Ina Garten's table challenges design conventions

The article explores the ongoing debate in interior design and event planning regarding the optimal shape for dining tables, specifically focusing on whether the popularity of long, rectangular tables on platforms like Instagram has diminished the relevance of the traditional round dining table. For years, the round table was considered the quintessential choice for dinner parties due to its inherent qualities of fostering intimacy and facilitating conversation, as no guest is ever truly at the 'end' of the table. However, social media feeds are now dominated by images of elaborately decorated, elongated tables, often adorned with extensive floral arrangements and candles, suggesting a shift in aesthetic preference and entertaining styles. Several prominent designers and event planners offer their perspectives on the matter, revealing a divided opinion. "Team Rectangle" advocates, such as interior designer Charlotte Moss and celebrity party planner David Monn, favor rectangular tables, especially for gatherings of 10 to 14 guests. Moss finds them ideal for her preferred party size, while Monn believes they enhance connection by allowing guests to interact with people on their left, right, and across from them. Event planner Bryan Rafanelli also supports rectangular tables, highlighting their decorative versatility and dramatic visual impact. He notes that rectangular tables offer more creative possibilities for themes and decor compared to round tables, which he associates more with formal events like weddings and galas. Conversely, "Team Round" proponents argue for the enduring appeal and functional superiority of circular tables. Designer Carolyne Roehm champions the round dining table, particularly for its ability to promote inclusive conversation, where all guests can easily participate without needing to shout across a long expanse. She also emphasizes the 'democratic' nature of a round table, ensuring no one feels marginalized at an 'end' position. Interior designer David Netto echoes this sentiment, recalling a preference for intimacy over grand, elaborate setups. Production designer Bronson van Wyck suggests round tables are better suited for more casual occasions, as they allow hosts to bypass hierarchical seating arrangements and encourage a single, unified conversation among guests. However, van Wyck adds a caveat: for very large rooms, a long rectangular table or a mix of shapes might be necessary to avoid a stiff neck from trying to converse across a vast round table. Ultimately, some experts lean towards a more flexible approach, suggesting that the choice of table shape should be dictated by the specific room, the desired ambiance, and the overall scene being created. Jung Lee of Fete NYC, for instance, advocates for using a combination of different table shapes, including squares, to craft dynamic and engaging environments. Interior designer Sasha Bikoff takes an even more unconventional stance, proposing alternatives like floor seating with carpets, poufs, and large trays to encourage a more eccentric and lively party atmosphere, moving away from traditional table-bound interactions altogether. This diverse range of opinions underscores that while Instagram might highlight certain trends, the 'death' of any particular dining table shape is far from definitive, with practical considerations and personal preferences continuing to play a significant role in entertaining choices. #DiningTableTrends #HomeDecor #EventPlanning #InteriorDesign #EntertainingStyle #SocialMediaInfluence #TableSetting #DesignDebate

This article explores the preferred tableware shopping destinations of 12 interior designers, offering insights into curating elegant and functional tablescapes for various occasions. The article highlights a range of sources, from high-end luxury brands to artisanal boutiques, vintage shops, and more affordable retailers, demonstrating how design professionals approach selecting plates, bowls, platters, glassware, flatware, and linens. Vicky Charles of Charles & Co emphasizes attention to detail and frequently turns to Abask for its exquisite selection of plates, bowls, and serving pieces that combine timeless elegance with an organic, natural finish. Abask's unique textures and muted tones provide a versatile canvas for relaxed yet elevated dining experiences. For a more opulent and eclectic touch, Charles also recommends RW Guild, known for its globally sourced artisanal pieces with rich, earthy tones, and Il Buco Vita for vintage-inspired glassware and luxurious table linens that blend beauty and functionality. Emily Ward and Louisa Pierce of Pierce and Ward adopt a personalized approach, mixing antique, vintage, and new items across different price points to reflect clients' personalities and lifestyles. They prioritize durability and longevity, recommending Heath Ceramics for plates and bowls, Studio Ford for cotton napkins and tablecloths, and Jean Dubost Laguiole Steak knives, particularly those with brass accents. Pembrooke & Ives, a New York design studio, suggests Mary Mahoney for high-end brands like Hermes and Bernardaud, ideal for refined and elegant tables. For a contemporary aesthetic, MAX ID offers unique geometric table pieces. They also favor Abask and David Mellor, the latter for its diverse range of porcelain from various countries. Paige Wassel, director of Paige Wassel, expresses a strong preference for thrifting tableware, actively searching Etsy for vintage cutlery, etched coupes, everyday drinking glasses, and hand-fired bowls and plates with artisan stamps. She also appreciates Japanese handmade ceramics and opts for more affordable finds due to her tendency to break glasses. Laura Lubin of Ellerslie Interiors recommends Sasha Nicholas for stunning handcrafted tableware, including chargers and dinner plates with intricate, timeless designs, and Hudson Grace for rich, saturated linens and napkins that add depth and character. Gideon Mendelson, founder of Mendelson Group, categorizes his recommendations by formality. For formal settings, he suggests Bergdorf Goodman, Bernardaud, and Christofle. For casual or everyday use, Heath Ceramics, Mondays, Wilcoxson, and Camille at the Wheel are preferred. For more affordable options, Williams-Sonoma and Crate & Barrel are highlighted. Dan Mazzarini of BHDM Design and ARCHIVE is a fan of splatterware from March SF. He looks to Ralph Lauren for timeless stemware and CB2 for budget-friendly tumblers and glasses. Mazzarini enjoys mixing modern cutlery from Wayfair with vintage and antique finds, and stresses the importance of linen napkins, properly starched and ironed. He also advises incorporating lighting, such as smoked hurricanes from March SF and portable table lamps. Kathy Kuo of Kathy Kuo Home recommends her own brand for its extensive collection of dishes, glassware, linens, and flatware, featuring a variety of styles, materials, and vendors like Simon Pearce, Juliska, Vietri, Villeroy & Boch, and L'Objet. Kishani Perara, founder of Kishani Perara, likes TABLE ART, Bergdorf Goodman, Artemest, Il Buco, and Sharland England for tableware and candlesticks. She emphasizes the value of incorporating special family pieces or vintage finds from platforms like Etsy, eBay, Chairish, and 1stDibs. Darren Henault of Darren Henault Interiors champions Julia B. Casa in Florence for its spectacular embroidery and appliqué, and E. Braun on Park Avenue for timeless and luxurious selections. He collects a variety of dish patterns, including Herend's Rothschild, Fischcale, and Chinese Bouquet, and Royal Crown Derby's Midori Meadow, which he mixes and matches. For glassware, he particularly values Lobmeyr water glasses from Vienna for their delicate elegance. Finally, Gray Walker of Gray Walker Interiors prefers simple linen hem stitch tablecloths and napkins, often with festive embroidery. She builds tablescapes around specific decorations, combining sterling silver, Tiffany china and crystal, and clippings from her garden. She collects table linens from sources like Schweitzer Linens. Josh Greene of Josh Greene Design recommends Collecto for quality dining ware, including traditional Italian and whimsical floral china, and Abask for its diverse independent designs. For luxurious occasions, Tiffany is a staple, while West Elm is suggested for more affordable, classic dining sets. #InteriorDesign #Tableware #HomeDecor #Tablescapes #DesignersChoice #LuxuryHome #VintageDecor #KitchenDecor #DiningRoom

