Interior Designer Daniel Östman’s Take on Denim

The article explores the emerging trend of incorporating denim into home interiors, highlighting its stylistic and practical benefits. Denim, a fabric with deep roots in fashion, is increasingly making its way into home decor, moving beyond its traditional role in clothing. Etsy's 2024 announcement of the year of denim interiors, coupled with a significant number of denim home decor listings, signals a growing interest in this material. Beyond the direct use of denim fabric, denim-inspired hues are also becoming prominent in interior design. This trend is influenced by broader cultural phenomena, such as the resurgence of Americana aesthetics and 'Cowboycore' in fashion, as seen with Beyoncé's album 'Cowboy Carter' and Taylor Swift's Eras tour. These cultural touchstones have contributed to denim's increased visibility and appeal in various design contexts. The versatility of denim is a key factor in its adoption in home decor. Its ability to complement diverse styles makes it an easy fabric to integrate into existing interior schemes. Furthermore, denim is recognized for its durability and longevity, offering a robust material choice for furniture and accents. Jim Evans, an interior design specialist at Uber Interiors, emphasizes these qualities, noting that denim’s hardiness ensures it can withstand prolonged use. Psychologically, denim's deep navy blue tones are believed to evoke a sense of calmness, adding another layer of appeal for home environments. This calming effect contributes to its growing presence in homeware collections, including prominent examples like the House Beautiful x DFS Maura sofa, Hillarys' Clarence Denim curtains, and Ikea's Vårkumla chair bed upholstered in denim. Paint brands like Dulux have also recognized the popularity of denim shades, with 'Denim Drift' having been a color of the year. The sustainable aspect of denim decor is another significant benefit. The large volume of denim waste, with millions of tonnes ending up in landfills annually, makes upcycling and recycling denim a valuable practice. Repurposing old jeans into cushion covers or other home accessories offers an eco-friendly alternative, preventing waste and promoting circularity in design. Etsy's marketplace showcases a variety of upcycled denim products, including cushions, rugs, and wall art, demonstrating the potential for creative and sustainable use of the fabric. When integrating denim into home decor, experts advise a balanced approach. Chloe Barrow, an interior expert at Laura James, suggests caution when using denim for investment pieces but highlights its suitability for quick stylistic updates. Easy incorporation methods include denim cushion covers and wallpapers, which offer flexibility and are relatively simple to change. Upholstering sofas in denim is also an option, providing a more significant textual statement. Jim Evans recommends avoiding overdoing the denim theme, particularly with larger elements like statement walls or furniture. The principle of 'less is more' applies, encouraging designers to accent denim elements rather than overwhelming a space with the fabric. The article concludes by encouraging readers to follow House Beautiful on various social media platforms for more design inspiration. #DenimDecor #InteriorDesign #HomeTrends #SustainableLiving #FabricVersatility #Upcycling #ColorPsychology #AmericanaStyle

Nudie Jeans, a Swedish denim brand known for its commitment to sustainability, has expanded its eco-conscious initiatives by venturing into home interiors with a limited edition line of Post-Consumer Recycled Denim Rugs. This new offering follows their previous success with the limited-edition Post Recycled Dry denim launch. The introduction of these rugs demonstrates Nudie Jeans' ongoing dedication to environmental responsibility by repurposing textile waste into new, functional products. The rugs are crafted from a substantial collection of donated, well-worn Nudie Jeans, embodying a Scandinavian rag rug aesthetic. This approach not only provides a second life for denim products but also aligns with the brand's broader sustainability goals. To ensure minimal environmental impact, Nudie Jeans collaborated with their organic denim supplier, Bossa, located in Turkey. This strategic partnership eliminated the need for additional transportation and intermediaries, thereby reducing the carbon footprint associated with manufacturing and supply chain logistics. The production process for these rugs is meticulous and labor-intensive, highlighting the artisanal quality of the final product. Individual pairs of old jeans are carefully cut into serrated strips of denim. These strips are then sewn together and spooled, creating the raw material for the weaving process. A vintage manual shuttle loom is used to hand weave these denim strips, resulting in a distinctively stratified pattern that reflects the unique character of the recycled material. This method not only celebrates traditional craftsmanship but also ensures that each rug possesses a unique texture and visual appeal. Each Post-Consumer Recycled Denim Rug measures 1.5 x 2 meters. The limited run of these rugs is available exclusively through Nudie Jeans' eight concept stores worldwide. These stores are located in key cities such as Los Angeles, Gothenburg, Stockholm, Zurich, Chapel Street Melbourne, Sydney, Barcelona, and Tokyo. The rugs are priced at $599, reflecting their handcrafted nature, the sustainable sourcing of materials, and the brand's commitment to ethical production. Beyond this specific product, Nudie Jeans maintains a comprehensive commitment to global sustainability initiatives. The company exclusively uses 100% organic cotton for its denim products and is actively involved in raising wages for workers in India. These efforts underscore the brand's holistic approach to corporate social responsibility, aiming to make a positive impact across its entire value chain, from raw material sourcing to finished product and fair labor practices. The recycled denim rugs are a tangible example of how the brand integrates its environmental and social values into its product offerings, extending its influence beyond apparel into home decor. #Denim #Design #Interiors #Jeans #Recycled #Reuse #Rugs #Scandinavian #Sustainability

