Sculpture Casting Bronze table by Time & Style

The article explores the evolving landscape of antique collecting and interior design, highlighting a shift in how antiques are incorporated into modern homes. Anthony Baratta, a seasoned designer and shop owner, observes that a younger clientele integrates antiques as unique feature pieces within contemporary settings, moving away from rooms exclusively furnished with antique items. This trend emphasizes building a quality collection over time rather than accumulating mass-produced reproductions. Eleven top designers and dealers offer insights into specific antique categories that are expected to appreciate in value. Erik Retzer, a Chicago-based antiques dealer, recommends bronze sculptures, noting their durability and the significant artistry involved in their creation, making them valuable and scarce. Laurin Beard of B. Viz. Design points to Suzani textiles, which originated from Central Asian nomadic tribes and were historically used as protective panels and wedding dowries. These textiles are now appreciated for their craftsmanship, vibrant patterns, and rich colors, with growing interest in repurposing them as wall art, pillow covers, or even clothing. Baratta and Philip Mitchell, a Toronto-based designer, suggest investing in furniture from the 1980s and 1990s. They argue that the widespread reproduction of mid-century modern pieces has diminished their future investment potential, making more recent vintage furniture a better bet for those looking ahead. Martyn Lawrence Bullard, an L.A.-based designer, highlights Georgian and Regency furniture, particularly chests of drawers, dining chairs, secretaries, and side tables. He notes their current affordability and timeless character, predicting a rise in their value due to renewed interest, partly fueled by popular period dramas like Netflix's Bridgerton. Gary McBournie, a Boston-based designer, advocates for mid-century Italian lighting, which he believes adds a colorful and shapely touch to entertaining spaces. Joy Moyler, a New York-based designer, advises investing in timepieces, such as ornate clocks, which she considers jewel-like additions to interiors and offer a good return on investment. Mitchell also champions Baroque-era pieces, including furniture with stone and metal details, oversized mirrors, and crystal candelabras, for their ability to create focal points and add unique character to modern homes. Houston-based designer Margaret Naeve Parker recommends 20th-century Danish and French furniture from renowned post-war designers like Pierre Chapo, Charlotte Perriand, Otto Schulz, and Poul Kjærholm, citing their consistent value appreciation. Baratta also finds value in vintage reproductions of Louis XV and XVI furniture and decor, seeing them as accessible entry points for new collectors seeking quality items at reasonable prices. He cautions against DIY refurbishing, emphasizing the importance of preserving original finishes to maintain resale value and the difficulty of finding skilled craftsmen. Finally, Charlotte Moss, a New York-based designer, emphasizes personal taste as the ultimate guide for antique investment. She encourages new collectors to explore auctions and antique shops, ask questions, and learn to evaluate pieces for quality and style, rather than focusing solely on specific types of antiques. The article underscores that the current market offers numerous opportunities for collectors to acquire unique, valuable, and sustainable pieces that enhance home aesthetics while potentially growing in financial worth. #AntiqueCollecting #InteriorDesign #HomeDecor #InvestmentPieces #BronzeSculptures #SuzaniTextiles #VintageFurniture #GeorgianRegencyFurniture #MidCenturyItalianLighting #BaroqueDecor #DanishFrenchFurniture

The article showcases the work of Jared Abner, a 2021 Furniture Design graduate from RIT, focusing on his distinctive approach to creating furniture and sculptures. Abner's artistic philosophy is characterized by a unique combination of subtraction and addition, a process he describes as "creation through destruction." He begins by engaging in subtractive methods, such as turning, carving, and cutting raw materials, and then reassembles these modified pieces to form new creations. This methodology highlights a dynamic interplay between deconstruction and reconstruction in his design process. One prominent piece featured is a walnut and fiber rush bench from 2020. This work exemplifies his ability to blend traditional woodworking materials with contemporary design principles, resulting in a functional yet artistic piece of furniture. Another significant creation is an abstractly shaped chair crafted from stack-laminated cherry wood, also from 2020. This chair demonstrates his innovative use of lamination techniques to achieve complex forms and textures, transforming solid wood into a visually fluid structure. The intricate layering of cherry wood not only adds to the aesthetic appeal but also speaks to the meticulous craftsmanship involved in its construction. The article also presents a series of "Suspension Study" sculptures, which further illustrate Abner’s exploration of form, balance, and material interaction. "Suspension Study One" features a wood sculpture connected to a large blue ball, utilizing walnut, poplar, and milk paint from 2020. This piece suggests an investigation into equilibrium and the tension between different elements. "Suspension Study Two," from the same year, continues this theme with a wood sculpture incorporating a rope to hold a blue ball, again using walnut, poplar, and milk paint, alongside the addition of rope. The inclusion of rope introduces an element of flexibility and dynamic force, contrasting with the rigidity of wood. Finally, "Suspension Study Three," created in 2020, consists of a black sculpture where two large wood pieces sandwich a blue ball, made from ash, poplar, and milk paint. This piece explores containment and compression, with the blue ball acting as a focal point that is simultaneously supported and constrained by the wooden components. Collectively, these works underscore Abner’s versatility in transforming raw materials into pieces that challenge conventional notions of furniture and sculpture, emphasizing both aesthetic innovation and a thoughtful engagement with the physical properties of his chosen media. His portfolio reflects a deep understanding of material manipulation and an artistic vision that merges functionality with sculptural expression. #FurnitureDesign #Sculpture #JaredAbner #RITAlumni #Woodworking #MaterialManipulation #ArtisticProcess

