Atlanta artist to know: Daniel Zimmerman, ceramicist and founder of Drawing Room

Brooklyn-based ceramicist Devin Wilde, whose work is characterized by geometric forms and influences from classicism, Art Deco, and postmodernism, has rapidly gained recognition since establishing his practice in 2023. Wilde's journey into ceramics was preceded by studies in architecture at Stanford University, followed by roles in digital and user experience design, and woodworking. This diverse background informs his sculptural approach, which he describes as a deeply personal and humanistic process, embracing the inherent fallibility of clay. He states that working with clay helps him appreciate the beauty in imperfection, contributing to his personal growth. His debut collection features vessels and side tables that subtly incorporate structural principles from his architectural and design past. Wilde's creations draw on a rich tapestry of artistic and design movements, imbuing his pieces with a sense of timelessness. This unique aesthetic has attracted significant attention, leading to partnerships with prominent retailers such as Lawson-Fenning and Spartan Shop, and commissions from architects and designers for various projects. Wilde’s artistic method involves the compelling and often delicate arrangement of geometric shapes, serving both ornamental and functional purposes. Many of his vessels, for instance, showcase expansive cylindrical or semicircular containers precariously balanced on small circular discs or coiled feet. These feet are the starting points for elaborate ribs that ascend the sides of the pieces, forming a decorative and structural scaffold. The high relief of these ribs is intentionally designed to interact with light, creating dynamic patterns of light and shadow that enhance the dynamism of each piece. The patterns evident in Wilde’s works echo the rhythmic repetitions found in classical architecture. However, the exaggerated proportions in his designs simultaneously nod to postmodernism, a significant source of inspiration for his visual language. Wilde finds postmodernism's 'cheeky' nature appealing, appreciating its ability to honor classical forms while playfully departing from their strictures. In specific pieces, such as ‘Vessel No. I’ and ‘Vessel No. XI’, his aesthetic transcends postmodern exaggeration, moving towards the serene, almost poetic simplicity reminiscent of sculptures by Constantin Brâncuşi and Isamu Noguchi. He admires the 'alive' quality and biomorphism inherent in their work. Growing up in Brooklyn’s Park Slope neighborhood, Wilde is now developing his second collection, which takes inspiration from the architectural details of Brooklyn brownstones. He captures the unique patterns and elements of these townhouses—such as sawtooth-patterned architraves or crenellated cornices—through photography, focusing on how sunlight interacts with their façades and wrought-iron features. His aim is to blend these local architectural motifs with an even more maximalist Art Deco sensibility. He sees Art Deco as possessing a modern yet detail-rich quality that is both ancient and futuristic. Wilde’s studio, located in Red Hook, Brooklyn, is where he hand-builds his pieces using clay enriched with 'grog,' a granular material that provides structural integrity and a rustic texture. He works with glazes rich in oxides, which achieve an aged, metallic appearance, evoking a sense of antiquity. The studio, described as an extension of his personality and childhood, is a vibrant space where natural light plays a crucial role in his sculpting process, guiding his work as he rarely uses artificial lights during the day. The studio also serves as a hub for stylists and interior designers, fostering a collaborative and social environment. #CeramicArt #DevinWilde #GeometricDesign #ArchitecturalInfluence #Postmodernism #ArtDeco #BrooklynArt #StudioPractice #HandmadeCeramics

This article features an interview with Dana Mooney, an abstract painter based in Vancouver, Canada, who shares her journey and insights as a creative professional. Mooney discusses her career evolution, starting as a makeup artist, then a prop stylist, an interior decorator, and ultimately becoming a painter. She emphasizes that being an artist is fundamental to her identity, suggesting it wasn't a choice but an inherent part of who she is. The interview delves into Mooney's experiences with the challenges of being a full-time artist, particularly during the COVID-19 pandemic and after becoming a mother. These events significantly impacted her ability to earn a living solely from her paintings, leading her to explore alternative career paths. She shares her experience of enrolling in digital marketing school and working a 9-to-5 office job for a year. This period provided her with firsthand insight into a "regular job," which ultimately reinforced her commitment to her artistic career, albeit with a more diversified approach. Currently, she balances her artwork with freelance digital marketing client work. Mooney describes her artistic focus on creating work that complements home or designed spaces. She highlights her versatile artistic abilities, which allow her to cater to custom client requests. Her work encompasses fine art, custom murals, home decor and design products, and brand collaborations, showcasing her broad creative scope. This versatility allows her to integrate her art into various aspects of interior aesthetics. The article also touches upon the broader societal support for artists. Mooney advocates for the importance of purchasing art, financially supporting artists, and promoting their work through word-of-mouth. She stresses that continued client engagement and encouragement are crucial for artists to sustain their creative output, underscoring the vital role of the community in fostering artistic endeavors. Her journey exemplifies resilience, as she has had to adapt her artistic commitment from a full-time pursuit to a more balanced approach. She explains that a need for financial stability in the current economic climate led her to work as a freelance social media manager while dedicating approximately 50% of her time to her artwork. Despite these adjustments, Mooney remains committed to her passion for painting and creating, continually pushing forward with her artistic practice. She provides contact information for her website, Instagram, and Facebook, allowing readers to further engage with her work. #DanaMooney #AbstractPainter #CreativeJourney #ArtistLife #InteriorDesign #HomeDecor #CreativeEntrepreneurship #ArtisticResilience #FreelanceArtist

