La Cornue Collaborates With Street Artist Kongo on Six One-of-a-Kind Range Designs

Urban Outfitters has collaborated with COAT Paints to introduce an exclusive collection of nine wall paint colors. This partnership brings together Urban Outfitters' youthful aesthetic with COAT Paints' commitment to eco-friendly formulations. The collection features a diverse palette, ranging from vibrant blues, pastel pinks, and a sunshine orange to neon green and various soft neutrals, designed to complement a wide array of interior schemes. The paints are formulated with a water-based, low-toxin, and solvent-free base, emphasizing sustainability. They are also vegan and cruelty-free, aligning with ethical consumer preferences. COAT Paints has achieved Carbon Neutral certification, further highlighting their dedication to environmental responsibility. The collection offers two finishes: a matt emulsion, priced at £40, and an eggshell finish, available for £25. The eggshell finish provides a moisture-proof soft sheen, making it suitable for areas like bathrooms, while the matt finish offers enhanced durability for other spaces. To facilitate color selection, sample stickers are provided, allowing customers to easily test shades on their walls before committing to a purchase. Rob Abrahams, Co-Founder of COAT Paints, expressed enthusiasm for the collaboration, noting that the new colors reflect a daring and purposeful edit with a distinct nod to 70s vintage styles, perfectly embodying the Urban Outfitters brand and its customer base. He also underscored the shared values between the two brands regarding sustainability, conscious manufacturing, and innovative product development, such as the Peel & Stick swatches that cater to Urban Outfitters’ fashion-forward audience. The article also provides an extensive list of 31 living room wallpaper ideas, offering readers diverse inspiration for decorating their homes. These ideas span various styles, from fresh floral prints and abstract designs to subtle ombré effects, geometric patterns, and rich botanical motifs. Specific suggestions include using wallpaper to create feature walls, paneling, or even to back shelves, transforming them into decorative elements. The recommendations also touch on practical considerations, such as using striped wallpaper to create the illusion of taller ceilings or opting for smaller, calming patterns for tranquil interiors. The featured wallpaper designs highlight different brands like John Lewis, Graham & Brown, Dunelm, Farrow & Ball, Little Greene, Woodchip & Magnolia, MINDTHEGAP, Paper Library, Cole & Son, Wallsauce, Nat Maks, Forest Homes, Elizabeth Ockford, I Love Wallpaper, Abigail Edwards, Scion, The Curious Department, and Mini Moderns, showcasing a broad spectrum of textures, colors, and artistic expressions. Themes range from rustic and tranquil scenes to glamorous touches and optical illusions, providing comprehensive inspiration for interior redecoration. #UrbanOutfitters #COATPaints #HomeDecor #WallPaint #EcoFriendly #InteriorDesign #PaintCollection #SustainableProducts #ColorTrends

This article introduces Shadé Akanbi, a Brooklyn-based freelance pattern designer and the Creative Director and Designer behind Printed Pattern People. Akanbi's design philosophy is rooted in her multicultural upbringing, which has instilled in her a passion for creating global fusion lifestyle and brands. Her work involves translating traditional ethnic patterns and textiles into contemporary interpretations suitable for everyday use. Akanbi's creative process often begins with identifying a specific motif or detail from traditional textiles. This chosen element then serves as the central inspiration, around which she constructs new patterns using fresh colors and additional details. She is prolific in her output, creating between one to six prints daily, drawing inspiration from personal collections, client ideas, or a combination of both. Akanbi is known for her collaborations with various brands, in addition to maintaining her extensive collection of global textiles. Her first major collaboration was with Anthropologie in early 2020, where her artwork was featured in an accessories and sleepwear collection. Since then, she has partnered with notable brands such as Intermix, Zuri, S'well, Chasing Paper, Netflix, and Target. Her most recent collaboration at the time of the article's publication was with Bounty Paper Towels, as part of their Inclusive Artists Project initiative. This partnership involved her artwork being featured on the Bounty Prints collection paper towels and her image appearing on the packaging, an experience she described as surreal due to the widespread nature of the household item. The article highlights Akanbi's ambition and future aspirations. As an avid traveler, she expresses a desire to collaborate with airlines and boutique hotel brands, specifically mentioning Delta, Jetblue, Kimpton, and Hyatt, envisioning these as platforms to showcase diverse art mediums. Her interest extends to athletic footwear brands like Nike, Adidas, Puma, and Vans, reflecting her passion as a sneaker collector. Furthermore, her background as a collegiate basketball player and a fan of the NBA/WNBA drives her dream to work with her favorite sports teams. Ultimately, Akanbi seeks to partner with brands with which she shares strong personal connections, aiming to utilize these collaborations as unique avenues for artistic expression. Her personal history significantly influences her artistic vision. Akanbi recounts how her upbringing, from her mother's styling choices to her father's Nigerian cooking, and her early travels, particularly her first trip to Nigeria, profoundly shaped her as an artist. These diverse experiences, encompassing sights, sounds, textures, tastes, and emotions, have cumulatively impacted her design sensibility. Her ability to blend cultural influences and her innovative approach to pattern design underscore her unique position in the design world. The article concludes by encouraging readers to explore more of Shadé Akanbi's work via her Instagram and mentions a past collaboration where she provided a Designer Desktop wallpaper for Design Milk. #PatternDesign #ShadeAkanbi #TextileArt #CulturalFusion #BrandCollaborations #ArtisticProcess #DesignInspiration #GlobalTextiles #CreativeDirector

