Jeffrey Alan Marks on the New Age of Interior Design

Nate Berkus, a prominent figure in interior design for 26 years, shares his insights on the evolving landscape of home aesthetics, especially in the context of recent global events. Berkus, who gained widespread recognition after his 2002 debut on 'Oprah,' emphasizes the shift towards authenticity and personalization in design. He notes that the pandemic played a significant role in this change, moving clients away from Instagram- and Pinterest-driven trends to a desire for spaces that reflect their individual stories and needs. This shift has fostered a period of deep creativity, where clients are increasingly seeking unique, layered interiors. A growing appreciation for handmade and one-of-a-kind items marks another key trend. Berkus recalls attending art fairs as a child, where handmade goods were often overlooked, contrasting it with the current demand for such pieces in auction houses and among clients. This renewed interest extends to antiques, where online marketplaces like eBay, Etsy, and Chairish have democratized access. Clients are now more informed and actively involved in sourcing unique items from around the world, mixing them with handcrafted elements to create distinctive, personalized spaces. The ease of online shopping and shipping has made it simpler to assemble collections of vintage and antique objects, which Berkus believes are essential for a finished room. The concept of home functionality has also been redefined, with increased interest in separate structures for offices, studios, or guesthouses. This desire stems from a need for adaptable living spaces that can accommodate various activities and provide privacy, especially in a world where remote work and learning have become more common. Berkus highlights the appeal of guest rooms that offer comfort and independence, reducing concerns about proximity and hygiene. Furthermore, he discusses the emergence of 'sanitation rooms' or transitional entries equipped with advanced mechanics, like infrared lighting, designed to keep homes cleaner and safer. This trend resonates with Berkus's long-standing germaphobia, indicating a broader societal concern for health and well-being within the home environment. Social media, initially viewed with skepticism by Berkus, has become an integral part of the design world, mirroring the move towards authenticity. He explains that social platforms now serve as valuable tools for understanding clients' aesthetic preferences and for fostering genuine dialogue within his community of followers. Berkus differentiates his approach from simply reposting beautiful imagery, emphasizing his commitment to sharing his extensive experience, including successes, challenges, and mistakes, through initiatives like 'History Lessons.' This segment delves into the historical context and origins of design movements and objects, connecting personal aesthetic choices to broader cultural narratives. Finally, Berkus observes a shift towards a 'more is more' philosophy, redefined not by excessive spending or material accumulation, but by sentiment, practicality, and thoughtfulness. This means maximizing the utility and emotional connection within a space, designing for a new lifestyle that might include hybrid work arrangements or evolving family needs. The emphasis is on creating homes that are responsive and adaptable, greeting their inhabitants with comfort and functionality, regardless of immediate circumstances. This holistic approach underscores a deeper engagement with the home as a dynamic and evolving sanctuary tailored to individual well-being and evolving needs. #InteriorDesign #NateBerkus #HomeDecor #DesignTrends #AuthenticityInDesign #HandmadeGoods #VintageFinds #FunctionalLiving #SocialMediaAndDesign

The article presents a curated list of the top ten design stories of 2022, as selected by Wallpaper*'s design editor, Rosa Bertoli. The year marked a significant return of design weeks and events to the global stage, fostering an environment rich with innovation and creativity. The selection encompasses a diverse range of design narratives, from exclusive interviews with prominent figures in the design world to groundbreaking projects and new conceptual spaces. One highlight includes the 2023 horoscopes by Studiopepe, which explored the zodiac signs of renowned 19th and 20th-century designers. Chiara di Pinto and Arianna Lelli Mami of Studiopepe discussed the fascinating connection between astrological traits and the design philosophies of figures like Ludwig Mies van der Rohe (Aries, 'less is more'), Verner Panton (Aquarius, visionary), and Charlotte Perriand (Sagittarius, adventurous). They also noted Ettore Sottsass, a Virgo, whose need for order in everyday life contrasted with the chaos he contained internally, offering a fresh perspective on the geometry in his work. Another significant feature was Kelly Wearstler, a prominent American designer and Wallpaper*'s guest editor for the October 2022 issue. The article delves into her Beverly Hills home, exploring her insights on technology, craft, and her extensive portfolio of interior projects. Wearstler's influence, almost 13 years after being dubbed 'the presiding grande dame of West Coast interior design,' continues to grow, marked by her bold interiors, furniture design ventures, and a substantial social media following. The Tígín Tiny Homes project by Irish social enterprise Common Knowledge presented an alternative to conventional renting solutions. These mobile small homes, whose name means 'small house or cottage' in Gaelic, are designed with thoughtful considerations and eco-conscious materials, making their building information freely accessible. This initiative aims to inspire self-build projects and offer sustainable living options without being a universal housing solution. The article also features an interview with British-Nigerian designer Yinka Ilori, held in his new London studio ahead of his first solo exhibition at the Design Museum. Ilori discussed how traditional Nigerian parables and African fabrics deeply influence his work, emphasizing the power of storytelling as a core element of his creative process. Studio Formafantasma's new Milan studio, located in Assab One, is showcased as a testament to designers Andrea Trimarchi and Simone Farresin's ability to create holistic and aesthetically pleasing designs. The studio, which doubles as an office and home, features bespoke furniture designed to adapt to the post-COVID workspace, reflecting the blurring lines between professional and domestic environments. Collaborations in design are also highlighted, such as the all-season tent developed by Icelandic outerwear brand 66 North and German innovator Heimplanet. This tent, inspired by Icelandic shelters, boasts a geodesic dome structure, inflatable framework, and robust weatherproof materials, designed for extreme conditions and accommodating up to four people. An exclusive interview with Danish designer Bodil Kjær, celebrating her 90th anniversary, sheds light on her philosophy. Kjær, who defines herself not as a furniture designer but as an 'environment designer,' emphasizes solving defined problems with creations that serve as 'elements of architecture,' rigorously considering structure, functionality, and aesthetics. Molteni & C's new pavilion complex in Giussano, designed by creative director Vincent Van Duysen, integrates hospitality into the brand's architectural history. Inspired by Luca Meda and Aldo Rossi’s original showroom, the pavilion serves as a reception, restaurant, and hospitality space, surrounded by gardens, embodying the synergy between architecture and furniture. The Terra Carta Design Lab, founded by King Charles III and Sir Jony Ive, is recognized for its commitment to regenerative design. This initiative champions young designers developing high-impact, low-cost solutions to the climate crisis, emphasizing a shift from merely sustainable practices to restorative ones. Finally, the article explores the growing movement of regenerative design, with architect Michael Pawlyn advocating for a paradigm shift from sustainable practices to actively restoring ecosystems. This approach, which aims for humans to co-evolve with nature, involves nurturing biodiversity and reducing carbon footprints in the production of homes, infrastructure, furniture, and food, emphasizing integration with the web of life rather than separation. #DesignTrends #InteriorDesign #Architecture #DesignInnovation #SustainableDesign #DesignerInterviews #HomeDesign #RegenerativeDesign #LuxuryInteriors