This article features an interview with Daniel Arsham, a Miami-raised, New York-based artist known for his large-scale installations that manipulate perceptions of space and architecture. Arsham's artistic journey began at Cooper Union, where he met architect Alex Mustonen, leading to the formation of Snarkitecture in 2008. Snarkitecture is a collaborative practice that blends art and architecture, recognized for its inflated scale and monochrome aesthetics, with projects including KITH boutiques and flagship stores for brands like Valextra and COS. Alongside Snarkitecture, Arsham maintains an individual art practice focused on structural experiments, often featuring crumbling walls and decaying cultural artifacts, challenging conventional architectural norms. Arsham's 2018 solo exhibition, “3018,” at Galerie Perrotin in New York, showcased pop culture icons, such as the Delorean from *Back to the Future* and the Ferrari from *Ferris Bueller’s Day Off*, rendered in materials like crystal, volcanic ash, pyrite crystal, selenite, and quartz, appearing where mechanical components would typically be. These works illustrate his exploration of a dystopian future where contemporary culture undergoes erosion. The year 2018 was particularly eventful for Arsham, encompassing “3018,” Snarkitecture’s retrospective “Fun House” at the National Building Museum, the release of Snarkitecture’s monograph, his own upcoming book through Rizzoli, and an exclusive sneaker design for Adidas. In the interview, Arsham discusses how his upbringing in Miami, a city built on a swamp with a fabricated sense of fantasy, influenced his artistic sensibilities. He elaborates on his fictional archaeological works, which involve degrading contemporary objects to appear ancient, emphasizing the importance of materials in conveying his concepts, such as using crystal to suggest a geological timeframe. Arsham reflects on 2018 as a year of introspection, with his Rizzoli book covering two decades of his work, tracing back to his thesis exhibition at Cooper Union, where he first used architecture as a medium for manipulation to create unsettling, uncanny spaces. He identifies stage design, particularly his work with choreographer Merce Cunningham, as one of his most exciting and challenging commissions. This experience, despite his lack of formal training in dance or theater, profoundly impacted his practice by teaching him to translate sculptural methods to a stage environment with fixed audiences and crucial lighting. The discussion also delves into the origins of Snarkitecture, which arose from Arsham's need for architectural expertise to execute larger-scale public art pieces, leading to a partnership with Alex Mustonen. Their collaboration thrives on the interplay between Arsham's chaotic, experimental artistic approach and Mustonen's ordered, precise architectural background, embodying an ethos that balances precision with chaos. Arsham shares a key business lesson: recognizing failure as a vital tool for learning and avoiding repetition. He cites Hurricane Andrew's devastation of his Miami home 24 years prior as a pivotal experience that shaped his understanding of architecture in flux, decay, and rebuilding, significantly influencing both his personal art and Snarkitecture's work. Ultimately, Arsham finds the best aspect of his profession to be the freedom inherent in not having a conventional "job." #DanielArsham #Snarkitecture #ArtAndArchitecture #ContemporaryArt #Sculpture #ArchitecturalInstallation #Exhibition #Materiality #DesignProcess #CollaborativePractice

Design Miami/ Basel returned for its 13th edition, showcasing a diverse collection of new creative projects, iconic designs, and conceptual interpretations within the design genre. The event, held in the Herzog & de Meuron-designed fairgrounds, featured 43 international galleries representing modern and contemporary design, alongside ten special Curio presentations and large-scale installations, marking a significant celebration of both culture and commerce. This overview highlights several key installations and collections that captured attention. One notable presentation was the ‘(Con)temporary Home’ by Brazilian brand ETEL, designed by Italian architecture firm Superluna. This Collectors Lounge was conceptualized as a domestic environment, enclosed within a steel frame that subtly separated it from the fair's activity. The interior featured a curated mix of contemporary and historical Brazilian design pieces, complemented by photographs from Ruy Teixeira. A significant portion of the furniture offered to guests for relaxation, accompanied by champagne, included pieces by Jorge Zalszupin, honoring the Brazilian master on his 96th birthday. New York gallery Friedman Benda presented Nendo’s 'Watercolour Collection,' a series of 18 pieces designed to evoke the illusion of watercolor paintings on paper. Crafted from folded metal sheets, these objects utilized a special finishing technique to mimic paper, then hand-painted to create a light blue watercolor effect. The collection reimagined traditional furniture forms into abstract compositions, with the paint interacting with the shapes to produce a poetic, illusory quality. Belgian gallery Maniera collaborated with Dutch architect Anne Holtrop to present new works, including furniture, lighting, and accessories. These pieces formed micro-architectures that reflected Holtrop's distinct aesthetic, characterized by his unique sense of shape and material. Maniera's ongoing commitment involves commissioning architects to translate their signature styles into smaller-scale design objects. Design at Large, the annual initiative by Design Miami/ Basel, was curated by photographer François Halard in 2018. Halard explored the enduring impact of design through a series of nine diverse projects from the 20th and 21st centuries. The exhibition featured architectural elements by Jean Prouvé, interiors by Gaetano Pesce for the Dujardin children’s store, and a micro-architecture by RDAI. Halard's curatorial vision aimed to connect past influences with present and future design trends, emphasizing the continuity of ideas in art and design. ‘A New Layer Taiwan,’ presented by Spazio Nobile Gallery, showcased an initiative by the National Taiwanese Craft Research and Development Institute. This project fostered collaborations between Taiwanese craftsmen and international designers. Curator Lise Coirier brought together seven designers who worked with local artisans to produce a range of pieces, including ceramic works by Anton Alvarez and BCXSY, bamboo furniture by Sebastian Herkner and Jin Kuramoto, and lacquer objects by Julie Richoz and Wonmin Park. Olivier van Herpt, an Eindhoven graduate, presented 'Blue and White' for VIVID. This collection highlighted his unique ceramic 3D printing technique, which creates a distinct aesthetic. The series drew inspiration from the Delft tradition of blue porcelain, with cobalt pigment applied by hand before extrusion, resulting in a radial gradient pattern that symbolizes the collaboration between human interaction and machine precision. This project was initially commissioned by the Gemeentemuseum Den Haag. Calvin Klein made its debut at Design Miami/ Basel with an installation featuring Gaetano Pesce’s 'Feltri' chair, designed in 1987 for Cassina. The installation, inspired by a barn, was reinterpreted by creative director Raf Simons using vintage American heirloom quilts from the 19th and 20th centuries. It showcased 100 limited edition numbered chairs, marking a unique cross-disciplinary presentation. Lastly, 'Origins: Design from the Ancient World' was presented by Galerie Chenel and Oscar Humphries. Following his successful Curio installation from the previous year, Humphries, in collaboration with Paris’ Galerie Chenel, displayed Roman design for the first time at a design fair. The collection featured Greco-Roman artifacts, design, and architectural elements from 200 BC to approximately 200 AD, including columns, capitals, urns, and fragmentary sections from interiors and furniture. This exhibition aimed to introduce this material to a new audience and provide a fresh context, demonstrating the fundamental synergy and enduring influence of ancient design on contemporary genres. #DesignMiamiBasel #CollectibleDesign #ContemporaryDesign #DesignExhibition #ArchitecturalDesign #FurnitureDesign #ArtAndDesign #InteriorDesign #Craftsmanship

