unobtrusive while delivering powerful and precise illumination. iGuzzini, a renowned Italian company in the lighting industry, bases its philosophy on 'Light That Moves.' This approach reflects their dedication to developing lighting solutions that are not only functional but also capable of transforming spaces, influencing culture, and enhancing human well-being. Their products are meticulously designed with an emphasis on connectivity and integration, enabling smart lighting management systems that prioritize energy efficiency and visual comfort. The introduction of the Filorail track and Newfo spot further exemplifies this commitment by offering an infrastructure that is both technologically advanced and aesthetically refined, catering to the evolving demands of modern architectural lighting. Ultimately, the combination of the Filorail track and Newfo spot delivers a comprehensive and adaptable lighting solution. It allows designers and architects to achieve sophisticated lighting schemes with minimal visual intrusion, providing an intelligent and human-centric approach to illumination. The system's versatility and smart features make it suitable for a broad range of applications, ensuring that spaces are not only well-lit but also dynamically enhanced to meet specific atmospheric and functional requirements. #SmartLighting #ArchitecturalLighting #iGuzzini #FilorailTrack #NewfoSpot #LightingDesign #InvisibleInfrastructure #EnergyEfficiency #RetailLighting

The "Bulb Fiction" show, held in the Hernals neighborhood of Vienna at the Klaus Engelhorn Depot, showcased a diverse collection of lighting objects, spanning from the late 1960s and early 1970s to contemporary designs. Curated by Michael Turkiewicz of designandart.at and Gabriele Ruff, the exhibition explored the future of lamp design in anticipation of the phasing out of incandescent bulbs and the transition to energy-saving alternatives. The show featured newly commissioned pieces alongside historical lighting, creating a dialogue between past and present design philosophies concerning illumination. A central theme of the exhibition revolved around the question: "What will happen to lamp designs when incandescent bulbs run out?" This query prompted Vienna-based designers to conceptualize and create light sources that address the evolving landscape of lighting technology. The curated collection highlighted innovative approaches to this challenge, emphasizing both aesthetic considerations and practical solutions for energy efficiency. Among the notable exhibits was mischer'traxler's "Relumine" lamp, which ingeniously integrated two lamp typologies that share or contend for the light source of a single fluorescent bulb. This design demonstrated a creative use of existing energy-efficient technology within a novel form factor. POLKA presented their "Perlenlicht" lamp, an oversized, pearl necklace-like prototype designed as a wall-mounted light object. Monica Singer of POLKA described the piece as playing with the alteration of dimension and context, transforming an everyday object like a pearl necklace while also referencing traditional Viennese staircase lighting, often characterized by simple glass globes. Another innovative piece featured was claassen & partner's "Van Zipper" light, a design that allows users to adjust the light's intensity by opening or closing zippers. This interactive element provided a tangible connection between user action and light output. PRINZGAU/podgorschek contributed the "Kreis -Kugell - Zufall" chandelier, a sophisticated design produced by the renowned glass manufacturers J&L Lobmeyer, blending artistic expression with traditional craftsmanship. The exhibition also included works from a wide array of other designers, such as Michael Anastassiades' "Kinetic -2 Pendulum Lamp," Charlotte Dumoncel d'Argence's "Vanitas Lamp," NEXT architects & Aura Luz Melis' "Slow Glow Lamp," and Tejo Remy's "Milk Bottle." Other participating designers included Florence Doleac, Joel Degermark, Lonneke Gordijn/Drift, Rody Graumans, Stuart Haygarth, Tomas Hoke, Chris Kabel, and Marcus Tremonto, all of whom contributed to the diverse exploration of contemporary lighting design and its future. The show underscored the ongoing evolution of lighting solutions in response to technological advancements and environmental considerations. #ViennaDesignWeek #LightingDesign #BulbFiction #EnergyEfficientLighting #ContemporaryDesign #ProductDesign #Exhibition #MischerTraxler #POLKA