Héctor Esrawe, a multidisciplinary designer based in Mexico City, has unveiled his new Gear Coffee Table series at Sotheby’s East Hampton Gallery in New York. This limited-edition sculptural table is part of the ‘Harmonious Contradiction’ exhibition and marks the first collaboration between MASA Galeria and Sotheby’s. The collection features seven unique coffee tables, each embodying Esrawe's signature approach of reassigning value to common materials and forms. The Gear Coffee Table draws inspiration from the aleatory textures found in honeycomb cardboard. Esrawe carefully cuts and rearranges this ordinary material, revealing its ridged vertical patterns and unique sculptural expressions along its exposed edges. These intricate textures are then meticulously rendered in polished bronze, transforming the ephemeral quality of cardboard into a durable and luxurious object. The design features a series of sleek, stacked, circular volumes that unfold to create the functional centerpiece table. Esrawe's design philosophy centers on elevating overlooked materials and demonstrating their inherent artistic potential. By casting the raw, organic patterns of cardboard in polished bronze, he creates a dialogue between the industrial and the artisanal, the disposable and the enduring. The resulting coffee tables are not merely functional items but sculptural statements that highlight the beauty in unexpected places. The designer describes the transformation, noting how the possibility of materializing and containing these patterns in bronze, and exposing them with radial cuts, defines a series of utilitarian objects that resemble 'an over scaled jewel or geared ornament.' Each Gear Coffee Table in the series is distinct, showcasing the unique imperfections and variations found in the original cardboard forms. The choice of polished bronze enhances the visual and tactile qualities, providing a reflective surface that interacts with light and its surroundings. This meticulous attention to detail and craftsmanship is characteristic of Esrawe Studio, which is known for its focus on fine details and high-quality solutions in furniture, interior design, and architectural projects. The exhibition at Sotheby’s East Hampton Gallery is the fourth and final summer display and features eight contemporary artists presenting polished bronze or brass floor works by Mexico City-based MASA Galeria. These works are displayed in conversation with a curated selection of post-war and contemporary pieces from Sotheby’s collection, creating a rich context for Esrawe's innovative designs. The Gear Coffee Table series exemplifies the intersection of art and design, transforming a humble material into a sophisticated and valuable art piece. #HectorEsrawe #CoffeeTable #PolishedBronze #CardboardTextures #SculpturalFurniture #LuxuryDesign #MaterialTransformation #LimitedEdition #SothebysExhibition

This article from T Magazine highlights a range of cultural and lifestyle recommendations, featuring a former N.F.L. player turned furniture designer, a new art gallery in TriBeCa, a botanical-inspired wallpaper collection, an Athens restaurant showcasing contemporary Greek art, a homey Seattle hotel, and a hand-painted apparel line. Each section provides details about the featured subject, including their background, inspiration, notable works, and practical information for visitors or consumers. Michael Bennett, a former N.F.L. player, founded Studio Kër after retiring from football in 2020. His furniture designs are deeply inspired by his activism work for racial justice, his upbringing in Louisiana and Texas, and his ancestral roots in Senegal. Bennett’s inaugural exhibition, “We Gotta Get Back to the Crib,” features an 11-piece collection of sculptural furniture that reinterprets objects found in communal Black spaces. Key pieces include the Gumbo lounge chair, a sophisticated take on the monobloc chair, and the Pew couch, inspired by church benches, crafted from leather and ekki wood. The exhibition debuted at Theaster Gates’s Rebuild Foundation in Chicago and is scheduled to travel to Houston. In TriBeCa, New York, gallerist Jack Shainman opened a new 20,000-square-foot gallery called The Hall in the historic Clock Tower Building. This Beaux-Arts space, built around 1898 and formerly home to the New York Life Insurance Company, has been renovated and restored. The gallery serves as a new cultural center offering free exhibits, allowing visitors to appreciate both contemporary art and the historic Manhattan architecture, including its preserved bank vault and 29-foot-high coffered wood ceilings. The Hall plans to officially open in September with a 16-foot-tall bronze sculpture by artist Nick Cave. Currently, it features Richard Mosse’s immersive 74-minute multi-spectral video installation, “Broken Spectre,” which addresses the destruction of the Amazon rainforest. Mosse emphasizes the historical connection between the building’s past, built on wealth from enslaved people, and ongoing global issues like environmental destruction. Marian McEvoy, a former fashion and design editor, launched a new wallpaper and fabric collection with Schumacher, inspired by her botanical collages and illustrations. After nearly 30 years in Paris and Manhattan, McEvoy moved to a cottage on the Hudson River, where she creates her art. Her collaboration with Schumacher features six wallcoverings and four fabrics, including prints like Thistle Vine, Polka-Dot Jungle, and Bow-Wow-Wow, all reflecting her signature use of strong colors and lines. McEvoy has incorporated these designs into her own home, showcasing her personal approval of the collection. In Athens, entrepreneur and art collector Philippos Tsangrides opened Gallina, a restaurant designed by Objects of Common Interest. The interiors blend diverse materials such as red marble, pink leather, terrazzo, and wood, creating an unexpected aesthetic. Gallina also displays pieces from Tsangrides’s private art collection, including a silk tapestry by Jannis Varelas and a neon sign by Olga Migliaressi-Phoca. A notable design element is a sinuous white light tube by the architects. The menu, curated by chef Pavlos Kiriakis, features dishes with no specific provenance, such as chicken with miso beurre blanc and truffle, and wild mushrooms with white chocolate béarnaise. Tsangrides intends to open a wine bar nearby. Julian Hagood and Jake Santelli opened Harry’s Guest House, a two-room hotel in Seattle’s Capitol Hill, inspired by their neighbor Winnie. The Dutch Colonial home was purchased from Winnie, whose drawings and wooden writing desk are now integrated into the hotel’s design. One suite is named after Winnie, and the other after the couple’s dog, Lucy. The interiors combine vintage and contemporary furniture and textiles, featuring a 1940s hand-carved wardrobe and Zak+Fox fabrics. Guests can also enjoy in-room dining from Harry’s Fine Foods, Hagood’s adjacent restaurant. Artists Julia Dault and Hannah Whitaker launched Signs Point to Yes, a line of hand-painted apparel. Their sweatshirts and pants feature designs like metallic tulips, sherbet-hued confetti, and smiley (and sad) faces, often painted using ketchup bottles to achieve a gestural, imperfect style. The brand name, inspired by a Magic 8 Ball, conveys a sense of optimistic humor. The artists selected comfortable cotton garments as their canvases, recognizing their popularity during the pandemic and their continued appeal beyond loungewear. #SculpturalFurniture #ArtExhibition #Design #ArtGallery #InteriorDesign #HomeDecor #Restaurants #Hotels #Fashion

