A 1950s Mid-Century Modern Home with Japanese Influences Stays True to Its Roots

Giselle Go and Philippe Terrien, co-founders of the Japanese clean beauty brand DamDam, embarked on a search for a tranquil weekend retreat near Tokyo. Their initial criteria included proximity to the city, high privacy, and a mountainside location. After a prolonged search, a friend, Naoko Kawamura, introduced them to a 75-year-old property overlooking the Pacific Ocean and Mount Fuji. The house, initially dilapidated, held historical significance as it was built by American postwar photojournalist Horace Bristol, known for his work on John Steinbeck’s 'Grapes of Wrath' and for magazines like 'Life,' 'Time,' and 'National Geographic' in the 1950s. Recognizing the challenges of renovating such an old property, especially one situated on protected heritage land, the couple enlisted the expertise of Motosuke Mandai of Mandai Architects. Their vision was to revive the house while preserving its past and integrating modern comforts. A significant part of the renovation involved working closely with the local temple that oversees the protected area to ensure all regulations were met. The couple meticulously retained original elements like wood beams, ceilings, and shoji screens. When original features such as the wood floors or the wood-burning stove could not be salvaged, they were replaced with identical materials to maintain the house's authentic character. The entrance to the home functions as both an entryway and a mudroom, where it is customary to remove shoes and don soft house slippers, a Japanese tradition. This space features a Hang-It-All coatrack by Eames for Herman Miller, a stool by Timber Crew, and a washi tray by Craig Ancelowitz, both for DamDam Atelier. Artwork includes a calligraphy on canvas by Mikiko Kayama and a wall sculpture by Yuichiro Kobayashi. The living room, a favorite indoor spot for the couple, boasts an Akari 21A pendant light by Isamu Noguchi, an Archimoon Soft table lamp by Philippe Starck for Flos, and Glo-ball table and floor lamps by Jasper Morrison for Flos. The sofa is an N701 modular model from Ethnicraft, complemented by an Airframe coffee table by David Chipperfield for Cassina. This room offers direct views of the sunset over the sea, with garden-facing windows framing the sofa, and features a wood-burning stove for winter warmth. The dining room serves as a dual-purpose workspace. Original shoji screens provide privacy from the north-side bamboo, while the room opens to sea views on the west. This area includes a Flowerpot Verner Panton 1968 pendant light from &Tradition, Series 7 dining chairs by Arne Jacobsen for Fritz Hansen, and an Airframe dining table by David Chipperfield for Cassina, which was restored with a new walnut-wood top by Timber Crew. Custom shelving by Douguya and an Akari 3x table lamp by Isamu Noguchi further personalize the space, along with washi artwork and a painting by Philippe’s son, James. The kitchen, a beloved space for Philippe, was enlarged by removing an old bathroom, placing it centrally within the home with garden access. To address the lack of natural light, Motosuke Mandai incorporated floor-to-ceiling windows into the traditional ranma (wall panels), creating the illusion of a floating roof and flooding the interiors with sunlight. An engawa, a traditional Japanese hallway, was transformed into a sunroom, enlarged and opened to a seaside deck for sunset aperitifs and gardening activities. This room is furnished with an Akari 1AG table lamp by Isamu Noguchi, an antique rattan table, a vintage lounge chair, and a Malawi chair from Couleur Locale. The decor reflects the multicultural backgrounds of Giselle, who is Filipino, and Philippe, who is French, blending midcentury-modern design, vintage finds, Japanese crafts, and textiles from their travels. The furniture, much of which was crafted by artisans known to them, imbues the home with a personal touch. The only fully enclosed room is the bedroom, which offers a private sanctuary feel, without glass windows on the ranma. The bed frame is by Timber Crew, and the table lamp is the Archimoon Soft by Philippe Starck for Flos. Wood stools designed by Timber Crew for DamDam Atelier complete the room. A large ofuro (bathtub) at the end of the bathroom provides a relaxing space. The interior design blends Japanese architectural elements like sugi-finish floors and preserved pinewood ceilings with a diverse collection of furnishings, embodying an old-world travel museum aesthetic that reflects the owners’ journeys and personal connections. #JapaneseHouse #ZenHideaway #HistoricRenovation #InteriorDesign #TokyoHome #ArchitecturalDesign #MidCenturyModern #MulticulturalDecor #DamDam

The Mori House, originally designed in 1963 by Saul Zaik, a prominent figure in Pacific Northwest architecture, has been revitalized by SHED Architecture & Design. Located in a forested area of Portland, Oregon, the redesign aims to blend mid-century modern aesthetics with Japanese-inspired minimalism to suit a young family's design preferences and functional needs. The property features a main house, a detached garage and studio, and a teahouse pavilion, all connected by elevated decks and surrounded by tall trees, fostering a strong connection to nature. SHED Architecture & Design's renovation honors Zaik's original vision, which emphasized clear geometries and natural materials. The primary goal of the remodel was to enhance the flow of light and space, blurring the lines between the indoor and outdoor environments. A significant alteration involved replacing the original spiral staircase and loft with an open, vaulted ceiling. This change reveals the nail-laminated wood roof structure and introduces a new central skylight, which bathes the living areas in natural light and accentuates the architectural rhythm of the home. The main floor is designed with an open-plan layout, where the living, dining, and kitchen areas seamlessly connect along the southern side. Expansive glazing offers unobstructed views of the surrounding forest. A strategically relocated fireplace in the living room provides a focal point and, on clear days, offers views extending to Mount Saint Helens. The kitchen is a testament to refined craftsmanship, featuring custom fir accents and horizontal windows that frame views of mature rhododendrons, integrating the natural landscape into the interior design. The primary suite, situated on the northern side of the house, is designed as a luxurious and tranquil retreat. It includes a walk-in closet and a bathroom equipped with a Japanese soaking tub, combining comfort with elegant simplicity. Fir slats above the entry doors to the suite softly diffuse light, maintaining a visual link to the central skylight. The lower level of the house has also been transformed into a versatile space, accommodating three flexible rooms that can function as bedrooms, offices, or fitness areas, alongside a shared bathroom and a dedicated wine cellar. A cozy lounge area on this level, with its floor-to-ceiling windows, reinforces the home's deep connection to its natural, wooded surroundings. #Architecture #HouseDesign #InteriorDesign #JapaneseAesthetics #JapaneseMinimalism #MidCenturyModern #PortlandArchitecture #ResidentialDesign #SHEDArchitectureAndDesign

