Radisson BLU Hotel Kaş / Öznur Çaglayan Architectural Design Studio

The SO Sofitel Bangkok presents itself as a leading fashion-forward lifestyle hotel in Thailand, distinguished by its unique design collaboration with world-renowned fashion designer Monsieur Christian Lacroix and five prominent Thai designers. This urban luxury hotel offers a modern blend of Eastern and Western aesthetics, catering to style-conscious travelers. Monsieur Christian Lacroix's influence is evident throughout the property, from the staff uniforms and the hotel’s logo to the executive lounge, which features modernist artwork, vibrant furniture, and panoramic city views. The hotel's elegant rooms are categorized according to the five elements of Chinese culture, with each element's design concept executed by a different local artist. For instance, metal-themed rooms are characterized by brilliant white interiors, while water-themed rooms adopt rich, dark, and intimate palettes to evoke an underwater sensation. Earth suites offer a more unconventional design, resembling ancient grottoes with deep blue walls adorned with sketches of mammoths and other exotic animals. Beyond its distinctive accommodations, SO Sofitel Bangkok offers a diverse culinary experience. The hotel hosts a traditional street market-style food hall with live cooking stations, a sophisticated rooftop restaurant, and a boutique chocolate café. The award-winning Park Society restaurant is noted for its creative cuisine and unparalleled views of Lumpini Park, while Chocolab serves chocolates from Bonnat, one of the world’s oldest chocolatiers based in France. The hotel also boasts a prominent rooftop infinity pool in Bangkok, offering panoramic views over Lumpini Park. The SO Sofitel Bangkok aims to set a new standard for luxury leisure hotels in the city by seamlessly integrating style and elegance into its overall design and guest experience. The property's commitment to a design-led approach, combined with its unique artistic collaborations and diverse amenities, positions it as a notable destination in Bangkok's hospitality landscape. #HotelDesign #Bangkok #LuxuryHotel #InteriorDesign #FashionForward #ChristianLacroix #LifestyleHotel #ArchitecturalDesign #Hospitality

The Marriott Marquis Dubai, located in the Al Khor area of Dubai, has been lauded as the ‘Jewel of the Creek’ due to its exceptional interior design that harmoniously blends the rich cultural heritage of its location with contemporary luxury. Spearheaded by the KCA design team, the hotel's aesthetic reflects a fusion of tradition and modernity, creating an immersive experience deeply connected to its historical roots. The hotel's interior design draws significant inspiration from its setting in the Creek area. This thematic influence is consistently woven throughout the design elements, establishing a cohesive and immersive environment for guests. A key aspect of the design involves paying homage to the local heritage by integrating traditional Emirati elements in a contemporary fashion. For instance, the main lobby features intricately designed screens behind the reception desks, which are crafted to mimic the fishing nets historically used in Al Khor. The reception desks themselves are constructed from metal with an embossed pattern that reflects the map of the creek, providing both a historical anchor and a visually striking focal point upon arrival. Innovation in space planning and material selection is evident throughout the Marriott Marquis Dubai. The lobby's flooring incorporates concentric circles, designed to emulate the ripples of the creek's water, interspersed with modern, abstract Emirati patterns. This creates a dynamic visual narrative that guides guests through the space. A notable feature in the lobby is a large, dropped carpet that transitions from a mosaic to a real carpet, extending under the lobby lounge area. This design choice adds texture and depth while symbolizing the seamless integration of art and functionality. The thoughtful use of materials is further highlighted in the guestrooms, where timber beams cast shadows reminiscent of old Dubai houses, contributing to an innovative design approach. The design narrative extends into the guestrooms, where subtle references to Emirati heritage are seamlessly blended with modern luxury. Wall panels and AC grills feature traditional patterns reinterpreted in a contemporary style, ensuring a sense of continuity throughout the hotel. The guestrooms also boast an open ceiling above the bed with timber beams that, combined with cove lighting, create beautiful shadows, enhancing the ambiance and fostering a warm, inviting atmosphere. The sitting area is framed by a feature wall that mimics the ropes used for fishing boats in the creek, adding a layer of cultural richness and historical context. Overall, the Marriott Marquis Dubai offers a unique and memorable guest experience through its meticulously integrated design elements. These elements create an immersive environment that is both visually stunning and deeply connected to the local heritage. The combination of innovative space planning, cultural integration, and attention to detail ensures that each guest's stay is not only comfortable but also enriched with a strong sense of place and history. The hotel stands as a testament to exceptional interior design, effectively blending heritage-inspired elements with modern luxury in an innovative manner. This project, completed by the KCA team after years of delays, exemplifies the studio's commitment to cultural integration, sustainability, and enhancing guest experiences, thereby significantly enriching the KCA portfolio. #HotelDesign #LuxuryHospitality #EmiratiHeritage #InteriorDesign #DubaiArchitecture #KCAInternational #CulturalIntegration #InnovativeDesign #MarriottMarquis