The article features an interview with interior designer Jennifer Hunter, who shares insights into her career and her approach to traditional design. Hunter's journey into interior design began at a young age, influenced by her family's background in development and real estate. This early exposure led her to pursue a five-year architecture program at the University of Texas at Austin. During her studies, she interned with renowned designer Albert Hadley, who advised her to further her education in American Fine and Decorative Arts at Sotheby's Institute of Art to gain historical knowledge. After completing her master's, she helped establish Harry Heissmann's design office before founding Jennifer Hunter Design four years prior to the interview. Hunter describes her personal design style as traditional yet seen through fresh eyes, characterized by a unique balance of tailored and eclectic, glamorous and relaxed, bold and subtle elements. She expresses enthusiasm for the resurgence of traditional design, believing that classic styles are enduring. She notes that both designers and clients are increasingly drawn to the playful patterns, bolder color palettes, and classic silhouettes inherent in traditional furniture. She acknowledges contemporary trends like "new traditional" and "grand millennial" (or "coastal grandmother") as fun interpretations that incorporate traditional design with a playful twist, and she is relieved to see a shift away from minimalist and sterile aesthetics. When sourcing furniture and decor outside of trade channels, Hunter recommends online platforms and retailers such as Chairish, Serena and Lily, Scout and Nimble, and Annie Selke. For a traditional home, she emphasizes the importance of good "bones," including quality hardware, doors, and moldings. These foundational elements should be complemented by significant pieces such as art, an heirloom case piece, or a vintage Oushak rug, which then inform the rest of the design. Layers can then be added, including floral prints, classic ticking stripes, timeless paint colors, and meaningful accessory items. Looking ahead, Hunter anticipates seeing traditional design trends with a modern edge in the coming year, such as oversized floral patterns or bolder recolorations. She also observes a growing demand for more intricate trims and moldings in renovations and new builds, including multi-piece crown moldings, picture moldings, and paneling. Clients are also requesting these architectural details to be painted in accent colors. Conversely, Hunter predicts that minimalism and monochromatic, "no-color" aesthetics will be phasing out in 2023. She shares her expertise on mixing patterns, explaining that the key lies in balancing color and scale; for instance, a large-scale floral in saturated colors can be effectively paired with a small-scale pinstripe in a more muted tone. Regarding challenges in the interior design industry, Hunter highlights the lingering impact of supply chain issues, which particularly affect new-build and gut renovation projects. While her firm has established reliable vendors, they remain dependent on contractors and their material procurement during construction, necessitating flexibility and adaptability. She expresses particular pride in her Bronxville project, completed during the pandemic, where she successfully created a sophisticated yet family-friendly dream home for clients, integrating vibrant colors and playful patterns. #InteriorDesign #JenniferHunter #TraditionalDesign #HomeDecor #DesignTrends #PatternMixing #SupplyChainIssues

Joanna Gaines, renowned for her interiors that harmoniously blend old and new elements, is influencing a new design trend for 2024 with a nature-inspired cabinet color. Moving beyond her characteristic modern farmhouse aesthetic, Gaines has become a trendsetter for the modern heritage style, which combines traditional styling with contemporary amenities and decor. A notable example of this approach is her renovation of an old castle in Waco, TX, where she expertly fused historic features with modern updates. In one specific area of the castle, transformed into a butler's pantry, Gaines preserved original architectural elements like the fireplace, millwork, and stained wood window. She then integrated modern components such as new marble countertops, hardware, appliances, and updated lighting and plumbing fixtures. A key design choice in this space was the custom cabinetry, painted in a striking dark blue-green hue. This particular color choice is highlighted as a significant trend for both traditional and modern kitchen renovations and cabinet refreshes. The appeal of this earthy dark blue-green lies in its ability to evoke a sense of calm and joy. Gaines, known for her expertise in paint colors through her Magnolia Home paint line, developed a collection specifically for the castle renovation. The cabinet color, named Cottage Grove, is described as a rich blend of navy and green, capable of shifting its tone depending on the light, creating a dramatic yet cozy ambiance. This shade is said to resemble the serene transition where lush forests meet the night sky, establishing a strong connection to nature. This natural rootedness makes the color feel grounded, familiar, and enduring, addressing common concerns about committing to a cabinet color. To achieve the desired effect, the article emphasizes that not all blue-green paints are suitable. The ideal hue incorporates a generous amount of gray, resulting in a muted and subtle color that still offers depth and drama. It is recommended to test paint samples extensively in various lighting conditions before making a final decision, as colors appear more saturated on larger surfaces. To further enhance this dark blue-green, it should be paired with complementary materials and colors. White or cream quartz countertops and marble provide a light and airy contrast. Warm wood tones, reminiscent of evergreen trees, create a classic combination. Additionally, metallic accents such as matte black can lend a modern feel, while gold or antique brass hardware can add character to both modern and traditional aesthetics. This versatile dark blue-green, positioned between muted forest green and navy, is presented as an ideal cabinet color that suits diverse design styles, offering both drama and tranquility. #JoannaGaines #CabinetColorTrend #NatureInspiredDesign #ModernHeritage #InteriorDesign #KitchenRenovation #PaintColors #HomeDecorTrends #MagnoliaHome

