Everything I learned from a day with Rita Konig, British interior design wiz

Rita Konig, a prominent figure in interior design, shares insights into her extensive career, emphasizing her approach to decoration and personal style. Growing up in the industry with her mother, Nina Campbell, Konig initially explored other career paths before finding her calling in interior design. Her early experiences included decorating a flat in Holland Park and later moving to the US, where she contributed to Domino magazine by curating shopping stories in various cities across America. Upon her return to London in 2012, Konig focused on building her decorating business, which now includes a team of four designers and a Chief Operating Officer. She also contributed a monthly column to House & Garden for several years. Konig identifies herself as a decorator rather than a designer, a distinction she attributes to her mother's influence and her belief that much of interior decoration involves embellishment. She argues that personal objects, memorabilia, and artwork are crucial in making a house feel like a home, advocating for their inclusion even over immediate paint choices. She highlights the importance of incorporating personal items to infuse a space with individuality and warmth, preventing it from resembling an impersonal display. Konig has also engaged in numerous collaborations throughout her career, including projects with The Lacquer Company, for which her Belle Rive tray is credited with inspiring a 'tray renaissance,' and upcoming collections with Schumacher and Officina. She recently launched her second online course with Create Academy, which focuses on the renovation of her own home, covering practical aspects like budgeting and the iterative nature of the design process, especially concerning joinery. She stresses the importance of allowing time for reflection and adjustments during renovations, noting that initial drawings often require modifications. Konig shares specific elements that are consistently present in her own home, such as artwork, objects, books, and a drinks tray, which she considers essential for making a place feel lived in. She recalls cherished items she brought with her to New York that continue to hold pride of place. Her approach to color has evolved over time, from vibrant sorbet hues in her first flat to more grounding ochres, tobacco browns, and burnt oranges in her current home. She views color as a unifying element in a room, citing the use of red to link different components in her living room. Konig also advocates for a 'hero fabric' in each room, around which other elements are coordinated, and suggests incorporating unexpected patterns, like a zebra print sofa, to add character. Regarding lighting, Konig advises simplifying circuits and utilizing a lighting designer to create different scenes for various times of day. She mentions Sally Storey's method of designing 'morning,' 'afternoon,' and 'evening' settings, and her use of integrated spot lighting with decorative pendants. For window treatments, she prefers sheer fabrics, sometimes paired with blackout blinds, for both aesthetic and practical reasons, noting their cost-effectiveness compared to traditional curtains. She also uses woven blinds from India for their ability to filter natural light. The article concludes with a curated list of Konig's preferred brands and suppliers across various categories, including antiques, rugs, wallpaper, glassware, books, bedlinen, towels, eiderdowns, blankets, lamps, and general home goods, offering readers a glimpse into her trusted resources for creating stylish and personalized interiors. #InteriorDesign #HomeDecor #RitaKonig #CareerHighlights #DesignPhilosophy #DecoratingTips #OnlineCourse #HomeRenovation

Rita Konig's career trajectory from journalism to interior design highlights the transferable skills gained in media, such as research and meeting deadlines, which proved invaluable in her design work. Influenced by her mother, designer Nina Campbell, Konig developed an early appreciation for creating beautiful homes. Her decade in Manhattan, writing for publications like the Wall Street Journal and Vogue, further shaped her design philosophy and provided opportunities, including decorating Graydon Carter's restaurant, The Waverley Inn, annually. Upon returning to London, Konig established a design studio, expanding her portfolio with high-profile British projects such as Argyll House in Chelsea and several rooms at Bolton Abbey. Notably, over half of her current work is based in the USA, with significant projects in California, including a collaboration with architect Gil Schafer and the San Vicente Bungalows, considerably elevating her international profile. These projects exemplify her eclectic style, which blends diverse pieces and embraces a layering approach to interior spaces. Konig is known for her generosity in sharing knowledge, notably through online video courses with Create Academy, which gained popularity during the lockdown period. Her participation in WOW!house, an annual showcase of interior design talent, and collaborations with brands like Schumacher, The Lacquer Company, and Oficina Inglesa demonstrate her influence and reach within the design industry. She effectively demystifies interior design, breaking down the process into three core stages: spatial planning, layering pattern and color, and finally, decorating with a multitude of objects and pictures. Konig asserts that the final stage, incorporating objects, is the most crucial for bringing a space to life, emphasizing that without it, a room can feel like a mere showroom. Her philosophy stresses the importance of distinctive pieces, particularly in an era where design trends are quickly disseminated online. This leads her to prioritize antique dealers for sourcing unique items. Konig believes that the most meaningful interiors are those filled with personal belongings—heirlooms, travel souvenirs, and market finds—that tell a story and create a unique atmosphere. She also highlights the increasing significance of bespoke elements in her projects, ensuring originality that cannot be replicated through mass-produced items. Konig's own west London home serves as a testament to her design principles, showcasing a masterful blend of old and new, formal and relaxed, and serious with witty elements. By combining three apartments, she has created a cohesive yet richly layered environment featuring custom furniture, vibrant fabrics, contemporary art, and an abundance of curated objects. This approach, while potentially chaotic in less skilled hands, results in a space that exudes comfort and joyful coherence, embodying her belief in celebrating "stuff" to create truly personal and distinctive interiors. #InteriorDesign #RitaKonig #HomeDecor #DesignPhilosophy #EclecticStyle #JournalismToDesign #OnlineCourses #DesignProjects #SourcingAntiques