This interview features Jason Holley and Paul Gulati of London-based Universal Design Studio, known for their bespoke approach to design that prioritizes user experience and sensibility over fleeting styles. Both designers recall early inclinations towards creation; Holley's interest in architecture emerged from a desire to make things, while Gulati's obsession with drawing led him to understand design as a practical endeavor. Holley recounts a childhood anecdote where he convinced his grandfather to tear down a built-in wardrobe to create a more effective bedroom space, much to his parents' dismay. Gulati remembers drawing on old engineering prints, which instilled in him an understanding of design's functional purpose. Holley pursued architecture at Kingston University and Westminster University, drawn to their experimental approaches and interdisciplinary collaboration, particularly under the influence of David Greene of Archigram. Gulati's university studies transformed his perception of space and the built environment. When discussing how they imbue projects with distinctiveness while maintaining their signature, Holley emphasizes understanding social implications and defining experiences that respond to user needs, aiming to uplift spirits. This process, he explains, creates a unique voice for each project that reflects their signature approach. Gulati highlights the importance of embedding hotels within their local creative communities. They cite challenging projects they are particularly proud of. For Holley, the At Six Hotel in Stockholm presented the challenge of integrating a world-class art collection into a luxury hotel within a Brutalist building in a lesser-known area, ultimately succeeding in creating a social space centered on engagement and storytelling. Gulati points to the Ace Hotel in Shoreditch as a rewarding project, their first hotel, which demanded success due to its proximity and the desire to create layered, convivial, and informal spaces. The intention was to deeply integrate the hotel into the local creative community, yielding results that exceeded their expectations. Looking ahead, Holley is enthusiastic about their newly established New York studio, viewing it as a natural progression given their existing projects in the city and the strong collaborative spirit they appreciate there. Both designers share inspirations beyond their immediate field. Holley admires the Dutch artist Constant Nieuwenhuys's architectural project, New Babylon, which explored a future city model that put people at the center of their environments, allowing them to design their own spaces and selves. Gulati continues to be inspired by the work of Alvar Aalto. Their dream projects reflect these inspirations; Holley dreams of realizing New Babylon, while Gulati envisions planning and designing a new city or sector as part of a wider team. He believes collaboration and applying human-centered design principles on a larger, city scale are crucial for promoting wellbeing and democratizing knowledge. When asked about dinner companions, Holley chooses novelist J.G. Ballard, expecting conversations on psychology, time, and technological fetishism. Gulati would choose his late father to share updates and stories. They would dine at Odette in Singapore, a Universal Design Studio project, or an Ottolenghi restaurant in London, respectively. If not designers, Holley would run a bakery specializing in one perfected type of bread, while Gulati would create soundtracks for films or spaces, drawing on his electronic music background. #UniversalDesignStudio #HospitalityDesign #ArchitecturalDesign #InteriorDesign #LuxuryHotels #CreativeProcess #DesignPhilosophy #UserExperience #HotelDesign

Tina Norden, the Interior Designer of the Year at The Brit List Awards 2021 and a partner at Conran and Partners, recently discussed her career and design philosophy. Norden's consistent presence and influential voice in the industry throughout the pandemic, addressing emerging trends, the impact on hospitality, inclusive design, and quality craftsmanship, earned her this prestigious recognition. Her dedication extended to mentoring junior team members and managing large-scale projects remotely, maintaining a positive and productive environment. Norden's passion for interior design and architecture stems from both her upbringing and personal interests. Her father, a landscape architect, and her formative years in Hamburg, Germany, a city known for its creativity, significantly shaped her career path. At 18, she moved to London, drawn by its vibrant music scene, and pursued higher education in architecture and design. A pivotal year-out placement at Conran and Partners solidified her belief that it was the ideal environment for her. During her time at the Royal College of Art (RCA), where she completed her Part II, Norden further developed her interest in interior architecture through a course that uniquely combined design and architecture. She continued her involvement with Conran and Partners throughout her studies and beyond, relishing the creative freedom and collaborating closely with Sir Terence Conran on notable projects. Her design approach emphasizes enduring style over fleeting fashion, a principle she attributes to Sir Terence Conran himself. This philosophy ensures that her projects are both aspirational and long-lasting. Over her career at Conran and Partners, Norden has revitalized numerous projects and led her team with an empathetic style. Her impressive portfolio includes the German Gymnasium, Skylon, South Place Hotel, Finsbury, and the Maximilian Hotel in Prague. More recently, she completed the new Park Hyatt hotel in Auckland, FEAST within Hong Kong’s EAST hotel, a new dining destination and members’ club at London’s Taj Hotel, and the Peninsula Boutique and Café in Hong Kong. Norden and her team also played a significant role in the HIX Event 2021, where they designed the WFHotel installation. This collaborative project explored how changing consumer attitudes towards working from home/hotel could reshape conventional lobby designs. Norden’s contribution focused on fostering community-focused interactions within these spaces, reflecting her commitment to human-centric design. This interview is part of an editorial series sponsored by GROHE, the Broadcasting Partner of The Brit List Awards 2021. #InteriorDesign #HotelDesign #Architecture #ConranAndPartners #TinaNorden #BritListAwards #HospitalityDesign #DesignTrends #LuxuryInteriors

Lauren Rottet's Interior Design Hall of Fame member, whose roots are in Houston, has taken on the significant task of renovating and expanding the historic La Colombe d'Or hotel complex in the city's Montrose neighborhood. The original property, a Prairie School-style Fondren Mansion built in 1923, was transformed into a five-suite hotel and restaurant in 1979 by real estate magnate Steve Zimmerman. This project not only involved refreshing the existing mansion but also expanding the site onto 1 1/4 adjoining acres, including the addition of a new 34-floor residential tower and 18 ground-floor hotel suites. Rottet Studio's scope for the project was extensive, encompassing the renovation of the original mansion and the design of the new construction's public areas, guest rooms, and a 10th-floor amenity swath. The design team, including associate principal Chris Evans and senior associate Amber Lewis, also created a connector to the mansion—a landscaped courtyard featuring a fountain and large-scale sculpture. The integration of art was a central theme, with Rottet having access to Zimmerman's extensive collection of approximately 350 works, including pieces by Raoul Dufy and Man Ray, and the ability to acquire new art to support the local Houston art scene. The new tower's entry corridor is conceptualized as a gallery, showcasing historic artwork like Benjamin Robert Haydon’s 19th-century 'Napoléon in Exile' alongside contemporary local pieces by artists such as Earl Staley. The design emphasizes a new, bold, and contemporary aesthetic, characterized by a gold and glowing ambiance. The lighting design, a specialty of Rottet Studio, plays a crucial role in shaping the environment, with folded planes engaging both light and art, enhanced by backlit walls, LED frames, and slanted cove illumination. The resident concierge desk, a highlight of the new tower, is a striking combination of polished or brushed stainless steel topped with quartzite. Its backdrop features a commissioned stencil work by local artist Troy Stanley, named 'Nom de Plume.' Adjacent to this, a wall is adorned with alternating panels of bronze mirror and woven metal mesh sandwiched between glass, creating a burnished, jewel-like effect. The double-height resident lobby is designed as a reflective space, with custom-designed lounge chairs surrounding a double-sided limestone fireplace, creating a contemporary and inviting atmosphere. A gridded glass wall offers views to a quiet residential street, maintaining a connection to the area's history. A key aspect of the project for Rottet was its commitment to historical preservation, a departure from Houston's typical development patterns. The decision to retain and build around the historic mansion, rather than demolish it, is seen as a significant gift to the city. In the tower's hotel rooms, Rottet Studio designed every element, from layouts and millwork to upholstered beds, settees, and nightstands. The rooms include innovative features like an “on-off” kitchen with a concealed refrigerator and sink. The 10th-floor amenity level is a major draw for luxury seekers, offering diverse social spaces such as a game room, a fully equipped fitness center, a private events area, and the Aqua lounge. The Aqua lounge, completely waterproof with glass mosaic tile, iron chairs, and chromed-metal tables, adjoins a 66-foot outdoor lap pool that provides expansive views of the Houston skyline. #HotelDesign #LuxuryHospitality #HistoricPreservation #InteriorDesign #RottetStudio #HoustonArchitecture #ArtIntegration #ResidentialTower #RenovationProject