Ghanaian-British architect David Adjaye has unveiled his inaugural furniture collection, named Yaawa, at the newly opened Ladbroke Hall in west London. This collection, a collaboration with Carpenters Workshop Gallery, consists of eight limited-edition cast-bronze designs, including tables, consoles, and a dining chair. The pieces are characterized by a unique interplay of impeccably polished and deeply textured bronze surfaces. The Yaawa collection is the first exhibition to launch at Ladbroke Hall, a significant new venue for collectable-design specialist Carpenters Workshop Gallery. This 120-year-old Beaux-Arts building, located in Ladbroke Grove, represents the gallery's largest space to date. Gallery founders Julien Lombrail and Loic le Gaillard selected Adjaye's collection to mark the grand opening, citing its innovative approach to material manipulation. Le Gaillard noted that the Yaawa collection demonstrates Adjaye's skill in using bronze surfaces to create a distinctive play with light and reflection. While Adjaye has frequently incorporated bronze elements into his architectural projects, this collection is notable as his first exclusive use of the metal in functional sculptures. The designs evolve from concepts Adjaye previously explored in his 2007 Monoforms furniture series, focusing on the potential of a singular form. Adjaye described his work as a continuous exploration of ideas and materials, emphasizing the ambition to advance craft. The eight pieces in the Yaawa collection feature two distinct surface treatments achieved through various techniques such as hand-casting, oxidizing, patinating, and polishing. One treatment results in a polished metallic finish, while the undersides of the pieces are deeply imprinted with fingerprints, giving them a handcrafted appearance reminiscent of sculpted clay. Adjaye's prior architectural endeavors showcase his extensive use of bronze, including the facade of the Smithsonian National Museum of African American History and the interior elements of The Webster fashion boutique in Los Angeles. His fascination with bronze stems from its historical significance in Africa, where it has been traditionally used in various crafts and weaponry. Through the Yaawa collection, Adjaye aims to extend this historical lineage by creating forms and techniques that also offer practical utility in a space. The name 'Yaawa' itself means 'bronze' in Twi, one of Ghana's indigenous languages, further highlighting the collection's connection to Adjaye's heritage and the material's cultural resonance. The exhibition at Ladbroke Hall is one of two inaugural shows, running concurrently with a display of retro works by the late Brazilian designer Jose Zanine Caldas. Ladbroke Hall is set to open in phases throughout the summer, offering four large exhibition rooms, two artist-designed salons, a terrace by Robert Stadler, and a dedicated jewelry showroom. Carpenters Workshop Gallery has dedicated four years to the renovation and expansion of Ladbroke Hall, which was formerly a photography studio. This new London venue significantly expands the gallery's operational capacity, complementing its existing locations in New York, Los Angeles, and Paris, as well as its Mayfair branch. The gallery founders expressed their deep satisfaction in sharing this extensive project, which aims to foster artistic expression beyond conventional models and enhance emotional engagement with the arts. #DavidAdjaye #FurnitureDesign #BronzeSculpture #CarpentersWorkshopGallery #LadbrokeHall #CollectibleDesign #ArchitecturalDesign #MaterialInnovation #LondonExhibitions

