A Sydney pied-à-terre that exudes understated elegance with an art-deco influence

This article details the second major renovation of a 1930s Streamline Moderne house in Bellevue Hill, Sydney, by designer Greg Natale. The initial redesign, twelve years prior, transformed a two-apartment building into a 3,600-square-foot single-family home. This first renovation involved structural alterations, including a sunken living room and Juliet balconies, and adopted a Hollywood Regency aesthetic with a black-and-white palette, pops of color, checkerboard marble flooring, and rectilinear spaces. In 2020, socialite Eleni Taylor purchased the property, seeking a softer, more feminine interior that would integrate the exterior's curvilinear forms. Taylor, inspired by Cycladic architecture, desired pared-down, fluid spaces. Natale was commissioned again, undertaking a complete gut renovation, a unique experience for him, allowing for a reinvention of his design approach. While structural changes were minimal, such as reconfiguring and extending the second floor to four bedrooms and three bathrooms, and updating exterior elements like balustrades and fenestration, the interior envelope underwent a radical transformation. The renovated interior eliminates previous moldings, paneling, and ornamentation, replacing straight edges and angular corners with sinuous lines, swelling forms, and arching portals. The walls and ceilings are finished with a natural-clay plaster, imparting a silky tactility and creating organic, pristine living spaces that evoke a light-filled, sophisticated cave-like atmosphere. The entry features a custom bronze front door opening to a new sculptural staircase that ascends in a flowing arc. The entry hall is paved with Patagonia Verde quartzite, a Brazilian stone with sea-green and smoke-gray swirls, which introduces the home's extensive use of dramatic marble patterns and hues. The client's preference for marble is evident throughout, with full-slab bathrooms featuring Verdi Alpi in the powder room and Arcadia in an upstairs bathroom. Breccia Capraia, a Carrara marble with pink, purple, and charcoal gray veins on a white background, was imported from Italy and used for kitchen countertops, an island, a backsplash, a vent hood, and in the main bathroom for flooring, the shower cubicle, and a custom double-sink vanity. American oak serves as the principal wood, used for chevron-patterned flooring, minimalist kitchen cabinetry, and millwork in the children's bedrooms, including a built-in desk with travertine pulls. Furnishings blend mid-century classics, such as a Warren Platner lounge chair and a Vladimir Kagan Serpentine sofa in the living room, with contemporary pieces like Lara Bohinc’s Orbit chairs and Marco Pagnoncelli’s Masai pendant fixtures in the dining room. These selections, alongside items like Gio Ponti's Bilia table lamp and Grant and Mary Featherston’s Scape chair, reflect a spirit of 20th-century modernism. The overall design harmonizes the building's original Streamline Moderne exterior with a newly softened, curvilinear, and material-rich interior, creating a sophisticated and flowing residential experience. #GregNatale #StreamlineModerne #SydneyArchitecture #HomeRenovation #InteriorDesign #MarbleInteriors #CurvilinearDesign #LuxuryHome

This article explores the transformation of a late-1990s, two-level apartment in Sydney, Australia, undertaken by Dylan Farrell Design. The renovation aimed to blend the relaxed aesthetic of Australian living with the sophisticated grandeur reminiscent of a Parisian flat. This unique fusion was developed for long-term clients who granted the design studio the creative freedom and financial backing necessary for ambitious aesthetic choices, including expanding the budget where exceptional results were possible. The 465 sq m apartment, featuring four bedrooms and four bathrooms, was redesigned with a focus on its prominent city skyline views. Dylan and Nicolette Farrell, the New York-based duo leading Dylan Farrell Design, intended to counteract the typical lack of 'charming patina' in contemporary Australian buildings by importing the atmosphere of a classic Parisian apartment. This involved extensive work such as concealing modern systems within existing structures, designing and casting custom architectural mouldings, and developing bespoke finishes to evoke a sense of timeless elegance. The interior's color scheme is characterized by a deliberate tension between serene, airy neutrals and 'unexpected and almost overwhelming moments' of vibrant, saturated colors. For instance, the main suite maintains an almost entirely achromatic palette, while the stairwell is enveloped in a vivid aqua Venetian plaster. Throughout the apartment, quiet neutral tones are strategically punctuated by deeper greens and brilliant reds, creating visual interest and dynamic shifts between spaces. Material selections further amplify this exploration of contrasts. Adjacent areas may feature dramatically different textures, such as sandblasted surfaces juxtaposed with polished marble. Polished nickel fittings are contrasted with blackened steel and hand-forged metals, which were utilized for elements like doors, shutters, and lighting fixtures. Even the flooring, composed of rustic, variegated floorboards, provides a deliberate textural counterpoint to the smooth, glassy surfaces of the polished plaster walls. Ultimately, the project culminates in a home that masterfully combines austerity with glamour. It marries a contemporary, laid-back Australian sensibility with the opulence found in 19th-century Parisian design. This significant transformation was achieved by reconfiguring the original building's 'rabbit warren' of small, constrained rooms into an expansive, open-plan central core, establishing a distinctive character for the residence. #SydneyApartment #ParisianGrandeur #InteriorDesign #DylanFarrellDesign #LuxuryInteriors #ArchitecturalMouldings #MaterialContrast #ColorPalette #RenovationProject