Celine Interior Design, a leading luxury interior design firm founded by Noor Charchafchi, is expanding its global presence with new offices slated to open in Dubai and Riyadh in 2024. Charchafchi, recognized among the Top 50 Luxury Interior Designers in the UK, has established the company's reputation through impeccable projects, including the prestigious Mayfair Residence in London. The expansion into the Middle East is a significant step, driven by Charchafchi's Iraqi heritage and a desire to contribute to the region's growth by uniting creative visions and design excellence in residential and commercial ventures. Celine Interior Design distinguishes itself through a cross-disciplinary approach that blends timeless British heritage with contemporary Middle Eastern aesthetics. The company is known for its first-class service and commitment to creating superior, all-encompassing living spaces that elevate the quality of life for its clients. This strategic expansion into Dubai and Riyadh, alongside a planned office in Monaco, signifies the company's exponential growth and reflects Charchafchi's dedication, professionalism, and talent. Her extensive experience encompasses high-profile residential and commercial property developments across the UK and internationally, including Mayfair, Knightsbridge, Belgravia, Monaco, Cap Ferrat, The Swiss Alps, Saudi Arabia, and the United Arab Emirates. The Private Mayfair Residence, one of Charchafchi’s recent projects, exemplifies the firm’s commitment to excellence and limitless creativity. Located within a historical building in Mayfair, London, this residence showcases bespoke luxury furniture, art masters, oriental panels, and hand-crafted artisanal works. The project pushed creative boundaries, featuring unique elements such as hand-painted murals, a 'jewel-box' pink Onyx master bathroom, an animal print-themed dressing room designed to house 400 pairs of shoes and couture fashion, and a palm print-themed bathroom for the owner's twin daughters. Noor Charchafchi's work has garnered numerous accolades, including British Industry Awards, International Design & Architecture Awards (where she was consecutively named Residential 10m plus winner for over three years), and International Property Awards. Celine Interior Design was also recognized as Designer of the Year 2022 and featured in prestigious publications like Country and Townhouse magazines, the Top 50 UK Interior Designer list, and Great British Brands in 2021. Demonstrating her diverse expertise, Charchafchi recently launched a private yacht and aviation design service, leveraging her background in aviation finance, to cater to a broader spectrum of clients' lifestyle needs. With a substantial following on Instagram in the Middle East and a network of elite regional contacts and developers, Celine Interior Design is well-positioned for significant success in Dubai and Riyadh. The company aims to further expand its core interior design offerings and these specialized services on an international scale, aligning with its mission to provide comprehensive lifestyle solutions for its clientele. #CelineInteriorDesign #LuxuryInteriorDesign #NoorCharchafchi #DubaiDesign #RiyadhDesign #MiddleEastExpansion #MayfairResidence #ArchitecturalDesign #GlobalDesign

Casa Cook El Gouna, situated along the Red Sea in Egypt, presents a contemporary interpretation of Mediterranean-style resorts. The resort is located on the outskirts of El Gouna, a coastal town approximately twenty minutes from Hurghada airport, and was developed on terrain that was once barren. The design philosophy of Casa Cook El Gouna is deeply rooted in its local context, aiming for a simple and understated aesthetic. The exterior features a distinctive wooden slatted building that blends harmoniously with its surroundings, complemented by large green cacti serving as sculptural border plants. Creative director Remo Masala oversees all Casa Cook hotels, with a mission to establish a globally recognizable brand that integrates the expertise of local architects and designers, ensuring each property seamlessly fits its location. The accommodations at this retreat on Egypt's Red Sea coast vary from standard rooms to villas. Each unit is designed with a color palette of grey, brown, and taupe, incorporating natural linen throws, hand-carved wooden side tables, and textured patterned cushions to create layers of earthy interest. A warm color scheme, evident in the ceramics, rattan lights, and stone floors, complements the desert landscape, allowing the azure sky to remain the dominant visual element. Rooms are designed as sanctuaries, equipped with crisp white sheets, outdoor showers, coffee makers, and Marshall speakers, encouraging guests to relax, enjoy coffee, listen to music, and lounge by the pool. Junior Suites offer access to a shared pool, while villas feature two bedrooms and a private pool, ideal for families. The culinary experience at Casa Cook El Gouna is thoughtfully curated. The Kitchen Club is designed for communal dining, featuring a central courtyard, long dining tables, and a menu that combines Arabic flavors with international dishes. During the day, lunch is served by the beach pool, where bartenders prepare herb-infused cocktails, offering guests a view of kite surfers on the Red Sea. The resort's spa provides a tranquil environment for wellness treatments, featuring a pool, two saunas, a steam room, a plunge pool, and a hammam. The treatments and massages draw from oriental techniques, and the spa interiors, like the rest of the resort, prioritize light, simplicity, and stillness. Despite the serene atmosphere of Casa Cook El Gouna, a variety of activities are available, including wine tours, catamaran sailing trips, horse riding around the lagoon, and quad biking into the desert. The quad biking excursion explores the Pilly Valley, the world's third-longest canyon, which was once an oceanic seabed where fossilized corals and seashells are still discovered by Bedouin tribes. Guests can experience a desert sunset around a Bedouin campfire, enjoying strong tea and freshly baked bread, with the distant lights of El Gouna visible against the night sky. El Gouna itself, Arabic for “the lagoon,” is an extraordinary town developed over the past thirty years from a previously barren landscape. Owned and managed by Orascom Development, El Gouna boasts ten kilometers of coastline, known as the Red Sea Riviera, featuring twenty islands surrounded by lagoons. European and American architects have designed the buildings to emulate traditional rural Egyptian architecture, particularly that found in Nubian villages. The town offers golf courses, supermarkets, and restaurants. In 2017, telecom billionaire Naguib Sawiris established the annual El Gouna Film Festival, which has attracted regional icons such as Youssra, Dorra Zarrouk, and Hend Sabri. #RedSeaResort #EgyptTravel #HotelDesign #MediterraneanStyle #ElGouna #LuxuryTravel #SpaResort #NatureInspiredDesign #ArchitecturalDesign