Edenic Design introduced its inaugural product, the Teâshí Coffee Table, a piece of furniture characterized by its unique branching structure. Limited to a production run of 100 units, the table's design draws inspiration from natural forms, resembling limbs, veins, or lightning bolts. Each table is meticulously hand-welded, ensuring that its distinct silhouette and the original creative vision are honored. The name 'Teâshí' itself is derived from the Japanese word for 'limb,' reinforcing the organic inspiration behind its aesthetic. Beyond its structural novelty, the Teâshí Coffee Table was conceived with the intention of serving as a three-dimensional canvas for artistic collaboration. The first such collaboration features Montreal-based artist Callen Schaub. Schaub's expressive style is applied directly to the table's base, transforming the functional furniture into a piece of sculptural art. His technique results in vibrant, swirling colors that create an illusion of motion, as if the paint is still fluidly moving around the table's foundation. An example of this artistic integration is the Callen Schaub Teashi 1 (CST1), which has been acquired by a private collector. This particular piece exemplifies the synergy between Edenic Design's unique furniture and Schaub's dynamic artistic contribution. Due to the success and distinctiveness of this initial collaboration, Edenic Design and Callen Schaub plan to continue offering made-to-order commissions, allowing clients to acquire personalized versions of these art-infused coffee tables. In addition to the collaboration with Callen Schaub, Edenic Design has also partnered with Los Angeles-based artist Chris Trueman on another iteration, the Edenic x Chris Trueman 1 (CTT1). This project marked Trueman's first foray into painting on a three-dimensional surface. His approach involved a combination of gestural painting and spray painting, utilizing squeegees and brushes to achieve his desired effects. The result is a table with a dark, cosmic-like finish, characterized by deep blues and fluorescent orange accents, further demonstrating the Teâshí Coffee Table's versatility as a medium for artistic expression. #CoffeeTable #FurnitureDesign #ArtisticCollaboration #SculpturalArt #EdenicDesign #CallenSchaub #ChrisTrueman #HomeFurnishings #InteriorDesign

SolidNature, a Dutch stone supplier known for collaborating with architects and designers on custom projects, frequently accumulates offcuts from its high-profile commissions. Recognizing the potential in these leftover materials, the company engaged Budde, a design studio based in Cologne, Germany, to explore innovative ways to repurpose them. This collaboration resulted in the creation of 'Five x Seven,' a limited-edition furniture collection comprising five distinct tables: a console, and various coffee and side tables. The Budde studio, led by founders Johannes Budde and Meike Papenfuss, developed a concept that showcases the inherent beauty and variety of natural stone. The collection utilizes seven different types of stone, including marble, onyx, granite, and travertine, sourced from SolidNature's inventory of offcuts. Each table is meticulously crafted by combining slabs of these diverse stones, which are then layered together to create a visual effect reminiscent of sedimentary rock formations. A distinctive design element of the collection is a slim, carved arch integrated into all four sides of each piece. The layered construction of the tables results in muted stripes of cream, pink, green, and gray, offering a dynamic aesthetic that changes depending on the viewing angle. This design approach not only highlights the unique characteristics and rich color palette of each stone type but also addresses the issue of material waste by transforming what would otherwise be discarded into valuable and aesthetically pleasing furniture. The 'Five x Seven' collection is presented as a limited edition, emphasizing its exclusivity and artisanal nature. However, SolidNature also offers the possibility of custom pieces, allowing clients to commission tables tailored to their specific preferences and design needs, further expanding the collection's adaptability and appeal. The collection is exclusively available through the Rossana Orlandi Gallery, a renowned platform for contemporary design that champions innovative and sustainable practices. The partnership with Rossana Orlandi underscores the collection's artistic merit and its place within the high-end design market. By transforming remnants into sophisticated furniture, the 'Five x Seven' collection demonstrates a commitment to sustainable design principles while celebrating the enduring appeal and versatility of natural stone. #furnitureDesign #naturalStone #SolidNature #BuddeStudio #tableCollection #sustainableDesign #RossanaOrlandiGallery #interiorDecor #materialInnovation

The Teatro Magico table, designed by Architecture studio 967 Arch for Saba, represents a novel approach to furniture design, drawing inspiration from the inherent qualities of fabric. The design reinterprets the softness and malleability typically associated with textiles, translating these characteristics into the table's base through the use of printed lacquered polyurethane. This material choice allows for a sculptural form that evokes the fluid drape of fabric while maintaining the structural integrity required for a table. The aesthetic foundation of the Teatro Magico table is deeply rooted in Saba's established expertise in utilizing textiles and sophisticated color palettes within their product narratives. The table's design is a direct nod to this heritage, showcasing how material inspiration can be transformed into a distinct and compelling furniture piece. The base of the table is conceived with versatility in mind, allowing for individual use or a combined arrangement, which offers flexibility in various interior settings. This modularity ensures that the table can adapt to different spatial requirements and aesthetic preferences. Complementing the distinctive base are the clean-lined table tops, available in a range of sizes and shapes, specifically round and oval. The color options for the table tops include white, silk grey, and nude, selected to harmonize with the sculptural bases. These monochromatic finishes are instrumental in highlighting the table's curved forms. The interplay between the table's curves and its uniform coloring creates dynamic shadows, which shift and deepen based on the intensity and direction of ambient light. This interaction between form, color, and light contributes significantly to the table's overall visual appeal, making it a focal point in any room. When the individual components of the Teatro Magico table are brought together, the result is a bold and commanding piece of sculptural furniture. Its presence in a space is designed to attract attention and serve as a statement. The combination of innovative material application, thoughtful design philosophy, and a focus on visual impact positions the Teatro Magico table as a significant contribution to contemporary home furnishings, illustrating how furniture can transcend mere functionality to become an art form. #SculpturalFurniture #ModernDesign #InteriorDesign #HomeFurnishings #SabaItalia #967Arch #TableDesign #PolyurethaneFurniture #ContemporaryFurniture