The article presents an interview with Cliff Fong, founder of Matt Blacke Inc., who discusses the evolving landscape of interior design, client behaviors, and his personal philosophy on style and living. Fong, known for his ability to blend high-end pieces with more accessible items, began his career in fashion before transitioning to interiors. His notable clients include Ryan Murphy and Ellen DeGeneres. Fong observes a significant shift in client behavior, particularly amplified by the pandemic. Many urban dwellers are acquiring properties in more remote locations, such as Wyoming, Maine, and North Carolina, often without prior physical visits. This trend reflects a desire to escape conventional urban life and pursue experiential environments or reconnect with their roots in smaller towns. Clients are increasingly using their second or third homes to create meaningful experiences for their families, demonstrating a growing sense of goodwill and generosity in how they approach their living spaces. Another key theme Fong highlights is the increasing appreciation for nature as a luxury. With growing awareness of climate change, access to and enjoyment of nature are becoming more exclusive. Fong, who draws inspiration from the architectural and sculptural qualities of nature, notes that clients are now seeking his expertise not only for interior spaces but also for designing and defining their outdoor living areas, recognizing that life extends beyond the indoors. The interview delves into Fong's long-standing professional relationship and friendship with Ellen DeGeneres. He describes her approach to moving and redesigning homes as a hobby, driven by a deep love for design rather than financial investment. Fong emphasizes that DeGeneres focuses on creating beauty and reimagining properties, treating each project as an opportunity to transform a space. This perspective underscores a client mindset that prioritizes aesthetic fulfillment and personal enjoyment over purely monetary gains. Fong also addresses the challenges of financial freedom in a consumerist society. He notes that clients with significant wealth often accumulate possessions without critical consideration, leading to a feeling of being overwhelmed by their belongings. This behavior, facilitated by the ease of online shopping, can bypass the essential questions of necessity, desire, and meaningfulness. Fong suggests that the ability to acquire things instantly can sometimes detract from a thoughtful connection to one's possessions. The discussion then shifts to Fong's passion for discovery, particularly through flea markets, which he missed during the pandemic. He describes himself as a "scavenger at heart," valuing the process of finding unique items. He differentiates this sense of discovery from the experience of more established clients, for whom design might be a routine aspect of their multi-property lifestyles. This highlights the varying levels of engagement and personal connection clients have with the design process. Fong elaborates on his "high/low" approach to style, which he applies to both fashion and interior design. He views fashion at its highest level as an art form and a means of communication, where self-knowledge dictates personal expression. He advocates for mixing high-end pieces with vintage finds and everyday items, such as a Prada garment with Gap chinos, to create a fresh and unique look. This philosophy extends to his interior design work, where his objective is to craft unique and personal spaces that communicate the essence of the family living there. Using an analogy of getting dressed, Fong explains his method for "dressing a room." He compares a rug to a pair of jeans, a foundational element upon which other pieces can be built. A refined sofa is akin to a tailored sport coat, while an overstuffed sofa is like a comfy sweater, all interchangeable on the same base. Accessories like pillows, throws, and lamps serve as seasonal accents, allowing a room to be adapted based on mood or time of year. This analogy underscores design as a dynamic, layered, and personal process. Finally, Fong distinguishes between collecting and hoarding, humorously noting that the difference often lies in the zeros in a bank account. He shares his experience working with clients who possess extensive art collections rivaling the value of their real estate. His role involves an editing process to find commonalities between art and furniture, arranging diverse possessions to create a cohesive collection rather than a chaotic accumulation. He appreciates visual stimulation but emphasizes the importance of thoughtful curation to avoid an overwhelming environment.