Lachlan Seegers, an Australian architect, designed the Erskineville House in Sydney around a native spotted gum tree. The house is situated on a narrow, long plot measuring 4.8m wide and almost 36m long. The exterior maintains a traditional period frontage, featuring arched windows, a covered porch, and a corrugated metal roof. In contrast, the interior reveals a minimalist design with a linear plan that emphasizes verticality despite being a two-story property. The house is functionally divided into two sections by a central courtyard, where a 20m spotted gum tree stands. This tree, planted in the 1970s as part of a city-wide greening initiative, serves as a dynamic focal point. Its mottled bark and dense canopy offer an evolving display of nature throughout the year. The entrance lobby leads past a ground-floor bedroom into the main living area, which includes a sunken living room, a kitchen, and a dining room. These spaces are arranged around the glazed courtyard, with the kitchen set up in a galley-style configuration along one edge. A utility space, bathroom, and garage are located at the rear of the property. Two distinct staircases, positioned at opposite ends of the house, provide access to two independent, self-contained bedroom suites upstairs. Each suite boasts its own terrace, offering views into the tree's branches. Above the galley kitchen, a raised roof incorporates three large rooflights with yellow-painted walls. These features enhance the sense of spaciousness and draw more natural light and views of the tree into the interior. The bathrooms are also equipped with lightwells, lined with dark blue tiles to evoke an underwater atmosphere. The spotted gum tree not only serves as a visual centerpiece but also influences the interior's material palette. The color of its bark inspired the tint used for the joinery throughout the house, and spotted gum wood was specifically chosen for the staircases. Seegers meticulously designed every view and aperture to create a living environment rich in subtle colors, natural light, and warm materials. The Erskineville House was recognized for its design, being shortlisted for a 2022 Australian Interior Design Award, highlighting its successful integration of nature with modern minimalist living. #ErskinevilleHouse #LachlanSeegers #SydneyArchitecture #MinimalistInterior #SpottedGumTree #CourtyardDesign #AustralianDesignAward #ResidentialArchitecture #ModernLiving

Interior designer Elise Croker has transformed her 1920s Art Deco apartment in Woollahra, Sydney, into a unique Airbnb rental named Frida's. This is the fourth property Croker, a self-taught designer and nurse, has renovated for short-term stays, driven by a desire to create comfortable and happy spaces. The apartment's design emphasizes character and personality, shunning overly perfect aesthetics. A graphic wallpaper from Casamance around the fireplace serves as a central design element, with its textural, earthy colors informing the palette throughout the apartment. These colors, described as 'dirty colors,' are intended to evoke an earthy and calming sensation, as exemplified by the green carpet in the bedrooms, which provides a soft, tactile experience underfoot. Croker's design approach is intuitive, stemming from her nursing background, which prioritizes comfort and well-being. She carefully selects art pieces that complement the home's overall aesthetic, often incorporating timber, black, white, and green elements to connect with nature. The renovation of the Woollahra apartment was largely superficial, focusing on updates rather than structural changes. The original cornices and skirting were preserved to maintain the apartment's historical integrity, aligning with a gentle and sustainable renovation philosophy. The kitchen and bathroom, originally from the 1980s, were completely overhauled. The Woollahra location was chosen for its community feel, which reminded Croker of a country town within a large city. The top-floor apartment offers good natural light with a north-east facing orientation and views of Double Bay and Bellview Hill. Key features of the renovation include a green kitchen painted in Porters Paint 'Sediment,' chosen for its dark, elegant tone that changes with the sunlight. Lemon wallpaper from Morris & Co. throughout the space influences the overall mood, with its yellow tones echoed in other design choices. The main bedroom features pink walls and a custom-made bed head by Croker, crafted from plywood and upholstered in leftover boucle and a blue-green stripe, creating an elegant and luxurious feel. In one of the bedrooms, two low-lying bunks are centrally placed, a quirky decision that maximizes sleeping space without overwhelming the room. Croker sources art from up-and-coming artists, often through platforms like BlueThumb, and also finds unique pieces at markets and antique stores. Old-style light fittings, sourced from a local shop, and hardware from Trad Co contribute to the Art Deco ambiance and tactile experience, appealing to the five senses. Custom-made cabinets and wardrobes with curved and fluted ends, painted in Porters Paints 'Obsidian,' demonstrate Croker's innovative approach and willingness to challenge traditional craftspeople. The renovated bathroom also heavily features green tiles, harmonizing with the overall color scheme and the building's Art Deco heritage. The living room includes a gas log fireplace, a library with vintage collections, and various books, further enhancing the eclectic and welcoming atmosphere of Frida's. #ArtDeco #SydneyApartment #InteriorDesign #HomeRenovation #AirbnbStay #EclecticStyle #Woollahra #EliseCroker

