stellar works launches hand-carved chair & table set by michele de lucchi

Italian furniture brand Meridiani has unveiled its latest collection of dining tables, named Plinto, as part of its Editions series. This collection is distinguished by its sculptural design, offering a versatile range of shapes, sizes, and finishes to cater to diverse aesthetic preferences and interior styles. The core design element of the Plinto collection is its plinth-like metal base, which is available in two sophisticated finishes: matt black and bronzed brass. This robust base provides the fundamental framework for the tables, ensuring stability and a strong visual presence. Supporting the metal base are solid marble tops, which are a hallmark of luxury and durability. The collection provides a wide array of options for the tabletop's shape, including classic circular, rectangular, and square forms, as well as a distinctive octagonal design, allowing for various spatial configurations and design statements. Beyond shape, the Plinto tables offer an extensive selection of finishes for the tabletop. Customers can choose from opulent marble varieties such as Calacatta gold, known for its rich veining; Emperador brown, celebrated for its warm, deep tones; and Marquina black, which offers a striking contrast and modern appeal. In addition to marble, the collection features different shades of wood, providing natural warmth and texture, and various colors in lacquered finishes, which add a contemporary touch and a smooth, polished look. According to Meridiani, the design philosophy behind Plinto centers on an interplay of solids and voids. This concept is brought to life through the combination of the light structured metal bases with the substantial volumes of the tabletops, whether they are crafted from marble, wood, or lacquered materials. This approach allows for a dynamic and visually interesting furniture piece that can seamlessly integrate into various dining environments, from minimalist to more elaborate settings. The versatility extends to the base itself; the plinth-like metal structure can be either fully or partially covered by a solid block of material, further enhancing the sculptural quality and customization options of the tables. The entire Plinto collection is designed by Andrea Parisio, who has served as Meridiani's head designer and art director since the brand's inception. His consistent vision ensures that the collection embodies Meridiani's commitment to elegance, quality, and timeless design. Furthermore, all products within the Plinto collection are proudly 100 percent made in Italy, reflecting the brand's dedication to traditional craftsmanship and high-quality manufacturing standards. This commitment to Italian production guarantees authenticity and superior attention to detail in every piece. Meridiani, based in northern Italy, continues its tradition of creating sophisticated and functional furniture for contemporary living spaces. The Plinto collection stands as a testament to the brand's ability to combine classic materials with modern design principles, offering pieces that are both artful and practical. The range of choices in materials, shapes, and finishes allows clients to customize their dining tables to perfectly suit their individual tastes and interior design schemes, making the Plinto collection a significant addition to the brand's esteemed portfolio of furniture. This launch reinforces Meridiani’s position as a leader in high-end Italian furniture design, providing discerning customers with beautiful, durable, and versatile dining solutions. #Meridiani #PlintoCollection #DiningTables #FurnitureDesign #ItalianDesign #MarbleFurniture #AndreaParisio #LuxuryFurniture #InteriorDesign #HomeDecor

The "Bolete" table series, a collaboration between Hong Kong-based architect and sculptor Henry D’Ath and design-art duo Batten and Kamp, introduces a family of limited-edition coffee and side tables. These pieces are distinguished by their mushroom-like forms, crafted from hand-carved solid wood and natural stone. The design integrates the sculptural weight typical of permanent furniture with a flexible, modular approach that features configurable, overlapping surfaces. The genesis of the Bolete series traces back to a custom commission where Batten and Kamp recognized a natural synergy between D’Ath’s carved wood creations and their signature raw stone bases. This initial insight led to the formal collaboration and the development of the Bolete collection, emphasizing a harmonious blend of two distinct material elements. Each table in the Bolete series is meticulously carved by Henry D’Ath, who allows the intrinsic patterns of the wood grain and the natural contours of the stone to guide the creation of subtly organic shapes. The wooden tops are available in two finishes: a natural, sealed varnish that highlights the wood's inherent beauty, or a glossy black finish achieved through layers of calligraphy ink. The choice of wood for the tops is Camphor, a variety prevalent in China and Japan, known for its aromatic properties and natural insect-repellent qualities. For the bases, raw Taishan Granite stones are used. These stones are culturally significant, often featured in Zen gardens, and are admired for their grey-white hues, reminiscent of the dramatic Karst Mountains. Each granite base is individually sourced and intentionally left untreated, ensuring that every table possesses a unique character. The collaboration is deeply rooted in the shared heritage and mutual admiration among Alexandra Batten, Daniel Kamp, and Henry D’Ath, all originally from New Zealand but now working together in a Hong Kong studio. This shared background is reflected in the design philosophy, which embraces natural materials, robust forms, and simplicity—elements integral to New Zealand aesthetics—while also incorporating local materials and subtle Zen influences. Alexandra Batten describes the collaboration as effortless, stemming from a lifelong connection and shared artistic vision. Initially launched as a side table in 2023, the Bolete series has expanded to include coffee tables. The modular nature of the design is key, allowing for diverse configurations and sizes through the arrangement of overlapping surfaces, which enhances the collection's adaptability and aesthetic appeal. The tables are produced in limited editions, with eight pieces plus four artist proofs available per configuration, highlighting their exclusivity. Plans are underway to exhibit the series in major art and design hubs, such as New York or Paris, in 2025, further solidifying its presence in the global design landscape. The project was submitted through a DIY submission feature, reflecting a direct engagement with the creative community. #FurnitureDesign #Woodwork #StoneCraft #TableDesign #ModularDesign #LimitedEdition #DesignCollaboration #NaturalMaterials #HandCarved