The article discusses the architectural installation "Spirit of the City" by London-based United Visual Artists (UVA) at A/D/O in New York, presented during New York Design Week. This installation is a collaboration with Mini, hosted in their innovative creative space, A/D/O. The primary goal of the installation is to offer a reflective experience within the dynamic urban environment, metaphorically and physically mirroring its surroundings and New York City at large. The installation consists of 9-foot-high modular columns that revolve, creating an immersive experience for visitors. The rotation patterns are not arbitrary; they are based on extensive research into human activity within the city. This research allowed UVA to develop a 24-hour algorithm that dictates the movement of the columns, transitioning from tranquil rhythms to more urgent, dynamic movements. As visitors navigate the space around these colossal totems, they can observe subtle shadows cast onto the ground, forming intricate, poetic patterns that respond to the kinetic energy of the columns. The surface of the columns themselves presents varying perspectives, shifting from serene sky blues to the grittier, industrial aesthetics of A/D/O's creative hub. This visual transformation further emphasizes the interplay between the installation and its urban backdrop. UVA, founded in 2003, is known for its art practice that integrates technology to create experiences that often extend beyond conventional physical boundaries. Their previous works have been showcased globally in prestigious institutions such as the Victoria and Albert Museum and YCAM in Japan. Matt Clark, founder of UVA, poses a fundamental question through "Spirit of the City": do human activities shape urban landscapes, or do urban landscapes, in turn, define human activities? This philosophical inquiry underpins the interactive and reflective nature of the installation. A/D/O itself, located in a converted warehouse in Brooklyn, opened the previous year, featuring a diverse array of design-focused retail, bars, and restaurants, aligning with Mini's broader design agenda. Mini's head of brand strategy and business innovation, Esther Bahne, states that Mini believes in design's capacity to foster a more humane world. A/D/O initially launched with Design Academy, a three-day festival for professional designers to explore cultural themes. "Spirit of the City" marks the space's first major showcase for NYCxDesign since its opening and was on display until 2 September. The installation, through its thoughtful design and interactive elements, invites contemplation on the symbiotic relationship between people and their urban surroundings. #NewYorkDesignWeek #ArchitecturalInstallation #UnitedVisualArtists #UrbanEnvironment #AdoSpace #MiniCollaboration #KineticArt #PublicArt

The article explores the collaboration between designers Stephen Burks and Malika Leiper of Stephen Burks Man Made, and the Italian wood veneer company Alpi, to translate the intricate patterns of Kuba cloth into a contemporary design product. Kuba cloth, a raffia textile handcrafted by the Kuba people of the Democratic Republic of Congo, originated in the 17th century and served as a significant status symbol among the ruling class. While it was once thought that the tradition of Kuba cloth declined after the kingdom's fall due to internal rebellions and colonization, Burks and Leiper discovered during a visit to Kinshasa that this ancient art form is, in fact, thriving among a new generation of artists and makers in villages. Burks clarifies that the perception of Kuba cloth as a 'dying artform' is a Western misconception, often influenced by the commodification of 'prestige cloths.' His and Leiper's practice, Stephen Burks Man Made, is dedicated to demonstrating the current vitality of Kuba art, emphasizing that for Kuba to have a future, it must have a present. Their efforts include producing a documentary, curating an exhibition in Japan, and designing the scenography for an upcoming show at the Mint Museum in Charlotte, North Carolina, all centered on their research into Kuba cloth. A pivotal project in their endeavor is the collaboration with Alpi, a company established in 1919 and renowned for its designer collaborations with figures such as Ettore Sottsass, Alessandro Mendini, Konstantin Grcic, Patricia Urquiola, and Ron Arad. Alpi's president, Vittorio Alpi, expresses a passion for experimentation and invites designers to create unique pieces that push the boundaries of industrial production, granting three-dimensionality to Alpi surfaces. At Design Miami 2025, Burks and Leiper unveiled their collection of sculptural furnishings, titled 'Lost Cloth Object,' which translates the geometric patterns of traditional Kuba textiles. This collection, presented as part of the fair’s 2.0 section curated by Glenn Adamson, serves as a conceptual starting point for a commercial veneer that will be developed with Alpi. Burks highlights that their practice consistently investigates the intersection of craft, community, and industry. The design process involved creating a Kuba-inspired motif using thousands of laser-thin sheets of FSC-certified poplar veneer, a technique that embodies both repetition and variation, mirroring the inherent qualities of Kuba cloth. Leiper explains that each motif in Kuba cloth carries social meaning, indicating the maker or wearer, and often mimics natural shapes, acting as a language in itself. The use of variegated veneers from Alpi’s Legacy Collection adds another layer of significance, as these veneers replicate the appearance of endangered wood species like ebony, teak, rosewood, and zebrawood, without contributing to deforestation. Vittorio Alpi notes that this collection allows for the reproduction of rare woods sustainably. The 'Lost Cloth Object' collection features a curved platform, round stools, and a circular partition with integrated shelving, designed to evoke both Alpi’s postmodern collaborative tradition and the sacred, ceremonial contexts in which Kuba cloth is traditionally used. While the specific sculptural objects will not be mass-produced, the 'Lost Cloth Object' pattern is intended for further development as a commercial veneer. Burks concludes that the project honors the traditions of the Kuba Kingdom by combining African patterns with natural wood in a sculptural, modern application, connecting to Alpi's legacy of surface design. #AfricanTextile #KubaCloth #StephenBurksManMade #Alpi #DesignCollaboration #VeneerDesign #Craftsmanship #DesignMiami #CulturalPreservation

