Abandoned, mouldy, but couple saw the potential of rural Hong Kong flat

This article details the transformation of a previously outdated Park Slope condo into a vibrant, modern pied-à-terre for a couple. The project was undertaken by Studio Nato, a Brooklyn-based interior design firm, with a primary goal of enhancing brightness, reintroducing traditional architectural elements, expanding storage solutions, and significantly upgrading both the aesthetic and functionality of the kitchen and bathroom. The condo, located on the third floor of a vintage row house, had not seen significant updates since a developer's renovation two decades prior, resulting in an uninspired and impractical living space. Studio Nato's renovation involved several key interventions. Much of the existing recessed lighting, which contributed to a dull ambiance, was removed. New white oak flooring was installed throughout the apartment, complemented by new crown moldings and window sills to restore a sense of traditional elegance. A significant improvement was made to the long hall, where a series of disparate closet doors were streamlined. These were replaced with uniform painted MDF millwork that extends almost to the ceiling, wrapping around into the kitchen. This millwork conceals reorganized coat and linen storage, along with laundry facilities, creating a cohesive and minimalist look. Additionally, new bedroom doors and a re-envisioned bathroom door were installed, painted in Benjamin Moore’s Almost Black and fitted with new brass hardware. Creative solutions were applied to previously underutilized spaces. An alcove off the front room, often a challenge in row house apartments, was transformed into a functional reading nook featuring a new custom white oak bookcase. This space was furnished with vintage Danish armchairs and a copper end table/stool by designer Andrew Neyer, adding character and utility. The apartment's existing wood-burning fireplace, a positive feature, was also updated. Studio Nato addressed the issue of its brick wall absorbing natural light by wrapping the top half with Sheetrock and painting the bottom half white. A new wood surround was added, and the brick hearth was replaced with soapstone, matching the material used for the kitchen island. The kitchen, designed to be neat and compact, received custom cabinetry from South Carolina, painted white and featuring mortised edge pulls. The island is crafted from white oak with a waterfall soapstone countertop. The backsplash tiles were sourced from Clé, while lighting fixtures include Ambit pendant lights from Muuto. Bar stools from West Elm complete the kitchen's modern look. Space-saving appliances were chosen, such as a 30-inch-wide Liebherr refrigerator and separate cooktop and wall oven units. The long hall also saw an aesthetic upgrade with painted MDF and routed grooves for added texture, concealing ample storage. The main bedroom now features a dark-painted dado and gleaming sconces from Allied Maker. The bathroom's design is simple yet refined, featuring a custom vanity with Brizo wall-mounted faucets, white subway tiles, and matte black hex tiles from Clé on the floor. These comprehensive renovations by Studio Nato effectively revitalized the condo, making it a functional and aesthetically pleasing urban retreat for the couple. #ParkSlope #CondoRenovation #PiedATerre #StudioNato #InteriorDesign #BrooklynHome #HomeRenovation #KitchenRemodel #BathroomRenovation

David and Emma Engerer, a young couple, have embarked on a significant endeavor to revitalize the historic Stuart Neighborhood in Kalamazoo through the renovation and rental of its aging houses. David, 28, from metro Detroit, and Emma, 22, from Austin, Texas, met at a skateboarding contest in Houston and later married in October 2019. Their venture into real estate began after David's graduation from Western Michigan University, encouraged by his father to purchase and renovate older homes to generate rental income. The couple's commitment to the neighborhood is evident in their hands-on approach to renovations, with David performing most of the restoration work alongside Emma. Their efforts have been lauded by local residents, including Gary Wark, president of the Stuart Area Restoration Association, who notes the positive contrast with absentee landlords. The Engerers are part of a growing trend of younger individuals investing in the historic area, which boasts many houses dating back to the 1870s when it was a thriving community for businessmen and professionals. David emphasizes the importance of maintaining a vision for the properties' potential, despite the inherent challenges of home fix-ups. Their first acquisition was an American Foursquare stucco house at 821 Kalamazoo Ave., built in 1910. Originally a single-family residence, it had been converted into a duplex in the 1920s and suffered from neglect, including foundation, roof, plumbing, and electrical issues. Emma humorously compared it to the 'Money Pit' movie. Despite its condition, the house had existing tenants, and its structural integrity was surprisingly sound. This initial project served as a significant learning experience for the couple. Following this, the Engerers purchased two more 19th-century homes in the neighborhood, with plans for additional acquisitions. One of these is their personal residence, a 4,000-square-foot Queen Anne Victorian at 418 Stuart Ave., known as the French/Allen House, built in 1895. This house, rich in history with four bedrooms, 3.5 bathrooms, stained-glass windows, and a sweeping veranda, was originally appointed by Marshall Field. It was once owned by Dorr French, a justice of the peace and city attorney, and later by Harold Allen, vice president of First National Bank and corporate secretary for The Upjohn Co. They acquired this house in May 2020 at a reduced price, undertaking interior upgrades such as replacing old galvanized steel pipes and plumbing, replicating door moldings, and re-doing bathrooms, all while meticulously preserving the historic integrity. David expresses strong disapproval of renovations that strip old homes of their original charming features. Local historian Sharon Carlson, a resident of the Stuart Neighborhood, commends the Engerers' dedication, noting that landlords who live in the neighborhood tend to be the most effective. In July 2020, they bought another rental property at 500 Stuart Ave., a four-unit dwelling built by George Rickman in the late 1880s, one of three brick Queen Anne-style houses on the street. They are currently performing exterior and limited interior renovations, with more extensive work planned as tenant leases expire. This house, along with its neighbors, is distinctive for its brick construction, unusual for Victorian homes of that era. Emma, who initially had no plans to leave Texas, credits her move to Michigan to her relationship with David and a strong sense of divine guidance. She discovered Michigan's distinct seasons, a new experience compared to Texas. David's background includes a past as an aspiring professional skateboarder and snowskater, sponsored by Ambition Snowskates. He graduated from Western Michigan University with a degree in exercise science, initially intending to become a physical therapist, but discovered a passion for home renovation after summer jobs involving repairs. David's father, a successful physical therapist and experienced home renovator, has been a significant mentor, guiding them with insights into making properties profitable and managing renovations. The Engerers emphasize that while financial viability is crucial for such projects, passion and vision are paramount. They plan to remain in the Stuart Neighborhood long-term, expressing their love for the community and its historical homes. #HistoricHomeRenovations #StuartNeighborhood #KalamazooRealEstate #PropertyInvestment #CommunityRevitalization #QueenAnneVictorian #OldHouseRestoration #RentalProperties #NeighborhoodDevelopment