Copenhagen, a city known for its influential design landscape and progressive policies, has witnessed the opening of Hotel Hans by Brøchner Hotels, a 91-key boutique accommodation positioned to redefine the hospitality experience. Located between the vibrant Nørrebro and the more established Frederiksburg neighborhoods, this hotel deliberately moves away from the prevailing 'hygge' aesthetic, offering an elevated and sophisticated urban escape instead of a 'home away from home'. The design philosophy at Hotel Hans embraces a bold departure from the typical subdued Scandicore style, characterized by light-toned woods and whitewashed walls, which are often associated with Copenhagen's design trends. Upon entering, guests encounter a theatrical interplay of contrasts, featuring layers of textured marble that evoke a Milanese design sensibility. Concrete walls are paired with sleek stone, and a color palette of deep greens and black accents dominates the common areas and guest rooms. While the hotel generally steers clear of traditional Danish design tropes, it subtly incorporates site-responsive elements, such as a sparing use of wooden details and verdant tones in homage to Frederiksburg's tree-lined streets. This thoughtful integration ensures that while the design is distinct, it still acknowledges its local context. The hotel’s public spaces, including the lobby bar and the Mediterranean-inspired BOLO restaurant, are designed to create a dynamic atmosphere for both guests and locals. As one moves from these vibrant public areas to the private accommodations, the cohesive design scheme of dark grays and deep greens becomes somewhat tempered. Guest rooms and suites introduce elements like mustard yellow in armchairs and desk chairs, and darker-toned woods in built-in cabinetry and desks. Metallic finishes in coffee tables and bathroom vanities add a contemporary touch, balancing the reflective surfaces of floor and ceiling tiles. Many deluxe rooms offer private balconies, while select suites feature expansive 360-degree rooftop views of Copenhagen's skyline, blending picturesque old-world charm with architectural innovation. Hotel Hans is housed within a red brick building dating back to the early 1900s, originally designed by Emil Blichfeldt, who also contributed to the iconic Tivoli Gardens. This historic setting provides a unique architectural foundation for the hotel’s modern interior. The hotel’s unique offerings extend beyond its visual design to its 'soft product' propositions. These include the 'Vermouth Vibes' experience, which starts with a comprehensive 'Good morning it’s Organic' breakfast spread. In the evenings, the ground-level public venues transform into a lively 1980s-inspired cocktail lounge, specializing in various types of martinis. This blend of sophisticated design, historical architecture, and unique guest experiences positions Hotel Hans as a distinctive destination in Copenhagen, offering a fresh perspective on urban hospitality that consciously moves away from the comfort-centric 'hygge' concept. #HotelDesign #Copenhagen #BoutiqueHotel #InteriorDesign #Hospitality #DanishDesign #ModernArchitecture #LuxuryTravel

The article showcases 17 of the most luxurious hotel bathrooms globally, highlighting their unique design elements and amenities that elevate them beyond mere functional spaces into private sanctuaries. These bathrooms are presented as a significant status symbol for high-end hotels, offering spa-like experiences, cutting-edge design, and breathtaking views. Among the featured hotels, The Chedi Andermatt in Switzerland offers a private spa experience within its Furka Suite, equipped with a hot tub, steam room, and sauna, making extended bathroom stays a natural part of the guest experience. The Silo Hotel in Cape Town emphasizes its prime location with window-adjacent tubs that offer expansive views, complemented by Tiffany-blue cabinetry and black-and-white striped floors. Virgin Hotels New Orleans embraces a flamboyant design aesthetic, with its Richard's Penthouse Suite featuring a bright aqua-green bathroom adorned with mahogany walls, velvet ottomans, and a distinctive marble floor. For an unparalleled underwater experience, the Conrad Maldives Rangali Island's Muraka suite includes a bedroom and bathroom situated 16 feet underwater, providing 360-degree ocean views during a relaxing bath or sleep. VIK Chile, surrounded by vineyards, offers window-lined bathrooms in its Vik Suite, featuring a hammock-shaped tub designed by Splinterworks Studio with foam insulation for extended warmth, allowing guests to fully immerse themselves in the scenic views. Le Royal Monceau, Raffles Paris, designed by Philippe Starck, boasts industrial-chic bathrooms entirely covered in mirrors, providing a trippy yet sophisticated ambiance across all room types. Aman Tokyo exemplifies sleek minimalism with its Aman Suites' all-slate bathrooms, which serve as a tranquil backdrop to panoramic Tokyo skyline views, complemented by stone furo soaking tubs. The Conservatorium Hotel in Amsterdam, housed in a 19th-century bank, integrates original wood beams into its I Love Amsterdam suite bathroom, offering a cavernous bathtub with views of the Rijksmuseum. El Fenn in Marrakech features 42 uniquely colored rooms and suites, each with deep soaking tubs and contemporary art, creating an artistic and comfortable atmosphere. Lion Sands Game Reserve in South Africa provides an extraordinary experience with its Kingston Treehouse, offering an open-air bedroom and a glassed-in bathroom with a rain shower and double vanity, perfect for stargazing. The 1 Hotel Brooklyn Bridge emphasizes integrating nature, with its Riverhouse Suite offering a granite bathtub overlooking the East River and Manhattan skyline, alongside triple-filtered rain showers and organic bath products. Nay Palad Hideaway in the Philippines introduces unique open-concept rain showers in its deluxe villas, where water cascades onto a bamboo mat surrounded by gravel, complemented by organic bath products and aromatherapy. Ponta dos Ganchos in Brazil presents the Especial Esmeralda suite, which includes a private spa-like bathroom with a hot tub, en suite sauna, sun loungers, and an attached deck with an infinity pool. Four Seasons Resort and Residences Anguilla offers Kelly Wearstler-designed suites, with its four-bedroom Beachfront Villas featuring spa-like bathrooms with private terraces and outdoor showers. Shangri-La Hotel, Paris, within the former apartments of Prince Roland Bonaparte, showcases bathrooms decorated in the opulent 18th-century Directoire style, finished in marble with crystal fixtures. Finally, Shou Sugi Ban House in Water Mill, New York, provides a wellness retreat experience with Japanese bath products and wooden soak tubs, inviting guests to spend leisurely hours in its zen-inspired bathrooms. #LuxuryHotels #HotelDesign #BathroomDesign #SpaExperience #TravelInspiration #GlobalTravel #InteriorDesign #UniqueAccommodations #Architecture