The article highlights the career and creative inspirations of Matt McKay, an alumnus of Parsons AAS Interior Design (2012). McKay, now an accomplished interior designer, has recently launched his own collection of furniture, expanding his firm's focus beyond residential projects. His work has been recognized in prominent publications such as Architectural Digest, Surface, and Remodelista. McKay draws inspiration from a diverse range of sources, including renowned artists and thinkers like Maria Pergay, Alan Watts, and William Eggleston. Beyond these cultural figures, nature, landscapes, and travel significantly influence his design philosophy. He emphasizes the importance of immersive experiences, such as hiking or walking along a beach, for fostering creativity. International travel is also a key component of his creative process, allowing him to absorb different cultures, art forms, design aesthetics, and culinary experiences, which he describes as a "feast for the senses" that ignites adventure and new ideas. His current projects are varied, with residential designs underway in several key locations including New York, the Hamptons, Connecticut, Miami, and Austin, Texas. The article features a selection of interiors designed by McKay, showcasing his unique approach to space creation. These illustrations provide visual examples of his design aesthetic and how he translates his inspirations into tangible environments. McKay's decision to establish his own practice was a deliberate step towards greater personal and professional growth. He acknowledges having felt comfortable in his previous roles at other firms but recognized the need to challenge himself further. His time at Parsons played a foundational role in his success, providing him with essential technical knowledge pertinent to practical work settings. The curriculum also exposed him to influential interior designers and innovative creatives, which profoundly shaped his educational journey and subsequent career path. For aspiring designers, McKay offers a piece of advice rooted in passion and meticulous study: "Collect, find something to obsess over, study it constantly, and acquire based on this passion." This guidance underscores the importance of deep engagement and continuous learning within the design field. The article also presents a selection of furniture pieces designed by McKay, demonstrating his venture into product design and his ability to create bold, eclectic items, including chairs, tables, and various seating options. This expansion into furniture design complements his interior design work, showcasing his comprehensive creative vision. Overall, the article portrays Matt McKay as a designer deeply connected to his inspirations, both natural and artistic, who leveraged his education at Parsons to build a successful and evolving practice. His story serves as an example of an alumnus making a significant impact in the design world through innovative work and a commitment to continuous creative exploration. #MattMcKay #ParsonsAlumni #InteriorDesign #FurnitureDesign #CreativeProcess #DesignInspiration #ResidentialProjects #TheNewSchool #DesignEntrepreneurship

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

Kathryn M. Ireland, a renowned interior designer, discusses her unique approach to design, her career trajectory, and her philosophy on living. Raised in London and Scotland, Ireland accidentally entered the design world after people admired the aesthetic of her home. Her initial foray into interior design involved working with high-profile clients like Steve Martin and Caroline Kennedy, who were drawn to her "undecorated look." This style prioritizes comfort, family, and practicality over formal, traditional design elements, a philosophy exemplified by her decision not to design foyers and her appreciation for a living space that accommodates real life, such as children's building blocks in a living room. Ireland emphasizes the importance of functionality in design, particularly in smaller spaces like city apartments. She suggests innovative solutions such as "equipment garages" for exercise machines, transforming built-ins into discreet storage areas for items like Pelotons. The recent period of increased time spent at home has highlighted the need for deliberate contemplation of living spaces. Ireland recounts how this newfound stillness led her to reassess and enhance the functionality of her own guesthouse, identifying overlooked needs for storage. This introspection encourages individuals to thoughtfully consider their surroundings and identify areas for improvement. Her collaborative platform, The Perfect Room, reflects her vision for democratizing design. This website allows individuals to purchase curated rooms by their favorite designers or upload images for sourcing specific design elements. The platform aims to provide designers with royalties for their work and foster a collaborative environment in the design industry. Ireland's global lifestyle influences her work, as she divides her time between California and France, where she has transformed a farmhouse into a large guest retreat. This international perspective also informs her retreat business, which offers immersive experiences in locations like Marrakesh, the Cotswolds, and the Nile, focusing on camaraderie and personal reflection rather than just leisure. Ireland advocates for a relaxed and spontaneous approach to life and entertaining, contrasting it with the often-over-stylized portrayals of perfect living. She believes that real life is not a photo shoot and encourages simplicity in hosting, favoring casual meals and genuine connection over elaborate preparations. This extends to her personal preferences, as she often prefers cooking at home with friends over dining out, viewing her home as a sanctuary. She highlights the concept of "retreating at home," suggesting that individuals can create a getaway within their primary residence, reducing the need for additional properties and minimizing their carbon footprint. Her advice is to embrace the present space and make it feel like a cherished escape, reflecting her broader philosophy of living easily and authentically within one's surroundings. #InteriorDesign #KathrynMIreland #HomeDecor #UndecoratedStyle #ThePerfectRoom #DesignPhilosophy #HomeRetreat #FunctionalDesign