The Italian furniture and accessories brand Morici, established in Recanati in 1979 by Luciano and Doriana Morici, unveils the intricate production process behind its Venezia collection of luxury boxes. The company, known for its fundamental craftsmanship vocation, integrates centuries of woodworking tradition with innovative production technology. Morici's approach involves the careful selection of natural woods and leathers, combined with the skilled hands of Italian master artisans, to create high-quality, meticulously detailed modern products. The Venezia collection specifically showcases a series of colorful luxury boxes, homewares, and furniture, segmented into five distinct lines with high-impact palettes. These lines include Cannaregio and Mestre, which blend earthy tones with blues and a mix of red and yellow, respectively. Rialto features a more vibrant and randomized palette by incorporating elements from other lines, while Sestiere is characterized by shades of purples and pinks. Laguna offers a cool combination of blues and pearlescent whites. The design process for the Venezia collection is a seven-step journey, starting with the design phase. This initial stage focuses on developing unique color combinations that define the collection's various color lines, emphasizing the interplay of colors with different precious wood essences to achieve Morici's characteristic style. Following design, the inlay process involves a highly manual technique used since the 14th century to customize products. Craftsmen meticulously combine laser-cut wood veneers, colored with natural dyes, to create intricate patterns and mosaics. The selection of veneers and their characteristics is crucial for achieving an elegant and balanced mosaic, with each piece of wood contributing to a unique, unrepeatable natural pattern despite predefined designs. Carpentry is the third step, where the finished inlay is applied to wooden panels, then shaped and refined to form the desired design. This stage concludes with sanding, ensuring a smooth and perfectly formed product. The fourth step, painting, involves applying multiple layers of paint to strengthen the surface and enhance durability. Morici highlights its commitment to environmental safety by evolving towards the use of eco-friendly paints. Polishing, the fifth stage, is executed by highly skilled artisans using manual polishing machines. Their expertise in selecting the correct abrasive paste and applying precise pressure ensures a unique, long-lasting finish that maintains its quality over time. The penultimate step is assembly, which serves as a crucial quality control point. Various components like locks, hinges, and drawers are carefully put together to ensure the product's functionality and integrity. The final step, covering, involves manual processing in the covering department. Here, skilled artisans use cutters and sewing machines to select and apply various fabrics and leathers, creating a custom finish for each product, tailored to its specific purpose. This elaborate process underscores Morici's dedication to artisan know-how, combining traditional techniques with contemporary aesthetics to produce the high-end items in the Venezia collection. #HomeDecor #LuxuryDesign #HandmadeCraftsmanship #ItalianDesign #Woodworking #VeneziaCollection #ArtisanKnowHow #FurnitureDesign #DesignProcess

Architect Ferruccio Laviani has created a distinctive piece of furniture named the Good Vibrations Storage Unit, designed for the 2013 Furniture Exhibition. This hand-carved wooden unit is notable for its deliberate appearance of being warped and distorted, as if affected by a digital glitch. Laviani's design philosophy for this piece is characterized by a whimsical fusion of styles, incorporating an inherent sense of wit. The furniture exemplifies a new approach to design, focusing on the harmonious integration of diverse languages and cultures. The Good Vibrations Storage Unit evokes a sense of distant locales and incorporates Oriental design elements, which contribute to its 'disorienting' aesthetic. The piece appears as though it has been subjected to a powerful jolt or continuous swaying motions, resulting in its unusual form. Despite its contemporary and unconventional look, which might suggest a departure from traditional aesthetics, the design actually draws heavily on ancient craftsmanship. It demonstrates a profound knowledge in the art of carving and meticulous fine wood workmanship, showcasing a blend of innovative concept with time-honored techniques. Initially, the images circulated were renderings of the concept. However, Studio Laviani confirmed that a final, physical piece of this 'Good Vibrations' furniture was being produced. This finished article was slated for public display in April following its conceptual unveiling for the 2013 Furniture Exhibition. The project highlights a creative exploration of how digital distortions can be translated into tangible, meticulously crafted wooden furniture, blurring the lines between virtual aesthetics and physical artistry. #FerruccioLaviani #GlitchFurniture #HandCarved #FurnitureDesign #GoodVibrationsStorageUnit #ArchitecturalDesign #Woodwork #ArtFurniture #FratelliBoffi