This article, originally published in 2016 and updated to reflect Christo's passing in 2020 and Jeanne-Claude's in 2009, revisits the monumental art installation "Running Fence" by Christo and Jeanne-Claude. In 1976, this 24.5-mile long, nearly 20-foot high fabric fence was erected across Sonoma and Marin farmlands, extending into the Pacific Ocean. The article explores the significant impact of this temporary artwork, not only on the landscape but also on the local community and the land-use policies of Sonoma County. The genesis of "Running Fence" began in 1972 when Christo, accompanied by Jeanne-Claude, approached local ranchers like Joe Pozzi with his ambitious proposal. Initially mistaken for an itinerant laborer, Christo's charisma and genuine nature quickly won over the skeptical farming community. He and Jeanne-Claude immersed themselves in the agrarian culture of west county, building trust and personal connections with 59 families whose land lay along the proposed route. This personal engagement was crucial, as many local farmers and ranchers became staunch supporters of the project, driven by their admiration for Christo's character and his commitment to realizing his artistic vision. However, the project faced considerable opposition, primarily from environmentalists concerned about its impact on the land and some locals who questioned its artistic merit. This opposition led to the formation of the "Committee to Stop the Running Fence" and triggered a lengthy and contentious approval process involving the California Coastal Commission, the Marin County Planning Commission, and the Sonoma County Planning Commission. The bureaucratic hurdles and public debates lasted over three years, with meetings often marked by intense emotions and differing views on art, land use, and development. Despite the fierce resistance, Christo maintained a serene and optimistic demeanor. He famously considered the entire process—including the meetings, environmental impact studies, and public discourse—as an integral part of the art itself. Barbara Gonnella, owner of the Union Hotel in Occidental and Joe Pozzi’s sister, highlighted this aspect, noting that even if the fence hadn't been physically constructed, Christo would have considered the project a success due to the engagement it generated. The collaboration between Christo and Jeanne-Claude emphasized their deep connection to each other and their belief in art as a means of connecting with humanity and integrating with the landscape and its people. The article recounts the eventual triumph of the project, with hundreds of volunteers, including a young Joe Pozzi, participating in the construction of the fence. Christo himself was actively involved in the labor, wearing an OSHA-required hard hat and working alongside the volunteers. Although the "Running Fence" stood for only two weeks before being dismantled, its memory profoundly impacted those who witnessed it. Dave Steiner, a former Sonoma County Planning Commissioner, noted Christo's subversive streak, particularly his decision to extend the fence into the sea despite the Coastal Commission's initial refusal, a move seen by supporters as essential to the project's integrity. Ultimately, "Running Fence" played a significant role in shaping public consciousness regarding land use in Sonoma County. Brian Kahn, a former Sonoma County supervisor, suggests that the art installation galvanized public discussion around the county's general plan, which aimed to manage growth and preserve landscapes. The project helped shift popular support towards a more contained and orderly development approach, contributing to the preservation of Sonoma Valley and the west county's natural beauty. The experience of the "Running Fence" fostered a sense of collective accomplishment and brought the diverse community of Sonoma County together, creating a lasting legacy that transcended its temporary physical presence. #ChristoAndJeanneClaude #RunningFence #ArtInstallation #SonomaCounty #MarinCounty #PublicArt #LandUsePolicy #EnvironmentalArt #CommunityEngagement

Kengo Kuma, born in 1954 in Yokohama, Japan, initially favored modern concrete homes over his traditional wooden childhood dwelling, which featured rice paper screens and tatami mats. His perspective on traditional architecture shifted after being deeply impressed by Kenzo Tange's Yoyogi National Gymnasium, designed for the 1964 Tokyo Olympics, which ignited his passion for architecture. Over time, Kuma developed a profound appreciation for his childhood home's craftsmanship, natural materials, and the unique sensory experience it offered, influencing his architectural philosophy. Kuma's current architectural approach emphasizes harmony with the environment, history, and local traditions, focusing on the use of natural and handmade materials. This philosophy is evident in his diverse projects globally, including the wooden Japan National Stadium in Tokyo and the stone-clad V&A Dundee in Scotland. He begins each project with an immersive site visit to understand its 'spirit,' feeling the breeze and smelling the soil, often spending an entire day there to grasp its essence before selecting the most suitable materials. He believes that finding the 'protagonist material' for a place is crucial for architecture. His recent works demonstrate this material-focused approach. The UCCA Clay Museum in Yixing, China, incorporates handmade ceramic tiles to celebrate the region's pottery heritage, while the CMP Inspiration museum in Taichung, Taiwan, features a green-planted roof seamlessly integrated with partially buried exhibition galleries. For the Banyan Tree Higashiyama Kyoto, Kuma drew inspiration from traditional Japanese Noh theatre, creating an outdoor stage using yellow cedar and Kyoto cypress, highlighting the ethereal beauty of local traditions. In the South of France, Kengo Kuma & Associates designed the World Heritage and Pyrénées National Park House in Gavarnie, emphasizing harmony with the stunning natural landscape through traditional materials. The building's fluid form and glazed walls offer mountain views, while its thatched roof celebrates local haymaking traditions. Kuma actively advocates for the sustainable properties of thatch, using it in innovative ways such as exterior walls in the Yusuhara Marche and an upside-down thatched roof at Greenable Hiruzen, despite the challenges of reintroducing traditional materials into contemporary construction. Kuma has designed over 70 museums worldwide, including the V&A Dundee and the Hans Christian Andersen Museum. He redefines museums not just as spaces for art, but as places for conversation with art, space, and gardens, prioritizing intimacy and a sense of belonging within urban environments. His favorite museum project is the Nezu Museum in Tokyo, which he redesigned to integrate with its gardens, preserving the spirit and lifestyle of its founder, Nezu Kaichiro. He sees the museum as a tender, intimate space with a soft atmosphere, particularly appreciating the small café where Nezu's living room once stood. Addressing challenges in contemporary architecture, Kuma notes the rising costs of projects due to global events. He believes the solution lies in a long-term vision, emphasizing that architecture should create 'treasures' for future generations. He advocates for a return to nature, natural materials, and craftsmanship, which he sees as the foundation of community and economy. Kuma aspires to be remembered as the architect who transformed concrete-centric architecture back to using natural materials, drawing inspiration from the simplicity and sensory richness of his childhood home. He also admires Geoffrey Bawa's work, finds inspiration in Japan's onsens and ryokans for design ideas, and considers the Bamboo House in China one of his favorite projects due to its contrast with the Great Wall. #KengoKuma #Architecture #NaturalMaterials #SustainableDesign #JapaneseModernism #MuseumDesign #CulturalHeritage #ThatchArchitecture #EnvironmentalHarmony