A townhome in Lewes has been transformed into a mindfulness retreat, drawing inspiration from Japanese architecture and aesthetics. The project, designed by Scott Edmonston, principal of Millville-based SEA Studio Architects, in collaboration with Camenisch Company Inc., sought to create a serene escape for a bachelor who desired a quiet space for writing, away from his primary residence in Manhattan, while also accommodating occasional family visits. The design implicitly embraces several Japanese principles, including *wabi-sabi*, which celebrates the beauty of transience and imperfection; *shibui*, emphasizing simplicity, subtlety, and economy of line; and *miyabi*, denoting refinement and polish. These concepts were expertly integrated by the project’s contractor, Milton’s Camenisch Company. The homeowner's desire for a mindful retreat, coupled with the structural limitations—an HOA mandate against external or window configuration changes—led to a design that maximized internal flexibility and aesthetic coherence. The two-story home, an award winner at the 2022 AIA Delaware, functions to promote mental clarity and a healthy lifestyle, encouraging occupants to slow down and immerse themselves in their surroundings. This is achieved through thoughtful architectural choices that foster a sense of calm and remove daily stressors. Key design elements include custom built-in furniture, such as a sofa in the living room and cabinetry in the kitchen and primary bedroom, fabricated by Alleghany Woodworks. The kitchen features vertical-grain white oak cabinetry with concealed hardware and Pental Quartz countertops and backsplash, designed to seamlessly integrate into the living space and even disappear when not in use. Throughout the home, the flooring is white oak with a custom finish. Light plays a pivotal role in the design, with natural illumination flooding the spaces. The existing clerestory windows are augmented by a system of Japanese *shoji* screens, built by Brian Holcombe Woodworker. These screens not only enhance the aesthetic but also provide flexibility in partitioning space, allowing small areas to feel larger and offering privacy when needed, particularly in the 130-square-foot “bunk room” which can adapt to host varying numbers of guests. The primary bathroom is a standout feature, designed as an open-style wet room with built-in seating, multiple shower fixtures, and a deep soaking tub from Signature Hardware. This space evokes the tranquility of Japanese *onsens*. The materials used, such as Riad Tile in Zellige natural white for walls and Tilebar’s Bronx Collection for flooring, contribute to the serene ambiance. The interior is further curated with select furniture and art, including a Japanese banner that translates to “clear skies for 1,000 miles,” symbolizing both the views of the nearby bay and the clarity of mind the home aims to inspire. #JapaneseDesign #TownhomeLiving #MindfulnessRetreat #CoastalHome #InteriorArchitecture #CustomBuiltIns #ShojiScreens #WabiSabi #Shibui

A 1970s-style Dallas ranch house underwent a significant transformation, moving away from its original closed-in and sprawling floorplan to embrace an open, light-filled modernist aesthetic with South American influences. The homeowners, with a background in Mexico and Brazil, sought to infuse their new US residence with the warmth and richness reminiscent of their time in South America, creating a vibrant backdrop for their art collection and modernist furniture. Interior designer Joshua Rice led the renovation, focusing on opening up the space, enhancing natural light, and establishing a cohesive flow throughout the home. The original house posed challenges due to its convoluted layout, characterized by a series of disconnected rooms. Joshua Rice addressed this by strategically removing walls, thereby creating a 150-foot visual connection spanning nearly the entire length of the house. This design choice not only improved navigability but also brought a sense of unity to the interior. The entryway now feels spacious and offers a clear view into the kitchen, fostering a connection with other areas of the home. Artworks by Pago Mann and Mr Brainwash, displayed on neutral walls, introduce color and a playful element. One notable design solution involved replacing a hazardous, zig-zagging three-step transition between two living rooms with a simple yet elegant stone half-height wall. This Pietra Grey stone box, with its precise detailing—waterfall edges and articulated reveals—effectively separates the upper and lower levels while maintaining a spatial connection. This intervention significantly improved both the safety and aesthetic appeal of the space, moving beyond the original architectural limitations. The renovation heavily emphasized the use of natural materials and a neutral color palette. In the eat-in kitchen, Faye Toogood's Roly Poly round table and dining chairs introduce a softening element to the otherwise defined lines of the main kitchen. The kitchen itself features cabinetry crafted from teak with bronze accent panels by Forms & Surfaces, paired with concrete engineered quartz countertops by Santamargherita. These elements collectively contribute warmth and a touch of midcentury modern style. White oak flooring extends throughout the main rooms, offering a durable and visually cohesive surface, while a custom vent hood combining teak and blackened steel adds a modernist touch. The living rooms showcase a curated selection of vintage South American midcentury modern pieces. The main living area features iconic Presidential armchairs and a vintage Oushak rug, complemented by a cast bronze table by Jojo Corväiá. The dining room is anchored by a 1959 Guanabara rosewood table by Jorge Zalszupin and illuminated by an RBW Palindrome light, with Fiona Weedon's "Tears and Flowers 1993" oil on canvas adorning Venetian plaster walls. The upper living room, centered around the Pietra grey stone fireplace, includes a Sideways sofa, vintage Alta lounge chair, and two 'Diz' chairs, alongside additional cast bronze and ceramic tables and a rare Brazilian sculpture. The home office incorporates Aim lamps by Flos, vintage swivel and lounge chairs, and a desk from Poltrona Frau, while the main bedroom offers a window alcove with seating and a blackened steel fireplace. The project successfully blends modernist principles with rich, textural materials, creating a luxurious and welcoming environment. The architect, Mark McCollum, noted that despite the original convoluted floorplan, the careful crafting of connections resulted in a grand and gracious home. #HomeRenovation #InteriorDesign #ModernistHome #DallasArchitecture #MidCenturyModern #SouthAmericanInfluence #VintageFurniture #OpenConceptLiving #NaturalMaterials