Australia's diverse coastline offers a unique setting for luxurious homes, attracting both homeowners and designers. These properties, whether situated harbourside or beachside, are characterized by their ability to integrate spectacular views with sophisticated interiors, effectively blurring the lines between indoor and outdoor living. The designs often prioritize air, light, and the expansive sea and sky, showcasing natural assets through refined aesthetics. One example is an island-inspired family retreat on Sydney's Northern Beaches, which, despite its tranquil resort-like appearance, functions as a serene family home, featuring oversized timber doors and a calm compound layout. Another featured property is a modern coastal home in Sydney, which underwent architectural reorientation by Georgina Wilson. This redesign transformed a series of smaller rooms into a single, expansive space, maximizing natural light and capturing harbour views, thereby creating a seamless connection to the outdoors with a neutral palette. A free-spirited beachside holiday home showcases a vibrant and playful atmosphere, drawing inspiration from chic resorts. This makeover incorporates vibrant red hues, spicy ginger upholstery on outdoor furniture, and zesty citrus accents, complemented by intricate patterns throughout the space. A renovated Bronte Beach home by Tom Mark Henry features a simplified and restrained design. The renovation introduced new openings and large glass panels to provide uninterrupted views of the water. The interior design adopted a monochromatic palette of dove grey and milky white, with biscuity unfilled limestone flooring, creating a sandy texture that complements the coastal environment. In a relaxed harbourside property, interiors by Juliette Arent and Sarah-Jane Pyke complement the natural surroundings of the sea and mature trees. The home is distinguished by statement furniture, Australian art, and a warm color palette that enhances the daily lives of its residents. A modern Mediterranean coastal home in Palm Beach, designed by Megan Burns of CM Studio, features pure-white pavilions with billowing sheer curtains, pale rosewood interiors, and rough stone walls, evoking a Mediterranean ambiance suitable for a family-friendly holiday retreat. A minimalist harbourside home, designed by Phillip Mathieson, exudes pure luxury with a powerful minimal palette and is anchored by a magnificent gum tree. The design fulfills the homeowner's request for a sophisticated and serene permanent holiday residence. An arresting concrete home, positioned above Sydney's Balmoral, showcases a strong character derived from its robust materials and confident embrace of its bayside location, offering clear views of Sydney Heads. Finally, a modern coastal home in Sydney's eastern suburbs, designed by architect Matthew Krusin of Tobias Partners, is terraced into a sloping site to maximize ocean views. The design emphasizes a simple, luxurious aesthetic, with each level providing a unique experience as one ascends the property. These homes collectively demonstrate a high level of design sophistication, integrating natural beauty with contemporary luxury to create living spaces that are both visually stunning and functionally harmonious with their coastal environments. #CoastalHomes #AustralianArchitecture #LuxuryInteriors #HomeDesign #InteriorDesign #OutdoorLiving #SydneyHomes #BeachsideLiving #ModernCoastal

The article presents a case study of a Sydney apartment in Potts Point, a neighborhood known for its European ambiance, which was transformed by designer Tamsin Johnson. Originally an ordinary new build with modest proportions, the property underwent a complete renovation, demonstrating Johnson’s philosophy that small spaces can be exceptionally creative. The project involved gutting the entire interior, making it an entirely new design. The client, a young doctor, sought a comfortable and immersive escape from a demanding work life, with a particular emphasis on sophisticated kitchen functionalities. Tamsin Johnson is recognized for her ability to blend different periods and global styles, creating luxurious and livable spaces. For this apartment, she drew inspiration from the ornate decorations found in early 1900s European hotels, aiming to enrich every detail and envelop the owner in comfort. The redesign focused on achieving a refined yet eclectic aesthetic, incorporating elements of modernism, brutalism, and Art Deco. Key structural changes included the installation of steel-framed doors and windows and the enlargement of interior openings to eliminate any trace of the original mundane construction. The apartment now features a complex but harmonious dialogue between various styles. Furnishings sourced from Tamsin Johnson’s Sydney showroom, such as a 1980s green ribbon baroque chair by Anacleto Spazzapan and a 1950s Venetian pendant in the kitchen, contribute to its unique character. The designer highlights the importance of built-in bespoke joinery, particularly the living room fireplace, for its sculptural strength that anchors the room amidst its elaborate decor. Luxurious materials are prominently used throughout, with extensive application of marble and velvet on seating in the living and media rooms. Johnson emphasizes the interplay of textures—glass, sculpted timber, velvet, stone, and mirror—to create a visually rich and layered environment. The color palette is described as saturated but mild, deliberately avoiding vivid tones to maintain a calming atmosphere. Contrary to conventional wisdom about small spaces, Johnson advocates for a maximalist approach, encouraging designers not to fear scale but to infuse rich intimacy and visual nourishment into compact living areas. The apartment serves as an example of how a small space can become a special, jewel-box home through creative and thoughtful design. #SydneyHome #EclecticDesign #TamsinJohnson #InteriorDesign #SmallSpaceDesign #LuxuryInteriors #ArtDecoInfluence #MaximalistDesign #HomeRenovation

This article details the transformation of a three-story Sydney beachside home by interior designer David Flack, founder of Flack Studio. The client, a hardworking New Yorker with a blended family, sought a complete respite from his busy life, and while the original home featured a calming "white on travertine on white" coastal aesthetic, it didn't align with his personality. Flack, known for his intuitive design approach that eschews extensive questioning in favor of understanding a client's essence and lifestyle, aimed to create a home that reflected the client's witty, straight-shooting, and kind nature, while also incorporating a blend of New York, European, and Australian influences. Despite no significant structural changes beyond the addition of a bathroom, Flack Studio reimagined every aspect of the interiors. This involved introducing rich materials like walnut and American oak, polished plaster in jewel tones, terracotta tiles, and a diverse selection of marbles. The design intent was to evoke a sense of global sophistication. For instance, the modern kitchen features a hammered brass rangehood, Portuguese tiles, and rust-colored stone, creating a look that Flack describes as reminiscent of a Renaissance oil painting, or a blend of "Mexicana meets Milan" with Palladiana flooring and handmade checkerboard tiles. The dining area, which connects to the kitchen, includes a banquette as requested by the owner, complemented by an organic-shaped Christophe Delcourt dining table and Mario Bellini chairs, alongside art by Nabilah Nordin and Reko Rennie. The living room exudes a brownstone-salon vibe, characterized by timber library walls, timeless furniture, and a curated collection of art. Flack emphasizes that this space, despite facing the ocean, deliberately avoids a typical coastal aesthetic, aiming instead for an antithesis of beachside Sydney property design. The lower-ground level features a cellar and tasting room that channels a 1970s nightclub aesthetic, complete with Kiron Robinson neon wall art and pieces by Indigenous Australian artist Tracey Moffatt. Attention to intricate details is a hallmark of Flack Studio's work, such as a thin red line subtly integrated into the library joinery. This level of bespoke craftsmanship is fostered by clients who appreciate such nuances. The home also boasts a carefully chosen art collection, including works by prominent artists like Daniel Boyd, Dale Frank, Bill Henson, and Tracey Moffatt, alongside pieces from emerging artists. The bathrooms incorporate American oak, Opus marble, and vintage Murano glass lights, creating dramatic and tactile spaces. The client's satisfaction is evident in his ongoing communication with Flack, sharing his continued love for the home and photos of family gatherings, highlighting the success of the personalized and deeply considered design. #InteriorDesign #FlackStudio #SydneyHome #ModernCoastal #LuxuryInteriors #CustomDesign #ArtCollection #Materiality