Serena Confalonieri has designed 'Tarsine,' a new range of modular inlaid wooden wall coverings for Portego, which debuted at Maison&Objet. This collection offers a contemporary reinterpretation of the ancient technique of inlay work, a craft that gained prominence during the Baroque period and was notably used in the flooring of Venetian Republic monuments and buildings. Historically, this technique involved intricate decorations using multi-colored marble, stone, and ivory. Confalonieri's 'Tarsine' pays homage to this rich artisan tradition while modernizing its style and application for contemporary interior spaces. The 'Tarsine' wall coverings are constructed from modular maple panels, each featuring an inlaid decoration crafted from burnished oak. These decorations extend across the entire surface of the panels. The design incorporates distinctively geometrical motifs, characteristic of traditional marquetry, yet these are refined and enlivened by the inclusion of fluid, stylized crenellations. These subtle lines are carefully combined to form a soft, sinuous pattern that flows across the wall, introducing a new and delicate visual dynamism to the interior environment. Each 'Tarsine' panel measures 25 cm in length and 25 cm in height, offering significant versatility for integration into various rooms and interior design schemes. The manufacturing process utilizes 2D laser cutting, ensuring precision and consistency in the intricate designs. Furthermore, the panels are treated with a special waterproof finish, making them suitable for use in diverse environments, including bathrooms, where moisture resistance is crucial. This thoughtful consideration of material and treatment enhances the functional applicability of the wall coverings, extending their use beyond typical dry spaces. Confalonieri's approach bridges historical craftsmanship with modern manufacturing techniques and aesthetic sensibilities. The project highlights a commitment to preserving and evolving traditional artistry through innovative design. By transforming a classic technique into a modular, adaptable product, 'Tarsine' offers designers and homeowners a unique option for creating sophisticated and visually engaging interior surfaces. The collection reflects a balance between historical reverence and contemporary innovation, making a statement about the enduring appeal of craftsmanship in modern design contexts. #SerenaConfalonieri #Portego #MaisonEtObjet #ModularWallCoverings #InlaidWood #InteriorDesign #HomeDecoration #DesignExhibition #VenetianBaroque

In an era marked by rapid urbanization and increased reliance on digital devices, a burgeoning movement among contemporary artists is rekindling a connection with the natural world through their art. This movement focuses on creating murals and wall-based art inspired by nature or botany, aiming to uplift urban environments and domestic interiors. The article highlights five such artists: Anne von Freyburg, Epoh Beech, Gary Myatt, Graphic Rewilding, and Sophie Mess, whose works infuse public and private spaces with natural beauty, offering a visual respite from contemporary pressures. Sophie Mess, known for her delicate and subtle representations of nature, creates large-scale botanical murals that blend graffiti, pop art, and traditional muralism. Her work, characterized by vivid colors and abstract forms, can be found across Europe and is currently featured at the Saatchi Gallery with her eight-meter-high mural, 'Journey of Progress.' Mess believes art can positively impact the environment and mental well-being, using walls as canvases to tell stories that bridge urban settings with artistic expression. Her inspirations include Dutch Master floral still lifes and Georgia O’Keeffe’s detailed flower paintings, often incorporating flowers grown in her own garden. Anne von Freyburg, a Dutch artist based in London, incorporates textiles and decorative art into her wall-based floral pieces. Her work, inspired by Rococo paintings and 17th-century Dutch Still Life artists, brings a bold, sculptural natural element into interiors. Von Freyburg's solo exhibition, 'Filthy Cute,' at Saatchi Gallery, showcases her textile paintings from 2022 to 2025. Her installations, often of irregular shapes with dripping fringes, reimagine scenes from Rococo paintings, advocating for themes of freedom and self-reliance beyond traditional romantic narratives. Graphic Rewilding, a collaboration between Brighton-based artists Lee Baker and Catherine Borowski, aims to uplift lives with large-scale botanical and nature-inspired artworks in urban settings. Their installations, seen across the UK, China, Italy, Saudi Arabia, and Texas, provide 'visual endorphins' as an antidote to the scarcity of green spaces in cities. Drawing inspiration from Japanese art, particularly Edo-era painter Ito Jakuchu, Baker and Borowski integrate elements like leaves into their paint, creating immersive experiences that, despite being imagined nature, offer psychological benefits akin to real natural interaction. London-based artist Epoh Beech, with a background in fine art and art therapy, is renowned for her hand-drawn animations and intricate wallpaper designs. Her upcoming solo exhibition, 'The Pegasus Papers,' features hand-drawn wallpapers and pen and ink drawings inspired by French narrative wallpapers, the Bayeux Tapestry, ancient Chinese handscrolls, and mythology. Her bespoke wallpaper designs, developed over four years, involve meticulous hand-drawing, scanning, and digital printing, transforming static images into dynamic visual narratives that engage the viewer’s imagination. Gary Myatt, a mural artist and trompe l’oeil specialist, draws inspiration from Old Masters and the Arts & Crafts movement to create bespoke murals for high-profile locations. His work, which can be found in London, Europe, India, and the Middle East, focuses on evoking a distinct atmosphere through landscape imagery rather than mere illusion. Myatt's artistic process involves painting murals on canvas in his studio before installation, allowing for greater control and practical efficiency, while capturing the subtle transitions of color, texture, and light found in nature. These artists collectively demonstrate the profound impact of nature-inspired art on both urban aesthetics and human well-being. #NatureInspiredArt #Murals #WallArt #ContemporaryArt #UrbanEnvironment #InteriorDesign #BotanicalArt #MentalWellbeing #SaatchiGallery #StreetArt