The "Ideas for Business" initiative, launched by DesignWanted in May, aimed to reimagine the side table, a typically overlooked domestic object. The call challenged designers to explore new functionalities, materials, and meanings for this common furniture piece, in response to evolving domestic life and contemporary living. This platform connects designers with industry stakeholders to foster the development of innovative, relevant, and thoughtful projects through open calls and competitions. Over 150 proposals were submitted, each demonstrating creativity and effort. A jury comprising Juan Torres, DesignWanted’s Creative Director; Mario Alessiani, product designer; and Denis Aktay, designer and founder of DEZIN, selected three winning projects. The criteria for selection emphasized not only design quality but also the projects' ability to reflect and adapt to a changing understanding of domestic spaces. The modern home's side table is no longer merely a surface for books and lamps; it must accommodate diverse activities, serving as an office, lounge, or personal retreat. The winning designs stood out for their unique interpretations of care, intimacy, and daily life, illustrating how a simple object can become emotionally resonant, sculptural, or intelligently designed. The call revealed that the side table can act as a micro-stage, capable of shifting the narrative of domestic life and reflecting broader themes such as sustainability, technological integration, emotional well-being, and the increasing fluidity of home spaces. The selected projects underscore that effective contemporary design can be subtle, attentive, and purposeful without being overtly radical. Each of the three winning entries embodies distinct aspects of DesignWanted's research focus. "Bable" by industrial designer Abin Rajendran, a side table that subtly integrates ambient lighting, gentle notifications, and a ring light, reimagines the home robot without resorting to typical tech aesthetics. Its strength lies in its poetic restraint and emotional tuning, aiming to blend seamlessly into the domestic environment and provide quiet care. "Ardea" by product designer Giuseppe Campanale, is a sculptural and architectural piece that serves as both a shelf and a light. Its elongated vertical form impressed the jury with its formal coherence and its delicate balance between functionality and artistic expression, offering a calm presence in an interior space. "Bale" from Copenhagen-based Bundle Studio, is a highly functional side table crafted from a bio-composite of flax fiber and PLA. Designed for the living room, it functions as both storage and seating, featuring four thermo-pressed panels joined by visible snap rivets. This design was recognized for its material honesty, emotional clarity, and inherent adaptability, making it approachable, repairable, and ready for practical application. The diversity of the winning projects, which included speculative technologies, handcrafted aesthetics, modular systems, and social rituals, highlights the richness of the submissions received. All entries utilized the side table as a means to observe and re-envision contemporary living. This first edition of the call demonstrated that such initiatives can foster a dynamic dialogue between designers and their innovative approaches, reaffirming that even minor domestic details warrant reconsideration in a design landscape that often prioritizes revolutionary concepts. The three winning designers will receive dedicated editorial features, social media promotion, and newsletter inclusion to amplify their work within the DesignWanted community. DesignWanted encourages designers to participate in future "Ideas for Business" calls to share their visions. #Design #FurnitureDesign #SideTable #ProductDesign #InnovativeMaterials #SustainableDesign #HomeDecor #DesignCompetition #DomesticLife

The exhibition, 'Dear Future,' showcases five decades of Gaetano Pesce's work at Goldwyn House in the Hollywood Hills, presenting a blend of his historic pieces and new editions. The event, hosted by LA Design gallery The Future Perfect, is situated within a 20th-century mansion converted into an appointment-only gallery space. Key pieces on display include Pesce's Monolithic table, Airport Lamp, Nobody’s Perfect chair, Fiona Table, Multicolour Floor Lamp, Side Table with Rocks, and the Soho armchair in red. A central highlight is the 'La Mamma' armchair, an iconic design inspired by the ancient 'Venus of Willendorf,' now presented in a new edition crafted from recycled bottle corks, accompanied by a tapestry depicting a pregnant woman. Other notable works feature the 'Leaf Shelf,' a resin-based shelving unit available in various colors, and the 'One of Us Lamp,' characterized by its anthropomorphic eyes, nose, and mouth. Pesce’s distinctive, playful design ethos is also evident in the 'River Table,' which integrates grassy banks and resin water onto a table structure, and the 'Some of Us' series of anthropomorphic vases. Gallery founder David Alhadeff characterizes Pesce's artistic approach as a form of 'counter-design,' which challenges conventional design paradigms by embracing elements such as incoherence, unpredictability, eccentricity, and originality. This perspective underscores the unique and unconventional nature of Pesce's creations, positioning them as a departure from more prescriptive design philosophies. The exhibition offers a comprehensive overview of Pesce's creative evolution, from early works to contemporary pieces, emphasizing his consistent use of unconventional materials and forms. Many of the items displayed are available for purchase, allowing collectors and enthusiasts to acquire pieces directly from the show. The Goldwyn House setting provides an intimate and exclusive environment for viewing the collection, reinforcing the artistic integrity and curatorial intent behind 'Dear Future.' The exhibition runs until March 31, providing a limited-time opportunity to experience Gaetano Pesce's influential and imaginative designs in a unique architectural context. #GaetanoPesce #FurnitureDesign #ArtExhibition #GoldwynHouse #TheFuturePerfect #LAEvents #Postmodernism #DesignHistory #InteriorDesign