This article from T Magazine highlights a range of cultural and lifestyle recommendations, featuring a former N.F.L. player turned furniture designer, a new art gallery in TriBeCa, a botanical-inspired wallpaper collection, an Athens restaurant showcasing contemporary Greek art, a homey Seattle hotel, and a hand-painted apparel line. Each section provides details about the featured subject, including their background, inspiration, notable works, and practical information for visitors or consumers. Michael Bennett, a former N.F.L. player, founded Studio Kër after retiring from football in 2020. His furniture designs are deeply inspired by his activism work for racial justice, his upbringing in Louisiana and Texas, and his ancestral roots in Senegal. Bennett’s inaugural exhibition, “We Gotta Get Back to the Crib,” features an 11-piece collection of sculptural furniture that reinterprets objects found in communal Black spaces. Key pieces include the Gumbo lounge chair, a sophisticated take on the monobloc chair, and the Pew couch, inspired by church benches, crafted from leather and ekki wood. The exhibition debuted at Theaster Gates’s Rebuild Foundation in Chicago and is scheduled to travel to Houston. In TriBeCa, New York, gallerist Jack Shainman opened a new 20,000-square-foot gallery called The Hall in the historic Clock Tower Building. This Beaux-Arts space, built around 1898 and formerly home to the New York Life Insurance Company, has been renovated and restored. The gallery serves as a new cultural center offering free exhibits, allowing visitors to appreciate both contemporary art and the historic Manhattan architecture, including its preserved bank vault and 29-foot-high coffered wood ceilings. The Hall plans to officially open in September with a 16-foot-tall bronze sculpture by artist Nick Cave. Currently, it features Richard Mosse’s immersive 74-minute multi-spectral video installation, “Broken Spectre,” which addresses the destruction of the Amazon rainforest. Mosse emphasizes the historical connection between the building’s past, built on wealth from enslaved people, and ongoing global issues like environmental destruction. Marian McEvoy, a former fashion and design editor, launched a new wallpaper and fabric collection with Schumacher, inspired by her botanical collages and illustrations. After nearly 30 years in Paris and Manhattan, McEvoy moved to a cottage on the Hudson River, where she creates her art. Her collaboration with Schumacher features six wallcoverings and four fabrics, including prints like Thistle Vine, Polka-Dot Jungle, and Bow-Wow-Wow, all reflecting her signature use of strong colors and lines. McEvoy has incorporated these designs into her own home, showcasing her personal approval of the collection. In Athens, entrepreneur and art collector Philippos Tsangrides opened Gallina, a restaurant designed by Objects of Common Interest. The interiors blend diverse materials such as red marble, pink leather, terrazzo, and wood, creating an unexpected aesthetic. Gallina also displays pieces from Tsangrides’s private art collection, including a silk tapestry by Jannis Varelas and a neon sign by Olga Migliaressi-Phoca. A notable design element is a sinuous white light tube by the architects. The menu, curated by chef Pavlos Kiriakis, features dishes with no specific provenance, such as chicken with miso beurre blanc and truffle, and wild mushrooms with white chocolate béarnaise. Tsangrides intends to open a wine bar nearby. Julian Hagood and Jake Santelli opened Harry’s Guest House, a two-room hotel in Seattle’s Capitol Hill, inspired by their neighbor Winnie. The Dutch Colonial home was purchased from Winnie, whose drawings and wooden writing desk are now integrated into the hotel’s design. One suite is named after Winnie, and the other after the couple’s dog, Lucy. The interiors combine vintage and contemporary furniture and textiles, featuring a 1940s hand-carved wardrobe and Zak+Fox fabrics. Guests can also enjoy in-room dining from Harry’s Fine Foods, Hagood’s adjacent restaurant. Artists Julia Dault and Hannah Whitaker launched Signs Point to Yes, a line of hand-painted apparel. Their sweatshirts and pants feature designs like metallic tulips, sherbet-hued confetti, and smiley (and sad) faces, often painted using ketchup bottles to achieve a gestural, imperfect style. The brand name, inspired by a Magic 8 Ball, conveys a sense of optimistic humor. The artists selected comfortable cotton garments as their canvases, recognizing their popularity during the pandemic and their continued appeal beyond loungewear. #SculpturalFurniture #ArtExhibition #Design #ArtGallery #InteriorDesign #HomeDecor #Restaurants #Hotels #Fashion

