New dimensions from Dedar Milano

Draga Obradovic and Aurel K. Basedow, known as Draga & Aurel, are a design duo celebrated for their artistic approach to materials and composition, drawing influences from fashion to traditional craftsmanship. They are pioneers in upcycling, having started their journey by reinventing furniture and objects. An early open studio event, where people brought old furnishings for reinvention, quickly grew into a significant venture, leading them to establish Draga & Aurel in 2007. Their multidisciplinary studio and workshop focus on art, collectible design, and furnishings. Their debut at Milan Design Week two years later initiated collaborations with brands like Baxter, a partnership that continues to influence their design philosophy. According to Basedow, Baxter was instrumental in professionalizing their design approach. A significant milestone in their career was the launch of the Transparency Matters collection in 2019, which marked a departure from their earlier focus on vintage items and textiles. This collection utilizes resin as the primary material, valued for its interaction with light, and is continuously updated. Obradovic draws inspiration from everyday visual stimuli, capturing images to create mood boards that fuel her imagination. For their "Friday Five" feature, Draga & Aurel share five key inspirations. The first is artist Dan Flavin, whose work on light and color deeply resonates with their own. They admire his ability to transform a common object, the neon tube, into sophisticated art with a "maximalist" effect, despite its minimalist origins. They highlight a recent exhibition "Dedications in Lights" at the Kunstmuseum Basel, one of their favorite museums, and note a permanent installation in its yard. Secondly, they express their appreciation for Superduper, a "Made in Italy" brand from Florence known for its handmade hats. They are drawn to the brand's fresh, creative, and informal style, emphasizing that hats are essential accessories for both of them. Their third inspiration is Joseph Beuys, a German artist and sculptor and a significant figure in conceptual art. His quote, "Jeder mensch ein Künstler" (everyone is an artist), profoundly influenced their approach to painting and their belief in the universal expression of creativity. Beuys is also a reference point for expanding the meaning of art. The fourth point of inspiration is The Venice Venice Hotel. They describe Venice as a city that continually surprises them with its beauty. The hotel, housed in the renovated Ca’ da Mosto Palace overlooking the Rialto, is a synthesis of architecture, fashion, art, and design, showcasing influential avant-garde movements. It is an evocative place owned by the founder of Golden Goose. Finally, their fifth inspiration is their hometown, Lake Como. They find constant inspiration in this historic town, appreciating the peace, relaxation, and freedom the lake offers, particularly enjoying sailing and discovering hidden coves and villages. They feel fortunate to live in such a beautiful place. The article also showcases some of Draga & Aurel's works. The "Flare Collection," an exclusive project for Todd Merrill Studio, explores color and light refraction through Lucite, an acrylic resin. This collection is inspired by Jiyong Lee's study of color's three-dimensionality and Vasa Mihich's acrylic sculptures, focusing on the concepts of composition and breakdown of matter. It premiered at Design Miami in 2023. Their exhibition "Per Speculum in Aenigmate," in collaboration with Contemporary Cluster at Palazzo Brancaccio, Rome (2022), highlighted the dialogue between Aurel K. Basedow’s pictorial works and the duo's iconic design pieces. The exhibition title, drawn from a biblical passage, focuses on "mirror" and "enigma," reflecting their practice of material experimentation, artistic creativity, function, and aesthetics. The "Heritage collection" consists of one-of-a-kind upcycled pieces, born from their passion for vintage items. They collect original vintage furniture from thrift shops and markets, then reinvent them using techniques such as screen printing, embroidery, and resin covering, drawing from their backgrounds in fashion, textiles, art, and graphic design. Each item is restored in their Como atelier. Lastly, "The power of lighthearted design – Exhibition “Tinted Hues” at Nilufar, 2024" is a collaboration with Nilufar gallery, featuring a capsule of playful objects. This collection emphasizes resin, rounded shapes, and pastel shades, exemplified by their Bon Bon lamps, Dewdrops coffee tables, and Glaze table. #DragaAurel #DesignStudio #UpcyclingDesign #MilanDesignWeek #TransparencyMatters #DanFlavin #JosephBeuys #LakeComo #CollectibleDesign

Milan, a city traditionally characterized by its quick-stop cafes and limited casual office spaces, has welcomed an innovative concept: Tenoha. This establishment, the second international location for the Tokyo-based concept, integrates a shop, cafe, event venue, and co-working space. Situated in a 2500 sq m former wallpaper factory from the 1930s in Milan's Navigli neighborhood, Tenoha presents a unique blend of Japanese aesthetics and Italian design sensibilities. The interiors, crafted by Milan-based Park Associati, deviate from a direct replication of Tenoha's original Daikanyama location. Instead, the design team aimed to create a space that evokes a contemporary Tokyo as imagined through an Italian lens. This approach, which involved experimenting with the design, was well-received by owner Hiroshi Sato. Michele Rossi of Park Associati emphasized the goal of merging Milanese and Tokyo influences, resulting in visuals that