Dining tables are a significant investment for any home, serving as central hubs for various activities, from daily meals to social gatherings and even temporary workstations. The selection of a dining table, therefore, requires careful consideration, prioritizing timeless design, durability, and practicality. Pottery Barn dining tables are highlighted for their ability to blend elegance with functionality, acknowledging the realities of daily life, including potential spills and wear. While quality often comes with a higher price point, the article notes that current sales can make these pieces more accessible. Nina Lichtenstein, an interior designer, emphasizes the dining table's role as the focal point of a dining area, establishing the overall aesthetic and atmosphere of the room. She posits that an appropriately chosen dining table can transform routine meals into memorable experiences. The article explores a curated selection of Pottery Barn dining tables, catering to diverse preferences and spatial requirements, from intimate settings for two to larger gatherings of eight. The brand is recognized for refining, rather than reinventing, the dining table, offering pieces that are considered both gorgeous and lasting investments. Featured selections include the Bent Round Pedestal Dining Table, praised for its dramatic dark wood finish and substantial base, ideal for a group of four. For those seeking to enhance spatial perception, the Avery Glass Dining Table with its shiny gold legs offers a luxurious and light-enhancing option. The Rae Round Marble Pedestal Bistro Dining Table, inspired by Parisian cafes, is presented as a charming choice for smaller dining spaces or apartments. The Reed Extending Dining Table showcases a minimalist design with clean lines, highlighting handmade craftsmanship and rustic wood grain. The Cayman Round Pedestal Extending Dining Table is noted for its rare extendable oval shape and coastal-inspired sculptural design, evoking a Hamptons aesthetic. Further options include the Calypso Extending Dining Table, which embodies Danish mid-century charm with subtle curves, described as an example of 'quiet luxury.' The Nova Rectangular Dining Table is presented as a striking, substantial piece with organic appeal. The Cora Oval Dining Table features a modern twist on classic double pedestal legs with a black finish. The Anderson Dining Table uniquely combines mixed materials, featuring steel ombre legs and a dark contrasting wood top, offering a high-fashion flair. The Toscana Extending Dining Table, reminiscent of a picnic table, provides ample space for up to eight guests. The Anders Round Reclaimed Wood Pedestal Dining Table stands out with its ribbed silhouette, offering a unique artistic element. Lastly, the Alexa Pedestal Dining Table, crafted from thick walnut wood with asymmetric carvings, adds a gallery-worthy touch. Beyond selecting the table, the article provides guidance on styling a Pottery Barn dining table, likening tablescaping to an art form. Nina Lichtenstein advises starting with a focal point, such as a floral arrangement or a sculptural object, to anchor the setting. Layering is then recommended using table linens, placemats, and ceramics with varied textures to add depth and visual interest. She cautions against clutter, emphasizing the need for guests to dine comfortably and suggesting attention to scale. Incorporating varying levels of height with items like candlesticks or tall vases is advised to add dimension. The overall message is that these dining tables offer a versatile canvas for personal expression, making it challenging to go wrong, especially when paired with complementary elements like Pottery Barn rugs. #PotteryBarn #DiningTables #HomeDecor #InteriorDesign #Furniture #Tablescaping #TimelessDesign #BuyingGuide

