Studio AK’s touchable selection of polished marble, cut velvet and silk cashmere

This article explores how incorporating specific fabrics and materials can significantly enhance a home's style and luxurious feel, drawing inspiration from the design principles of the 2023 INFINITI QX60 Crossover SUV. The article emphasizes that attention to detail, even in the smallest characteristics, can create a substantial impact on the overall aesthetic and comfort of a living space. The goal is to make one's home as stylish and indulgent as a high-end vehicle, offering a welcoming retreat after a long day. The article highlights five key materials, each chosen for its unique properties of comfort, effortlessness, and durability. The first material discussed is leather, known for its ability to add warmth and comfort. It notes that INFINITI conducted extensive research to identify the most pleasing material feels, including soft-touch leather, which is integrated into the QX60. Leather is presented as a durable and easy-to-care-for option for home furnishings, such as kitchen stools, to introduce a contrasting texture against hard surfaces. Next, faux fur is introduced as a way to inject coziness and warmth into a room, particularly during colder months. The article advises a minimalist approach, suggesting one or two faux fur pieces per room—like an area rug, a throw blanket, or a pillow—to prevent overwhelming the space while still achieving an inviting ambiance. Velvet is presented as a material that exudes sophistication and luxury due to its sleek and soft texture. It is recommended for various home items, including sofas, throw pillows, dining chairs, and curtains. A key advantage of velvet is its ability to intensify color, allowing for bold design choices with vibrant hues such as royal blue, emerald green, or mustard, thereby adding a significant design statement to any room. This is compared to the INFINITI QX60's availability in distinct exterior colors like Deep Bordeaux and Grand Blue, suggesting parallel design philosophies. Stainless steel is discussed as a material to create visual interest through metal accents. The article suggests using stainless steel wall art, bar carts, cocktail accessories, brushed nickel hardware, and copper cookware to introduce a blend of textures. This juxtaposition with softer elements, like chunky knit throws, can add depth and brightness to a room. The interplay of different materials and finishes is central to achieving a balanced and dynamic interior. Finally, marble is highlighted for its chic, elegant, and highly durable properties, as well as its resistance to high heat. While ideal for countertops, its versatility extends to other areas of the home, such as sturdy coffee tables, decorative bowls and vases, or even a marble fireplace surround. The unique veining of each marble slab ensures a personalized and one-of-a-kind touch, underscoring the material's inherent exclusivity and natural beauty. These material choices collectively contribute to elevating the home's overall style and creating a sophisticated, comfortable environment. #HomeDecor #InteriorDesign #FabricSelection #MaterialTrends #LuxuryInteriors #LeatherFurniture #VelvetDecor #FauxFurAccents #MarbleDesign

Scalamandré, a renowned American textile brand, has launched a new collection in collaboration with the Metropolitan Museum of Art (The Met), drawing inspiration from various curatorial departments including Arms and Armor, Islamic Art, and The Costume Institute. This partnership, which officially launched on October 1st, granted Scalamandré full access to The Met's extensive art inventory and archives to create luxury finishes, wallcoverings, trimmings, and fabrics with unique textures and detailing. The initiative began two years prior when The Met's licensing committee sought to broaden its brand presence beyond its gallery walls. A significant portion of the collection takes cues from the museum’s Department of Arms and Armor. Lorraine Lang, Scalamandré’s executive vice president of design, noted that the highly detailed engravings on the armor of mounted horses in the galleries provided decorative possibilities. This particular line of wallcoverings, trimmings, and fabrics contrasts hard and soft, shiny and matte, and feminine and masculine elements. Materials used include metallic cork, embroidered linen, faux leather, and polymer. Lang highlighted the Milan Diamond wallcovering, known for its sunburst pattern, and the Knight wallcovering, praised for its patinated 3D effect, as personal favorites. Further inspiration from the armor collection includes the Saxony Scroll Wallcoverings and Saxony Embellished Trimming, which feature embroidered designs reminiscent of the breastplate detailing found on the “Foot-Combat Armor Of Prince-Elector Christian I Of Saxony” by Anton Peffenhauser. These embroidered backed linen fabrics provide a softer, more formal aesthetic, akin to a scrolled damask, recommended for grand foyers or dining rooms to evoke a stately ambiance. This is not the first collaboration between Scalamandré and The Met; Franco Scalamandré, the brand's founder, established a Scalamandré Museum in the 1970s, donating several historic textiles to The Met's archives. The current collection is as diverse and global as the museum itself, featuring a colorful adaptation of the Tree of Life pattern from the Department of Asian Art, hand-block printed wallpaper inspired by the Islamic art collection, and elegantly embroidered tape derived from European sculpture and decorative arts. The full collection is available for viewing on scalamandre.com, offering consumers the opportunity to incorporate museum-inspired art into their home decor. #ScalamandreMetCollaboration #TextileDesign #InteriorDesign #LuxuryFinishes #Wallcoverings #HomeDecor #ArtInspired #ArchitecturalAntiques #DesignHistory

The article explores the growing trend of incorporating soft textures and textiles into home interiors to create more comfortable, cosy, and tactile spaces. This movement is seen as a response to the dominance of digital technology, the anxieties of modern life, and a desire to make homes feel like sanctuaries. The shift towards soft textures builds upon earlier interior design trends, such as the resurgence of wallpaper two decades ago and the preference for moodier paint colours, both aimed at creating cosier environments. Today, designers are increasingly utilizing textiles for walls, floors, and furniture, moving beyond mere decorative elements to provide cushioning and a sense of luxury. These contemporary textile designs often feature natural, plant-based fibres like bamboo, jute, coconut waste, and even vegetable waste, emphasizing warmth and sustainability. Designers employ a mix of traditional techniques like embroidery and modern digital technology to achieve diverse textures, from matt to glossy finishes. The use of sustainable materials and dyeing methods also reflects a growing environmental consciousness within the design community. A key advantage of textiles is their adaptability; unlike rigid fixtures, they can be easily repositioned and layered for enhanced comfort. The Covid-19 pandemic significantly boosted sales of throws, cushions, and rugs, as people sought to make their homes more comfortable during lockdown. Charlotte Bastholm Skjold of Kvadrat highlights that textiles counterbalance the pervasive influence of technology by engaging the sense of touch, providing a human quality to spaces dominated by screens. Historically, textiles have played a similar role, with tapestries in medieval times offering portability and insulation, much like modern textiles provide warmth and softness. Textile artist Alan Oliver notes that wall-hangings and rugs evoke feelings of comfort and safety, fulfilling a deep-seated desire to 'nest.' He also points out the perceived impermanence of textiles, which encourages bolder design choices compared to permanent artworks or furniture. Prominent designers like Sarah Campbell, known for her hand-painted fabrics, emphasize how textiles enliven spaces by reflecting light and showcasing human artistry. Her work, along with that of other textile artists, is currently being exhibited, indicating a vibrant market for craft-based textiles. A younger generation of textile designers is also contributing to this trend, with events like London Craft Week highlighting the renewed interest in this craft, particularly for wall-hangings. Artists such as Singaporean weaver Tiffany Loy explore sculptural and three-dimensional textiles that offer translucency, sound absorption, and flexible space division. Ekta Kaul creates bespoke, hand-embroidered maps, drawing inspiration from historical and personal narratives. The appreciation for large-scale textiles has been influenced by exhibitions featuring artists like Anni Albers and the quilts of Gee's Bend. Claire Coles's silk wallpapers, incorporating appliquéd floral motifs, exemplify the demand for textured, non-repeating wall coverings. The trend also includes a preference for rugged, raw-looking textures, as seen in the large-scale tapestries by Crossing Threads, which use unconventional materials like coconut husk and discarded denim. Aiveen Daly's monumental upholstered panels, with their soothing monochrome colours and layered suede, are designed to evoke peace and tranquility, underscoring the role of textiles in making homes feel like sanctuaries in an anxious world. #SoftTextures #HomeDecor #InteriorDesign #TextileArt #CosySpaces #SustainableMaterials #Craftsmanship #TactileAesthetics #ComfortZone