Denim, a material known for its durability and versatility, can be incorporated into home decor beyond just clothing. This article presents 15 distinct ideas to infuse denim-inspired blue and indigo tones into various rooms of a home, utilizing furniture, fabrics, finishes, and accessories. In the bathroom, a faded rug and indigo trim can create a ruggedly refined atmosphere, with specific paint colors like Moon Shade by Valspar suggested for replication. For the bedroom, a classic light-wash duvet cover offers a timeless look that complements contemporary curtain motifs. Kitchens can achieve a distressed, denim-inspired finish on cabinets using a color wash technique, such as the Indigo Denim glazing technique by Ralph Lauren. The article also highlights several specific products that embody this aesthetic. A tufted denim accent chair, resembling worn-in blue jeans, provides a soft and cozy seating option. A denim patchwork quilt offers comfort and a stylish layering piece for colder days. Ceramic vases in dark indigo blue are versatile for holding various floral arrangements or branches. Denim-inspired rugs can pair well with diverse furniture styles, from farmhouse to cottage aesthetics, similar to how a denim jacket complements many outfits. A frayed denim table runner serves as a foundational piece for dining settings, accommodating everything from casual paper plates to heirloom dinnerware. A white ceramic table lamp with a denim blue shade reinforces the classic blue and white color combination in interior design. For a functional yet stylish touch, a denim atlas pinboard encourages travel aspirations. Indigo blue denim planter bags add texture to plant pots, combining burlap and denim materials. An industrial chest in denim blue offers a practical storage solution, and its color can be easily coordinated with shades of black, white, ivory, or jewel tones, much like styling denim clothing. Denim blue linen dining chairs can make a dining room feel inviting and warm. For DIY enthusiasts, blue chalked spray paint provides a way to transform thrift store finds with a denim-inspired makeover. Finally, a denim boudoir pillow offers a small accent to add country charm to a bed, couch, or window seat. These ideas collectively demonstrate how the familiar and beloved characteristics of denim can be translated into unique and appealing home decor elements, offering both style and comfort. #DenimDecor #HomeDecor #BlueInteriors #IndigoDesign #CountryChic #HomeFurnishings #DIYHomeDecor #InteriorDesignIdeas #TextileDecor

Dwayne Bergmann, a Florida-based designer, shares his current mood board, which he describes as “Monterey, California, meets Ralph Lauren.” The design scheme emphasizes warm, grounding spaces achieved through luxurious materials and modern decor accents. The palette primarily consists of soothing earth tones, featuring beiges and browns, complemented by bold contemporary pieces. This approach creates a cozy, calming environment by integrating colors and textures rooted in the natural world, resulting in a synchronous display of light, airy hues anchored by organic finishes and rich saturated colors. Bergmann details the specific elements that contribute to this aesthetic. For flooring, he selects Tresor hardwood floor sample in Jolie by Provenza Floors, noting that oak provides a rich warmth without being overly golden. For seating, the Aire side chair in black walnut by Summer Classics is chosen for its style, contrast, and functionality, aligning with Bergmann's firm's philosophy of “livable luxury.” To add depth and sophistication, especially for a statement wall, he incorporates Tambora Denali wooden veneer sample by Materials Inc. Wallcoverings, specifically Scope wallcovering in Linen by Arte, are used to introduce texture without overpowering the space. Contemporary elements are introduced through the Blob bowl set by Philippi, providing a juxtaposition against the warmer tones. Textiles play a crucial role in enhancing luxury and comfort. Stout faux fur fabric in Sand by Kravet is chosen for opulent pillows. For surfaces, a brown faux Carrara marble sample by Roos International Ltd., made of resin, mimics onyx and elevates the design without competing with other patterns. Trevi fabric in Steel Blue by Savel Inc. is selected for its durability, antibacterial properties, and ability to be dyed in rich custom colors. Artisan accents are provided by ribbed belting leather in brown by Hancock & Moore, ideal for chair arm panels. The floor is further defined by the Klemens rug in Fog by Holland & Sherry Interiors, which represents a modern, luxurious take on coastal design, blending “Olde Florida” with contemporary oceanfront resort aesthetics. For a foundational framework, Akoya Ivory matte porcelain tile by Elysium is used for its rich, tonal, and striking abstract painterly pattern. Upholstery is given texture and luxury with Agnello fabric in Pristine by The Vale London, a white boucle. Natural agate precioustone by Antolini is incorporated as a dramatic work of art, especially when backlit. A versatile and resilient bespoke hide rug sample in Bark by Yerra complements the organic color palette. Finally, the Willoughby drawer pull by Wilmette Leather, a walnut leather-wrapped pull, adds a modern industrial touch, and Bontecou fabric in Bronze by S. Harris serves as a soft white backdrop with subtle warm hues, allowing other design elements to stand out. #DwayneBergmann #InteriorDesign #MoodBoard #LuxuryMaterials #EarthTones #ModernDecor #CoastalDesign #TextileSelection #OrganicFinishes

