An Unlikely Source Inspired This Designer’s Mexico City Apartment: Catholic Convents

Contemporary Mexican architecture showcases a remarkable fluidity between indoor and outdoor spaces, a tradition deeply rooted in the country's historical architectural practices and influenced by its climate and cultural values. This design philosophy, which dates back to ancient structures like the palaces of Teotihuacan and colonial apartments centered around loggias, emphasizes seamless transitions between sheltered interiors and open-air environments. Mexican modernists of the mid-20th century, such as Luis Barragán and Enrique del Moral, were pivotal in integrating the International Style with local conditions, viewing gardens as extensions of interior rooms and designing homes that, while appearing private from the street, opened expansively to natural surroundings through courtyards and terraces. More recent architects like Alberto Kalach and Mauricio Rocha have continued this legacy, with contemporary firms developing even more innovative solutions to maximize the landscape. These approaches include large openings, strategic framing of vistas, fully retractable walls, and carefully selected material palettes that enhance the connection to nature. Five examples illustrate this diverse spectrum. Manuel Cervantes's homes near Mexico City exemplify how design can respond to topography. His own home in Amatepec, spread across multiple levels, uses the site's natural slope to create permeability. An existing jacaranda tree forms the basis for an aromatic entrance garden, while a spacious living room with pivotable floor-to-ceiling windows dissolves the barrier between inside and out. Planted inner spaces enclosed in glass offer private natural experiences, and the white brick exterior, clad in ceramic, organically blends with the green environment, allowing the climate to be sensed even indoors. Casa Mague, designed by MCxA in Malinalco, prioritizes existing vegetation. Built in 2020, its design respects the site's abundant trees, weaving a series of flexible, open, and closed spaces around the natural elements, sometimes allowing tree branches to penetrate the structure. This constant interplay between indoor and outdoor maximizes occupant interaction with the surrounding forest, using elements like latticed screen walls and glazed enclosures to blur boundaries. Material choices are also crucial in contemporary Mexican architecture for reinforcing indoor-outdoor continuity. Architects frequently select earthy materials in neutral tones, such as stone and cement tiles, to harmonize interiors with the exterior landscape. Casa Tejocote in Querétaro, designed by González Muchow Architects, uses high walls of pigmented rose-colored concrete to echo the region's colonial heritage and arid landscape. The design prioritizes privacy, with four modules arranged around a central garden and connected by bridges. Precise incisions in the stone walls frame views, creating strong links to the outside, while every space is partially open to a courtyard or garden, reflecting a modern evolution of del Moral's patio-centric prototypes. Fernanda Canales, a prominent female architect, reinterprets the patio as a hallmark of her practice. Her Recreo House (2017) in Valle de Bravo, built with local materials like gray stone, clay tiles, and timber, integrates a central patio as the heart of the home. This focal point connects access, service, and private areas to generous social spaces. The dining and living areas are extremely open, situated between the main courtyard and a large terrace with pool and views. L-shaped resting areas are near a more intimate patio, blending wild surroundings with privacy. Breezeways between bedrooms create covered, interstitial outdoor spaces. Casa Zicatela in Oaxaca, designed by Ludwig Godefroy in 2015, offers a radical paradigm. This compact weekend house, overlooking the Pacific, is almost entirely built from silvery concrete. Conceived as a 'country house by the sea,' its fortified exterior provides protection and privacy while echoing nearby mountains. Inside, open space abounds, resembling a mysterious concrete playground with no conventional indoor-outdoor boundaries. Rooms are arranged around a garden, with an open-air corridor and loggia-like areas, and a central structure housing living, dining, and kitchen areas seamlessly extending into the courtyard. Steps like a Mayan pyramid lead to a second level observatory, immersing occupants in the vibrant blue sky and surrounding landscape, where concrete walls and wood details contrast vividly. #MexicanArchitecture #IndoorOutdoorLiving #ContemporaryDesign #ArchitecturalInnovation #HomeTours #DesignInspiration #SustainableDesign

The author explores how international travel, specifically a trip to Mexico City, can significantly influence and inspire new decorating ideas for the home. The article highlights that design inspiration doesn't necessitate grand transformations, but rather can manifest in subtle changes or the appreciation of everyday elements observed during travel. The trip to Mexico City, though brief, provided a wealth of creative energy by focusing on various design aspects encountered in the urban landscape. One key takeaway from Mexico City was the vibrant "Urban Jungle" aesthetic, characterized by a lively interplay between natural and urban elements. The city's parks, sidewalks, and apartment balconies are abundantly filled with lush greenery, demonstrating how nature can be integrated into everyday city living. This observation inspired the author to consider how natural elements could be similarly incorporated into her own home, even within an urban environment like St. Louis, emphasizing that an urban setting does not preclude having nature present in daily life. The concept of "Lighten Up" was another significant design inspiration. The buildings in Mexico City are often designed to maximize natural light through features like courtyards and skylights, with interior decor and furniture thoughtfully arranged to complement this illumination. While the author's home may lack these specific architectural features, the principle of maximizing natural light by opening shades and utilizing existing windows was a valuable insight. This suggests an emphasis on enhancing the inherent light sources within one's living space. "Color Is Everywhere" describes the city's bold and subtle use of vibrant colors. This included colorful accents throughout the city and, notably, the tinted old wooden floors in the Museo Ramón López Velarde. The author's observation led to the realization that incorporating more color into home decor can be a fun and expressive endeavor, encouraging a playful approach to interior design. Finally, the article delves into "Wall Art" and unconventional framing. A visit to the Museo Kaluz, dedicated to Mexican art, revealed not only inspiring artwork but also unique wall treatments. The author particularly noted the textured wall in a stairwell and the _trompe l’oeil_ technique used in the adjoining cafe, where wallpaper mimicked bookshelves. This sparked the idea of exploring similar illusionistic techniques and less conventional ways to frame art or decorate walls within her own home, moving beyond traditional and expected framing methods. Overall, the blog post underscores how travel can broaden one's design perspective and provide practical, creative ideas for personalizing living spaces.