This blog post showcases a lavish and environmentally conscious home located in Sydney’s north-west, designed by architect Julian Brenchley and interior designer Jase Sullivan. The property, built on a north-facing block purchased in 2019, emphasizes both grand living and sustainable practices. The owners sought a 'forever home' that was self-sufficient in energy and water, built with robust, long-lasting materials, and able to withstand the demands of a family with four children. The design successfully integrates expansive, luxurious spaces with practical eco-friendly features, without compromising on style or glamour. The architectural vision, led by Julian Brenchley of Group Architects, incorporated a 70s Hollywood aesthetic, which the owners embraced. The six-bedroom, three-level home is strategically designed to maximize its northern orientation for natural warming and cross-ventilation for cooling. It features a mudroom, workshop, and garage embedded into the site, with living areas, an office, one bedroom, and a rumpus room situated above. The top level is divided into a parents' wing and a separate wing for the four children's bedrooms, all arranged in a U-shape. Sustainability was a core principle in the home's construction and operation. Large banks of solar panels on the roof and substantial water storage tanks contribute to the home's near self-sufficiency in energy and water. The material palette was chosen for longevity and low maintenance, featuring concrete, glass, stacked sandstone, and charred-timber cladding. These materials are described as 'bulletproof and time-tested,' with the timber cladding being pest- and rot-resistant and maintenance-free. The commitment to local sourcing is evident, as all custom light fittings were sourced from Melbourne, and a produce garden complete with chickens further enhances the home's eco-credentials. Interior designer Jase Sullivan joined the project in 2021, tasked with transforming the large, open spaces with stone and glass walls into warm and inviting environments. His approach was to create a cozy, mid-century atmosphere, starting with the owner's cherished vintage Danish armchair. Sullivan opted for a 70s vibe, using sculptural furniture and an earthy color palette. He addressed the challenge of the home's scale by emphasizing texture, employing handmade Moroccan tiles for a feature plinth and patinated brass fittings to add warmth and a sense of aged character. The color scheme predominantly features tan and black, with accents of blue inspired by Joshua Yeldham's artwork, which serves as a central focal point in the living room. Key design elements include a sinuous De Sede ‘Snake’ sofa and a Don Cameron Studio floor lamp, chosen for their curved forms to contrast with the straight lines of the architecture. Two custom six-by-six meter rugs were used to define and soften the open-plan living areas. The design seamlessly blends the indoor and outdoor environments, with massive sliding doors on the ground floor providing an expansive connection to the outdoors. Upstairs, the raked ceilings and timber cladding create an airy feel, while the U-shape layout forms private family retreats. The use of natural materials throughout the home, including timber, concrete, and stone, contributes to its tactile and grounded feel, fostering a sense of warmth. The property is designed as a 'forever home,' intended to be passed down through generations, with the aspiration of it becoming heritage-listed in the future due to its modernist design and integration of classic mid-century furniture and art. #SustainableHome #LuxuryLiving #ArchitecturalDesign #InteriorDesign #SydneyRealEstate #EcoFriendly #MidCenturyModern #HomeTours #GreenBuilding

The article details the extensive renovation of stylist and interior design expert Kerrie-Ann Jones's 1950s waterfront home in Sydney. Despite its deceptive street-level appearance, the house is a spacious two-story residence featuring two kitchens, two living rooms, four bedrooms, six bathrooms, a home office, a small recording studio, a gym, and a pool. Jones, who is also the founder of The Stylist Lab, a YouTube series host, and a podcast cohost, embarked on this renovation as her fourth property project, having started her journey in real estate and construction at a young age. The renovation aimed to maximize the functionality and aesthetic appeal of every space. Jones and her husband, Andrew, specifically sought a north-facing property for optimal sunlight in Sydney. While the original home boasted unique features like cobalt blue bathroom tiles and silver disco wallpaper, many of these elements were deteriorated. Jones prioritized honoring the home's heritage by replicating certain details, such as the spiral steel staircase, and investing in pricier wood windows over modern aluminum ones to maintain historical accuracy. With the assistance of her bricklayer and sandstone mason father, Jones undertook significant structural changes. These included adding an extension to the garage and the children's wing, replacing the roof, downsizing the pool, and combining two bedrooms into a main suite. A key design decision was to situate the primary living areas, bedrooms, and laundry on the upper level for convenience, minimizing the need to traverse stairs with everyday items. A focal point of the interior design is the kitchen's Brazilian quartzite island. Jones carefully selected this stone for its striking appearance, characterized by sparkly flecks and swirling veins, and its practical benefits, including ease of cleaning and stain resistance. To ensure the island remained the central element, other kitchen features were kept minimalist, such as the streamlined, plaster-coated vent hood. Safety for her children was a consideration in rounding the edges of both the kitchen island and the adjacent living room fireplace. The kitchen also features open shelving, a practical choice for Jones due to her height, and an area for displaying decorative objects and cookbooks. The bathrooms showcase a creative approach to materials, with large format marble offcuts, including scraps from the fireplace and pieces sourced from online marketplaces, used to create a palladiana-patterned terrazzo look. Her father helped smash these marble pieces, which were then set by a subcontractor. Other bathrooms feature a more easily installed mosaic tile version of this pattern. In the primary bedroom, a warmer ambiance was achieved by lining a wall with walnut wood cupboards, grasscloth wallpaper inserts, and brass handles. The home's waterfront location provides a tranquil living environment, with views of boats in the bay, a feature that Jones has consistently sought in her residences. #SydneyHome #HomeRenovation #InteriorDesign #QuartziteKitchen #WaterfrontProperty #LuxuryInteriors #DesignInspiration #StylistHome #AustralianDesign

