A Historic New York City Loft Reimagined With Light + Color

This article details the transformation of a 120-year-old industrial loft in SoHo into a contemporary, "cloud-like" home for an art historian. The project was a collaboration between Ferguson & Shamamian Architects, represented by principal Andrew Oyen, and Bunny Williams Interior Design, with partner Elizabeth Lawrence. The 2,800-square-foot unit, previously a studio for architect and sculptor Maya Lin and a manufacturing facility before that, retained few original industrial features apart from two cast-iron columns. The design team focused on restoring the remaining historical elements and adapting the space to the client's modern lifestyle, which included both academic pursuits and frequent entertaining. The renovation involved a significant restoration effort. The original wood windows and floors were preserved, and layers of acoustic tile were removed from the ceiling beams and ducts to expose the industrial character. A 1970s door was replaced with a period-appropriate vintage metal door sourced from Demolition Depot in Harlem, which Oyen highlights as a key element of the space. All exposed features, including the restored elements, received a fresh coat of white paint to create a bright and airy atmosphere. The front entrance was strategically relocated to immediately showcase the dramatic cast-iron columns, a design choice that also allowed for the creation of a sunlit open kitchen at the front of the unit. The client, Emma Lasry, now a research analyst at an art advisory firm, desired a space that felt comfortable and "cloud-like," yet incorporated vibrant fabrics, patterns, and colors, avoiding an overly antique aesthetic. Both design firms were familiar with her preferences, having previously worked on her parents' larger homes. Lawrence, the interior designer, developed a palette featuring bright pinks and blues and designed a layout that included a large kitchen island and ample space for entertaining. The design successfully integrated traditional pieces with modern elements, reflecting the client's sophisticated taste. The living room, a massive open floor plan, was configured to serve as a comfortable entertaining area. Key design choices included a Serena & Lily swing, a sofa from Mitchell Gold + Bob Williams, and various pillows from John Robshaw and Lee Jofa. An Anthropologie coffee table, Bunny Williams Home lamp and side table, and a Studio Four NYC rug completed the space. A statue of Allen Iverson was intentionally included by the client as a unique, conversation-starting element. The kitchen features custom cabinets painted in Collingwood by Benjamin Moore, distinguishing it from the white-walled apartment. It is equipped with Wesley Hall stools in Fabricut fabric, Hudson Valley Lighting pendants, and appliances from Viking and Sub-Zero. The powder room was designed for a "wow" effect, incorporating a vibrant Paper Mills wallcovering, a lotus-inspired pendant from Shades of Light, and fixtures from Circa Lighting and Waterworks. The bedroom incorporates hints of black to modernize the Tulu Textiles fabric on a Wesley Hall chair, alongside a Niermann Weeks bed, an Eloquence bench, and lighting from Horchow and Circa Lighting, with walls painted in Benjamin Moore's Dreamy Cloud. The project demonstrates the ability of the design firms to adapt their expertise, typically associated with more opulent projects, to create a uniquely vibrant and personalized urban loft. The result is an apartment that feels unexpected given its historical context, effectively blending industrial heritage with modern comfort and a playful aesthetic. #SoHoLoft #LoftRenovation #IndustrialInteriorDesign #ElizabethLawrence #AndrewOyen #BunnyWilliamsInteriorDesign #FergusonShamamianArchitects #NewYorkCityHome #EclecticInterior

The article details the collaborative effort between Brooklyn-based architecture firm Worrell Yeung and cooperative gallery and design studio Colony to renovate a 3,000-square-foot historic loft overlooking Union Square in New York City. The project aimed to transform the triangular-shaped space into a contemporary residence suitable for homeowners, including a concert violinist, and also function as a recital venue for entertaining guests. The loft, which occupies an entire floor, was revitalized by Worrell Yeung, focusing on its fundamental geometries and classic materials. Worrell Yeung initiated the renovation by exploring strategies that emphasized the loft's distinct characteristics and preserved original elements. A key aspect of the design involved creating unique volumes to define spaces within the open layout, such as a custom metal screen and bookcase near the front door and a circular bathroom. The renovation optimized the space to offer unobstructed views from the 14 northwest-facing windows, resulting in a light-filled open loft environment. The design team aimed to enhance the existing structure rather than completely redesigning it, focusing on subtle yet impactful changes. Following Worrell Yeung's architectural design, Colony, led by founder and creative director Jean Lin, took charge of elevating the interior through carefully selected textures, patterns, and colors. Lin emphasized creating an elegant home by layering textures, colors, and comfort, ensuring these elements complemented the loft's open nature while adding personalized touches. The collaboration aimed to bridge the gap between monumental architectural design and the intimate signatures of a home. The furnishing choices reflect both functionality and aesthetic appeal. The living area, designed to accommodate musical recitals, features substantial seating arrangements. These include a moss green Bristol Sofa by Poliform, a Gentry Sofa by Moroso, and a Seal Chair by Brdr Petersen, all strategically placed around a circular Lania Rug by Woven, near a Mason & Hamlin grand piano. These pieces were selected to provide comfort for guests and complement the expansive feel of the space. A multifunctional den was incorporated into the design, offering flexibility as a home office or a more private space. This den can be closed off using sliding metal and glass doors, which discreetly recede behind the entryway bookshelf when open. The den features a black desk paired with a Wishbone Chair by Carl Hansen, blending functionality with modern design. The private areas of the loft are accessed via a hallway, where a cylindrical powder room is a notable feature. The powder room's interior is adorned with sage Mutina Biscuit ceramic tiles and a single slab of forest green Cipollino Apuano on the floor, providing a striking visual and textural contrast. The main bedroom, situated at the narrow end of the triangular layout, is furnished with a green Dubois Bed by De La Espada, flanked by smoked glass Crux Pendant Lights by Allied Maker. Tonal Precipice – Alpamayo wallpaper by Flat Vernacular adds further texture to the walls, creating a serene and sophisticated atmosphere. The primary bathroom continues the theme of refined details, featuring a curved shower wall clad in white Mutina Biscuit ceramic tiles. The second bedroom, serving as both an office and a rehearsal space, includes a striped Arc Lounge Chair by Moving Mountains and Coven Wallpaper by Maison C, contributing to its dual-purpose functionality and artistic ambiance. This project marks the second collaboration between Worrell Yeung and Colony, highlighting their evolving design vernacular and their commitment to pushing the boundaries between architecture, interior design, and furniture, while prioritizing the client's needs and creating a truly bespoke home. #LoftTransformation #NewYorkCityLoft #WorrellYeung #ColonyDesign #InteriorDesign #HistoricRenovation #ContemporaryResidence #UnionSquare #ArchitecturalRenovation