Tony and Charlotte Perez, driven by a desire for freedom and a life of travel and volunteer work, designed and built their 280-square-foot tiny home on wheels. Tony, a builder with over two decades of experience in custom homes, constructed the dwelling for an estimated $35,000. Their motivation stemmed from extensive international travel, having visited nearly 60 countries and lived in Africa for four years, which cultivated a preference for a minimalist lifestyle and enabled them to work less and dedicate more time to volunteering. Currently situated on a friend's five-acre property in Northern California, their tiny home offers mobility, though the couple has found a stable base. The exterior of the home features white-painted standing-seam metal combined with cedar accents near the front door, offering a modern aesthetic with warm, organic touches and requiring minimal maintenance. An expansive deck with an outdoor kitchen extends the living space, seamlessly integrating the structure with its natural surroundings. Inside, the walls and ceiling are adorned with white-painted pine shiplap, and the floors are laid with waterproof vinyl planks, chosen for their practicality and ease of cleaning, even extending to the shower wall. The interior design emphasizes an open and airy feel to compensate for the compact footprint. The kitchen showcases pale gray cabinetry, custom-designed online and flat-packed for on-site assembly. These cabinets are primarily drawers to maximize efficient organization and feature soft-close undermount slides. Practicality is evident in repurposed elements, such as upper shelves crafted from a beloved coffee table that was too large for the tiny space. Innovations include three taps in the kitchen for carbonated water and home-brewed beer, reflecting the couple's personal preferences. An office area and storage are integrated beneath the stairs, and a sliding door separates the kitchen from the bathroom. The bathroom is notably spacious for a tiny home, housing a stackable washer and dryer, a large shower, and a six-foot closet system with ample hanging space and customized soft-close drawers, designed to accommodate varied clothing needs for international travel across different seasons. A thirty-inch sliding wall devised by Tony separates the washer-dryer unit from the toilet area, also concealing a full-length wardrobe mirror. In the loft bedroom, cubbies serve both as storage and a partial screen for privacy. The couple devoted a year to planning their home, meticulously considering every item they owned and its place within the small space. Specific features like a designated spot for a vacuum, cleaning supplies, a Vitamix, a juicer, a coffee bar, a wine area under the stairs, and a pull-out pantry were incorporated to ensure comfort and functionality. A wood-framed chalkboard folds down from the kitchen wall to extend counter space for food preparation or dining. The Perezes completed the construction of their home in two months, acknowledging the challenges but ultimately celebrating the fulfillment of designing and building their personalized living space, which they continue to cherish daily. #TinyHome #MinimalistLiving #DIYHome #SustainableDesign #TravelLifestyle #CustomBuild #NorthernCalifornia #InteriorDesign #OutdoorLiving #CompactLiving

Lindsey and Ruth, a couple from Teesside with two young children, Aria and Ivy, faced significant challenges with their home's layout before renovation. The existing structure featured a cramped living room, kitchen, and dining room, offering limited living space and minimal storage. A major inconvenience was the tiny hallway at the entrance, which opened directly onto the stairs, making it difficult to maneuver a baby stroller and causing a bottleneck for entering and exiting the house. Furthermore, the cloakroom's location near the kitchen meant traversing the entire house to store coats and shoes, highlighting a general lack of practicality in their living arrangement. Despite having a beautiful garden, the house's internal design failed to optimize its potential or cater to the needs of a growing family. The couple allocated £52,000 for the renovation, surpassing their initial budget of £40,000, after securing design proposals from architects Laura Jane Clark and Robert Jamison on the BBC2 show 'Your Home Made Perfect.' They were particularly drawn to Laura Jane Clark's design, which promised to transform their disjointed dwelling into a cohesive, open-plan space. The core of Clark's innovative approach involved relocating the staircase to the left, which dramatically opened up the entrance. This created a spacious, light-filled hallway that not only solved the immediate problem of navigating with a pram but also established a clear connection between the front entrance and the rear of the house and garden. This alteration also provided ample storage solutions, addressing a critical need for the family. The renovation also entailed breaking down walls to merge the previously segmented kitchen, living room, and dining room into a single, expansive open-plan area. This change was crucial for Lindsey and Ruth, who desired an interconnected space where they could easily keep an eye on their children while engaging in other household activities. The new design incorporated bi-fold windows, allowing abundant natural light to flood the interior and offering continuous views of the garden. Although Clark initially envisioned the open space primarily for dining and an open kitchen, the couple adapted it to include a central dining table and a comfortable sitting area, effectively extending the living space by 1.7 meters into the garden. Another significant transformation involved the garage, which had previously served as an overflow pantry due to the kitchen's lack of storage. Despite Lindsey's initial reluctance to convert it for fear of devaluing the property, the garage was ultimately repurposed into a functional utility room, equipped with a washing machine and dryer. The comprehensive redesign included the integration of sleek, modern cupboards throughout the kitchen and in the new entrance hallway, ensuring that storage was no longer an issue. The outcome was a home that not only met the practical demands of the family but also garnered widespread praise from viewers for its stunning transformation and thoughtful design elements. #HomeRenovation #OpenPlanLiving #StaircaseRelocation #HomeDesign #InteriorTransformation #FamilyHome #ArchitecturalDesign #SpaceOptimization #StorageSolutions