Owen Ow and Elaine Chew purchased a former bed and breakfast in Sydney's Forest Lodge, attracted by its proximity to their children's school and the potential to blend modern and historic design elements. The Victorian terrace, though charming with its large backyard and space for a pool, was initially characterized by a fragmented layout with numerous compartmentalized bedrooms, lacking cohesive living areas suitable for a family. They enlisted Shaun Carter and Julie Niass of Carter Williamson Architects to transform the space. The couple's vision involved retaining the original features in the front section of the house while transitioning into a modern, open-plan living area at the rear. The architects focused on enhancing the quality and connectivity of the spaces, achieving this by removing several walls and an unnecessary staircase. The new open-plan layout integrates the kitchen, dining, and living areas, with exquisitely handcrafted joinery used to subtly delineate these zones. Throughout the renovation, a warm and neutral color palette was maintained. Elaine's preference for ornamental pieces and Owen's inclination towards minimalism resulted in a balanced aesthetic. A peachy ochre paint, Dulux 'Kangaroo Pouch', was selected for the dining area, a decision that involved considerable deliberation to achieve the desired warm undertone. The new living area is anchored by terrazzo flooring, complemented by timber, marble, and brass elements, which provide a subtle contrast to the family's collection of colorful artworks, soft furnishings, and plants. Each item within the home was chosen for its personal significance, contributing to a space filled with stories and memories. Curved features are a recurring design motif, evident in the timber dowel and marble-topped kitchen island, which also incorporates built-in storage. The dining area continues this theme with curved joinery, shelves, and a rounded dining table and stools, alongside an arched entrance. A steel-clad archway and a brick step distinctively mark the transition between the older and newer sections of the home, creating a symbolic threshold into the heart of the residence. Strategic design choices brought natural light into previously dark areas. The bathroom features Ming green fishscale tiles and a Flos 'S1' suspension light, evoking a sense of calm and serenity. The primary bedroom offers abundant natural light and overlooks the backyard, creating a peaceful retreat. The design prioritizes a seamless indoor-outdoor connection, particularly benefiting warmer months, allowing the family to fully enjoy the pool and outdoor spaces. The design principles emphasize creating warmth in a neutral scheme through specific elements: choosing paint colors with warm undertones like peach, cream, terracotta, latte, or taupe; incorporating soft lighting through wall lights, pendants, and lamps to foster relaxation; and using decor with soft, tactile textures such as linen, velvet, microsuede, ceramics, and timber accents. This thoughtful approach has successfully transformed the Victorian terrace into a spacious, functional, and inviting family home that combines modern living with historical charm. #VictorianTerrace #HomeRenovation #NeutralPalette #ModernDesign #OpenPlanLiving #InteriorDesign #ArchitecturalTransformation #FamilyHome #SydneyHomes

Tali Roth, a Melbourne-born interior designer, has carved out a unique niche in New York's design scene, bringing a fresh, personal touch to interiors, particularly within the city's prevalent rental market. After moving to New York in 2013 with her husband and limited funds, Roth initially faced challenges in securing a traditional design role. Leveraging her background in psychology and fashion, she found an opportunity with a start-up agency that facilitated freelance designers, allowing her to utilize social media to build her own brand. This ultimately led to the establishment of her independent design business and the launch of 'The Playhouse,' her innovative 'shoppable office.' Roth's design philosophy is significantly shaped by New York's renting culture, which contrasts with Australia's emphasis on home ownership. She believes that living in a rental for decades necessitates making it comfortable and personalized, demonstrating that extensive decoration and even reversible renovations are achievable. For instance, she transformed her own Chelsea loft by applying a faux concrete finish to the walls and adding wainscoting in a previous apartment, all with the understanding that these changes could be reversed without issue. Her approach challenges the conventional limitations of decorating rental properties, emphasizing comfort and personalization over strict adherence to original conditions. Over six years in Manhattan, Roth has refined her signature aesthetic, describing it as 'pretty but not overly feminine, clean-lined but with a warm, mid-century edge.' Her design rule dictates that every interior should incorporate a mix of vintage, custom, and affordable or retro-fitted pieces, creating a harmonious and layered look. For artwork, she often draws inspiration from Australia, featuring pieces from artists like Minnie Pwerle, Adam Pyett, Stephen Baker, and Leila Jeffreys, and introducing clients to Australian brands such as Dinosaur Designs and Contemporary Editions, as well as glass artist Amanda Dziedzic. Currently, Roth is engaged in diverse projects, including the design of a flagship coffee venue for Bluestone Lane in SoHo, the offices for AWAY luggage, a multi-residential development in Brooklyn, and numerous private apartments, including one for a high-profile couple in the entertainment industry. Her material preferences lean towards glass, wood, and marble, favoring natural states and avoiding overly stained timber. While clients seek her distinct style, Roth prioritizes integrating their personalities into the space. She avoids being prescriptive, preferring to incorporate client-provided items, such as a grandmother's vase, even if they don't align with her personal taste, believing that these sentimental pieces bring joy and contribute to the overall balance and unique character of a home. #InteriorDesign #NewYork #RentalDecorating #HomeDecor #DesignPhilosophy #TaliRoth #MidCenturyModern #AustralianDesignInfluences #PersonalizedInteriors