This lookbook explores ten examples of loft conversions and renovations across New York City, showcasing how designers have ingeniously utilized open spaces through the strategic insertion of partitions, storage solutions, and other architectural elements. Loft apartments, characterized by their expansive open floor plans, soaring ceilings, and large windows, are a quintessential part of New York City's architectural landscape, often found in converted commercial, manufacturing, or warehouse buildings. Their industrial heritage provides a vast, flexible canvas that has been continuously reimagined by creatives. The featured projects demonstrate a variety of approaches to organizing these open interiors, including the removal of existing walls, the addition or reduction of mezzanines, and the integration of glass or wooden storage units, all while often embracing and highlighting the building's original structural components. One featured project, Another Seedbed in Williamsburg by Ignacio G Galán, Jesse McCormick, and Future Projects, transformed a 19th-century cast iron hat factory into a dual-purpose loft apartment that functions as both a residence and an event space. This was achieved by strategically placing plywood and clay-covered volumes to define private areas within the open plan, complemented by movable furniture to facilitate easy conversion for performances. In Dumbo, Crystal Sinclair Designs introduced a library mezzanine and a substantial glass partition to demarcate space within a loft, leveraging the building's 14-foot ceilings for the mezzanine addition and using the glass to enclose the bedroom while maintaining an open feel for the rest of the apartment. No Architecture's 'The Urban Tree House' in West Village saw the combination of two skyscraper units into a double-height apartment, which now features an extensive wooden structure with net beds spanning above the living area, designed to connect the interior with the adjacent Hudson River Greenway. Andrea Leung's renovation of her own Tribeca loft involved a complete gut renovation, including the removal of a mezzanine level. She organized private spaces in a linear fashion, concealing all but the living and dining areas behind a mirrored wall, drawing inspiration from hidden rooms in her grandmother's penthouse. Tala Fustok Studio's Manhattan loft in West Village employs a large glass and maple wood storage unit to separate the kitchen from the living area, with a custom corten steel staircase leading upstairs. The design emphasizes the apartment's tall ceilings and large windows, while limestone-washed walls add a softer touch. Worrell Yeung revitalized a NoMad loft, removing all internal walls to expose the building's original structures and pipes, then inserting bookcase units and cabinetry to redefine the space for a growing family. Light and Air's Frame Loft in the Financial District, originally a cluttered commercial building, was transformed by removing internal partitions to maximize the generous floor area and natural light from large windows. The studio also reduced the footprint of an overhead storage loft to increase ceiling height, integrating light wood shelving, seating, and a desk. In Clinton Hill, Dean Works inserted a Baltic birch plywood volume into a Brooklyn loft, creating additional storage and a private sleeping area further enclosed by a glass partition, positioning the living area near windows, the kitchen centrally, and the bedroom at the entrance. Julian King's Soho Loft, housed in a former silk warehouse, features a sculptural sleeping mezzanine and a built-in bookcase, maintaining an open feel under 13-foot ceilings. The mezzanine, which holds only a bed, is subtly hidden behind a partial wall with integrated LED lighting. Finally, Worrell Yeung's Chelsea Loft renovation focused on preserving continuous public living zones and maximizing daylight by minimizing partitions, concentrating private rooms on one side of the apartment, and updating a large kitchen island. #NewYorkCityLofts #InteriorDesign #OpenSpacePlanning #LoftConversions #ArchitecturalRenovations #CreativeInteriors #ResidentialArchitecture #SpaceUtilization