Ashley and Max, newlyweds, recently transformed their 1,068-square-foot 1920s bungalow in Madison, Wisconsin, into a cozy and personalized home. The couple moved from Boston, where homeownership was financially challenging, to Madison for Max's PhD studies at UW Madison. Inspired by Ashley's father, a civil engineer with a construction background, they sought an older home with character that they could renovate themselves. They purchased the bungalow, which, despite being livable, was in need of significant updates. The kitchen, in particular, was outdated and poorly designed, with an illogical layout that included the refrigerator obstructing a bedroom doorway. The outdoor space was also overgrown, and the interior walls featured bright orange and yellow paint. Their renovation journey began with gutting and revamping the kitchen. Max personally laid the new tile, while Ashley's father and uncle assisted with painting and assembling ready-to-assemble cabinets. This collaborative family effort resulted in the kitchen becoming one of their favorite rooms. Beyond the kitchen, they meticulously repainted all interior walls and the exterior siding and trim. Ashley also worked with a local nursery to select native plants for the yard and uncovered a hidden patio and fire pit, which they later used as the venue for their wedding in July 2022. This personal connection imbued the home with significant sentimental value, symbolizing their shared commitment and teamwork. The couple's personal interests are visibly integrated into the home's aesthetic. Ashley, with a background in art and poetry, and Max, a PhD student in U.S. history and education policy, appreciate older items, which aligns with the bungalow's 1920s architecture. Original features like scalloped arches, a large multi-panel dining room window, and 1920s bathroom tile were preserved and highlighted during the renovation. Ashley curated a gallery wall from her extensive collection of personal artwork, travel photographs, old maps, and souvenirs, creating a deeply personal and meaningful display. Their furniture selections reflect an eclectic approach, combining sentimental family heirlooms, such as a leather chair from Ashley's grandmother, with self-built pieces like a bookcase/TV stand, and budget-friendly finds from IKEA and Facebook Marketplace. This mix of textures, colors, and styles, featuring pops of orange and green against neutral tones, contributes to the home's warm and personal ambiance, with each item holding a unique story. The dining room, open to the living space, stands out as Ashley's favorite area. She envisioned it as a versatile space for work, reading, art, hosting, and games, appreciating the abundant natural light from the large window and the conversational appeal of the gallery wall. A bright yellow front door further adds to the home's charm. Their latest acquisition was an Art Deco mirror, a $20 Facebook Marketplace find, placed above an IKEA bar cart, highlighting their knack for discovering unique pieces affordably. Their advice for creating a beloved home centers on choosing items that bring joy, rather than strictly adhering to matching aesthetics, and experimenting with various colors, materials, textures, and furniture styles to achieve a cohesive and personal space. #HomeRenovation #Bungalow #DIYHome #EclecticDecor #HistoricArchitecture #CoupleGoals #PersonalizedHome #MadisonWisconsin #HouseTour

This article details the comprehensive renovation of a nearly 200-year-old Federal-style farmhouse located in Sharon, Connecticut. The property, which had remained unsold for years due to its dilapidated condition, eventually found new owners who recognized its inherent potential. Architect Rafe Churchill was enlisted to undertake a historically sensitive renovation, prioritizing the preservation of the home's original architectural integrity. Initially, discussions included adding a significant extension, but this idea was ultimately abandoned in favor of maintaining the existing footprint. Approximately half of the structure required gutting, and Churchill’s approach focused on repairs using traditional materials whenever feasible. Key structural and exterior envelope improvements included a new roof, a partial chimney, reinforced floor joists, and repairs to the wood clapboard siding and many original windows. Windows beyond repair were replaced with new Marvin windows, all equipped with triple-track storm windows. The interior spaces were reconfigured and updated while honoring the home’s historical context. The dining room was transformed into a rich blue library, featuring new pocket doors designed to appear original and custom-milled molding that matches existing trim throughout the house. Original wood floors in the library, dining room, front hall, and some bedrooms were meticulously saved and refurbished. Interior designer Heide Hendricks contributed a vintage orange sofa and designed the steel-frame ottoman and drapery, adding modern touches. The dining room, formerly a parlor, now showcases a new soapstone fireplace surround and mantel designed by Churchill. A unique artistic element in this room is the custom wallpaper, created by the homeowner, an artist, from scans of the town’s handwritten 1820 U.S. Census, printed on heavy paper and adhered to the walls. The living room, bright and airy, incorporates the homeowners' midcentury modern furniture. New southern yellow pine floors in this area and the kitchen were stained dark to seamlessly blend with the older flooring. The original fireplace remains a focal point, adorned with antique candlesticks. The kitchen, located at the rear of the house, retained its original position but underwent a significant reconfiguration. A previously existing large pantry and staircase, which had isolated the kitchen, were removed to maximize space for cabinets and counters and improve flow to the living room. The kitchen’s notably low ceiling was also raised to create a more open atmosphere. Modern elements are thoughtfully integrated, such as an LED chandelier chosen for the kitchen table due to its contemporary aesthetic and transparency, allowing views to the outside. The dining table in the kitchen is a custom piece by furniture designer Seth Churchill, the architect’s brother. Upstairs, the original wood flooring continues in the hallway and bedrooms. All doors were refitted, and their hardware repaired, with some trim components added to match existing historical details. A guest bedroom, situated in the rear addition above the kitchen, features a lower ceiling compared to the main house. An original structural wood beam is visible, adding character. Furnishings in this room were repurposed from the homeowners’ previous residence, and Hendricks resized drapery panels. Wood planks from the guest bedroom were used to repair flooring in the master bedroom, leading to the new pine flooring in the guest room being painted, a choice the architect noted as desirable in older homes, especially on upper floors. #FarmhouseRenovation #HistoricHome #FederalStyle #ArchitecturalPreservation #InteriorDesign #ConnecticutHomes #HomeRestoration #RafeChurchill #HeideHendricks