The article delves into the distinctive interior design philosophy of British decorator Rita Konig, daughter of pioneering designer Nina Campbell. It highlights how Konig, despite growing up in a world of lush interiors, developed her unique and livable style, characterized by a quirky, happy, and highly functional aesthetic, differentiating herself from traditional approaches. Konig's career, spanning two decades, includes residential and commercial projects globally, with a recent notable interior design for Hotel 850 in West Hollywood. Her growing influence is further amplified through her active Instagram presence and contributions to various publications like British Vogue and The Wall Street Journal, where she shares her authoritative yet approachable design insights. The article then shifts focus to Konig's personal renovation project: North Farm, a Victorian farmhouse in County Durham, northeast England, shared with her husband, biographer Philip Eade, and their five-year-old daughter, Margot. This renovation serves as a practical demonstration of Konig's design principles, as she documented the process on social media for her followers. The objective of the renovation was to transform the sprawling, historic golden stone structure, which has been in Eade's family for generations and is surrounded by rolling pastures, into a comfortable and authentic country home that starkly contrasts with a city dwelling. The property's historical significance is underscored by the presence of a buried medieval village, adding a layer of heritage to the project. Konig's design approach for North Farm successfully merges high style with an unfussy restraint, incorporating whimsical elements, classic English references, and a vibrant color palette. To maintain the property's rustic integrity, she installed a traditional-style kitchen by Plain English and a durable stone-floored mudroom, designed to withstand country living. The interiors are described as polished yet rustic. An example is the sage-walled sitting room, which features an eclectic blend of geometrics and florals, intentionally creating a naturally evolved, slightly mismatched feel. The small library, or TV room, was conceived to be highly functional, accommodating multiple people comfortably for movie nights or football games, combining delicate wallpaper with robust upholstery fabrics like corduroy, quilted cotton, wool, and velvet. Throughout the farmhouse, Konig's signature touches are evident, such as bright crystal match strikes, vivid lacquered drinks trays, scalloped D. Porthault linens, and her characteristic mix of classic and modern patterns. The overarching theme of the house is comfort, exemplified by deep, down-filled sofas, inviting crisp beds, a generous weathered farmhouse table, and Margot's playfully pink, yet unsugary, dream room. Ultimately, Konig emphasizes that the primary goal for North Farm was to create a welcoming space for friends and family to enjoy, embodying her design philosophy of comfort, livability, and warmth. The article concludes by noting its original publication in the June 2019 issue of ELLE Decor. #RitaKonig #VictorianFarmhouse #InteriorDesign #EnglishCountryside #HomeRenovation #CountryHomeStyle #DesignPhilosophy #HistoricProperty #ElleDecor

The author, an ELLE DECOR A-List designer, details her recent experience renovating and extending her London apartment. She notes that while designers' own homes often turn out to be their best work due to the absence of client-imposed visual compromises, designing for oneself can present its own set of challenges. Initially exciting, the project often gets pushed aside in favor of client work, leading to the 'cobbler-with-no-shoes' phenomenon. The collaboration aspect, crucial in client projects, is largely missing when working on one's own space, sometimes leading to a sense of loneliness as the only push-and-pull comes from one's own team, who may be reluctant to offer contradictory opinions. Despite these challenges, the author appreciated the flexibility and speed with which decisions could be made and adjusted. Design changes could be implemented swiftly, or even reversed, without the need for multiple client meetings, presentations, or extensive persuasion. This freedom allowed for bold choices that might be difficult to sell to a client, such as applying tobacco linen to north-facing sitting room walls or painting window frames and trim in a unique 'Toad' green. These bold design elements, while adding to the expense and timeline, ultimately created a high-impact, calming atmosphere, evoking a country feel for guests. She draws a parallel to Albert Hadley, who famously used his own apartment as a design laboratory, experimenting with unique elements like lacquered chocolate-syrup-colored walls and ceilings. This illustrates how designers' personal spaces become arenas for unconstrained creativity and experimentation, free from the pressure of client approval. When making daring design choices for her own home, the author experiences less anxiety about the outcome, knowing she can live with and adjust the results if necessary. This contrasts with client projects, where bold decisions carry significant financial implications or risk a loss of trust if initial iterations don't meet expectations, potentially stifling creativity. The article also touches on the differing nature of budgets when designing for oneself versus for clients. While client budgets always have boundaries, personal projects offer a different spirit of allocation. The author found value in things that might be considered extravagant for a client, such as a four-poster bed requiring 90 yards of fabric, which she expresses no regret for, despite it being a budget-buster. This highlights the personal satisfaction derived from investing in specific design elements for one's own enjoyment. Ultimately, the author concludes that the process of designing her own home, despite its inherent 'pain,' was a rewarding experience, allowing for a level of creative freedom and personal expression that is often tempered in client-focused work. The outcomes, particularly the bold and distinctive design choices, have brought significant personal satisfaction and validation, reaffirming the unique benefits and challenges of being one's own design client. #InteriorDesign #HomeRenovation #DesignerLife #LondonApartment #CreativeFreedom #BudgetManagement #PersonalStyle #DesignChallenges