Patrón, the premium spirits company, has created a luxury guest house, La Casona Guest House, at its Hacienda Patrón Distillery in Jalisco, Mexico. This exclusive facility serves as a first-hand brand experience for VIPs, media partners, and customers, allowing them to immerse themselves in the history and craft of Patrón tequilas. The guest house integrates art, architecture, local design, and Hispanic heritage, reflecting the brand's creation process. The project was a collaborative effort between Patrón’s architectural department and three local firms: Joaquin Homs Studio for interior design and interior landscaping, GVA architects for general landscape, and Grupo CASGO for construction management. The 20-room guest house, not open to the public, features dining and entertainment areas, a full-service bar, and conference facilities, offering world-class hospitality. Designed in a traditional Spanish Colonial style, La Casona incorporates architectural details from 1800s Spanish, French, and Italian designs to acknowledge their historical influence on Mexico. These traditional elements are seamlessly blended with modern design to achieve a cohesive, updated aesthetic. Joaquin Homs, who was deeply involved in the project, noted the correlation between the historical hacienda economic systems and the labor-intensive tequila distillation process. He emphasized the importance of community involvement, engaging over 2,000 local townspeople in creating almost all interior and exterior design elements. The design team implemented bioclimatic architectural processes to suit the local climate and pay homage to historical hacienda design principles. Features such as 16’ 6” high ceilings and strategically angled windows ensure optimal natural lighting and ventilation. Custom lighting systems compensate for variations in natural light throughout the day. The main building’s statement chandelier, crafted by local artisan Ernesto Cruz, features recycled glass and reclaimed wood with working bees on agave plants, symbolizing the importance of agave bees in tequila production. Other lamps and sconces are handmade from forged iron, metal, copper, hand-blown glass, and ceramic tile by local Mexican artisans. Attention to detail extends to the furnishings and fabrics, which are custom-made. Mattresses are custom-sized, and linens are locally sourced. All furniture is custom-designed, echoing early 1900s Mexican character while being modernized with various textiles. Wallpapers from Italy and France, textiles from Mexico and the U.S., French linens, and sustainable silk and grass fiber wallpapers are used throughout. Peter Leder, Patrón’s head of hospitality operations, highlighted the intention to convey Patrón’s legacy as a modern company rooted in heritage. Sustainability is a key aspect, with features like water recycling, rain absorption and well replenishment, red clay walls for climate and acoustic protection, LED lighting, and the use of cacti and semi-desert vegetation for reduced water consumption. Local materials such as Cantera (limestone), marble, onyx, clay tiles, and red bricks are utilized for their natural, reusable, durable, and biodegradable qualities. La Casona exemplifies a growing trend in design, where modern elements harmonize with old-world styles to create warm, inviting, and livable spaces, making commercial hospitality venues feel more like homes. #SpanishColonialDesign #ModernFlair #GuestHouse #MexicanArchitecture #LuxuryTravel #SustainableDesign #ArtisanCraftsmanship #BioclimaticArchitecture #InteriorDesign #PatronTequila

The "Apartment in Bosques de las Lomas" project, designed by Taller David Dana in 2014, encompasses a 267 square meter area in Mexico City. The design emphasizes a balanced fusion of natural light, privacy, and curated views, creating a sophisticated and comfortable living space. A primary design element is a large wooden block strategically placed within the apartment, which serves to organize and differentiate the public and private zones. This central volume, clad in wood, is not merely a partition but a functional and aesthetic core, enhancing the overall flow and functionality of the interior. It accommodates essential service areas, including a laundry room, storage, and a half-bathroom, ensuring these utilities are discreetly integrated into the design. The wooden block also features a hidden door that provides access to the private areas of the apartment, maintaining a seamless visual experience when closed while offering functional separation. This clever design ensures that the public spaces remain open and uncluttered, providing a welcoming environment for residents and guests alike. Material selection plays a crucial role in defining the apartment's aesthetic and tactile qualities. A palette of natural materials is predominantly used, including carefully selected wood, stone, glass, and polished concrete. These materials are chosen for their intrinsic beauty, durability, and ability to create a harmonious and warm atmosphere. The interplay of textures and finishes from these materials adds depth and visual interest, contributing to the apartment's sophisticated character. Notably, the floor is finished in polished concrete, offering a contemporary and industrial touch that contrasts with the warmth of the wood elements. This choice of flooring provides a sleek, low-maintenance surface that reflects light and enhances the sense of spaciousness throughout the apartment. The ceilings are also constructed from polished concrete, further reinforcing the modern aesthetic and ensuring continuity in material expression. This consistent use of concrete creates a raw, elegant backdrop against which the other materials and furnishings stand out. Lighting is meticulously planned to enhance both the functional and aesthetic aspects of the apartment. Natural light is maximized through large windows, creating bright and airy spaces. Artificial lighting, including indirect lighting, is strategically integrated to highlight architectural features and create various moods throughout the day and evening. This thoughtful approach to lighting contributes to the overall ambiance, ensuring that each area of the apartment is well-illuminated and visually appealing. The dining area is particularly striking, featuring a table made from wood and black glass that reflects the surrounding light, adding a touch of elegance and modern flair. This reflective surface creates an illusion of depth and complements the rich material palette. The living and dining areas are designed to flow seamlessly into one another, fostering a sense of openness and connectivity while providing distinct zones for different activities. The furniture in these areas is arranged to promote conversation and relaxation, emphasizing comfort and contemporary design. In the private areas, specifically the master bedroom, the design continues to prioritize comfort and understated luxury. A large, wooden headboard serves as a focal point, grounding the space and adding a natural, organic touch. This custom-designed element provides a sense of warmth and sophistication, enhancing the bedroom's tranquil atmosphere. The closet area is designed as a direct extension of the master bathroom, featuring a transparent glass division that visually expands both spaces. This innovative solution not only creates a sense of openness but also allows natural light to permeate the bathroom, making it feel brighter and more integrated with the sleeping area. The seamless transition between these private zones exemplifies the project's dedication to integrated and sophisticated interior design. Overall, the "Apartment in Bosques de las Lomas" project showcases a harmonious blend of innovative spatial organization, meticulous material selection, and thoughtful lighting, resulting in a refined and functional urban dwelling. #ApartmentInteriors #ResidentialDesign #MexicoCityArchitecture #Wood #Glass #Concrete #PolishedConcrete #NaturalLight #ModernInteriors