The Mr. C Coconut Grove Hotel in Miami, Florida, is a luxury boutique hotel designed by Arquitectonica and Martin Brudnizki. The hotel is a creation of Ignazio and Maggio Cipriani, who drew upon their family's extensive history in the hospitality industry to establish a new upscale destination in Miami. The design concept for the hotel is deeply rooted in nautical aesthetics, influenced by coastal Italian culture and the sleek, sophisticated interiors of yachts. This thematic approach is evident throughout the property, from its architectural details to its interior furnishings. Key design elements include the prominent use of high-gloss timber and lacquer detailing, which evoke the polished finishes often found on marine vessels. These materials are seamlessly integrated with mid-century Italian furnishings, creating a blend of classic elegance and modernist architectural style. The hotel's architecture and interior design work in harmony to transport guests to a setting reminiscent of luxurious Italian coastal living, infused with a contemporary Miami sensibility. The six-story structure houses 100 meticulously designed guest rooms, each reflecting the hotel's distinctive nautical and Italian-inspired theme. Beyond its aesthetic appeal, The Mr. C Coconut Grove Hotel also features a range of premium amenities. A notable highlight is the rooftop pool area, which offers private cabanas, providing an exclusive and relaxing retreat for guests. The hotel also boasts two signature Italian dining establishments, further enhancing the immersive culinary experience aligned with its Italian heritage. These restaurants are designed to offer a taste of authentic Italian cuisine within a refined atmosphere. Sustainability is a significant aspect of the hotel's construction and operation. The property has achieved gold-level LEED certification, indicating its commitment to environmental responsibility. This certification highlights the hotel's efforts in implementing sustainable practices, including the use of green energy-efficient lighting throughout the premises. The focus on sustainability demonstrates a forward-thinking approach, combining luxury with ecological consciousness. Overall, The Mr. C Coconut Grove Hotel stands as a testament to sophisticated design, drawing inspiration from rich family history and specific cultural influences. Its blend of nautical aesthetics, mid-century Italian design, and modernist architecture creates a unique and luxurious experience for visitors, complemented by high-end amenities and a dedication to environmental sustainability. #HotelDesign #NauticalAesthetics #MiamiArchitecture #ItalianDesign #LuxuryHospitality #SustainableDesign #BoutiqueHotel #MidCenturyModern #InteriorDesign

Interior Design's Giants and Rising Talent event commenced in Encinitas, California, bringing together established and emerging designers. The three-day event, hosted at the Alila Marea Beach Resort for the second consecutive year, began with a welcome by Editor-in-Chief Cindy Allen. A key highlight of the opening night was a discussion between Tom Kundig, principal and founder of Olson Kundig, and Douglas Keane, owner and chef of Cyrus Restaurant, a project designed by Kundig's firm. Cindy Allen emphasized the importance of gathering the design community, particularly highlighting the blend of seasoned "Giants" and promising new talent. She introduced Tom Kundig as a career hero, acknowledging his ability to translate his unique vision into reality. Kundig, however, shared that his journey wasn't always straightforward, stressing the importance for young designers to find their niche and commit to it. He recounted his professional relationship with Jim Olson, the firm's founding partner, likening their dynamic to the trust and reliance essential in mountain climbing. This profound trust allowed the firm to develop a client-focused model. Olson Kundig's foundation in residential design provided a deep understanding of human needs. Kundig explained that residential projects, which address fundamental requirements like shelter, offer insights applicable to larger-scale endeavors. The firm's portfolio now spans diverse projects, including museums, educational institutions, and hospitality spaces such as Cyrus Restaurant, known for its innovative philosophy. The discussion then shifted to the design of Cyrus Restaurant, with Douglas Keane joining the stage. Keane, with two decades of experience in the restaurant industry, aimed to create a dining experience in Napa Valley that mimicked a dinner party, allowing guests to move through various rooms. He also sought to establish a comfortable environment for staff, addressing common industry challenges like high turnover and working conditions. Kundig highlighted his team's open-minded approach to the project, emphasizing that they prioritized Keane's vision and the specific context of the 1930s warehouse and vineyard setting rather than imposing preconceived ideas. He stated that being sensitive to these elements, rather than working in a silo, leads to extraordinary outcomes. The resulting restaurant space is described by Keane as a dream realized, fostering connection by blurring the lines between chefs and guests, including an immersive kitchen experience. Kundig encouraged young designers to pursue their own passions, advising them not to emulate others but to follow their inner calling. Allen concluded by praising Kundig and Keane for their human-centric approach to design, setting the tone for the event's subsequent discussions on architecture and humanity. The article also mentions future coverage of event highlights, including industry trends and insights. #InteriorDesign #Architecture #DesignEvent #TomKundig #OlsonKundig #CyrusRestaurant #HospitalityDesign #ResidentialDesign #DesignPhilosophy