reference the vibrant Daikanyama scene while utilizing materials deeply rooted in Italian design heritage. Key interior elements include cherry wood banquette seating, Horigotatsu-style booths, and a custom gridded lighting system. Notably, shōji screens are adorned with textiles from Milan-based Kvadrat, and the bar is clad in hexagonal kelp-green tiles by Botteganove, which complement the overall deep teal and orange color scheme. At the heart of the expansive space lies a classic Milanese courtyard, offering outdoor seating with bamboo and cherry blossoms—a welcome feature during favorable weather. Beyond its co-working and cafe functions, Tenoha features a shop along Via Vigevano that imports Japanese art gifts and homeware. This includes items like Toyo-Sasaki glassware, tokyobike cruisers, and Kobeha Keikaku stationery. The shop's prominent location and large windows ensure ample daylight and attract curious passersby. The cafe's menu, developed by Hideyuki Manaka of Tokyo's Da Fiore, offers a mix of traditional dishes like Tonkatsu pork cutlets and udon noodles, alongside more innovative options such as Caprese salad with tofu and yuzu Monkfish. While Italian wine is served, the cocktail selection leans towards Japanese influences. A glass wall demarcates the restaurant from the co-working areas, which are furnished with a tiered wooden platform and cushions. This flexible seating arrangement caters to the diverse working habits of Tenoha’s freelance clientele. The establishment is anticipated to draw a large number of designers and design enthusiasts, especially with events like Salone del Mobile, and is seen as a significant addition to Milan’s burgeoning landscape of innovative venues. #MilaneseCafe #JapaneseDesign #CoWorkingSpace #InteriorDesign #CrossCulturalDesign #NavigliNeighborhood #ParkAssociati #MilanLifestyle #ZenSpace

Materia 2.0, a new material library located in the heart of Porta Nuova, Milan, was unveiled during Milan Design Week 2025. This initiative, spearheaded by Fabio Pecora, aims to place materials at the forefront of design, innovation, and sustainability discussions, moving beyond their traditional role as mere components. Silvia Spreafico, design manager at Materia 2.0, highlights the necessity for a comprehensive dictionary of architectural materials in Italy, which the Como-based company has taken upon itself to create. The library spans 500 square meters and houses an extensive collection of over 1,200 material samples, with a catalog exceeding 15,000 products. These materials, sourced from various regions across Italy, represent fine craftsmanship, innovative qualities, and the 'Made in Italy' integrity. The collection includes a diverse range of architectural materials such as metal, glass, ceramic, porcelain stoneware, concrete, marble, natural stone, wood, terracotta, resin, fabric, and cement grit. The objective is to continually expand this collection, making it the largest material library in Italy, encompassing everything from surfaces to upholstery materials, and from artisanal to industrial products. The visual presentation of Materia 2.0 is meticulously organized. A 30-meter-long gallery displays material samples much like books on a shelf, ensuring each 'spine' or sample is perfectly aligned. Each piece is standardized to a 20x20cm format, regardless of its original weight or density, and is accompanied by information panels and QR codes. These digital tags provide in-depth technical specifications and variations, allowing designers and architects to quickly access crucial data for their projects. The selection process for inclusion in Materia 2.0 is primarily based on quality. Spreafico cites examples such as Marca Corona, a ceramics brand established in 1741, known for its rich history and unique pieces, some of which are showcased in the library. Another example is Il Ferrone, a Tuscan company that produces both industrial and artisanal terracotta, reviving ancient kiln techniques. The library also features classic Brianza-based furniture makers like Barzaghi Salotti and metal workshops like Zava, which has evolved to create sculptural lighting pieces. A common thread among all featured companies is their strong in-house production values. Beyond just a display space, Materia 2.0 incorporates immersive exhibition areas where materials are presented as finished furniture pieces and experimental installations. For instance, CP Parquet, a Venetian flooring company, demonstrates how its flooring materials can be innovatively used to create coordinated tables and bookshelves. The overarching ambition for Materia 2.0 is to evolve beyond a mere showroom into a center of excellence dedicated to research, design, and interdisciplinary exchange. While partner companies are involved, the project emphasizes its non-commercial nature, positioning itself as a tool for experimentation and bold material combinations rather than a direct sales platform. #MilanDesignWeek #MaterialLibrary #ItalianDesign #ArchitecturalMaterials #DesignInnovation #SustainableDesign #Craftsmanship #InteriorDesign #DesignResearch