Roy and Barbara Law, high school sweethearts, fulfilled their lifelong dream of living in Longport, a beach town where they both vacationed as children. In 1996, they purchased a 1,500 square-foot bungalow with three bedrooms and two bathrooms, situated just 2.5 blocks from the beach. The home serves as a central gathering place for their two sons, four grandchildren, and their friends, especially after surfing sessions, a sport deeply ingrained in Barbara's family history. The kitchen is a key family area where Barbara, known for her sourdough bread, prepares meals for everyone. The kitchen, despite its size, accommodates many people and extends to a deck, making it ideal for entertaining. Original cherry cabinets, sand-colored Corian countertops, and luxury vinyl floors are notable features. A wooden Alaia surfboard, handcrafted by Roy during a course he attended, hangs in the kitchen, awaiting a grandchild to use it. The couple enjoys antique furniture, which Roy restores, found during travels or at thrift shops. A unique piece is a layered resin coffee table with embedded seashells, custom-made for their 25th wedding anniversary by artist Joe Twombly. Roy's collection of Bosson chalkware heads, depicting literary characters, dates back 50 years, with a pirate being his favorite. The Laws spend considerable time at the beach, observing surfers and collecting sea glass, some of which Roy incorporates into jewelry. Their backyard is a two-level space with an upper deck and a brick-hardscaped lower area. White Polywood furniture with blue and white cushions provides seating on both levels. A small koi pond with water hyacinths and lily pads adds to the ambiance of the lower yard. The fenced-in yard is maintained with a variety of plants and flowers. Their son Adam, holding a degree in environmental studies, has introduced native and unusual species like heavenly bamboo, milkweed, trumpet vine, and Maximilian sunflowers. Their other son, Michael, has contributed tropical flowers, enhancing the garden's diversity. The backyard's design and plant selection contribute to a warm microclimate, making it comfortable even in early spring and fall. The home’s shaded front porch is a favored spot for reading and interacting with neighbors, fostering a friendly community atmosphere. Both retired teachers, Roy and Barbara Law are actively involved in local volunteer efforts, supporting organizations such as the South Jersey Field of Dreams and the Donny Fund. Despite their sons owning larger homes, the Longport bungalow remains the preferred gathering spot for family and friends, particularly during the summer. #LongportBungalow #JerseyShore #BeachLife #HomeDesign #FamilyHome #Antiques #SurfCulture #CoastalLiving #CommunityInvolvement

Jamie and his wife undertook an ambitious renovation of a dilapidated two-bedroom 1960s bungalow in a Nottinghamshire village, transitioning from Birmingham city life to a more intentional, rural lifestyle. The decision to move was influenced by the pandemic, which highlighted their preference for a quieter environment away from city noise. Despite initially seeking a larger, fully renovated house, a last-minute sale fall-through led them to the bungalow. They were somewhat naive about the extent of work required but quickly committed due to their children securing places in local schools and their affection for the village. The village, with only 250 residents, offers a unique blend of countryside living and convenient access to Nottingham, being just 20 minutes away by car. The compact nature of the 1960s property presented a significant challenge for the family of four. To address this, Jamie enlisted architect David Jackson-Crane, who reimagined the single-storey layout. The redesign focused on creating open spaces and maximizing natural light, all while adhering to green belt regulations. Jackson-Crane proposed utilizing the roof’s volume to achieve higher ceilings instead of adding a second floor with sloped ceilings, a solution Jamie, being six-foot-two, found ideal. This approach successfully created space for the children's bedrooms and a home office. The main bedroom suite was positioned at the opposite end of the bungalow. The original part of the house was opened up to establish an open-plan kitchen, dining, and living area at the rear, fostering a more connected family environment. During the renovation, the family temporarily resided in a nearby village. The planning phase experienced frustrating delays, including a six-month wait for a bat survey due to seasonal restrictions after a single bat dropping was discovered. Despite these setbacks, the local planners were impressed with their design and efforts to incorporate eco-friendly solutions. Collaborating with specialists Carbon Legacy, they integrated an air source heat pump and solar panels into the property. Jamie and his wife strategically planned every detail to make the most of the smaller living space. Interior designer Laura Gray worked with the architect from the project's inception, ensuring that each room was both functional and thoughtfully furnished. Gray's involvement ensured that window designs complemented desired curtains and blinds, and she helped refine the layout to create a practical and livable home. The interior design adopted a mid-century modern aesthetic, with accents of Art Deco and bold colors, providing a fresh design foundation. To ensure a cohesive new interior, they even gave away most of their old furniture. Living in a single-storey home has provided unexpected benefits, including a stronger family connection and a future-proof design without steps or ledges. The eco-friendly installations have also significantly reduced their energy bills to a quarter of what they previously paid. Despite the challenges, including the prolonged planning process and exceeding the initial budget, Jamie remains confident in their decision, expressing daily appreciation for their well-designed and functional family home. #HomeRenovation #BungalowMakeover #InteriorDesign #EcoFriendlyHome #RuralLiving #OpenPlanLiving #FamilyHome #ArchitecturalRedesign #Nottinghamshire