This article features an interview with Jake Arnold, a British interior designer based in Los Angeles, known for his signature style that combines timeless sophistication with lived-in comfort. Arnold's design philosophy emphasizes rich textures, warm color palettes, and bespoke detailing to create modern luxury spaces. The interview delves into his creative journey, starting from his unexpected transition from studying economics in London to pursuing interior design in LA. He details how he secured an internship by messaging a design studio on social media and subsequently established his own studio in 2020 after working with established firms. Arnold's core design elements include a neutral palette and natural materials, often incorporating unique antiques and curiosities to maintain a classic yet timeless aesthetic. His goal is to create cozy, high-impact spaces that are also functional for modern living. He frequently utilizes materials such as bronze, brass, oak, walnut, and a variety of layered textiles like linen, heavyweight wools, suede, and mohair. While he favors warm neutrals, he is not averse to using color, mentioning Farrow & Ball's 'Dimity' and 'Broccoli Brown,' and Portola's 'Patagonia' as preferred paint colors. Stripes are considered neutrals in his design vocabulary, and he appreciates subtle prints and textures, occasionally integrating eclectic wallpaper or bold fabrics. Material drenching, a technique where one material is used extensively throughout a space, is a hallmark of his style. He also emphasizes layering textures, employing earthy color palettes, and sourcing vintage pieces from places like JF Chen and Galerie Half. Arnold shares personal insights, including his recent purchase of his first home in West Hollywood, an area he values for its creative energy and design history. This personal project allows him complete creative freedom to focus on layered and collected design. The article also highlights three of Arnold's favorite projects: Benedict Canyon, Loma Linda, and Del Lago. The Benedict Canyon project, for Chrissy Teigen and John Legend, focused on artisanal craftsmanship, incorporating warm tones, mauve, chartreuse, and gold and brass accents with calacatta monet and jade quartzite. Key features include a custom brass shell TV cover, Venini sconces, and a Jeff Zimmerman pendant. This home was designed as a generational and organic space, aiming for comfort, luxury, and a connection to nature, moving away from historical architecture to embrace a contemporary cultural paradise. For the Loma Linda project, a 1980s Mediterranean property, the approach was 'less is more,' transforming it into a serene, liveable home using muted neutrals, earthy greys, beiges, walnut, oak, calacatta viola, and antique limestone. Highlights include a custom daybed, mohair seating, vintage lamps, and Rose Uniacke pendants, balancing luxury and comfort. This project involved restoring the Gerard Colcord home to its natural state, creating an open and amicable space. The Del Lago project in Fort Lauderdale, for a hotel developer, aimed for a tropical vacation feel with Californian softness meeting Palm Beach style, using cool neutrals, lush greens, blues, calacatta monet, and zellige tiles. Notable elements are vintage Axel Einar chairs, an Atelier Vime pendant, Stephen Antonson lighting, and De Gournay wallpaper, all designed to evoke escapism without being clichéd. This ground-up home was a collaboration with Smith & Moore Architects, creating an architectural dreamscape with whimsical details and island motifs. #InteriorDesign #JakeArnold #HomeDecor #LuxuryInteriors #DesignPhilosophy #AlistClients #ArchitecturalDesign #LAInteriorDesign

The article explores six architectural trends that are expected to define home design in 2025, emphasizing a shift towards more thoughtful and lasting styles rather than fleeting fads accelerated by social media. Architects observe a growing dissatisfaction with mass-produced, trend-driven designs like the modern farmhouse and advocate for more unique and historically informed approaches. The evolving trend cycle, influenced by digital platforms and home-improvement media, has led to an overabundance of certain styles, prompting a desire for change among design professionals and homeowners alike. The insights provided by four architects highlight key areas of transformation in residential architecture. One significant trend is Natural Modernism, characterized by an increased integration of natural elements such as large windows, raw materials like wood, steel, and stone, and nature-inspired color palettes. This approach aims to foster a stronger connection between inhabitants and their natural surroundings in an increasingly digital world. Another emerging trend focuses on Historical Character, moving away from monochromatic, overdone styles like the white farmhouse with black windows. There is a renewed interest in incorporating more color and drawing inspiration from diverse historical architectural styles, such as modern industrial, modern Tudor, and a sleeker interpretation of French Country, with regional variations in popularity. The article suggests that historical context plays a crucial role in the relevance of these styles. Additionally, there is a noted appreciation for 1920s Details, reflecting a renewed interest in the craftsmanship and elegant restraint of early modernism. This trend involves sculptural forms, minimal detailing, and the use of natural materials like wood, stone, and brick, often complemented by tile or metal roofs. A notable departure from recent open-concept living is the return to Closed Floor Plans. Architects observe a movement toward more defined spaces, where rooms like formal dining areas are re-evaluated, and kitchens are often designated as separate, distinct zones for cooking, while larger rooms accommodate various gathering activities. The concept of Third Spaces at Home also gains prominence, addressing a perceived lack of communal spaces outside the home. This trend involves creating dedicated areas within the residence for activities previously conducted externally, such as guest accommodations, storage for sports equipment, home gyms, and specialized workspaces, reflecting evolving lifestyle needs. Finally, a strong emphasis on American-Made Materials is highlighted. Triggered by past supply chain disruptions and geopolitical factors, there is a growing consciousness among clients and designers to source building materials domestically. This shift not only supports local economies but also helps reduce construction timelines due to shorter shipping distances and a focus on locally sourced goods like wood, stone, and metal. These trends collectively indicate a move towards more authentic, functional, and enduring architectural designs. #ArchitectureTrends #HomeDesign #NaturalModernism #HistoricalCharacter #ClosedFloorPlans #ThirdSpaces #AmericanMadeMaterials #InteriorDesign #Craftsmanship