The article highlights the growing trend of using dramatically veined, exotic marble in home design, particularly in kitchens and bathrooms, and showcases Ann Sacks as a leading supplier in this niche. Ann Sacks, a Portland, Oregon-based company, is expanding its retail presence with new slab galleries and showrooms, including recent openings in Nashville and Dallas, and an upcoming location in Long Island City, Queens, New York, in September 2023. These showrooms are designed to allow designers and clients to hand-select large segments of natural stone, emphasizing a personalized and immersive shopping experience. DeeDee Gundberg, Ann Sacks' chief designer, explains that the company curates its marble from various global sources like Italy, Greece, Portugal, and India, focusing on premium varieties such as Carrara and Calacatta that appeal to luxury clients and align with current interior design trends. Unlike competitors who might offer manufactured quartz, Ann Sacks prioritizes natural marble, treating each slab as a piece of art due to its unique patterns and balance. This approach aims to create a 'wow factor' in residential spaces, moving beyond traditional all-white aesthetics to embrace richer colorways and striking veining. The article features two designers who have successfully incorporated Ann Sacks marble into their projects. Nikki Chu, for her Dallas home, selected Calacatta Viola—an Italian marble with deep eggplant purple, maroon brown, and warm gold veining—for her kitchen backsplash and island. Chu transformed her 1969 bungalow into an open-plan space with high ceilings, making the marble island the focal point, complemented by a 9-foot-wide Lindsey Adelman chandelier that enhances the veining's movement. Her design challenges the traditional Dallas aesthetic, creating a dynamic and sophisticated kitchen that has garnered many compliments. Jean Stoffer, another designer, used a cooler-toned Turkish marble with a subtle lilac hue for a colonial home in Cedar Rapids, Michigan. She ingeniously used unlacquered brass strips to delineate seams between slabs on the kitchen backsplash, creating an illusion of continuous veining and adding a touch of glamour. Stoffer also opted for a honed finish, preferring its ability to display the marble's nuances without glare, a choice facilitated by Ann Sacks offering both honed and polished options. She acknowledges that while marble is beautiful, it can show wear over time, but embraces this as part of a home's unique history, advocating for regular sealing to protect the stone. The new retail model adopted by Ann Sacks combines showroom and warehouse functions, offering an enhanced experience. The forthcoming Queens location, for instance, will feature a slab gallery alongside a merchandised presentation of samples, lighting, bathroom vanities and mirrors from Robern, and faucets from Kallista. This holistic approach aims to provide designers with a comprehensive resource for their projects, allowing them to collaborate, select materials, and even enjoy amenities like coffee in a scullery kitchen. The immersive environment, as described by Chu, transforms the shopping experience into a global tour of geological beauty, reinforcing the idea that each marble slab is a 'slice of heaven,' unique to its region and reflective of the earth's dynamics. #AnnSacks #MarbleDesign #InteriorDesign #LuxuryInteriors #KitchenDesign #BathroomDesign #NaturalStone #RetailExperience #DesignTrends

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

Akin Atelier, a design studio led by Kelvin Ho and based in Sydney's Surry Hills neighborhood, has completed the interior design for the Camilla and Marc womenswear store in Armadale, an affluent suburb of Melbourne, Australia. This project represents the eighth store the studio has designed for the brand, with a specific focus on creating a tactile experience, aiming to evoke a "homage to the sense of touch." The store occupies the ground floor of a 19th-century terrace building, and the design strategy addressed its challenging, long floor plan by introducing a warm and homely quality through the strategic use of materials. The design champions hand-craft and specialist trades, presenting the interiors as a series of distinct surfaces and textures that become apparent as visitors immerse themselves in the space. The store is organized into a sequence of four distinct rooms, each subtly separated by a short flight of steps and a travertine architrave. The walls throughout the initial room are finished with marmorino plaster, a traditional Italian plaster made from lime putty and crushed marble. The upper sections of these walls are tinted a pale peachy hue, contrasting with a darker terracotta shade applied to the lower portions. Travertine is also a prominent material, used for the skirting boards and to create a subtle chequerboard pattern on the floor. A bespoke counter, crafted from pearl-wave onyx, serves as a focal point in the first room. This chunky counter features an inlaid glass case designed to display the brand's jewelry pieces. This counter transitions into the second, slightly elevated room, where the flooring shifts to herringbone-patterned oak. In this area, garments are displayed on slim white rails that extend directly from the walls. The third room in the sequence houses three changing rooms, each adorned with burnt-orange curtains made from bouclé fabric, specifically from Kvadrat and Raf Simons' Helia collection. An additional changing cubicle is located in the second room, featuring a ceiling-mounted curtain track. To enhance natural light, two expansive windows were incorporated into the third section of the store, transforming a previously dimly lit area. The fourth and final room is dedicated to accessories and a relaxed seating area. It features a three-tier display shelf for accessories, a beige sheepskin armchair, and several sculptures placed on stone plinths. These sculptural elements are a deliberate nod to the art galleries that historically populated the Armadale area. Furthermore, a new skylight and a glazed opening were added to the rear wall, providing views of a landscaped, greenery-filled courtyard designed by Myles Baldwin. The Camilla and Marc store designed by Akin Atelier has been shortlisted in the small retail interior category of the Dezeen Awards, where it competes against other notable projects such as the Flamingo Estate Harvest Shop and Rookies opticians. #RetailDesign #InteriorDesign #AkinAtelier #CamillaAndMarc #MelbourneArchitecture #TactileInteriors #MarmorinoPlaster #Travertine #Onyx