Dana Harel, a San Francisco-based Israeli designer, has launched her inaugural lighting collection under her studio, White Dirt. Harel's career trajectory showcases a diverse artistic exploration, starting with architecture and extending into ceramics and line art before her current venture into luminaires. The new collection, dubbed "Ora," comprises three tented table lamps—Ora I, II, and III—and a suspended, trapeze-like floor lamp, Ora IV. These pieces draw inspiration from Harel’s existing body of work, particularly her vases and vessels, which inform their hand-carved sculptural aesthetic. The lamps are crafted using a combination of gypsum cement, muslin, and brass, materials that contribute to their unique visual and tactile qualities. The design intentionally evokes the imagery of draped wedding gowns, suggesting moments of concealed intimacy and exploring the delicate balance between revealing and hiding forms. This interplay of materials and forms allows the collection to convey a sense of fluidity and softness, a departure from more rigid sculptural traditions. Harel describes the process of working with fabric—folding, pleating, and draping—as a refreshing experience, contrasting with her previous work that often involved tools like chisels and hammers. This shift towards softer, more pliable materials allowed her to experiment with light in a new way, focusing on how textiles interact with illumination to create ambiance and shape. The collection's design ethos embraces a certain spontaneity, reflecting Harel’s approach to her creative process. Each piece in the Ora collection stands as a testament to her evolving artistic language and her ability to translate diverse inspirations into functional art. A notable and unconventional source of inspiration for Harel was a scene from the HBO series *Succession*, where characters Tom Wambsgans and Cousin Greg consume a rare delicacy with napkins tented over their heads. This seemingly obscure reference underscores Harel's willingness to draw from unexpected cultural moments, transforming them into artistic concepts. The designer interprets this act of "masking shame" or "heightening pleasure" as a metaphor for the lamps' ability to create intimate, almost cloistered, environments through their draped forms. The sculptural swagger of the lamps is deeply rooted in these varied influences, bridging architectural precision with textile softness and cultural anecdotes. The collection as a whole is an exploration of form, light, and material, reflecting Harel's multidisciplinary background and her continuous quest for new creative expressions. #DanaHarel #LightingCollection #SculpturalLighting #InteriorDesign #WhiteDirtStudio #ProductDesign #TextileArt #ContemporaryDesign

The article details the 'Destinations' exhibition, a key component of Dubai Design Week, which brought together six international design weeks to showcase emerging brands with a focus on lighting. The event served as a global platform, highlighting diverse design approaches from cities including Mexico City, Beijing, Helsinki, Istanbul, Melbourne, and San Francisco. Each participating design week presented three emerging brands, demonstrating a variety of innovative lighting solutions. From Melbourne International Design Week, Lab De Stu, founded by Andre Hnatojko, featured highly modern and oversized Popper lamps. Ben Tovim contributed pieces that explore geometric structures and material values, while Christopher Boots presented graphical works that combine traditional and contemporary techniques. San Francisco Design Week showcased Lumio lamps, which are designed to open like a book, creating a unique illumination experience. Beijing Design Week's contribution included Eoq lamps, known for their Moiré effect, adding a distinctive visual element to lighting design. Helsinki Design Week featured Saas Instruments, which innovated with Alexander Lervik's crystal glass Sparkle pendant and Sense Light Swing lamps, offering both aesthetic beauty and functional versatility. Mexico City's Abierto Mexicano De Diseño highlighted craft-led and pattern-projected lighting solutions from Ediciones Jalapas, alongside Tributo's materially rich and formally sound designs. The exhibition emphasized how specific materials are utilized to reflect the distinct regional contexts in which these light sources are produced. The 'Destinations' exhibition underscored the global nature of design, where creativity converges from various corners of the world. The diverse range of styles and applications presented at Downtown Design Dubai demonstrated that despite geographical and cultural differences, the sublime qualities of light possess the potential to unify and connect communities worldwide. The showcase allowed for the appreciation of different interpretations of lighting, from clean geometry and ingenious references to intricate weaving techniques and crystal refraction, all contributing to the transformation of an essential resource into an art form. #DowntownDesignDubai #LightingDesign #DubaiDesignWeek #InternationalDesign #EmergingBrands #DesignInnovation #GlobalDesign #ArchitecturalLighting #HomeDecor