This article highlights 25 Australian artists whose work can enhance home decor, emphasizing that art doesn't solely mean expensive, original oil paintings but also includes prints and pieces across various price points. The goal is to assist individuals in selecting artwork that aligns with their existing interior style, color schemes, space size, and budget. The featured artists demonstrate a diverse range of techniques, mediums, and inspirations. Emily Heath, a painter and textile designer from Sydney, uses vignettes from within the home and cherished memories as her creative wellspring. Whitney Spicer, a painter from Manildra, focuses on still-life paintings from an aerial perspective, aiming for a whimsical quality with looser brushstrokes. Emily Gordon, a painter based in Sydney and Gunning, captures a unique Australian mood by visualizing life beyond physical structures, seeing private spaces as reflections of intimate thoughts. Emily Day, a Brisbane-based painter, draws inspiration from nature and urban surroundings, documenting natural elements, particularly florals, with expressive, layered brushstrokes. Michelle Kettle, a Melbourne painter originally from Dublin, explores Australian urban landscapes, such as Victorian facades and decorative parapets, through oil paint after initially training as a ceramicist. Hana Vasak, a Melbourne ceramicist, hand-builds functional yet sculptural forms inspired by ancient pottery and her travels. John Bokor, a painter from a family of architects and interior designers, naturally explores domestic spaces, imbuing them with life, love, and familiar details. Mafalda Vasconcelos, a figurative artist in Melbourne with Mozambican and Portuguese heritage, creates abstracted, expressive portraits of female figures, often inspired by childhood memories and a sense of nostalgia. Matthew Watts, another painter, evokes suburban Australian life through iconic elements like milk bars and Hills Hoists, connecting them to collective memory. Meg Walters, a Byron Bay painter, creates landscape art rooted in personal memories, resulting in abstracted scenes with vivid colors. Libby Haines, a Melbourne painter, transforms everyday moments and sentimental objects into exceptional works, focusing on mundane scenes like bathroom mirror reflections. Natalie Jade, a Melbourne painter, creates abstracts, seascapes, and contemporary Aboriginal art, drawing inspiration from Mother Earth and personal connection to nature. Lucy O’Doherty, a painter, depicts surreal scenes of 1950s and '60s suburbia with a nostalgic, dream-like quality through pastel palettes and undefined brushstrokes. Nic Everist, a painter from Geelong, uses new places and people as inspiration to create vibrant, textured pieces that celebrate Mother Nature. Scott Owen, a Sydney painter, balances descriptive detail with painterly exploration in his still-life and landscape works, often focusing on glass vessels. Nicci Bedson, a painter from Illawarra, captures the comforting consistency of daily life in suburban streets, using strong lighting and shadow work to elevate ordinary home elements. Rachael Sarra, an artist and designer in Brisbane, creates contemporary Aboriginal art that expresses her experiences as a mixed-race Aboriginal, Italian Australian woman, often working digitally. Dani McKenzie, a Melbourne painter, creates Polaroid-inspired works that capture domestic spaces as reflections of personal identity and sanctuary. Rosy Lloyd, a Sydney painter, works in figurative/impressionist-realism, finding inspiration in friends, museums, and the challenge of painting outdoors as light changes. Scott Owen, also a painter in Sydney, focuses on still lifes that reflect authentic selves through the organic arrangement of objects in domestic settings. Cassandra Vollmer, a Sydney photographer, documents everyday objects, landscapes, and architecture with a nostalgic and aesthetic focus, often titling her works based on locations. Eliza Gosse, a Sydney painter, creates works inspired by postwar and mid-century architecture, using warm palettes to evoke nostalgia and allow viewers to connect with their own memories. Katie Eraser, a Melbourne painter, uses bright, robust acrylics and oil sticks to create loud, abstract forms, drawing inspiration from varied contexts like graphic design and therapeutic arts. Harry Martin, a painter from the Southern Highlands, focuses on dramatic and atmospheric landscapes, capturing the mood and spirit of the highlands with rich palettes. Finally, Anh Nguyen, a painter from Thirroul, creates joyful and expressive art centered on daily rhythms and human activity, using bold brushwork to describe light and form, often abstracting real-life appearances. #AustralianArt #HomeDecor #InteriorDesign #ArtCollection #EmergingArtists #ContemporaryArt #Painting #Ceramics #Photography