This article details a home renovation project undertaken by Barbara Herbst and her husband in their early-1900s Watertown home. The couple, both avid cooks, faced challenges with a cramped kitchen layout due to an existing mudroom that encroached on the space, making it difficult for two people to work simultaneously. Rather than expanding their 2,005-square-foot home, they opted for a renovation focused on maximizing kitchen functionality, a decision that initially caused hesitation about removing the mudroom. The Boston-based designer Meredith Thayer was brought in to address these issues. Thayer's solution involved demolishing the mudroom walls to create a more open and efficient kitchen area. A key part of the redesign was relocating the refrigerator, which had previously occupied a central position, to an adjacent wall next to a window. This strategic move created a new mini-entryway, equipped with a peg rail for coats and bins for shoes, ensuring that the function of the mudroom was not entirely lost but integrated more seamlessly into the home's flow. Further enhancing the kitchen's functionality, the sink was moved from under the window to an enlarged center island. This change provided the homeowners with more workspace and a better view, facilitating easier interaction during food preparation and fostering a more efficient 'cooking triangle' that was absent in the old layout. The main storage and utility areas were positioned behind the island, contributing to a streamlined design. The couple embraced Thayer’s suggestion to switch from a gas range to an induction cooktop. Pantry cabinets, designed with a shallow depth of just 12 inches, were installed to align flush with the range, preventing a bulky appearance and preserving the island's size. Aesthetically, the kitchen features creamy white cabinetry, white marble countertops for the perimeter, a walnut island with a soapstone top, and cardamom-colored subway tiles. These material choices were made to retain the warmth characteristic of the older home while also brightening the space, with the walnut and tiles complementing the existing dark woodwork. To improve the connection between the dining room and the newly designed kitchen, Thayer incorporated softly curved cabinetry. This design element includes a dedicated compartment for guests' coats, ensuring practical storage without the need for a separate mudroom. The curved cabinetry, featuring V-groove planking and walnut accents, also added visual richness and a smooth transition between the two living areas. The homeowners expressed complete satisfaction with the outcome, stating that the added storage and the removal of the mudroom resulted in "zero regrets." The project underscores a thoughtful approach to home renovation, prioritizing practical functionality and aesthetic harmony within the existing footprint of an older home. The design solutions effectively addressed the homeowners' specific needs for a more spacious and usable kitchen, demonstrating how strategic modifications can significantly improve daily living without requiring a major expansion of the property. Resources for the project included Thayer Design Studio for interior design and Austin Design Build as the contractor. The article includes photographs illustrating the transformation, with a focus on the new kitchen and a 'before' shot of the original mudroom area, along with a detail of a powder room vanity made from leftover soapstone. The overall tone is objective, detailing the design choices and their practical benefits. #HomeRenovation #KitchenDesign #InteriorDesign #WatertownHome #SpaceOptimization #MeredithThayer #HomeImprovement #KitchenExpansion #HouseRemodel