Stickbulb, a sustainable lighting company founded by Yale University architecture graduates Russell Greenberg and Chris Beardsley, recently opened its first showroom in Long Island City, New York. Previously operating from a cramped space with limited shelving, the company acquired a 10,000-square-foot former steel factory to accommodate its growing operations. The new location, featuring terracotta walls and wooden floors, not only provides ample space but also reflects the company's commitment to sustainability and modern design. Stickbulb's core mission revolves around sustainability, utilizing salvaged wood from demolished buildings and dismantled water towers for its LED light fixtures. This approach allows each product to carry a unique history, traceable back to its original source. The founders emphasized the importance of this narrative, noting that the wood, often high-grade and knot-free from water towers with a 40-year lifespan, is no longer actively harvested, making its reclamation both environmentally conscious and integral to the product's character. The company’s design process is highly collaborative, focusing on iterating on a foundational system of wooden sticks with embedded LEDs and various metal connector pieces. This modular approach allows for the creation of a diverse range of lighting solutions, including linear pendants, chandeliers, wall sconces, and even functional pieces like side tables, all while maintaining the common element of the reclaimed wooden sticks. A notable art piece in the showroom, "Ambassador," was inspired by Russell Greenberg's sketch of a water tower. This sculpture aims to convey the history and urban context of the reclaimed water tower redwood without explicit words, highlighting the material's past in a sculptural form. The decision to use water tower wood was driven by its iconic presence in New York and other Northeastern urban centers, its consistent supply due to replacement cycles, and its high quality, being free of defects. The new showroom consolidates all aspects of Stickbulb's business—design, production, sales, and marketing—under one roof, a long-held dream for the founders. This unified space allows visitors to not only view the finished products but also observe the manufacturing process and meet the team behind them. The design of the showroom itself was approached with flexibility in mind, incorporating elements like curtains to easily reconfigure the space. While currently enjoying their expanded premises, the founders expressed confidence in the space's ability to support future growth. #Stickbulb #LongIslandCity #SustainableDesign #LEDLighting #ReclaimedWood #ArchitecturalSalvage #ShowroomDesign #ProductDesign #NewYorkCity #InteriorLighting

The CSYS™ LED task light, developed by Jake Dyson and his team, addresses common issues with existing LED lighting technology, particularly overheating. The team dedicated a decade to perfecting their lighting solution before joining the Dyson company to further its advancement. A core innovation in the CSYS™ light is its use of heat pipe technology. This system effectively draws heat away from the LEDs, a critical factor for maintaining the light's efficiency and longevity. This advanced thermal management is projected to give the CSYS™ lights an impressive lifespan of approximately 37 years without significant loss of efficiency. Beyond its thermal engineering, the CSYS™ task light features a unique mechanical design that allows for smooth, precise movement. Unlike conventional task lights that rely on tension, the CSYS™ uses gravity to maintain its position. The arm of the light can move vertically, utilizing a counterweight pulley system, and extends horizontally up to 10.8 inches along anti-friction bearings. Additionally, the weighted base rotates a full 360 degrees, offering extensive adjustability and positioning options to the user. This innovative movement mechanism ensures effortless repositioning and stable lighting in any desired configuration. The light source itself consists of high-power LEDs that emit a warm, white light. The CSYS™ task light is equipped with touch-sensitive, continuous dimming capabilities, allowing users to precisely control the light intensity to suit their needs and preferences. A convenient memory function is also integrated, ensuring that the light returns to its last-used brightness level when switched back on. This combination of advanced LED technology and user-friendly controls enhances the functional experience. The CSYS™ range has expanded to include both floor and desk lamp variations, offering versatility for different spaces and applications. The desk lamp is available with either a base or a clamp, providing flexible mounting options. A notable addition to the collection is the CSYS™ Tall light, which features an adjustable height ranging from 31.8 inches to 53.54 inches, catering to various desk configurations and user requirements. This expansion makes the advanced lighting technology accessible for a broader array of home and office environments, from individual workstations to larger collaborative spaces. Overall, the CSYS™ task light represents a significant development in LED lighting, addressing key challenges related to lifespan, efficiency, and user experience. Its innovations in thermal management, gravity-based movement, and flexible design contribute to a product that is both highly functional and durable. The collaboration with Dyson further underscores the commitment to advanced engineering and design in bringing this sophisticated lighting solution to market. #LEDLighting #TaskLight #JakeDyson #Dyson #HomeFurnishings #InnovativeDesign #LightingTechnology #ThermalManagement