Architect Andrew Lister designed a distinctive home for actor Yuri Kinugawa and film producer Owen Hughes in the Auckland suburb of Waterview. The residence, characterized by its tall silhouette, narrow upper window, and a blank cedar-clad facade, adheres to the principles of the Direct Compass, a Japanese discipline akin to feng shui. The home's exterior, covered in cedar weatherboards, initially appears utilitarian, yet conceals a thoughtfully designed interior. The house's structure is composed of two primary boxes connected by a passageway and an adjoining bathroom. Despite its compact footprint, the design creates an illusion of greater spaciousness, as noted by Hughes. A prominent feature of the living room is a two-story bookcase spanning the entire northern wall, housing Hughes’ extensive book collection. This vertical storage solution ingeniously maximizes space, drawing the eye upwards and adding visual texture without encroaching on floor area. The central area of the home is laid out efficiently, with the kitchen to the left and the bedroom to the right. Above these spaces, two offices are stacked, accessible via a stairway at the rear of the room. The interior is enriched by family antiques and Japanese textiles, which introduce complementary textures, transforming the angular space into a welcoming environment. Following Direct Compass principles, the bedroom, considered vital for family relationships, overlooks a small zen garden on the south side of the house. This placement is believed to promote mental clarity due to cooler temperatures. A six-foot-long passageway clearly delineates the transition from the public kitchen and dining areas to the private bedroom. The traditional Japanese bathroom, situated off the central passageway, serves as a space for washing before bathing in a wood-lined onsen (tub). While the north side of the house offers views of an estuary, the street-facing facade maintains a minimalist, private appearance. In stark contrast, the west-facing side features a double-height glass wall that can be fully opened, merging the living space with a veranda. This outdoor area overlooks the garden, estuary, and harbor, providing a setting for observing sunsets and occasional dolphin sightings. The home's exterior features low-maintenance Canadian cedar cladding and aluminum joinery, designed to age gracefully and harmonize with the surrounding garden's sculptural desert plants. The durability of these materials is crucial, given the home's exposure to south-westerly winds laden with salt from the estuary, a condition the chosen plants tolerate well. #JapaneseDesign #BoxHome #TwoStoryBookcase #SmallSpaceLiving #DirectCompass #AucklandArchitecture #CedarCladding #ZenGarden #OpenPlanLiving

Interior designer Cathie Hong shares the five key lessons she learned while designing her mid-century Californian home, a process that allowed her to experiment and create a space truly reflective of her personal style. The decision to move into a fixer-upper mid-century home in Los Gatos was made impulsively during the pandemic, driven by the family's need for more space. Despite its unkempt condition, the house's original features, such as double-height ceilings, an open-riser staircase, redwood-clad walls, and floor-to-ceiling glass windows, immediately captivated the family. The design project was both exhilarating and overwhelming, offering Hong the freedom to take risks without client constraints. Her husband's support was crucial, allowing her to blend various aesthetic elements, resulting in a modern home that incorporates wood, dainty hardware, handmade Japanese tiles, terrazzo slabs, custom millwork, playful wallpaper, Korean artwork, and collected furniture. This blend created a unique style that she describes as a mashup of mid-century, Scandinavian, and Japandi influences. One significant lesson learned was the importance of embracing 'outside-of-the-box' thinking. Despite the home's mid-century architecture and original redwood paneling, Hong integrated her minimalist, Japandi preferences. For instance, she combined redwood and light oak in her kitchen, a design choice for which she initially struggled to find examples. This unconventional approach ultimately resulted in a design that authentically represents her style and has even attracted new clients who appreciate her unique aesthetic. Another lesson highlighted is that 'good things come to those that wait.' Hong meticulously planned the installation of 'Smink' relief tiles in her children's bathroom, specifically aiming to inset the bathroom mirror into the tile for a custom, seamless look. This required extensive coordination between vendors and tile setters, leading to initial hesitation about the extra effort involved. However, the finished result confirmed that the additional time and effort were worthwhile, reinforcing the idea that quality design often demands patience and meticulous execution. Hong also emphasizes the importance of trusting one's instincts, particularly when making bold design choices. She had always admired monochromatic grid tiles but found clients often reluctant to adopt such a strong aesthetic. For her own bathroom, she chose a dusty pink Japanese ceramic grid tile for the entire space, a decision she almost second-guessed. Her husband's encouragement to stick with her original vision proved invaluable, as this bathroom, with its singular material application, became one of her favorite design elements in the house. The bold, yet restrained, use of a single tile material created a striking and personal statement. Furthermore, Hong advocates for the strategic use of built-ins. In her music and playroom, she invested in a full wall of custom built-in storage to organize her children's belongings. Given the room's small size, she incorporated a built-in sofa into the cabinetry to provide additional seating. While built-ins represent a significant financial and permanent commitment, she views them as excellent investments that offer customized design and superior storage solutions that freestanding furniture often cannot match. Finally, the designer underscores the necessity of creating spaces for retreat. Collaborating with architect BK Kim, Hong designed a small home office for her husband. Despite its compact size and limited natural light, they installed a reeded glass pocket door to allow light in. This dedicated space, though initially for her husband, also serves as a personal sanctuary for Hong during meetings or intensive design work, highlighting the importance of personal quiet zones within a busy family home. #InteriorDesign #HomeRenovation #MidCenturyModern #JapandiStyle #CustomMillwork #BuiltInStorage #DesignLessons #CaliforniaHome #FamilyLiving