Stillmade, a Brooklyn-based furniture manufacturer and designer known for its support of emerging designers, has launched its inaugural Collaborative Series. This new initiative combines Stillmade's manufacturing capabilities with the creative visions of four distinct artists and designers: Danny Kaplan, Pat Kim, Michele Quan, and Stillmade's founder and creative director, Paul Mignogna, through his Mignogna Studio. The series features a collection of furniture pieces, including a sofa, credenza, hutch, side table, and two coffee tables, each reflecting a blend of artisan craftsmanship and a modern aesthetic. The collaboration with Pat Kim, a celebrated industrial designer and artist, introduces a playful and sculptural element to the series. His contributions include the Kim Coffee Table and Kim Side Table. These pieces are distinguished by their organically shaped bases, finished in hand-troweled, lime-based plaster. Sculpted wooden arms support circular tabletops, adding warmth and a natural touch to the contemporary designs. The interplay of materials and forms highlights Kim's unique aesthetic. Ceramicist Michele Quan's involvement marks her first foray into furniture design. For the Collaborative Series, her iconic celestial ceramic half-moon sculptures have been reimagined as functional cabinet pulls for two large-scale cabinet pieces: the Painted Credenza and the Painted Hutch. These pieces showcase a seamless integration of fine art into functional furniture, offering a distinctive and artistic approach to home storage. Danny Kaplan's Jane Coffee Table draws inspiration from Roger Capron's ceramic inlay tables. Kaplan designed a set of unique tiles that are set into the top of Stillmade’s minimalist solid wood table base. This design creates a compelling visual contrast between the base's clean lines and the organic geometry and textured surfaces of the rounded and oval-shaped tiles. The table exemplifies a harmonious blend of classic inspiration and modern execution. Paul Mignogna's own design practice, Mignogna Studio, contributes the Clifton Sofa to the series. This sofa prioritizes comfort and lounging while maintaining a sleek and minimal aesthetic. The design purposefully highlights Stillmade's manufacturing expertise through an exposed wooden frame and intricate joinery, demonstrating the brand's commitment to quality craftsmanship and thoughtful design. The Clifton Sofa embodies a contemporary approach to comfort and structural integrity. The Collaborative Series underscores Stillmade's decade-long commitment to making high-quality production accessible to smaller, innovative designers. By partnering with these artists, Stillmade not only showcases diverse creative talents but also reaffirms its dedication to producing furniture that embodies both artistic expression and functional elegance. The collection is a testament to the power of collaboration in the design world, resulting in unique and well-crafted pieces that bridge art and utility. #Stillmade #CollaborativeSeries #FurnitureDesign #ArtisanCraftsmanship #ModernAesthetic #HomeFurnishings #PatKim #MicheleQuan #DannyKaplan #MignognaStudio

Yinka Ilori, a 34-year-old Nigerian-British artist and designer, integrates vibrant colors and energetic shapes into his diverse projects, ranging from architectural installations to furniture and housewares. His early exposure to "color blocking" within London's multicultural immigrant communities profoundly influenced his artistic vision. Ilori's work aims to evoke euphoria and foster connection by merging the rich sensory experiences of his Nigerian heritage with a distinctive, thought-provoking aesthetic. He transforms public spaces, such as creating a carnivalesque installation at London's Somerset House or re-imagining a drab underpass with rainbow tones, to bring joy and vibrancy to urban environments. One of Ilori's notable projects is the "Colour Palace," part of the 2019 London Festival of Architecture. This contemporary wooden structure, inspired by Lagos's Balogun fabric market, featured brilliantly colored geometric forms that interlocked and shifted, reflecting both his heritage and London's multiculturalism. In 2015, his "If Chairs Could Talk" series involved painting discarded street chairs in bold colors, transforming them into symbolic thrones. This project drew on the inherent power of chairs to convey status and the resourceful, sustainable practices observed in his parents' village in Nigeria, where everyday objects are ingeniously repurposed. More recently, Ilori designed "Creative Courts," a Technicolor basketball court situated amidst the skyscrapers of Canary Wharf, a major financial district in London. This location holds personal significance for Ilori, who visited it as a child when his parents worked there as cleaners. He recalled the area feeling "alien and uninviting" due to its imposing architecture and perceived wealth, a stark contrast to his childhood home. His aim with the court, adorned in orange, yellow, lime green, purple, and bright pink, was to challenge the area's glass-and-steel uniformity and empower the community to "reclaim a sense of space." He expressed immense joy in witnessing children play on the court and feel a sense of belonging. Ilori's artistic journey began with a strong visual awareness instilled by his mother, which led him to study furniture and product design at London Metropolitan University. He found inspiration in artists like Yinka Shonibare, Salvador Dalí, and Francis Bacon. After working in retail for several years, he made the pivotal decision to pursue design full-time after his furniture was selected for a showcase at Design Miami. His dedication has garnered significant recognition, including an MBE award from the Queen for his contributions to the field. Ilori currently leads a team of designers in northwest London, working on various projects, including a new furniture collection, a playground for an east London housing estate, and public art commissions for London’s "Asphalt Art" program. These large-scale murals aim to revitalize areas impacted by the pandemic and celebrate a return to public life. Ilori views his work as a "spiritual revival," generating warmth, delight, and optimism to positively influence societal moods. #YinkaIlori #ArtAndDesign #PublicSpaces #UrbanInterventions #NigerianHeritage #LondonArchitecture #ColorBlocking #FurnitureDesign #CommunityEngagement