Design duo Draga Obradovic and Aurel Basedow, known collectively as Draga & Aurel, are set to showcase their ‘Transparency Matters’ collection at Salone del Mobile. This presentation marks their first solo exhibition in a decade and prominently features resin as its primary material. The collection, which involved nearly a year of experimentation with resin and glass, aims to explore the interaction of light with various colours and opacities, reflecting the designers' meticulous attention to detail and sensitivity. Draga & Aurel's journey into design began after both studied art in Florence, with Obradovic specializing in textiles and Basedow in carpentry. After relocating to Como, their initial careers in fabric design and art/music education, respectively, gave way to a period of creative stagnation for Obradovic. This personal crisis ultimately led her to produce a small collection of hand-finished soft furnishings, which evolved into upholstering and reworking vintage furniture sourced from local thrift shops. Basedow's carpentry skills became integral to this endeavor, and their innovative approach quickly gained recognition, attracting collaborations with notable manufacturers like Baxter and Wall & Decò. For the ‘Transparency Matters’ collection, the designers have expanded beyond their earlier focus on vintage furniture and textiles. Resin was chosen for its versatility in achieving a wide spectrum of colours and opacities. The collection includes cast-bronze tables with resin tops in mineral shades like jade, amber, and amethyst, inspired by wildflowers. Tall cast-glass wall lights, created by melting together three tinted glass shades and inserting coloured resin over the light source, further manipulate hue and light. Cast-resin screens, with their unevenly saturated shading achieved through a week-long, three-stage process, will define the exhibition space. Additionally, deep-seated ‘Gaia’ chairs, originally designed by Carlo Bartoli, have been given a matte, soft-touch velvet-like finish. The exhibition will also feature outdoor furniture, writing desks, bookshelves, and additional lighting projects, all available for order. The duo draws inspiration from minimalist artists such as Dan Flavin and Donald Judd, not solely for their formal qualities but for their investigative approach to materials and craftsmanship. Basedow complements the furniture collection with large-scale paintings crafted from resin and found imagery. Despite a challenging path to their current success, the designers emphasize that all their past experiences are channeled into their work, contributing to their unique perspective. The ‘Transparency Matters’ exhibition will be on view from April 9-14 at H+ in Milan, with their ‘Heritage’ collection also featured at Baxter Cinema during the same period. #SaloneDelMobile #ResinArt #InteriorDesign #ContemporaryFurniture #MaterialExperimentation #MilanDesignWeek #DragaAndAurel #LightingDesign #ArtAndDesign

At the 2018 Milan Design Week, Italian architect Stefano Boeri unveiled a door handle named 'DUE', designed for DND, an Italian door handle company celebrating its 50th anniversary. The 'DUE' handle is conceived as a small piece of architecture, aiming to serve as a bridge between the human body, industrial design, and the broader architectural context. Its design reimagines the traditional relationship between the handle's grip and its attached plate, presenting both as a pair of slender, equally proportioned parallelepipeds. This approach elevates a common functional object into a significant design element, reflecting Boeri's architectural philosophy on a micro-scale. The initiative stemmed from DND's newly appointed artistic director, Giulio Iacchetti, who invited five Italian architects to develop unique door handle designs to commemorate the company's half-century milestone. Stefano Boeri was among the selected architects, tasked with infusing an architectural perspective into the design of a door handle. The result, 'DUE', stands out for its minimalist form and conceptual depth, aligning with Boeri's known focus on integrating natural and architectural elements in his larger projects. During Milan Design Week, an exhibition titled 'Handling Architecture' showcased Boeri’s 'DUE' alongside four other designs from notable architects: Alfonso Femia, Maurizio Varratta, Cino Zucchi, and 967 Arch. This exhibition was hosted at the Lualdi showroom, situated in the vibrant Brera Design District, and featured the five innovative door handles mounted on Lualdi doors. The installation, curated by Francesco Librizzi, allowed visitors to experience these designs in a contextual setting, highlighting how these small architectural components interact with the larger structure of a door and, by extension, a building. The project underscores the potential for everyday objects, like door handles, to embody significant design principles and architectural concepts. Boeri's 'DUE' handle, with its emphasis on pure geometric forms and its role as an interface between user and space, exemplifies a thoughtful integration of industrial design with architectural sensibility. It challenges the conventional perception of a door handle, transforming it from a mere utility into a tactile and visual component that contributes to the overall aesthetic and functional narrative of an interior space. The collaboration between DND and these prominent architects further illustrates a commitment to design innovation and the exploration of new possibilities within a seemingly simple product category. #MilanDesignWeek #StefanoBoeri #DND #DoorHandleDesign #IndustrialDesign #ArchitecturalDesign #ItalianDesign #GiulioIacchetti #ProductInnovation