This article, drawing from Newell Turner's new book "Mexican: A Journey Through Design," explores the rich history of Mexican decor by examining nine distinct periods that have shaped its unique aesthetic. The journey begins with the Pre-Columbian era, highlighting the advanced civilizations of the Maya and Aztecs. The Maya, residing in the Yucatán Peninsula, developed sophisticated agricultural techniques, salt harvesting, and pottery, along with an intricate understanding of astronomy and a numbering system incorporating zero. The Aztecs, in central Mexico, constructed impressive stone cities like Tenochtitlán, characterized by cosmic orientations and a multicultural urban fabric. Next, the article delves into the Baroque period, which emerged in the late 16th century. This style allowed both Spanish colonizers and indigenous Mexican populations to express spiritual passions through architecture and design. While the Spanish used Baroque to assert power, indigenous artisans, with their long-standing traditions in stonemasonry, plasterwork, and weaving, instinctively integrated their vision, leading to a distinct Mexican Baroque style that flourished until the mid-18th century. The Colonial period, spanning 300 years after the fall of Tenochtitlán in 1521, saw the Spanish Empire leave an indelible mark on Mexican design. Both the conquistadors and religious orders utilized architecture to claim land, constructing cathedrals, convents, plantations, and grand houses. These structures drew heavily from Mediterranean design, particularly the Spanish convivencia, blending European styles with ancient New World building techniques and craftsmanship. French influence arrived during the Neoclassical period, especially prominent during President Porfirio Díaz's tenure from 1877 to 1911. French Neoclassicism, associated with ideals of liberty, became a symbol of Mexican independence. This style updated Spanish colonial facades and influenced public government buildings and small businesses, adding a sophisticated layer to Mexican architectural heritage. Art Nouveau, though a transitional style in Mexico, made significant appearances in public buildings like Mexico City's Palacio de Bellas Artes. Key elements, such as iron and glass canopies, found both decorative and functional uses in homes. Hints of the style were also evident in interior decorative painting, pasta tile patterns, and colored glasswork, marking the end of the Porfiriato Era's decorative influence. The Art Deco movement, prevalent in the early 20th century, saw Mexico embracing its progressive, international message. A unique variation, Mayan Deco, emerged, blending traditional ancient Maya architectural motifs and geometric imagery with Art Deco's bold lines. This resulted in a wealth of urban homes featuring concrete construction and decorative applications, as well as influencing Mexico's distinctive pasta tiles and fine jewelry production. Surrealism, originating in Europe, found a fertile ground in Mexico due to its freedom from traditional constraints and celebration of the subconscious. Roman Catholicism's artistic expressions and Mexico's existing blend of indigenous cultures and magical realism provided a welcoming environment for Surrealism to flourish in fine art, decorative arts, and architecture. Modernism in Mexico, particularly from the mid-20th century, uniquely combined ancient hand-built architectural traditions and indigenous monumentalism with a focus on warmth and human needs. Exemplified by architects like Louis Barragán, Mexican Modernism integrated color and texture, creating a vernacular language that continues to evolve. Finally, Contemporary Mexican design, while technically referring to the present, defines a freeform style that integrates endless historical references with unrestrained freedom. Technology plays a crucial role, enabling diverse expressions in decorative arts and architecture. This period is marked by new dialogues, particularly across the Americas, leading to a distinct Mexican design emerging on the international stage, blending the past and future in a vibrant, conscious manner, echoing the Mexicanidad movement without its political connotations. #MexicanDecor #DesignHistory #PreColumbian #BaroqueArchitecture #ColonialStyle #NeoclassicalDesign #ArtNouveau #ArtDeco #Surrealism #Modernism #ContemporaryDesign #InteriorDesign #ArchitecturalStyles