Lisa and Gary Mieran, owners of Akyrah Kitchens, designed and largely built their two-storey, industrial-style home with modernist influences in Gympie, Queensland. The house, completed in December 2019 after a two-stage construction, is situated on land historically owned by Lisa's family. The design draws inspiration from Heide II, a modernist icon in Melbourne, celebrating concrete, timber, abundant light, and earthy tones. Lisa envisioned a home that would rise organically from the earth, becoming an integral part of the landscape and improving with age. The structure features off-form concrete, walls of glass, and tactile timbers, with the lower storey clad in cedar and the upper storey in recycled hardwood. Steel balustrading, handcrafted by Gary, complements the exterior, which also includes a swimming pool with Andorra limestone pavers. The interior features a breezeway offering spectacular views and airflow, with ceilings made of Henley Oak Grove engineered timber. The foyer includes a BassamFellows 'Geometric' day bed and artworks by Steve Waller. Given their expertise with Akyrah Kitchens, the kitchen in their home is a highlight, featuring blackbutt veneer doors, Basaltina benchtops, Circa taps from Brodware, and Inax 'Ceravio G' tiles. The living areas include a guest sitting area with a B&B Italia 'Le Bambole' sofa and a living room with a Cheminées Philippe fireplace and Jardan furnishings. The home was built in two stages to accommodate their grown children, Taren and Kirra. The first stage was a self-contained flat, which served as their temporary residence during the main build and now functions as a guest wing. The main house and another guest wing are connected by glassed walkways, with the main bedroom suite located upstairs. This design allows for three self-contained bedrooms with ensuites, providing private quarters for everyone while centralizing communal living spaces. Practicality and functionality are key design principles, evident in the integrated laundry within the bathroom behind a blackbutt joinery feature wall, and the kitchen's two large islands designed for simplicity and ample storage. The materials used throughout the home emphasize natural elements. Recycled timber is used for the upper storey and blackbutt joinery adds warmth, while the seamless flow of concrete from exterior to interior reinforces the architectural aesthetic. The home is designed for climate control, with generous light for winter warmth and cross-breezes for summer cooling. Lisa also undertook the landscaping, incorporating native plants like Xanthorrhoea, pandanus, native grasses, and succulents. The furniture, much of it Australian-made from brands like Jardan, is chosen for its timeless appeal and durability, reflecting the couple's preference for classic design over fleeting trends. The house stands as a testament to the couple's comprehensive involvement and shared vision, combining their professional skills with personal passions to create a harmonious and functional living space. #ModernistArchitecture #IndustrialStyle #ConcreteDesign #TimberAccents #SustainableMaterials #HomeDesign #OwnerBuilt #QueenslandHome #InteriorDesign

The Grounds of Alexandria in Sydney has launched a new installation called "Lavender Lane," transforming the venue into a purple floral paradise. This temporary exhibit, designed to celebrate the arrival of spring, features a tunnel of vibrant purple blooms and a diverse array of springtime florals. The installation includes several visually appealing elements, such as a walkway adorned with canopies of pink and purple flowers and a mirrored tunnel, enhancing its aesthetic appeal and making it highly Instagrammable. Lavender Lane specifically highlights Sydney's appreciation for purple hues, coinciding with the season for lavender, wisteria, and jacaranda blossoms. To complement the visual experience, The Grounds of Alexandria is also offering a range of purple-themed food and beverages. These include mini blueberry cakes and a lilac-hued floral fizz, which combines grapefruit lemonade with citrus and a hint of lavender. The venue aims to engage multiple senses, with the space emanating the scent of fresh blooms during the day. Beyond its daytime allure, the installation transitions into an equally captivating nighttime experience, illuminated by stunning purple neon lights. Visitors can access this floral laneway by dining at either The Cafe or The Potting Shed, two of the on-site dining establishments. Given its temporary nature, potential visitors are encouraged to make reservations to experience Lavender Lane before it concludes. This installation is part of a broader seasonal trend in Sydney, where various natural displays herald the arrival of spring. Other notable floral attractions across the city and its surroundings include golden daffodils, tranquil tulips, and pastel cherry blossoms, as well as fields of canola in regional NSW. The Grounds of Alexandria is known for its elaborate and visually striking installations, and Lavender Lane continues this tradition by offering a unique and immersive floral experience. #LavenderLane #TheGroundsOfAlexandria #SydneySpring #FloralInstallation #PurpleBlooms #InstagrammableSpots #ThemedFood #TemporaryExhibit #ThingsToDoSydney