This blog post showcases the renovation of a 5-room HDB BTO unit in Northshore, Singapore, transformed into a French Colonial-style home for a semi-retired expat couple and their son. The homeowners, having a deep appreciation for French Colonial aesthetics from their travels, engaged Ovon Design to interpret and execute their vision. The renovation, costing $98,000, involved a complete overhaul of the 1,249 sq ft apartment, which includes three bedrooms (one converted into a study/guest room) and two bathrooms, along with a wet and dry kitchen and an open living and dining area. The design theme blends French Colonial with subtle touches of English countryside and Asian heritage, creating a warm and inviting atmosphere. A neutral color palette is consistently applied throughout the home, beautifully complemented by the couple's collection of solid wood furniture. Dark walnut-colored vinyl flooring is used across all rooms, reflecting warm light and providing a rich contrast to other textures and tiles. The property's waterfront location on the northeast side of Singapore enhances the serene, countryside-like ambiance, distancing it from typical city life. The living room features an open-plan layout with a neutral-toned sofa dividing the television area from a dark-wood, round dining table. Floor-to-ceiling windows provide ample natural light and views of the ocean. Vintage art posters depicting China adorn wainscoting-paneled walls, alongside antique French-looking wall sconces. Mahogany tones in the furniture, beige accents in an ottoman, and brass finishings, such as pot plant holders, further reinforce the French Colonial aesthetic. A statement pendant lamp above the dining table creatively merges Asian and European design elements. In the Master Bedroom, high ceilings and light-colored walls highlight the French Colonial design. A queen-size sleigh bed with a mahogany headboard and raised finials creates a refined, royal feel. Sheer and printed curtains add layers of luxury and warmth, while wall sconces and vintage lamps contribute to the antique ambiance. The Master Ensuite, accessible through an arched-panel white door, features French Blue-print tiles on the upper walls and white marble tiles on the lower half, with gold brass fixtures, and a vanity combining rattan, solid wood, and brass. The son's bedroom, designed for his visits from abroad, follows a masculine navy and dark French blue color scheme, reminiscent of French military uniforms. It includes built-in cupboards, a desk, and wainscoting that doubles as a headboard, along with white-shutter windows and blue and white plant-printed curtains. The study room, functioning as a guest room and entertainment space, houses a vintage record player, books, and travel trunks. A black leather couch converts into a sleeper bed, and a professional work desk is positioned by a floor-to-ceiling window. The dry kitchen balances French Colonial style with modern finishes, featuring light-colored cupboards and appliances, dark accents, and rattan and wood barstools. A glass partition separates it from the wet kitchen, maintaining spaciousness and aesthetic coherence. The renovation was completed in three months, showcasing the interior designer's ability to translate the homeowners' specific vision with minimal changes. #HomeTour #FrenchColonialDesign #HDBRenovation #InteriorDesign #SingaporeHome #ExpatLiving #Northshore #OvonDesign #VintageDecor

Architect Anand Sheth, a Bay Area-based professional, embarked on a project to transform the outdoor space of friends who had recently relocated from Oakland to Los Angeles. Drawing on his memories of growing up in L.A. and spending considerable time in friends' backyards, Sheth envisioned an outdoor environment that celebrated the 'messiness, sandiness, and sweatiness' of life in Southern California, moving beyond a basic setup to create a sophisticated, multi-functional area. The clients, known for their hospitality, sought a versatile space suitable for large gatherings, intimate conversations with a single friend, or personal relaxation. Sheth's background in hospitality design, where he typically creates spaces conducive to gathering and serving as destinations, aligned well with their vision. The initial state of the home featured concrete extending from all side and back doors. Recognizing that the homeowners, who only possessed one car, did not require an extensive driveway leading to their garage (which they repurposed into a home gym), Sheth collaborated with landscape architect Anooshey Rahim, principal of Dune Hai. Together, they planned to convert the long stretch of land into a vibrant, plant-filled retreat that would also incorporate distinct zones for dining and lounging. A key aspect of the design philosophy was to integrate greenery thoughtfully, rather than treating plants as mere boundaries. Rahim's influence encouraged a shift from a traditional architectural perspective, which might use plants as buffers, to an approach that envisioned larger planters and 'rooms' for both plants and people. This led to the incorporation of various plant sizes and maturities, including fan palms, monkey flower, and silver feather grass. To emphasize the equal importance of human and plant spaces, exaggerated curves were carved into the cedar decking, allowing plants to occupy more prominent areas. This design choice was also influenced by the forms of Roberto Burle Marx's iconic rooftop gardens in Brazil. Visual consistency was achieved through the extensive use of slatted cedar wood for the gate, mailbox, steps, and fence, expertly installed by landscape contractor Matthew Gray. This material choice provided a unifying warm aesthetic, contrasting effectively with the cooler tones of the plant palette. Given the intense Los Angeles sun, shade sails were incorporated to provide essential coverage over the dining area and sofa during the day. The designers also selected durable outdoor furniture, such as woven ottomans from Shore, known for their UV-resistant, heatproof, waterproof, and easy-to-clean performance silicone cords. For the small patio off the primary bedroom, the remaining concrete was adorned with tiles from Concrete Collaborative, arranged in a striped, U-turn motif. This graphic tiling served to anchor the space visually, similar to a rug, but without creating a dust trap or tripping hazard. The exterior of the house also underwent a transformation. After observing a prevalence of dark-colored, newly renovated homes in the neighborhood, Sheth guided the clients toward a creamy white exterior with a sage green front door. This choice aimed for a more inviting and community-friendly aesthetic, rather than stark modernity. Furthermore, the cinder block divider along the sidewalk was removed, and the new fence was set back, opening up the front yard to the public and creating a 'free garden experience' for passersby, enhanced by additional plantings. This thoughtful approach contributed to a harmonious integration with the neighborhood while providing the homeowners with a functional and aesthetically pleasing outdoor sanctuary. #OutdoorSpaceDesign #ZenGarden #LandscapeArchitecture #CedarDecking #PlantIntegration #LADesign #HospitalityDesign #ShadeSails #ExteriorRenovation