The article discusses the resurgence and contemporary reinvention of skirted tables in interior design. Historically, skirted tables have been associated with traditional, often outdated, aesthetics, evoking a sense of 'grandma's old fabric-heavy' furniture. However, interior designers are now embracing this classic detail, updating it for modern spaces by incorporating contemporary fabrics and patterns. This revival offers a fresh approach to adding character, softness, and practical clutter concealment to various rooms. Laura Krey of Laura Krey Design, based in New York City, exemplifies this modern application. In her Wycoff Avenue Cottage Project, she utilized a simple skirt on a desk in a timber-clad home office. The key to her successful execution lies in the choice of a graphically-patterned fabric, specifically a checkerboard print. This bold pattern introduces a playful warmth and visual interest to an otherwise minimalist setting, demonstrating how a traditional element can be integrated into a modern aesthetic without appearing dated. The use of fabric in this manner contributes to the current trend of creating more eclectic and personalized interiors. While popular decorative elements like ruffled bedding are gaining traction, the article emphasizes that there is no singular approach to designing a skirted table. Creativity in material selection, pleating style (e.g., a uniform box pleat versus a standard ruffle), and placement within the home are crucial for ensuring the look remains fresh and contemporary. A skirted table can also effectively finish hard edges or make use of underutilized spaces, adding both aesthetic appeal and functionality. The versatility of skirted tables allows them to be incorporated into various areas of a home. For instance, a tailored skirt on a tall console table in an entryway can create a strong and clean visual statement, setting a welcoming tone. Conversely, a lighter, airier fabric on a table skirt can introduce a more organic and natural feel, suitable for social or high-traffic areas such as kitchen sink skirts or office desks. This adaptability highlights how the design can cater to different moods and practical needs within a living space. The article also provides practical shopping recommendations for those interested in adopting this trend, featuring examples of checkerboard fabrics and various linen curtain options that can be adapted for table skirts. These suggestions include fabrics in denim colors and linen options at different price points, indicating the accessibility of this design element. Ultimately, the piece advocates for skirted tables as an easy and chic upgrade for furniture, offering both a stylish decorative detail and a clever solution for hiding clutter, proving that a traditionally perceived 'cringey' item can be transformed into a cool, functional design feature. #InteriorDesign #HomeDecor #SkirtedTables #DesignTrends #ContemporaryDesign #ClutterSolutions #FabricSelection #HomeOfficeDesign #EclecticInteriors

The "Innesti" series, developed by designers Alexandra Denton and Sofia Lazzeri, introduces a collection of vessels that seamlessly integrate glass and textiles. The name "Innesti" is derived from the Italian word for grafting, a botanical process involving the fusion of tissues from two distinct plants to cultivate new varieties. This concept serves as the foundational principle for the project, which aims to merge disparate materials to generate novel forms and aesthetic experiences. The core idea behind Innesti is to combine the inherent qualities of a hard, rigid material like glass with the soft, pliable nature of textiles. This juxtaposition results in a compelling visual and tactile harmony, where the seemingly contradictory characteristics of the materials complement each other, creating a sense of belonging and unity. The designers intentionally chose these materials to highlight their individual voices and to stimulate an aesthetic appreciation that thrives on contrasts. This approach celebrates the unique properties of each component while showcasing how they can be harmoniously integrated. Innesti is not merely about combining materials; it is also a deliberate exploration of knowledge and tradition within design. By drawing inspiration from the ancient technique of grafting, Denton and Lazzeri infuse their contemporary design with a reverence for established practices. The project underscores the potential for innovation when traditional methods are reinterpreted through a modern lens, emphasizing the enduring relevance of craftsmanship and material understanding. The series was prominently featured at Greenhouse during Stockholm Design Week, an event recognized for showcasing emerging talent and innovative design concepts. Its exhibition there highlights the project's significance in the broader design landscape, drawing attention to its inventive use of materials and its thoughtful conceptual framework. The public presentation allowed for a wider appreciation of how Innesti challenges conventional perceptions of material compatibility and opens new avenues for design exploration. Through Innesti, Alexandra Denton and Sofia Lazzeri offer a compelling narrative about the transformative power of material synthesis. Their work demonstrates that by thoughtfully combining diverse elements, designers can create objects that are not only visually striking but also imbued with deeper meaning, fostering a richer aesthetic and intellectual engagement with everyday objects. The project serves as an example of how designers can push boundaries by exploring the interplay between contrasting textures and forms, ultimately enriching the discourse on material innovation and design artistry. #InnestiVessels #AlexandraDenton #SofiaLazzeri #GlassTextileDesign #MaterialFusion #DesignInnovation #StockholmDesignWeek #ContemporaryDesign #HomeFurnishings

Kathryn M. Ireland, a renowned interior designer, discusses her unique approach to design, her career trajectory, and her philosophy on living. Raised in London and Scotland, Ireland accidentally entered the design world after people admired the aesthetic of her home. Her initial foray into interior design involved working with high-profile clients like Steve Martin and Caroline Kennedy, who were drawn to her "undecorated look." This style prioritizes comfort, family, and practicality over formal, traditional design elements, a philosophy exemplified by her decision not to design foyers and her appreciation for a living space that accommodates real life, such as children's building blocks in a living room. Ireland emphasizes the importance of functionality in design, particularly in smaller spaces like city apartments. She suggests innovative solutions such as "equipment garages" for exercise machines, transforming built-ins into discreet storage areas for items like Pelotons. The recent period of increased time spent at home has highlighted the need for deliberate contemplation of living spaces. Ireland recounts how this newfound stillness led her to reassess and enhance the functionality of her own guesthouse, identifying overlooked needs for storage. This introspection encourages individuals to thoughtfully consider their surroundings and identify areas for improvement. Her collaborative platform, The Perfect Room, reflects her vision for democratizing design. This website allows individuals to purchase curated rooms by their favorite designers or upload images for sourcing specific design elements. The platform aims to provide designers with royalties for their work and foster a collaborative environment in the design industry. Ireland's global lifestyle influences her work, as she divides her time between California and France, where she has transformed a farmhouse into a large guest retreat. This international perspective also informs her retreat business, which offers immersive experiences in locations like Marrakesh, the Cotswolds, and the Nile, focusing on camaraderie and personal reflection rather than just leisure. Ireland advocates for a relaxed and spontaneous approach to life and entertaining, contrasting it with the often-over-stylized portrayals of perfect living. She believes that real life is not a photo shoot and encourages simplicity in hosting, favoring casual meals and genuine connection over elaborate preparations. This extends to her personal preferences, as she often prefers cooking at home with friends over dining out, viewing her home as a sanctuary. She highlights the concept of "retreating at home," suggesting that individuals can create a getaway within their primary residence, reducing the need for additional properties and minimizing their carbon footprint. Her advice is to embrace the present space and make it feel like a cherished escape, reflecting her broader philosophy of living easily and authentically within one's surroundings. #InteriorDesign #KathrynMIreland #HomeDecor #UndecoratedStyle #ThePerfectRoom #DesignPhilosophy #HomeRetreat #FunctionalDesign