The article explores the emerging trend of denim-inspired bedding, drawing parallels between the timeless appeal of denim in fashion and its growing presence in home decor. It notes that while denim has been a perennial fashion staple since its patent in 1873, recent cultural phenomena, such as Beyoncé's 'Cowboy Carter' album and the resurgence of brands like Ralph Lauren, have propelled its visibility, making its appearance in bedding a surprising yet fitting development. The trend encompasses both chambray linens and blue-tinged cotton blends that subtly mimic vintage denim, as well as more literal interpretations like patchwork, upcycled pieces made from real jeans. Erin Beatty, designer and founder of the fashion-meets-lifestyle brand Rentrayage, is highlighted for her contribution to this trend, particularly her patchwork denim pillowcases crafted from repurposed denim and backed with linen. Beatty emphasizes the utilitarian and historically grounded nature of denim, tracing its roots to workwear and its evolution into a quintessential American fashion statement. She posits that in a chaotic world, people tend to gravitate towards familiar and comforting elements, making denim a logical choice for bedroom aesthetics due to its inherent ease and timelessness, much like a favorite pair of jeans. Brands with a history in both fashion and home furnishings, such as Ralph Lauren, are identified as early adopters of this trend. Ralph Lauren Home's Workshirt Chambray Collection, for instance, reflects the brand's Americana heritage with its blend of indigo and light blue washes, offering a charmingly utilitarian feel that can soften various bedroom styles. The article acknowledges that styling denim in the bedroom requires a nuanced approach to avoid it feeling gimmicky. The key lies in leveraging its tonal range effectively. Deep indigo shades can create a striking contrast against rich velvets and saturated jewel tones, while lighter washes harmonize beautifully with crisp white sheets and vibrant color accents. Beatty suggests an all-white or neutral bed adorned with substantial denim pillows, comparing it to the enduring appeal of a 'jeans and T-shirt' combination, which consistently works. The article also showcases several product recommendations that exemplify the denim bedding trend. These include the Sister by Studio Ashby Marci Mohair Cushion, with its pale blue mohair designed to evoke worn denim; Sheet Society’s Leo Washed Cotton flat sheet, praised for its stonewashed, rumpled texture akin to favorite jeans; Rentrayage's Patchwork Denim Pillowcase, celebrated for its sustainable use of denim scraps and its display of the material's full tonal spectrum; Bedfolk Relaxed Cotton Fitted Sheet, valued for its Belgian and French flax blend that promises comfort and durability, improving with age like quality denim; the Etsy Denim Blanket by Poshdenim, a patchwork quilt made from various denim washes and textures for those seeking a bold commitment to the trend; and Piglet in Bed's Dusk Blue Linen Blend Duvet Cover, which offers a denim-adjacent depth without being overtly literal. The article concludes by suggesting that while 'Cowboycore' may be a current trend, the pursuit of quality bedding is a constant endeavor, positioning denim-inspired options as a stylish shortcut to achieving this goal. #DenimBedding #HomeDecorTrends #BedroomDesign #InteriorStyling #FashionInspiration #TextileTrends #RalphLaurenHome #SustainableDesign

Margrethe Odgaard, a Copenhagen-based designer, has cultivated a rigorous and innovative approach to color and textile design since launching her independent studio in 2012. Her body of work includes textile designs for prominent companies such as Hay and Georg Jensen Damask, as well as collaborations with other Danish creatives, including furniture designers and chef-brewers. This extensive output is underpinned by a meticulous methodology, particularly her unique color index. Odgaard developed her own 280-color palette as an alternative to existing mathematically-derived systems like Pantone, RAL, and NCS. She found these traditional systems to lack complexity and aimed to create hues that possess an immediate sensory appeal beyond just sight. Her criterion for a successful color is its 'edibility' – if one is willing to put the color in their mouth, it effectively relates to the body. This approach led to a rich spectrum of colors, from a color-shifting cocoa to an ultra-saturated neon purple, which she meticulously painted onto popsicle sticks to visualize and categorize. Her design philosophy is deeply influenced by her upbringing in pastoral western Denmark, where the natural environment fostered an attraction to opposition and a drive to make a significant impact through her work. Odgaard, an alumna of the Rhode Island School of Design and the Royal Danish Academy of Fine Arts, describes her constant striving to not merely 'make noise' but to 'make a difference' as a designer. Beyond her color index, Odgaard's diverse portfolio showcases her inventive spirit. She created 'Navajo Drawings,' which are wooden 3-D stick drawings inspired by Native American art, envisioned as three-dimensional wall decorations. Her 'Fold Unfold' tablecloth design features patterns that appear to flow out of its creases, demonstrating an innovative use of textile form. Additionally, her design for the 'Yolk' bowl for Kähler exemplifies her ability to translate her color and form sensibilities into various product categories. Odgaard's studio in Copenhagen serves as the hub for her multifaceted projects. Her consistent output and distinct approach highlight a designer who not only understands the technical aspects of color and material but also imbues her creations with a deeper, sensory connection. Her work stands as a testament to the power of thoughtful design that engages both the intellect and the senses. #MargretheOdgaard #TextileDesign #ColorTheory #DanishDesign #ProductDesign #InteriorDesign #DesignInnovation #CopenhagenStudio