This article details the interior design project undertaken by Lauren Wills of Fort Greene-based Wills Design Associates for a young couple's first home in Park Slope, Brooklyn. The couple, on the cusp of starting a family, acquired a three-bedroom brownstone floor-through apartment. Wills, a close friend of the couple, was tasked with furnishing and decorating the entire space from scratch, as the homeowners possessed only a king-size mattress and two flat-screen TVs upon moving in. The apartment itself was in excellent structural condition, featuring original moldings, tin ceilings, and a large vintage mirror, thus requiring minimal architectural alterations. The primary work involved installing an HVAC system, which necessitated opening up the hall ceiling, and addressing minor cosmetic needs like replacing missing baseboards and molding around one door. Beyond these adjustments, the project focused on cleaning, painting, and furnishing the space to create a fresh, comfortable, and easy-to-maintain environment suitable for a growing family. Wills, a Pratt Institute alumna with a BFA in interior design and prior experience with high-profile Manhattan designers, launched her own firm approximately a year and a half before this project. She managed the budget effectively, sourcing most furnishings from popular retailers like West Elm and CB2, complemented by items from online stores and vintage furniture sites like Chairish. The color palette for the main living areas utilized Benjamin Moore’s White Diamond for walls and Snow White for ceilings, chosen for its clean, fresh, and slightly gray-toned "invisible white" aesthetic, as specified by the client to avoid yellowish off-whites. The living room features a sectional sofa and TV console from West Elm, art from One Kings Lane, and a Verner Panton knockoff chair from Overstock. The dining area includes a distressed green cabinet from Chairish and a concrete composite dining table from CB2, which matches the living room's coffee table. Functional and aesthetic details include a cluster of circular mirrors near the entry to brighten the exposed brick, and ceiling lights from CB2 installed during the HVAC upgrade. In the master bedroom, Benjamin Moore’s Blacktop serves as a statement wall color, paired with a cane headboard from Serena and Lily and artwork from Pure Photo. A discreet bamboo cabinet hides electronics, and blackout shades from Home Depot provide light control without cords. The combo study/guest room is painted in Benjamin Moore’s Blue Danube, with a ceiling light from Jonathan Adler and a wall sculpture from One Kings Lane. An alcove was transformed into an office with a white laminate desk surface and stained-wood shelves. The existing bathroom received a splurge in the form of fish wallpaper from Cole & Sons, with the door painted in a coordinating Benjamin Moore Coral Gables pink. The overall design reflects a thoughtful balance of aesthetics, functionality, and budget-conscious sourcing, tailored to the clients' new phase of life. #InteriorDesign #ParkSlope #BrooklynLiving #FirstHome #WillsDesignAssociates #HomeRenovation #ModernAesthetics #BudgetFriendlyDesign #Brownstone

Carole and Don Watanabe have transformed an ordinary 1963 California ranch-style house in Sebastopol into a unique and vibrant living art piece called Chez La Vie. Carole, a multi-talented artist, and Don, an architect, collaborate to create a home that is an ongoing project of artistic expression and precision. The property encompasses multiple structures, including their main residence, an attached apartment for Don's father, an appealing guesthouse known as the Art Chapel, and various utilitarian sheds that are integrated into the artistic landscape. The main house immediately catches the eye with its vibrant ultramarine blue exterior, trimmed with deep turquoise and brick red. A wide berm in front of the property features Carole's "drive-by gallery," where steel frames crowned with corrugated aluminum roofs will display sheet metal paintings by local children, sold to support school art programs. The entrance to their home and Don Sr.'s apartment are adorned with enormous antique Indonesian facades made of intricately carved teak. Tall columns flanking the Watanabe entrance are covered in colorful spirals, created by Carole using abandoned mirrors and broken ceramics, giving them a jewel-box appearance. This use of found and repurposed materials is a hallmark of Carole's work, with a significant portion of the home's materials sourced from salvaged items, often acquired for minimal cost from places like a Santa Rosa Goodwill store. The backyard features a stream circulating water through the Paradiso Pond, which Carole considers her most significant work. The pond, a 4-foot-deep, rubber-lined creation, is landscaped with truckloads of rock and adorned with lilies and other water plants, evoking a Monet painting. On the western edge of the property, an outdoor fireplace, a table under a large tree, painted chairs, tiled tables, carved benches, tiny sculptures, clever mobiles, and painted fences contribute to the whimsical atmosphere. A curving dragon made of random ceramics weaves through the garden, intersected by brick pathways leading to a double-doored gateway to the neighbor's property. Inside, the whimsical aesthetic continues with furniture crafted from discarded wood and an assortment of found objects. Walls are accented with Carole's cursive writing and display her paintings, drawings, and sculptures. Recessed altars and mirrors decorated with colorful tiles are present throughout the interior. The flooring varies from room to room, incorporating area rugs and even a floor covered with squares of fabric and old photographs sealed with Varathane. The master bedroom features a custom-made headboard and Carole's handwriting on the walls, while her studio serves as her creative sanctuary. The Watanabes envision Chez La Vie as an "elder compound" where they can age gracefully amidst their beloved creations. They plan to host art openings in their spacious backyard, with a pizza oven available for guests. Banners of art, much of it created by children, will adorn patios and fences, transforming the home into an interactive gallery open to the public. #HomeTransformation #ArtisticHome #RanchHouseRenovation #SebastopolHomes #CreativeCouple #FoundObjectsArt #GardenDesign #SustainableDesign #SonomaHomes