In this installment of 'What I Love,' San Francisco-based textile designer and editor of The Textile Eye, Saana Baker, presents a mood board showcasing her current inspirations in fabrics and wallcoverings. Baker, renowned for her ability to identify exceptional prints and patterns, has curated a selection that emphasizes bold hues and tactile textures, driven by a commitment to diversity in design and a response to contemporary global shifts. Baker’s mood board is a vibrant and eclectic collection featuring samples and swatches from international makers, reflecting a broader discussion within the design industry about ethical sourcing and cultural mindfulness. She explains that the theme is deeply rooted in significant global changes, including the social justice movement and its subsequent influence on design aesthetics. The result is a maximalist-friendly compilation characterized by plush materials, striking graphic motifs, and deeply saturated colors. The chosen palette is described as rich and unusual, utilizing innovative color combinations to convey an optimistic outlook for the future. Baker provides a detailed breakdown of 25 items on her mood board. She begins with the Linyati Fabric in Waterfall by Jiun Ho Textile, a linen velvet praised for its elegant luster and livability, making it an ideal complement for complex patterns. Next is the Hingtham Wallcovering in Clay by Black Artists + Designers Guild for S. Harris, a printed grass cloth inspired by Bhutanese ikat, which achieves visual depth through fine detail and polychromatic layering. The Tiger Nest Fabric in Lake, also from Black Artists + Designers Guild for S. Harris, is a fine embroidery mimicking ikat with feathered edges, noted for its evocative name and fresh palette of chartreuse, cobalt, and pale yellow. Jiun Ho Textile's Seronera Fabric in Thorn was inspired by Jiun Ho's extensive travels in the Serengeti, aiming to evoke a mood rather than literal motifs. The Machakos Fabric in Earth and Sky by Nzuri Textiles is a hand-painted Belgian linen design by Eno Jonah, drawing inspiration from African mask details. Shinto Fabric in Cinnabar by Jiun Ho Textile is a rustic boucle with a wool-blend warp yarn that allows for subtle colorations, supporting diverse palettes. The Anna May Wong Fabric in Midnight/Teal by Makrosha, designed by Esha Ahmed, is a finely woven jacquard inspired by the glamour of the art deco period. Makrosha’s Marci Mohair in Sumac is a classic plush mohair available in a wide range of rich colors, known for its enduring quality and ability to develop character with wear. Anamar’s Lamu Meshi Fabric in Lapis Bluff is a hand-woven, ribbed plain-weave silk fabric created in the Philippines using warp screen-printing. The Lightray Wallcovering in Patina is a collaboration between visual artist Lisa Hunt and Lori Weitzner, showcasing geometric yet subtle designs translated from fine art. The Banda Indigo Flatweave Rug by Eskayel is part of a unique collaboration where designer Shanan Campanaro worked with master ikat artisans in Sumba, Indonesia, to reinterpret her watercolor designs into rugs, wallpapers, and textiles. Malene Barnett’s Heritage Wallpaper for Lulu and Georgia, created by the Black Artists + Designers Guild founder, is inspired by her hand-built ceramics, featuring a raised surface-print technique for tactile dimensionality. Karen J. Revis for A-Street Prints designed the Waves Blue Wall Mural, a flowing watercolor design intended as a wall-sized mural. The Maji Fabric in Peacock by Black Artists + Designers Guild for S. Harris is a jacquard velvet with bright blue and striking gold yarns, creating a complex pattern. Anamar’s Beijing Kikko Fabric in Lazurite Peak features a hand-screen-printed globe pattern on the warp, with each color applied separately before hand-weaving. The Hamaka Textile in Humacao by Breuwen, designed by Grey Lux, is a digital linen print inspired by the weaving legacy of his Taino ancestors. Malene Barnett’s Alaari Wallpaper for Lulu and Georgia offers a sophisticated update to millennial pinks with its tonal spice combination. The Akimbo 5 Indigo Flatweave Rug by Eskayel is another example of collaboration with ikat weavers, noted for its inky depth. Nzuri Textiles' Yankari Fabric in Turkana showcases subtle color gradations and hand-drawn details, preserving the hand-touched imperfection of Eno Jonah’s original artwork. Makrosha’s Marci Mohair in Teal is a second colorway of their luxurious mohair velvet, known for its stunning depth of color. Anamar’s Andorra Meshi Fabric in Milori Crown, an archival pattern depicting dragon scales, is a heavy, hand-woven silk with a hand-screened warp and alternating teal colors in the ribs. The Majani Trim in Brass by Black Artists + Designers Guild for S. Harris features gold-toned beads juxtaposed with stiff raffia, creating compelling material contrast. The Bhavana Desert Fabric by Black Artists + Designers Guild for S. Harris is a decorative panel stripe combining print and embroidery with an antiqued white ink and crewel-like embroidery. The Amboseli Pillow in Maasai Blue by Nzuri Textiles is a special hand-woven textile from West Africa, produced on a strip loom by weavers who commit complex traditional patterns to memory. Finally, the Patu Trim in Bark by Black Artists + Designers Guild for S. Harris is a chic trim reminiscent of Maori incised decorations, embellished with beads and tonal embroidery. #TextileDesign #InteriorDesign #MoodBoard #SaanaBaker #Fabric #Wallcovering #JacquardVelvet #EmbroideredTrims #GlobalInspiration #DiversityInDesign

The article highlights Heather Chontos's collaboration with Layered, focusing on a new rug collection that translates her abstract paintings into hand-tufted rugs. The collection aims to capture the depth, color, and shape of Chontos's artwork, making her vibrant and expressive pieces accessible as functional home decor. These rugs are presented as a unique way to bring art into interior spaces, offering both visual appeal and tactile quality through their hand-tufted construction. Following this, the article introduces Clé's refreshed Architect's Palette tile collection. Clé has updated this classic collection by introducing a silkier matte glaze and expanding the available color palette. This refresh aims to provide designers and homeowners with more sophisticated and versatile options for tiling projects, emphasizing an earthy touch that enhances the collection's aesthetic and functional appeal for various architectural and interior applications. The ORA Lamp Series by Dana Harel, from White Dirt Studio, is also featured, showcasing sculptural lighting crafted from gypsum cement, muslin, and brass. These lamps are noted for their unique forms and the way they play with light and shadow, adding an artistic element to any room. The design combines diverse materials to create visually compelling and structurally interesting lighting fixtures. Fireclay Tile's new customizable bath fittings collection marks the company's expansion beyond surface materials. This new venture allows for personalized bath designs, giving customers more control over the aesthetics of their bathrooms. The collection emphasizes customization, enabling a cohesive and unique look when paired with Fireclay's extensive tile offerings. Molteni&C's Milan showroom and its top products are explored, conceived as the home of an astute collector. The showroom acts as a curated space displaying a range of high-end furniture and decor that reflects a sophisticated and eclectic taste. This segment offers a glimpse into the brand's design philosophy and product highlights. Visionnaire's new Italian-luxe showroom in London's Design District is also presented, inviting readers to explore its opulent offerings. The showroom is designed to exhibit Visionnaire's luxurious furniture and home accessories, providing a destination for high-end interior design inspiration and purchases. Lawson-Fenning's NoHo shop in New York, designed by Josh Grene, is highlighted for its glowing terra-cotta hues. The shop's design creates a warm and inviting atmosphere, showcasing the brand's furniture and decor in a distinctive setting that emphasizes natural tones and materials. Ege and Snøhetta's collaboration on a carpet collection, Matter, is introduced, which reimagines flooring with generative flatweaves. This partnership combines innovative design with functional materiality, offering floor coverings that are both aesthetically engaging and practical for various commercial and residential applications. Finally, the article mentions several other product highlights, including an array of seating designs for a fall refresh, Carole Baijing’s understated furniture collection for Geiger, Slalom’s sustainable acoustic panels made with FSC-certified wood and recycled materials, Rop van Mierlo’s bold and shaggy rug series for CC-Tapis, Hem and Kusheda Mensah’s playful ottoman collaboration, Jiang Qiong Er’s poetic bamboo collection for Roche Bobois, Kevin Walz’s colorful collaboration with Ralph Pucci, Kriskadecor and Rafa Ortega’s nature-inspired Khronos collection with acoustic properties, and Jill Malek’s pastel glass mural panels inspired by natural phenomena. #InteriorDesign #ProductLaunch #HomeDecor #TileDesign #LightingDesign #FurnitureCollection #Showroom #TextileArt #AcousticPanels