Ellen Van Dusen, the designer behind the fashion and homeware line Dusen Dusen, operates from a 600-square-foot studio in Williamsburg, Brooklyn. She moved into this space approximately five years ago, seeking a more interactive and creatively stimulating environment than working from home. Previously, working from home led to feeling isolated and dealing with practical issues like fabric scraps and pins. The studio serves as a dedicated space for her creative endeavors, addressing the challenges she faced in her previous home-based work setup. Van Dusen’s studio is a vibrant display of repetitious shapes, lines, arches, and squiggles, characterized by a bold use of primary colors combined with unexpected hues. The space showcases numerous examples of her brightly colored graphic prints across various products. These include silky dresses, linen jumpsuits, color-blocked jackets, dog beds, patterned throw pillows, graphic bath and beach towels, fruit-printed bed linens, and cozy blankets. Poster boards featuring her most popular prints are also displayed throughout the studio, highlighting the consistent aesthetic of her brand. Despite the abundance of items, the studio maintains an organized chaos. There is a clear sense of order within the colorful environment. For instance, scissors are neatly hung, and books, though seemingly disarranged, are easily located by Van Dusen. She references a book on the principles of geometry, noting its exploration of mathematical patterns, including tessellations—repeating shapes that fit together seamlessly. She observes that some of these geometric principles resemble prints she has independently created, highlighting an intuitive connection to mathematical design. Van Dusen's approach to design is inherently analytical, stemming from her academic background. She has no formal fashion or design training. Instead, at Tufts University, she created her own major, "Psychology of Design," which explored art history through the lens of neuroscience. Her studies focused on how the brain perceives color, culminating in a senior thesis on the use of color by artists Mark Rothko, Morris Louis, and Ellsworth Kelly. Her lifelong fascination with color drives her inquiry into its visual appeal, its role in human perception, and the success of color-centric art. Her interest in art and design began in childhood, influenced by frequent visits to museums in Washington, D.C., and craft projects with her architect parents. This upbringing fostered a diverse range of interests that shaped her aesthetic, which she describes as drawing from many different worlds. As a teenager, Van Dusen began designing her own clothing, using a sewing machine to reconstruct thrift store garments. She often favored bright, unexpected color combinations and graphic patterns, creating her own printed textiles by laboriously sewing patterns onto fabric, as she initially did not know other methods. After moving to New York, Van Dusen received an opportunity to stock her designs in an East Village boutique, prompting her to rapidly learn professional skills like grading, pattern-making, and finishing. She launched Dusen Dusen in 2010, hand-sewing her initial collection from a makeshift workspace in her bedroom. In 2015, she expanded her brand into home decor, including pillows, blankets, bed linens, towels, and pet beds, adapting her clothing prints to different scales for these items. She notes that designing for home decor allows for individual object design, unlike clothing, where fabric patterns are cut from a larger piece. Van Dusen's design process incorporates technology, with her brothers helping her code patterns to generate variations. This method aids in brainstorming and developing new print ideas. However, she emphasizes the importance of unplugging and working with analog methods. Her studio is intentionally divided into a digital workspace and an "analog side" where computers are not allowed, enabling focused drawing and idea generation without digital distractions. Looking ahead, Van Dusen is renovating her home, which is influencing her thinking about larger-scale design. She is also collaborating with a furniture designer and developing upholstery fabric, considering its potential use in both home furnishings and unconventional clothing items. #DusenDusen #EllenVanDusen #BrooklynStudio #ColorPsychology #PatternDesign #HomeDecor #FashionDesign #TextileDesign #CreativeProcess

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

The article explores the emergence of denim bedding as a growing trend in home decor, noting its recent surge in popularity, particularly since 2024. This trend is not merely a fleeting fad but is rooted in a cultural movement, influenced in part by pop culture figures and a broader shift towards incorporating utilitarian fabrics into interior design. Soft, washed blues and lived-in textures have been increasingly prevalent in the design world, with blue continuing to be a dominant color in bedding trends for 2025 due to its calming properties. Denim bedding offers practical advantages, addressing common issues associated with traditional linens. Unlike delicate white sheets that easily show dust and wear, denim, made from materials like chambray, cotton-linen blends, and recycled denim, embraces imperfection. Its authentic visual appeal is complemented by breathability, essential for comfortable sleep. The fabric's signature twill weave naturally camouflages wrinkles and daily use, contributing to its durability and low maintenance. This movement aligns with a larger trend in home decor that sees materials like burlap, grain sacks, and drop cloths gaining traction. These heavier, more robust fabrics provide both style and practical durability. They are often more affordable and longer-lasting than many traditional bedding options, making them an attractive choice for consumers seeking both aesthetics and functionality. The market has responded to this trend, with established brands introducing denim home collections. The article provides styling suggestions for incorporating denim bedding into various decor schemes. For a contemporary look, it recommends pairing denim with crisp whites. Alternatively, layering different blue tones can create a Western-chic aesthetic. Deeper indigo shades can be used to establish contrast when combined with luxurious textures such as velvet throws and brass accents, allowing for a personalized approach to this American aesthetic. The article concludes by presenting several luxury denim bedding options and accessories from various brands, encouraging readers to customize their commitment to this style. #DenimBedding #HomeDecorTrends #InteriorDesign #TextileTrends #BedroomDecor #UtilitarianFabrics #BlueTones #ChambrayBedding