Cameron Diaz's Beverly Hills farmhouse presents a tranquil yet luxurious retreat, characterized by imitations of the natural world and vibrant color accents. The design ethos of the home prioritizes both style and comfort, integrating rich colors, textures, and specific paint techniques to enhance its aesthetic appeal. A notable example is her dining room, which incorporates a warm copper hue applied using a centuries-old limewash paint technique. This method imparts a rustic, nature-inspired ambiance, establishing the wall color as a focal point and a warm, earthy neutral that draws attention without overwhelming the space. The dining room's design is further complemented by rich brown furniture and a soft gold chandelier, echoing Earth's calm color palette and emphasizing nature-inspired design principles. Interior designers like Amy Youngblood highlight the limewash technique's ability to introduce a rustic feel, while Theresa Butler notes that limewash copper paint specifically adds warmth and richness through its textured layer. The material's inherent metallic qualities are subtly reinforced by an industrial-style chandelier and the crushed velvet of the dining chairs, which mirror the mottled effect of the walls. These layered textures contribute depth and dimension, creating an inviting atmosphere. Adjacent to the dining room, Cameron's kitchen demonstrates a sophisticated blend of wood and marble. The use of honey maple stained wood cabinetry introduces a natural element, with its notches and rings showcasing the material's texture and durability. This soft wood is juxtaposed with dazzling marble countertops, where the intricate patterns of the marble provide a visual separation between the cabinetry and the white walls. The color of the marble's veining is effectively utilized to tie the countertops into the overall decor. The home office stands out with its striking design elements, focusing on both practicality and style. Dark wood built-ins create a contrast with the honey-maple flooring and grass-cloth wallpapered ceilings, resulting in a sophisticated and functional workspace. This room is designed to enhance productivity while maintaining a chic aesthetic. The living room extends the home's cohesive design, featuring subtle repetitions of the warm color palette seen in the dining room. Orange accents on the sofa and a theater cabinet beautifully reflect natural light, showcasing the versatility of copper-compatible colors. These elements reinforce the home's overarching theme of balanced comfort and style, utilizing limewash paint ideas to elevate the overall aesthetics. The Beverly Hills estate, designed to embody a mellow movie star lifestyle, is currently on the market, offering its unique blend of traditional techniques and contemporary luxury. #HomeDesign #InteriorDesign #CameronDiazHome #LimewashPaint #CopperWalls #RusticDesign #NaturalElements #HomeDecoration #LuxuryRealEstate

The article explores the increasing trend of restaurateurs integrating art into their establishments to enhance the dining experience, moving beyond traditional ambiance elements like lighting and music. Stephanie Dillon, an artist, shares her experiences and collaborations, particularly with chef David Fhima, in creating art-forward dining spaces. Dillon recounts her journey in the art world, including painting for the W Minneapolis hotel and selling limited-edition prints for the Sundance Film Festival. She details her third restaurant project with David Fhima for Maison Margaux in the North Loop, Minneapolis, a collaboration that began five years prior with Fhima's restaurant. The partnership with David and his son Eli aims to create a multi-sensory experience that intertwines food, community, family, and joy. Their efforts have positioned Minneapolis alongside other major food cities recognized for innovative dining experiences. Dillon explains the collaborative creative process for Maison Margaux, which involved understanding Fhima's vision and desired emotional environment for the space. The art was conceived as a 'spice' to complement the interior design, food, and the overall atmosphere. This involved an initial walkthrough of the space, discussions about Fhima's inspirations, and the development of color palettes. Following these initial impressions, Dillon collaborated with digital artist Linnea Maas to rapidly create numerous pieces. After reviews and feedback from Fhima and his team, the selected artworks were finalized, sized, printed on canvas, framed, and installed, completing the sensorial experience. The article highlights that this art-forward approach is gaining national traction, citing examples beyond the Twin Cities. The Modern in New York City, a Michelin-starred restaurant designed by Peter Bentel, features a rotating collection of contemporary art seamlessly integrated into its design, offering a fresh experience with each visit. Similarly, Foreign Cinema in San Francisco's Mission District uses its outdoor dining area as a rotating gallery for contemporary art. The trend also extends to institutions like the Whitney Museum in New York City and the Museum of Contemporary Art in Los Angeles, which incorporate art into their in-house eateries. These examples underscore a shared commitment to creativity and an appreciation for the symbiotic relationship between food and art. David and Eli Fhima's contributions to the Minneapolis dining scene are presented as pivotal in supporting the local artist community and keeping the city's culinary landscape innovative. Diners entering Maison Margaux are immersed in an environment designed to stimulate their senses, transforming a meal into a destination experience. Chef David Fhima's dedication to his craft, combined with his embrace of art, demonstrates how culinary excellence and artistic expression can be harmoniously paired, enriching the overall dining experience. #ArtForwardExperiences #RestaurantDesign #StephanieDillon #DavidFhima #MaisonMargaux #InteriorDesign #ArtIntegration #DiningExperience #MinneapolisDining