New York City loft living has evolved significantly since its popularization in the 1980s, transitioning from a gritty, industrial aesthetic to a more comfortable, flexible, and streamlined design approach. Contemporary lofts prioritize warmth, smart space-saving features, and integrated industrial elements rather than highlighting them. This article showcases seven distinct loft renovations across New York City, each offering a unique perspective on modern loft design while often preserving the historical character of the buildings. The Williamsburg Loft, designed by architect Antonio Monserrat, is an 800-square-foot space in a former 20th-century bakery. Monserrat integrated his love for colorful and multifunctional design into the renovation, utilizing original exposed timber beams, 12-foot ceilings, and large windows as a backdrop for vibrant colors, small-scale studio prototypes, and contemporary furnishings. This approach resulted in an eye-catching design, blending creative inspiration with functionality through elements like an emerald-green entryway with a hot-pink ceiling and sunshine-yellow storage pieces. In West Chelsea, the Spears Building Loft by Ravi Raj and Evan Watts transformed a dated, 2,700-square-foot loft into a family-friendly home. The architects replaced cold concrete floors with bleached walnut and introduced a warmer, lighter palette to soften the heavy industrial elements. Custom built-ins were incorporated for a streamlined appearance, while historic features like exposed brick and oversized openings were preserved, maintaining the loft's original appeal. The Bed-Stuy Loft, renovated by New Affiliates, is a 1,000-square-foot space within a 1947 chocolate factory, completed on a budget of approximately $100 per square foot. The design emphasizes affordable materials and transformed a dark, cluttered area into a warm, light-filled home. The space efficiently accommodates two sleeping areas, a bathroom, a study, a new kitchen, and a living/dining area without sacrificing its open feel. Key to its success was exposing materials such as pine plywood for walls and cabinets, and integrating existing Art Moderne columns into the design. Workstead’s renovation of an 1,800-square-foot Tribeca loft in an 1864 factory building drew inspiration from the setting sun, creating a cozy atmosphere with a timber palette and custom woodwork. Awkward interior partitions were removed, and original fir joists were exposed to restore the loft’s open and airy character. Oversized windows, a light color palette, and a minimalist design maximize natural light penetration and offer views of the Hudson River. Rachel and Nick Cope, founders of Calico Wallpaper, demonstrated a personal, design-led approach to loft living in their Red Hook rental, an industrial 1860s warehouse. They used the space as a testing ground for their marbleized wallpaper business, installing custom pieces that reflected the loft’s surroundings, such as a silver-and-gold marbled mural complementing exposed structural beams and a color-gradient wallpaper inspired by the Red Hook sunset. OSSO Architecture renovated a Brooklyn loft in a former paper factory, which had remained untouched since the 1980s. The 1,400-square-foot, two-story apartment was reconfigured to create a large, open living space, with an office on the first floor and a loft guest bedroom above. The second floor features a primary bedroom and bath with access to a rooftop terrace. Level changes subtly define different areas on the open-plan first floor, furnished with the owner’s midcentury furniture and international artwork. Finally, the SoHo Loft, renovated by architect Andrew Berman and designed by Justin Charette, is a 2,800-square-foot, two-bedroom pied-à-terre. Charette furnished the interior with minimalist pieces and built-ins, complementing the landmark building’s industrial and historical features, including a pressed tin ceiling and exposed wood beams. The design maintains high ceilings and tall windows that illuminate the open-plan interior, while a streamlined aesthetic, a neutral palette of white oak, painted exposed brick walls, and sleek contemporary furnishings sourced locally contribute to its modern appeal. #NewYorkLofts #ModernDesign #IndustrialConversion #LoftRenovation #InteriorArchitecture #SpaceOptimization #HistoricPreservation #BrooklynDesign #TribecaLoft

This article features a New York City loft designed by Michael Ellison, taking inspiration from the aesthetic portrayed in the novel and film "American Psycho," albeit without the violent themes. The client, a businessman from Connecticut, commissioned Ellison to create a conversational and moody pied-à-terre in a former artist's building in Soho. The design significantly departs from a previous traditional Nantucket house Ellison designed for the same client, which featured fifty shades of white, cream, greige, and blue. This new project embraces a darker, more provocative atmosphere. Ellison's design strategy for the Soho loft involved emphasizing a dramatic and edgy ambiance. Upon entering, guests are greeted by a custom steel "fence" that subtly separates the entryway from the main living area, allowing for a gradual transition while still offering a view into the apartment. The living room is characterized by a textured black wall, which Ellison describes as an "abyss," complemented by oxblood wool curtains. The furniture selection includes a vintage De Sede Snake sofa, a distinctive swinging chaise suspended from the ceiling, and a gallery wall anchored by Vik Muniz's artwork "Amore and Psyche. In the dining area, a piece by Wayne Pate from Armature Projects is hung from chains, further contributing to the desired "dangerous" aesthetic. Ellison's primary goal was to ensure every element of the interior felt a little provocative and intriguing. Despite the dramatic aesthetic changes, the architectural modifications to the loft were kept minimal. Ellison focused on replacing the existing squeaky floors and upgrading the lighting with fixtures from Apparatus and Galerie Philia, along with a Noguchi paper globe. The kitchen received a modern update, featuring a waterfall island crafted from Arebescato Orobico marble. The cabinetry is painted in Benjamin Moore's Black Beauty, creating a sophisticated contrast. The designer, Michael Ellison, launched his firm three years prior to this project, having previously served as the design director at Workshop/APD. This project represents an adventurous new chapter for the client, offering a distinctive and bold living space in New York City. For Ellison, the loft demonstrates how even unconventional and darker inspirations can be transformed into a chic and compelling interior design. #NewYorkLoft #MichaelEllison #InteriorDesign #SoHo #AmericanPsychoInspired #DarkAesthetics #ModernDesign #LoftConversion