The article showcases the work of Jared Abner, a 2021 Furniture Design graduate from RIT, focusing on his distinctive approach to creating furniture and sculptures. Abner's artistic philosophy is characterized by a unique combination of subtraction and addition, a process he describes as "creation through destruction." He begins by engaging in subtractive methods, such as turning, carving, and cutting raw materials, and then reassembles these modified pieces to form new creations. This methodology highlights a dynamic interplay between deconstruction and reconstruction in his design process. One prominent piece featured is a walnut and fiber rush bench from 2020. This work exemplifies his ability to blend traditional woodworking materials with contemporary design principles, resulting in a functional yet artistic piece of furniture. Another significant creation is an abstractly shaped chair crafted from stack-laminated cherry wood, also from 2020. This chair demonstrates his innovative use of lamination techniques to achieve complex forms and textures, transforming solid wood into a visually fluid structure. The intricate layering of cherry wood not only adds to the aesthetic appeal but also speaks to the meticulous craftsmanship involved in its construction. The article also presents a series of "Suspension Study" sculptures, which further illustrate Abner’s exploration of form, balance, and material interaction. "Suspension Study One" features a wood sculpture connected to a large blue ball, utilizing walnut, poplar, and milk paint from 2020. This piece suggests an investigation into equilibrium and the tension between different elements. "Suspension Study Two," from the same year, continues this theme with a wood sculpture incorporating a rope to hold a blue ball, again using walnut, poplar, and milk paint, alongside the addition of rope. The inclusion of rope introduces an element of flexibility and dynamic force, contrasting with the rigidity of wood. Finally, "Suspension Study Three," created in 2020, consists of a black sculpture where two large wood pieces sandwich a blue ball, made from ash, poplar, and milk paint. This piece explores containment and compression, with the blue ball acting as a focal point that is simultaneously supported and constrained by the wooden components. Collectively, these works underscore Abner’s versatility in transforming raw materials into pieces that challenge conventional notions of furniture and sculpture, emphasizing both aesthetic innovation and a thoughtful engagement with the physical properties of his chosen media. His portfolio reflects a deep understanding of material manipulation and an artistic vision that merges functionality with sculptural expression. #FurnitureDesign #Sculpture #JaredAbner #RITAlumni #Woodworking #MaterialManipulation #ArtisticProcess

The article presents a curated selection of ten notable furniture and lighting designs created by prominent architects and studios, which were showcased at Milan Design Week. These designs span a range of products from chairs and tables to various lighting fixtures, highlighting the intersection of architecture and product design. Among the featured pieces is "La Magie du Bois" by Swiss studio Herzog & de Meuron, a furniture collection developed in collaboration with Marta Sala Editions Milano. This collection emphasizes wooden craftsmanship and includes four series, notably the Meninas armchairs, crafted from Canaletto walnut and fabric, specifically designed for the renovation of Hotel Les Trois Rois in Basel. The collection was exhibited at Salone del Mobile. Danish architecture studio BIG showcased their "Arctic" lamp collection at the Euroluce 2025 exhibition. This lighting series is characterized by geometric components that create a play of light and reflection, inspired by the geometry of ice crystals. The lamps feature a sculptural Archimedean form with mirrored surfaces and a central core that diffuses light, while the mirrored surfaces reflect the surroundings when the light is off. Phantom Hands, a furniture brand, collaborated with the Geoffrey Bawa Trust to reintroduce Sri Lankan architect Geoffrey Bawa’s furniture collection. This collection, encompassing chairs, tables, and lighting, recreates pieces originally developed between the mid-1960s and mid-1990s, including wood and metal furniture like the curvaceous Kandalama chairs. Gae Aulenti’s "Alcinoo" table lamp was reinterpreted by lighting brand Artemide, 50 years after its initial design. The lamp features a rounded form of blown glass encased within a cylindrical metal cage, balancing transparency and structural strength. A sphere emerges from the top, and three internal light sources filter through its transparent exterior. Japanese architect Kengo Kuma collaborated with Spanish outdoor design brand Gandia Blasco to create the limited-edition HOS collection, which includes a deckchair and stool. These pieces, displayed at Salone del Mobile, feature wooden joints, reflecting Japanese architectural traditions, and are made with tactile fabrics from recycled PET fibers. Lebanese architect Aline Asmar d'Amman presented "The Power of Tenderness," a furniture series comprising bookshelves, tables, and chairs made from marble, concrete, and stone. The Béton Littéraire series includes a bookshelf made from books and rough concrete, while other pieces like the Stone Cloud table series and Georgia lounge seating range feature plush finishes and swivel bases. Brazilian architect Marcio Kogan of Studio MK27, in collaboration with Minotti, launched the "Bézier" and "Bézier Cord Outdoor" collections. These collections, known for their organic forms, feature modular seating systems with plush finishes and coffee and dining tables with textured surfaces. Engineering firm Arup introduced "Internode," a lamp crafted from bamboo and aluminum components. Showcased at Artemide's Euroluce exhibition, this task light uses spring-free joints, relying on friction and equilibrium for its function. Norwegian studio Snøhetta, in partnership with Italian lighting manufacturer Viabizzuno, launched the "Aura" lighting collection. This collection focuses on optimizing light quality through transparent "light prisms" rather than the fixture itself. Swiss architect Mario Botta collaborated with Italian design company Alias to create the "Saturno" table collection and "Zeta" stool. The Zeta stool, built from colored MDF, is inspired by the letter Z, while the Saturno series features tables with solid central bases, reflecting Botta’s architectural style. These designs represent a blend of architectural principles and furniture aesthetics, offering functional and artistic pieces for contemporary spaces. #MilanDesignWeek #FurnitureDesign #LightingDesign #ArchitecturalFurniture #ProductDesign #ContemporaryDesign #InteriorDesign #SaloneDelMobile