Ricardo Moran, alongside his wife, launched their painting business, JC Deco, in 1994. Their initial goal was to introduce a more personalized approach to the painting industry, a vision they believe has been realized over 28 years. They began this entrepreneurial journey as a young couple, both 23 years old, driven by a desire to offer a service that prioritizes customer confidence through professionalism, high-quality products, and honest advice tailored to individual needs. The early stages of their business were challenging due to their youth, which sometimes led clients to question their expertise. However, Ricardo committed to acquiring comprehensive knowledge and ensuring that JC Deco was properly registered and insured from its inception. This dedication contributed to the gradual establishment of JC Deco's reputation as a reliable entity in the market. Moran emphasizes that no dream is too small if pursued with honesty and a commitment to educating oneself and one's team. He advises aspiring entrepreneurs to focus on the quality of their service rather than comparing themselves to competitors, highlighting that there is ample opportunity for everyone. Moran also shared insights into his personal life and recommendations for visitors to South Florida. He describes the region as a "blessed area" due to its diverse food scene and vibrant population. For friends visiting, he suggests exploring various locations from Miami to Palm Beach, and not forgetting the Florida Keys. He particularly enjoys dining by marinas, whether in Key Biscayne, Fort Lauderdale, or Delray Beach, acknowledging that the multitude of restaurants and attractions in South Florida makes a comprehensive list impractical. In acknowledging the support systems that have contributed to his success, Ricardo Moran specifically expresses gratitude to his wife, Laura Moran, whom he identifies as his biggest supporter since the beginning. He also credits his two sons, JP and Matt, as his daily motivation. This personal reflection underscores the importance of family and personal relationships in his professional journey and overall well-being. The interview provides a blend of business advice, personal anecdotes, and local recommendations, painting a picture of an entrepreneur who values integrity, dedication, and community. #RicardoMoran #ProfessionalPainter #Entrepreneurship #SmallBusiness #JCDeco #SouthFlorida #BusinessJourney #FamilySupport #CustomerService

Richard Serra's New York City exhibition, showcased at two Gagosian Gallery locations downtown, continues his exploration of oversized forged and rusted steel to create powerful, Pharaonic forms. The article focuses on key installations, highlighting their physical presence and the viewer's interaction with the artworks. At the gallery's 21st Street location, the centerpiece is 'NJ-1,' a walk-through installation from 2015. This piece consists of enormous four-meter rusted sheets of weatherproof steel, forming two semi-attached oblongs. These structures evoke the image of an industrial tanker or a ship run aground, consistent with Serra's recurring motifs. Visitors navigating this cathedral-like space experience a sense of dislocation, akin to exploring a forbidden relic of massive scale. The design of 'NJ-1' actively compels viewers to re-evaluate their relationship with the artwork, emphasizing an immersive and interactive experience rather than passive observation. The 24th Street Gagosian location hosts a different array of Serra's work, including three solid steel slab installations—'Above Below Betwixt Between,' 'Every Which Way,' and 'Silence (for John Cage)'—alongside a drawing. 'Silence (for John Cage)' is particularly notable, featuring an 80-ton forged steel slab positioned horizontally. This minimalist artwork dominates the luminous white gallery space, exuding a primitive and raw quality that confers an almost overwhelming physical presence upon the viewer. The other works in this series expand on the same thematic approach, utilizing various configurations of steel slabs to delve into the artist's concepts of weight, balance, and spatial dynamics. Among these, 'Every Which Way' stands out. This installation comprises 16 foot-thick slabs arranged on a rectangular grid at three different heights. Walking through this arrangement, visitors might feel as though they are participating in a processional movement, reminiscent of a funereal procession. This effect serves as a compelling counterpoint to the other works and to 'NJ-1,' underscoring the powerful material presence that defines Serra's art. The exhibition collectively offers a profound engagement with the artist’s characteristic use of materials and scale, inviting introspection on space and human perception. Both exhibitions, 'Richard Serra: Above Below Betwixt Between, Every Which Way, Silence (For John Cage), Through' and 'NJ-1,' were on view until 29 July, providing a comprehensive look at Serra’s ongoing artistic endeavors in New York. #RichardSerra #GagosianGallery #ArtInstallation #Sculpture #SteelArt #NewYorkArt #ContemporaryArt #MinimalistArt

Hitomi Hosono's latest solo exhibition, 'Brook Street: An Artist's Eye,' showcases 30 new ceramic pieces within the historic London showroom of Sibyl Colefax & John Fowler. This unexpected pairing brings contemporary botanical ceramics into a space known for its classic English grandeur, a Mayfair townhouse dating back to 1723. The exhibition, held in association with Adrian Sassoon, strategically places Hosono's works among antique furnishings, often near windows overlooking a lush garden, creating a dialogue between crafted and natural beauty. Hosono's work, while deeply rooted in her Japanese upbringing with its delicate leaf and cherry blossom motifs, also draws inspiration from British influences. A significant example is her 'roses and pansies bowls,' which were inspired by a Colefax and Fowler fabric pattern from 1845. This particular series marked a technical and aesthetic departure for Hosono, as these bowls close inward, offering a sturdier, more tactile surface meant to be touched, contrasting with her earlier, more outward-emanating designs. She expresses a desire for people to experience the softness of the porcelain, akin to touching flower petals. The exhibition also features a tropical-themed series, initially created for last year's Jerwood Makers Open, with energetic patterns of hibiscus, coral, mangrove, and banana leaves. The vibrant colors in these pieces are achieved by mixing pigment directly with porcelain powder, a technique Hosono employs to preserve the intricate lines of her designs, as glaze would obscure them. Her use of the term 'delicate' for her work is an understatement, given the extraordinary level of detail and precision involved. Hosono's artistic process is meticulously labor-intensive. It requires months to perfect plaster molds of tiny leaves and flowers. She then uses modified, sharpened dental tools to add intricate detail to each component before individually applying them to a clay surface. Some pieces are so fragile that they cannot be shipped internationally due to the risk of damage. Notably, in her 'dew drop bowls,' each water droplet is individually carved, a detail she acknowledges might not be immediately noticed but is essential for the beauty of the final work. For the first time, Hosono's drawings are also on display, a decision influenced by Philip Hooper, design director of Sibyl Colefax & John Fowler. Hosono initially resisted this, considering drawings part of her creative process rather than finished products. She uses drawing to understand the structure and beauty of plants, viewing it as a form of anatomical study. She emphasizes that her ceramic representations are not exact replicas but are based on her memories and interpretations of botanical forms, leading to fantastical yet authentic results. She embraces the individuality of her artistic vision, as seen in her distinctive banana leaf pieces. The influence of the Perrier-Jouët Arts Salon Prize, which Hosono won in 2013, is evident in grape-patterned vessels that pay homage to the champagne house's Art Nouveau heritage, and in the overall adventurous and free-spirited nature of the collection. As a member of the Arts Salon, Hosono now contributes to selecting new winners, acknowledging the Salon's role in broadening her artistic horizons and providing a source of inspiration through its gatherings of creative influencers. #CeramicArt #HitomiHosono #LondonExhibition #InteriorDesign #BotanicalArt #ContemporaryCeramics #ArtAndInteriors #SibylColefaxAndJohnFowler #AdrianSassoon