The article delves into the eclectic and cozy design of Melany and Drew Robinson's Spanish Mission-style home in Birmingham, Alabama. Built in 1935, the four-bedroom, four-bathroom residence, spanning 3,306 square feet, was designed by interior designer Fran Keenan of Fran Keenan Design Studio. The Robinsons, co-owners of Sprouthouse Agency, purchased the home in late 2020, drawn to its historical character, location in the Hollywood neighborhood of Homewood, and the fact that it required only cosmetic updates rather than a major overhaul. Keenan's design philosophy for the home emphasized a "no-rules mentality" in collecting and gathering pieces that hold personal value and cherished memories for the family, blending old and new, antiques and mid-century items. The exterior of the home features southern plantings by Father Nature Landscapes, including Boxwood, Autumn Fern, and Dwarf Mondo, chosen to complement the Spanish Mission-style architecture with clean lines and low plantings. Hanging ferns provide shade to the front loggia. Inside, the living room is highlighted by Melany as her favorite space due to its coziness and the cherished pieces it contains. Keenan created a vibrant and cozy atmosphere using multiple layers of patterns, notably Schumacher drapes with the Chiang Mai Dragon design. An Oly Studios glass "bubble" chandelier serves as a focal point, and the yellowish-green ceiling color was chosen to reflect the window treatments. The living room also features a rust-colored cotton velvet sofa, midcentury Italian chairs in powder blue chenille, a large diamond-patterned sisal rug, and layered antique rugs for added texture and color. A hand-sewn American flag quilt by Natalie Chanin hangs above a rustic wooden table, showcasing the Robinsons' art collection. The kitchen and den are combined into a single, spacious area with high ceilings, large windows, and ample natural light. The kitchen primarily features a white color palette with stainless steel appliances. Keenan softened the space by skirting the butcher-block island with gray linen fabric, which also conceals kitchen equipment. A custom wood shelf with brass brackets was installed above the sink for practical and aesthetic purposes. The den, flowing from the kitchen, offers a cozy space with a white slip-covered sofa and double French doors leading to the backyard. Artwork, including a large painting by Butch Anthony, and a striking installation of magnolia tree branches by floral artist Zachary Westall adorning the stair railing, add to the den's character. The dining room, located between the kitchen and living room, features a narrow Belgian oak table, midcentury dining chairs upholstered in Kelly Wearstler fabric, and blue-striped table lamp shades that provide a strong graphic element. A family heirloom hutch and wall-to-wall bookshelves filled with cookbooks complete the space. The primary bedroom offers a moody retreat with chocolate brown paint, a custom wood canopy bed by Michael Morrow of MDM Design Studio, neutral linens, and jewel-toned teal patterned pillows. Traditional screen art above the headboard and midcentury chairs by the windows contribute to the room's unique aesthetic. The primary bathroom features soothing blue walls, a black-and-neutral tiled floor, and a vibrantly patterned antique rug. The hallway is adorned with family photos, many taken by Melany Robinson herself. The daughter's bedroom combines whimsy and sophistication with pale green walls and trim, accented with gold and amber. A rattan light fixture, a boucle fabric bed, a multi-colored, checkered blanket, and Anthropologie curtain panels with botanical designs create a playful yet mature space. The backyard, a central and inspiring area, is used for morning coffee and entertaining, featuring a fire pit and grill. Landscaping by Father Nature Landscapes includes terracotta containers, topiary Olive trees, and Rio Grande Orange Purslane, designed to evoke a Southern Spanish kitchen garden, complementing the home's Spanish styling. The article emphasizes how the collaboration between the Robinsons and Fran Keenan resulted in a home that truly reflects the family's personality and style through its thoughtful blend of various design elements. #HomeDesign #EclecticStyle #SpanishMissionStyle #InteriorDesign #FranKeenanDesign #HistoricHomes #BirminghamHomes #HomeDecor #SouthernCharm

This article details the transformation of a modernist glass-and-steel villa in Guadalajara, Mexico, into a warm, colorful, and charming family home. The homeowners, a young family, enlisted their longtime friend, designer Alejandra Redo, to infuse personality and coziness into the architecturally sleek 6,500-square-foot residence. Architects Imanol Legorreta and Pablo Sepúlveda meticulously crafted the two-level house from steel, glass, and wood, with concrete, zinc, and walnut cladding, strategically designed to embrace Guadalajara's climate and natural light. However, the owners desired a more inviting interior, which led them to Redo, known for her vibrant use of color and pattern. Redo's approach to decorating the modern space involved a careful curation of individual pieces rather than her usual whimsical style. Her first significant acquisition was a midcentury black-and-gold table lamp by Arturo Pani, which became the focal point of the living room. The color palette in the living room is muted, featuring deep gray velour sofas and an ottoman, complemented by two red velvet chairs that add warmth, echoing the hues of an antique Persian rug. Mexican fabrics are prominently featured, with rebozos draped over furniture and cushions made from local textiles, reflecting Redo’s signature aesthetic. The dining room, adjacent to the living area, features Mexican walnut paneling that contrasts with the cool steel structure and marble surfaces, providing a sense of warmth. The entrance hall showcases Redo's eclectic sensibility, with a pine tree piercing both the ceiling and floor. A modern painting by Cuban-born artist Leslie Sardinias is displayed above a reproduction Louis XV console, and a custom Venetian-style mirror adds an artistic touch to the guest bath. Redo emphasizes her comfort in mixing different periods, colors, and designers to create an eclectic environment. The family room is another example of Redo’s unique design philosophy, anchored by a silk wall hanging crafted from a traditional Bhutanese man's robe. This is juxtaposed with a geometric cotton rug designed by Redo and made in India. The space also features a vintage Arco floor lamp by Achille and Pier Giacomo Castiglioni, a family heirloom, alongside a modern sofa and Wegner cowhide Shell chairs, demonstrating a blend of new and old. This room opens onto a garden and a deck, facilitating family gatherings and entertaining. Bedrooms, located downstairs, are characterized by their simplicity and abundant natural light. Redo incorporated playful colors for the children's rooms, with a pink scheme for the girl and a blue-and-red theme for the boy. An eccentric detail in the boy's room is the red wallpaper featuring leaping zebras pursued by arrows, a design reminiscent of Gino's, a historic Italian restaurant in New York. This touch highlights Redo’s ability to bring a lively and personal spirit to the serene modernist house, ultimately making the contemporary architecture feel cozy and lived-in. #InteriorDesign #ModernArchitecture #MexicanDecor #HomeDecor #EclecticStyle #GuadalajaraHome #ResidentialDesign