Holly Hunt, a significant figure in the interior design industry, has been inducted into the 2024 Interior Design Hall of Fame. Born in 1942 in San Angelo, Texas, Hunt initially pursued a career in fashion after majoring in English at Texas Tech. Her early professional experience included an executive training program at Foley’s, a Houston department store, and a role as an assistant buyer in millinery, followed by designing for a costume jewelry company in New York City in 1969. Hunt’s pivotal entry into the design world occurred in 1983 when she acquired R.J. Randolph, a struggling showroom at Chicago’s Merchandise Mart. She rebranded it under her own name, HOLLY HUNT, and embarked on a mission to redefine the showroom experience. Her approach was revolutionary for its time, focusing on elevating customer service, improving product display, and introducing transparency in pricing—a practice that faced initial industry resistance. Hunt curated showrooms that resembled actual living spaces, integrating architectural details, artwork, and a diverse mix of products and styles. She championed established designers like Vladimir Kagan and Rose Tarlow, while also discovering and promoting emerging talents such as glass artist Alison Berger and furniture maker Christian Astuguevieille. The company’s sophisticated branding and marketing materials were developed with the avant-garde graphics studio Thirst, all united by a commitment to superior quality. A key collaboration in the early 1990s was with French furniture designer Christian Liaigre, whose sleek, monochromatic aesthetic resonated with Hunt’s own. Hunt’s company became instrumental in manufacturing and distributing Liaigre’s designs in the U.S., influencing American interior design with rich dark woods and creamy textiles. This partnership gained significant recognition when André Balazs's Mercer Hotel in Manhattan opened with Liaigre-designed interiors in 1997. Hunt’s strategic vision extended to expanding her showrooms, notably opening one in the nascent Miami Design District in 1998. Designed by architect Alison Spear, this showroom deviated from conventional layouts, offering a luxury boutique experience accessible to all. Another Manhattan showroom, intended to open in October 2001, was successfully launched just two months after the 9/11 events, demonstrating Hunt’s resilience and foresight. She navigated the 2008 recession by restructuring her company, which led to the creation of Holly Hunt Modern, a collection that surpassed the profitability of her previous collaborations. In 2014, Knoll acquired HOLLY HUNT for $110 million. Hunt remained CEO for two years, overseeing expansions in Dallas and Los Angeles, and continued as a consultant until 2019. During this period, she undertook design projects such as a penthouse at the Surf Club in Miami Beach. Currently, Hunt leads House of Hunt, a Chicago-based interior architecture and furniture studio, engaging in projects ranging from product design, like the Dune sofa for HOLLY HUNT, to comprehensive home renovations. Her career trajectory is marked by continuous evolution and an adaptability to challenges, consistently eschewing rigid business plans in favor of dynamic engagement. #HollyHunt #InteriorDesign #HallOfFame #FurnitureDesign #ShowroomInnovation #DesignEntrepreneur #LuxuryDesign #ChristianLiaigre #DesignIndustry

Domino has announced a collaboration with Lenox Corporation to launch a curated collection of dinnerware. This partnership aims to introduce vibrant and distinctly patterned tabletop items, catering to various design aesthetics. The inaugural Domino by Lenox line is designed to offer essential dinnerware, providing options for those seeking a complete new set or merely a few complementary pieces for their existing collection. The collection features three distinct patterns, each embodying a unique character while aligning with the core ethos of Domino. The first pattern, named Optique, is set to debut at New York’s Tabletop Market. Optique draws inspiration from the grid-like appearance of digital pixelation, featuring an ombre effect with gradient blues, purples, and pinks. This design is described as simultaneously contemporary and classic, appealing to a wide range of consumers. Kate Berry, Domino Style Director, revealed that the inspiration for Optique considered the typical Domino reader and market viability, including individuals registering for weddings or furnishing their first apartments. The concept for the ombre pixelation originated from observing cross-stitching gradients and the pixelated appearance of zoomed-in screenshots of colors. Despite its bold nature, the modern print is versatile and can be integrated into minimalist settings by pairing it with crisp white linens and simple table decor. To further accommodate a pared-back aesthetic, the Optique line also includes pieces in solid colors such as deep cobalt blue and soft peach, which are designed to create striking contrasts when layered. Berry emphasized the collaborative nature of the design process between Domino and Lenox, highlighting that the collection was conceived with various complementary ideas, including regular ombre, pixelated versions, and solid colors with contrasting borders. Following its initial showcase at the Tabletop Market, Optique will be available for purchase nationwide in the fall on Lenox.com, in the Domino shop, and at select specialty retailers. Two additional patterns, Technic and Gradiance, are also scheduled for release in the autumn. Technic is a vintage-inspired design that incorporates pale pinks, deep blue, and electric citron, reminiscent of retro arcade games. Gradiance offers a softer aesthetic with floral-inspired reds and pinks, presented in smudged brushstrokes that evoke the appearance of watercolors. Technic will be available at Bloomingdales, while Gradiance will be sold at Anthropologie. Michele Barbone, CMO of Lenox Corporation, expressed enthusiasm for the partnership, stating that it reinforces Lenox’s position as a leading tableware and entertaining company in North America. She also highlighted the potential for growth opportunities that this new dinnerware brand presents. Domino echoed this excitement, affirming that the collaboration successfully translates their passion for entertaining into a collection that is simultaneously timeless, modern, and enjoyable. #TabletopDesign #DinnerwareCollection #HomeDecor #ProductLaunch #DesignCollaboration #Lenox #DominoMagazine #InteriorStyle #TableSetting