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces

The article presents a "Lunch" interview with renowned interior designer Jamie Drake and his publicist Michael McGraw. The interview takes place at Michael's restaurant and focuses on Drake's extensive career, his high-profile clientele, and his global design ventures. Jamie Drake, known for his impeccable taste, has built a formidable business in interior design, both domestically and internationally. He is celebrated for his bold use of color, luxurious materials, and modern yet elegant aesthetic. During the discussion, Drake shares insights into his work for prominent figures, including his long-standing collaboration with former New York City Mayor Michael Bloomberg. He details how he designed Bloomberg's homes, including his Manhattan townhouse, a Westchester County estate, a Bermuda residence, and a Hamptons property. Drake emphasizes the importance of understanding a client's lifestyle and preferences to create spaces that are both beautiful and functional. He mentions that Bloomberg, despite his public persona, desired homes that felt private and personal, reflecting his need for a sanctuary away from public life. Beyond his work for American elites, Drake discusses his expanding presence in the international market, particularly in China. He highlights the growing demand for high-end interior design among China's new generation of millionaires. Drake elaborates on the cultural nuances and design preferences he encounters in China, noting a blend of traditional Chinese elements with contemporary global aesthetics. He emphasizes the excitement and challenge of working in a rapidly evolving market with clients who are eager to embrace modern luxury while honoring their heritage. Drake also touches upon the business aspects of his design practice, including how he manages complex projects and maintains his reputation as a leading designer. He and McGraw discuss the role of public relations in shaping Drake's brand and securing new opportunities. The conversation provides a glimpse into the dynamic relationship between a designer and their publicist, underscoring the strategic efforts involved in building and sustaining a high-profile career in the design industry. The article showcases Drake's journey from being recognized at events like the Fashion Group International's Annual Night of Stars gala to becoming a globally sought-after designer. It offers a comprehensive look at his design philosophy, his client relationships, and his adaptations to different cultural contexts. The interview concludes by reinforcing Drake's significant impact on the world of interior design, cementing his status as a key tastemaker whose influence extends across continents and diverse clientele. #InteriorDesign #JamieDrake #LuxuryDesign #MichaelBloomberg #GlobalDesign #ChineseMarket #DesignBusiness #HighEndInteriors #NewYorkDesign

After a period dominated by a folksy aesthetic characterized by rustic wood, quilted textures, and rough-hewn elements, the design world is experiencing a shift. Recent design exhibitions and product launches suggest a resurgence of industrial minimalism, drawing inspiration from the high-tech style of the 1970s and 1980s. This movement, originally defined by architects like Renzo Piano and Richard Rogers through 'inside-out' buildings that exposed their mechanical workings, advocated for industrial materials and utilitarian objects as aesthetic choices within residential spaces. Joan Kron and Suzanne Slesin's 1978 book, 'High-Tech,' documented this trend, highlighting the use of out-of-context industrial equipment as home furnishings. Key characteristics of this industrial minimalist revival include elements such as laboratory sinks, functional ladders, factory lighting, and exposed pipes. Early indicators of this resurgence are evident in the renewed interest in track lighting and the increasing popularity of stainless steel kitchens. The current economic climate, marked by production delays and rising costs for goods and labor, provides an additional impetus for designers and clients to embrace industrial minimalism. This style often utilizes relatively off-the-shelf components, which can be more accessible and less expensive than bespoke alternatives, without compromising on design sophistication. The trend is manifesting through the incorporation of readily available hardware store staples into interior design. For instance, metal blinds, typically utilitarian, are being recontextualized as design features, such as on interior glass walls in loft spaces. The exhibition “Make-Do,” curated by Marta gallery and Catalog Sale during NYCxDesign, exemplified this ethos by showcasing ad-hoc chairs against a high-tech-influenced scenography. Cat Snodgrass, the designer behind the exhibition's backdrop, utilized prefab materials like aluminum blinds and fluorescent lighting in a disused 1980s medical imaging center, allowing the building's infrastructure to remain exposed. This approach reflects a 'problem-solving aesthetic' that contrasts with the maximalist, studio-craft-focused trends seen previously. Designers like Sarah Burns are also contributing to this movement with collections such as 'Prairie’s Edge,' which blends birch plywood and cold-rolled steel to achieve a refined, industrial aesthetic. The trend is being explored in various settings, including exhibition design, furniture, and retail/hospitality environments. Observations from Milan Design Week noted a broader minimalist resurgence with a particular emphasis on industrial materials, seen in reissued furniture by Joe D’Urso, experimental lighting from Ledongil Workshop, and furniture crafted from lightweight gauge steel by Daisuke Yamamoto. Milan-based Studioutte describes this as an “intellectual minimalism” wave, which they presented through ebonized oak and powder-coated metal seating within a paper-sheathed room, featuring steel-and-plexiglass lighting. Similar stylistic cues were present at the We Are Ona pop-up restaurant during NYCxDesign, where Harry Nuriev designed an environment using readymade folding stools, vinyl-draped tables, and stainless steel tableware in an abandoned office building. Designer Tino Seubert’s use of Kevlar, a typically industrial material, for upholstery in Free Lance’s Paris showroom further underscores this trend, noting its luxurious sheen. While contemporary industrial minimalism incorporates utilitarian materials, it often includes an element of luxury. This is exemplified by the Judd Foundation's release of Donald Judd's stainless steel minimalist tableware in heavyweight Puiforcat silver. In high-end residential interiors, designers like Massimiliano Locatelli integrate linoleum floors, stainless steel kitchens, and industrial-inspired lighting with bespoke elements. Even Vincenzo de Cotiis, known for his opulent interiors, incorporates industrial materials like recycled fiberglass and stainless steel, often juxtaposing them with historic settings. Interior designer Sophie Dries notes that the resurgence of 1990s fashion and music influences is extending to interiors, leading to the acceptance of colder building materials and a blurring of boundaries between luxury and vernacular materials. This allows for a dialogue between non-aristocratic materials like concrete, plaster, piping, and metal blinds with historical pieces or settings. To engage with this trend, exploring restaurant supply stores or industrial suppliers like McMaster-Carr for readily available materials is suggested. #IndustrialMinimalism #HighTechDesign #InteriorTrends #DesignRevival #ArchitecturalDesign #MaterialInnovation #HomeFurnishings #ContemporaryDesign