Romanengo, the venerable Italian confectionery founded in Genova in 1780, has inaugurated its new Milan outpost, featuring interiors masterminded by Madrid-based architects Cousi Interiorismo. This expansion marks a significant step for the brand, bringing its rich history and artisanal approach to a new city while maintaining its core identity. The design brief for Cousi Interiorismo was a delicate balance: to blend Romanengo’s established tradition, reliance on nature, and hand-manufacturing ethos with a contemporary aesthetic suitable for its Milanese debut. Alba Hurlé, co-founder of Cousi Interiorismo, emphasized the process of identifying these defining elements through close collaboration with the client and by studying the original Genova shop. The resulting design translates these principles into a modern interior that respects the brand’s heritage. The Milan store, situated within one of the city's distinctive courtyards, comprises three distinct but interconnected spaces: The Spice Bottega, the main Shop, and the Tea Room. Cousi Interiorismo co-founder Alicia Martín noted the challenge of creating a cohesive experience across these physically separated areas while allowing each to retain its unique character. The architects achieved this by employing a consistent colour scheme and material palette throughout the premises. Inside, the space is characterized by bespoke fixtures and fittings that reflect the brand's commitment to hand-manufacturing. Simplified arches and mouldings evoke a refined, old-world charm, transporting visitors. Materials like oak, brass, and marble are strategically used to enhance the natural elements and complement the rich green tones that imbue the space with a welcoming and immersive atmosphere. Floral patterns in the wallpapers and upholstery further reinforce the connection to nature, a cornerstone of Romanengo's product philosophy. Lighting plays a crucial role in the design, enhancing the sense of intimacy and subtly highlighting the confectionery products displayed in individual niches. The modest size of the premises fosters a welcoming and approachable environment. In the Tea Room, for instance, a custom-designed central counter crafted from marble and oak deliberately blurs the traditional line between customer and cashier, promoting a more relaxed interaction. This design choice underscores Romanengo's dedication to a customer experience that is both sophisticated and personal. The overall design successfully marries the historical integrity of Romanengo with a fresh, contemporary sensibility, creating a unique retail experience that celebrates the brand's 18th-century French recipes and artisanal production methods. The Milan store serves as a physical manifestation of Romanengo's journey from a historic Genovese institution to a modern sweet spot in the heart of Milan, all while honoring its roots in tradition, nature, and craftsmanship. #InteriorDesign #Confectionery #Milan #CousiInteriorismo #RetailDesign #ArchitecturalRenovation #LuxurySweets

This article discusses a recent art installation at the Dior Homme store in Paris, created by young Italian artist Andrea Mastrovito. The installation, inaugurated last Thursday, features a multitude of black decoupage butterfly replicas. These replicas are intricately arranged to serpentine across the ceiling and walls of the store's white interior, evoking a visual parallel to birds in flight, albeit with a less menacing and more aesthetic appeal. The project was specifically commissioned by Kris Van Assche, the artistic director for Dior Homme. His inspiration for this particular installation stemmed from his Fall/Winter '08 collection, which prominently featured butterfly motifs. This collection integrated butterflies into various clothing items, ranging from blazers and t-shirts to uniquely designed butterfly-shaped bow ties, showcasing a whimsical and distinctive aesthetic. The installation consists of nine thousand individual black decoupage replicas, meticulously placed throughout the boutique. The visual effect created by these numerous replicas is one of dynamic movement and artistic grace, transforming the space into an immersive experience for visitors. The choice of black for the butterflies against the white backdrop of the store enhances their visual impact, making them stand out as a striking design element. Mastrovito's work is intended to be a temporary exhibition, enhancing the store's ambiance for a limited period. The installation is scheduled to remain on display for one month, after which it will be dismantled. This temporary nature adds to its exclusivity and artistic appeal, encouraging visitors to experience it within its specific timeframe. The Dior Homme store, where this installation is housed, is located at 25 rue Royale, Paris 8ème. This address is a notable location in Paris, contributing to the prestige and visibility of the art project. The collaboration between a contemporary artist like Andrea Mastrovito and a high-fashion brand such as Dior Homme highlights a growing trend of integrating art into retail spaces, creating unique brand experiences that go beyond mere product display. Such initiatives serve to blend fashion, art, and design, offering a multifaceted engagement for the audience. The installation not only serves as an artistic statement but also as a homage to Kris Van Assche's past work and his enduring influence on Dior Homme's aesthetic. By reinterpreting a key motif from a previous collection, the project bridges different periods of the brand's creative history, providing a sense of continuity and evolution. The detailed craftsmanship involved in creating and installing nine thousand decoupage pieces underscores the dedication to artistic quality and the immersive experience sought by both the artist and the brand. This event contributes to the cultural landscape of Paris, positioning Dior Homme not just as a fashion retailer but also as a patron of contemporary art. #DiorHomme #AndreaMastrovito #ArtInstallation #ParisFashion #FashionAndArt #RetailDesign #KrisVanAssche #DecoupageArt