This article highlights the collaborative collection between Artek and Heath Ceramics, two brands with over 150 years of combined experience in designing and manufacturing. The collaboration reimagines iconic Artek pieces, the Tea Trolley 900 and Stool 60, by integrating exclusive ceramic designs from Heath. This partnership represents a fusion of historical design principles and contemporary craftsmanship. The Artek Tea Trolley 900, originally designed by Aino and Alvar Aalto in 1937, drew inspiration from British tea culture and Japanese woodworking and architecture. This functionalist piece of furniture, characterized by its ceramic tiles and rattan basket, debuted internationally at the 1937 World Exhibition in Paris. For this new collection, Heath Ceramics developed six unique tile tops for the Tea Trolley, drawing inspiration from vintage tile installations at their Sausalito factory and recent experiments from the Heath Clay Studio. These tiles are individually glazed, ensuring each piece is distinct. The manufacturing process involves the trollies being made and assembled in Finland by Artek, while the tiles are crafted and installed in San Francisco by Heath. The glazes themselves are a result of experimental applications and unexpected combinations. For instance, one particular Universe glaze, developed in 2016 by Tung Chiang and Heath master glazer Winnie Crittenden, involves spraying glaze onto a plastic sheet to create organic beads, which are then transferred to the clay. Varying pressure during this transfer results in unique glaze variations. Other glaze designs include 'Deep Sea,' an evolution of a layered glaze technique that creates a wide range of shades and textures, resulting in an atmospheric effect. The 'Maze' glaze is created by applying glaze from a squeeze bottle onto tiles on a spinning wheel, producing graphic and precise concentric lines. The 'Penumbra' glaze involves a pouring technique, similar to how Heath develops color swatches for new glazes. Artek, founded in 1935 in Helsinki, Finland, by Alvar and Aino Aalto, Maire Gullichsen, and Nils-Gustav Hahl, was established to sell furniture and promote modern living through exhibitions and educational initiatives. The brand continues to be an innovative force in modern design. Heath Ceramics' contribution brings experimental glazes from the 1940s into conversation with Artek's innovative wood-bending techniques from the 1930s, creating a collection that is both fresh and relevant to contemporary design. The collaboration showcases the rich heritage and forward-thinking approach of both brands. It highlights a detailed process, from the slow drying of birch planks at the Artek factory in Finland to the meticulous glaze development and application at Heath Ceramics in California. The resulting pieces, like the Tea Trolley 900 in its various Heath-designed finishes (Landscape, Orbit, Penumbra, Maze, Deep Sea, and Universe), serve as versatile centerpieces suitable for various occasions, embodying a blend of tradition and innovation. #Artek #HeathCeramics #DesignCollaboration #TeaTrolley900 #Stool60 #CeramicTiles #GlazeDevelopment #FinnishDesign #AmericanCraftsmanship #FurnitureDesign

The Teatro Magico table, designed by Architecture studio 967 Arch for Saba, represents a novel approach to furniture design, drawing inspiration from the inherent qualities of fabric. The design reinterprets the softness and malleability typically associated with textiles, translating these characteristics into the table's base through the use of printed lacquered polyurethane. This material choice allows for a sculptural form that evokes the fluid drape of fabric while maintaining the structural integrity required for a table. The aesthetic foundation of the Teatro Magico table is deeply rooted in Saba's established expertise in utilizing textiles and sophisticated color palettes within their product narratives. The table's design is a direct nod to this heritage, showcasing how material inspiration can be transformed into a distinct and compelling furniture piece. The base of the table is conceived with versatility in mind, allowing for individual use or a combined arrangement, which offers flexibility in various interior settings. This modularity ensures that the table can adapt to different spatial requirements and aesthetic preferences. Complementing the distinctive base are the clean-lined table tops, available in a range of sizes and shapes, specifically round and oval. The color options for the table tops include white, silk grey, and nude, selected to harmonize with the sculptural bases. These monochromatic finishes are instrumental in highlighting the table's curved forms. The interplay between the table's curves and its uniform coloring creates dynamic shadows, which shift and deepen based on the intensity and direction of ambient light. This interaction between form, color, and light contributes significantly to the table's overall visual appeal, making it a focal point in any room. When the individual components of the Teatro Magico table are brought together, the result is a bold and commanding piece of sculptural furniture. Its presence in a space is designed to attract attention and serve as a statement. The combination of innovative material application, thoughtful design philosophy, and a focus on visual impact positions the Teatro Magico table as a significant contribution to contemporary home furnishings, illustrating how furniture can transcend mere functionality to become an art form. #SculpturalFurniture #ModernDesign #InteriorDesign #HomeFurnishings #SabaItalia #967Arch #TableDesign #PolyurethaneFurniture #ContemporaryFurniture