Meleana Estes, a jewelry designer and author of 'Lei Aloha,' along with her family of three, downsized from a large, renovation-needing home to a 1,000-square-foot turnkey beach bungalow on Honolulu’s south shore. The move necessitated a strategic approach to organization to accommodate Estes' extensive vintage collection. Key elements of her collection, such as an antique Indonesian dresser and original artworks by Allen Akina, were successfully integrated into the smaller space. A significant aspect of the transition was converting a small back cottage into a "muumuu sanctuary," ensuring her fashion collection was preserved. Heirloom furniture, large casegoods, and a collection of surfboards also made the move. Estes' design philosophy is heavily influenced by her Hawaiian heritage, which she describes as an inclination towards adornment, layering, and embracing the "extra." This is evident in the vibrant color palette throughout her home, particularly her fondness for pink, which she integrates in various areas, allowing different elements to complement each other. Her approach suggests that if something brings joy and feels right, it is meant to work together. The 1926 bungalow, already tastefully updated with a light touch, provided an ideal backdrop without requiring additional renovations. The white walls and black double-hung windows establish an elegant foundation, with matching shades offering both light control and architectural definition. Incorporating sufficient storage was a priority for Estes. She implemented open shelving in the kitchen and freestanding cabinetry, including a large glass-front piece in the living room acquired from a friend's shop. Her son's bedroom features a green hutch, offering an organized solution for his monster trucks, books, and trinkets. Estes also collaborated with local design studio Woven to create a blue bar cart for the kitchen, which serves a dual purpose for drinks and storage of books and seashells. Woven also fabricated the coffee table in the living room's sitting area. The home seamlessly blends vintage finds with modern furniture. Inherited pieces form the core of the design, reflecting Hawaii's historical practice of crafting furniture from local materials and passing them through generations. The rattan sofa and chair set in the living room, belonging to Estes’ grandmother, were updated with new upholstery. A pedestal dining table made from Koa wood, indigenous to Hawaii, is another cherished family heirloom. Estes encourages mixing styles and eras, emphasizing trust in one's personal taste, stating that if you love something, there's a reason it belongs. Although the bungalow is not intended as a permanent residence, it currently perfectly suits their lifestyle. The home has become a central hub for social activity, often resembling a "surf club." Estes' husband keeps his boat in the garage, and friends frequently visit to rinse off after surfing. Her son's friends also pass through between beach volleyball games. Their expanding collection of colorful surfboards doubles as decorative elements when not in use. This communal atmosphere, combined with the beautiful water and frequent gatherings with food and drinks, encapsulates what Estes describes as the "best of Honolulu life." #HomeTours #DesignInspiration #HawaiianDesign #SmallSpaceLiving #VintageDecor #MaximalistStyle #InteriorDesign #HonoluluHome

The article details the design philosophy and interior of "The Ochre Home," the residence of artist and freelance stylist Geraldine Toh and her husband, Vincent Lim. The name "Ochre Home" was chosen by Ms. Toh to reflect the predominant color palette and earthy sensibility of their space, which primarily features shades of brown, yellow, and orange, reminiscent of the natural clay pigment. As an artist, Ms. Toh often uses ochre in her paintings, further solidifying its significance to her home's aesthetic. The home's style is described as mid-century modern inspired with an eclectic mix. Ms. Toh, who studied fine arts, showcases a keen eye for color, proportion, and design. The couple selected a 30-year-old apartment for its spaciousness, airiness, and square layout, which simplified space planning. Key layout modifications included removing a kitchen wall to create an open entrance, repositioning the common bathroom door for discretion, and moving the master bedroom door to facilitate an open-concept walk-in wardrobe. The initial impression upon entering the apartment is one of expansive open space. A central tenet of Ms. Toh's design approach is the belief that furnishing a home should be a gradual process, allowing for the collection of unique pieces with personal stories. She views her home as "forever a work in progress," emphasizing modularity and movability to allow for frequent rearrangements and to maintain visual interest. She favors eclecticism over perfectly matched sets, choosing standalone pieces that complement the overall color scheme and texture, ensuring that new additions enhance rather than disrupt the aesthetic. This approach creates pockets and corners with distinct functionalities within the larger open space. Throughout The Ochre Home, visual interest is evident in various details. Ms. Toh painted a mural of a flower on one wall, and customisable fabric outer jackets on the Toshiba Haori air-conditioning units blend seamlessly with the interiors. The couple dedicated time to assembling their furniture, often thrifting pieces or carefully selecting others for their historical significance and narrative. For instance, their Commune leather sofa was acquired from an expatriate family, and their stackable dining chairs are vintage 1980s Casala Obo Formsitz pieces sourced from AA Furniture, specializing in vintage Japanese furniture. The study area, carved out from the main living space without walls, features a 1960s Danish kidney-bean-shaped desk from local store Noden. Lighting fixtures also hold historical value, such as a vintage 1970s Louis Poulsen Panthella lamp from Aria Design Store, which exhibits a beautiful patina. Other notable pieces include a 1960s Danish coffee table, a thrifted Marcel Breuer cantilever chair, and a Flos Arco floor lamp. A 1970s pinecone wall lamp from a Danish vintage store in Vancouver was hand-carried home by Ms. Toh. Mid-century design signatures are prominent, with an Eames lounge chair, Hans J. Wegner’s CH24 Wishbone Chair, and a special-edition Safari chair by Kaare Klint. Personal touches include a pinewood side table and a kapur wood bench, both crafted by Mr. Lim. Beyond aesthetics, the home was conceived as a creative hub for the couple's artistic and hobby pursuits. A dedicated creative room stores art-making equipment, and plain white walls serve as a canvas for photographic prints, abstract paintings, and Ms. Toh’s first mural. The article concludes by noting that the couple's personal touches and years of inhabiting the space have successfully actualized their vision for The Ochre Home, creating a lived-in and deeply personal atmosphere. #EclecticHomeDesign #MidCenturyModern #OchreHome #ArtistHome #VintageFurniture #CreativeSpace #HomeStyling #SingaporeDesign #PersonalizedInteriors