This article explores the preferred tableware shopping destinations of 12 interior designers, offering insights into curating elegant and functional tablescapes for various occasions. The article highlights a range of sources, from high-end luxury brands to artisanal boutiques, vintage shops, and more affordable retailers, demonstrating how design professionals approach selecting plates, bowls, platters, glassware, flatware, and linens. Vicky Charles of Charles & Co emphasizes attention to detail and frequently turns to Abask for its exquisite selection of plates, bowls, and serving pieces that combine timeless elegance with an organic, natural finish. Abask's unique textures and muted tones provide a versatile canvas for relaxed yet elevated dining experiences. For a more opulent and eclectic touch, Charles also recommends RW Guild, known for its globally sourced artisanal pieces with rich, earthy tones, and Il Buco Vita for vintage-inspired glassware and luxurious table linens that blend beauty and functionality. Emily Ward and Louisa Pierce of Pierce and Ward adopt a personalized approach, mixing antique, vintage, and new items across different price points to reflect clients' personalities and lifestyles. They prioritize durability and longevity, recommending Heath Ceramics for plates and bowls, Studio Ford for cotton napkins and tablecloths, and Jean Dubost Laguiole Steak knives, particularly those with brass accents. Pembrooke & Ives, a New York design studio, suggests Mary Mahoney for high-end brands like Hermes and Bernardaud, ideal for refined and elegant tables. For a contemporary aesthetic, MAX ID offers unique geometric table pieces. They also favor Abask and David Mellor, the latter for its diverse range of porcelain from various countries. Paige Wassel, director of Paige Wassel, expresses a strong preference for thrifting tableware, actively searching Etsy for vintage cutlery, etched coupes, everyday drinking glasses, and hand-fired bowls and plates with artisan stamps. She also appreciates Japanese handmade ceramics and opts for more affordable finds due to her tendency to break glasses. Laura Lubin of Ellerslie Interiors recommends Sasha Nicholas for stunning handcrafted tableware, including chargers and dinner plates with intricate, timeless designs, and Hudson Grace for rich, saturated linens and napkins that add depth and character. Gideon Mendelson, founder of Mendelson Group, categorizes his recommendations by formality. For formal settings, he suggests Bergdorf Goodman, Bernardaud, and Christofle. For casual or everyday use, Heath Ceramics, Mondays, Wilcoxson, and Camille at the Wheel are preferred. For more affordable options, Williams-Sonoma and Crate & Barrel are highlighted. Dan Mazzarini of BHDM Design and ARCHIVE is a fan of splatterware from March SF. He looks to Ralph Lauren for timeless stemware and CB2 for budget-friendly tumblers and glasses. Mazzarini enjoys mixing modern cutlery from Wayfair with vintage and antique finds, and stresses the importance of linen napkins, properly starched and ironed. He also advises incorporating lighting, such as smoked hurricanes from March SF and portable table lamps. Kathy Kuo of Kathy Kuo Home recommends her own brand for its extensive collection of dishes, glassware, linens, and flatware, featuring a variety of styles, materials, and vendors like Simon Pearce, Juliska, Vietri, Villeroy & Boch, and L'Objet. Kishani Perara, founder of Kishani Perara, likes TABLE ART, Bergdorf Goodman, Artemest, Il Buco, and Sharland England for tableware and candlesticks. She emphasizes the value of incorporating special family pieces or vintage finds from platforms like Etsy, eBay, Chairish, and 1stDibs. Darren Henault of Darren Henault Interiors champions Julia B. Casa in Florence for its spectacular embroidery and appliqué, and E. Braun on Park Avenue for timeless and luxurious selections. He collects a variety of dish patterns, including Herend's Rothschild, Fischcale, and Chinese Bouquet, and Royal Crown Derby's Midori Meadow, which he mixes and matches. For glassware, he particularly values Lobmeyr water glasses from Vienna for their delicate elegance. Finally, Gray Walker of Gray Walker Interiors prefers simple linen hem stitch tablecloths and napkins, often with festive embroidery. She builds tablescapes around specific decorations, combining sterling silver, Tiffany china and crystal, and clippings from her garden. She collects table linens from sources like Schweitzer Linens. Josh Greene of Josh Greene Design recommends Collecto for quality dining ware, including traditional Italian and whimsical floral china, and Abask for its diverse independent designs. For luxurious occasions, Tiffany is a staple, while West Elm is suggested for more affordable, classic dining sets. #InteriorDesign #Tableware #HomeDecor #Tablescapes #DesignersChoice #LuxuryHome #VintageDecor #KitchenDecor #DiningRoom

This article explores the evolution and significance of console tables in interior design, offering a curated selection of ten distinguished pieces. Historically originating in 17th-century France as wall-mounted half-moon tables, console tables have evolved into versatile, freestanding furniture elements. Their role extends beyond mere utility, serving as functional accents that enhance the aesthetic and flow of a space. The article emphasizes the importance of proportion, materiality, and placement when selecting a console table. A well-chosen console table is neither too deep nor too narrow, providing optimal functionality without overwhelming the space. Materiality plays a crucial role in defining the table's character; solid wood imparts warmth, marble introduces gravitas, and metal adds an industrial touch. Strategic placement is equally vital, whether as a landing zone in a hallway for everyday items, a support for lamps behind a sofa, or an anchoring element within a seating arrangement. The article highlights that the best console tables combine hardworking functionality with an effortless appearance. The featured console tables represent a blend of originality, exquisite form, and skilled craftsmanship. Each piece is described in detail, showcasing its unique design philosophy and material innovation. The 'Primal Mysteries Scarp' console table by Ralph Pucci is presented as a sculptural piece crafted from plasterglass, drawing inspiration from renowned sculptors and embodying a raw, artistic elegance. Tipstudio's 'Light Tension' console for Movimento Gallery is noted for its unconventional use of travertine and wood, where travertine forms a soft curve and wood provides a stable base, challenging traditional material roles. Studio Œ's 'MC23 OTO' medium console table for Mattiazzi demonstrates technical precision through its distinctive rounded joint detail and use of sustainably grown African okoumé wood. Nao Tamura's 'Origata' console for Porro, inspired by kimono-making, is crafted from aluminium sheet with a focus on minimalist geometry and waste reduction. A Space's 'The Source' console table no. 2, hand-carved from black tuff, reflects Armenian antiquity and craftsmanship, with natural variations in stone adding unique character. Johan Wilen's 'Contourage Quartz Sand' console table for Studio Tooj features a 3D-printed quartz sand surface, blending organic form with modern manufacturing techniques. Tatjana von Stein's 'Mise En Scène' console, part of a dance-inspired collection, balances softness and strength through its angular legs and sycamore wood. Matteo Leorato's 'Loggia' console table for Portego, crafted from terrazzo, draws inspiration from Greco-Roman archways, merging historical grandeur with contemporary design. Yabu Pushelberg's 'Blink' console table for Stellar Works is characterized by its lightness, playful sculptural form, and refined steel frame with an elliptical top. Finally, Roberto Lazzeroni's 'Fidelio' console table for Poltrona Frau embodies 'sentimental design' with rich materiality and considered craftsmanship, balancing historical references with modern precision. These examples illustrate the diverse approaches to console table design, ranging from sculptural artistry to material innovation and cultural inspiration. The article underscores that while the function of a console table remains practical, its design can significantly elevate an interior space, making it a focal point rather than a mere utility. #ConsoleTables #InteriorDesign #FurnitureDesign #LuxuryFurniture #ModernDesign #Craftsmanship #MaterialInnovation #HomeDecor #SculpturalFurniture