This article showcases a Maryland home designed by Mona Hajj, emphasizing a global-inspired aesthetic that blends multicultural elements with comfort for a young family. Hajj's design philosophy integrates antiques and textiles sourced from various parts of the world, creating a cohesive and inviting living space. The article provides a room-by-room tour, detailing the design choices and key pieces that define each area. The living room's design is centered around a 19th-century Persian Tabriz rug, which dictates the room's color palette. Two distinct conversation areas are established, featuring a skirted sofa by Gérard and a wooden-legged sofa from A. Rudin. An armchair by Dessin Fournir and an antique Regency walnut table from a Parisian flea market further enhance the room's global and timeless appeal, showcasing a mix of historical and international influences. The dining room is highlighted by a custom walnut table with rosewood banding, designed to extend and accommodate up to 16 guests, indicating a focus on both aesthetic appeal and practical functionality for entertaining. This piece reflects a blend of craftsmanship and scale suitable for family gatherings. In the family room, a linen velour sectional by Verellen serves as the central furniture piece, offering comfort and anchoring the space. A cocktail table by Kerry Joyce complements the seating arrangement, while curtains in Ralph Lauren Home linen contribute to the room's refined yet relaxed atmosphere. The walls of the family room feature a faux finish, with trim painted in Benjamin Moore's Soot, adding depth and a sophisticated backdrop to the decor. An Arne Jacobsen Egg chair, upholstered in Moore & Giles leather, is illuminated by a 1960s Italian floor lamp, introducing an element of classic modern design. The daughter's bedroom is designed with a regal canopy, adding a whimsical touch, while glass nesting tables from Donghia provide a sleek, contemporary contrast. Nevis curtains by Lady Ann Fabrics, adorned with a Samuel & Sons pom-pom fringe, further contribute to the room's decorative layers. Throughout the home, the design seamlessly merges diverse cultural influences with functional and stylish elements, creating a uniquely personalized and family-friendly environment. The overall design narrative emphasizes comfort, global aesthetics, and thoughtful integration of various design periods and origins. #GlobalStyle #InteriorDesign #MonaHajj #MarylandHome #AntiquesAndTextiles #FamilyHome #EclecticDecor #DesignInspiration

Perched atop a hill in Echo Park, Los Angeles, a two-bedroom, one-bathroom Mid-Century Modern bungalow underwent a comprehensive renovation to transform it into a serene sanctuary. The property, owned by Sue Chan, a food and beverage multi-hyphenate, required significant structural retrofitting due to its steep hillside location, along with a full gut remodel of its interiors and a roof replacement. The architecture and design firm Only Way Is Up (OWIU), led by Amanda Gunawan and Joel Wong, spearheaded the project with the goal of creating a space that served both as an ideal home office and a tranquil retreat from the bustling city. Chan, who frequently travels between New York and Los Angeles, desired a home that encapsulated the essence of Los Angeles while maintaining a curated environment for work and calm. To achieve this vision, the designers drew heavily from Japanese design principles, integrating elements such as shoji screens and raised platforms to cultivate a meditative atmosphere within the home and a newly constructed Accessory Dwelling Unit (ADU). Rather than expanding the main house, which would have been cost-prohibitive, a separate unit was built on the property to function as a dedicated office and ADU. This strategic decision provided additional functional space without compromising the original structure. The design philosophy also embraced the natural beauty of the surrounding Echo Park hills, using the landscape as a constant source of inspiration. The interior layout was meticulously planned to facilitate seamless flow, particularly for entertaining. The design team maximized the connection between indoor and outdoor areas, linking the kitchen to the living room and extending it to a deck that offers panoramic views of the hills. This integration makes the space feel considerably larger and introduces unique architectural elements throughout the house. The living room, in particular, was conceived to blend indoor and outdoor living harmoniously, providing ample space for hosting and bathing the interior in natural light. The kitchen, a collaboration with Reform, features a slanted skylight that ensures an abundance of natural illumination, complemented by cedar and oak wood finishes that impart warmth to the space. The bedroom is designed as a private sanctuary, incorporating a shoji screen for privacy and situated on a subtly raised platform, signaling it as a space for retreat without disrupting the open floor plan. An earthy, minimal aesthetic ties these spaces together, prioritizing comfort and functionality. A curved walkway connects the main house to the detached office/ADU, serving both as a practical path and an artistic introduction to the property’s natural elements, showcasing lush greenery and hilltop vistas. The office/ADU mirrors the aesthetic of the main house, featuring cedar-clad siding and oak finishes that create visual harmony. Inside, a raised platform and a picture window frame the surrounding trees, enhancing the sense of retreat and connection to nature. This separate unit was designed as a sanctuary for focused work, maintaining distinct functionality while remaining cohesive with the overall design. Despite challenges, such as integrating the new structure with existing trees, the OWIU team creatively incorporated the natural environment, even creating small holes in the fencing to accommodate branches, ensuring the trees' health and the design's integrity. The result is a home that balances a serene retreat with an ideal space for entertaining and work, reflecting the best of Los Angeles living. #MidCenturyModern #HilltopBungalow #LosAngelesHome #ZenSanctuary #HomeRenovation #JapaneseDesign #ADU #IndoorOutdoorLiving #EchoPark #ArchitecturalDesign

