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Designing the Year's Best Motion Pictures: 5 Floor Plans from Oscar-Nominated Films
This article presents a series of watercolor floor plans created by artist Boryana Ilieva, depicting key architectural spaces from five Oscar-nominated films. These detailed illustrations offer a unique perspective on the set designs and highlight how architectural elements contribute to the storytelling and mood of the movies. Ilieva's work follows a trend of illustrating floor plans from popular culture, providing a fresh way to engage with familiar fictional environments.
The first film featured is *La La Land*, a movie nominated for 14 Oscars and a winner of 7 Golden Globes. The floor plan of Mia's apartment reveals a set design inspired by bright primary colors, as noted by writer/director Damien Chazelle. These vibrant color choices are evident in the apartment's wall colors and resonate with the dresses worn by Mia and her friends, contributing to the film's timeless aesthetic.
Next, the article explores *Fences*, a film adaptation of a play, nominated for 4 Oscars. The narrative largely unfolds in the Maxons' backyard. This outdoor space serves as the primary setting for the movie's most emotionally charged scenes, emphasizing its significance as a 'sacred intimate space' where crucial conversations and events occur, much like in the original theatrical performance.
*Elle*, an Oscar nominee for Best Performance by an Actress in a Leading Role, is also examined through its floor plan. The illustration focuses on Michèle's house in the Parisian suburbs, specifically highlighting the kitchen where a pivotal scene takes place. The dark glass door through which the intruder enters is visible in the floor plan, emphasizing the architectural context of the film's inciting incident.
The fourth film, *20th Century Women*, nominated for Best Original Screenplay, is characterized by its setting in a constantly renovating house. The floor plan of Dorothea's home illustrates its dynamic nature, accommodating not only Dorothea and her son Jamie but also two boarders and an occasional overnight guest. This architectural representation underscores the bustling and evolving lifestyle within the late-1970s house.
Finally, the article features *Toni Erdmann*, nominated for Best Foreign Language Film. The floor plan of the orderly apartment belonging to Ines reveals the contrast with her father's absurd antics. The presence of a woolly costume at the end of the apartment suggests the father's attempts to inject humor into his daughter's life, showing how objects within the space can signify character and theme. Boryana Ilieva's watercolors offer an analytical yet artistic interpretation of these cinematic environments, inviting viewers to appreciate the architectural storytelling embedded within the films.
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