The increasing pursuit of bathing pleasure has led hotels to create exceptional bathroom spaces, transforming them from mere amenities into luxurious sanctuaries. These new 'personal pleasure palaces' often feature lavish materials like marble, ranging in style from minimalist onsen-inspired designs to technologically advanced setups. Santa Clara 1728 in Lisbon, Portugal, a hotel with just six rooms, features bathrooms that blend modern design with ancient architecture. The walls are covered in hand-cut white tiles, complemented by pinewood flooring and shelving. A large freestanding tub and cylindrical wash basins, both carved from Portuguese Lioz limestone, are central features. Each bathroom also includes an adjacent wet-room with an industrial-sized shower overlooking the hotel's gardens. The Four Seasons in Kuwait City showcases bathrooms designed by Yabu Pushelberg. These spaces are characterized by grey and white striped marble, meticulously aligned, and screened from bedrooms by sliding doors. Australian luxury bath makers Apaiser provided standalone tubs, walk-in showers, and twin sinks. Bronze fixtures, in-mirror televisions, and concealed lighting add dramatic accents, while mosaic tiling or contemporary mashrabiya screens subtly interrupt the marble expanses. Elements of Byron in Byron Bay, Australia, situated amidst 50 acres of wilderness, offers cabins with private walled decks for outdoor bathing. The bathrooms reflect a Japanese simplicity-meets-Australian informality, with an onsen vibe achieved through wooden bath stools and ladder towel racks. Potted cheesecloth plants, rattan armchairs, and shell chandeliers nod to the area's bohemian aesthetic. Barcelona's Almanac hotel, designed by Jaime Beriestain Studio, features cinematic, contemporary art deco interiors. Its immaculate bathrooms include double sink vanities with individual mirrors, walk-in showers, and full-length tubs, all adorned with marble and glass. Muted metal fixtures, hovering between copper and gold, and bespoke bath products from Scottish-Catalan perfumer Jimmy Boyd soften the opulent feel. Hotel Bocage in Hua Hin, Thailand, is a concrete-centric design by Akaradej Pantisoontorn, with interiors by Duangrit Bunnag. The bathrooms are separated from the main room by floor-to-ceiling glass walls, offering dramatic views of the Gulf of Thailand. Sculptural sanitary ware by Antonio Lupi and bamboo charcoal-based toiletries from Charcoalogy complete the minimalist design. Le Mount Stephen in Montréal, Canada, a former private members' club, features resolutely contemporary rooms and marble-minimal bathrooms in its new annexe. These bathrooms are technologically advanced, boasting Japanese Toto toilets with heated seats, Cura chromatherapy showerheads in walk-in rain showers, and toiletries by Italy’s Comfort Zone. Practical additions like window-defoggers and heated floors are crucial for the Canadian climate. The Sofitel Darling Harbour in Sydney, Australia, occupies the top 35 floors of a skyscraper. Designed by Dreamtime Australia Design and the A+ Design Group, its sandstone bathrooms are spacious, with some featuring twin basins and twin walk-in rain showers. Freestanding tubs offer panoramic views of the bay and city skyline. Lanvin toiletries are provided. Verride Palácio Santa Catarina in Lisbon, Portugal, a converted 18th-century townhouse, features eclectic bathrooms designed by Teresa Nunes da Ponte. Some, like the Queen's Suite, have parquet floors, standalone tubs, and refurbished 18th-century Azulejo panels. Others are open-plan beige marble spaces with wet-room style overhead showers and trough-like sinks, often with a view. Aesop toiletries are a consistent offering. Amanbagh in Ajabgarh, India, designed by Ed Tuttle, offers sumptuous, light-filled bathrooms in a re-imagined campsite setting. The design incorporates Indian minimalist elements with warmth from wooden door panels, Mughal arches, and cappuccino-coloured stone flooring. A large, sunken green Udaipur marble bath is a central feature, ideal for relaxation after a day at the private pool or ayurvedic spa. 137 Pillars in Bangkok, Thailand, located in a skyscraper, has sparkling interiors by P49 Deesign. Its jazzy marble bathrooms include glass-walled rain-showers and deep, circular standalone tubs, perfect for watching TV or enjoying the expansive city views through floor-to-ceiling windows. #LuxuryHotel #BathroomDesign #InteriorDesign #HotelArchitecture #TravelAccommodation #SpaExperience #ModernDesign #SustainableDesign #GlobalHotels