Sheena Murphy, founder of nune studio, offers insights into her approach to interior design, emphasizing that thoughtful design enhances overall wellbeing. Her style is characterized as modern, eclectic, layered, and planet-aware, reflecting her belief in creating comfortable and livable spaces. Murphy has completed projects in both London and the US, currently basing her operations in London while incorporating a distinctive "Stateside cool" into her designs. She identifies her 8th Street Townhouse and Charles Street projects as personal favorites, highlighting the collaborative process involved in their creation, whether with architects or directly with contractors. Murphy primarily uses neutrals, particularly warmer tones, as foundational backdrops, citing Farrow & Ball's Purbeck Stone, Ammonite, Elephant’s Breath, and Jitney, along with Atelier Ellis’s Stony Plaster, as preferred choices. She expresses a particular enjoyment in designing children's rooms, which she finds allow for a more playful and whimsical approach, demanding multi-functionality and adaptability due to children's rapid development. These spaces often push her to experiment with color and pattern more extensively. Her creative process is also significantly influenced by the simplicity and natural beauty of the British countryside, which she finds invigorating. For timeless interiors, she admires Vincent Van Duysen and Axel Vervoodt, while for contemporary and layered designs, she looks to Decus Interiors, Templeton Architecture, and Ashe Leandro. She also keeps an eye on the distinctive work of designers like Brian Paquette, Rose Uniacke, and Disc Interiors, and draws inspiration from Instagram accounts such as Sarah Elliott, Rebecca Wakefield, The Modern House, and Genevieve Lutkin. When initiating a room design, Murphy prioritizes surveying the space and taking detailed measurements of existing architectural elements. For small spaces, she recommends investing in lighting, window treatments, and sofas, noting that curtains or roman shades and sculptural lighting can significantly transform a room. Sofas are considered a crucial investment due to their frequent use. In large open-plan areas, her strategy focuses on creating defined zones through furniture and textiles, emphasizing the importance of space planning, furniture layouts, rugs, lighting, and storage to provide division and definition. Regarding decorating, Murphy's color scheme and mood board development are informed by the property’s external environment, the client’s lifestyle, and the home’s architecture. This comprehensive approach guides the selection of color palettes, forms, and materials, influencing shapes and styles. For a single room, she typically uses one wall color, accentuating architectural details with tonal variations. She appreciates mixing patterns but stresses the importance of scale to allow each pattern to stand out, with the number of patterns varying based on room size and type. For eclectic furniture arrangements, a unifying color palette is essential to prevent a chaotic atmosphere. Murphy advises against chasing trends, advocating for timeless designs and planet-friendly, natural materials that ensure longevity. She encourages purchasing items loved and intended for long-term use, ensuring they serve a purpose and connect with other aesthetic elements. Functionality is paramount in kitchen design. While she favors wood and limestone for flooring, she cautions against wood for messy cooks due to maintenance. Limestone is highlighted as a durable, cost-effective, and easy-to-maintain natural alternative. For worktops, marble is her preferred choice, although she suggests limestone or quartzite as natural alternatives for those hesitant about marble's cost or perceived delicacy. She avoids porcelain or quartz, favoring natural stones, but acknowledges stainless steel for its utilitarian appeal in avid cooks' kitchens. Paint colors are always selected in natural daylight, with attention paid to bulb temperature to avoid distortion. Finally, Murphy advises splurging on lighting and vintage pieces, while saving on occasional items like side tables, secondary chairs, and accessories. For budget-conscious projects, prioritizing paint and lighting is key. She concludes by listing her preferred vendors for various interior design elements, including furniture, fabrics, joinery, kitchens, bathrooms, wallpaper, paint, lighting, flooring, tiles, and kitchen hardware. #InteriorDesign #SheenaMurphy #NuneStudio #HomeDecor #DesignTips #EcoFriendlyDesign #NeutralPalette #SpacePlanning #KitchenDesign

The article presents an interview with Kristin Gray, an interior designer based in Los Angeles. Gray shares insights into the interior design industry, emphasizing that owning a design business extends beyond creative design to encompass business processes, marketing, logistics, and human resources. She highlights the importance of building personal connections and trust with clients, stating that successful interior design is ultimately about providing high-level client service with integrity. Gray recounts her professional journey, beginning in 2005 when she moved to Los Angeles after college with aspirations of working in design or architecture. Her first role was as an office manager at an architectural firm, where she acquired skills in AutoCAD and blueprint reading. During this time, she pursued further education, enrolling in a Design Psychology class at UCLA Extension, which combined her undergraduate background with her interest in design. This marked the start of a seven-year endeavor to earn her Master's in Interior Architecture, a period during which she simultaneously gained practical experience in the design field through various work opportunities. She reflects on her growth as a designer, stressing the value of self-belief, confidence in her abilities, and her commitment to creating homes that serve as havens for her clients. Gray also offers a suggested itinerary for a week-long visit to Los Angeles, focusing on diverse experiences. Her recommendations include spending an afternoon in the Downtown Arts District, particularly The Row, to explore Smorgasburg's food offerings, browse shops, and enjoy coffee at Go Get Em Tiger. Another day would involve a visit to Terranea in the South Bay for a stroll along the coastal walking path, a meal, and potentially a massage. For dining, she suggests Planta Cocina in Marina del Rey, noting its delicious food and appealing design. The itinerary also features exploring South Bay beach towns like Redondo and Manhattan Beach, complete with shopping, coffee or acai bowls at BlendzUp, food and drinks at Salt & Pearl, and dinner and entertainment at Belle Epoque. Cultural activities include visiting the Huntington for art and gardens and attending a show at the Hollywood Bowl. A relaxed day at the beach is also included in her ideal Los Angeles experience. In her 'shoutout' section, Gray expresses gratitude to the many individuals who have supported her career. She acknowledges past colleagues, friends, and her husband for their encouragement during challenging times, their motivation for professional advancement, their support for her education, their recommendations for new projects, and their trust in her work. Her website, 'kdgrayinteriors.com,' is provided as a resource for those interested in her work. The article encourages readers to nominate others deserving of recognition within the community, aligning with the platform's mission to highlight 'hidden gems' and foster community interaction. #InteriorDesign #BusinessOwnership #ClientRelationships #ProfessionalJourney #LosAngeles #TravelItinerary #LocalRecommendations #Gratitude