James LaForce and Stephen Henderson, a New York couple of 34 years, embarked on a significant home transformation when they acquired a 6,000-square-foot loft in a historic Chelsea factory building. The expansive space, complete with broad windows and an auxiliary studio, presented a unique challenge: how to balance their social lives, which often involve hosting fundraisers and gatherings, with their desire for intimate downtime together. Their initial attempt to engage a trusted decorator, Fernando Santangelo, led them to Ryan Lawson, who was highly recommended by Santangelo himself. Lawson, known for his deep knowledge of decorative arts and innovative ideas, drew inspiration from diverse architectural and design references for the project. These included Lina Bo Bardi’s Casa de Vidro, Carlo Scarpa’s color-blocked Casa Tabarelli, and the playfully furnished Menil House in Houston. His objective was to craft a coherent narrative for the apartment that would reflect the couple's vibrant lifestyle, despite the disparate nature of his inspirations. The design process began with surgical layout adjustments to enhance the overall flow and functionality of the loft. One key modification involved reconfiguring the entry to create a more elegant foyer, guiding visitors through glass doors. This space was distinguished by Donald Judd-inspired shelves, a feature inherited from the previous owner, painter Tom Levine. The kitchen, originally an internal area, was opened up to an adjacent room, significantly increasing natural light and creating interconnected cooking and lounging zones. Throughout the apartment, ceiling planes were simplified, with exposed conduits removed and architectural lighting streamlined into a geometric vocabulary of squares, rectangles, triangles, and circles. Lawson meticulously emphasized artisanal craftsmanship wherever possible. This included mouth-blown glass panes in the internal partitions and monochromatic tile grids that distinctively mark each of the four bathrooms. Color played a pivotal role in establishing a spatial framework, with Lawson employing a unique palette inspired by Scarpa. Instead of conventional white walls, he opted for a shade he termed “cream of mushroom soup” as a neutral backdrop. Against this, bold splashes of color were introduced to act as visual anchors, such as striped paneling in the kitchen, a floating red bookcase in the library, and large wall-mounted fabric panels in the living room. These bold elements, counterintuitively, were designed to provide visual rest, freeing the eye from an overload of smaller details. The apartment serves as a showcase for LaForce and Henderson's eclectic yet unpretentious collection of art and furniture. Their acquisitions range from flea-market finds to pedigreed pieces, including vintage claw-foot consoles from the estate of Picasso biographer John Richardson and a Gothic Revival center table from the Mario Buatta estate. Unattributed vintage sofas were given new life through daring upholstery choices. The art collection, often small-scale and thrifty, was thoughtfully arranged. In the den, dozens of works, some anonymous and others by friends, form an immersive salon-style arrangement, treating them as “wallpaper” grouped from floor to ceiling. Provenanced pieces by artists like Robert Indiana and Paul Cadmus, whom the couple regard as gay forebears, were given prominent displays. Lawson highlighted that the success of the project stemmed from the clients' openness to innovative ideas. He appreciated their willingness to embrace a unique design formula, which allowed him to incorporate more esoteric references and bigger conceptual constraints. The resulting apartment is both beautiful and robust, designed to evolve with the couple’s expanding collections, as exemplified by the Josef Hoffmann picture nails on the kilim-lined partition in the sitting area, making artwork changes effortless. The loft successfully balances its role as a vibrant venue for social events with a comfortable retreat for the couple’s private moments, reflecting their dynamic lifestyle and refined taste. #ManhattanLoft #InteriorDesign #RyanLawson #HistoricBuilding #EclecticDecor #ArchitecturalDigest #LuxuryLiving #ArtCollection #ColorPalette

Kimberly Awad, a tech professional in New York City, meticulously sought out a unique living space after 12 years in the city, transitioning from a modern high-rise to a Brooklyn loft with character. Her search on StreetEasy utilized keywords such as 'loft,' 'exposed beams,' 'exposed brick,' 'industrial,' and 'high ceilings,' leading her to the perfect unit which she secured on the same day as her initial viewing. This studio apartment, spanning 900 to 1,000 square feet, is situated across the East River in Brooklyn. The defining features of Kimberly's loft are its impressive 15-foot ceilings and expansive walls, which she envisions as a canvas for a growing art collection. To complement this gallery-like aesthetic, she has opted for a minimalist approach, keeping the walls white and selecting low, neutral-toned furniture. A significant design element in her home is a 12-foot Audrey Ficus tree, a striking plant that often leads guests to question its authenticity. Her furniture choices include a secondhand white linen Restoration Hardware Cloud sofa and a white linen Soft Frame Designs bed, both chosen for their quality materials and harmonious visual flow. While the loft largely met Kimberly's criteria, the kitchen initially presented a design challenge with its orange subway tiles. Rather than replacing them, she embraced the existing color scheme by painting the kitchen walls in a similar shade, Farrow & Ball's Dutch Orange, with plans to add a third coat. The kitchen features a substantial 6-foot-wide solid wood slab table from Burke Decor, which serves dual purposes as a workspace for her two to three days a week of remote work and as a gathering spot for weekend hosting. She prioritizes a well-stocked bar and an updated Spotify playlist for entertaining. Kimberly's home reflects her personality, which she describes as akin to a Libra: embodying romantic details, an aesthetically pleasing environment, and serving as a social hub for friends and laughter. She maintains a strict 'shoes off, no bad vibes, speak nicely to Audrey (the tree)' policy within her home. Despite being a single-room studio, Kimberly perceives the space as well-distributed, with the bed feeling sufficiently separate from the kitchen and entry areas. The loft also boasts ample storage, which Kimberly humorously refers to as her home's 'dirty secret.' Future plans include upgrading the bathroom. The inspiration for starting her art collection came from the previous tenant, an artist whose work was displayed throughout the loft, from whom Kimberly even purchased a piece. #BrooklynLoft #HighCeilings #IndustrialDesign #InteriorDecor #HomeStyling #ArtCollection #KitchenRenovation #SpaceUtilization #NewYorkLiving