SHED Architecture & Design has completed the Cupertino Courtyard House in a quiet Cupertino, California neighborhood. The residence, situated near Apple’s campus and the city’s Eichler district, blends local architectural heritage with a modern aesthetic, standing apart from its Mission and Spanish Colonial-style surroundings. The exterior features white stucco landscape walls, referencing Mediterranean vernacular, combined with a dark, charred-wood upper volume clad in shou sugi ban, presenting a contemporary sensibility. The entry sequence begins with a slatted wood gate, leading to a secluded courtyard and a recessed “genkan,” a traditional Japanese threshold for removing shoes. The interior of the home is organized around a series of courtyards, which frame views of the outdoors and are integrated into the living spaces through floor-to-ceiling glass doors. This design approach blurs the boundaries between indoor and outdoor environments, allowing natural light to illuminate the plaster walls and oak finishes throughout the day. The main living areas, including the living, dining, and kitchen, are designed as an open-plan space along the rear of the property. Custom white oak built-ins provide both storage and seating, with a bench integrated into the kitchen island to create an informal gathering spot. The material palette emphasizes warmth and natural tactility, featuring clay plaster, wood, and slate. These materials introduce an earthy softness that contrasts with the home’s geometric black and white exterior. An “engawa,” a Japanese-style covered porch, extends the living spaces outdoors, offering a tranquil area for reflection. A central skylit stairwell functions as a sculptural element, connecting the two floors. Beyond its aesthetic role, it facilitates passive ventilation, channeling light and air while discreetly housing mechanical systems. On the second floor, the layout is efficiently designed to maximize space. The primary suite includes a slate-lined wet room and a cedar soaking tub, while the children’s rooms incorporate playful lofts for rest and imaginative play. Sustainability was a core principle in the home’s design and construction. The Cupertino Courtyard House exceeds net-zero energy standards, generating more power than it consumes through a rooftop solar array. It incorporates high-efficiency systems, such as heat pump HVAC and water heating, along with energy recovery ventilation. Advanced framing techniques and airtight insulation further contribute to minimizing waste and enhancing energy performance. Every fixture, material, and assembly was chosen for its longevity and environmental impact, reflecting a commitment to both aesthetic quality and sustainable living. #CaliforniaArchitecture #CourtyardHouse #JapaneseInspiredDesign #ModernHome #SustainableArchitecture #NetZeroEnergy #SHEDArchitectureAndDesign #InteriorDesign #ResidentialArchitecture

Ryuji Yamashita Architects has designed a two-story residence in Hokkaido, Japan, for a family with four children, emphasizing connection and interaction among siblings while still providing individual private spaces. The design incorporates open floor layouts and timber accents, creating a warm and inviting atmosphere. A central playroom on the first floor serves as the primary meeting point, linking all four children's rooms. This common area is intentionally designed to foster a sense of togetherness, preventing the potential isolation that separate private rooms might otherwise create. To enhance the playful nature of the space, a 70 cm height difference exists between the bedrooms and the common playroom, necessitating steps at each entry point from the ground floor and from each child's room. The architect integrated thoughtful features to encourage ongoing interaction. A large window provides ample natural light to the playroom, and two types of openings further reinforce familial bonds. Glass tiles are strategically placed within the wooden flooring outside the private rooms, creating a visual connection between the two floors and allowing light to filter through. Additionally, each child's room features a small window positioned just above their desk. When these windows are open, the first floor transforms into a large, integrated study area, facilitating direct interaction and collaboration among the siblings. This innovative design offers a flexible environment that adapts to the children's needs for both privacy and shared experiences. The 'With four children' house, completed in October 2021, measures 69.56 sqm for the building area and 125.65 sqm for the total floor area. The project was constructed by Kobayashi Shoten Co., Ltd, with photography by Ikuya Sasaki. This architectural approach by Ryuji Yamashita aims to transcend the traditional binary of private versus large rooms or individual versus group settings. Instead, it seeks to establish a dynamic space where family members can connect through various senses of distance, offering a balance between personal retreat and collective engagement. The design prioritizes the development of strong sibling relationships through carefully considered architectural elements that promote both visual and interactive connectivity within the home. #RyujiYamashitaArchitects #JapaneseArchitecture #FamilyHomeDesign #SiblingBonds #PlayroomDesign #OpenConceptLiving #TimberAccents #Hokkaido #ResidentialArchitecture