KnollTextiles has collaborated with American artist and educator Nick Cave to create The Nick Cave Collection, a series of textiles inspired by Cave's iconic Soundsuits. This collection, featuring four upholsteries, three draperies, and three wallcoverings, aims to offer a fresh perspective on textile design, acting as a starting point for consumers to infuse their spaces with creativity. Nick Cave, renowned for his work across visual and performing arts, is best known for his Soundsuits, which are dimensional textiles constructed by layering, rearranging, and transforming everyday objects like beads, doilies, sequins, and synthetic hair. These Soundsuits serve as the primary inspiration for the new collection, translating the intricate, layered, and often playful aesthetics into functional textile designs. The collaboration was enthusiastically embraced by Cave, who noted KnollTextiles' pioneering role in his own artistic development. He emphasized the central role of textiles in his work and their influence on spaces and the people who interact with them, viewing this collection as another avenue for people to engage with his art and energy. Each product in the collection directly references a specific artwork or characteristic of Cave’s oeuvre. For instance, the 'Guise' upholstery employs multiple layering techniques and materials, mimicking the surface complexity of a Soundsuit with space-dyed twisted novelty and chenille yarns, and a unique finishing process that creates a puckering effect. 'Vert' upholstery draws inspiration from Cave’s installation, 'Architectural Forest.' It features a multicolor, variegated full-width repeat with 27 yarn colors per colorway, celebrating both perfection and imperfection. 'Puff' upholstery, a cozy faux shearling available in 13 colors, is inspired by Cave’s rainbow-colored synthetic hair Soundsuit, offering a tactile and trendy option. The 'Doily' upholstery translates one of Cave’s maximalist pieces into a highly visual, multidimensional, and tactile surface through two types of embroidery techniques layered over a woven ground. For draperies, 'Button' is inspired by Cave's frequent use of vintage buttons in his Soundsuits, creating a natural gradient pattern on Trevira CS Polyester. 'Until' drapery, derived from Cave’s large beaded web-like installations, is an organic, open-weave textile created by skilled embroiderers using a water-soluble ground, leaving a two-toned open drapery with structural components. The wallcovering designs include 'Heard,' which features details that mimic the hand-sewn beads, buttons, and appliques found on Soundsuits, brought to life through a meticulous process of cutting, applying, and sewing five ribbon colors. 'Big Floral,' KnollTextiles’ first floral wallcovering, is inspired by a beaded Soundsuit and showcases an exaggerated scale of flowers with significant movement, dimension, and depth, digitally printed on a bleach-cleanable, PVC-free ground. Lastly, 'Wire' wallcovering, inspired by Cave’s metal and bead tondo sculptures, renders textured fur in matte ink on a metallic mylar ground, capturing the strong contrast and luster of the original artwork. The collection as a whole demonstrates a commitment to artistic expression, innovative textile manufacturing, and the integration of fine art into interior design. #NickCave #KnollTextiles #TextileDesign #InteriorDesign #Soundsuits #ArtCollaboration #HomeFurnishings #ContemporaryArt #MaterialInnovation

Ikat patterns have gained immense popularity in both fashion and interior design, yet many consumers are largely unaware of the textile’s rich cultural origins. This article delves into the history and contemporary resurgence of ikat, particularly focusing on its Central Asian roots and its introduction to Western fashion by designers like Oscar de la Renta. The term ikat, derived from a Malay-Indonesian word meaning “to tie,” describes both the intricate resist-dyeing technique and the resulting fabrics and patterns. This labor-intensive process involves carefully resist-dyeing bundles of warp threads to create the design before weaving, a method distinct from other fabric production techniques where patterns are woven in. In the 19th century, Central Asian ikat production involved a sophisticated network of artisans, often organized along ethnic lines, with Tajiks handling red and yellow dyes, Jews managing indigo dyeing, and Uzbeks conceptualizing the patterns and undertaking the weaving. While the ikat technique developed in various parts of the world, Uzbekistan’s silk ikats became particularly renowned for their stunning quality. The origins of ikat in Central Asia, specifically in cities like Bukhara and Samarkand, in the early 19th century remain somewhat mysterious, as its sudden appearance was marked by a high level of sophistication, suggesting unknown precedents. The Smithsonian’s Arthur M. Sackler Gallery’s exhibition, “To Dye For: Ikats From Central Asia,” highlights this cultural journey by displaying a collection of Oscar de la Renta’s ikat-inspired pieces alongside historical Central Asian ikats. De la Renta, after being captivated by these textiles following the collapse of the Soviet Union in 1991, visited Uzbekistan and commissioned local weavers. He subsequently incorporated ikat motifs into numerous collections for both Balmain and his eponymous label, a move credited with popularizing the trend in Western fashion and home decor, seen in brands from Anthropologie to Target. The exhibition, which includes pieces from 1997 to 2013 on loan from de la Renta’s estate and about 30 historical Central Asian ikats donated by Guido Goldman, aims to educate visitors about the textile’s origins and cultural context. Goldman, a Swiss-born academic, amassed one of the world's most significant collections of ikats, including flat tapestries and ceremonial coats and robes. These historical garments, worn by both men and women, symbolized wealth and status in Bukhara and Samarkand. The exhibition thoughtfully juxtaposes de la Renta’s designs with 19th-century ikat coats, making the Central Asian pieces more accessible and emphasizing the shared luxurious and valuable nature of both contemporary and historical examples. The vintage Uzbek coats, cut in wide, loose styles reminiscent of Ottoman kaftans, are striking for their elaborate patterns and vibrant colors, often lined with Russian cotton or Indian chintz. A late 19th-century woman’s robe, for instance, showcases bold red, yellow, and white diamond shapes, stylized flowers, and zigzags on a black background, with a vibrant lining. De la Renta’s pieces, such as a robe from his fall/winter 2000 collection featuring pomegranate shapes, often referenced traditional Uzbek motifs like fruits, flowers, and geometric patterns. He sometimes used actual ikat fabric and at other times replicated its distinctive blurry effect through other techniques like embroidery. Beyond clothing, the exhibition also features noteworthy wall hangings. Flat Uzbek ikats served both decorative and functional purposes, such as insulating house walls or covering bedding. These were typically made from several narrow, loom-width lengths of material sewn together, creating an additional design element. An ikat from mid-19th-century Samarkand illustrates this with its cascading floral forms created by staggered fabric swaths. While Oscar de la Renta's designs played a crucial role in bringing ikat to global prominence, the exhibition subtly underscores the importance of acknowledging the cultural and historical origins behind this now-ubiquitous style. It serves as a reminder that many familiar contemporary designs have roots in diverse cultural traditions, and understanding these origins enriches our appreciation of the art form. #IkatFabric #TextileArt #CentralAsianCulture #FashionHistory #InteriorDesign #OscarDeLaRenta #SmithsonianSacklerGallery #CulturalAppreciation