In a vibrant Noho building, a two-bedroom corner-lot loft in Manhattan has been transformed into a cozy cocoon by Beirut-born architect and interior designer Rabih Hage. The primary focus of the design was to leverage the abundant natural daylight, which shifts throughout the day, revealing the inherent beauty and potential of the space. The clients, cosmopolitan globe-trotters, sought a design that could balance the city's energy with the intimacy of home. Rather than leaving the industrial space as a polished yet impersonal canvas, Hage developed a design narrative that brought the interior to life, allowing light to infuse the space and create moments of calm and character. Hage's vision centered on creating a sense of joy and serenity, a unique yet homely experience for his clients, who intended to use the apartment as their Manhattan pied-à-terre. The design subtly integrates the dynamic interplay of natural light, which Hage describes as an optical illusion. The expansive windows of the corner plot frame city views, establishing a strong connection between the interior and the surrounding Noho neighborhood. This link to the exterior extends to the apartment's structural elements, where the industrial character of the area inspired Hage's approach. The apartment's vaulted ceilings and exposed metal beams, characteristic of Noho's industrial heritage, are not concealed but celebrated. They are painted in anthracite grey, enhancing their rugged texture and linear drama, with projector-style lighting further highlighting their presence. This approach blends raw industrial energy with a sense of refined calm, embracing imperfections and elevating them to create a personal and atmospheric environment. Despite these utilitarian elements, Hage succeeded in making the apartment feel warm and inviting, emphasizing the importance of textures. The warmth emanates from how light interacts with the textures and forms of the furniture and interior volumes. Every surface, from soft upholstery to subtle polished finishes, is designed to invite exploration. The entrance makes a bold statement with textured black leather mosaic tiles, gradually transitioning to quieter living areas where layered materials establish a calming rhythm. A muted, earthy color palette serves as a serene backdrop, enhancing the sensory experience of the space. Hage designed the entrance to act like a 'camera obscura,' drawing visitors' eyes toward the external light filtering through the bay windows across the living room. Furniture is strategically placed to amplify this ambiance, with pieces changing tones and revealing new dimensions as the light shifts throughout the day. An open and flexible layout allows the apartment to evolve with the clients' lifestyle, accommodating their growing art and object collection from their travels. This design caters to the neighborhood's cosmopolitan sensibilities while creating an interior that feels adaptive and responsive to new influences. Collaborations with French upholsterers and cabinet makers introduce nuanced craftsmanship, creating striking shadows. A bespoke double-sided sofa exemplifies this fluidity, acting as both a functional element and a symbol of the boundaryless space. Murano glass table lamps by Barovier & Toso further enhance the artistry, reflecting and refracting the evolving hues of light. Hage describes the design as a combination of 'vertical and horizontal design,' blending heritage and discovery. The vertical aspect connects to family and inheritance, providing a sense of history, while the horizontal speaks to the clients' well-traveled lifestyle, incorporating global objects and art. This creates a deeply personal yet cosmopolitan space where every detail, whether an heirloom or a travel-inspired piece, adds layers of meaning without being overt. The design embraces the building's industrial character, complementing it with a tactile material palette and muted tones, ultimately creating a home that embodies contrasts: rugged architectural features with luxurious materials, and an intimate ambiance reflecting the clients' individuality within the vibrancy of Manhattan. The ultimate goal was to subtly integrate the city, allowing residents to feel distinctly in New York. #ManhattanApartment #LoftDesign #InteriorDesign #RabihHage #NaturalLight #IndustrialChic #Noho #HomeDecor #CosmopolitanDesign

A 4,000-square-foot loft in a converted late-19th century factory building in NoHo underwent a significant renovation, led by Manhattan-based Drew Lang of Lang Architecture. The homeowners, including an interior designer, sought to improve the developer's original floor plan by increasing natural light, creating more openness, and accommodating a growing family with four bedrooms and three-and-a-half new bathrooms. The primary challenge involved balancing shared open space with bedroom sizes, ultimately prioritizing the former, resulting in functional, nicely sized bedrooms rather than grand ones. The loft initially suffered from a lack of light despite its four exposures, due to a central wall and a kitchen tucked away in a far corner. Lang's gut renovation addressed this by removing the central wall and relocating the kitchen to the center of the apartment. This strategic move created a core area for bedrooms, baths, closets, and utility rooms, significantly opening up the living space. Massive custom steel and glass pocket doors, crafted by Jersey City-based Darren Vigilant, were installed to separate the kitchen from the main living area, allowing for flexibility between an open-plan feel and a distinct room. A key design element involved plastering smooth the existing scalloped vaults of the masonry ceiling, transforming them into a defining visual feature. The homeowners embraced the industrial aesthetic, opting to keep the exposed, red-painted sprinkler pipes as a design feature. The original strip maple flooring was salvaged, patched, and refinished to maintain continuity. Furnishings in the central living area include a Natuzzi sofa, Restoration Hardware coffee table, and a vintage Danish armchair, carefully selected to complement the space's industrial-chic ambiance. The kitchen features custom wood cabinets that were brush-painted on site. A cooktop is integrated into a center island topped with marble from Vermont Danby, complemented by stools sourced from Brooklyn Flea. A secondary dining area is created with a banquette upholstered in blue leather from Moore & Giles, paired with a simple wood table from Hem and a Kalmar hanging fixture. In the library/sitting area, a corner bookcase was custom-designed by Lang, and the space is furnished with a Restoration Hardware sofa, a Maxalto coffee table from B&B Italia, and antique market chairs. The building's original steel columns and beams, previously partially exposed, were stripped of paint and left with their natural finish, further enhancing the industrial character. The loft's entrance is marked by a deep cased opening in cerused white oak, revealing a blue glass sideboard from Team 7, purchased at Stillfried Wien, and a wax and textured plaster artwork by Atelier Premiere. The master bathroom is characterized by white-painted brick walls, a custom mosaic floor, and a soaking tub from Victoria & Albert. Throughout the renovation, blackened steel door surrounds and dark door hardware from P.E. Guerin were chosen to complement the loft’s structural cast iron elements and honor the building's historical context, demonstrating a thoughtful integration of modern design with the original industrial heritage. #NoHoLoft #LoftRenovation #LangArchitecture #InteriorDesign #IndustrialChic #OpenPlanLiving #ManhattanRealEstate #CustomDesign #HistoricalPreservation

Alexander Design transformed a four-story building, originally constructed in 1926 as a telephone company headquarters in Venice, into a modern multi-use space. The historic structure now accommodates offices, gallery spaces, and a penthouse loft that includes a private roof garden. The design approach emphasizes a monochromatic palette, predominantly featuring various shades of grey, which is complemented by the warmth of natural wood accents and soft textures throughout the interior. Preserving some of the building's original industrial details was a key aspect of the renovation, integrating the historical character with contemporary design. The penthouse loft features an open-plan layout, designed to maximize the influx of natural light through its expansive windows. The original structural columns are strategically retained, serving as subtle indicators that help delineate different functional zones within the large, undivided space. These areas include a living room, a kitchen, a dining room, multiple sitting areas, a dedicated office, a bedroom, two bathrooms, a gym, and an unconventional addition of an indoor swing, adding a playful element to the sophisticated environment. The deliberate placement of these elements ensures that the open feel of the loft is maintained while providing distinct functional areas for various activities. The kitchen area exemplifies the blend of functionality and aesthetics in the loft's design. It is equipped with open wall shelving that offers both storage and display opportunities, a series of lower cabinets for essential kitchen items, and a large central island. This island is not only a significant workspace but also incorporates additional storage, enhancing the kitchen's utility without compromising its sleek, minimalist appearance. The integration of modern kitchen amenities within the historic shell demonstrates a thoughtful approach to adaptive reuse. Throughout the conversion, Alexander Design focused on creating a cohesive and inviting atmosphere. The material selection, including the greys, woods, and soft textiles, contributes to a calm and sophisticated aesthetic that respects the building's past while embracing modern living. The project highlights how historical buildings can be reimagined to serve contemporary needs, providing unique living and working environments. The thoughtful design ensures that the loft is not only visually appealing but also highly functional, offering a luxurious and comfortable lifestyle within a historically significant context. #LoftConversion #VeniceDesign #AlexanderDesign #MonochromaticPalette #IndustrialDetails #OpenPlanLiving #HistoricRenovation #PenthouseLoft #InteriorDesign