This article explores a Washington, D.C., home designed by Zoe Feldman, which showcases a maximalist yet restrained approach to interior design. The residence, owned by a young, fashion-forward couple with an affinity for British style, particularly House of Hackney, challenges conventional design norms by seamlessly integrating bold patterns, vibrant colors, and diverse textures. Feldman emphasizes that despite the eclectic mix of elements, the home maintains a cohesive and surprisingly neutral feel. The dining room, for instance, features a large, square layout adorned with striped Farrow & Ball wallpaper. This bold pattern, rather than being overwhelming, is described as soothing. The space offers a view into a floral-covered foyer, which in turn leads to a chartreuse-colored living room where various animal prints are harmoniously incorporated. Feldman explains that the striped wallpaper in the dining room naturally complements the William Morris Pimpernel print found in the stairwell, with both areas utilizing tame color palettes that subtly prepare visitors for the vibrant chartreuse living room. A key design philosophy employed by Feldman is balancing quirky and traditional elements, ensuring that "everything can’t be the star." This approach is evident in the inclusion of a vintage landscape tapestry in one corner and a human hand-shaped catchall for keys, a signature touch in Feldman’s projects. She stresses the importance of natural relationships between design elements, rejecting the idea of simply throwing disparate items together. The leopard stair runner is highlighted as an example of a seemingly bold choice that functions as a neutral, according to Feldman, who believes animal prints are inherently neutral and can coexist in nearly any space. The living room further exemplifies this adventurous design, featuring nude sketches by a team designer, antique glass mirror panels, and a 1970s tiger-print daybed. The striking chartreuse walls and window trim, painted in a Benjamin Moore hue matched by Fine Paints of Europe’s Hollandlac finish, create the illusion of lacquer without the associated cost and labor. In contrast to the vibrant communal spaces, the kitchen acts as a palette cleanser with its gradient blue cabinetry. Feldman applied various shades of Farrow & Ball paint—Pale Powder for the walls, Light Blue for medium door fronts, and De Nimes for pantry cupboards—to create a calming, smudged effect. The Donatello marble countertops, integrated sink, and backsplash, with their subtle blue veining, enhance this optical illusion. The adjacent family room, described as the "heartbeat of the house," is designed for both the couple and their young children. A TV is concealed behind bifold cabinet doors, painted in Farrow & Ball’s Stone Blue to match the walls and baseboards, allowing for a versatile space that can be active during the day and serene at night. Feldman’s use of antique brass grilling to disguise lower cabinet panels, a technique often used for radiators and AC returns, adds a functional yet decorative touch. The primary bedroom features an upholstered bed frame that is complemented by speckled Matouk Margot print pillows and duvet, chosen to play up the pattern rather than mute it. Feldman argues that small-scale prints can complement larger ones in ways solids cannot. The children’s bedroom incorporates playful pink dinosaur wallpaper from House of Hackney, with the border painted in an icy blue-green, a tone present in the motif, to ensure a cohesive and impactful design. This careful consideration of trim, doors, and ceiling colors maximizes the effect of the wallpaper, avoiding a stark white that would feel out of place. #InteriorDesign #HomeDecor #MaximalistDesign #PatternMixing #ColorPalette #ZoeFeldmanDesign #WashingtonDCHome #TextileTrends #EclecticStyle

This article features a question-and-answer session with interior designer John De Bastiani, who recently established his interior design business in Santa Barbara after relocating from Boston and Los Angeles. De Bastiani shares insights into his career path, design philosophy, and personal preferences. His journey in design commenced in Boston, where he worked at the esteemed fabric house Brunschwig & Fils, subsequently designing home interiors throughout the greater Boston area. In 2007, he moved to Los Angeles and gained valuable experience working for renowned interior designer Michael Smith before launching his independent practice. De Bastiani expresses a lifelong passion for interiors and design, stating that his expertise lies in blending practical experience, historical knowledge, and his innate taste. Approximately a year prior to the interview, De Bastiani fully transitioned to Santa Barbara, a city whose Spanish architecture and grand estates, along with its supportive and kind community, captivated him. He operates his business from a home office located in Romero Canyon. The interview delves into the origins of his attraction to design, highlighting his early love for art and art history, and decorative arts, which he sees as a creative outlet without being a fine artist. When asked about his favorite work-related field trip or vacation, he identifies Mexico City. For design inspiration, he looks beyond home projects to a variety of sources including travel, Instagram, and nature, noting that inspiration can stem from something as specific as a Spanish tile or a fantastic organic modern home. He articulates that his favorite aspect of his work is the creative process and the inherent project-based nature of design, which allows him to merge these two interests. Conversely, De Bastiani states his least favorite aspects of the job are difficult clients and unrealistic budget expectations. Pondering an alternative career, he would choose to be a shop owner specializing in home furnishings, antiques, and vintage items. His current state of mind is hopeful, and his ideal of perfect happiness involves managing three well-paced large-scale projects annually with clients who are receptive to his design process. His most significant professional achievement was having one of his projects featured on the cover of *House Beautiful* magazine, while his greatest fear is a lack of business. He considers his greatest extravagance to be Brunello Cucinelli. Regarding virtues, he deems being a “professional Instagrammer” as overrated. The talent he would most like to possess is being a flower arranger, and if he could change one personal trait, it would be to cultivate more patience. His most cherished possession is his 1969 Mercedes 280SL. Among living individuals, he most admires Jane Fonda and most despises Kim Kardashian. Loyalty is the quality he most values in his friends, and his most marked characteristic is being a kind and generous friend. His favorite fictional character is Lord Grantham from *Downton Abbey*, and he identifies Barack Obama as a real-life hero. He admits to lying on occasions when the truth might hurt someone’s feelings and frequently uses the phrase “1,000 percent!” #InteriorDesign #JohnDeBastiani #SantaBarbara #DesignInspiration #CreativeProcess #HomeInteriors #BostonDesign #LosAngelesDesign #LuxuryDesign