The article highlights the recent collaboration between Mark & Graham, a personalized lifestyle brand, and Sanderson, a British design group, which introduces a new collection of gifts and decor featuring Sanderson's iconic floral prints. This partnership is particularly exciting for those looking to infuse their homes with vibrant colors and soft floral patterns, especially during the colder months. The collaboration draws upon Sanderson's rich heritage, a brand that was granted a Royal Warrant in 1924 for supplying fabrics and wallcoverings to the British royal family, signifying over a century of trusted elegance. Mark & Graham's in-house design team meticulously selected six signature floral prints from Sanderson's extensive archives, some dating back over a hundred years, such as the Rose & Peony print from 1914 and the recolored Hollyhocks print. These historic designs are now featured across a diverse range of products, including everything from practical items like beach totes and pet bowls to decorative pieces like ceramic tissue box covers, luxury chess sets, and elegant packing cubes. The collection incorporates various textures and patterns, including woven raffia, subtle stripes, blooming flowers, and distinct inky botanical motifs. The article showcases several key items from the collection that stand out for their design and functionality. Among the recommended pieces are a Sanderson Ceramic Ring Holder, a versatile 3-in-1 Chess, Checkers, and Dominoes Game Set, and a 5-Piece Packing Cube Set, all adorned with the unique floral patterns. Other notable items include the Sanderson Ceramic Frame, featuring a scalloped trim and patterned border, and the Sanderson Ceramic Vase, available in different sizes and patterns to suit various floral arrangements. Additionally, the collection offers a Sanderson Dresser Top Jewelry Box, a Sanderson Dual Travel Organizer to keep accessories neat on the go, a Sanderson Scalloped Ceramic Catchall for everyday essentials, a Sanderson Scalloped Raffia Box for stylish storage, and a Sanderson Ceramic Tissue Box, designed to elevate mundane household items. The collaboration provides an opportunity for individuals to incorporate a touch of 'grandmillennial flair' into their living spaces, blending classic elegance with modern functionality. These pieces are presented as ideal options for housewarming gifts or as personal additions to one's home decor, offering a blend of historical charm and contemporary appeal. The collection celebrates timeless floral designs, making them accessible for everyday use and home enhancement. #MarkAndGraham #Sanderson #FloralDecor #HomeAccessories #BritishDesign #RoyalWarrant #SpringDecor #GrandmillennialStyle #InteriorDesign

Vincent Celano, the founder of New York-based Celano Design Studio Co., has established a reputation over three decades for creating transformative experiences in hospitality and architectural design. His work is characterized by lifestyle-driven concepts and a strong emphasis on authenticity and sustainability. Celano achieves this by integrating personalized approaches, thoughtful conceptualization, and collaboration with local artists and makers in his projects. His portfolio includes collaborations with major hospitality entities such as José Andrés Group, Hakkasan Group, and Marriott Hotels, as well as Resorts World Las Vegas. Recent notable projects highlight his diverse design capabilities. These include Catezza in Red Bank, NJ; La Concha Autograph Collection in San Juan, Puerto Rico; and Meximodo in Metuchen, NJ. One featured project, The Hiatus Clearwater Beach, Florida, is an 88-room boutique hotel developed in partnership with 3H Group. This Hilton property, located along Clearwater Beach, boasts ocean and bayside water views, a lobby bar and lounge, a restaurant, and a rooftop pool bar. The hotel's design incorporates teak wood planking and warm, clay-colored wallcoverings, while the reception area features jewel-box-like sculptural white-washed wood desks with brass accents. A layered textured glass chandelier, inspired by local shells, hangs in the lobby, complemented by coral-colored gradient glass screens that evoke the property's sunset views. A significant artistic element is a large hand-painted mural by local artist Derek Donnelly, depicting a woman and floral motif, which has become a community landmark and an iconic beacon for the hotel. Celano describes The Hiatus as embodying a relaxing, modern coastal experience, allowing guests to pause and rejuvenate. The color palette, dominated by greens, symbolizes harmony with nature and draws inspiration from coastal foliage, promoting feelings of growth, renewal, and vitality. Another project, ¡VIVA! in Las Vegas, Nevada, is a Mexican restaurant by celebrity chef Ray Garcia. Celano Design Studio Co. infused the vibrant culture of Oaxaca, Mexico's mezcal bars with a Las Vegas twist, resulting in an approachable, lively, and sophisticated 8,000-square-foot space. It features an indoor promenade patio, a main dining area, a feature bar, a 1,000-square-foot outdoor patio, and a private dining room. An infinity mirror at the entrance creates an interactive art installation, while a mural from the patio extends into the bar, serving as a backdrop for a tequila bottle display. The bar's central design element is a large wood and rattan ceiling feature, with 'petals' inspired by the blue agave plant, casting dramatic shadows. The dining room includes a large driftwood sculpture surrounded by four round banquettes with channel tufting. The outdoor patio maintains an eclectic and residential feel with a wood trellis, overgrown greenery, colorful upholstery, graphic patterns, and area rugs, making it suitable for elegant dinners or casual drinks. The Barbershop Cuts & Cocktails in Las Vegas, Nevada, offers an authentic old-school barbershop experience. The design, inspired by gilded barbers, emphasizes polished chrome, white porcelain, and crafted wood details. Dark hardwood floors, vintage tin ceilings, decorative chandeliers, and tufted furniture create a classic ambiance. An extensive wall of shelves and an 1885 vintage Brunswick bar are stocked with a vast collection of brown spirits. The lounge area features a custom-designed motorcycle lamp wall and a disappearing stage for live performances and karaoke, offering an unexpected twist to the traditional barbershop setting. Meximodo Cocina & Cocteles in Metuchen, NJ, is a modern Mexican restaurant that blends vibrant colors, rich textures, and crafted details with classic Mexican cooking. Large windows allow a full view of the lively interior, while colorful metal flowers and lush greenery define the patio dining area with residential-style seating and graphic patterns. The design incorporates colorful porcelain tiles, sculptural stepped wood banquettes, bright hues, and a rose tunnel featuring thousands of floating roses above the main dining room, along with a custom floral wallcovering and a hanging garden swing, to create a festive and unforgettable celebratory destination. #InteriorDesign #HospitalityDesign #RestaurantDesign #HotelDesign #LuxuryInteriors #EclecticStyle #TransformativeExperiences #AuthenticityInDesign #Sustainability