This article highlights a 1,600-square-foot apartment located in a 142-year-old building in Manhattan's SoHo neighborhood, currently listed for $2.35 million. The unit features unique design elements, including lofted bedrooms with glass block floors and a 16-foot-high skylight positioned above the living area. Originally a large, open studio, the prewar apartment was transformed by British architect Alastair Standing, the managing member of Standing Architecture, who used it as both his personal residence and office. The current owners, George and Diana Sharp, purchased the unit in 2006. Despite initial reservations about a ground-floor, rear unit, the Sharps were impressed by Standing's design, particularly its innovative approach to maximizing natural light. According to listing agent Esteban Gomez of Compass, the architect's primary goal was to open the space to the sky and ensure that light continued to move and refract throughout the apartment. This was achieved through the installation of a large skylight and the distinctive glass block floors. The design intentionally blends high and low spaces to maintain the scale of the existing loft while also creating more intimate living areas. The apartment's entrance on the ground level of a five-story cooperative at 426 Broome Street leads into a long corridor with dark-gray walls, which then opens to a compact bedroom on the right, originally Standing's workspace. This room offers privacy through custom drapes and overlooks the main living area through floor-to-ceiling windows, also including a walk-in closet. Moving past a bathroom with terrazzo and concrete tile, the hallway opens into an integrated kitchen, living, and dining space. The kitchen is outfitted with crisp, white countertops, a Miele dishwasher, and a Bertazzoni range, with overhead lighting illuminating the area beneath the glass block floors of the bedroom above. The dining area is situated beneath the other lofted bedroom, which is supported by white plinths. A closet provides additional storage and conceals a laundry area. The expansive living room features three oversized windows and a 1970s curvilinear dark-brown leather couch, situated beneath the 16-foot-high glass ceiling that bathes the interior in light. George Sharp expresses his continued admiration for the apartment's luminosity and the serene atmosphere it creates amidst the vibrant SoHo neighborhood. When George, who works in fashion, and Diana, a ceramicist, moved in with their teenage son, they appreciated the architect's original vision but introduced cosmetic changes to align with their minimalist aesthetic. They painted the original red-brick walls white, replaced the tile flooring with dark wood, and decorated with a muted color palette. The listing agent notes that while the architectural structure remained largely untouched, the aesthetic was entirely revamped. From the main level, a narrow stairwell leads to an aluminum bridge connecting the two lofted bedrooms and an office. Mirrored walls at an angle beneath rectangular light wells in each bedroom refract light, enhancing the illumination. The floors of these lofted bedrooms consist of two layers of glass blocks, one frosted for privacy, allowing artificial light from the ground level to filter upwards. George emphasizes that the entire apartment is designed around the interplay of natural and artificial light, with light from one room softly diffusing into another, creating multiple, gentle light sources. #SoHoApartment #LoftLiving #GlassBlockFloors #SkylightDesign #AlastairStandingArchitecture #NewYorkRealEstate #ModernInteriorDesign #LightMaximization #PrewarRenovation

This blog post details the comprehensive renovation of a historic 1872 loft located in Chicago's West Loop, transformed by Goesling Group and kitchen design studio O’Brien Harris. The 1,250 sq. ft. condo, featuring two bedrooms and two bathrooms, is part of the landmarked Holden Block and retains much of its original industrial character, including tall ceilings and exposed brick. The property had endured decades of environmental damage and several flooding incidents, including a burst pipe during the renovation, necessitating more than just superficial updates. The design philosophy behind the renovation, loosely inspired by Fleetwood Mac's "Songbird," focused on balancing expressive design with architectural integrity, honoring the building's history while introducing modern elements. The Goesling Group emphasized integrating vintage and repurposed materials to achieve an elegant and contemporary feel rather than a rustic one. Key to the transformation was the kitchen, which became the project's central point. It features bespoke blue-green lacquer cabinetry with walnut interiors and brass hardware from O’Brien Harris. A brass-trimmed sculptural hood draws attention upwards, complemented by marble countertops and a half backsplash for a cohesive look. Instead of a traditional island, a restored 19th-century fruitwood trestle table, paired with vintage Danish chairs and a teak sideboard, creates a warm and flexible dining area. Original brick walls, discovered behind drywall in the bar area, were restored and incorporated into a glass-and-brass shelving system sourced from Urban Archaeology. The living room extends this layered aesthetic with a custom marble-clad bar, reclaimed timber shelving, and a ruby velvet sofa. A salvaged fireplace mantle, refinished to fit, adds a personal touch, blending memory with material. The bedroom offers a lush and quiet retreat, adorned with hand-printed Morris & Co. wallpaper, velvet drapery, and vintage 1950s walnut nightstands. The primary bathroom was reconfigured to accommodate structural updates and now showcases a custom walnut vanity, Calacatta Michelangelo stone, blue-green glossy subway tiles, and unlacquered brass fixtures designed to develop a natural patina over time. The guest bathroom features a mid-century walnut dresser repurposed as a vanity and a striking starburst tile from Fireclay, hand-painted in a neutral colorway, which extends from the floor into the shower, demonstrating that bold design can be effective in smaller spaces. Goesling Group, a multidisciplinary design studio led by Sarah and Becca Goesling, specializes in intentional and highly personal designs, integrating a curious perspective and collaborative process to realize each client's vision. #LoftRenovation #InteriorDesign #HistoricHome #KitchenDesign #VintageDecor #ChicagoRealEstate #ArchitecturalIntegrity #HomeRemodeling