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

Tali Roth, a Melbourne-born interior designer, has carved out a unique niche in New York's design scene, bringing a fresh, personal touch to interiors, particularly within the city's prevalent rental market. After moving to New York in 2013 with her husband and limited funds, Roth initially faced challenges in securing a traditional design role. Leveraging her background in psychology and fashion, she found an opportunity with a start-up agency that facilitated freelance designers, allowing her to utilize social media to build her own brand. This ultimately led to the establishment of her independent design business and the launch of 'The Playhouse,' her innovative 'shoppable office.' Roth's design philosophy is significantly shaped by New York's renting culture, which contrasts with Australia's emphasis on home ownership. She believes that living in a rental for decades necessitates making it comfortable and personalized, demonstrating that extensive decoration and even reversible renovations are achievable. For instance, she transformed her own Chelsea loft by applying a faux concrete finish to the walls and adding wainscoting in a previous apartment, all with the understanding that these changes could be reversed without issue. Her approach challenges the conventional limitations of decorating rental properties, emphasizing comfort and personalization over strict adherence to original conditions. Over six years in Manhattan, Roth has refined her signature aesthetic, describing it as 'pretty but not overly feminine, clean-lined but with a warm, mid-century edge.' Her design rule dictates that every interior should incorporate a mix of vintage, custom, and affordable or retro-fitted pieces, creating a harmonious and layered look. For artwork, she often draws inspiration from Australia, featuring pieces from artists like Minnie Pwerle, Adam Pyett, Stephen Baker, and Leila Jeffreys, and introducing clients to Australian brands such as Dinosaur Designs and Contemporary Editions, as well as glass artist Amanda Dziedzic. Currently, Roth is engaged in diverse projects, including the design of a flagship coffee venue for Bluestone Lane in SoHo, the offices for AWAY luggage, a multi-residential development in Brooklyn, and numerous private apartments, including one for a high-profile couple in the entertainment industry. Her material preferences lean towards glass, wood, and marble, favoring natural states and avoiding overly stained timber. While clients seek her distinct style, Roth prioritizes integrating their personalities into the space. She avoids being prescriptive, preferring to incorporate client-provided items, such as a grandmother's vase, even if they don't align with her personal taste, believing that these sentimental pieces bring joy and contribute to the overall balance and unique character of a home. #InteriorDesign #NewYork #RentalDecorating #HomeDecor #DesignPhilosophy #TaliRoth #MidCenturyModern #AustralianDesignInfluences #PersonalizedInteriors

The author, a writer for Realtor.com®, chronicles her personal home renovation journey, detailing how she applied design advice gleaned from popular reality TV home improvement experts like Chip and Joanna Gaines, Christina Haack, Jonathan and Drew Scott, and others. The renovation of her 1927 English Tudor-style home in San Francisco, purchased in 2020, took place throughout most of 2021, transforming a property that had not been updated in decades. The overall footprint of the two-story, four-bedroom, two-bathroom, 2,230-square-foot house was maintained, but the floor plan was adjusted, and every surface was touched. One of the core principles applied was to design for real life rather than solely for resale value, a concept championed by "Home Town" star Erin Napier. Since the author and her husband intend to grow old in the house with their two young children, decisions were made to suit their family's current and future needs. This included converting a formal extra bedroom into a flexible space that can function as a home office, as recommended by Brian and Mika Kleinschmidt of "100 Day Dream Home." The renovation also embraced open spaces, removing a wall between the kitchen and dining room and widening openings to the foyer and living room, allowing children to be visible and connected while parents work, cook, and clean, aligning with Shea McGee's insights from "Dream Home Makeover." Russell Holmes of "Renovation Impossible" reinforced the idea that value extends beyond monetary appraisal to include enjoyment. The kitchen, a key area for return on investment, received significant attention, particularly the island. Christina Haack of "Christina on the Coast" inspired the decision to install a large, oversized kitchen island. The author opted for a 7-foot by 5.5-foot slab of Calacatta gold marble with bold veining, which, despite its cost, became a central feature for family dinners and gatherings. The selection of materials prioritized timelessness over fleeting trends, a recommendation from Dave and Jenny Marrs of "Fixer to Fabulous: Italiano." The use of honed marble for countertops and backsplash, with continuous gray veins and a matte finish, paired with brushed-brass fixtures, aimed for classic durability, ensuring the white-on-white kitchen would remain stylish and functional for years. Preserving original architectural details was another important aspect of the renovation. Despite the extensive overhaul, elements like antique doors, knobs, a cast-iron bathtub, multi-paned windows, and sections of the hardwood floor were retained. Where original features were missing or unusable, efforts were made to re-create the look, such as with crown molding and tall baseboards. Joanna Gaines highlighted the cost-saving benefit of salvaging original items, while Clint Harp emphasized that blending old and new elements creates a desirable design balance, allowing appreciation for timeless pieces. Strategic splurging was advised by Tamara Day of "Bargain Mansions" and Michel Smith Boyd of "Luxe for Less," who suggested investing in frequently used items like sofas. The author and her husband prioritized a comfortable sectional from Room & Board, featuring a durable, custom green upholstery. Personal preferences guided interior decor choices, adhering to Jonathan Adler's rule: "Forget the rules. If you love it, it will work." This led to an olive-green couch matching her husband's vintage truck and pink accents inspired by "Barbie Dreamhouse Challenge" judge Tiffany Brooks. The downstairs powder room was a space for bold experimentation, featuring a palm print wallpaper reminiscent of the Beverly Hills Hotel, a tip supported by Alison Victoria of "Windy City Rehab." Careful consideration was given to paint colors, drawing inspiration from Keith Bynum of "Bargain Block" for exterior curb appeal and Tamara Day for interior lighting nuances. The home's exterior features a cream base with dark chocolate trim, while the interior is painted in Cool December by Dunn-Edwards Paints, providing a neutral backdrop for colorful decor. Finally, decluttering practices, inspired by Nate Berkus and Jeremiah Brent of "The Nate and Jeremiah Home Project" and Jean Stoffer of "The Established Home," were implemented, encouraging the retention of only cherished items and minimizing horizontal surface clutter, with a realistic acknowledgment of managing everyday mess, as even Marie Kondo admits. #HomeRenovation #InteriorDesign #RealityTV #HomeImprovement #KitchenDesign #TimelessDecor #DeclutteringTips