Cloud House, a new residence in Bondi designed by Akin Atelier, serves as a serene sanctuary for a couple who divide their time between Singapore and Sydney. The design prioritizes careful consideration of apertures and subtle textures to foster a sense of expansive space and lightness within the home. The clients sought a house that would offer relaxation, facilitate enjoyment of the outdoors and sunlight, and eventually serve as a family home. A key design challenge was the clients' desire for the living space at the rear, which was the south-facing end of the site. Kelvin Ho, founding director of Akin Atelier, emphasized the meticulous attention given to junctions and openings, which he described as an opportunity to test their understanding of light and space. The design effectively uses various apertures and angles to fracture light into the building's core, ensuring ample sunlight despite the south-facing living area. A central courtyard, a double-height glazed wall, a raked ceiling, and strategically placed skylights are integral to illuminating the interior. These elements, combined with materials chosen for their interaction with light, create a calming and comfortable environment. The house's architectural composition features simple white geometric forms encircling a central courtyard. This courtyard not only ushers northern light into the living area but also functions as the main entry point, accessed via an external, bamboo-lined walkway. Glazing frames the courtyard, with an outdoor shower discreetly positioned among plants adjacent to the fence. The living, kitchen, and dining area, located behind the courtyard, appears simple but is a highly refined arrangement of materials and forms. A striking 6.1-meter glazed wall bathes the living space in sunlight, highlighting the textures and shadows of the adjoining white brick wall. A raked ceiling and gentle curves subtly guide movement and light deeper into the kitchen and dining areas. Functional elements are seamlessly integrated, such as a concrete step transitioning into a fireplace plinth, and shelving and cupboards evolving into kitchen cabinetry and a benchtop, all beneath a still-generous three-meter ceiling that defines a more intimate atmosphere. Minimalist glass doors connect the living space to a narrow side garden and a rear deck, stacking externally to maximize the indoor-outdoor connection. Project architect Georgia McGowan conducted extensive research to select glazing systems that balanced light maximization, indoor-outdoor flow, and cost-effectiveness. Slim-profile windows were chosen for critical openings, while standard profiles were used for side elevations. A flush floor finish and a fine-edged steel track further enhance the sense of uninterrupted space, with a slender circular column providing discreet structural support. This attention to detail extends throughout the house. Glass doors in the adaptable front room (serving as a guest bedroom, study, or family room) also retract into a wall. A distinctive round window in the bathroom pivots horizontally, contrasting with the facade's rectilinear lines. A skylight spanning the length of the staircase offers views of the sky, and slim-profile windows upstairs open to the courtyard. The second floor accommodates two bedrooms and a bathroom at the front, with the main bedroom and ensuite at the back. A passageway creates a natural division, allowing for the creation of private zones. The clients' bedroom, bathroom, and walk-in robe are arranged for spatial fluidity, with timber wardrobes divided by a vanity and a skylight illuminating the shower. Timber screens and neighboring bamboo create a secluded, sanctuary-like ambiance in the main bedroom, which also benefits from plants cascading from the roof. Operable rosewood timber screens, designed to weather and grey over time, contribute natural color and texture to the exterior while providing privacy. Elevated skylights create dynamic light and shadow effects. Ultimately, Cloud House exemplifies a design where seemingly disappearing windows, doors, and screens create a continuous and effortless sense of space, embodying Kelvin Ho's philosophy that "You don’t notice when you walk into a space, but you feel it." #ResidentialArchitecture #AkinAtelier #BondiBeach #NaturalLightDesign #IndoorOutdoorLiving #ModernHomeDesign #ArchitecturalApertures #Materiality #ContemporaryAustralianArchitecture

This article features the "Bike House," a project by fmd Architects in Melbourne, designed for an active family with a passion for cycling. The architectural approach addresses the constraints of a tight budget and limited urban space by employing a stacked structure to minimize the building's footprint and maximize garden area. This structural choice influenced the façade's arrangement, incorporating shading devices and privacy screens to create a private and sheltered environment for the occupants. The exterior of the house, constructed from cement and steel, features elements that fold outwards to function as privacy screens. A perforated aluminum fence extends from the building towards the street, a material chosen to deter graffiti. In contrast, a recycled brick wall serves as a designated canvas for street art, blending urban aesthetics with functional design. The design prioritizes flexibility in the interior spaces, anticipating the evolving needs of the family as their children grow. A significant influence on the design, and the source of the project's name, was the family's active lifestyle, particularly the father's dedication to cycling. This necessitated creative solutions for storing multiple bicycles, impacting both the layout and specific details of the house. Inside, the design adopts a more dynamic and vivid aesthetic, featuring angular geometries that convey a sense of activity. Contrasting materials such as concrete and timber are used, with recycled brick introducing a textured element alongside smoother surfaces in the kitchen. An oblique section of Vic Ash timber is integrated into the ceiling, extending downwards into the cabinetry, mirroring the folding patterns observed on the façade. Large windows and sliding glass doors in the dining room extend the living space into the enclosed garden, enhancing natural light within the home. The perforated aluminum material, also used for the exterior fence, is repurposed as a privacy screen in the bedroom, allowing light to filter through its openings. The children's bathroom features clean white tiles, arranged to echo the twisting and folding architectural motifs seen on the exterior. Beyond the primary living areas and bedrooms, the house incorporates three additional "flexible zones" to accommodate the family's active lifestyle. These spaces can adapt to various functions, such as a playroom, study, home office, lounge, or an extra bedroom, demonstrating a thoughtful use of every millimeter of space. The design ensures these spaces are adaptable to changes in family dynamics over time. The backyard includes a rich wood deck, built by the family, which provides a warm visual counterpoint to the concrete and steel structure of the house. A cleverly concealed shed on the south side offers storage for bicycles and tools. #ModernArchitecture #UrbanDesign #FamilyHome #FlexibleSpaces #SustainableMaterials #CyclingLifestyle #AustralianDesign #PrivacyScreens #CompactLiving