The UC House, a 5,920-square-foot residence located on the outskirts of Morelia, Mexico, blurs the lines between indoor and outdoor spaces. Designed by Daniela Bucio Sistos, founder of a Mexico-based architecture and design firm, the home is characterized by its minimalist yet textured and warm aesthetic. A central foyer with a raised, circular ceiling features a tree growing through a hole in the floor, serving as a focal axis. Adjacent to this central point, a large glass wall reveals the library, which is considered the heart of the project. The design of the library was paramount, as the clients possessed an extensive collection of approximately 15,000 books, which previously filled every available space in their former home, including bathrooms and near the chimney. Sistos aimed to create contemplative spaces that diverge from traditional home aesthetics. Responding to the clients' desire for a single-floor residence without stairs for easy navigation, the UC House incorporates an open-plan living area that includes a lounge space, dining room, and kitchen. This area is situated at the back of the house and opens onto a patio with a ramp leading to a lush garden. The primary bedroom is also located at the rear, while three additional bedrooms are positioned towards the front facade of the property. The architect sought to achieve an almost monochromatic palette throughout the home, predominantly utilizing earthy tones such as red, brown, ochre, yellow, and beige. Sistos intentionally prioritized textural contrast over color variation to create a serene and contemporary atmosphere. All construction materials, including bricks and stone, were sourced locally to integrate the residence seamlessly with its surroundings. Additionally, Sistos collaborated with local copper artisans to incorporate decorative elements into some of the interior spaces, further grounding the home in its regional context. The resulting design provides a peaceful and modern sanctuary in Michoacán's capital. The project's credits attribute Daniela Bucio Sistos for the architectural design, general contracting, landscape design, lighting design, and interior design, with Victor Marín as the structural engineer. #MexicanArchitecture #IndoorOutdoorLiving #ModernHomeDesign #LibraryDesign #CircularMotifs #BrickAndConcrete #EarthyTones #MonochromaticPalette #SustainableMaterials

Interior design has evolved significantly, driven by user needs and the desire to create specific experiences. The recent global pandemic highlighted the importance of thoughtfully designed living and working environments, leading to a focus on holistic designs that prioritize well-being. These designs often integrate elements like color, sensory experiences, technology, and natural components to promote health and comfort. Mexico, with its diverse climate and rich cultural landscape, offers unique opportunities for interior designers to incorporate these elements effectively. The country's natural attributes allow for innovative approaches to managing temperature, light quality, and wind currents within architectural spaces. This article specifically examines how books can function as a central design element in various Mexican interiors, transforming spaces beyond their traditional purpose. Books, in this context, are not merely functional items but integral components that contribute to the aesthetic and atmospheric qualities of a space. The article showcases a curated selection of 18 libraries and bookstores across Mexico, each demonstrating distinct design philosophies. These examples illustrate how architects and designers have creatively utilized books to define the character of these interiors, ranging from grand public libraries to intimate cafes and cultural centers. The focus is on the interplay between the physical presence of books and other design elements, such as materials, lighting, and spatial arrangement. Each featured project highlights innovative ways to display, store, and integrate books into the overall architectural scheme. This includes custom-built shelving units that become focal points, reading nooks that invite contemplation, and multi-functional spaces where books enhance the user experience. The article emphasizes how these designs foster an environment that sparks imagination and encourages engagement with literature, transforming simple rooms into vibrant cultural hubs. The Mexican context, with its unique architectural styles and natural resources, provides a rich backdrop for these design explorations, showcasing how local influences can shape the integration of books into interior spaces. By presenting these 18 examples, the article aims to inspire and inform readers about the potential of books as powerful design tools. It underscores that beyond their intellectual value, books possess a tangible quality that can be leveraged to create visually appealing and emotionally resonant interiors. The designs demonstrate a range of approaches, from minimalist and modern to traditional and elaborate, reflecting the diverse architectural landscape of Mexico. Ultimately, the article suggests that the thoughtful incorporation of books can elevate an interior space, imbuing it with a sense of warmth, intellectual stimulation, and cultural richness, while also catering to the evolving needs and well-being of its users. #MexicanInteriors #BookDesign #InteriorArchitecture #LibraryDesign #BookstoreDesign #ArchitecturalElements #CulturalSpaces #DesignInnovation

Mexican design firm Simon Hamui was commissioned to create bespoke furniture and millwork for AdH House, a minimalist two-story home in Mexico City designed by Francesc Rifé Studio. The home, located in the residential Lomas de Chapultepec neighborhood, features a dark grey facade and black aluminum shutters. Simon Hamui's task was to complement the existing contemporary architecture and interior, which was finished with cream-colored walls, natural stone, and wood surfaces, while also integrating the owners' art collection and amplifying their lifestyle. In the living room, Simon Hamui designed a custom coffee table and matching bench using honed, grand antique marble and starphire glass. These pieces are distinguished by sculptural solid brass legs and an integrated quartzite lamp that also serves as a support for the glass tabletop. The same quartzite used in the coffee table is repeated in the adjacent bar mirrors, and the aged brass detailing is also incorporated into the bar's base, creating a cohesive aesthetic throughout the space. A key architectural element in the dining room is a slatted screen divider. This divider features an aged brass frame, smoked glass, and thin wood slats, providing privacy for the dining area while still allowing natural light to penetrate. An aged eucalyptus wood console with a grey quartzite countertop and brass accents is seamlessly integrated into this room divider on the dining room side. The dining table mirrors these material choices with a stone top and removable smoked eucalyptus extensions, allowing for versatility in accommodating larger gatherings or serving as decorative consoles. The house also features a glass-walled, temperature-controlled wine cellar. Within this space, rectangular display cases made from starphire glass showcase wine bottles on inset satin aluminum racks, illuminated by integrated LED lighting. The design emphasizes a pure display of the bottles, arranged to create a rhythmic, tapestry-like visual element that enhances the exterior view and invites closer inspection. A Grigio Carnico marble table within the cellar provides a functional surface for small entertaining events. Responding to the evolving needs of the homeowners, a study was added after the home's initial completion, designed by Hamui in the wake of the coronavirus pandemic. This office space is conceived as a functional wooden box, with walls and ceiling clad in eucalyptus. Micro-perforations and sound insulation were incorporated to ensure privacy and optimal working conditions. The study includes a floor-to-ceiling bookcase lined with suede leather and brass details, complemented by an angular, stainless steel chandelier by Barcelona designer Jaime Tresserra. In the family room, a large figured eucalyptus bookcase with brass bookstands and LED lighting is built into the wall behind the sofa. This bookcase displays a textured Jason Martin painting and antique atlases. On the opposite side of the room, a millwork unit houses a television and a desk, further demonstrating Hamui's comprehensive approach to integrated furniture design. #MexicoCity #InteriorDesign #CustomFurniture #MinimalistDesign #LuxuryInteriors #FrancescRifeStudio #SimonHamui #ResidentialDesign #BespokeMillwork