The article showcases 53, an Asian-fusion restaurant in Midtown Manhattan, designed by ICrave, led by founder and CEO Lionel Ohayon. Located at the base of Ateliers Jean Nouvel’s 53 West 53 residential tower, adjacent to the Museum of Modern Art (MoMA), the restaurant aims to provide an immersive dining experience that transcends mere culinary satisfaction. Ohayon emphasizes the concept of a “yummy” room, where a harmonious blend of lighting, acoustics, materiality, layout, visual impact, and a sense of discovery compels diners to return. The restaurant was recognized as a 2022 Best of Year Winner for Fine Dining. The 11,000-square-foot space is divided into a street-level bistro and a subterranean main dining room. Jean Nouvel’s architectural design, characterized by angular beams, allows for expansive column-free areas and intimate dining zones. Given its proximity to a world-renowned contemporary art museum, ICrave approached the project not as traditional interior design but as a sculptural or painterly endeavor. This artistic philosophy is evident in the restaurant's most prominent feature: three dozen giant curving fins that span the entire width of the space. These fins emerge from the street-level ceiling, cascade down in front of the bistro, sweep underneath, and wrap around the ceiling of the main dining room. Each fin is edged with a bright stripe, featuring nine neon-like colors derived from the Nine-Dragon Wall reliefs found in Chinese imperial palaces. These hues also subtly reference the diverse Asian cultures represented in the menu and the modern art displayed at MoMA. The restaurant plans to host a rotating selection of fine art in collaboration with the Friedrich Petzel Gallery. The fin installation, glossy black on one side and sepia-toned on the other, creates a lenticular effect as guests move through the restaurant or view it from the sidewalk. Ohayon describes the installation as both a loom and a veil, with its vibrant colors attracting attention from passersby and directing their gaze to the aerial arrangement of tables, banquettes, and chairs set on an ink-wash carpet, which features subtle smokey grays echoing Nouvel’s steel construction. Ohayon highlights the importance of creating a unique piece of the city's landscape, fostering memories for visitors and a sense of place for residents. The sculptural architectural gesture draws inspiration from the Chinese artistic principle of xieyi, emphasizing broad, expressive strokes and representing the chi or energy flow within 53. In contrast, the principle of gongbi, which focuses on realism and fine detail, guided the selection of decor elements. For example, the colors from the fin edges are subtly echoed in the precious stones used as chopstick rests. Lighting, a critical component of the "yummy" atmosphere, was developed in collaboration with Licht, ICrave's in-house studio. The main dining room features cove lighting, slender cylindrical pendant fixtures that adjust with ceiling height variations, and circular sconces softly illuminating the ecru suede-like walls. An ethereal cluster of small LEDs forms a twinkling cloud above the bar. All lighting elements emit 2,600 Kelvins, complemented by rechargeable Japanese table lights, creating a warm, cinematic glow. The material palette emphasizes honesty and natural finishes, including stone bar counters, white oak paneling, leather banquette upholstery, and wool rugs. The deliberate juxtaposition of warm and cool tones reinforces the duality of hard and soft, grand and humble, evident throughout the design. Lionel Ohayon personally led the design of this project, finding it a creatively cathartic and rewarding opportunity to shape New York City's landscape. He aimed for an expression that aligns with its location next to MoMA, showcasing exuberance with mature restraint, moving away from what he perceived as a "Brooklyn-ification" of Manhattan's design aesthetic. ICrave's extensive experience in hospitality design, spanning over 20 years, allowed them to create a restaurant interior that honors its cuisine without resorting to pastiche, understands its contextual importance, and is as delightful as the food it serves. #RestaurantDesign #InteriorDesign #MidtownManhattan #ICrave #FineDining #ArchitecturalSculpture #LightingDesign #AsianFusion #LuxuryHospitality

The Dolli, a new hotel in Athens, represents a fusion of classic Greek culture and contemporary design, situated in a 1925 neoclassical building in the city's heart. Mari Daskalantonakis, the hotel's owner and creator, envisioned the Dolli as a home base for travelers seeking to immerse themselves in Athens' ancient charm and vibrant energy. The design inspiration stemmed from the building's original architecture by Andreas Kriezis, who also designed the Hellenic Parliament. The hotel’s interiors, materials, and art collection were carefully curated to align with the building's historical grandeur and the city's spirit. Located in Plaka, near the Acropolis, The Dolli respectfully incorporates its Greek heritage through elements like 18th-century antiques and ancient Macedonian motifs, which Kriezis himself preserved and restored. This historical richness is complemented by modern design pieces, including custom furniture from Pierre Augustin Rose, and significant artworks by Pablo Picasso and Jean Cocteau, creating a dialogue between past and present. Daskalantonakis highlighted the demanding process of restoring the facade to honor Kriezis' legacy and enhance Athens. A particular challenge was transforming the abandoned rooftop into a key feature. This rooftop offers unparalleled views of the Acropolis, Parthenon, Ancient Agora, and the 19th and early 20th-century architecture of Plaka. The goal was to create a unique viewpoint that respects the Acropolis without competing with its historical significance. Stelios Kois, a renowned contemporary Greek architect, was tasked with this challenge. He embraced Daskalantonakis' vision, designing The Dolli’s restaurant on the rooftop as a subtle yet divine architectural addition to Athens. The hotel’s design philosophy balances historical preservation with modern aesthetics, offering guests a unique experience that blends comfort, luxury, and cultural immersion. The selection of art, furniture, and decorative elements contributes to an ambiance that is both elegant and welcoming. The careful integration of various design periods and artistic styles aims to provide a sophisticated yet authentic Athenian experience, celebrating the city's past while looking towards its future. The project reflects a deep understanding of Athens' architectural and cultural landscape, transforming a historic building into a contemporary hotspot. #HotelDesign #AthensArchitecture #NeoclassicalBuilding #InteriorDesign #GreekHeritage #ContemporaryArt #RooftopRestaurant #ArchitecturalRestoration #LuxuryTravel

The third season of 'The White Lotus' has concluded, bringing with it a renewed interest in the stunning backdrops that have become a hallmark of the series. Each season is filmed on location at real Four Seasons resorts, which are transformed into the fictional White Lotus hotels, known for their opulent design and five-star luxury. This article ranks these locations based on their design and overall vibe, providing insights into what makes each property unique. Third on the list is the Four Seasons Maui at Wailea, featured in Season 1. This resort established the show's aesthetic with a refined yet relaxed design. Its interiors draw inspiration from the Hawaiian landscape, incorporating natural textures, a neutral, sun-washed color palette, travertine floors, and warm woods. Subtle tropical motifs are present without being overly thematic. The architecture prioritizes the surrounding beauty, utilizing large windows to frame Pacific Ocean views and open-air corridors that blend indoor and outdoor spaces. Amenities include an adults-only pool, 70 poolside cabanas, and a spa. The design emphasizes quiet opulence, with expansive public areas that feature curated art installations and floral arrangements. Guest rooms reflect an elevated simplicity, luxurious but not ostentatious. The article highlights the Mossbachers' Tradewinds Suite as an example of timeless resort design rooted in its location, providing a serene yet subtly tension-filled setting. Second is the San Domenico Palace, Taormina, a Four Seasons Hotel, from Season 2. This former 14th-century convent, perched on a cliff overlooking the Ionian Sea, masterfully combines Sicilian Baroque with monastic minimalism. It features historic stone archways, frescoed ceilings, and ancient cloisters, juxtaposed with sleek contemporary furnishings and a rich, moody color scheme. This creates a striking contrast between sacred and sensual, old-world austerity and modern luxury. The property's 68 rooms and 43 suites are lavish, boasting Juliet balconies, Italian furnishings, and marble bathrooms. Beyond the rooms, the resort offers multiple pools with Ionian Sea views, fine dining, and winding garden paths. The hotel's grandeur, sun-drenched terraces, candlelit courtyards, and cinematic infinity pool contribute to the show's aesthetic and narrative tension. The design respects its heritage while updating elements with velvet upholstery, dramatic lighting, and dark marble accents, allowing for a blend of historical context and modern indulgence. Topping the list is the Four Seasons Koh Samui, the setting for Season 3 in Thailand. Nestled within a coconut grove on a secluded hillside, this resort embraces tropical maximalism with a distinct Thai influence. Private villas are integrated into the landscape, each featuring an infinity pool, teakwood finishes, and airy, open-plan layouts. The interiors utilize a palette of deep blues, earthy neutrals, and rich woods, complemented by local artisan crafts such as carved screens and woven textiles. On screen, the resort projects a serene, sensual, and dreamlike atmosphere, underpinned by an inherent sense of isolation that enhances the show's psychological depth. Unlike the more structured opulence of Taormina or the polished calm of Maui, Koh Samui's aesthetic is described as wilder and more immersive, with lush greenery blurring the lines between nature and design. This creates a setting where paradise appears almost too perfect, providing an ideal backdrop for the unfolding drama. #WhiteLotus #HotelDesign #LuxuryTravel #FourSeasons #InteriorDesign #Maui #Sicily #KohSamui #HospitalityDesign