The "Islands of Light" event, hosted by Interior Design magazine in collaboration with Louis Poulsen, took place on January 9, 2025, at Design Within Reach in Manhattan. The event convened leading professionals in the field of lighting design to explore the multifaceted role of lighting within the built environment. Rebecca Thienes, Interior Design's market director, moderated the panel discussion, which featured Ulla Reimer, head of education at Louis Poulsen; Elizabeth Roberts, founding principal of Elizabeth Roberts Architects; and Brett Anderson, partner at Focus Lighting. The discussion centered on the intricate relationship between architecture, lighting, and creative expression. Panelists delved into several key themes, including the profound impact of light on design aesthetics and functionality. They examined how both natural and artificial illumination contribute to creating engaging and purposeful spaces. A significant portion of the conversation was dedicated to the evolving dynamic between these two forms of light, highlighting innovative strategies for their integration in contemporary design practices. The experts also shared insights into innovative methodologies for crafting environments that successfully balance practical functionality with visual appeal. The discussion provided attendees with actionable knowledge regarding how lighting can serve as a foundational element in shaping spaces, thereby elevating the overall design narrative. Following the panel, a reception allowed guests to network, share their experiences, and discuss their perspectives on the critical role of lighting in modern design. The event underscored the importance of collaboration and innovation within the design community, inspiring participants to view lighting as an integral component of the design process rather than a mere supplementary element. The event successfully brought together diverse perspectives from the lighting and architectural design fields, fostering a dialogue that aimed to advance understanding and application of lighting principles. #LightingDesign #ArchitecturalLighting #InteriorDesign #DesignPanel #LouisPoulsen #DesignWithinReach #ManhattanEvent #InnovationInDesign #BuiltEnvironment

Lindsey Adelman Studio has unveiled its latest lighting collection, 'Paradise,' which embodies an ethos of wanderlust and spontaneous luxury. Launched in March 2021, the collection was conceived by designer Lindsey Adelman prior to the COVID-19 pandemic, drawing inspiration from the concept of a nomadic lifestyle and redefining luxury as freedom and optionality. Adelman aimed to create pieces that encourage the mind to wander and to approach the world with fresh perspectives, rejecting habituated ways of thinking and experiencing. The 'Paradise' collection features elegant and unconventional compositions, combining textured Venetian-inspired glass orbs with brass curb chains and clusters of metal fringing. The design intentionally avoids straight vertical lines, a common challenge in lighting design, to achieve a more organic and fluid aesthetic. Adelman was influenced by a bracelet she owned, seeking to reinvent traditional chandelier elements into sculptural pieces that set a mood. A key innovation in the collection is the collaboration with textile artist Taryn Urushido, who crocheted electrical wires onto heavy chains, transforming the electrical component from something to conceal into an opulent, drapey element. The collection manifests a bohemian, almost Moroccan textile-like quality, designed to appear spontaneous and less prescribed in its placement within a room. This aesthetic aims for opulence and indulgence while suggesting a dynamic quality, as if the pieces could change at any moment. The design incorporates oversized, jewelry-esque rings for suspension and utilizes long, needle-like pins to attach additional glass vessels, enhancing its intricate and artisanal feel. 'Paradise' evolved from 'Paradise City,' an immersive sculptural work Adelman presented at Design Miami Art Basel in 2019. This continuity of theme reflects Adelman's design philosophy, where all her collections engage in a conversation with each other, allowing clients with multiple pieces to maintain a cohesive yet varied aesthetic. The collection offers versatility, available in chandelier, pendant, and sconce forms, and is highly customizable. Adelman emphasizes that the added details in the 'Paradise' collection highlight its optionality, suggesting that elements like the 'baubles' could move, ensuring nothing feels rigidly fixed. This flexibility and the extensive custom work offered by her studio allow clients to tailor the pieces to their specific needs, a core driver of her design process. The collection is characterized by its blend of heavy brass chains, slender polished pins, and a palette featuring shades of pink and amber, creating a riot of irregular and unpredictable forms that celebrate spontaneous design. #LindseyAdelman #LightingDesign #ParadiseCollection #LuxuryLighting #InteriorDesign #GlassArt #BrassDetails #CustomLighting #BohemianDesign