Australian designer Marcel Sigel, in collaboration with the furnishings and décor brand Gohome, has introduced the 'Lunar' collection, a series of three chairs designed to offer flexible seating solutions for various environments, including residential, hospitality, and commercial settings. The collection is characterized by its soft, curving lines, which are achieved through injected 3D foam manufacturing. A distinctive feature of the 'Lunar' chairs is an arched lumbar scoop, a detail that not only enhances comfort but also contributes significantly to the aesthetic character of the pieces. This design element is said to be reminiscent of a rising moon, from which the collection derives its name. The 'Lunar' collection comprises three distinct styles: 'Lander', 'Rover', and 'Orbiter'. Each style shares the core design philosophy of comfort and visual appeal, adapted to slightly different forms or functionalities. The chairs are upholstered with Camira fabric, offering a choice of four colors: black, grey, blue, and red. This color palette allows for versatility in fitting into diverse interior designs and themes. The use of injected 3D foam manufacturing is a key aspect of the chairs' construction, enabling the creation of smooth, ergonomic curves that conform to the body while maintaining a streamlined appearance. Attention to detail is evident in the design, particularly with the contrasting stitching on the back of the chairs. This subtle yet impactful detail adds a dynamic visual element, preventing the chairs from appearing monolithic and instead providing a sense of movement and crafted quality. The 'Lunar' collection is intended to be adaptable, catering to a broad spectrum of interior design needs. For instance, the 'Lunar Orbiter' model is highlighted as being stackable, a practical feature that makes it suitable for spaces requiring efficient storage or flexible arrangements, such as event venues, conference rooms, or even compact residential areas. The collaboration between Marcel Sigel and Gohome brings together innovative design principles and manufacturing capabilities to produce furniture that is both aesthetically pleasing and functional. The collection aims to provide comfortable and stylish seating options that can seamlessly integrate into various contemporary settings. The inspiration drawn from the moon's shape not only gives the collection its poetic name but also influences the gentle, inviting contours that define each piece within the series. The durability and material choices, such as the Camira upholstery, suggest a focus on longevity and ease of maintenance, further broadening their appeal for both private and public spaces. #MarcelSigel #Gohome #LunarCollection #ChairDesign #FurnitureDesign #3DFoamManufacturing #CamiraUpholstery #InteriorDesign

RH, a prominent home furnishings retailer, has launched RH Contemporary, a new business branch that significantly expands its product offerings through collaborations with a diverse array of global designers. This initiative marks RH's most substantial concept launch since RH Modern in 2015, reinforcing the company's ambitious growth trajectory. The new collection encompasses a wide range of items, from large furniture pieces such as sofas, beds, wardrobes, and outdoor furniture, to lighting, textiles, and decorative objects. The launch of RH Contemporary follows other significant developments for the company, including the unveiling of RH San Francisco, the acquisition of private planes and a yacht for charter, and plans for future locations in Manhattan, Oxfordshire, Paris, London, Milan, and an 'RH Ecosystem' in Aspen featuring the company's first spa. The development of RH Contemporary began prior to the pandemic, with RH leadership strategically using that period to focus on long-term growth initiatives rather than short-term revenue pursuit. A key aspect of RH Contemporary is its multi-tiered approach to elevating production standards and materials. This includes a partnership with Holland & Sherry, an established Savile Row tailor, to supply a comprehensive range of fine textiles for upholstery and curtains. Additionally, the collection features high-caliber Indian hand-loomed throws and pillow covers by textile artist Neeru Kumar, whose work has been acquired by the Victoria & Albert Museum. A significant portion of RH Contemporary's upholstered furniture, including modular leather seating and low linear sofas, is crafted in Italy. To achieve this, RH collaborated with expert Italian upholsterers, ALT in Romagna and Crivellari in Padova, whose founders are prominently credited on the RH website alongside the designers. Italian-sourced materials, such as travertine stone from outside Rome and Arabescato marble, are also widely used, although some fabrication occurs elsewhere. The emphasis on top-tier materials and production, including lacquered burl wood, hand-carved Spanish alabaster, and hand-applied plaster on lighting, is reflected in the collection's higher price points, with items like Jonathan Browning’s ‘Vouvray’ chandelier starting at over $35,000 and Joris Poggioli’s ‘Vitolo’ dining table starting at over $12,000. Gary Friedman, RH chairman & chief executive officer, notes that RH Contemporary items are priced approximately 30 to 35 percent higher than the current RH offerings. While large-scale furniture forms the core of the collection, smaller shoppable items are also included, such as vases and decorative dishes by Brooklyn-based ceramicist Dina Nur Satti, which incorporate her Sudanese and Somali heritage. Friedman expresses strong belief in RH Contemporary's potential impact, stating that it will likely have a greater influence on the company than RH Modern, not only from a design perspective but also in terms of quality. He anticipates that this new venture will redefine consumer perceptions of RH and expand its market aperture significantly. #RHContemporary #DesignerCollaborations #LuxuryFurniture #InteriorDesign #HighEndMaterials #ItalianCraftsmanship #GlobalDesigners #HomeFurnishings