Amy Kalikow, a New York designer, creates sophisticated and livable interiors by expertly blending a palette of icy whites, warm ivories, and nuanced greiges, often incorporating touches of stormy travertine, taupe faux leather, and pearlescent glass. Her designs are characterized by meticulous attention to detail, evident in elements like fluted bathroom tiles, quilted and topstitched wall panels, and alpaca velvet that mimics the feel of fur. Kalikow’s approach for her springtime mood board emphasizes soft, calming colors, building upon a foundation of white oak flooring and cushioning it with Moroccan wool and Indian dhurrie rugs. The introduction of Calacatta Viola marble, with its golden and aubergine veining, serves as a subtle yet colorful accent, complemented by hints of pink found in painterly grasscloth wallpaper. She highlights that the textures and tones chosen evoke a sense of warmth and relaxation, akin to dreaming of sunny days. Beyond the soothing neutrals, Kalikow integrates artistic elements to add intrigue to her spaces. Examples include a glazed stoneware piece by a local ceramicist that features organic forms, and sculptural lighting from a former fashion accessory designer, which uniquely combines biomorphic and brutalist aesthetics. These artistic touches contribute to an overall elegant and lighthearted result, aligning with her stated theme of “happiness” inspired by the signs of spring. The article provides a detailed breakdown of 20 specific design elements that contribute to Kalikow's aesthetic. These include the Saba fabric in Chalk by Mokum, a linen designed to mimic embroidery with subtle texture and geometric patterns, ideal for throw pillows. Olivia Cognet's ceramic chandeliers introduce organic and unique lighting, while Pollack's Gemini fabric in Cloud Nine offers a three-dimensional texture and a playful half-moon pattern. Bas Stone’s Stormy Grey Travertine and Lewis Miller Design for Weitzner’s Downpour fabric in Urban provide natural elements and a painterly wash of muted color, respectively. Local artist Joan Walton’s ceramic pieces are championed for supporting local talent. Further textural and material choices include Tile Bar’s Stonework Peak Marble Tile in Alaska White, favored for its fluted stone application in bathroom accent walls, and Sota Floors’ Luxe Collection Hardwood Flooring in Stratus, a soothing and sturdy white oak. Luxe Light & Home’s Lucia Branch Chandelier Lightbulb is noted for its customizable application in entryways. Wallcoverings such as Quadrata in Oxide by Black Edition add a touch of luxury. Misia’s Dolce fabric in Greige provides an ultra-soft alpaca wool velvet, and Stone Source’s Napoli Etna Chiara Tile in Grigio offers a neutral porcelain tile with a subtle terrazzo nod. Rugs like Beauvais’s Negev Dhurrie Rug and Bokara Rug Company’s Moroccan Rug in Ivory/Grey introduce rich textures suitable for any room, with the latter being family-friendly. Larsen’s Nao fabric in Saffron provides a small-scale geometric pattern that adds a pop of color, while Barry Dixon for Vervain’s Gawain Sheer fabric in Natural, a Belgian linen, adds depth to drapery. Performance materials are also featured, such as Designers Guild’s Matara Tessere Vegan Leather in Taupe, an embossed leather chosen for its durability and style, suitable for upholstery. Custom-finished glass tabletops from Glassworks offer unique textures for kitchen tables. Finally, Bas Stone’s Calacatta Viola Extra Marble is described as a timeless material that imparts beauty and sophistication, and Massimo Brancati for Studioart’s Bon Ton Wall Panels in City Greige are praised for their customizable leather design, featuring tonal stitching and alternating flat and padded surfaces for a special touch. #InteriorDesign #HomeDecor #AmyKalikow #MoodBoard #LuxuryInteriors #DesignTrends #MaterialSelection #TexturalDesign #ColorPalette

The article highlights a growing trend away from mass-produced items towards unique, handcrafted furniture and home decor pieces that emphasize creativity, craft, and time-honored techniques. It showcases 15 such items from various global makers, positioning them as collectible interiors pieces that are worth investing in now for their potential to become future design classics. The featured items begin with a modern take on a classic: the Canopy Armchair from Marchmont Workshop, a handcrafted stickback chair inspired by woodlands and priced at £3,600. This piece reflects a return to traditional craftsmanship with a contemporary aesthetic. Following this, the article introduces hand-painted lampshades by Spanish artist-designer Alvaro Picardo, which can be custom-matched to interior paintwork and wallpaper using Farrow & Ball paints, starting from £110. These lampshades are presented as artistic finishing touches for living spaces. Another innovative item is the Vine Vase by Wobbly Digital, a Glasgow-based artist who creates eccentric 3D-printed objects from recycled and bioplastics, priced at £350. This vase is noted for its viral potential, akin to the popular Gluggle Jug, and is recommended for dried flowers only. Scarlett Farrer, a rising star in hand weaving, is featured for her rustic textiles, specifically wall hangings made from undyed British wool. Her work, ranging from £250 to £1,800, gained recognition after she won the 2024 Young Weaver of the Year award. The article then presents a statement chair designed by Esto Estudio in Madrid, which combines a tubular steel frame with vibrant orange fabric, blurring the lines between furniture and sculpture, starting from approximately £800. Rich Miller, a ceramic artist and judge on 'The Great Pottery Throw Down,' offers unique cone-shaped pendant lights inspired by antique sugar cones, each priced at £2,425. These lights explore the history of the sugar trade and Miller's cultural ancestry. Sustainability is a key theme, exemplified by Jacob Marks' resin lamps, made from pine resin, with the Red RF Lamp I priced at £730. These lamps were a highlight at the London Design Festival for their use of unusual sustainable materials. Xanthe Somers, a Zimbabwean ceramic artist, contributes surrealist stoneware from her 'Sisters Toil' series, which explores women's work and crafts, with pieces ranging from £6,500 to £9,000. Loney Abrams and Johnny Stanish of Wretched Flowers create mesh murals and chain mail lamps, drawing inspiration from diverse sources such as museum archives and medieval armor. These shimmering wall hangings are available on application. James Shaw's sustainable seat, priced at £2,000, is crafted from recycled plastic waste like milk cartons and shampoo bottles, transforming discarded materials into unique, organic forms. The master plasterers Ffion and Steven Blench, known as Chalk Plaster, produce marbled, fluted sidetables using scagliola, a 16th-century technique imitating marble, priced at £7,800. Freya Bramble-Carter, a ceramicist, offers wheel-thrown pots in earthy shades, blending traditional techniques with an expressive approach, starting from £900. Maria Sigma, a textile designer and weaver, focuses on zero-waste wares using natural, often undyed, fibers for her throws and cushions, with her 'Apricity' throw priced at £890, though it has an eight to ten-week waiting period. Joe Sweeney's terracotta stoneware butter dish, priced at £300, is described as a charming and functional addition to the breakfast table. Emsie Sharp, a glassblower, presents candy-colored drinking glasses made in her Dorset studio, priced at £38 each, as a modern alternative for smart dinner tables. Finally, the article highlights Matthew Raw's tiled bedside table from his 'Welcome' collection, inspired by tiled facades of train stations and buildings. These pieces, featuring handcrafted and glazed tiles, are priced at £5,180 for a sidetable with a drawer, indicating a growing presence in contemporary home design. #FurnitureDesign #HomeDecor #HandcraftedItems #SustainableDesign #CollectibleArt #InteriorDesignTrends #Craftsmanship #ArtisanalProducts #LuxuryInteriors