Poul Olson acquired his unit in City View Lofts, Atlanta, in 2015 with the intention of undertaking a comprehensive remodel to align the space with his personal aesthetic preferences. The renovation project involved gutting the kitchen, remodeling both bathrooms, replacing the original flooring, and, more recently, installing new walnut stair treads, which Olson personally stained. He sought the expertise of an interior designer from Chosen Interiors to help articulate a vision for the loft that blended modern and industrial styles with a grayscale color palette. The loft, spanning 990 square feet, features one bedroom and one-and-a-half bathrooms. A key design decision was painting the ceilings black to minimize the visual impact of exposed pipes and ductwork, a common characteristic of loft living, and to impart a cozier ambiance, particularly in the master bedroom. Olson aimed to create a serene and calming environment within the loft, especially for his private sleeping quarters. The renovation also included the installation of a new walk-in closet system and a tankless electric water heater. A low-profile wall in the loft area was replaced with an open railing to match the new stair railing and to enhance natural light penetration into the master bedroom. In the master bathroom, to counteract the often-constrained feeling of loft bathrooms, Olson opted for a floating vanity and frameless shower doors from Shower Doors by TJ. An opaque window in the shower further contributes to the sense of spaciousness by allowing ambient light from the rest of the loft to filter in. The living room features a concrete coffee table from CB2, which reinforces the gray-scale theme and industrial aesthetic. The kitchen is anchored by dark cabinetry from Wellborn Cabinets, installed by Strathmore, with pendant lights made from bamboo fibers and polypropylene from Lumens suspended over the island. The master bedroom's focal point is an accent wall clad in wood-grain tiles from Floor & Decor, complemented by a gallery wall showcasing art collected during Olson's international travels, including pieces from Kenya, Ethiopia, and Mozambique. Key design elements highlighted include the black ceilings, the consistent gray color scheme, and various industrial accents throughout the home. Outdoor features include bamboo screening on the patio. Furniture and decor were sourced from retailers such as CB2, Room & Board, Crate & Barrel, and West Elm. Paint colors used include Benjamin Moore Wolf Gray for the bedroom, Benjamin Moore Stonington Gray for the master bathroom, and Benjamin Moore Moonshine for the half bathroom. The project successfully transformed the loft into a modern and industrial living space tailored to the homeowner's tastes. #LoftRemodel #ModernDesign #IndustrialStyle #GrayscalePalette #InteriorDesign #AtlantaLofts #HomeRenovation #SpaceOptimization

Garrow Kedigian, an interior designer, undertook the renovation of a 3,200-square-foot, four-bedroom prewar apartment on the Upper East Side for a young family with two children. The primary goal of the renovation was to preserve the historical charm of the home while integrating modern living conveniences. The apartment's untouched state for years necessitated significant upgrades to align with contemporary design and functionality. A standout feature of the apartment is its 50-foot-long entryway, which Kedigian dramatically enhanced. He incorporated grid wall paneling and a unique barrel ceiling. The ceiling is a detailed replica of the astrological map found on the vaulted ceiling of Grand Central Terminal, a familiar sight to many New York City commuters. To further elevate this design element, Kedigian installed tiny LED bulb lights to illuminate specific stars, creating a celestial ambiance. Kedigian also addressed the common issue of dropped ceilings in prewar apartments, which often hide the original architectural height. He meticulously restored the original ceiling heights throughout the home. This not only made the rooms feel more spacious but also allowed for the installation of more elegant pendant lighting, replacing previous recessed fixtures. Strategic color choices were integral to the design, ensuring the space felt inviting and cohesive. The kitchen, for example, features cabinets painted in Soft Chinchilla by Benjamin Moore, chosen to create a welcoming atmosphere. Kedigian emphasizes that kitchens should feel like rooms rather than purely utilitarian spaces, advocating for vibrant color choices. In many areas, the trim was painted in a contrasting color to the walls, adding depth and character to each room. Technology was cleverly integrated to maintain the home's aesthetic. All televisions in the apartment are designed to double as art when not in use. In the primary bedroom, the TV screen displays the same wallpaper pattern as the walls when turned off, ensuring a seamless visual flow. The furnishings and art throughout the apartment are a curated mix, combining finds from the Paris flea market—selected in collaboration with the clients—with mid-century modern pieces, reflecting the clients' eclectic taste. The living room exemplifies this eclectic approach, with an antique carpet from a Doyle auction setting the foundation. Lighting fixtures, including sconces and floor lamps, were sourced from the Paris flea market, with custom lampshades from Broome Lampshades and Oriental Lampshade. The walls are painted in Benjamin Moore’s Caribbean Teal with Wenge trim. An antique sofa was re-covered in a blush chevron velvet from Schumacher, complemented by custom pillows from Fabricut fabric. The art collection includes pieces from the Paris flea market, auction acquisitions, and existing client-owned works. For the dining room, Kedigian transformed the large space into a combined den and dining area. The dining table was repositioned near the windows to create space for sofa seating opposite the fireplace, enhancing its functionality and coziness. The color palette of blues and grays, accented with yellows and oranges, contributes to an inviting atmosphere. Key elements include wall paint in Lakeside Cabin by Benjamin Moore, a Hickory Pearson dining table, Circa Lighting sconces, and custom curtains. The furniture and decorative items, such as chairs and lamps, were also sourced from the Paris flea market, with vintage wall art and a small table, and the client's own mirror and candle holders. The primary bedroom features delicate Harlequin wallpaper adorned with butterflies and birds on willow-like branches. The linen and blush tones of the wallpaper are complemented by Benjamin Moore Rose Blush trim and neutral accents. Custom elements include the headboard, pillows, and bedding. In the children's bedroom, Kedigian aimed for a whimsical yet sophisticated design, incorporating vertical blue and yellow stripes reminiscent of a circus tent. The walls are painted in Alfresco and Hawthorne Yellow by Benjamin Moore, with Kingsport Grey trim. Custom pillows and bedspreads made from Cowtan & Tout and Colefax & Fowler fabrics, along with vintage bed frames, nightstands, and a ceiling light, complete the playful yet elegant design. These thoughtful design choices and upgrades ensure the apartment is set to age gracefully, providing a beautiful and functional home for the family. #UpperEastSide #ApartmentRenovation #InteriorDesign #GarrowKedigian #GrandCentralTerminalCeiling #NewYorkCityHome #LuxuryHome #EclecticDecor #PrewarApartment