Mark D. Sikes, a prominent figure in interior design known for his American-classic-with-a-twist aesthetic, has recently released his third book, "Forever Beautiful" (Rizzoli). This book completes a trilogy that began with "Beautiful" and "More Beautiful," showcasing 12 seasonally-inspired projects that align with each month of the year. Sikes's rise in the design world has been significant since his West Hollywood home was featured on the cover of House Beautiful in 2012. He has since designed for notable clients, including Reese Witherspoon and First Lady Jill Biden. The inspiration for "Forever Beautiful" stems from Sikes's belief that nature influences all of his projects and is central to his brand. Having lived in California for two decades, he emphasizes the seamless integration of indoor and outdoor living, a concept deeply explored in the book. Sikes's background in fashion, where he constantly thought about seasons and storytelling through clothes, further influenced his approach to connecting the exterior with the interior in home design. This cyclical view of design, mirroring the seasons, provides a cohesive framework for the book's content. Sikes attributes the success and resonance of his design books to a public craving for optimism, joy, and happiness, especially in challenging times. He believes that beauty serves as a universal language that unites people. His design philosophy centers on creating comfortable, inviting spaces that feel authentic and genuine, reflecting his consistent personal aesthetic and beliefs. He maintains that staying true to oneself and one's vision is key, rather than conforming to transient trends. Defining "all-American style" for Sikes involves an inviting, optimistic, colorful, crisp, and classic sensibility. Given the relatively young history of American design, it naturally draws from European influences, including English and French aspects. He stresses that classic design can possess longevity without being dated, maintaining freshness and excitement while remaining timeless. American style, in his view, is continuously evolving, building upon the legacies of designers like Billy Baldwin and Mark Hampton, yet offering more approachable and attainable interiors today. To prevent traditional interiors from appearing old-fashioned, Sikes incorporates natural textures like raffia and cotton fabrics, favoring comfort over luxurious silks or taffetas. He advocates for layering details, such as trims and beautiful applications, to create rooms that reveal new discoveries over time, rather than in a single glance. This approach aims to engage occupants and invite them to explore the space. Sikes's design sensibilities have been shaped by his diverse geographic experiences, including growing up in the Midwest and the South, working in New York, and living in California. He identifies a unique contribution from each region: the Midwestern understanding of a welcoming home, the Southern traditions of entertaining and gardening, the East Coast's refinement and sophistication, and the West Coast's ease of indoor/outdoor living and bohemian influences. The culmination of these experiences results in interiors that are inviting, comfortable, traditionally layered, and sophisticated. While aware of current design trends on platforms like TikTok, Sikes consciously avoids focusing on them, preferring to adhere to his established style. He notes that antiques, however, are an enduring element that people continue to appreciate. He draws parallels between his fashion and interior design careers, highlighting storytelling and merchandising as common threads. In fashion, effective merchandising drives sales by making key items focal points; similarly, in interior design, the story of the design should be prominent and repeated throughout the home for continuity. Sikes maintains a consistent personal aesthetic, wearing a uniform of navy blue to minimize distractions and focus on creative endeavors, and relies on historical design principles rather than fleeting trends. His next major project, an upcoming fourth book, will document the creation of Orange Hill Farm in Ojai, a 14-acre property with a citrus farm that will serve as his country home, reflecting a lifestyle centered around farming and the natural environment. #MarkDSikes #InteriorDesign #ForeverBeautiful #DesignPhilosophy #AllAmericanStyle #HomeDecor #DesignBooks #IndoorOutdoorLiving #ClassicDesign