This article explores five Indian homes that successfully integrate serene Japanese-inspired design philosophies, including zen, wabi-sabi, and grounded minimalism. These homes emphasize harmony, a deep connection with nature, soothing finishes, and earthy touches, drawing inspiration from traditional Japanese elements like Shoji screens and natural materials such as wood and stone. The first home featured is a 3,000-square-foot Pune residence designed by Shrutika Raut Design Studio. It showcases a wabi-sabi aesthetic with a strong earthy context, notably through black basalt cobblestone flooring. The design balances indulgence with restraint, incorporating wooden panel bands and wall mouldings reminiscent of Japanese interiors to create warmth and layer. The homeowners, a young couple, sought a laid-back, hygge-inspired lifestyle, which guided the architectural and interior choices. Next, a Chennai villa designed by Studio Context presents a unique blend of Neo Gothic and Japanese styles. This brooding bungalow, home to surgeons and their pets, integrates minimalist principles with unexpected elements, such as a dedicated kitty playroom. The design incorporates black textured flooring, exposed cement walls achieved through micro concreting, and whimsical decor curated by the homeowners, creating a distinctive and personal space. A meditative Mumbai home, designed by Studio Gaga, embodies the stillness of Zen philosophy. Located in a bustling urban area, this 1,800-square-foot apartment was reconfigured to maximize natural light and ventilation, adhering to a “less is more” approach. The core inspiration for the design was the Japanese symbol Ensō, representing a minimalistic circle and embodying the essence of mindfulness in creation. This philosophy is reflected in the spatial flow, material selection, and intricate details throughout the home. The article also highlights a sustainable Manali homestay named Hunzuru, which seamlessly blends wabi-sabi principles with Himalayan charm. This 3,500-square-foot abode in Pangan offers an eco-conscious design with mud and stone walls, wooden furniture, and handmade artifacts. Designed by Sherab Tharbus and Sakshi Mathur, with architecture by Rakesh Rana, the homestay exemplifies an “old-meets-new” aesthetic, featuring natural materials, rhythmic patterns, and rich textures, inviting guests to experience a slow mountain life. Finally, a Delhi home named Casa Brut showcases a Brutalist, earthy nuance with Japanese influences. Designed by Renesa Architecture Design Interiors, this 7,500-square-foot, four-level residence features geometrically placed stark greys, browns, and terracotta tones, exposed brickwork, and varying levels that enhance natural light and ventilation. The design emphasizes colossal architectural volumes, strategic galleries of light, and sustainable materials, creating a visually striking and comfortable living environment devoid of excessive ornamentation. #JapaneseDesign #WabiSabi #ZenPhilosophy #MinimalistInteriors #IndianHomes #SustainableDesign #ArchitecturalDesign #HomeDecor #NaturalMaterials

Tato Architects, led by founder Yo Shimada, undertook the renovation of an 87-square-metre traditional Japanese house in Hyogo Prefecture for a young couple. The original structure, a single-storey residence, featured a layout comprising six main rooms, a configuration deemed unsuitable for the clients' modern lifestyle. The renovation aimed to transform the segmented interior into a more open and adaptable living space. The core of the renovation involved completely stripping the interior to expose the existing wooden structural framework. Instead of re-establishing traditional partitions, Shimada introduced a novel approach using two curving lengths of plywood to define different functional zones. This design choice was influenced by an earlier experimental project by Tato Architects in 2013, which involved a public toilet building on Shodoshima Island where curved walls were used to divide space. While that project focused on a new build, Shimada believed the concept held greater potential when applied to the renovation of an older structure, allowing for a blend of historical context with modern spatial dynamics. The plywood screens were strategically placed within the house. One screen was installed along the north-eastern side, creating a private area that encloses a bedroom and an adjoining closet. The second screen was positioned towards the back of the house, wrapping around a bathroom and a guest bedroom. This curvilinear partitioning system allowed for a fluid transition between areas, contrasting with the rigid divisions of the original layout. The front portion of the building was specifically designed to be more open plan, maximizing natural light and offering direct access to a newly designed narrow garden. Budgetary constraints influenced the material selection for the curved walls. Initially, 20-millimetre-thick plywood was considered, but it proved to be too flimsy for the desired structural integrity and aesthetic. To overcome this, a solution was devised where a framework of steel rods was sandwiched between layers of plywood, providing the necessary stability while maintaining the curved form. This simple yet effective modification allowed the architects to achieve their design vision without exceeding the project's financial limits. The redesign also incorporated new flooring throughout the living areas, featuring a mortar floor with integrated underfloor heating for enhanced comfort. The bathroom was finished with polycarbonate plastic, offering a clean and modern aesthetic. A small loft space was added above the main bedroom, accessible via a ladder, providing additional utility. For the exterior of the house, a new cladding of charred cedar boards was chosen, contributing to a refreshed facade while respecting traditional Japanese architectural elements. #TatoArchitects #Hyogo #Japan #ResidentialArchitecture #HouseRenovation #JapaneseHouses #PlywoodInterior #CurvedWalls #ModernRenovation