British architect John Pawson has partnered with Danish timber brand Dinesen to introduce a new furniture collection. This collaboration marks Pawson's latest venture into product design, following a long-standing relationship between the architect and the 125-year-old wood company. The collection, characterized by its pared-back aesthetic and minimal design, features a range of tables and seating options crafted primarily from Dinesen's signature ash wood. The launch encompasses a Lounge Series, which includes a stool, a daybed, and an armchair. These upholstered pieces are available with textiles from the renowned brand Kvadrat, adding a touch of softness to the otherwise austere wooden frames. Additionally, the collection introduces a Dining Series, comprising various tables and complementary seating. The design philosophy behind these pieces reflects Pawson's well-known minimalist approach, emphasizing clean lines, functional forms, and the inherent beauty of the natural material. The partnership between Pawson and Dinesen dates back approximately three decades, originating from the architect's need for simple, custom-made furniture for his London residence. Pawson initially crafted these pieces from Dinesen's ash wood planks, effectively laying the groundwork for this official collaboration. Both Pawson and Hans Peter Dinesen, the fifth-generation brand director, share a profound appreciation for wood as a foundational element in design. They view furniture not merely as objects but as stages upon which life unfolds, highlighting its role in shaping personal narratives within the home. Hans Peter Dinesen articulates this sentiment by stating that furniture serves as a medium for shared stories, particularly within domestic settings. Pawson further emphasizes the significance of furniture placement, noting that even minor adjustments can profoundly impact a space's ambiance and functionality. This attention to detail and thoughtful arrangement underscores the collection's alignment with principles of intentional living and design. To formally unveil the collection, Pawson and Dinesen are preparing a special presentation for the upcoming 3 Days of Design festival in Copenhagen. During this event, Dinesen's Copenhagen showroom will be transformed into a model apartment, meticulously furnished with pieces from the new line. This immersive experience will allow visitors to witness the collection in a realistic setting, demonstrating its versatility and integration within a residential environment. The exhibition will also serve as a practical demonstration of Pawson's philosophy on furniture arrangement and its impact on living spaces. #JohnPawson #Dinesen #FurnitureCollection #MinimalistDesign #WoodFurniture #InteriorDesign #DanishDesign #DesignCollaboration #ContemporaryFurniture

The 'Hive' collection, developed by atelier oï for B&B Italia, explores an innovative approach to upholstery using small leather patches, termed "leaves," to construct a three-dimensional textile. This deconstruction process details the extensive trial and error involved in perfecting this complex material, which ultimately informed the design of hexagonal ottomans and complementary low tables. The initial phase of development focused on material exploration, specifically forming studies with leather patches in various colors and configurations. This involved examining both the front and back of these patch arrangements, noting how individual leather pieces connected to form a cohesive textile, even before full attachment. Following these material studies, the design team moved into conceptualizing how this unique leather textile could be applied to furniture. Early sketches focused on adapting the connected leather structures for an ottoman. This led to the creation of numerous ottoman models, varying in size, form, and leather color, to test the aesthetic and structural possibilities. A significant challenge addressed during development was how to effectively wrap the ottoman legs with the patch textile, requiring dedicated studies to perfect the technique. Further refinement involved developing methods to finish the corners and sides of the ottoman, especially given the irregular edges of the leather patches, ensuring a seamless and polished appearance. In parallel with the ottoman design, the concept evolved to include complementary furniture pieces. Initial sketches were created for a similarly shaped table to be paired with the ottomans. This integration aimed to create a cohesive collection where both the ottomans and tables shared a unified design language, inspired by the distinctive beehive-like texture of the leather. The culmination of this design process resulted in a finished product showcasing three-color ottomans paired with the metal tables. The 'Hive' collection was notably featured in an installation at the B&B Italia Store during the Milan Furniture Fair in April 2013, highlighting the successful application of this innovative textile in a contemporary furniture context. #LeatherUpholstery #3DTextiles #FurnitureDesign #AtelierOi #BBItalia #ProductDevelopment #OttomanDesign #TableDesign #MilanFurnitureFair