Daniel Lalonde, CEO of Design Holding, discusses the company's vision and strategic plans, emphasizing its mission to be a global leader in high-end design by focusing on innovation, accessibility, and sustainability. Lalonde, who joined Design Holding in 2021, brings extensive experience from luxury brands like Nespresso and Louis Vuitton. His strategy aims to build a solid business plan and achieve global leadership in high-end design through a portfolio of complementary brands, reaching both designers/architects and end consumers via a multi-channel approach. The core of Design Holding's strategy is to allow its brands, such as Flos, B&B Italia, and Louis Poulsen, to maintain their individual heritage and DNA while fostering collaboration to leverage natural synergies. This approach has proven successful in expanding their contract business across retail, hospitality, corporate, and residential sectors. The company is committed to promoting organic growth within its existing brands while also exploring opportunities to integrate new brands that align with its high-end positioning and values. Accessibility to customers is a key pillar of Design Holding's growth strategy. Lalonde aims to make the high-end design experience less intimidating and more accessible by investing in an omnichannel approach that bridges online and offline interactions. This includes opening directly operated stores (DOS) and mono-brand stores in key global destinations like Miami, New York, Washington, Boston, Shanghai, and Tokyo. These physical spaces provide curated environments that inspire both customers and the architecture & design (A&D) community. For example, a new retail hub is planned for Manhattan’s Madison Avenue, and a B&B Italia Design Studio in Miami will showcase multiple brands. Over the next five years, Design Holding plans to pursue a four-point strategy: enhancing brand desirability through innovative products, pursuing a direct-to-consumer journey with more store openings and e-commerce investments, expanding geographical reach into North America, Greater China, and the Middle East, and strengthening its leadership in the high-end contract business. Illustrious examples of their contract work include projects for Bulgari Hotels and Rolex Stores. Sustainability is deeply ingrained in Design Holding's ethos. Lalonde emphasizes that crafting beauty must be done sustainably, viewing durability as a true embodiment of sustainability. The company challenges its brands to design long-lasting pieces with minimal environmental footprints, focusing on a circular economy model. This involves transforming frameworks and systems across the entire value chain, from sourcing and production to consumer use and end-of-life recyclability. Examples include the B&B Italia ‘Bambole’ collection and Flos ‘Almendra’ by Patricia Urquiola, which utilize recycled materials and facilitate recyclability. Additionally, Louis Poulsen’s 'PH 5' take-back scheme demonstrates a commitment to upcycling and reusing existing materials. Looking ahead to Salone del Mobile 2023 and Milan Design Week, Design Holding plans to showcase numerous new designs, with a particular focus on Maxalto. Flos will present new decorative and architectural designs at Euroluce, while B&B Italia and Fendi Casa will display their latest collections at their respective showrooms in Milan. The company's participation highlights its ongoing commitment to innovation and engagement within the global design community. #DesignHolding #DanielLalonde #LuxuryDesign #SaloneDelMobile #MilanDesignWeek #BrandStrategy #Sustainability #RetailExpansion #InteriorDesign

Dimorestudio, in collaboration with Loro Piana, unveiled an immersive installation titled 'La Prima Notte di Quiete' at Milan Design Week 2025. This unique presentation explores the blurred lines between reality and cinematic fiction, set within the evocative backdrop of an elegant, fictional 1970s villa. The experience was designed to showcase new furniture pieces from Dimoremilano – Dimorestudio's furniture brand – for Loro Piana Interiors, alongside existing studio classics re-imagined with Loro Piana fabrics. The installation, located in the Cortile della Seta courtyard at Loro Piana's headquarters, begins with guests entering a foyer designed to resemble a vintage cinema, complete with red velvet curtains and leopard-print carpet. Visitors are then guided through a series of holding areas before entering a pitch-black space. The core of the experience unfolds as individual rooms of the villa are dramatically illuminated, synchronized with a soundtrack composed by Nicola Guiducci. This multisensory approach creates an atmosphere of suspense and intrigue, leaving attendees to ponder the narrative of the villa's unseen inhabitants. The setting is a stormy night, emphasized by the sounds of thunder and water cascading down glass panels. Intermittent voices add to a sense of commotion, subtly reflected in the disarray of the interior spaces: crumpled bed sheets, scattered grapes, and misplaced throw pillows. The meticulous attention to detail is evident in elements like a half-read book on a sofa and faint suggestions of mold on the ceiling, all contributing to the plausibility of the scene. Dimorestudio emphasizes that this realism is achieved through a balanced curation of diverse objects, mirroring the sophisticated taste one would find in a genuinely lived-in home. Among the featured pieces is the 'Varallo' round bed, characterized by a tubular steel frame integrated with a Mohair velvet-upholstered headboard. The 'Valsesia' oval dining table also incorporates the same tubular steel for its legs, supporting a lacquered wood top with an Altai wool and cashmere fabric center. The installation also includes various other luxuriously crafted items, such