This article details the design and features of Garden House, a new residential property in Sydney's affluent eastern suburbs, designed by Pearse Architects. The house addresses the challenges of a constrained site, which is overlooked by several large, adjoining properties due to the area's subdivision history. Unlike many Sydney homes that extend outwards, Garden House is designed to turn inwards, creating a self-contained and self-sufficient private domain. The core design principle involves wrapping the main living areas on the ground floor and four bedrooms upstairs around a central, lush green courtyard. This strategy ensures privacy from neighbors while integrating nature into almost every room. The central courtyard is a pivotal element, characterized by subtropical plants, palms, and reed structures adorned with bromeliads. A two-story screen of angled vertical timber beams at one end of the courtyard further enhances privacy while still allowing distant harbor views from within the house. The courtyard is not merely an outdoor space but an integral part of the building, influencing circulation, drawing visitors' attention, and providing natural light, air, and a sense of calm throughout the home. One of the owners describes the garden as the "core of the house," particularly when lit at night, comparing it to a "jewel box." Designed for a family with teenage children, the house incorporates three distinct living areas. A formal living room at the front features sliding glazed doors that open to both the courtyard and the front garden, transforming it into a pavilion-like space. On the opposite side of the courtyard, an open-plan casual living and dining area adjoins the kitchen, with glazed doors leading to the rear garden. A third living area, located upstairs between two children's bedrooms, can be converted into a media room with heavy drapes. The central courtyard facilitates visual connections between these living spaces and other rooms, with views filtered by the surrounding garden. The new house replaces a single-story 1930s bungalow and exhibits a continuous interplay between transparency and solidity. The north-east facing front elevation combines face brick and glazed elements. Inside, sandstone blade walls, constructed from the original bungalow's footings, serve as a historical reference. The interiors feature honed bluestone floors and exposed concrete ceilings. A lightweight, stepped timber walkway with a double-height window connects the more robust front and rear sections of the house. Upstairs, the main bedroom and a fourth bedroom access louvre-edged verandahs overlooking the street and offering distant water views, while the two rear bedrooms benefit from sun and sea breezes through high-level louvred windows. The architects prioritized access to morning sun and good ventilation in their design. Green is a prominent color throughout the house, chosen to symbolically extend the garden's presence indoors. This is evident in the rich green glass tiles in the main bedroom's ensuite, pale olive green kitchen cabinetry, lime green in the entry hallway, and a vibrant green pivoting front door. A unique feature in the courtyard is a delicate chain suspended from an eave, designed to capture rainwater and splinter it into droplets that dance onto river stones below, adding an auditory and visual element to the natural integration. The article concludes by listing various products and materials used, along with project details, team members, and consultants involved in the Garden House project. The project was completed in 2013 after eight months of design and documentation and fourteen months of construction, demonstrating a thoughtful approach to residential architecture on a challenging site. #ResidentialArchitecture #CourtyardHouse #SydneyHomes #PearseArchitects #PrivacyDesign #GardenIntegration #SustainableDesign #ModernLiving #InteriorDesign

Adam Kane Architects undertook the renovation and extension of a dilapidated cottage in Barwon Heads, Victoria, Australia, transforming it into a contemporary, minimalist residence for a young couple. The project, known as 'Barwon Heads House,' sought to revitalize the heritage cottage while embracing the relaxed, coastal lifestyle prevalent in the area. A key design element on the exterior is the striking deep black paint applied to the entire existing cottage facade and roof, which creates a strong contrast with the natural textures of the surrounding landscape. Inside the home, the main living space is defined by a double-height, American oak-lined raked ceiling, which introduces a sense of openness and airiness. This feature is complemented by burnished concrete floors and hand-scratched solid plaster walls, which contribute to a muted color palette and textural richness. Pops of black are integrated throughout the interior, echoing the exterior's dramatic finish. The design carefully maintains heritage features, such as the original restored lining board ceilings and period skirting and architraves, seamlessly blending them with contemporary architectural elements. The choice of natural materials and a subtle color scheme aims to create a lightweight and relaxing atmosphere. A glazed link connects the original cottage to the new extension, offering views of the garden from both sides and ensuring a smooth transition between the old and new sections of the house. Access to the extension involves an enclosed corridor, clad with black mottled joinery panels on the walls and ceilings, which ingeniously conceals doorways leading to the rumpus room, laundry, and storage areas. Above this darkened corridor, a master bedroom mezzanine is positioned. This deliberate design creates a sense of compression in the corridor, followed by a dramatic release upon entering the main living area, characterized by its soaring ceiling. The architects consciously utilized the interplay of compression and release to craft a unique and unexpected spatial experience as one moves through the home. The timber lining and cladding are instrumental in blurring the boundaries between indoor and outdoor spaces, delineating various zones, and enhancing the perception of generosity within the rooms, all contributing to the relaxed ambiance of the residence. The material palette includes silver travertine slabs and burnished concrete floors, which harmonize with the desaturated timber ceilings and joinery. Hand-scratched solid plaster walls, finished in a soft, warm 'bone' color, further enhance the tactile qualities of the interior. Linen sheer curtains introduce a soft balance, adding comfort and an inviting feel to the living spaces. In the main room, a large island bench, clad in travertine, serves as a central feature. This versatile element transitions smoothly from a kitchen bench to a dining table through a subtle change in floor level within the kitchen area. The back-bench joinery extends into the living area, effectively connecting the two zones. The mezzanine bedroom, overlooking the living space below, is wrapped in the same black cladding used in the corridor, maintaining design consistency. The project successfully integrates the relaxed coastal lifestyle of Barwon Heads by thoughtfully reinterpreting the original structure with modern interventions. #Architecture #HomeRenovation #MinimalistDesign #CoastalLiving #AustralianArchitecture #HeritageRestoration #InteriorDesign #AdamKaneArchitects