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

The article highlights a growing trend away from mass-produced items towards unique, handcrafted furniture and home decor pieces that emphasize creativity, craft, and time-honored techniques. It showcases 15 such items from various global makers, positioning them as collectible interiors pieces that are worth investing in now for their potential to become future design classics. The featured items begin with a modern take on a classic: the Canopy Armchair from Marchmont Workshop, a handcrafted stickback chair inspired by woodlands and priced at £3,600. This piece reflects a return to traditional craftsmanship with a contemporary aesthetic. Following this, the article introduces hand-painted lampshades by Spanish artist-designer Alvaro Picardo, which can be custom-matched to interior paintwork and wallpaper using Farrow & Ball paints, starting from £110. These lampshades are presented as artistic finishing touches for living spaces. Another innovative item is the Vine Vase by Wobbly Digital, a Glasgow-based artist who creates eccentric 3D-printed objects from recycled and bioplastics, priced at £350. This vase is noted for its viral potential, akin to the popular Gluggle Jug, and is recommended for dried flowers only. Scarlett Farrer, a rising star in hand weaving, is featured for her rustic textiles, specifically wall hangings made from undyed British wool. Her work, ranging from £250 to £1,800, gained recognition after she won the 2024 Young Weaver of the Year award. The article then presents a statement chair designed by Esto Estudio in Madrid, which combines a tubular steel frame with vibrant orange fabric, blurring the lines between furniture and sculpture, starting from approximately £800. Rich Miller, a ceramic artist and judge on 'The Great Pottery Throw Down,' offers unique cone-shaped pendant lights inspired by antique sugar cones, each priced at £2,425. These lights explore the history of the sugar trade and Miller's cultural ancestry. Sustainability is a key theme, exemplified by Jacob Marks' resin lamps, made from pine resin, with the Red RF Lamp I priced at £730. These lamps were a highlight at the London Design Festival for their use of unusual sustainable materials. Xanthe Somers, a Zimbabwean ceramic artist, contributes surrealist stoneware from her 'Sisters Toil' series, which explores women's work and crafts, with pieces ranging from £6,500 to £9,000. Loney Abrams and Johnny Stanish of Wretched Flowers create mesh murals and chain mail lamps, drawing inspiration from diverse sources such as museum archives and medieval armor. These shimmering wall hangings are available on application. James Shaw's sustainable seat, priced at £2,000, is crafted from recycled plastic waste like milk cartons and shampoo bottles, transforming discarded materials into unique, organic forms. The master plasterers Ffion and Steven Blench, known as Chalk Plaster, produce marbled, fluted sidetables using scagliola, a 16th-century technique imitating marble, priced at £7,800. Freya Bramble-Carter, a ceramicist, offers wheel-thrown pots in earthy shades, blending traditional techniques with an expressive approach, starting from £900. Maria Sigma, a textile designer and weaver, focuses on zero-waste wares using natural, often undyed, fibers for her throws and cushions, with her 'Apricity' throw priced at £890, though it has an eight to ten-week waiting period. Joe Sweeney's terracotta stoneware butter dish, priced at £300, is described as a charming and functional addition to the breakfast table. Emsie Sharp, a glassblower, presents candy-colored drinking glasses made in her Dorset studio, priced at £38 each, as a modern alternative for smart dinner tables. Finally, the article highlights Matthew Raw's tiled bedside table from his 'Welcome' collection, inspired by tiled facades of train stations and buildings. These pieces, featuring handcrafted and glazed tiles, are priced at £5,180 for a sidetable with a drawer, indicating a growing presence in contemporary home design. #FurnitureDesign #HomeDecor #HandcraftedItems #SustainableDesign #CollectibleArt #InteriorDesignTrends #Craftsmanship #ArtisanalProducts #LuxuryInteriors

The "Wave City Table," designed by Cyprus-based designer Stelios Mousarris, draws inspiration from the 2010 film "Inception," which explored themes of altered reality and the manipulation of urban landscapes. The movie is known for its visually striking scenes where cityscapes fold and bend, defying conventional physics. Mousarris's coffee table aims to bring a similar sense of surrealism and gravity defiance into a functional piece of furniture. The core concept of the Wave City Table involves a cityscape that appears to be folded in half, creating a dramatic, undulating form. This unique aesthetic is achieved through a combination of materials and manufacturing techniques. The main structure of the table, including its top and frame, is crafted from wood and steel, providing both stability and a sophisticated finish. The miniature buildings that constitute the bending cityscape are produced using 3D printing technology. This method allows for a high level of detail and precision in rendering the architectural elements, enhancing the realism of the miniature urban environment despite its surreal presentation. Despite its unconventional appearance, the Wave City Table is designed to maintain practical functionality as a coffee table. The flat wooden top provides a usable surface for placing items, ensuring that the piece serves its primary purpose while also acting as a striking artistic statement. The design carefully balances its surreal visual elements with the practical needs of everyday furniture, making it both an object of art and a useful household item. The table's curved shape is meticulously balanced, contributing to its illusion of a frozen, dream-like state. The creation of the Wave City Table highlights the synergy between traditional craftsmanship and modern manufacturing technologies. The use of 3D printing is particularly significant, as it enables the intricate and complex forms of the buildings to be realized with relative ease, a task that would be considerably more challenging and time-consuming using conventional methods. This integration of design and technology demonstrates how creative visions, previously confined to imagination or cinema, can be translated into tangible, physical products. Stelios Mousarris's work with the Wave City Table exemplifies an innovative approach to furniture design, where inspiration from popular culture and advanced technology converge to produce unique pieces. The table is presented as a limited edition item, emphasizing its artistic value and exclusivity. It appeals to individuals who appreciate architectural design, cinematic influences, and furniture that pushes the boundaries of conventional aesthetics, offering a conversation piece that is both functional and thought-provoking. #FurnitureDesign #3DPrinting #ArtDesign #InceptionInspired #SteliosMousarris #CoffeeTable #InnovativeDesign #Surrealism