as cabinets, seating, lighting, and decorative objects, all seamlessly integrated to appear as if they were collected over time by the villa's residents. Classic Dimoremilano designs like the 'Tavolo 089', 'Dega', 'Sciura', and 'Patty' armchairs are reinterpreted using Loro Piana Interiors fabrics, underscoring a commitment to tactile luxury and harmonious design. A notable debut within the installation is Loro Piana's 'Punti a Maglia' porcelain tableware, handcrafted in Limoges, which is presented dramatically shattered, adding to the installation's narrative of disruption. Antique sculptures and artworks, sourced from various galleries including Tornabuoni Art and Cardi Gallery, are strategically placed throughout the vignettes and in metal and glass vitrines, further enriching the environment. Dimorestudio's reputation for a cinematic design approach is evident, with influences from filmmakers like David Lynch and Federico Fellini. The installation, which intentionally raises more questions than it answers, serves as a masterclass in set design, inviting visitors into a thought-provoking experience that culminates in a golden, engraved key as a parting gift, subtly implicating the visitor in the unfolding mystery. #MilanDesignWeek #Dimorestudio #LoroPiana #InteriorDesign #FurnitureDesign #ImmersiveInstallation #CinematicDesign #LuxuryInteriors #ItalianDesign

During the unprecedented theater closures of the pandemic, Milanese architect Giulia Pellegrino initiated a transformative project for the dressing rooms of the Teatro degli Arcimboldi. This initiative, dubbed ‘Vietato L’Ingresso’ (meaning ‘entry forbidden’), was presented during Milan Design Week 2021 and aimed to revitalize the theater's backstage areas, which had fallen into disrepair. Pellegrino, collaborating with Show Bees and Teatro degli Arcimboldi Milano (TAM), invited 17 local design practices to reimagine the theater's dressing rooms. The participating studios included Atelierzero, BDGS with Daniela Volpi, Calvi Ceschia Viganò, DAP Studio, Enrico Scaramellini, Francesco Rota, Galante Menichini, Gio Latis Studio, Lupettatelier, Monica Baio with Nicola Quadri, Studio Wok, NM Nick Maltese Studio, Paolo Volpato with Caterina Steiner, Park Associati, RGA studio, Studio Cagnato, and Senselab with Nicolò Gobini. The project successfully secured 100 percent sponsorship, allowing for the complete redesign and execution of the rooms without financial burden on the designers. The redesigns showcase a wide spectrum of styles, from minimalist aesthetics to vibrant and bold interiors. The project incorporated furniture and fittings from renowned brands such as Living Divani, Molteni&C, USM, Laufen, and Zucchetti Kos. Each studio was given a concise brief: to include a mirror, a make-up table, a space for relaxation, and a plant pot, with complete creative freedom beyond these basic requirements. This approach fostered diverse interpretations, resulting in 17 unique narratives expressed within the identical external shells of the dressing rooms. While the project did not mandate a direct connection to Vittorio Gregotti’s original architecture of the theater (built between 1997 and 2002), some designers spontaneously integrated elements that subtly referenced the theater's history or the surrounding Bicocca neighborhood. The pandemic's limitations, particularly concerning social gatherings and construction timelines, were addressed through meticulous planning, with the concept developed in April 2021, project deliveries in May, and construction commencing in June of the same year. Pellegrino emphasized the collaborative spirit and generosity of the designers, sponsors, and workers who contributed to the project. The aim was to make a strong and lasting gesture toward the performing arts sector by creating permanent, not temporary, settings for the artists. The 'Vietato L'Ingresso' project extended its reach to the public through an open contest, inviting audiences to vote for their favorite dressing room. This initiative capitalized on the accelerated adoption of virtual visit technology during the pandemic, allowing for widespread dissemination and public involvement, underscoring the belief that the theater belongs to everyone and their opinion matters in shaping its future. #MilanDesignWeek #TheaterRenovation #InteriorDesign #ArchitecturalCollaboration #GiuliaPellegrino #TeatroDegliArcimboldi #VietatoLIngresso #DesignInnovation #MilanArchitecture

Pia Mendaro, a Spanish architect, undertook the transformation of a 100 sqm warehouse in Madrid into a flexible living and workspace for her artist friend, Clara Cebrian. Cebrian's request for a home that could adapt over time, similar to a 'Ron Weasley house,' guided Mendaro's approach. The design aimed to be minimal, allowing life to unfold within the space while incorporating specific existing elements, including a kitchen Cebrian had purchased and immovable downspouts. Mendaro emphasized understanding the space as a square, a fundamental concept informing the layout. The central element of Topo's Shed is a semi-hanging platform that serves as the artist's sleeping area. This innovative feature, developed in collaboration with architect Manuel Ocana, was conceived after considering various mobile and enclosed bed designs. The decision to elevate the sleeping space was driven by the desire to detach it from the ground. Thin steel rods and corrugated rounds secure this structure to the ceiling truss, creating an ethereal and spacious sleeping area. The platform is strategically positioned near the gabled roof's opening, allowing light to filter into the space and offering views of the warehouse's horizon. A movable