The "Bolete" table series, a collaboration between Hong Kong-based architect and sculptor Henry D’Ath and design-art duo Batten and Kamp, introduces a family of limited-edition coffee and side tables. These pieces are distinguished by their mushroom-like forms, crafted from hand-carved solid wood and natural stone. The design integrates the sculptural weight typical of permanent furniture with a flexible, modular approach that features configurable, overlapping surfaces. The genesis of the Bolete series traces back to a custom commission where Batten and Kamp recognized a natural synergy between D’Ath’s carved wood creations and their signature raw stone bases. This initial insight led to the formal collaboration and the development of the Bolete collection, emphasizing a harmonious blend of two distinct material elements. Each table in the Bolete series is meticulously carved by Henry D’Ath, who allows the intrinsic patterns of the wood grain and the natural contours of the stone to guide the creation of subtly organic shapes. The wooden tops are available in two finishes: a natural, sealed varnish that highlights the wood's inherent beauty, or a glossy black finish achieved through layers of calligraphy ink. The choice of wood for the tops is Camphor, a variety prevalent in China and Japan, known for its aromatic properties and natural insect-repellent qualities. For the bases, raw Taishan Granite stones are used. These stones are culturally significant, often featured in Zen gardens, and are admired for their grey-white hues, reminiscent of the dramatic Karst Mountains. Each granite base is individually sourced and intentionally left untreated, ensuring that every table possesses a unique character. The collaboration is deeply rooted in the shared heritage and mutual admiration among Alexandra Batten, Daniel Kamp, and Henry D’Ath, all originally from New Zealand but now working together in a Hong Kong studio. This shared background is reflected in the design philosophy, which embraces natural materials, robust forms, and simplicity—elements integral to New Zealand aesthetics—while also incorporating local materials and subtle Zen influences. Alexandra Batten describes the collaboration as effortless, stemming from a lifelong connection and shared artistic vision. Initially launched as a side table in 2023, the Bolete series has expanded to include coffee tables. The modular nature of the design is key, allowing for diverse configurations and sizes through the arrangement of overlapping surfaces, which enhances the collection's adaptability and aesthetic appeal. The tables are produced in limited editions, with eight pieces plus four artist proofs available per configuration, highlighting their exclusivity. Plans are underway to exhibit the series in major art and design hubs, such as New York or Paris, in 2025, further solidifying its presence in the global design landscape. The project was submitted through a DIY submission feature, reflecting a direct engagement with the creative community. #FurnitureDesign #Woodwork #StoneCraft #TableDesign #ModularDesign #LimitedEdition #DesignCollaboration #NaturalMaterials #HandCarved

This design dispatch highlights several key happenings and product releases in the world of interior design and art, focusing on the transition into a new season. It begins by exploring RH's Fall 2023 Collection, which aims to redefine true luxury in a market often saturated with superficial claims. Gary Friedman, CEO and chairman of RH, emphasizes that true luxury stems from exceptional craftsmanship and the quality of materials, citing their use of premium European and American White Oak, Walnut, Indonesian Teak, and the detailed construction of their American-made sofas with eight-way hand-tied springs or Italian-made pieces with engineered foam and exquisite tailoring designed for longevity. The collection features global designers like Australian duo Harrison and Nicholas Condos, who contribute natural pieces in European White Oak, including sideboards, bed canopies, and day beds. British designer Oliver Oulton incorporates Belgian Flax Linens into elongated sofas, while American designer Julie Lawrence introduces organically shaped sideboards and tables made from American White Oak. The aesthetic of the collection promotes serenity through light woods and organic lines, devoid of harsh angles and vibrant colors, encapsulating the idea that luxury is defined by thought, creativity, and rarity rather than just price. Next, the dispatch turns to the art world, detailing an opportunity for enthusiasts to acquire a piece from the renowned artist Cecily Brown. For over 25 years, Brown has been celebrated for her abstract expressionist style, with her paintings, often featuring motifs of women, skulls, skeletons, and still-lives, fetching high prices at auctions. Currently, The Metropolitan Museum of Art in New York City is hosting "Cecily Brown: Death and The Maid" until December 3, 2023. This exhibition showcases fifty works from her career. For those wishing to own a piece of Brown's art, a new etching inspired by Jan Brueghel the Elder's 17th-century allegorical series, "The Five Senses," will be available at The Met Store. Edition one of twenty-five will join The Met's collection, with others priced at $8,000, with proceeds supporting the museum's initiatives. The article also introduces a new book from Bulgari, "Beyond Time," celebrating over a century of Bulgari horology. This collaboration with Assouline provides a comprehensive retrospective across 300 pages, featuring contributions from notable friends, ambassadors, and experts of the Maison. A dedicated chapter explores the brand's iconic serpent watch design, which watch collector John Goldberger notes was revolutionary for its combination of wraparound Tubas bracelet with a watch dial. Finally, as the fall season approaches, the dispatch offers a suggestion for entertaining: Sophie Lou Jacobsen's new stemware collection. Inspired by Art Nouveau motifs and the Ecole de Nancy, the collection features glasses morphed into floral designs. While playful, the set maintains an air of sophistication, making it suitable for formal gatherings. The collection is set to launch in October, and readers are encouraged to consider complementary table accessories in preparation for upcoming events. #DesignDispatch #HomeDecor #LuxuryDesign #RHCollection #ArtExhibition #CecilyBrown #MetropolitanMuseumOfArt #BulgariHorology #SophieLouJacobsen #TablewareDesign