Connor McKnight, a New York-based designer, is featured in Wallpaper’s Uprising series for his distinctive menswear aesthetic, which he terms ‘the Black mundane.’ McKnight's design philosophy is rooted in his upbringing in a middle-class Black family in the suburbs of Washington, DC, and his parents' creative backgrounds. His father was a blues guitarist and DJ, while his mother was an aspiring designer who taught him to sew. McKnight transforms these personal histories and family memories into clothes that celebrate the everyday richness of Black life, aiming to highlight 'beautiful small moments that people don't talk about as much' rather than focusing on unfortunate aspects. He emphasizes that his work is anything but dull, despite the term 'mundane.' McKnight’s design language blends the delicate formality of tailoring and dressmaking with the practical, hardy elements of outdoors gear, often utilizing camping and military deadstock. This results in a style that can be described as a fusion of beat-up Carhartt workwear and the weightless glamour of an Armani suit. His journey into fashion began with studying business at Fordham University, followed by an internship at Kith, which led him to pursue design at Parsons School of Design. After graduating, he gained experience in production at Bode before launching his own brand during the pandemic. His initial designs revisited earlier projects, focusing on tailored coats and goose down puffers, which evolved into pieces that combined utilitarian nylon and crunchy textiles with classic luxury shapes. McKnight draws inspiration from a diverse range of sources, including the technical skill of 1980s Armani, the playful idiosyncrasies of Issey Miyake’s 1990s pleats, and personal and collective histories. This includes references from his grandfather’s yearbook, the flight suits of the Tuskegee Airmen, and the sensual attire of 1920s Washington jazz clubs. His objective is to create clothing that is accessibly chic, bridging the gap between high luxury craft and everyday wear. He prioritizes making pieces that people will wear frequently and cherish, emphasizing the feeling of comfort and rightness that a well-worn garment provides. Over the seasons, McKnight has developed signature outerwear pieces, such as a fisherman’s wading jacket with box pleats and a bulky hunting jacket with oversized utility pockets. These designs are frequently reimagined using unique materials, like 1970s family tent fabric or calfskin brown leather, while maintaining their fundamental structure. His latest collection, aptly named ‘Ease,’ reflects this refined approach. Recently, he has expanded into womenswear, carefully crafting feminine pieces like cascading dresses and body-hugging shirting, rather than simply adapting his menswear. He believes that designing for women has positively influenced his menswear, and vice versa, by challenging him with delicate fabrics and intricate constructions. As he matures, McKnight has found a new sense of confidence and intention in his design process, actively trying to slow down and approach his work with greater care. He believes that this meticulous attention to detail is palpable in his clothing. His philosophy centers on the idea that fashion should enhance the shared human experience of getting dressed every day, focusing on the staples that feel inherently right. He aims to connect his personal emotional themes and ideas of home to his work, believing that by highlighting his own experiences, he can create something universally resonant for others. #ConnorMcKnight #Menswear #FashionDesign #NewYorkFashion #ParsonsSchoolOfDesign #BlackMundane #UtilitarianFashion #SustainableFashion #Womenswear

The project "Knowing the Ropes," initiated by designers Brynhildur Pálsdóttir, Þuriður Rós Sigurþórsdóttir, and Theresa Himmer, delves into the ubiquitous nature and varied applications of rope, challenging conventional perceptions of this utilitarian material. This artistic endeavor explores the cultural and structural significance of rope within a Scandinavian context, specifically focusing on its dual existence in interior design and maritime industries. The designers utilize two historical production facilities, Hampiðjan in Reykjavík, Iceland, and Aarhus Possementfabrik in Denmark, both established in the early 20th century and employing similar machinery. These facilities represent the divergent paths of rope production: one for marine use and the other for interior textiles. The core of the project lies in highlighting the unexpected aesthetic and functional intersections that arise when examining a material with such diverse applications. The genesis of "Knowing the Ropes" dates back to 2017. Over time, the project evolved from its initial conceptualization into a comprehensive body of work, culminating in a publication and an exhibition featuring objects and video installations. The initial exhibition was held at the Reykjavík Art Museum in 2021, showcasing the designers' innovative interpretations and creations. The artists further developed their project by presenting an evolved version at the Hallwyl Museum in Stockholm. This particular venue, a meticulously preserved Victorian home from the turn of the 20th century, provided a unique juxtaposition for the contemporary design pieces. The museum's ornate and traditional environment offered a striking contrast to the modern and unconventional objects crafted from rope, creating an unexpectedly modern aesthetic within a historical setting. The exhibition features a range of objects that reimagine the use of rope in everyday items and art installations. These pieces include floor lamps with rope-wrapped bodies and exposed light bulbs, demonstrating how rope can be integrated into lighting design to create a distinctive texture and form. Pedestals made entirely from rope showcase the material's structural capabilities and its potential as a sculptural element. A standing round mirror, framed and supported by intricate rope work, highlights the material's versatility in creating decorative and functional home furnishings. A modern three-legged table also utilizes rope in its construction, presenting it as a primary material rather than a mere accent. Additionally, arch-shaped shelving units, crafted with rope netting, illustrate innovative approaches to storage and display. Through these creations, Pálsdóttir, Sigurþórsdóttir, and Himmer prompt viewers to reconsider the inherent qualities of rope and its potential for artistic and design expression. The project not only celebrates the craftsmanship and heritage associated with rope making but also pushes the boundaries of how textiles can be perceived and utilized in contemporary design. The juxtaposition of modern designs with a historic setting further emphasizes the timeless appeal and adaptability of this fundamental material, inviting a deeper appreciation for the overlooked elements of our material world. #TextileArt #RopeDesign #ScandinavianDesign #MaterialExploration #ContemporaryArt #ExhibitionDesign #InteriorFurnishings #DesignInnovation