This article advocates for the revival of several "outdated" home design trends to bring more personality, color, and functionality into modern living spaces. The author, drawing on a self-proclaimed expertise in home decoration through simulation games and a passion for design, expresses a desire to move beyond the current minimalist and often sterile aesthetic prevalent in contemporary homes. The discussion covers eleven distinct design elements, offering insights into their historical appeal, potential for modernization, and the benefits they could bring to residential architecture and interior design. First, the article champions conversation pits and sunken living rooms, highlighting their ability to create intimate gathering spaces and versatile floor plans. It dismisses the notion that these features are limited to a 1970s aesthetic, suggesting they can be adapted for various rooms and contemporary styles. Next, the piece argues for a return to closed floor plans, contrasting them with the open-concept layouts that have become standard. The author recalls a time when distinct rooms like living rooms, family rooms, dining rooms, and kitchens served specific purposes, fostering different types of social interaction and functional organization. This traditional separation is presented as a way to add depth and intentionality to a home's layout. A strong emphasis is placed on reintroducing color into home design, moving away from the dominance of millennial gray, white, and beige. The article suggests that bold, bright, and saturated colors, incorporated through paint, furniture, appliances, or accessories, can significantly enhance the mood and individuality of a space. Following this, the author defends wallpaper and accent walls, which have fallen out of favor, as excellent tools for adding unique patterns, textures, and artistic elements without the permanence of paint. The argument is made that these design choices allow for personal expression and can transform a room's vibe, even in rental properties. The concept of foyers is also explored, presented as a traditional and grand entryway that offers a sense of arrival and a layer of privacy by separating the main entrance from the core living areas. While acknowledging the modern preference for mudrooms, the article suggests that both formal foyers and practical mudrooms can coexist. Tuscan kitchens, reminiscent of early 2000s design, are proposed for a modernized comeback. The author suggests that by reinterpreting their core elements—richness, warmth, and a connection to culinary tradition—without succumbing to tackiness, they can inspire unique and inviting kitchen spaces. The idea of incorporating arches, which are described as timeless yet sometimes divisive, is supported as a means to introduce natural curvature, luxury, and elegance. Arches are highlighted for their versatility, not just as architectural features but also in mirrors, windows, and cabinetry. The article further advocates for vintage and repurposed furniture, citing environmental benefits and the unique character they bring. This trend is seen as a rejection of "fast furniture" culture, allowing homeowners to curate spaces with storied pieces that are both sustainable and distinctive. Glass bricks, often associated with 1980s office aesthetics, are presented as a versatile material that can add a cool, vintage touch while offering privacy and allowing natural light into a space, especially in bathrooms. Finally, textured ceilings are put forward as a way to add visual interest and cover imperfections, moving beyond the stigma of popcorn ceilings towards more eclectic and modern applications of texture. The piece concludes by championing marble beyond its current use in kitchen counters and bathrooms, proposing its broader application in floors, tables, and walls to make a grand, luxurious statement throughout the home. Ultimately, the article underscores the importance of subjective design choices, encouraging individuals to personalize their homes to truly reflect their tastes and make their space a personal sanctuary. #HomeDesign #InteriorDecor #DesignTrends #ArchitecturalRevival #VintageFurniture #ColorInDesign #PersonalizedSpaces

This article explores 22 home design trends that, despite their popularity, are often perceived as impractical, aesthetically questionable, or outright problematic by many individuals. The piece compiles insights from various people who shared their least favorite design choices, highlighting the subjective nature of home aesthetics. One significant point of contention revolves around the absence of doors in certain areas of the home, particularly doorless bathrooms, especially when located within bedrooms. Critics argue that this design choice compromises privacy, contributes to hygiene concerns due to the potential spread of moisture and odors, and necessitates inconvenient arrangements for occupants. Similarly, doorless showers are criticized for causing the entire bathroom to become wet after each use, leading to additional cleaning and potential slip hazards. The use of faux materials is another trend that draws significant disapproval. Specifically, the application of faux wood beams made of materials like foam is cited as a cheap imitation that fails to achieve the desired rustic or modern farmhouse aesthetic and can even be considered an eyesore. This reflects a broader distaste for design elements that lack authenticity and are implemented purely for superficial appeal. Paint choices also come under scrutiny, with 'agreeable gray' being singled out for its perceived blandness and unsuitability in certain lighting conditions. Many individuals find this color to appear dull or lifeless, contrasting with its widespread promotion as a versatile neutral, and note that it can be difficult to cover up with subsequent paint applications. Architectural and spatial planning issues are frequently mentioned. The practice of building large houses on small lots, resulting in minimal outdoor space and close proximity to neighbors, is criticized for sacrificing functionality and privacy for the sake of interior square footage. An imbalance in room sizing is also highlighted, particularly the trend of oversized master bedrooms and bathrooms that come at the expense of other necessary rooms or overall living space. Critics argue that such large private spaces are often underutilized for social gatherings, making their extensive size unnecessary. Kitchen design trends are a major source of frustration. Two-toned kitchen cabinetry is seen as a fleeting fad that can quickly become dated, potentially requiring future homeowners to undertake costly renovations to achieve a more cohesive look. The placement of kitchen sinks in center islands is deemed impractical, as it leaves dirty dishes and drying items constantly on display, detracting from the kitchen's aesthetic and cleanliness. Furthermore, pot fillers are questioned for their utility and the potential for stagnant water in their pipes. Safety and accessibility concerns also emerge as key criticisms. The absence of stair banisters is identified as a significant safety hazard and a potential liability. Similarly, the design of homes requiring occupants to walk through a bathroom to access a closet is viewed as inconvenient and unhygienic. Above-ground sinks, or bowl sinks set on top of vanities, are often seen as bulky and difficult to clean around. Functionality and practicality are central themes in the critiques. The lack of mudrooms or small entryways in favor of larger living spaces is problematic, especially in regions with varying weather, as it leads to dirt and wetness being tracked directly into main living areas. Kitchen cabinets that extend to the ceiling are deemed wasteful, as the top shelves are often out of reach for most people, making them purely decorative or storage for seldom-used items. Fake balconies, which consist of sliding glass doors leading to nowhere, are described as a pointless architectural feature. Finally, decorative trends like excessive pillows on beds are considered impractical due to the constant need for rearrangement. The increasing use of DIY paneling to mimic period properties is seen as an inauthentic attempt at historical design. Barn doors, despite their popularity, are often associated with a tacky aesthetic, even in luxurious homes. The placement of bathrooms near kitchens or dining areas is also widely disliked due to its perceived lack of hygiene and comfort. #HomeDesignTrends #InteriorDecor #ArchitecturalCriticism #ResidentialDesign #HomeAesthetics #KitchenDesign #BathroomDesign #HomeImprovement