Patricia McGinnis, a Belfast-based interior design consultant and co-founder of Maven, an interior and lifestyle boutique, provides five essential tips for making considered design decisions in home décor. Her advice aims to help individuals create spaces they will appreciate for years, avoiding reliance on fleeting trends. McGinnis emphasizes that the most engaging rooms feature a blend of elements that offer continuous visual interest through variations in shape, color, and texture. She encourages experimentation and playfulness in design, suggesting that vintage and contemporary pieces can coexist harmoniously to create a rich and layered aesthetic. An example from her own home illustrates this principle, featuring a mid-century dining table on an antique rug, surrounded by contemporary Scandinavian chairs and lit by a Japanese-inspired pendant lamp, demonstrating how diverse styles can be integrated effectively. A key recommendation from McGinnis is to avoid compromising on personal preferences, especially when it comes to color choices. She advises individuals to trust their instincts and choose colors they genuinely love, asserting that future regret is more likely to stem from not following one's heart than from bold color decisions. She also cautions against allowing tradespeople to dissuade homeowners from their chosen designs, sharing anecdotes of painters initially resistant to certain colors who ultimately grew to admire them. Furthermore, McGinnis stresses the importance of investing in quality pieces, particularly for items such as sofas, dining chairs, and tables, which are used frequently. She suggests saving for desired items rather than settling for less, as quality furniture is more durable and can become cherished heirlooms, a philosophy central to Maven's curated collection. McGinnis strongly advises against being overly influenced by social media trends. She warns that homes designed strictly according to current trends can quickly become dated and feel inauthentic or impersonal. While acknowledging the inevitability of some trend influence, she advocates for a balanced approach where trending elements are integrated with timeless pieces. This strategy aims to create an enduring aesthetic that reflects the homeowner's personality rather than merely mimicking popular online aesthetics. The goal is for a home to be a unique reflection of its occupants, rather than a generic replication of another's Instagram feed. Layering is presented as another crucial aspect of effective interior design, likened to a chef adding spices to a dish. McGinnis explains that layering multiple textures, tones, shapes, and colors, along with thoughtful lighting, adds depth and richness to a room. This approach elevates a space beyond its basic components, creating a more sophisticated and inviting atmosphere. Finally, McGinnis highlights the practical importance of meticulous measurement. When investing in significant furniture pieces, she advises measuring not only the intended space but also doorways and awkward corners to ensure the items can be successfully moved into the room. This practical tip helps prevent costly mistakes and ensures that carefully selected pieces can be properly installed and enjoyed in their new environment. #HomeDecor #InteriorDesign #DesignTips #PatriciaMcGinnis #MavenBelfast #TimelessDesign #PersonalStyle #LayeringInDesign #QualityFurniture

Rebecca Constable, an interior designer known for creating timeless and inviting homes that also accommodate daily life, recently launched Room by Room Interiors. This new venture offers ready-to-go design schemes, providing an accessible and affordable alternative for individuals seeking design assistance without the commitment of hiring a full-time designer. These schemes include comprehensive guidance, from key design principles to specific recommendations for paint colors, furniture, and accessories. Constable's design journey began after transitioning from a career in management consulting and project management at John Lewis. Following the birth of her children, she sought a more flexible profession, initially redesigning her own home and then assisting friends and family, which organically led to the growth of her interior design practice. She notes the significant overlap between project management and interior design, highlighting the organizational aspects crucial to both fields. Her personal home is characterized by a vibrant and layered approach, incorporating color, pattern, and various textures. Each room is distinct, and Constable frequently uses different fabrics to achieve this variety. She also emphasizes the use of natural materials such as oak floorboards, marble tiles, and quartzite counters, embracing the natural wear and tear these materials exhibit over time. Her favorite room is her and her husband's bathroom, which she describes as a calm and luxurious space for relaxation. Constable's design philosophy is deeply influenced by her Swiss grandmother, whose home featured a rich collection of antiques, self-painted oil paintings, and hand-decorated furniture. This eclectic mix of old and new, combined with a love for color and pattern, defines Constable's style. Her own home reflects this sensibility, blending antique pieces with more modern elements. Regarding her latest endeavor, Room by Room Interiors, Constable explains that the platform addresses the challenge many people face in finding the right design elements for their homes. By curating complete design schemes, the service aims to simplify the decorating process for those who lack the time or inclination to research extensively. This initiative makes professional interior design principles and product selections available to a wider audience. Constable also shared a wish list of ten items that align with her design aesthetic and current preferences. These items include a versatile sofa bed from The House Upstairs, a Folia Scalloped Natural Linen Wall Light from Lights & Lamps for architectural detailing, and a Wilmington Reeded Bedside Table from Alfred Newall, valued for its curves and the timeless quality of limed oak. Other items comprise a Frill Pouffe from Six The Residence for bedrooms or dressing rooms, a Dunes Rug from Pelican House x Lucy Williams, praised for its brown and blue color combination, and an Exton Mirror from Vaughan, considered a timeless piece suitable for various spaces. The list also features Marton Side Tables from The White Company for their utility in small spaces, a Ma Ma Lay Rattan Tray from Kalinko for desk or bedside organization, Brass Wiggle Handles from Bias Editions for a fun and luxurious touch, and a Rosemary Willow Diffuser from Bamford, appreciated for its fresh scent and aesthetic appeal. These selections collectively showcase Constable's commitment to functionality, natural materials, and a balanced blend of classic and contemporary elements. #InteriorDesign #HomeDecor #RoomByRoomInteriors #RebeccaConstable #DesignInspiration #Furniture #HomeAccessories #TimelessDesign #NaturalMaterials