This article, part of a weekly series spotlighting the latest product debuts in the marketplace, presents a curated selection of new launches in home furnishings and materials. The featured introductions span various categories, from furniture and wallcoverings to surfaces, lighting, and textiles, offering a comprehensive overview of recent innovations in interior design. RH's fall 2025 “RH Interiors” sourcebook is highlighted for its reinterpretation of classic designs with a modern sensibility. Key pieces include the 1970s brutalist Adilon tables, the Modena sofa featuring a sleek slipcover, the Calamette chandelier by Jonathan Browning with onyx paneling, and the Toulouse canopy bed, a Julie Lawrence creation crafted from sand-cast solid iron. These pieces collectively showcase a blend of historical inspiration and contemporary execution, emphasizing sophisticated aesthetics and materiality. Fromental's "Phantasm" wallcovering, designed by Amy Lau, is another notable debut. This wet-dyed silk mural, originally a custom piece for Lau's home, draws inspiration from iridescent Loetz glass. It features a painterly polychromatic pattern and metallic accents reminiscent of Gustav Klimt's work. A portion of the proceeds from its sale supports causes selected by Lau’s family, adding a philanthropic dimension to the product. Cambria introduces four new quartz surfaces, expanding its collection of American-made materials. These include "Traymore Bay," a misty neutral; "Claremont," characterized by chocolate and taupe veining; "Kenwood," a marbled ivory design; and "St. Isley," a bold blue-gray with dark wavy lines and white crackles. These surfaces provide diverse options for countertops and other applications, catering to various aesthetic preferences. To commemorate a decade of collaboration, Brooklyn-based Remains Lighting and Los Angeles design studio Commune launched an anniversary collection. The collection features eight new lighting designs, such as blown-glass Cylinder lanterns and brass-mesh Linear sconces. Additionally, it includes the curvaceous Halo mirrors and a range of storage accessories with faceted edges and perforated detailing, blending functionality with distinct design elements. Nurture by Nature, a collectible design gallery in Burlington, Vermont, is set to launch with its inaugural exhibition, “Unknown Friends.” This exhibit will feature 34 handcrafted works by 15 makers, available for public viewing and purchase. Featured pieces include Yuxuan Huang’s Lamp I, made from bamboo and hand-painted mashi paper; Luke Malaney’s reclaimed-wood Gambler cabinet; and Anna Gukov’s ceramic Tassel Il sculpture, showcasing a commitment to artisanal craftsmanship and unique design. Chaddock unveiled its first collaboration with Palm Beach County designer Allison Paladino. This made-to-order, 14-piece collection, produced in North Carolina, includes the French deco-inspired Kuester ottoman, the architectural Randee chair, and the Sir Martin mitered sectional. The sectional is distinguished by its clean lines, canted front, and column-like ends, reflecting a focus on tailored design and quality. OuterClé, a division of Clé Tile, introduced the "Lido Splash" collection of graphic pool tile mosaics. Designed to evoke a Mediterranean aesthetic, the collection features 18 distinct mosaics in various multitonal hues, such as "Pavone" (cool blue) and "Meraviglia" (warm neutral). These tiles can be combined to create customized focal points in outdoor spaces. Pindler’s "Mini Prints" collection showcases small-scale patterns printed on a cotton-linen ground. Available in seven colors, the collection includes designs such as the striped "Tilly," the floral "Fearne," the ikat-esque "Imogen," the dotted "Evienne," and the quatrefoil "Gemma." These textiles offer versatile options for adding subtle pattern and color to interiors. Studio Abrash, an India-based rug manufacturer, launched a new line inspired by William Morris and the Arts & Crafts movement. This collection features 10 hand-knotted rugs made from pure wool and silk, incorporating art nouveau botanical designs. Examples include the acanthus-clad "Eden," the marigold-covered "Mary," and the iris-filled "Luna," reflecting a revival of historical textile motifs. Finally, WallPops collaborated with Bangladeshi American designer Nabela Noor on a line of peel-and-stick wallpapers. The collection features four South Asian block print–style patterns: the sari-inspired "Aliviya," the banded "Zareen," the paisley-accented "Faiza," and "Safia," which features a traditional buta motif. This collaboration brings culturally inspired designs to accessible home decor solutions. #ProductPreview #HomeFurnishings #InteriorDesign #NewArrivals #LuxuryDecor #TextileDesign #SurfaceMaterials #LightingDesign #FurnitureDesign

The thrill of discovering unique furnishings and the regret of missing out on a coveted piece are common experiences for interior designers, as recounted by nine professionals in the field. These designers share their personal anecdotes of both significant acquisitions and elusive 'holy grail' items, offering insight into the passion and pursuit involved in curating exceptional interiors. Will Meyer, a devotee of Danish design, recently acquired a Hans Wegner daybed but continues his quest for the perfect Papa Bear chair, an iconic piece he believes will eternally remain stylish. Amy Lau's 'big find' was a set of sculptural Dommus chairs by Joseph Walsh, which she commissioned for her New York apartment after a studio visit in Ireland, impressed by their handcrafted and expressive design. Pierre Yovanovitch expresses a long-standing desire for a rare and expensive Uno Ahren masterpiece, specifically his 1927 inlaid Mahogany Secretaire, admired for its flawless execution and unique Garden of Eden imagery. Nate Berkus laments multiple missed opportunities to purchase a Picasso ceramic owl. He first encountered one while working at an auction house in Chicago, unable to afford it then, and later saw others in Paris and on 1stdibs, observing its increasing value with each sighting. Miles Redd's most significant discovery is a mirrored bathroom by David Adler, found in a Chicago salvage warehouse. This unique piece, which he uses as both a bathroom and a dining room, holds special value due to its singular nature and the emotional connection it provides, making him feel as though he is 'inside of a diamond' every morning. Alexandra Champalimaud recalls admiring the Mattia Bonetti Rock dining table at a design fair, describing it as extraordinary and full of personality, but ultimately passed on it due to not having a suitable space. Martyn Lawrence Bullard shares an auction disappointment involving a Jacques Adnet Hermès Saddle leather daybed. Despite thorough research and a set budget, he missed the piece by two bids, regretting his hesitation and emphasizing the importance of passionate pursuit in auctions, as he has been unable to find a similar item since. Robert Couturier maintains a detached perspective on objects, viewing himself as a temporary owner and valuing history over intrinsic monetary worth. However, he holds a particular affection for a painting by Jean Baptiste Greuze depicting an angel. This piece, inherited from his great-grandfather and a constant presence in his grandmother's home, evokes profound memories of his upbringing and the love of his grandmother, offering a sense of 'bonheur' and timelessness. Michael Smith expresses his admiration for the Lovö chair, designed by Axel Einar Hjorth in 1932. He had bid on this dynamic and remarkably modern piece at auction but was unsuccessful, wishing he could have incorporated it into one of his classic yet modern projects. #InteriorDesign #FurnitureDesign #HomeDecor #Designers #LuxuryInteriors #ArtAndCollectibles #DesignStories #Acquisitions #LostOpportunities