The Curtain table, a collaborative creation by Berlin-based design studio Läufer & Keichel and German furniture manufacturer Zeitraum, showcases an innovative design characterized by its undulating legs. These distinctive legs are meticulously carved from solid wood, drawing inspiration from the flowing waves of curtain drapes, providing a unique aesthetic foundation for the table. The design aims to capture a fleeting moment in time, presenting a static object with the illusion of organic, flowing movement, akin to a sculpture that plays with perception. This conceptual approach emphasizes the symbolism of the wave, allowing the intrinsic material qualities of the solid wood to recede into the background, thereby enhancing the table's artistic impression. Crafted by Zeitraum, a brand renowned for its expertise in wooden furniture, the Curtain table is available in various configurations to suit diverse interior needs and aesthetic preferences. Customers can select between a rectangular or a semicircular tabletop, offering versatility in placement and function within a space. The material options for the tabletop and legs include high-quality ash, walnut, or oak finishes, providing a range of natural tones and wood grains to complement different design schemes. Furthermore, the table can be customized to lengths of up to four meters, with the wood grain maintained continuously across the surface, a testament to Zeitraum's craftsmanship and attention to detail. This continuous grain highlights the natural beauty and integrity of the solid wood, contributing to the table's harmonious and self-restrained composition. The designers, Läufer & Keichel, articulated their vision for the Curtain table, describing it as a piece that toys with human perception, where the symbolic movement of the wave becomes more prominent than the physical wood itself. They emphasized the harmonic symbiosis between the table's form and its material, suggesting that this unexpected combination allows the entire piece to be perceived as a cohesive and understated composition. The rhythmic interplay created by the 'curtains' (the undulating legs) is intended to evoke an atmosphere of floating serenity and inner calm, transforming the table from a mere functional item into a sculptural element that contributes significantly to the ambiance of its environment. The aesthetic qualities and thoughtful design make the Curtain table a notable piece within contemporary furniture design, demonstrating a blend of artistic expression and functional elegance. #FurnitureDesign #WoodenFurniture #TableDesign #InteriorDecor #ContemporaryDesign #GermanDesign #SolidWood #SculpturalFurniture

The article offers a comprehensive guide to selecting ceramic and pottery pieces for home decor, emphasizing that these items go beyond simple utility to become significant artistic and decorative elements. It highlights how ceramics can integrate into various interior design styles, from traditional to contemporary. The guide explores a diverse range of brands and online retailers, each specializing in different aesthetics and product types, to cater to varied tastes and budgetary considerations. Key selections include Arhaus for elegant, neutral-toned ceramics, featuring vases that evoke a flea market charm with diffused color palettes. East Fork is presented as a source for everyday dining essentials, renowned for its artisanal craftsmanship and durable stoneware, with specific mention of its popular mugs and dinner sets. For unique, one-of-a-kind vintage pieces, 1stDibs is recommended, particularly for those looking to emulate celebrity decor styles, such as Majolica wares or decorative wall plates. Etsy is highlighted as a platform for discovering handmade and vintage pottery from global artists, with advice on using specific keywords to navigate its extensive selection. Shane Gabier's pottery is introduced for its modernist and brutalist influences, characterized by angular silhouettes, layered textures, and unique color palettes that offer a refreshing deviation from conventional crafts. Mud Australia specializes in minimalist, timeless ceramic tableware, handmade with French Limoges clay and featuring a distinctive glossy interior and matte exterior finish, designed for practical, unfussy lifestyles. Abask is noted for its curated collection of works from talented potters and ceramicists, offering both muted and vibrantly creative designs, often at a higher price point due to their unique or special edition nature. Este Ceramiche is recognized for its trompe l'oeil-inspired creations and vibrant tableware, drawing on centuries-old heritage techniques. HAY features contemporary ceramic designs from emerging talents, characterized by colorful and whimsical aesthetics suitable for both functional tableware and decorative accents. Crate & Barrel is highlighted for its elevated design staples and designer collaborations, offering an accessible entry point to designer styles. Design Within Reach provides high-end, handmade pottery that can be considered heirloom quality, blending artistic flair with practical design. Wayfair is presented as a vast online retailer offering a wide array of ceramic options, including vase sets and distinctive textured pieces, demonstrating a range of price points. Finally, West Elm is showcased for its diverse selection catering to various design archetypes, including in-house designs and artisanal pieces from local artists through its West Elm Local program. The guide collectively aims to assist consumers in finding the perfect ceramic pieces to enhance their home decor, emphasizing the versatility and artistic value of pottery. #HomeDecor #Ceramics #Pottery #InteriorDesign #Tableware #Vases #ArtisanalCrafts #VintageDecor #ModernistDesign