ladder provides access to this elevated platform, which is designed to accommodate multiple people. Additionally, a flight of steps, doubling as seating, leads to a balcony that provides views of the surrounding neighborhood. The layout of the warehouse integrates a discreet bathroom, concealed behind a wall that also separates the kitchen and main living area from the storage facility. The kitchen floor is distinguished by wooden planks, contrasting with the larger cement flooring throughout the rest of the space, a practical choice to maintain cleanliness. The home's design incorporates a lounge area, a hammock suspended beneath the elevated bed, and a substantial open area designated as the artist's studio. The color palette primarily features greys and whites for walls, floors, and ceilings, which are accented by pastel and coral hues in the kitchen cabinetry, furniture, and artworks. Reflecting on the completed project, Mendaro noted one potential area for improvement: the lack of direct sunlight due to the north-facing windows. While this aspect is beneficial for avoiding harsh glare, she considered the future need for curtains to facilitate longer sleep, acknowledging the natural light conditions. The project, named Topo's Shed, was completed in 2020 and is located in Madrid, Spain. It spans a built area of 100 sqm, with Clara Cebrian as the promoter and Fast&Furious Office responsible for production. This design exemplifies an unconventional approach to residential and studio spaces, prioritizing flexibility, adaptability, and a distinctive elevated living experience within a repurposed industrial structure. #PiaMendaro #WarehouseConversion #MadridArchitecture #ElevatedLiving #ArtistStudio #FlexibleSpaces #ArchitecturalInnovation #AdaptiveReuse #InteriorDesign

The article highlights the expansion of Meridiani, a renowned Italian furniture brand, with the opening of its new flagship store in New York's NoMad design district in October 2023. Meridiani, established in 1996, is recognized for its timeless furniture collections that blend tradition with modernity, appealing to diverse decorating styles. The brand's global presence extends to over 50 countries, with stores in major cities like Milan, Rome, Singapore, Paris, and London. The Manhattan location, conceptualized by Andrea Parisio, Meridiani's designer and art director, is a two-level showroom designed to demonstrate the brand's comprehensive residential project capabilities. The space features distinct yet interconnected living, dining, and sleeping areas, providing a cohesive experience for visitors. The store aims to showcase both recent furniture collections and iconic pieces that define Meridiani's aesthetic. Currently, the Max modular sofa is prominently featured in one of the living areas. This versatile sofa, known for its clean lines and precise angles, offers customizable configurations to fit various room sizes and seating requirements. It can incorporate side tables between cushions or at the ends, enhancing both functionality and visual appeal through textural contrasts. Alongside the Max sofa, the new Nora armchair, also designed by Parisio, is displayed. The Nora armchair exhibits a playful, curvy form and can be upholstered in various materials such as fabric or leather, with options for solid wood or fabric-covered legs. The dining area displays highlight the Gong table, another bestseller designed by Parisio. The article notes that the Gong table, available in numerous variations, exemplifies Meridiani’s design versatility and ability to create captivating combinations of colors, shapes, and materials. Both the base and top of this sculptural table can be customized using materials like glass, lacquer, marble, metal, and wood, and are offered in a wide array of hues. The store's interior design complements the furniture pieces through a layout that spans the building's depth and a consistent monochrome white-and-ivory color scheme. This palette ensures that the pieces are framed effectively and integrate seamlessly into different display environments. Andrea Parisio emphasizes the company's commitment to innovation, ensuring new collections harmonize with previous ones while consistently prioritizing high-quality fabrics and materials. This approach results in a distinctly Italian character imbued with international inspiration, solidifying Meridiani's reputation for sophisticated and comfortable Italian furniture on a global scale. #ItalianDesign #Furniture #LuxuryInteriors #HomeDecor #NewYorkDesign #Meridiani #AndreaParisio

The Nobu brand, co-founded by Robert DeNiro and chef Nobu Matsuhisa, has expanded from its initial restaurant in Tribeca into a global empire encompassing 40 restaurants and 20 luxury hotels by the end of 2020. This expansion includes two significant new properties in North America: Nobu Hotel Los Cabos and Nobu Hotel Palo Alto. Nobu Hotel Los Cabos, which opened in March, features 200 guest rooms, infinity pools, and a spa, situated on the Baja Peninsula's southern tip. The architectural design integrates Japanese aesthetics with Mexican influences. Guests are welcomed through a Zen-inspired courtyard that leads to a panoramic view of the Pacific Ocean, framed by a stone portal. The hotel's layout prioritizes ocean views, particularly the Pacific sunsets. Interior design reflects Japanese minimalism, incorporating elements such as teak soaking tubs and shoji screen-inspired closet doors in guest rooms. Local Mexican materials, geometric artwork, and vibrant color accents add indigenous character to the minimalist design. Nobu Hotel Palo Alto, designed by Montalba Architects, is undergoing a multimillion-dollar