The article offers a detailed look into the Atlanta home of interior designer Whitney Durham, owner and lead designer of Whitney Durham Interiors, and her husband Nathan Durham. Purchased in 2013, the 1932 cottage-style home, measuring 3,800 square feet with four bedrooms and three bathrooms, has undergone several updates to reflect Whitney's evolving design aesthetic while retaining its original charm. The Durhams initially bought the property with existing additions, such as an owner’s suite, an expanded kitchen, and a screened-in porch, which they later enclosed in 2016 to create a sunroom. In early 2020, a pool and cabana were added to the backyard, enhancing the outdoor living space. Whitney's design philosophy centers on injecting color, mixing old and new, and combining high-end and budget-friendly pieces to create a curated, joyful atmosphere. This is evident throughout the home. For instance, the foyer features an antique Turkish rug and an abstract painting by Michelle Armas, complementing the home's original Gothic blue front door. The living room showcases new sofas from Ellenburg Chair Company alongside antique mirrors and a vintage zebra hide, while an abstract painting by Elaine Burge and a two-tier chandelier by Aerin from Circa Lighting serve as focal points. The formal dining room was converted into a sitting room, furnished with custom swivel tub chairs, a vintage Lucite chandelier, art by Renee Bouchon, and a large abstract painting by Whitney herself. This space also incorporates Schumacher fabric for window treatments and Moroccan ottomans from B.D. Jeffries. The guest suite, which was the original owner’s suite, features bold coral walls with Hale Navy accents, beds from SWOOX Curated Consignment, a vintage dresser, and art by Teil Duncan and Christina Baker. The sunroom, created from the enclosed porch, provides a family gathering space with a custom sectional, swivel chairs, layered rugs, and an open connection to the kitchen. The kitchen itself has been updated with white quartz countertops on the island, a classic white subway tile backsplash, and vintage Turkish runners. Lighting fixtures by Sean Lavin and art by Elaine Burge further enhance the space. The owner’s suite is characterized by high ceilings, a collection of art, an antique canopy bed, and lamps made from vessels passed down from Whitney's grandmother. The children's bedroom features custom headboards, bedding from Serena & Lily and Ballard Designs, and monogrammed pillows, while their shared bathroom includes new mirrors, shiplap, and a whimsical cowboy painting by Elaine Burge. The playroom offers ample seating with a custom sofa and leather club chairs, adorned with their sons' artwork. The article highlights the collaborative effort in the home’s renovation, with landscape architect Graham Pittman working on the backyard. Whitney emphasizes that a home should be a source of happiness, filled with meaningful and carefully chosen pieces, reflecting her consistent approach to interior design. #InteriorDesign #HomeDecor #AtlantaHomes #WhitneyDurhamInteriors #HomeRenovation #CottageStyle #EclecticDesign #ArtCollection #FamilyHome

Italian brand Marazzi has unveiled five distinct collections of advanced ceramic and porcelain tiles on Dezeen Showroom, catering to various aesthetic and functional preferences. These collections include antibacterial tiles that mimic wood floorboards and high-gloss stone-effect tiles, demonstrating a blend of traditional craftsmanship and modern technology. One of the featured collections is Oltre, a porcelain tile meticulously designed to replicate the appearance of oak floorboards. This collection incorporates an interlocking pattern system that convincingly emulates the natural grain of timber. Available in four colors—white, natural, sand, and caramel—Oltre tiles are versatile for both indoor and outdoor applications. They come with an ultra-matt finish, a slip-resistant coating, and an antibacterial treatment, emphasizing cleanliness and safety. The antibacterial properties make them suitable for spaces where hygiene is a priority, while their durability and aesthetic appeal broaden their applicability in diverse design schemes. Another collection suitable for indoor and outdoor use is Carácter. These porcelain tiles are noteworthy for their composition, which includes 40 percent recycled materials, reflecting a commitment to sustainability. The Carácter tiles present an understated stone effect, achieved through a blend of neutral-colored pebbles of varying shapes and sizes. Despite their luminous finish, these tiles are equipped with Marazzi's StepWise coating, providing an anti-slip surface. The collection is offered in six colors, all within the grey and beige spectrum, allowing for subtle yet sophisticated floor and wall treatments. The Crogiolo Rice collection is a series of handmade modular tiles characterized by a high-gloss finish and natural variations. These tiles draw inspiration from traditional majolica tiles, often adorned with plant patterns and featuring a dense glaze. Despite their intentionally irregular surfaces, the tiles possess straight edges, facilitating precise tessellated installations. Available in three sizes, Crogiolo Rice tiles can be arranged in complementary compositions or mixed to create unique designs. The color palette includes white and off-white hues, alongside three distinct designs that feature nature-inspired motifs in blue, offering a decorative element. Completing the showcase is the Crogiolo Lume range, also part of the broader Crogiolo tile collection. This range is similarly modeled after handmade majolica tiles from the Mediterranean region. These glazed tiles are primarily recommended for wall applications but can be used on floors in areas with low-level foot traffic, such as private residences. The Crogiolo Lume tiles are frostproof and resistant to abrasion, ensuring their longevity and versatility. They are available in a vibrant array of mottled colors, including green, blue, white, black, musk, and greige, providing extensive design possibilities for interior spaces. Additionally, Marazzi has updated its Grande Marble Look collection of porcelain slab tiles, engineered to mimic the luxurious appearance of Venetian terrazzo and marble. These tiles, like the other new collections, are suitable for both indoor and outdoor use and are skid-resistant. They exhibit striking vein and shade variations, offered in a wide range of colors such as deep green and jet black with dark brown veining, providing sophisticated options for large-format applications. Established in 1935, Marazzi is a prominent Italian ceramic tile manufacturer with a global presence in over 140 countries, offering a comprehensive selection of flooring and wall coverings for various settings, designed to emulate natural materials like wood, concrete, marble, and stone. #Marazzi #CeramicTiles #PorcelainTiles #DezeenShowroom #InteriorDesign #FloorCoverings #WallCoverings #HomeDecor #SustainableMaterials