This article highlights Ina Garten's elegant and minimalist approach to holiday table design, emphasizing its ease of replication for both Thanksgiving and Christmas celebrations. The author, Eleanor Richardson, draws inspiration from Garten's Instagram post showcasing three Thanksgiving table ideas, asserting their applicability to Christmas. The core principle of Garten's design revolves around simplicity, using readily available items to create a sophisticated and inviting atmosphere. The article begins by underscoring the value of Ina Garten's homemaking advice, particularly during the festive season. It notes how Garten's dining table aesthetics, while initially presented for Thanksgiving, can be seamlessly adapted for Christmas with minor adjustments to color palettes and seasonal elements. A practical tip shared early on is the use of a table protector runner, such as the Multisize Clear PVC Vinyl Table Protector Runner from Amazon, to safeguard the dining surface before arranging any decor. Key components of Ina Garten's favored table setting are detailed. Central to her design are clear votive candles, strategically placed to emit a warm, enticing glow. The article suggests using a set of six Essential Modern Tall Glass Tealight Candle Holders to achieve this layered, inviting effect. For napkins, Garten incorporates colorful options for her Thanksgiving table. The recommendation for a Christmas adaptation is to opt for vibrant red organic cotton napkins, such as those from Pottery Barn, to infuse a festive hue. A simple, neutral tablecloth serves as the foundation for the dining ware, with a 100% Linen Table Cloth from Wayfair being suggested as a suitable choice to frame the space elegantly and complement various decor styles. Ina Garten's use of glass vases filled with fresh flowers is another signature element. The article advises readers to select a Glass Stem Vase, similar to those found at Pottery Barn, and fill it with seasonal red flowers like poinsettias or amaryllis to align with a Christmas theme. The final, charming touch to Garten's holiday table is a personalized cookie placed on each guest's plate. While Garten uses pumpkin cookies for Thanksgiving, the article suggests substituting these with star-shaped or Christmas tree-shaped biscuits for a festive display. Additionally, a Faux Amaryllis Bouquet is recommended for adding a wintry flourish and color, to be placed in a glass vase for a simple yet stylish seasonal homage. The author expresses admiration for the simplicity and attainability of Ina Garten's dining table look, stressing that it does not necessitate the purchase of an entirely new collection of decorative items. The flexibility of the design is highlighted, allowing for easy transitions between Thanksgiving and Christmas by merely altering seasonal colors and floral choices. Specific instructions from Ina Garten herself are quoted: protecting the table with a waterproof runner, then adding a tablecloth, followed by white plates (preferably square for a modern touch), simple silver cutlery, and basic wine glasses. For centerpieces, Garten recommends placing flowers in odd numbers (three for a standard table, five for a longer one) in drinking glasses, interspersed with small clementines and scattered votive candles for sparkle. The use of charming cookies as name cards completes the personalized touch. This adaptable and elegant styling method offers a practical solution for creating a beautiful holiday table with minimal effort. #InaGarten #HolidayTableDecor #ChristmasDecor #ThanksgivingTable #MinimalistDesign #TableSettingIdeas #FestiveStyling #DIYDecor #CelebrityStyle

This article offers five sophisticated table-setting concepts designed to elevate at-home dining experiences, particularly as individuals spend more time indoors due to current global circumstances. The concepts focus on incorporating rustic and earthy palettes, rich textures, and artisan-crafted elements to create comfortable yet refined autumnal tablescapes. The first concept, "Bold and Relaxed," centers on a blue and white color palette, enhanced by muddy burnt orange to create a harmonious blend suitable for an outdoor fall dinner. This design incorporates a climbing floral fabric, blue-and-white exportware, and anemones in delicate glass bud vases as a centerpiece, offering a warm and familiar ambiance. Key shopping suggestions include Sylvie Saint-Andre Perrin dinner plates with their marbled effect, Les Indiennes Woodgrain Napkins featuring an indigo-dyed woodgrain motif that can double as placemats, and Match Violetta Place Settings crafted from Italian pewter for an antique feel. Glassware recommendations include the R + D.LAB Luisa Calice Stem Glass and Stories of Italy Macchia su Macchia Glasses, known for their unique opaque, layered designs. The second concept, "Maximalist and Layered," draws inspiration from a Markham Roberts-designed dining room featuring botanical motifs on walls, upholstery, and a tablecloth. This approach advocates for a simple yet sophisticated table setting that allows the room's rich patterns to remain central. Blue and white porcelain dinner plates are suggested, alongside bud vases filled with seasonal dahlias to introduce unexpected color against the deeply toned tablecloth. Featured products include Alberto Pinto Shanghai Dinner Plates, hand-painted with Asian botanical motifs, Alain Saint-Joanis Riviera Silverware Set with silver-plated olive wood, Sferra Festival Napkins in a rich brown hue, and the William Yeoward Crystal Country Tilly Footed Hurricane, handmade in Europe. "Lush and Verdant" is the third concept, emphasizing complementary shades of green—moss, sage, and olive—to create a calming and dynamic setting. Astier de Villatte plates, bowls, and vases are used as the foundation, filled with produce and eucalyptus, complemented by a marble bust from The Ancient Home for added height, aligning with the harvest season. Highlighted items for this look are Marie Daage Marqueyssac Custom Dinnerware, Hibiscus Linens Appliqué Dinner Napkins, and Sabre Nature Natural Wood Place Settings. Textile recommendations include Heather Chadduck Textiles Harley Fabric, while glassware suggestions feature the Land of Belle Taisho Roman Tumbler and Lobmeyr Reigen Wine Glass. The final concept, "Elevated and Mysterious," is inspired by exotic travel destinations. This design integrates layered textiles reminiscent of ancient trade routes and an eclectic centerpiece made from beautifully crafted candlesticks and antique finds. The concept encourages using existing home decor items like coffee table books or cherished trinkets to augment the centerpiece, alongside flowers and candlelight. Featured elements include the Chinese Fiori Finiti Plate by Geminiano Cozzi Venezia 1765 and the Herend Fish Scale Dinner Plate for dinnerware, Los Encajeros Valver Napkins and Jim Thompson Fabrics Cala Fabric for textiles, Ricci Argentieri Impero Five-Piece Place Setting for flatware, and Zafferano Iseo Tumbler and Buccellati Rouche Candlesticks for lighting and drinkware. This approach demonstrates how channeling personal desires into creative endeavors can enrich the dining experience. #FallTableDecor #SophisticatedTableSettings #DinnerPartyIdeas #HomeEntertaining #BlueAndWhiteDecor #MaximalistDesign #GreenTableDecor #TravelInspiredDecor #ArtisanTableware