Smart lighting systems are increasingly recognized as a foundational element in smart buildings and IoT-enabled infrastructures, offering significant energy efficiency gains and cost reductions. This early and quick return on investment has established smart lighting as a strategic starting point for intelligent design initiatives for many years. Despite its long-standing status as a best practice, connected and smart lighting continues to attract considerable interest and drive momentum in smart building development, with a notable surge in interest within the lighting industry over the past five years. Designers in the lighting sector are actively seeking key elements to achieve greater energy savings and to explore new applications and use cases beyond basic lighting controls. A critical development in this pursuit is the integration of advanced connectivity solutions. Historically, passive infrared (PIR) sensors were the primary technology for energy-saving applications in smart lighting. However, their limitations, such as poor design, restricted detection of micro-movements, and limited area coverage, often compromise the energy efficiency mission and hinder the development of advanced applications. Engineers are now transitioning to more sophisticated radar sensors to overcome these weaknesses. Radar sensors offer several advantages, including direct integration into luminaires, enabling sleeker designs and platform standardization by eliminating the need for drilling holes, a common requirement for PIR sensors. The increasing availability of radar technology has also unlocked more advanced use cases. Smart lighting systems can now manage specialized controls through people counting and tracking capabilities. Furthermore, intelligent lighting systems can extend their utility to asset tracking and control, monitoring meeting room usage, desk occupancy, and even implementing security functions like recognizing unauthorized access in specific areas. The ability to handle larger data loads for these sophisticated applications hinges on robust connectivity. Connectivity provides several key benefits for smart lighting implementation. It facilitates cost reduction through the deployment of sensor hubs at select luminaires that act as masters for others. It also simplifies wiring and code by allowing a central control unit with high computational power to oversee all luminaires. Such a central control unit, potentially integrated into a Building Management System (BMS) or cloud infrastructure, can address complex use cases that go beyond mere lighting control. For achieving comprehensive, building-wide connectivity for all smart lighting applications, both new and established, Bluetooth Mesh has emerged as a leading technology. Its reliability, security, and near-universal interoperability are significant advantages. Facility managers benefit from the ubiquity and easy availability of Bluetooth devices for local control, along with standardized and mature Bluetooth Mesh stacks. Infineon's AIROC Wi-Fi & Combos are specifically designed to enable smart lighting connectivity. These solutions feature production-ready, fully-certified Wi-Fi + Bluetooth combo modules, compatible with both Linux and RTOS-based platforms. Many of these Wi-Fi + Bluetooth combos are supported by Infineon’s WICED Wi-Fi and ModusToolbox Software Development Kits (SDKs), which provide essential code examples, tools, and development support to accelerate and simplify the development process. Infineon’s ModusToolbox software and tools also offer code examples and development support for Wi-Fi SoCs or for integrating Infineon’s secure and low-power PSoC MCUs and sensors into IoT applications. The company further supports its customers through a global network of IoT partners, leveraging the fully-certified AIROC Wi-Fi & combo modules. The AIROC portfolio integrates IEEE 802.11a/b/g/n/ac/ax Wi-Fi and Bluetooth 5.4 into a single-chip solution, making it ideal for small-form-factor IoT designs like lighting units. Infineon also offers combo, standalone Wi-Fi, and Wi-Fi SoCs with embedded MCUs and on-chip networking capabilities in both 1x1 SISO and 2x2 MIMO configurations. These Wi-Fi and combo solutions can be paired with external MCUs from Infineon or other manufacturers for RTOS, or with Linux on application processors, to create complete Wi-Fi + Bluetooth/Bluetooth Low Energy systems. AIROC Wi-Fi SoCs include on-chip MCUs, memory, and networking protocols, enabling customers to easily develop their own cloud-connected applications. Smart lighting, enhanced by Bluetooth Mesh and Wi-Fi connectivity, serves as an optimal starting point for any smart building plan and is crucial for developing a comprehensive and pervasive smart facility. #SmartLighting #IoT #EnergyEfficiency #RadarSensors #BluetoothMesh #Infineon #WirelessConnectivity #SmartBuilding #HomeAutomation