This comprehensive guide highlights some of Nashville's premier home decor establishments, catering to a diverse range of styles and needs, from artistic pieces and framing services to unique gifts and furniture. It features six distinct businesses, each offering specialized products and services that contribute to enriching a living space. Bennett Galleries, established in 1978 in Green Hills, specializes in custom archival framing and features a curated collection of fine art from both established and emerging artists. They are recognized for their expertise in providing framing solutions for various art types and settings, from formal to modern. The gallery also offers an exceptional selection of art available for viewing on their website, serving interior designers and homeowners seeking unique artistic additions. COLOR, located in the White Bridge neighborhood and operating since 2005, is presented as a distinctive home decor and gift destination. This store emphasizes a personalized shopping experience, assisting customers with hostess gifts, bridal registry setups, and designing elaborate tablescapes. COLOR's inventory is dynamic, continually changing to include various home accessories, lighting fixtures, dinnerware, and other items, with a price range of $10-$400, offering options to refresh living spaces and find meaningful gifts. Epergne, situated in Belle Meade, offers an exquisite selection of tabletop items, ceramics, china, and fine table and bed linens. The store's collection is inspired by the extensive travels of its owners, Laura Chadwick and Susan Dyke. Epergne stocks prominent brands such as William Yeoward Crystal, Matouk, Juliska, John Derian, Gien, Agraria, and Mz Wallace, making it a go-to spot for unique gifts and elegant home essentials that are not commonly found elsewhere in the city. Ed Nash Studio, based in East Nashville, showcases the work of London-native artist Ed Nash. Nash, an alumnus of Reading University with a background in Fine Art and Psychology, creates large acrylic paintings characterized by vivid color transitions that evoke landscapes and deeper emotions. His abstract yet approachable pieces are suitable for various environments, from corporate installations to residential dining rooms. As an art appraiser, Nash also assists clients in finding the perfect placement for their art, highlighting his dual role as an artist and a consultant. GasLamp Antiques & GasLamp Too, located in the Design District/100 Oaks, is renowned as one of Tennessee's largest antique malls. It is a favored destination for designers, artists, and home decor enthusiasts seeking unique and salvaged items. The stores maintain a constantly updated inventory that includes furniture, art, and jewelry, ensuring a fresh array of discoveries for those looking to add distinctive touches to their homes or wardrobes. Margi’s Furniture & Design in Green Hills provides a blend of elegant and modern furniture with eclectic and timeless decor. The store offers a carefully curated selection of home furnishings alongside personalized interior design services. Whether customers are searching for a specific piece of furniture, decor, or guidance on fabric choices, Margi’s aims to fulfill diverse home design needs, further enhanced by convenient parking facilities. #NashvilleHomeDecor #InteriorDesign #ArtGalleriesNashville #AntiqueStores #FurnitureStores #TabletopDecor #LocalArtistsNashville