Louise Redknapp, known for her girl-next-door charm and impeccable fashion sense, shares insights into her interior design preferences and her collaboration with Harveys on a furniture collection named 'BOLD by Louise'. Redknapp describes her ideal home as a blend of modern and traditional elements, eschewing a 'cottage' style in favor of large Victorian homes with original features like flooring and fireplaces. She prefers to infuse these classic structures with contemporary furnishings, such as a large sofa, complemented by unique vintage finds from markets, like an original 70s chair or coffee table. This eclectic approach allows her to create spaces that possess personality and a sense of history while remaining current. Her favorite room in her home is the lounge, which she identifies as the central hub where her sons, Charley and Beau, and their friends congregate after grabbing food from the kitchen. This communal aspect influences her decorating style, which she describes as minimal. Redknapp avoids clutter, focusing on key central pieces like sofas and armchairs. She has a particular aversion to overly bright colors, opting instead for a neutral base with dark floors and polished cement walls. Color is introduced through soft furnishings, art, and strategically placed lighting, which she considers massively important for creating atmosphere. She openly admits her reluctance to use bold wall colors, stating she lacks the 'guts' for a pink wall. The collaboration with Harveys for the 'BOLD by Louise' collection began when the company approached her. Redknapp emphasizes that it was a hands-on design process, not merely an endorsement. She worked closely with the head designer and head buyer, creating mood boards and discussing her vision for furniture that would stand the test of time, much like fashion. Her initial design inspiration was grey, a color she loves for sofas and contemporary homes, and velvet was a must-have fabric. The collection also incorporates up-and-coming colors like emerald green, chosen for its sophisticated, 'Soho House' feel, and a blush pink sofa envisioned for a bedroom setting. A key focus was creating furniture that looks expensive and offers good value without being overly shiny or sparkly. Practicality also played a significant role in her design choices, especially as a mother of two boys and three dogs. She prioritized easy-to-clean fabrics, recounting an anecdote about her nine-year-old's yogurt spills on the sofa. The 'BOLD by Louise' range includes 18 different colors and fabrics, all selected for their durability and ease of maintenance, even luxurious materials like green velvet, which can be cleaned with a Hoover and sponge. Redknapp shares a past decorating mistake involving an expensive, stylish orange leather chair that, to her friends, resembled a Halloween decoration. This anecdote highlights the importance of considering how pieces fit into the overall aesthetic. Her primary decorating tip is to focus on lighting to create a warm and inviting atmosphere. She prefers candles and freestanding lamps to achieve a cozy ambiance, disfavoring chandeliers in favor of solid, statement-making lighting fixtures. #InteriorDesign #CelebrityHome #FurnitureDesign #HomeDecor #LouiseRedknapp #HarveysFurniture #ModernTraditionalMix #MinimalistStyle #SofaSelection

Kathryn M. Ireland, a renowned interior designer, discusses her unique approach to design, her career trajectory, and her philosophy on living. Raised in London and Scotland, Ireland accidentally entered the design world after people admired the aesthetic of her home. Her initial foray into interior design involved working with high-profile clients like Steve Martin and Caroline Kennedy, who were drawn to her "undecorated look." This style prioritizes comfort, family, and practicality over formal, traditional design elements, a philosophy exemplified by her decision not to design foyers and her appreciation for a living space that accommodates real life, such as children's building blocks in a living room. Ireland emphasizes the importance of functionality in design, particularly in smaller spaces like city apartments. She suggests innovative solutions such as "equipment garages" for exercise machines, transforming built-ins into discreet storage areas for items like Pelotons. The recent period of increased time spent at home has highlighted the need for deliberate contemplation of living spaces. Ireland recounts how this newfound stillness led her to reassess and enhance the functionality of her own guesthouse, identifying overlooked needs for storage. This introspection encourages individuals to thoughtfully consider their surroundings and identify areas for improvement. Her collaborative platform, The Perfect Room, reflects her vision for democratizing design. This website allows individuals to purchase curated rooms by their favorite designers or upload images for sourcing specific design elements. The platform aims to provide designers with royalties for their work and foster a collaborative environment in the design industry. Ireland's global lifestyle influences her work, as she divides her time between California and France, where she has transformed a farmhouse into a large guest retreat. This international perspective also informs her retreat business, which offers immersive experiences in locations like Marrakesh, the Cotswolds, and the Nile, focusing on camaraderie and personal reflection rather than just leisure. Ireland advocates for a relaxed and spontaneous approach to life and entertaining, contrasting it with the often-over-stylized portrayals of perfect living. She believes that real life is not a photo shoot and encourages simplicity in hosting, favoring casual meals and genuine connection over elaborate preparations. This extends to her personal preferences, as she often prefers cooking at home with friends over dining out, viewing her home as a sanctuary. She highlights the concept of "retreating at home," suggesting that individuals can create a getaway within their primary residence, reducing the need for additional properties and minimizing their carbon footprint. Her advice is to embrace the present space and make it feel like a cherished escape, reflecting her broader philosophy of living easily and authentically within one's surroundings. #InteriorDesign #KathrynMIreland #HomeDecor #UndecoratedStyle #ThePerfectRoom #DesignPhilosophy #HomeRetreat #FunctionalDesign