African design is increasingly gaining global recognition for its unique magnetism and rich heritage, shifting from a previously overlooked status on the international stage. This burgeoning movement is championed by a new generation of designers who are skillfully blending traditional African craftsmanship with contemporary aesthetics, bringing a fresh perspective to furniture, textiles, and art. Among these prominent figures is Chrissa Amuah, founder of Amwa Designs, a London-based studio that creates textiles, furniture, and art inspired by Ghanaian sensibilities. Her 'Asanka' table, for instance, incorporates a jesmonite interpretation of a traditional West African grinding bowl under a glass top, with its wooden base drawing from the Ghanaian Adinkra symbol Adinkrahene, representing authority and leadership. Amuah's designs often feature vibrant color combinations and off-center silhouettes, embodying a balance of strength and vulnerability. Another notable presence is Altin Studio, founded by Mehdi Kebaier and Yasmine Sfar in Tunisia. This studio celebrates local design by utilizing native materials like sea rush, clay, and palm wood. They reinterpret age-old techniques through a contemporary lens, evident in pieces like the 'Ganymede' cabinet, which contrasts woven sea-rush panels with earth-red metal, referencing satellite patterns. Their 'Petite Ourse' seat, hand-carved from palm wood, also draws inspiration from celestial themes, alluding to the 'Little Bear' constellation. From Lagos, Nigerian designer Nifemi Marcus-Bello leads Nmbello Studio with an ethos rooted in empathy and respect for people and places. His work, developed over the past decade, has garnered several awards, including the Hublot Design Prize and the Curator’s Choice: Design for Good Award. His 'Oríkì' series, particularly 'Act 1: Friction Ridge', explores materiality and form through bronze sculptural benches, named after the Yoruba practice of praise poetry, and launched with an immersive installation featuring a soundscape of his mother reciting his personalized oríkì. In Johannesburg, Thabisa Mjo, the creative force behind Mash.T Studio, produces furniture, lighting, and homeware that celebrate South Africa's diverse cultural tapestry. Collaborating with artisan communities, she incorporates materials such as colored beadwork and repurposed telecommunication wire, traditionally used by Zulu watchmen, into pieces like her 'Bright Light' pendant and '4Kona Light'. Her recent lighting collections honor Xhosa customs and circular architectural forms found in rural areas, employing vibrant palettes that signify abundance and festivity, thereby promoting local crafts globally. Rich Mnisi, a Johannesburg-born designer, initially made his mark in fashion before venturing into collectible furniture. His work bridges the gap between function and art, drawing inspiration from the women in his life, queerness, and heritage. Pieces like the 'Nwa-Mulamula' chaise, displayed at Southern Guild’s ‘Mother Tongues’ exhibition, reflect the reclining body of his great-grandmother, showcasing a striking fluidity and organic elegance. His new work, ‘Vutlhari (Wisdom)’, a light crafted from bronze and resin, also features sweeping silhouettes. Zimbabwean artist Xanthe Somers draws on her homeland's customs for her hand-built ceramic sculptures, often functional as lighting and vases. Her 'In Bad Taste' collection challenges the political aspects of design, critiquing Western overconsumption and the impact of eco-racist practices on the global South. Her work, displayed in prestigious venues like London’s V&A; Museum, features vivacious colors, exaggerated silhouettes, and thought-provoking narratives. Don Tanani, a contemporary Egyptian brand, aims to redefine Egyptian design and showcase local talent. Collaborating with designers like Lina Alorabi, whose work has been exhibited internationally, the brand focuses on reclaiming Egyptian identity through sophisticated pieces. Alorabi’s 'Moruna' collection features a conversation chair, a curvaceous sun lounger, and coffee tables with tile patterns, reflecting the dynamism of Cairo and collaboration with craft experts. Finally, South African ceramicist Chuma Maweni began his journey crafting vessels using a pit-firing technique intrinsic to the Nguni people, developing a distinctive aesthetic of dark, porous surfaces and hand-formed sculptural outlines. After opening his Cape Town studio in 2016, his work, including the 'Imbizo' dining table and stools, has been exhibited globally and acquired by institutions like the Metropolitan Museum of Art, continually celebrating traditional craft through a fresh, contemporary lens. #AfricanDesign #Craftsmanship #ContemporaryDesign #FurnitureDesign #TextileDesign #CeramicArt #CulturalHeritage #EmergingDesigners #GlobalDesign

In his Long Island garden, Swiss-born artist Ugo Rondinone, in collaboration with landscape designer Dennis Schrader of Landcraft Design Associates, has meticulously cultivated a verdant, meditative landscape, transforming a challenging coastal bluff with sandy soil into a thriving moss garden. This ambitious project, which began during the 2020 COVID lockdown, aimed to establish moss as the garden's central feature, offering a lush, tranquil ground cover year-round despite initial setbacks and the inherent patience required for moss cultivation. The artist's previous home on the North Fork of Long Island was featured in Architectural Digest in December 2018. The garden, a harmonious convergence of nature and culture, is loosely structured into four distinct sections. The entry to the home, situated on a bluff overlooking the Long Island Sound, is adorned with a diverse collection of maidenhair, ostrich, Christmas, and New York ferns. A capacious pond forms the focal point of another section, surrounded by twenty-one varieties of Japanese maple, a species specifically chosen for its suitability to the North Fork's climate. A third area is characterized by closely spaced river birch trees that create a natural canopy, fostering an ideal environment for shade-loving moss. The final segment of the garden features cherry trees and ginkgoes, encircling a 16-foot-tall columnar concrete fountain. This fountain, known as the Mattituck Waterfall, is covered in native plants, presenting itself as a living sculpture. Beyond its botanical artistry, the garden also integrates three large-scale art installations. Adjacent to the koi-stocked pond, Rondinone re-created an earlier sculpture, _Jahrestage_ (2004), by wrapping a sick, 100-foot-tall red oak entirely in silver rubber tape. This installation is accompanied by a massive wind chime, featuring six metal pipes that emit mellifluous tones, reminiscent of cathedral bells and Tibetan singing bowls, as described by the artist. In front of his garden studio, Rondinone erected three monumental cloud sculptures. These sculptures, fabricated from concrete, pebbles, and sand, replicate the gnarled, perforated forms of Chinese scholar's rocks from his personal collection, scaled to approximately 12 feet in height. The unifying element across these diverse garden zones is moss, an ancient plant symbolizing nature's resilience and fragility, its gradual rhythms, and the aesthetic appeal of simplicity. Rondinone implemented practical techniques, such as installing horizontally arranged fern barriers to prevent moss runoff on the slope and utilizing drip irrigation for efficient water delivery, minimizing waste. He emphasizes that while establishing a moss garden requires time and dedication, it subsequently becomes famously low-maintenance. The artist expresses his enjoyment of the garden's multi-seasonal appeal, noting that moss thrives in fall and winter, providing a vibrant contrast to the dormancy of other plants. Rondinone's future plans include acquiring an adjacent five-acre property to expand the garden, install additional sculptures, and renovate two existing farmhouses to establish a summer residency for artists and poets, under a foundation he is currently developing. #GardenDesign #LandscapeArchitecture #MossGarden #SculptureInstallation #ArtistGarden #UgoRondinone #DennisSchrader #LongIslandGarden #ArchitecturalDigest