The article presents room design ideas from maximalist expert Abigail Ahern, focusing on creating personalized and character-filled homes. Ahern, known for her 'more is more' philosophy, encourages bold color palettes, luxurious textiles, diverse patterns, and embellishments, contrasting with minimalist aesthetics. Her new book, *Everything*, serves as a guide for individuals to express their personalities through home design, especially relevant given the increased time spent indoors. Ahern emphasizes the importance of incorporating tactile textures to add depth and interest to a space. She suggests mixing various textures, such as shaggy rugs, metallic accents, woolly cushions, and fluffy throws, to create friction and visual richness. A key principle highlighted is the 'golden rule' of repetition, where any single texture should be used at least three times within a space to ensure cohesion and harmony. This approach helps prevent a room from feeling disjointed and contributes to a well-integrated maximalist design. Regarding color, Ahern advocates for intuition over apprehension, particularly when considering dark hues for smaller rooms. She advises against seeking external opinions, as color choices often provoke fear in others, and encourages designers to trust their own instincts. To inject vitality into predictable spaces, she recommends introducing a few colors that seemingly deviate from the main palette, thereby infusing the room with unexpected life and energy. For furniture arrangement, Ahern prioritizes traffic flow but advises against overthinking it. The primary goal is to ensure ease of movement without obstruction. A distinctive tip from Ahern is to float furniture in the middle of a room, even in compact spaces, to foster intimate conversation areas. She argues that pushing furniture against walls can make a room feel institutional, akin to a waiting room, and encourages regular rearrangement to revitalize the home's ambiance. Lighting plays a crucial role in transforming a dull space into a cozy retreat. While acknowledging the vast array of styles, Ahern prefers lighting fixtures that complement existing decor rather than overtly standing out. She specifically recommends investing in table lamps, which can either blend with the room's style or serve as an interesting focal point. Mixing two different table lamps with similar colors or geometric shapes can introduce visual symmetry. For dramatic effect and definition, pendants are suggested. Layering materials is another essential technique for creating depth. Ahern advises against matching materials too closely, such as a grey ceramic coffee table with a grey concrete floor, instead suggesting a marble alternative. Incorporating rustic elements like rattan or cane and blending shiny with matte finishes adds complexity. For a cozy atmosphere, the article highlights the warmth of wood, with finer grains offering formality and larger grains providing a casual feel, or a combination of both for a richer effect. To avoid a monotonous, catalogue-like appearance, Ahern stresses the importance of varying heights and scales within a room. She suggests combining tall and short, thin and plump items, such as placing a small chair next to a larger table. Oversized lamps or sculptures can serve as captivating focal points, creating visual interest without clutter. The article emphasizes that grand gestures often yield the most mesmerizing results. Finally, the article underscores the need to inject personality through pattern. Homes should reflect their occupants' individuality. Creating a gallery wall with beloved prints, or clustering patterned cushions on a solid-colored sofa, are immediate ways to add dimension. For those feeling more adventurous, mixing patterns through rugs and wallpapered walls is encouraged, combining graphic with organic elements or leopard print with florals. Incorporating diverse cultural influences can also create a fascinating design. To maintain an eclectic yet cohesive look, linking motifs, scales, and colors is crucial. #AbigailAhern #MaximalistDesign #InteriorDesign #HomeDecor #RoomDesign #TexturalElements #ColorTheory #FurnitureArrangement #LightingDesign #PatternMixing

This article introduces the second edition of Ann Ferebee’s book, "A History of Design from the Victorian Era to the Present." The author reflects on the significance of the first edition, published in 1970, as their initial foray into design history, noting that it predated Philip B. Meggs’ "A History of Graphic Design" by over a decade. The original book, despite being black and white, provided a comprehensive overview of modern design from the Victorian era up to its publication. The second edition, co-authored by Ferebee and Jeff Byles, is a full-color volume that expands the historical scope by four additional decades. This updated version serves to highlight the evolution of the design history movement itself, a field that Ferebee's original work helped to prefigure. The book offers a cross-disciplinary survey of design history, covering major milestones in architecture, interior design, graphic design, product design, and photography. Its timeline spans from the Crystal Palace of 1851 to the advent of the iPhone in the early 21st century. The volume traces the development of modern design across various continents and cultures, identifying key movements and design traditions that have shaped the contemporary world. It begins with the period of innovation in Victorian England at the onset of the Industrial Revolution, detailing subsequent design evolutions over more than a century and a half. This includes an exploration of Art Nouveau's ornamental style, the 'new vision' introduced by the Bauhaus, the emergence of the International Style, and the later developments in postmodernism and contemporary graphic arts and landscape architecture. Prominent design figures are contextualized within the broader framework of changing aesthetic idioms. The authors pay particular attention to how technological innovations acted as catalysts for architectural marvels like daringly conceived skyscrapers and bridges, as well as functional designs such as cantilever chairs. Furthermore, the book examines the impact of technical advancements on industrial design, typography, and photographic portraiture, illustrating how these fields were transformed by new technologies. The book's comprehensive nature and updated content make it a valuable resource for understanding the multifaceted history of design. #DesignHistory #AnnFerebee #VictorianEra #ModernDesign #ArchitecturalHistory #GraphicDesign #ProductDesign #InteriorDesign #TechnologicalInnovation