The Kitchen and Bath Industry Show (KBIS) in Las Vegas featured a discussion with Interior Design Hall of Famer Lauren Rottet, founder of Rottet Studio, hosted by Interior Design Editor in Chief Cindy Allen. Allen introduced Rottet as a hero for women and designers, highlighting her extensive career and the impactful work of her studio, which employs 75 staff members. Rottet emphasized that her studio's design philosophy is rooted in understanding the 'why' behind design choices through thorough research, rather than adhering to a singular aesthetic. This approach applies to all their projects, from quirky hotels in Texas to high-end luxury developments. Mentorship and accessibility in design were key themes in the conversation. Rottet identified Charles and Ray Eames as design heroes for their focus on making design accessible to everyone, and she also acknowledged figures like Finnish architect Alvar Aalto and fellow Interior Design Hall of Famer Shigeru Ban, who uses his expertise for disaster relief. Rottet believes that design is an accumulation of life's memories, sharing a personal anecdote about being inspired by a friend's house bridging a stream in Waco, Texas, at age five. This early exposure sparked her interest in design, leading to her prolific career. Rottet Studio's portfolio spans various sectors, including hospitality, residential, and office spaces. Rottet observed a growing trend of incorporating full kitchens and sophisticated bathrooms into office environments, driven by increasing demand for such amenities. In residential design, she noted that kitchens are increasingly integrated into the main living areas, citing a multi-million dollar penthouse project in Houston where the kitchen seamlessly blends with the living space. She also mentioned the rising popularity of 'back kitchens' in larger, luxury homes, providing a secondary, more functional space for heavy-duty cooking. Looking ahead to 2025 kitchen design trends, Rottet highlighted several key elements. She predicted a shift towards light-filled kitchens that showcase individuality and personality. Indoor-outdoor kitchen concepts are also gaining traction, allowing for a seamless transition between interior and exterior spaces. High-tech appliances continue to be a significant trend, offering convenience and advanced functionality. Decorative elements such as interesting ceiling designs and a widespread use of wallpaper in kitchens were also emphasized, moving away from standard, utilitarian designs. Furthermore, Rottet stated that 2025 would be 'the year of round,' with rounded furniture, curved corners, and circular cabinets becoming prominent features in kitchen design, adding a softer, more organic aesthetic. #KBIS #KitchenDesignTrends #LaurenRottet #InteriorDesign #RottetStudio #ResidentialDesign #CommercialDesign #DesignPhilosophy #ArchitecturalTrends

Hannah Bell Tringham, an interior designer based in Los Angeles, discusses her journey into the creative field, the philosophy behind her design firm, and insights for aspiring entrepreneurs. Her passion for creation manifested early, starting from rearranging her childhood bedroom at age 10 and evolving into tracing floor plans by 12. Tringham's natural competitiveness fueled her desire to refine her work and think proactively, ultimately leading her to pursue a career in interior design where she helps clients shape their living and working spaces. Tringham's firm specializes in residential and commercial interior design, characterized by elevated, livable spaces with a casual California aesthetic. She emphasizes a personalized, hands-on approach to each project, rejecting 'cookie-cutter' designs in favor of thoughtful, intentional environments that reflect the client's identity. Her style merges relaxed West Coast elements with clean lines and curated details, earning her clients' trust in both her creativity and clarity throughout the design process. Establishing her business presented significant challenges, particularly as a single woman without additional income. However, Tringham leveraged slower periods to refine her business plan, strengthen her brand, and expand her professional network. Her consistent effort in seeking new clients and opportunities eventually led to the firm's current success, attracting high-caliber projects and clientele. She encourages other women, especially those who are young and single, to pursue their entrepreneurial aspirations without waiting for ideal conditions or external validation, stressing the importance of a solid plan, genuine passion, and persistence through difficulties. Beyond her professional life, Tringham shares recommendations for experiencing Los Angeles. A perfect week with a visiting friend would include coffee at Satchi.LA, biking to the beach along the boardwalk, and dinners in Culver City, with Father's Office being a highlight. Outdoor activities like hiking in the Santa Monica Mountains with her dog are essential. Cultural outings involve visits to The Broad or the Getty for art and inspiration, balanced with relaxing pool days. She suggests day trips to Joshua Tree or an overnight stay in Santa Barbara, and catching a concert at the Hollywood Bowl, always concluding at least one day by watching the sunset in Santa Monica. Tringham acknowledges the pivotal role of various individuals in her professional development. Her professors at San Jose State are credited for igniting her early passion and fostering critical and creative thinking. Her two previous bosses were instrumental in building her foundational knowledge in design and providing opportunities for growth, which formed the basis for her independent venture. Special recognition is given to Rebecca Quandt, who serves as a sounding board and a continuous source of inspiration within the design community, highlighting the collective support that contributed to Tringham's achievements. #InteriorDesign #CreativePath #Entrepreneurship #SmallBusiness #CaliforniaStyle #WomenInBusiness #LosAngeles #Mentorship

Design maverick Kit Kemp, co-founder of Firmdale Hotels and the Kit Kemp Design Studio, and her husband Tim Kemp, have significantly renovated their 1930s central London townhouse twice over two decades. The initial renovation was inspired by fellow designer Robert Kime's advice to make the kitchen the best room in the house. This led Kit to convert their large, barrel-shaped dining room, which overlooks the garden, into a kitchen that has since become the central living space. The bespoke cabinetry in the kitchen has undergone multiple color transformations over the years, and Kit has incorporated unique elements like beaded lampshades crafted from colorful Kurdi aprons. Following the kitchen transformation, a conservatory was added off the kitchen to serve as a dining area, featuring a Tord Boontje chandelier that creates intricate shadows at night. More recently, as their three daughters have grown and left home, the Kemps undertook a second major renovation. This involved knocking down a formerly unused front room to create an open-plan layout connecting it to the living room and subsequently to the kitchen. This new configuration provides the living space with abundant east-west light. In this bright living room, Kit combined an oversized One Way geometric linen with an exuberant botanical print, balancing these bold designs with a subtle paisley pattern. The vibrant patterns are complemented by antique pieces, including an 18th-century Spanish chest, above which hangs a portrait by Duncan Grant. Kit notes that the home's design is a collaboration with her husband, driven by their shared appreciation for Bloomsbury art. The walls display a collection of works by prominent Bloomsbury artists, chosen for their suitability to the London light. The redesign also involved moving the front door and enlarging the hallway. Kit began the redecoration of the entire house with this space, emphasizing the importance of giving character to 'in-between spaces' like hallways and landings to make a house feel more expansive. She adorned the hallway with her repeat 'Mythical Land' wallpaper design, creating an enchanting backdrop for an eclectic mix of objects, such as a Swedish wedding clock and an old beehive. A chair upholstered in an embroidered textile from Kazakhstan further enhances the unique aesthetic. On the first floor, one of the four bedrooms was converted into a walk-through music room, accommodating their grand piano. Kit humorously explains that placing the piano in this dedicated space was a practical choice, and lining the area with bookshelves may have inadvertently improved the acoustics. Upstairs, the main bedroom, nestled under the eaves, features a grand half-tester bed that accentuates the room's interesting architectural volumes. Kit has been meticulous in reusing and reupholstering existing pieces, demonstrating a commitment to sustainability by donating fabrics to charities and using offcuts for toys. Another bedroom showcases pieces from a showroom set she designed, including armchairs originally created for a Blithfield stand. A fantastical headboard, also designed by Kit for a showroom display, is complemented by a lamp base that serendipitously aligns with its aquatic theme. Creativity is central to Kit's design philosophy, a theme further explored in her latest book written during the pandemic, highlighting the increasing desire for personalized interiors and the move away from reliance on big designer names towards unique, custom-driven home decor. #InteriorDesign #KitKemp #LondonTownhouse #HomeRenovation #ColorAndPattern #BloomsburyArt #EclecticDecor #DesignPhilosophy #KitchenDesign