In 2022, facing a challenging real estate market, Cody and Ashley Spencer, along with Cody’s brother and sister-in-law, collaboratively purchased a property in Langley. This acquisition laid the groundwork for their company, Homestead Design Build, which specializes in multi-generational living projects. Their clientele often includes younger generations struggling to enter the housing market, leading to creative solutions like parents moving into basements or building laneways. The Spencers' personal project involved renovating an existing house for Cody's brother and sister-in-law while constructing a new home for themselves on the opposite end of the deep, forest-bordered lot. Initial plans for a sprawling rancher were re-evaluated due to the lot's narrow profile and proximity to a creek, leading them to design a two-storey, 1,950-square-foot residence. Inspired by storybook European cottages, the new home blends modern aesthetics with a cozy, timeless appeal. The exterior features steeply pitched rooflines, board-and-batten siding, and warm cedar accents against a charcoal-on-black color scheme. A covered back patio, sheltered by a vaulted ceiling with exposed beams and slim skylights, provides a three-season outdoor living space amidst Douglas fir and cedar trees, fostering a seamless connection between indoor and outdoor environments. Inside, dual-panel sliding-glass doors open into a living room dominated by a floor-to-ceiling stone fireplace, continuing the European cottage theme. The interior design incorporates an eclectic mix of vintage and modern furnishings, including a minimalist gallery wall and a dining area with spindle-back chairs, modern benches, and a traditional console. The kitchen is a focal point with a custom-framed hood fan, built-in shelves, and a striking quartz slab backsplash in a soft green hue. Defying convention, a framed artwork hangs above the range. A fieldstone feature wall near the farmhouse-style sink and brushed-gold faucet visually links to the living room fireplace. White and rift-cut white oak cabinetry with polished-chrome hardware contributes to a light, modern feel, while the Caesarstone-topped island features reeded side paneling and an integrated feeding nook for the family dog. The main floor powder room introduces a bold touch with walls and wainscotting drenched in Sherwin Williams Evergreen Fog. Upstairs, the primary bathroom offers a spa-like retreat with a freestanding tub, ceramic herringbone floor tile, and large-format wall tiles mitered into the windows with quartz sills, creating a durable, waterproof wet area. The daughter's bedroom is decorated in bright pink, complemented by a green and rose bathroom with playful terrazzo hex floor tile and a practical pull-out stool from the vanity for accessibility. The couple’s home office, where they work side-by-side on projects, reflects their collaborative design-build approach. While the Spencers thoughtfully designed their home for longevity and adaptability to their family's growth, they acknowledge that minor details can be refreshed over time, ensuring the home remains both functional and aesthetically pleasing for years to come. #HomeDesign #CottagecoreStyle #MultiGenerationalLiving #HomesteadDesignBuild #CustomHome #InteriorDesign #EuropeanCottage #OutdoorLiving #FamilyHome

Lisa and Gary Mieran, owners of Akyrah Kitchens, designed and largely built their two-storey, industrial-style home with modernist influences in Gympie, Queensland. The house, completed in December 2019 after a two-stage construction, is situated on land historically owned by Lisa's family. The design draws inspiration from Heide II, a modernist icon in Melbourne, celebrating concrete, timber, abundant light, and earthy tones. Lisa envisioned a home that would rise organically from the earth, becoming an integral part of the landscape and improving with age. The structure features off-form concrete, walls of glass, and tactile timbers, with the lower storey clad in cedar and the upper storey in recycled hardwood. Steel balustrading, handcrafted by Gary, complements the exterior, which also includes a swimming pool with Andorra limestone pavers. The interior features a breezeway offering spectacular views and airflow, with ceilings made of Henley Oak Grove engineered timber. The foyer includes a BassamFellows 'Geometric' day bed and artworks by Steve Waller. Given their expertise with Akyrah Kitchens, the kitchen in their home is a highlight, featuring blackbutt veneer doors, Basaltina benchtops, Circa taps from Brodware, and Inax 'Ceravio G' tiles. The living areas include a guest sitting area with a B&B Italia 'Le Bambole' sofa and a living room with a Cheminées Philippe fireplace and Jardan furnishings. The home was built in two stages to accommodate their grown children, Taren and Kirra. The first stage was a self-contained flat, which served as their temporary residence during the main build and now functions as a guest wing. The main house and another guest wing are connected by glassed walkways, with the main bedroom suite located upstairs. This design allows for three self-contained bedrooms with ensuites, providing private quarters for everyone while centralizing communal living spaces. Practicality and functionality are key design principles, evident in the integrated laundry within the bathroom behind a blackbutt joinery feature wall, and the kitchen's two large islands designed for simplicity and ample storage. The materials used throughout the home emphasize natural elements. Recycled timber is used for the upper storey and blackbutt joinery adds warmth, while the seamless flow of concrete from exterior to interior reinforces the architectural aesthetic. The home is designed for climate control, with generous light for winter warmth and cross-breezes for summer cooling. Lisa also undertook the landscaping, incorporating native plants like Xanthorrhoea, pandanus, native grasses, and succulents. The furniture, much of it Australian-made from brands like Jardan, is chosen for its timeless appeal and durability, reflecting the couple's preference for classic design over fleeting trends. The house stands as a testament to the couple's comprehensive involvement and shared vision, combining their professional skills with personal passions to create a harmonious and functional living space. #ModernistArchitecture #IndustrialStyle #ConcreteDesign #TimberAccents #SustainableMaterials #HomeDesign #OwnerBuilt #QueenslandHome #InteriorDesign