As summer transitions to fall, many seek opportunities to refresh their living spaces. Urban Outfitters has addressed this demand by releasing five new furniture collections, featuring over 80 pieces designed to revitalize any home. To commemorate these launches, the brand is offering a chance to win a $4,000 shopping spree at Urban Outfitters, encouraging customers to envision and create their ideal autumn-ready interiors. The Mikko collection, a continuation of UO's contemporary bohemian style, showcases natural arcs and textures. This assortment emphasizes concentric curves and woven materials, providing an eye-catching yet comfortable aesthetic. Notable items include a rattan-wrapped settee and a black bamboo room divider, both contributing to a bungalow-inspired atmosphere. The Huxley collection draws inspiration from mid-century modernism, a style celebrated for its enduring appeal. It features honeyed wood finishes and classic shapes, presenting essential items that seamlessly integrate with both vintage pieces and other contemporary furnishings. Highlights from this collection are a recycled-leather wrapped bed frame and a round dining table with hidden storage, optimized for apartment living. The Aria collection introduces lightweight steel designs with looping lines. Characterized by Marcel Breuer-esque contours, crisp white finishes, and playful rounded feet and castors, this collection offers versatile pieces that can either serve as focal points or complement existing decor. Key items include a vanity set and a matching vinyl record shelf, both distinguished by their light and lithe construction. For a touch of French country charm, the Virginia collection provides an airy flourish and hand-carved romanticism. This line features delicately carved mango-wood furniture, available in white or natural finishes, and adorned with charming aged brass details. A complete matching bedroom set, comprising a scalloped, low-slung bed frame and a tone-on-tone upholstered vanity stool, exemplifies the collection's idyllic aesthetic. Finally, the Lita collection embodies Scandi simplicity and striking geometry. It combines George Nelson-like slatted wood with natural woven accents, resulting in a design story that is conceptually complex yet visually uncomplicated. Standout pieces include a clean-lined petite bookshelf and a Donald Judd-esque platform bed with an integrated bench. These collections collectively offer diverse styles and functional pieces, inviting individuals to refresh their homes for the upcoming season. #UrbanOutfitters #FurnitureCollections #HomeDecor #InteriorDesign #BohemianStyle #MidCenturyModern #ScandinavianDesign #FrenchCountry #HomeMakeover

The article details the collaboration between fashion designer Roksanda Ilinčić and artist Rana Begum for Roksanda's A/W 2020 show at London Fashion Week. This partnership resulted in a unique, kaleidoscopic netted runway installation, reflecting both artists' shared emphasis on color and light within their work. Ilinčić's brand consistently explores female creativity and collaboration, a theme evident in her previous partnerships and her ongoing artistic dialogues. The inspiration for the A/W 2020 installation stemmed from Begum's observations of fishermen in flooded rice fields in Bangladesh. The artist chose lightweight netting as her primary medium, sourced during her residency in Morocco, due to its capacity to be manipulated for tension and force. This netting was spray-painted in vibrant neon blocks, allowing colors to blend and diffract light, creating a hazy, ethereal effect. The installation was strategically placed within the majestic courtyard of the Durbar Court of The Foreign & Commonwealth Office, floating above the catwalk and serving as a modernist cloud. This design choice directly complemented Ilinčić’s A/W 2020 collection, which showcased fluidity and movement through caped dresses, slouchy leather sportswear, and chunky cable jumpers, all presented in a rich palette of lime, aubergine, magenta, and caramel. Ilinčić consistently integrates art and architecture as foundational elements for her collections, viewing them as crucial starting points for her designs. She emphasizes the importance of collaborating with other creative individuals to enrich her storytelling. Prior to this collaboration with Begum, Ilinčić worked with the London-based art collective Troika for her A/W 2019 show. This earlier collaboration featured an abstract runway installation with six rainbow projections, drawing inspiration from Troika's 2019 Barbican artwork, 'Borrowed Light.' These continuous artistic collaborations highlight Ilinčić's commitment to creating immersive and narratively driven runway experiences. The installation not only served as a visual spectacle but also underscored the essence of Ilinčić’s collection, which focused on lightness and movement expressed through various mediums. Both Ilinčić and Begum share a background that has influenced their artistic appreciation for prismatic aesthetics, with Ilinčić hailing from Serbia and Begum from Bangladesh. This shared sensibility further strengthened the collaborative vision, making the installation a natural extension of both their individual artistic languages. The partnership showcases a harmonious blend of fashion and art, where the runway becomes a dynamic canvas for artistic expression and storytelling. #RoksandaIlincic #RanaBegum #LondonFashionWeek #FashionInstallation #ArtCollaboration #RunwayDesign #AWCouture #FemaleCreativity #TextileArt