Interior designer Simon Hamui's latest project is a penthouse in Monterrey, Mexico, drawing inspiration from the aesthetic of a New York loft. The design harmoniously blends panoramic city views with a dark and atmospheric interior. Hamui, known for his custom millwork and celebration of Mexico's traditional design methodologies, created a space that caters to the art-collecting residents. The design thoughtfully integrates bookcases along the periphery of the space, extending into the master bedroom to showcase the couple's art collection, complemented by a monochrome palette. Privacy is a key consideration in the apartment's interior design, achieved through the strategic use of sliding doors to create distinct areas for visiting children. Custom-made, irregular-shaped locks on these doors ensure a seamless integration with the surrounding bookcases and walls, enhancing the sense of seclusion. Floor-to-ceiling windows are a central feature, bringing the exterior views into the open-plan layout, which is furnished with both standalone and integrated pieces designed by the Simon Hamui team. The entryway makes a striking first impression with a central table adorned with hollowed acrylic and tarnished silver leaf, illuminated by a Studio Drift 'Fragile Future' light installation. This imposing entrance leads to a studio, service quarters, and the main living areas. In the living room, a custom fireplace is flanked by grey granite cladding, softened by linen-like textures, and anchored by a grand antique marble coffee table. This arrangement creates a luxurious contrast with the bar area, which features cristallo, quartzite, grey parchment, and tarnished silver. The kitchen is outfitted with white marble countertops and illuminated by two silver pendants from Apparatus. Throughout the penthouse, Hamui's signature style is evident in the meticulous custom millwork and the selection of dark woods and leathers, contributing to a welcoming and atmospheric ambiance. The design not only showcases the residents' art collection but also creates distinct private zones within the open layout, all while framing the expansive city views. The project represents a sophisticated fusion of contemporary design principles with a deep respect for local craftsmanship and the natural environment. #MexicoPenthouse #SimonHamui #InteriorDesign #NewYorkLoft #CustomMillwork #LuxuryInteriors #ArtCollecting #ModernDesign #MonterreyArchitecture

The article presents an interview with architects Maritza Lara Cáceres and Daniel Cruz Maldonado, founders of Casa Quieta, a furniture and home accessories showroom in Mexico City. Casa Quieta, which translates to “quiet house,” is located in an Art Deco building in Polanco and operates by appointment, functioning as a fully furnished and shoppable apartment. The founders describe their vision for Casa Quieta as creating serene, timeless spaces that blend artisan techniques with contemporary design, drawing inspiration from functionalist architects like Ludwig Mies van der Rohe and Richard Neutra. They emphasize the preservation of traditional craft mixed with a rationalist aesthetic. Cruz Maldonado explains that Casa Quieta originated from the desire to consolidate and promote their respective furniture brands and their marble accessories brand, Casa Mineral, which launched in 2015. The concept was inspired by “The Apartment by The Line” in New York City, adapted to showcase exclusively Mexican design and art. Lara Cáceres elaborates on the products offered, which include their own furniture and marble accessories, as well as lighting, artworks, ceramics, textiles, and rugs from other Mexican studios. They prioritize contemporary, mostly handmade designs from Mexico and aim to showcase emerging talents. The co-founders, who met at age 17 while studying architecture, highlight their complementary strengths. Lara Cáceres brings warmth and a vision for creating atmospheres through space and photography, while Cruz Maldonado focuses on details, customer experience, and business strategy. Both maintain their individual design studios: Capital Studio for Lara Cáceres, concentrating on personal and intimate residential retreats, and Cotidiano for Cruz Maldonado, which handles comprehensive design projects from building facades to intricate finishes. They share early memories of design, with Lara Cáceres recalling reorganizing her bedroom for serenity and Cruz Maldonado developing a passion for furniture and collecting design magazines from a young age. Lara Cáceres’s decision to study architecture stemmed from her attraction to various art forms and her understanding of interior spaces' impact on daily life. Cruz Maldonado identifies several influential figures and brands, including Brazilian architect Lina Bo Bardi for her introduction of modernism in Latin America, Norm Architects for their global collaborations, Danish furniture brand Menu and its hospitality project Audo, and Vincent Van Duysen for his architectural ideas translated into furniture for major brands like Molteni and Flos. These inspirations reflect a global perspective on design while maintaining an appreciation for local craftsmanship. Regarding future endeavors, Casa Quieta aims to become a key destination for architects, interior designers, and design enthusiasts. They plan to launch new collections annually, collaborate with other designers on exclusive pieces, and expand their showcase to include Latin American design from other countries. They also express interest in exploring new materials and extending their concept into the hospitality and real estate sectors. For inspiration, both founders emphasize investigation, learning from daily life with consciousness, and travel. They find beauty in raw materials, simple forms, and 20th-century architecture and design, embracing human and universal concepts. #CasaQuieta #MaritzaLaraCaceres #DanielCruzMaldonado #MexicanDesign #FurnitureShowroom #InteriorDesign #ArtisanTechniques #ContemporaryDesign #ArchitecturalInfluence