Nestled in the bustling heart of Amsterdam, a 350-square-meter, three-bedroom semi-detached villa, originally constructed in 1899, offers a tranquil retreat for a young Australian family of four. Located conveniently near iconic institutions like the Van Gogh Museum and Rijksmuseum, as well as upscale shopping streets, the home also boasts a spacious rear garden and a roof terrace overlooking the renowned Vondelpark. The homeowners, global travelers, sought an interior design that blended timeless elegance with playful vibrancy, avoiding monotony while embracing splashes of color. Sally Knibbs, founder and director of Sally Caroline, was tasked with fulfilling this vision. Her design philosophy centered on creating spaces that were both 'timeless and joyful, playful but unpretentious.' A key element in achieving both a Zen ambiance and a lively character was the strategic use of a soft matte white for walls, ceilings, cornices, and various wooden decorative features, including window frames and shutters. This neutral backdrop is complemented by honey-toned lightwood parquet flooring. Deeper shades are introduced through a wooden handrail, subtly darker than the floor, and black metal accents in balustrades and a crittall-style partition, which add depth to the overall aesthetic. Knibbs's approach involved layering and experimenting with contrasting elements, some subtle and others bold. She curated a mix of vintage furniture and contemporary pieces sourced internationally from France, Italy, Portugal, the U.K., Denmark, and the U.S., alongside locally sourced items from Dutch artisans, galleries, and ceramicists. This careful selection reflects the clients' adventurous spirit and their appreciation for classic and collective design, while also honoring the restored original architecture of the villa. Distinct moods were cultivated for different areas of the home. The entrance hall features a console by French designer Jean-Baptiste Fastrez and the Secret Mirror from Swedish design studio Front. The lower levels, intended for family activities like board games and movie nights, are infused with upbeat colors, exemplified by a blush velvet Nebula Nine sofa from Diesel with Moroso set on a bold SC Collection rug. The music room is designed as a serene space for relaxation and listening. It houses a record collection within vintage Vittorio Introini bookcases, a handcrafted leather dresser, a vintage Camaleonda sofa re-upholstered in Dedar fabric, and a travertine coffee table resting on a botanical silk rug. This layering of elements creates a calm yet sophisticated environment. The main bedroom, located upstairs, serves as an ode to relaxation with a Cloud chandelier by Apparatus Studio and a commissioned artwork by Steven John Clark. Green accents in the décor establish a connection with the visible Vondelpark. The top floor is dedicated to the twins, with each room reflecting their individual interests: one adorned with animal themes and the other with travel motifs. The homeowners expressed immense satisfaction with the design, stating that the home feels 'calm but colourful' and strikes a balance between the luxury of a hotel and the comfort of a personal residence. This project successfully merges modern design with traditional elements, creating a unique and comfortable living space in a prime urban location. #ZenHome #Amsterdam #InteriorDesign #ColourfulInteriors #TraditionalModernBlend #VintageFurniture #LuxuryLiving #DutchArtisans #FamilyHome

This blog post showcases a contemporary Californian retreat designed as an ultimate escape for a young family that divides its time between various locations in the United States, including Washington, Idaho, and Hawaii. This single-story house features seven bedrooms and nine bathrooms, all centered around a courtyard with a water feature and stepping stones, creating a zen-like atmosphere that connects different parts of the house. Each wing of the home provides a distinct living space, offering private quarters for relaxation, while the main area consists of an expansive open-plan living space that seamlessly extends into the surrounding desert landscape. The design, led by Lucas Interiors, aims to balance function and form, focusing on an effortless indoor-outdoor living experience through extensive glass doors that open to numerous exterior areas, crafted with the assistance of BYLA Landscape Architects. The property, situated on a golf course, features breathtaking views that inspired its transformation. The designers introduced organic forms and textures to soften the rectilinear architecture and its strong lines, utilizing a limited number of materials to achieve a harmonious aesthetic. A key design element is a Japanese-inspired speakeasy bar, drawing inspiration from Bar Tambi in Tokyo. This bar contrasts with the home's generally lighter, sunnier desert-style spaces, featuring rich emerald greens, navy blues, bronze accents, and dark, moody woods. The core palette of the home is neutral to establish a tranquil and organic environment, with colors layered to evoke the mood of the desert landscape. The home's primary bathroom has undergone a significant remodel, incorporating a Japanese "wet room" concept with a soaking tub, emphasizing a restorative and social experience for the clients. This design choice highlights a blend of Japanese aesthetics and functionality. Further cultural influences from Japanese gardens are evident in the use of natural materials and tactile fabrics throughout the spacious interiors. The design incorporates robust materials like steel, wire-brushed woods, and large-format stone to add depth and interest, elevating the overall aesthetic. Custom pieces, such as Alexander Lamont woven copper lanterns flanking the primary bedroom's custom bed platform, juxtapose the crisp, linear architecture and complement the soft textiles. The design also emphasizes flexibility and privacy, accommodating varied groups of people for different durations. Despite its open layout, the house provides intimate areas for retreat, balancing a grand, open Californian feel with private spaces. The extensive entertaining areas are refined by smaller, welcoming spots for relaxation, successfully fulfilling the owners' desire for a serene and versatile retreat. #CaliforniaDesign #JapaneseInfluence #ModernHome #InteriorDesign #SpeakeasyBar #IndoorOutdoorLiving #LuxuryLiving #ArchitecturalDesign #DesertHome