The Alsace LA hotel, located in the historic West Adams neighborhood of Los Angeles, introduces a new hospitality experience to a district known for its rich architecture, vibrant dining scene, unique retail, and blossoming arts and music community. Developed by CIM Group and designed by architects NMDA Group, the hotel features interiors and custom furniture by Home Studios, reflecting a design ethos inspired by Bauhaus principles and Mediterranean architecture. The 48-room hotel aims to become a cherished fixture in West Adams, a neighborhood that, while not as widely recognized as some other areas of the city, possesses a significant cultural and historical standing. The interior design by Home Studios emphasizes a residential-style approach, creating an evocative and sensual atmosphere that captures the eclectic essence of Los Angeles. This is achieved through a combination of white oak floors and ceilings, terracotta plaster, fluted textures, warm wood accents, and a curated mix of vintage and custom-designed furniture. The hotel's design journey begins with a Mediterranean-style portico entry, leading guests into a verdant interior courtyard that spans all three floors, allowing natural light to permeate the space. Guest rooms are meticulously designed with handcrafted details. Larger accommodations offer the added luxury of balconies or terraces, along with custom-designed dining tables and bespoke pull-out couches. Home Studios took responsibility for many in-room elements, including the upholstered headboard panels, rattan and wood wardrobes, and sculptural brass hooks, all contributing to a unique, transporting ambiance for guests. Downstairs, the lobby continues the hotel's distinctive aesthetic with a striking tile mural. This mural, a collaborative effort with local artist Lukas Geronimas Giniotis, draws inspiration from ancient mosaic art, featuring figures in repose and an abstracted landscape of fauna and classical architecture. The tile motifs are strategically placed to hint at the function of various public spaces within the hotel; for instance, divers are depicted near the pool exit, and figures are shown playing near the gym. This thoughtful integration of art and space enhances the narrative of the hotel's design. Additional design elements throughout the hotel include custom-designed metal mesh and concrete tile-top tables in the courtyard, ‘Vimini’ sofas by Kettal, and ‘Bubble’ armchairs by Casa Design Group. The lobby features custom mohair sofas and coffee tables by Gubi, complemented by textile artwork from LA sculptor Molly Haynes and ceramic pieces by Morgan Peck. The meeting room showcases custom wool rugs handwoven by Moroccan artisans, vintage coffee tables, and lounge chairs by Gubi, along with photographs by LA-based photographer Pascal Shirley. Bedrooms feature custom beds and side tables, while bathrooms boast chequered terracotta tiles, verde marble mosaic floors, and green zellige ceramic tiles. The overall design creates a cohesive and immersive experience that celebrates craftsmanship and local artistry, providing a unique retreat in the heart of Los Angeles. #HotelInteriors #LosAngelesDesign #HomeStudios #BauhausInspired #MediterraneanArchitecture #CustomFurniture #TileMural #WestAdams #LuxuryHospitality

The Hari Hong Kong, a distinguished hotel that recently received an award, was brought to fruition under challenging circumstances during a global pandemic. Interior designer Tara Bernerd, based in London, spearheaded the project remotely from lockdown, utilizing video calls and WhatsApp to oversee the final stages of design and preparation for its December 2020 opening. Despite not having physically visited the completed hotel, Bernerd's team emphasized a flexible design approach and a strong connection with nature in their work. Bernerd's collaboration on The Hari Hong Kong marked her second project with hospitality businessman Aron Harilela, following a successful prior engagement. The onset of the COVID-19 pandemic presented unforeseen obstacles, transforming the execution of the project into a blend of exhilaration and heartbreak. Anticipating the global spread of the virus, Bernerd proactively closed the London headquarters of Tara Bernerd & Partners (TB&P;) in February 2020, even before many other businesses in Britain. This decision necessitated a rapid shift from frequent international travel to a fully remote operational model for her and her team. The transition to remote work involved extensive use of digital communication platforms, particularly Zoom, to manage and coordinate the project. Bernerd credits her team's adaptability and quick reaction to the changing global landscape for successfully navigating the complexities of completing a large-scale project amidst widespread lockdowns. The primary challenge became maintaining design integrity and execution quality without the ability for in-person oversight, pushing the boundaries of traditional interior design processes. The project serves as a testament to the resilience and innovative spirit required to deliver high-quality design work under extraordinary constraints. Although the article provides a detailed account of the remote design process, it does not offer specific details about the materials used, the color palette, or particular design elements that contribute to the flexible design or the connection with nature. However, it implicitly suggests that the design incorporates elements that would resonate with a sense of calm and adaptability, given the challenging context of its creation. The successful opening and subsequent award for The Hari Hong Kong validate the effectiveness of Bernerd's remote design strategy and her team's commitment to their vision, despite geographical separation. #HotelDesign #InteriorDesign #RemoteWork #TaraBernerd #HongKong #LuxuryHotels #PandemicDesign #TravelAndLeisure #AwardWinningDesign