The article details designer Dane Austin's approach to transforming a potentially cold, cavernous open-concept living space in the 2024 Whole Home into an inviting communal area. Austin, who expressed a general disinterest in the open-concept trend, focused on creating warmth and distinct zones within the large room, which features 22-foot ceilings and expansive windows. His design process began by drawing inspiration from the natural surroundings of Asheville, particularly the sunset hues and the blue tones of the mountains, which influenced his material and color palette choices. A key element in the living room's design is a Farrow & Ball cherry blossom wallcovering, which reproduces a Renaissance-era chateau design. To further define the space and add architectural interest, Austin collaborated with the build team to install a floor-to-ceiling chimney breast made from Dekton’s ultra-compact surface material, providing depth and dimension. A surrealist sculptural landscape by local artist Colton Dion serves as a focal point, adding a unique artistic touch to the room. Austin’s design philosophy emphasizes a curated, timeless aesthetic, combining old and new, masculine and feminine elements, and a mix of custom-made and flea market finds. This approach is evident in the diverse selection of furnishings, which include various velvets, leathers, and linens. He intentionally included abundant seating options, advocating that a living room should accommodate as many guests as there are dining room chairs, especially for a holiday home. To avoid a monolithic wallcovering effect in such a tall space, Austin cleverly incorporated a shelf at rafter height, painted in Farrow & Ball’s Selvedge color, which is used to display baskets and pottery, breaking up the vertical expanse and adding visual interest. Thoughtful details are also highlighted in the area around the fireplace, where bench seating and shallow cabinetry feature custom brass inserts from Architectural Grille, echoing the wallpaper motif. Above this built-in, a Samsung Frame TV seamlessly integrates technology by displaying evolving artwork and converting to a movie night mode with the push of a button. For the expansive floor, a custom Fibreworks rug was chosen to anchor the living area. Lighting plays a crucial role in distinguishing the living and dining zones, with a multitiered Clementine chandelier by Visual Comfort & Co. hanging above the lounge, and a plastered Mollino pendant, also by Visual Comfort & Co., positioned lower over the dining table adjacent to the kitchen. In the informal dining area, designed for simple entertaining, Lee Industries settees and chairs are paired with a Wayfair Professional table. The Adelaïde wallpaper from Farrow & Ball and a Fibreworks rug continue the aesthetic from the living room. Additional lighting, including a pendant, sconces, and a picture light from Visual Comfort & Co., and custom art from Colton Dion Gallery, complete the dining space. Austin further delineates the open-plan by introducing a “room-within-a-room” concept, using drapery made from Sanderson fabric. This fabric, featuring a crewel stitchwork in blush and blue, adds softness and allows the kitchen to be cordoned off for privacy, especially after events, offering a practical yet elegant solution to open-concept living. The article concludes with a comprehensive list of vendors and products used in both the living and dining areas, reflecting the meticulous planning and curated selection involved in the design. #HomeDesign #InteriorDesign #OpenConceptLiving #LivingRoomDecor #DiningRoomDesign #DaneAustinDesign #Wallcovering #CustomFurnishings #LightingDesign

The choice of trim color in a home is a detail that, while often overlooked, significantly contributes to the overall aesthetic of a room. Many home design experts offer differing advice on trim treatment, ranging from bold accent colors to off-white shades designed to mask wear and tear. However, David Bromstad, host of HGTV's "Color Splash," provides a unique and stylish alternative for homeowners seeking to move beyond traditional white trim while addressing practical concerns like scuff marks and maintenance. Bromstad's recommendation stems from an inquiry by a fan, Alicia from Michigan, who considered using black trim to conceal scuffs. While black is often perceived as a color that hides dirt, Bromstad cautions against it, drawing from his personal experience with black floors. He notes that black surfaces tend to highlight footprints, paw prints, and lint, making them surprisingly difficult to maintain. Conversely, he points out that white trim, despite its light appearance, is often better at hiding dust and is easier to touch up when minor damage occurs. For those determined to have darker trim, Bromstad suggests an espresso stain as an excellent alternative to black paint. His rationale is that a stain penetrates the wood, making dirt and scuffs less noticeable than they would be on a painted surface. This approach is particularly effective if the baseboards are made of wood with visible grain, as staining can enhance the natural beauty of the material while introducing a rich, dark, and warm tone to the space. Homeowners can achieve this look using products like BEHR's espresso water-based interior stain, which is readily available and affordable. When opting for a stain, it's crucial to ensure the chosen hue complements other elements in the room and to consider applying the same stain to all wooden baseboards to prevent any visual clashes between different wood shades. If the existing trim is already painted, a wood stain might not be the most suitable option, as it relies on penetrating the wood grain. In such cases, Bromstad advises using a dark brown paint, such as BEHR's iced espresso interior paint and primer, to achieve a similar dark aesthetic. Regardless of whether a stain or paint is used, proper preparation and priming of the trim are essential for a successful and long-lasting finish. Utilizing a paint and primer in one product can simplify the process. Furthermore, careful attention to protecting surrounding surfaces with tape and drop cloths is necessary to prevent accidental paint splatters, ensuring that the project remains straightforward and avoids the additional task of paint removal. #DavidBromstad #HomeDesign #InteriorDesign #TrimPaint #EspressoStain #ColorTheory #HomeImprovement #DIYHomeDecor