Artist Stephanie Dillon and her husband, Reilly, were captivated by a model home in Eden Prairie, which boasted a blend of whitewashed shiplap and shakes on its exterior, creating a timeless and airy aesthetic. The interior featured light-filled communal spaces, each with a distinct character, moving away from conventional floorplans. The color scheme ranged from calming charcoals and pale neutrals to deep greens and rich terra-cotta, evoking a European atmosphere. Kelli Fontana Vogelgesang, owner of West Bay Homes and the designer behind the model, drew inspiration from her travels to Paris, characterizing the style as French contemporary farmhouse. She envisioned the kitchen as a French pastry shop, integrating multiple layers of meticulously detailed materials throughout the 5,000-square-foot residence. The kitchen's design incorporates three types of glazed tiles for the backsplashes, with a small hexagonal tile chosen for its light-reflecting properties, contributing to an elevated visual experience. Dillon, an acrylic and mixed-media artist known for painting her emotions, found a kindred spirit in Vogelgesang, whose design philosophy also prioritized passion and feeling. Dillon retained Vogelgesang to complete the interior design of their new home. The designer expressed enthusiasm for incorporating Dillon's extensive rug collection. Elements like shiplap and painted charcoal, seen on the exterior, were repeated inside on the basement's fireplace wall and the vaulted ceiling of a lounge area adjacent to the kitchen, along with charcoal-colored square tiles extending from counter to ceiling in the kitchen backsplash. This repetition of color ensures cohesiveness and a holistic progression throughout the home, where all environmental elements relate to one another. Vogelgesang skillfully managed the abundance of materials, preventing a busy or cluttered appearance, much like Dillon blends colors on her canvases. Some design choices stand out, others recede, and some shimmer, collectively defining the mood of each space. The materials coalesce into a balanced and proportionate composition, resulting in a home tailored for an artist. Vogelgesang aims to create spaces that are timeless and elegant without being overly delicate or cost-prohibitive. The lower-level bar area features charcoal shiplap around the fireplace, painted in Sherwin-Williams’s Dorian Gray, and steps down into a sunken media room, showcasing the designer’s preferred brass and gray combination. Brass hardware also adorns the front entry doors. Light fixtures, including those from Mitzi on the library ladder, were strategically chosen. The unexpected entry leads to a "dining hall" that functions as a grand foyer, as described by Vogelgesang. This space features nine-inch-wide-plank white oak floors laid in a herringbone pattern, with ceiling beams bisecting its soaring height, allowing ample natural light. The built-in bar features a backsplash of alternating light and dark neutral tiles, custom cabinetry with dental molding, and a marble sink skirt. Open shelving in the kitchen displays two sizes of backsplash tiles from The Tile Shop, with custom alder wood cabinetry finished with a clear whitewashed stain and brass hardware for an enhanced shimmer. The kitchen, inspired by Parisian pastry shops, includes two islands for ease of navigation, with only one housing a sink to allow for uninterrupted dining on the other. The mudroom boasts large-format heated tiles combined with white oak cabinetry, finished in a whitewash stain, offering an industrial concrete look harmonized with French country cabinetry. A basement guest bath incorporates vibrant color through whimsical floral tiles from The Tile Shop on one wall and Sherwin-Williams’s Perfect Periwinkle on the adjacent wall. The library features a bold mix of Sherwin-Williams paints: Canyon Clay on the walls and Gauntlet Gray in a high-gloss enamel finish on the moldings and doors, complemented by chartreuse chairs. A wide-plank whitewashed cedar wall on the rear deck provides privacy. The prep kitchen off the mudroom embraces color with Waverly Classics wallpaper by York, cabinets painted in Sherwin-Williams’s Green Onyx, and a hammered copper sink, showcasing how personal touches can enhance practical areas. The powder room dazzles with an antiqued mirrored glass tile wall from The Tile Shop, a custom white oak vanity with a marble shelf, and Savoy House sconces. The floors throughout the home incorporate patterned ceramic tiles from The Tile Shop. The home's floor plan, while a traditional rambler, diverges into an unconventional layout where the front entry opens into a vaulted foyer and dining room, serving as a pass-through to the kitchen and great room. #HomeStyle #InteriorDesign #HomeTours #FrenchContemporaryFarmhouse #CustomCabinetry #TileDesign #ArtisticHome #ArchitecturalDetails #EuropeanInfluence

The article reflects on the artistic legacy of Mark Podwal, who passed away at 79, with a particular focus on his last major work: a Jewish Zodiac mosaic floor installed at the Museum at Eldridge Street. Podwal, known for his prolific career as an artist, author, and dermatologist, is described as a polymath whose work blended tradition with modern interpretation. The author recalls a personal encounter with Podwal in May 2023 at an exhibit at Eldridge Street, a 19th-century synagogue on the Lower East Side. Podwal was showcasing his modern adaptations of 16th-century woodcuts from the "Sefer Minhagim" (Book of Customs). Examples of his artistic modernization include adding a microwave to a scene of matzo-baking Israelites and a "Monty Python-esque hand" with a scalpel to a bris scene. During this meeting, Podwal wore a rosette from the French Ministry of Culture, highlighting his international recognition as an officer of the Order of Arts and Letters. He patiently explained the rabbinic sources that informed his contemporary artistic choices. The article mentions a previous review by the author of Podwal's "Jewish Bestiary," where the author had expressed disappointment with Podwal's depiction of the Leviathan. Podwal later clarified that the seemingly ordinary fish in his artwork was meant to encircle the entire Earth, a detail the author admits to having overlooked, acknowledging Podwal's valid critique. Podwal's extensive body of work spanned various mediums and venues, including designing posters for Metropolitan Opera productions (particularly those of Mozart, his favorite composer), creating textiles for synagogues in the Czech Republic, and illustrating books, notably those of Elie Wiesel. His final major project, the Jewish Zodiac mosaic, was particularly meaningful to him, especially given his roots in New York City. The mosaic, installed in the vestibule of the Eldridge Street synagogue's sanctuary, features a vibrant color palette, a departure from his earlier black-and-white editorial cartoons for The New York Times. Podwal's son, Ariel, noted that despite being a mosaic, it retained the distinct qualities of his father's painted lines. Two artisans from Progetto Arte Poli in Verona, Italy, were brought in for the installation, which Podwal was able to oversee before its unveiling in June. The mosaic is rich in historical and religious research, combining traditional zodiac motifs with corresponding Hebrew months and letters, infused with Podwal's characteristic whimsy. Notable examples from the mosaic include Gemini depicted as the twin tablets of the law, received in the month of Sivan, instead of human twins. Libra (Tishrei) features scales of justice balanced with a shofar, symbolizing the judgment of Yom Kippur. Pisces (Adar) shows two fish with hamantaschen heads, a nod to Purim, swimming in an aleph. The article details how these images are designed to provoke questions and encourage learning about Jewish tradition and symbolism, a purpose Podwal highly valued. The mosaic's visual impact, with its shimmering blue tiles and gold flecks, complements the synagogue's other architectural features, including Kiki Smith’s rose window. The article concludes by emphasizing that photographs do not fully capture the vibrancy and depth of Podwal's mosaic, underscoring its significance as a lasting reminder of his artistic genius. #MarkPodwal #JewishArt #EldridgeStreetMuseum #MosaicArt #JewishZodiac #CulturalHeritage #NewYorkCity #SynagogueArt #ContemporaryJewishArt