Mia Jung, the New York–based interiors director at Kligerman Architecture & Design, shares her current inspirations through a curated flat lay. Jung describes her aesthetic as gravitating towards textiles that are "soft, delicate and tranquil," favoring understated yet masterfully crafted pieces over more ostentatious designs. Her mood board, envisioned for a "dream bedroom," celebrates individual materials and their purposeful provenance, reflecting a "quiet beauty" derived from dedicated craftsmanship. The assemblage showcases a variety of artfully executed bespoke styles and handmade designs, encompassing items from hand-blown tinted glass light fixtures to multi-tonal embroideries. Jung emphasizes a feeling of happiness and appreciation when observing these pieces, noting the extensive skill and thought invested in their creation. The detailed breakdown of her selections highlights 14 distinct items, each chosen for its unique contribution to the overall serene and sophisticated mood. Among her selections is a bespoke rug by Sabina Fay Braxton, admired for its dreamy look and feel, and its complex yet simple composition. A hand-silvered Murano glass sample for a Cloud Console by Mia Jung at Charles Burnand Gallery is noted for its remarkable control and technique. For fabrics, she includes Key West linen in 2002 by Sette, valued for its humble, natural quality and versatility, and the soft, subtle hand-woven alpaca chenille DW-149 bespoke fabric by Mitchell Denburg, which adds richness to upholstery. Lauren Hwang New York's Khadi Jute fabric in Stone is chosen as a fundamental natural fabric, serving as a background for layering. Additional fabric choices include Byram fabric in Juniper by Colefax and Fowler at Cowtan & Tout, which provides saturation and texture without being overpowering, and a custom embroidery by Lesage Intérieurs, appreciated for its handmade quality and ability to add depth. Lighting is represented by Cherry Bomb Pendants in White and Olive Green samples by Lindsey Adelman, described as soft, pastel, and star-like. For furniture, a Yarrow Cabinet in dyed parchment by Roman Thomas is highlighted for its beautiful color and simple form, allowing the material to shine. Decorative elements include a Living World églomisé panel in Peonies sample by Confluent Studios, which Jung suggests using as an art piece within furniture, and a custom surface art sample by Studio HK, featuring an ash rose-colored ombre plaster ideal for stunning walls. Finally, for floor coverings and hardware, she selects a mohair curtain in a custom colorway by FJ Hakimian for its wonderful weave and color, a GK Series crystal door knob by E.R. Butler & Co. for its feminine and crisp jewelry-like touch, and a light blue mohair carpet by FJ Hakimian, valued for its beautiful color absorption and interesting variations. #InteriorDesign #HomeDecor #DesignInspiration #MaterialSelection #HandmadeDesigns #TextileArt #LuxuryInteriors #BespokeFurniture #Craftsmanship

This article highlights a selection of new and exciting products curated by the editors of Houses magazine, focusing on items that bring a natural aesthetic into the home. The featured products range from paint palettes and hardware to furniture and exterior panels, all designed to enhance residential spaces with a blend of nature-inspired elements and contemporary design. The article begins by introducing 'Calibrate colour palettes' by Haymes Paints, a collection that draws inspiration from textural landscape elements. This youthful color library includes three distinct palettes—'Positive Light,' 'Equilibrium,' and 'Home Grown'—each comprising four core hues. These palettes are designed to reflect the vibrant voices of modern Australia, offering options that resonate with current design trends and personal expressions. Next, the 'Theodore hardware collection' from the English Tapware Company is presented. This collection, designed by luxury architectural hardware specialist Joseph Giles, is characterized by its beautiful, tactile, and practical nature. Paying homage to a historic London public house, the collection seamlessly complements modern design schemes. It features hexagonal cabinet handles, lever handles, and door pulls, providing a sophisticated touch to interior details. The 'Coast furniture collection' by Daniel Boddam is also showcased, embodying a clean, modern, and timeless design. This collection draws inspiration from themes of travel, adventure, and freedom. Specific pieces like the Wave bed, Malibu side table, and Celeste wall sconce are highlighted for their ability to evoke the outdoors while maintaining a sumptuous feel. The overall aim of this collection is to bring a sense of calm and balance to interior spaces through its design. Following this, the article features 'Linen tableware' from Robert Plumb, which utilizes traditional hand-dyeing processes by Veronique Terreaux to achieve rich, earthy tones. This linen range by the Australian brand Long Courrier includes napkins, placemats, and coasters, available in four colors. The selection of these colors is intended to reflect the slow and deliberate nature associated with the preparation of tea, emphasizing a thoughtful and grounded approach to home accessories. 'Bobby stools' by designer Daniel Tucker, from Design By Them, are introduced as versatile 'inbetweener' pieces suitable for casual outdoor settings. These stools are designed with quality materials and feature a compact, robust frame finished in a durable textured powdercoat. Available in black, white, or custom colors, the Bobby stools offer both functionality and aesthetic appeal for outdoor living areas. The 'String Galvanized shelving system' from Great Dane is presented as an iconic shelving solution known for its flexible, elegant, and minimalist aesthetic. This system allows for easy mounting on any wall and offers the convenience of simple rearrangement. The Galvanized version is specifically engineered for outdoor use, ensuring durability and longevity even when exposed to the elements. Finally, the 'Exotec Vero concrete-look panels' from James Hardie are discussed. These fibre cement Vero panels offer a raw, pre-finished aesthetic that enables the creation of authentic, contemporary facades. Despite being lightweight, the panels are sturdy, featuring crisp square edges and expressed joints. This combination provides stylish intentionality with long-term durability, making them a practical choice for modern exterior designs that seek a concrete-like appearance without the associated weight. #HomeDesign #InteriorDesign #Furniture #HomeDecor #BuildingMaterials #ProductShowcase #AustralianDesign #ColourPalettes #Hardware

The intersection of fashion and home decor is becoming increasingly prominent, with designers extending their creative vision from clothing to interior spaces. This trend has seen luxury and established houses like Ralph Lauren, Dior, and Louis Vuitton offering home goods for some time, but in 2025, newer and particularly Black fashion brands are embracing this expansion. Victor Glemaud, known for his knit materials and exquisite patterns, recently unveiled a collaborative rug collection with Patterson Flynn. This collection is characterized by warm tones and abstract yet classic patterns, influenced by Glemaud's travels to Abidjan, Côte d’Ivoire, and Dakar, Senegal. The designs feature artistic animations of fish, turtles, and lizards, alongside floral motifs. Glemaud emphasizes that his design DNA translates naturally between fashion and home, highlighting the importance of respecting artisans and craftspeople in these new ventures. Similarly, Chuks Collins has ventured into home decor through a collaboration with Lush Decor. His collection, which was presented alongside his Fall/Winter 2025 fashion line, includes linens, duvets, and shams. Collins views home as an extension of oneself and a sanctuary, believing that personal style and home curation are intertwined. His designs incorporate intricate prints and craftsmanship, drawing inspiration from themes of renewal and healing. He foresees a continued integration of fashion and home design, aligning with Pinterest’s 2025 trend predictions for “Surreal Soirees,” which feature fanciful prints of fungi and wildlife. Sade Mims, founder of Edas, a brand known for its vibrant accessories, also delves into home decor. Her work aligns with the “Mix And Maximalist” trend, utilizing bold colors and textures. Mims designed a side table in 2019 and is planning more homewares, including an incense holder. She initially aspired to be an interior designer and always saw the potential for fashion and interior design to intersect, despite earlier industry resistance. Mims expresses her happiness at the current shift, where creatives are encouraged to explore various realms of design without being constrained by traditional industry blueprints. She believes that the fashion industry's constant search for innovation has led to the successful integration of home styling, particularly for Black designers, given the rich history and aesthetic storytelling embedded in Black homes. This natural progression reflects a broader understanding that both fashion and interior design ultimately aim for self-expression and embodiment. #FashionDesigners #HomeDecor #InteriorDesign #BlackDesigners #VictorGlemaud #ChuksCollins #SadeMims #FashionTrends #CollaborativeCollections