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

Peter Dunham, an ELLE DECOR A-List interior designer renowned for his 'Englishman-meets-L.A. style,' is expanding his presence with a new 3,500-square-foot showroom in New York City. The showroom, located at the New York Design Center's 200 Lexington Avenue, is set to open on August 19. Dunham, who has been operating from Los Angeles since 2003, expressed his long-held desire to establish a New York presence, stating, 'For me, it’s always New York...and honestly, I wish I’d done it sooner.' The new space will showcase a diverse range of products from both Dunham’s Hollywood at Home and Peter Dunham Textiles brands. Visitors to the showroom will experience an environment designed to emulate Dunham's distinct interior projects, characterized by opulence, playfulness, vintage influences, and a strong affinity for bold colors and patterns. The showroom aims to offer a tangible experience, allowing clients to 'touch and feel and try and test the quality and comfort' of his offerings, emphasizing the designer's belief in the importance of physical interaction with products despite the shift in retail landscapes. The showroom's layout is meticulously curated to reflect Dunham's design philosophy, presenting a comprehensive display of his work. A central feature will be an array of his signature prints and woven fabrics, including the widely recognized 'Fig Leaf' print, which adorns the walls. This is complemented by outdoor furniture selections, such as a textured beige Hollywood at Home Rush Club armchair, upholstered in Nawab fabric. The space also includes a dark green cabinet filled with indoor-outdoor poufs, a varied collection of patterned cushions, and a wall dedicated to fabric swatches, inviting tactile exploration. His latest 'Shani' textile launch, drawing inspiration from Indian block prints, will also be featured. Beyond textiles and seating, the showroom will display lamps, a four-poster bed draped in a 100 percent alpaca bedcover crafted by Peruvian handweavers, and cowhide chairs. Notable pieces include the 'Carmania' woven fabric, previously used in Dunham’s Paris apartment. The showroom is designed to be a condensed yet comprehensive representation of Dunham’s extensive career and dedication to fabric artistry. Dunham describes the showroom as a layered environment, mirroring his approach to designing a room—a fusion of art, accessories, vintage items, his original designs, and collaborations with artisans. For those unable to visit in person, the article provides a glimpse into some of the featured items, offering a preview of the diverse collection available at the new New York location. #PeterDunham #NYCShowroom #InteriorDesign #HomeDecor #Textiles #HollywoodAtHome #NewYorkDesignCenter #DesignTrends #FabricDesign

Ombre palettes and patterns, characterized by gently blended, graduating shades of the same hue, have transcended mere trend status to become an enduring design option. These designs effectively introduce a medley of dreamy gradient tones into a room, creating a sense of rhythm and movement whether they are applied to accent pieces or an entire wall. Designer Alex Alonso highlights the appeal of ombre for its ability to create a soft progression for the eye, enabling a playful use of color without leading to overly dramatic or harsh transitions within a space. Christina Roughan, a designer based in Greenwich, Connecticut, emphasizes that good design extends beyond visual appeal to enhance a client's quality of life. Her approach incorporates sprightly hues, lively prints, tactile textiles, and clean silhouettes to ensure spaces are comfortable, sophisticated, and light-hearted. Roughan recommends The Rug Company's exquisite blue ombre rug, noting its versatility for almost any room. She also favors Rosemary Hallgarten's Ombre Sheer Linen Fabric for its light and timeless quality, with subtly saturated colors that suit various home styles, from beach to city. For wall art, Roughan suggests pieces like Katie Heffelfinger's Cloudburst in Navy to White Ombre, which add depth and perspective to a room. Alex Alonso, a Miami-based designer known for his maximalist and "modern Victorian" aesthetic, embraces bold colors, shapes, and textures to create lush, layered, yet livable interiors. Alonso appreciates small details like Schumacher's Ombre Indoor/Outdoor Tape, which he recommends for window treatments. This tape acts as a subtle design element that personalizes window coverings, whether custom-made or off-the-rack. He also finds the Sharon Bench by Ottiu chic and simple, offering customizable options that evoke a 1980s vibe while remaining contemporary. Another recommendation from Alonso is The Rug Company’s Bamboo Border Blue Rug, highlighting how a good ombre pattern on the floor can define a space and draw the eye without harsh transitions. He suggests customizing rugs to have lighter edges and a darker center on dark floors to enhance movement. Katie Lydon, a New York-based designer originally from London, expertly balances classic and contemporary elements. Her projects often feature a harmonious blend of antique pieces, such as chandeliers or Louis XVI-style dining chairs, with modern items like acrylic consoles or contemporary art, resulting in fresh and timeless aesthetics. Lydon praises Rosemary Hallgarten's Ombre Alpaca Linen Fabric for its sophisticated texture and dramatic color, which makes the ombre effect crisp and special. She recounts using this fabric for curtains in a Hamptons primary bedroom, noting how they flutter onto the terrace in the breeze. Calico Wallpaper's Aurora is another favorite, used in a girl’s bedroom to introduce drama and style with just the right amount of color and a cool factor for a teenager. Lydon also points to Withers & Grain's Faded Dining Table as an example of understated elegance, demonstrating how ombre can subtly highlight and soften material finishes like metal, making it an elevated yet livable choice for a family in Brooklyn. #OmbreDesign #InteriorDesign #HomeDecor #ColorPalette #DesignTrends #Textiles #FurnitureDesign #Wallcoverings #RugDesign