Soren Rose Studio undertook the redesign of a Tribeca loft, leveraging the space's inherent advantages: generous natural light from large industrial windows, double-height ceilings, and ample square footage. The studio's approach aimed to create a fresh, contemporary New York City style by contrasting old and new elements within the design. The interior is characterized by a predominantly monochromatic scheme, featuring white walls and light-colored wood flooring throughout, which enhances the open and airy ambiance of the home. This neutral base is strategically punctuated by boldly colored accent walls, modern furniture, and graphic artwork that introduce visual interest and break the monotony. The loft’s main living areas are bathed in refreshing daylight, thanks to the expansive industrial windows. The furniture selection represents a deliberate blend of high-end contemporary pieces and meticulously curated vintage items. This juxtaposition serves to mirror the inherent contrasts found within New York City itself, creating a dialogue between different eras and styles. The common areas are integrated into a single, long interior space, yet each zone is distinctly defined through variations in pattern, furniture arrangement, and color choices, ensuring functional separation without sacrificing the open-plan feel. In the dining area, shelving units are integrated along an interior wall, positioned beneath a strip of large windows. A cool, linear chandelier is suspended above a round marble table, adding a contemporary touch to the dining experience. The residence also extends its design philosophy to an outdoor area, which provides a relaxing escape. This exterior space is thoughtfully adorned with various leafy greens and furnished with the same modern-vintage pieces that populate the interior, ensuring thematic consistency throughout the property. Soren Rose Studio, known for its expertise in both interior design and furniture creation, showcases a coherent and engaging design aesthetic in this Tribeca loft, emphasizing a balance between historical context and contemporary living. #TribecaLoft #InteriorDesign #SorenRoseStudio #NewYorkCity #ModernVintage #LoftLiving #ContemporaryDesign #HomeDecor #UrbanLiving

Interior designer Charlie Ferrer's new Greenwich Village apartment in New York City is a testament to his evolving aesthetic, moving from a "spare masculine" midcentury modernism to a more eclectic, colorful, and "granny feminine vibe." Ferrer sought a pre-war building with a working fireplace in the West Village, a combination he found in a 1931 Bing & Bing condominium on Christopher Street, directly above the Stonewall Inn. This location, described as a "dynamic little intersection of energies," offered a livelier environment than his previous Chelsea residences. His stylistic shift mirrors a personal transformation, having grown up in Greenwich, Connecticut, with a "heteronormative white preppy" aesthetic. After moving to Los Angeles, coming out, and entering the furniture business, his design preferences naturally broadened. As a largely self-taught interior designer, Ferrer has expanded his studio to include luxury condominium model apartments and a vintage furniture collaboration with CB2. He notes that different projects and evolving interests taught him to integrate pattern and color into his designs. The apartment's inherent pre-war character, with its solid proportions and charming details like entry vestibule railings, facilitated this transition towards a layered and collected look. Ferrer, who also operates his own vintage design gallery, furnished the apartment by hand-picking pieces from his inventory. He describes his approach as "iterative or incremental, based on discoveries," rather than a pre-conceived "full vision." This method involved customizing chosen items to ensure they complemented each other. Examples of his unique customization include a sofa with added pleats, cast-bronze animal claw feet, and magenta piping. A swiveling "Elda" chair by Joe Colombo, selected for its "weirdness quotient," was reupholstered in a dark green alpaca-hair fabric. Striking molded acrylic dining chairs were given chartreuse-hued textile cushions to contrast with their rosy-amber bases, a design choice Ferrer playfully admits few clients would approve. These chairs pair with an antique wooden table featuring a figurative bronze sculpture by French artist César. In the bedroom, a 1930s archival print from French textile house Le Manach covers the bed, which Ferrer affectionately calls "grandma, but I think it’s super sexy." Above the bed hangs a collection of small crosses from a Parisian estate sale, recontextualized by Ferrer as an "aesthetic gesture" rather than a religious symbol. Unexpected details also appear in the kitchen, where the cabinet interiors are finished in Hermès-orange, contrasting with a wall lined in textured grasscloth. Ferrer justified the choice of absorbent grasscloth due to his minimal cooking habits. Ferrer continuously refines the apartment's details, even installing a new fireplace mantel just before the photo shoot. This collector's approach to interior design has created a personal sanctuary that balances the vibrant energy of the neighborhood with a distinctively curated aesthetic. The apartment serves as a compelling example of how personal narrative, playful experimentation, and a passion for vintage finds can converge to create a truly unique and evolving living space, demonstrating that personality and character can triumph over larger, more conventional layouts. #InteriorDesign #CharlieFerrer #NewYorkApartment #VintageFurniture #EclecticDecor #PreWarBuilding #DesignEvolution #CustomInteriors #GreenwichVillage