D’Decor introduces its 'Curated Concepts' series, a collection of meticulously designed fabrics aimed at the modern, global homeowner. This series features a blend of contemporary themes, designs, and materials, designed to add character to minimalist, urban living spaces. The article highlights four distinct collections: The Fragments Collection, The Impressions Collection, The Fusion Collection, and The Ethnic Collection I and II. The Fragments Collection is characterized by geometric patterns and a sophisticated color palette, including mustard with navy, chartreuse with silver, and gold with grey. It incorporates Jacquard curtains and velvets, alongside plain fabrics. Key features include a satin jacquard with a tessellated 3D design, printed sheers with colorful patterns, and bright printed velvets and velvet jacquards featuring maze patterns, all complemented by coordinating curtain plains. The Impressions Collection draws inspiration from brush strokes, presenting vivid colors on vibrant designs. This collection utilizes 100% cotton printed fabric with impressionist stripes and geometric motifs. A stippled ombre stripe, printed on sheer and textured satin, adds depth. The collection also includes jacquard upholstery with distressed chevron and abstract textures, along with curtain jacquard that showcases an interplay of satin weave and fancy yarn, creating rich textures. The Fusion Collection translates earthy, handcrafted designs into diverse fabric substrates, offering a global ethnic aesthetic. It features curtain jacquard with a floral shibori design, distressed block-print-looking chevron, and stripes. Jacquard sheers with an 'ikat' dot and digitally printed sheers with Shibori patterns complement the main curtains. Upholstery options include printed velvet with a contemporary batik pattern and jacquard fabric with a floral block print. Plain fabrics, such as a raw-silk-look curtain plain and a chenille upholstery solid with a chevron texture, further enhance the collection. The Ethnic Collection I and II celebrate the art and craftsmanship of the Indian sub-continent. It reinterprets classical, stylized motifs through various techniques like digital print, jacquard, embroidery, velvets, and plains. The regal and vintage patterns are invigorated by a vibrant, contemporary color palette, offered in two volumes, each with three color stories. Highlights include a delicate Jacobean floral print contrasting with a monotonal jacquard upholstery, satin jacquards with stylized stripes and damasks, embroidered trellises, and Mughal scroll patterns for decorative accents. A broad, multi-colored panel stripe on cotton satin serves as a showstopper, supported by plains with distinctive characters, a handsome velvet stripe, and a delicate wide satin pinstripe. Beyond these showcased collections, D’Decor offers the ‘Flowing Jacquards Collection Two’ with botanical and geometric jacquards, and the ‘Reflections Collection Two’ focusing on sheers and solids. The brand also promotes eco-friendliness with ‘Nova’ bedlinen, introduces ‘Evita’ premium bed covers, and an easy-care range with anti-wrinkle and stain-resistant properties. ‘Bedsuites’ offers curated top-of-bed ensembles, premium dohars, jacquard collections, and kids' bed linen. D’Decor maintains a significant retail presence across the country, with 20 stores currently open and a 21st location planned for Hyderabad. These experience centers offer over 10,000 home fabric options, mood board creation tools, and an intuitive furnishing journey facilitated by the D’Decor app. The stores provide inspiration boards, a welcoming shopping atmosphere, and dedicated services for interior decor professionals, including relationship managers, swatch services, fabric customization, and special previews. #DDecor #HomeMakeover #FabricCollections #InteriorDesign #CuratedConcepts #ContemporaryHome #EthnicDecor #LuxuryFabrics #HomeFurnishing

New York–based designer Dani Arps, co-CEO of Artisan, frequently employs a neutral palette in both residential and commercial spaces, utilizing shades of vanilla, cream, and oatmeal, occasionally accented with black and soft hues like sage blue. This color scheme, offering comfort in winter and coolness in summer, aims for a luxurious yet understated dynamism, achieving richness and interest through varied textures and materials. Arps's design philosophy emphasizes the layering of different shades of one color across diverse materials, such as laser-patterned cowhide, ultra-plush corduroy, and thick alpaca, to create a cohesive and sophisticated interior. Her mood board illustrates this approach with elements like Miksi’s Cay Alpaca Rug in Chalk, described as exceptionally luxurious and cloud-like. Calacatta Viola Marble in a honed finish from BAS Stone introduces a vibrant touch with its purple and gold veining, suitable for a striking border or a full wall application. Maharam’s Mohair Extreme Fabric in Lichen adds a rich, counterbalancing texture, ideal for throws or poufs. To ground the palette, Arps incorporates black accents, such as an atypical and abstract objet d’art from Industry West, and a matte black stoneware mug from Lolly Lolly Ceramics, which doubles as a sculptural piece. The selection also highlights artistic and cultural considerations. A print from Barkley L. Hendricks, sourced from The Studio Museum Harlem, represents a broader interest in Black art and portraiture, with Arps suggesting its display in a natural wood frame to emphasize the art itself while supporting the museum. Further textural variety comes from Camira’s Main Line Flax Fabric in Upminster, a light, warm-toned, and appealingly textured base material. Durability and investment pieces are noted with Miksi for Radnor’s Dune Rug in Rock Stone, a resilient cowhide rug with a unique lasered pattern. Lighting and hardware selections contribute to the refined aesthetic. Studio Luddite’s Pell Wall Sconce, featuring bronze framework and stacked leather disks, offers a luxurious look at an accessible price. Petra’s unlacquered brass finish for its Block knob, with its intriguing shape, provides an amorphous touch to cabinet hardware. Apparatus’s oil-rubbed bronze finish, typically for sconces, is envisioned for cabinet hardware or kitchen fixtures, imparting a welcoming, weathered feel. The palette is further enriched by Waterworks’ Architectonics2 Field Tile in Cobble Matte Solid, a calming, handmade-looking tile, and The Hudson Company’s Bare, European Oak Flooring, chosen for its elegance, timelessness, wide planks, and character-filled knots. Additional elements reinforce the material richness and subtle luxury. Artistic Tile’s Abbey Road Onyx Mosaic in Vanilla provides a tone-on-tone effect with multiple white variations, enhancing the sense of space when paired with plaster. Lutron’s Palladiom Keypad in White offers customizable, sleek control for lighting scenarios. Senso’s white plaster wall finish, though trendy, is considered timeless for its warmth and luxury, adding depth to plain white walls. Holly Hunt’s Mane Attraction Hair-on-Hide Textile in Autumn is suggested for upholstery to introduce unexpected roughness to elegant silhouettes, while Schumacher’s Wyatt Corduroy Fabric in Mushroom adds playful graphic dynamism through its texture and vertical/horizontal application possibilities. Arps states that this palette creates a calm atmosphere conducive to both work and relaxation, making it a space she could inhabit indefinitely without boredom. #DaniArps #InteriorDesign #NeutralPalette #TextureLayering #HighEndFabric #HomeDecor #DesignInspiration #MaterialSelection #LuxuryInteriors