Dublin Design Week, an inaugural event, is set to highlight the contributions of Irish architects and interior designers to both national and international design. The event aims to showcase the significant global influence of Irish designers. One notable figure participating in this event is Maria MacVeigh, an architect and interior designer. After gaining experience in Spain and Chile, MacVeigh established MMV Design in Dublin in 2004. Her design philosophy emphasizes a rigorous process, detailed construction, and the careful selection of materials and finishes, which is reflected in her sophisticated and award-winning interiors. She has a history of collaboration with experienced professionals in the building industry, contributing to her extensive knowledge in the field. Among her distinguished projects is the interior design of Chapter One, a renowned restaurant in Dublin. For this project, MacVeigh meticulously handled every detail, from the specific green-bronze paint on the walls to the various natural stones utilized throughout the space. Chapter One is designed to offer an intimate dining experience, featuring a main area with several nooks, including a secluded demi-salle. A chef’s table is also part of the design, where diners can observe the culinary process from a semi-circular banquette. A central, sculptural marble-topped piece with an integrated induction hob serves as a focal point in the dining room, housing the Gaggenau Experience, which allows guests to witness fine dining preparations up close. The kitchen itself is a display of aesthetic design, featuring stainless steel, deep brown walls, a basalt table, oxblood floor, and green marble worktops. Chapter One undergoes an annual refresh, during which MacVeigh's focus extends to transforming areas like the cloakrooms. Maria MacVeigh's design approach is characterized by a commitment to timelessness, understated elegance, and personalization, moving away from transient trends. This philosophy was evident in a renovated 1950s home project, where she collaborated with her sister. The design aimed to encapsulate the essence of their family home, with a plan that maximized natural light. The project drew inspiration from mid-century modern aesthetics, not only as a homage to their upbringing but also to complement the architectural character of the surrounding neighborhood. Another significant undertaking involved the restoration of a Victorian redbrick property. This project presented the dual challenge of historical preservation and the integration of a contemporary extension and a new kitchen. For this, MacVeigh partnered with Eoin Lyons of LyonsKelly. Lyons, whose expertise lies in finishes, complemented MacVeigh's strengths in architecture, interiors, and fine detailing. Maria MacVeigh is scheduled to participate in a Design Talk at Anantara The Marker Dublin on Thursday, May 22, from 12 pm to 1:30 pm. During this event, she will engage in a conversation with architect and broadcaster Amanda Bone, where she will discuss how her dual professional background provides her with a distinctive perspective on design. Tickets for this event are priced at €35, with a reduced rate of €20 for students. #MariaMacVeigh #InteriorDesign #Architecture #DublinDesignWeek #ChapterOneRestaurant #HomeRenovation #VictorianRedbrick #DesignPhilosophy #AmandaBone

The author reviews Joanna Gaines's new MasterClass titled “Designing a Home That Tells Your Story,” which launched on November 26th. The author, who frequently writes about interiors for *Country Living* but is not a professional interior designer, expresses a common sentiment of uncertainty when making personal home decorating decisions, such as rug sizes, shelf arrangements, or color choices. Traditional décor guidance often starts with replicating appealing online images, but Gaines's MasterClass shifts this perspective. Gaines’s approach, as highlighted in the review, encourages individuals to begin their design journey by connecting it to their personal narrative. She states, “Your home isn’t just where you live. It’s a reflection of who you are and your story.” This philosophy forms the core framework of the one-hour and 25-minute class, which quickly delves into practical aspects of renovation and design. The review notes that Gaines, despite not being formally trained in design, effectively guides students through her process. The class is described as a blend of visual inspiration, featuring images of Gaines's projects that evoke a desire for similar aesthetics, and practical, actionable advice, including budgetary tips. To reinforce learning, each section of the class concludes with bulleted “homework” points, enabling participants to apply the concepts directly to their own homes. A central theme emphasized by Gaines is the importance of functionality in design, particularly for families. She illustrates this by sharing examples from her own home and how spaces are tailored to her family of seven, demonstrating that practicality can coexist with beauty. Gaines advises repeatedly referencing one's design vision throughout the process of selecting individual room elements. The reviewer personally applies this advice, noting down descriptive words for their living room to guide future choices for items like lamps and artwork, which had previously been a source of indecision. The class also incorporates engaging before-and-after stories, showcasing Gaines's design process across various styles and detailing the evolution of her own home’s décor over time. These narratives offer familiar insights into Gaines's work, but within a structured framework that encourages active participation. The class aims to instill a “Joanna Gaines level of confidence,” empowering individuals to act as the primary designers for their living spaces, ensuring the final outcome uniquely reflects their own identity rather than adhering to generic trends. The review concludes with a strong recommendation for the MasterClass, noting that annual memberships start at $120, with various sales available throughout the year.