Gwyneth Paltrow's dining room challenges the long-held design principle that blue and black should not be combined. The actress's dining room, designed by Brigette Romanek, features light blue walls paired with black floors and furniture, creating a visually striking and elegant space. The article highlights how this unconventional color scheme successfully avoids the common pitfall of appearing too dark, primarily through strategic balancing elements. The successful integration of white in the doorway, ceilings, and dining table contributes significantly to the brightness and equilibrium of the room. Furthermore, the intricately patterned tree wallpaper, which incorporates both black and blue tones, plays a crucial role in uniting these shades and adding a cohesive element to the design. The lighter blue at the top of the wallpaper also helps to counteract any potential darkness that might arise from the black floors. Beyond color balance, the dining room's design benefits from a deliberate mix of textures and curved forms. Every piece of furniture, including the light fixture, features curved lines, creating a sense of whimsy and intentional design when juxtaposed with the straight lines of the wainscoting on the ceiling and base of the room. This interplay of shapes and forms contributes to the room's visual interest, allowing for a departure from traditional color rules. The contrast between the shimmering black floor and the matte walls further enhances the dynamic visual appeal of the space. This difference in texture prevents the colors from clashing and instead creates a harmonious and sophisticated aesthetic. The article suggests that such innovative design choices, which challenge conventional interior design rules, often lead to the most unique and artistic spaces. The overall effect is a dining room that is both elegant and organic, demonstrating that a thoughtful approach to design can successfully break established norms. The design encourages individuals to reconsider rigid interior design rules and embrace a more artful and adventurous approach to their living spaces, proving that innovative and beautiful results can be achieved by stepping outside traditional boundaries. #CelebrityStyle #DiningRoomDesign #ColorCombination #InteriorDesignRules #GwynethPaltrow #BrigetteRomanek #HomeDecor #LuxuryInteriors #DesignInnovation

Gala Magriñá, an interior designer, shares her journey from film and television studies at New York University to founding her eponymous design firm in 2018. Initially, Magriñá worked for Diesel, creating window and in-store displays, and later launched her own production agency, orchestrating events for high-profile companies. A pivotal moment in her career was the discovery of Vedic meditation, which led her to redefine her professional purpose and shift from temporary event spaces to permanent interiors. This newfound passion for mindfulness became a cornerstone of her design philosophy, aiming to create spaces that merge aesthetic appeal with holistic well-being. Her Westchester, New York-based firm, which is women-led, undertakes both commercial and residential projects globally. Magriñá's design approach focuses on balancing diverse elements to create environments that inspire and uplift the energy of their occupants. She values the support and guidance of her mentors and fellow interior designers, often collaborating and seeking feedback to enrich her creative process. Despite a demanding schedule, she prioritizes meditation to maintain her well-being and productivity, especially when feeling fatigued in the afternoon. In her "Friday Five" feature, Magriñá identifies five key sources of inspiration. Travel is her primary muse; she finds visiting diverse cities like Rishikesh, Hong Kong, Dubai, and Tokyo particularly transformative. She enjoys planning visits to museums, stores, and restaurants in new cities but also embraces spontaneity, allowing herself to wander and discover hidden gems. Art and objects are another significant source of inspiration. She frequently attends art and design fairs, such as Art Basel and Design Miami, documenting ideas for future projects. These outings, often shared with designer friends, serve as essential breaks from routine work, fostering creativity and camaraderie. Interior architectural and design details consistently capture her attention. Magriñá often photographs elements like door handles and moldings, particularly noting European design for its simple yet modern aesthetics, which she integrates into her projects in the United States. Nature provides another profound source of inspiration and peace. Daily walks in the park, regardless of weather, help her find mental clarity and generate new ideas, as the vastness of nature helps put her problems into perspective. Finally, her hometown, New York City, remains a constant wellspring of creativity. The city's energy, people, fashion, and architecture, from the bustling streets to the iconic Chrysler Building, continually stimulate her imagination. She resonates with artist Marina Abramovic's sentiment that Manhattan's bedrock amplifies its energy, a feeling Magriñá experiences every time she steps into the city. The article also showcases several projects by Gala Magriñá Design, illustrating her aesthetic. The Design Studio Office in Long Island City, a 4,000-square-foot headquarters for a creative agency, blends mid-century modern with industrial flair, featuring hybrid meeting rooms and collaborative spaces tailored for a post-COVID work environment. The Irvington, NY Residence involved transforming a 1929 colonial-style home by preserving original details, using soothing off-white palettes, and incorporating pops of color through furniture, abstract art, and curated accessories. The West 67th Street Apartment, a two-bedroom unit with New York City views, underwent a full remodel emphasizing soft tones, natural woods, and textures to create a "sanctuary" feel, with notable features like a dark blue grasscloth wallpaper in the primary bedroom. The Postlight 5th Avenue Office was reimagined as a Soho House-inspired space, featuring curated lounge areas, custom wallpaper, and a 24-foot TV wall, designed for both employees and clients. Lastly, the Yousician NYC Office, located in a loft-style building in the Meatpacking district, incorporates the company's signature green, converting a space into a music-inspired hangout room with a bar and record player, embracing a "resimercial" concept for a fun and informal setting. #InteriorDesign #GalaMagrina #DesignInspiration #NewYorkCity #MindfulDesign #CommercialDesign #ResidentialDesign #TravelInspiration #ArtAndDesign

Ina Garten, known for her Barefoot Contessa brand and Hamptons kitchen, has designed a living room with a unique feature wall that integrates personal possessions into a stylish storage system. Her floor-to-ceiling bookshelf is filled with books, presumably cookbooks, and cake stands, effectively transforming a functional element into a decorative statement. This approach aligns with a growing trend of using large-scale statement feature walls, as noted by Bo Hellberg, CMO at String Furniture. Hellberg emphasizes that storage can and should merge with interior design to create aesthetic appeal. Camilla Clarke, Creative Director at Albion Nord, supports this perspective, advocating for visible books to invite reading and appreciating the fusion of practicality and aesthetics in shelving. She also suggests incorporating concealed storage within open shelving units to hide items that are not meant for display, while still showcasing more curated objects like books, art, and photographs. The article uses Garten's design as an example of how to make storage both beautiful and functional, encouraging readers to personalize their spaces by making their favorite possessions focal points. It also briefly mentions the idea of mixing different types of storage, such as high-level open shelving with hidden compartments, to achieve a balanced and organized look. This design philosophy focuses on creating a narrative within a home rather than merely following trends. Ina Garten's feature wall highlights a shift in interior design towards more personalized and integrated storage solutions. By showcasing her books and cake stands, she demonstrates how everyday objects can contribute to the overall aesthetic of a room, turning a simple storage unit into a conversation piece. This concept encourages homeowners to think creatively about how they display their belongings, emphasizing that even practical spaces can be transformed into artistic expressions of personal style. #InaGarten #CelebrityHomes #FeatureWall #InteriorDesign #LivingRoomStorage #BookshelfIdeas #HomeDecor #PersonalizedSpace