Max Núñez Arquitectos has designed a greenhouse in Pirque, Chile, that blends modernist principles with innovative construction. The structure, measuring 11.4 x 11.4m, is raised on a plinth, creating the illusion of a floating glass box. This design choice, particularly striking when the interior is illuminated, allows the greenhouse to emanate a misty aura that reflects in an adjacent pool, enhancing its mysterious and sophisticated appeal. The greenhouse's design is a contemporary homage to classic modernist pavilions, drawing inspiration from architectural pioneers like Ludwig Mies van der Rohe and Philip Johnson. However, Núñez diverges from the archetypal flat roof, opting instead for a more historically informed approach that harks back to the early modern era when advancements in glass technology revolutionized industrial and residential architecture. The roof features two barrel vaults constructed from glass blocks, supported by a framework of inverted V-shaped steel braces. This innovative roofing system provides an internal height of approximately 6.3m, accommodating the growth of even large plant specimens. The glass blocks are instrumental in diffusing direct sunlight, which helps to regulate the internal temperature and reduce the reliance on mechanical cooling systems. An external boiler house is connected to automatically controlled vents within the glazing, pumping in heat as needed. Additionally, a sophisticated system of pipes and nozzles disperses moisture, creating the hot and humid conditions necessary for tropical plants to flourish. In stark contrast to the lush, controlled environment within, the greenhouse is situated in a typical semi-arid Chilean landscape. This juxtaposition highlights the structure's role as a self-contained ecosystem, designed to sustain a vibrant interior realm despite its external surroundings. The choice of raw industrial finishes and materials further emphasizes this function, forming a diaphanous framework that envelops a small slice of the tropics. Núñez's architectural style is characterized by its eclectic formal intensity. His previous project, the Ghat House on Chile's Central Coast, was recognized with the Best New Private House award in the 2018 Design Awards for its sculptural concrete cascades. The Pirque greenhouse, however, represents a distinct shift in scale and its response to topography, showcasing the architect's versatility and ability to adapt his vision to different functional and environmental contexts. The project exemplifies a thoughtful integration of art, science, technology, and style within the typology of a glasshouse, offering a refined space for botanical collection, cultivation, and display. #ModernistArchitecture #GreenhouseDesign #GlassArchitecture #ChileanArchitecture #MaxNúñez #SustainableDesign #ArchitecturalInnovation #ResidentialArchitecture

This article details a traveler's two-night, three-day experience staying at El Nido de Quetzalcóatl, an apartment complex designed by Mexican architect Javier Senosiain. The complex, located about 30 minutes outside Mexico City in Naucalpan, is inspired by the Aztec "feathered serpent" god, Quetzalcóatl, and is a notable example of organic architecture, a style that emphasizes harmony between buildings and their natural surroundings. The author, Maliah West, secured a last-minute booking for one of the two Airbnb-available apartments within the ten-unit complex, which she visited with her grandmother and sister. The journey to El Nido de Quetzalcóatl began with a drive from Mexico City, transitioning from a dense urban landscape to scenic, faraway mountains. Upon arrival, the guests were met by a groundkeeper and led through a winding, stone-lined tunnel that forms the back of the snake's body, revealing the technicolor structure nestled within a lush forest. The apartment itself was characterized by a distinct lack of straight lines, featuring tiled spiral steps connecting its four levels, curved walls, rounded furniture, and large, circular windows. The interior design incorporated earthy materials like white terrazzo counters and light wood millwork, maintaining a minimalist aesthetic. The four levels included an office, a kitchen and living room, two bedrooms, and a principal suite with panoramic views of the serpent's head. The experience continued with an exploration of the labyrinth-like grounds, including a brief, playful venture into a cave formed by the snake's open mouth. The host, Patricia, checked in on the guests and offered a tour of Parque Quetzalcóatl for the following day. Dinner was a home-cooked meal, followed by an evening spent reviewing a welcome box with local recommendations and a property guide, reinforcing the unique nature of the stay. The first night ended with the property enveloped in darkness, allowing glimpses into neighboring units, all sharing similar muted palettes and circular windows. The second day included the promised tour of Parque Quetzalcóatl, led by Patricia and joined by another family. Patricia explained the inspiration behind the Quetzalcóatl design, noting how the building's iridescent facade, made of ferro-cement airbrushed with vibrant oranges, blues, and greens, emulated the mythical god's feathers. The park itself is a expansive area featuring a sculpture garden and a reserve for local plant life. Highlights of the tour included the Jardín Flores with its chameleon and snake-shaped hedges, a forested bamboo path leading to a lake with "spaceship-looking" structures designed to simulate being in the womb, and the Plant Kingdom. The Plant Kingdom, accessed via a dimly lit tunnel with mosaic tiles, revealed a room with giant stained-glass windows and a stone fountain, serving as a nursery for fruits, vegetables, and herbs grown for residents. The tour concluded with a visit to a small on-site museum showcasing miniature models of Senosiain’s works and a meditation session focusing on birthing ideas. Following the tour, guests observed subtle signs of the complex's full-time residents, such as laundry and a house cat, before spending the evening photographing their apartment and watching an episode of "The World’s Most Amazing Vacation Rentals" filmed at the complex. On the final morning, the guests rose early to savor their last hours at the property. They ventured to the end of the cave in the serpent's mouth, discovering it opened to a small garden. The overall experience left them with a profound appreciation for the magical and uniquely designed environment created by Javier Senosiain. #OrganicArchitecture #JavierSenosiain #ElNidoDeQuetzalcoatl #MexicoCity #ArchitecturalDesign #UniqueAccommodation #TravelExperience #SustainableDesign #ArchitecturalHistory