Krysti Lyn, a whole home designer, discusses her career journey, design philosophy, and personal experiences. She reveals that her career in design began at the young age of seven, identifying it as an innate gift for "seeing in scale." This ability allows her to visualize how objects fit within a room beyond their aesthetic contribution, a skill she considers a designer's superpower. Despite not actively choosing this path, she expresses gratitude for the opportunity to fulfill her purpose daily, serving clients who benefit from her unique perspective. Lyn specializes in a transitional design aesthetic, which involves blending and merging various design styles and periods. She emphasizes her versatility and ability to select appropriate materials for her clients, attributing her success to this client-centric approach. Her professional journey, however, has not been without challenges. She openly shares that her personal and work life was significantly impacted by domestic violence. This experience, while difficult, ultimately strengthened her resolve, teaching her the importance of self-advocacy and re-focusing on her future. She highlights that this period of adversity made her more determined and taught her to establish boundaries, including learning to say "no." Her professional goals include maintaining her status as an authority on design options, continuously integrating new products, tools, and styles into her practice. She prides herself on creating timeless designs for her clients, understanding that her work involves a significant degree of responsibility and trust. These two elements, she notes, are fundamental to her profession. She considers the ability to build and maintain trust with clients as paramount to her success. When asked about her recommendations for a friend visiting Los Angeles, Lyn outlines a personalized itinerary. This includes a casual meal at In-N-Out Burger, followed by a three-day staycation at her home in Palm Desert, complete with a hot tub, private massages, charcuterie, and Malbec red wine. The trip would also feature a short visit to Las Vegas for a show and a stay at a luxury hotel, interspersed with visits to quaint local spots for improv or murder mystery dinners. A morning drive to Malibu for breakfast to enjoy the scenic views is also on the list. For those interested in Hollywood, she mentions a visit to a famous celebrity cemetery. Significantly, she emphasizes introducing her friend, Kathy, to as many clients as possible, revealing Kathy's integral role as a faithful assistant, confidante, and source of support throughout her career. This acknowledgment underscores the importance of personal relationships in her professional life. Lyn also touches upon the role of mentorship in her career, stating that she did not have a traditional mentor. Instead, she navigated her early career through prayer and faith. She acknowledges one instructor from Harrington design college who authored a notable Modern Furniture Resource Book, and expresses that being recognized by Harpo Studios for her participation in "The Ugliest Room Contest" was a pivotal moment, making her feel understood and appreciated early in her career. This recognition served as a validation of her unique talent and approach to design. #InteriorDesign #HomeDecor #TransitionalDesign #DesignPhilosophy #Entrepreneurship #PersonalJourney #CreativeProfession #ClientRelationships #LosAngeles

The Space Age interior design style, originating from the 1960s and 1970s, is experiencing a resurgence in contemporary design. This aesthetic was born out of the excitement surrounding the space race and technological advancements of the era, leading to a fusion of innovation and visionary aesthetics in home design. Influenced by the cultural shifts of its time, Space Age interiors are characterized by bold colors, unique materials, and distinctive shapes, reflecting a futuristic and experimental outlook. While closely related to mid-century modern design due to their shared birth period and some common elements like color palettes and materials, Space Age interiors differentiate themselves with a sleeker, more avant-garde, and futuristic edge. Interior designers like Kerry Offsey of Hines Collective explain that mid-century modern is rooted in practicality and organic materials, offering a timeless and effortless simplicity. In contrast, Space Age design is more experimental and other-worldly, evoking a sense of excitement for the future. It allows for more imaginative and unexpected design choices. Key characteristics of Space Age design include sleek, curved forms, glossy and reflective surfaces, and innovative materials such as fiberglass, acrylic, molded plastics, and chrome metallic finishes. These materials contribute to an avant-garde and high-tech appearance. The motifs often draw inspiration from science fiction and space travel, manifesting in pod-like or egg-like shapes, spherical cut-outs, floating furniture, and fluid lines. The typical backdrop for these interiors features stark whites, silvers, and deep blacks, with bold color accents layered onto furniture and art pieces, often resulting in a monochromatic base with vibrant pops of color. Hugh Metcalf, editor of Livingetc, suggests that the current rise in popularity of Space Age interiors is a reaction to perceived societal regression. He views this aesthetic as an 'archetypal Utopian aesthetic' that offers an antidote to the complexities of the modern world. Maria Vittoria, an interior designer at Casa Ornella Studio, emphasizes that Space Age design is not merely about futuristic objects but about creating environments that transport and spark the imagination. Contemporary interpretations of Space Age interiors blend the past with the present, often softening the exaggerated curves and playfulness of the original era. Modern Space Age designs integrate today's technology, making the style less about fantasy and more about function. This modern approach balances retro elements with current trends, incorporating organic volumes, high-gloss plastics alongside raw materials, and chrome surfaces interacting with soft textures. It presents an aesthetic that is both bold and sophisticated, characterized by dynamic lines, saturated colors, and a sense of movement. Incorporating modern Space Age elements into a home doesn't require a complete overhaul. Designers suggest that adding a single futuristic piece, such as a floor lamp, an egg chair, or a chrome mushroom lamp, can significantly impact a room's aesthetic. Placing a Space Age item in a more neutral environment creates a vibrant and ironic contrast, adding personality and a theatrical touch to the space. The trend embraces playfulness and individuality in home design, demonstrating that a single detail can transform a room into a dynamic visual statement. #SpaceAgeInteriors #InteriorDesignTrends #MidCenturyModern #FuturisticDesign #HomeDecor #ContemporaryDesign #InnovativeMaterials #RetroRevival