The article describes the transformation of an old Mexican house into an artist's retreat for financial adviser Dorsey Gardner, located in San Miguel de Allende. Gardner initially sought a small studio but acquired a significantly larger 19th-century cottage, which was later expanded to 12,000 square feet. The property, built in the late 1700s, was surrounded by high walls and presented several challenges. Upon acquiring the property, Gardner faced initial issues, including a dense "cactus farm" on the premises. Hundreds of cacti, including a large candelabra cactus, were carefully relocated. The house also featured numerous false ceilings installed in the 1950s in its oldest section, which architect Sebastian Zavala removed to restore the original height and appearance of the rooms. Zavala also enhanced some ceilings with grand wooden crossbeams and refinished existing 1950s wood doors and windows with a light whitewash. During the renovation, a hand-painted frieze in the primary bedroom was uncovered and preserved. Gardner, who had previously undertaken remodeling projects on his own homes in Boston, entrusted the design of this Mexican property to Zavala and Paris-born, San Miguel–based designer Anne-Marie Midy. Gardner expressed a preference for a neutral aesthetic, distinct from traditional Mexican decor. He provided the designers with inspiration from magazines and gave them "carta blanca" for the project before embarking on an extended trip. Midy, along with her partner Jorge Almada, founded Casa Midy, a design firm specializing in furniture and accessories. Gardner's house became their first major interior design project. He had discovered Midy and Almada at their former bistro, Plum, known for its distinctive all-purple decor, which Midy noted was an effective way to attract clients. Zavala converted the original structure into a three-bedroom, five-bathroom artist's retreat, maintaining the house's Spanish Colonial architectural elements, stone walls, and archways. He added a spacious studio and installed robust columns on the patio, using locally quarried stone. A new second-floor guest room was also added, offering views of the 17th-century parish church's Gothic-style tower, an 1880 addition inspired by European postcards. Midy and Almada adhered to Gardner's request for a more understated Mexican interior design. They avoided extensive use of decorative elements like talavera tiles, except for a minimal application in the kitchen, and chose muted colors. However, they integrated rich local decorative resources, using jute from Yucatán for curtains, linens from local cotton mills, and furniture sourced from regional antiques shops. Even the traditional lime-and-pigment paint was mixed with San Miguel dirt to achieve a warmer tone. Midy and Almada also designed furniture and accessories for the house, such as iron sconces, a leather cocktail table, and bed linens. They collaborated with Zavala to create trench-like fountains inspired by hacienda horse troughs. The project concluded after a year, with Gardner expressing immense satisfaction, declaring the house fit for a king. #MexicanDesign #ArtistStudio #SanMiguelDeAllende #HomeRenovation #InteriorDesign #SpanishColonial #ArchitecturalRestoration #CasaMidy #LuxuryHome

In the Valle de Bravo, Mexico, architect Bernardo Chavez Peón designed Los Durmientes, a weekend retreat for a family of five. This project, Peón's first residential endeavor since establishing his Mexico City practice in 2019, aims to integrate the home seamlessly with its natural surroundings. The region, characterized by evergreen woodlands, experiences subtle seasonal changes that deeply influenced the architectural approach. The clients expressed a desire for a space that felt more like a tent than a traditional house, emphasizing their wish for a profound connection to the site itself. Peón’s primary intention was to blur the lines between interior and exterior, particularly in the common areas. A significant focus of the design was a distant view where fog settled between two overlapping hills, creating a captivating display of light and shadows. The expansive living room, considered the heart of the home, is oriented to maximize this vista, offering an alternative to television by encouraging observation of atmospheric shifts like sunlight, rainfall, and mist movements. Other interior spaces strategically frame parts of the landscape or fully open up to invite the temperate climate indoors, fostering a continuous interaction with nature. The material palette further reinforces this immersion. Chavez Peón opted for locally sourced materials, including stone and dark-tinted pine for the structure, Santo Tomás marble for bathroom details, and a combination of wood and Mexican volcanic rock for the floors. This choice was deliberate, reflecting the belief that nature provided the ideal color scheme, and foreign materials would disrupt this harmony. From a distance, the home presents a refined yet organic appearance, as if emerging from the earth or being gradually embraced by it. The varied textures of stone and wood in the façade suggest a timeless quality, hinting at graceful aging even though the project was completed in 2021. The interior spaces are richly textured, mirroring the exuberance of the outdoor scenery. Lavish textiles in muted tones are complemented by accent pieces made from woven palm or terracotta. While some light reflects off warm white furnishings, much of it is absorbed by the darker architectural surfaces, creating a serene and inviting atmosphere for relaxation. The home was conceived as a gathering place for the family and their friends and relatives, offering an escape from urban life. This focus on hospitality led to the addition of a sixth bedroom during the design process to accommodate more guests. Private areas, including bedrooms, feature a noble austerity, balancing minimal furniture with ample natural light and varied textures. The culinary facilities include two full kitchens, one indoors and one on a terrace, connected by a vegetable garden. The dining area is also divided to cater to different group sizes, with floor-to-ceiling windows that can be opened to create a unified ambiance for larger gatherings. A striking feature of Los Durmientes is its swimming pool, situated at the base of the overlapping hills. This simple black rectangular pool, which includes a jacuzzi, serves a sculptural purpose when not in use. Its dark, still water reflects the changing sky, functioning as a piece of land art. The pool is visible from all main areas of the house, allowing residents to observe the movement of clouds on its surface, and when submerged, to feel an intimate connection with the earth. #MexicanArchitecture #ResidentialDesign #NatureImmersion #SustainableMaterials #ValleDeBravo #ModernRetreat #ArchitecturalDesign #IndoorOutdoorLiving