renovation and rebranding, with its opening slated for 2020. This boutique property will offer 73 rooms and a two-story signature restaurant. Despite its urban setting in Silicon Valley, the hotel will feature an outdoor plant and sculptural landscape. Interior lighting will include John Wigmore light fixtures crafted from Japanese paper. Catering to its tech-centric location, the hotel will provide advanced technological amenities such as 82-inch televisions and in-room Alexa devices. The high-end Ryokan rooms will further enhance the luxury experience with freestanding wood soaking tubs and slatted teak wall paneling. The design philosophy across Nobu Hotels emphasizes "unpretentious luxury." Robert DeNiro describes his preference for designs that are simple, elegant, functional, practical, and devoid of excessive ornamentation, stating that rooms should be rooted in a sense of reality. This approach is evident in the understated yet chic minibars at the Palo Alto location and the lush, streamlined pools at Los Cabos. Beyond design, the culinary experience remains a cornerstone of the Nobu brand. Chef Nobu Matsuhisa ensures that local ingredients, techniques, and staff are integrated into each hotel's dining offerings. This commitment extends to supporting local communities, as seen with the employment of Mexican staff at the Los Cabos property. The partners, including Robert DeNiro and Meir Teper, acknowledge occasional disagreements over their 25 years of collaboration but emphasize their strong, family-like bond, driven by a shared commitment to developing properties in optimal locations with the right teams. This collaborative approach underpins their successful expansion into the luxury hotel market. #NobuHotels #LuxuryHospitality #HotelDesign #JapaneseMinimalism #ArchitecturalDesign #RobertDeNiro #NobuMatsuhisa #InteriorDecor #SiliconValley

Milan Design Week transforms the city into a global design hub, attracting attendees to both Salone del Mobile and Fuorisalone. This year's event showcases a diverse range of installations, highlighting innovative approaches to design, lighting, and materiality. Atelier Biagetti, a recurring favorite at Fuorisalone, presents "The King," an exploration of obsessions inspired by Elvis Presley. Their installation reimagines a fantastical living room featuring "The King Sofa," a modular piece accompanied by guitar cases cleverly reinterpreted as tables with intricate Ravenna mosaics. This piece exemplifies their propensity for the impossible and their unique artistic vision. Ross Gardam, an Australian lighting designer, offers "Transcendence," an exhibit focused on the allure of illuminated glass. Gardam, known for creating meditative moods with his fixtures, demonstrates his broad talents and deep fascination with glass's ability to transcend physical boundaries. The installation promises a dynamic curation of luminaires, showcasing the material's unparalleled qualities. Giopato & Coombes, Treviso-based lighting masters, unveil "18 Pockets" after six years of dedicated research. This exhibit provides a glimpse into their creative process, highlighting the magical qualities of the immaterial. Their previous fixtures are transformed into 18 unique luminaires through a complex system of weight and balance, creating charming and poetic combinations. Galerie Philia's "Desacralized" exhibition takes place in a deconsecrated 11th-century Milanese church, fittingly exploring the theme of desacralization. Over 20 artists from the gallery's roster contribute to this unique setting. Notable pieces include Studiopepe's octagonal marble side table, inspired by Italian baptisteries, Kar Studio’s chair, drawing inspiration from ancient Chinese Shang Dynasty script, and a monumental chandelier by Morghen Studio, designed to offer a transformative experience of light within the historic space. SolidNature returns with "Beyond the Surface," an OMA-designed installation that metaphorically connects quarrying stone with the act of dreaming across seven distinct rooms. A highlight is Sabine Marcelis’s lustrous table, an ombré glass coffee table anchored by impressive stone blocks, demonstrating her experimental approach to materials. Objects of Common Interest, composed of Eleni Petaloti and Leonidas Trampoukis, presents "Poikilos." Inspired by ancient Greek references to iridescence and insights from Romanian artisan Ovidiu Colea, their ethereal objects and tables with opalescent finishes and sinuous curves inject energy into the Nilufar Depot. Loewe Chairs, under Jonathan Anderson's direction, reinterprets chairs into distinctive totems through an emphasis on texture, personality, color, and weaving. The display integrates materials close to Loewe’s brand identity, such as leather and raffia, with unexpected techniques like incorporating thermal blankets, elevating the humble stick chair into a canvas for elaborate woven decoration. Suchi Reddy, founder of Reddymade Architecture and Design, collaborates with Lexus on "Shaped by Air," an installation focused on carbon neutrality. Visitors navigate a forest of Matisse-like forms to discover a life-sized interpretation of the Lexus Electrified Sport, designed to evoke the sensation of being shaped by air. Lastly, "Bar Flora" is a collaboration between Sophie Lou Jacobsen, Nick Ozemba, and Felicia Hung of In Common With. Building on their Flora Collection, which employs Venetian glassmaking techniques to mimic natural forms, this installation transforms Palinurobar into a floral oasis. It introduces two new additions, including a sandblasted amber colorway, further enhancing their partnership. Byredo, known for its unconventional approach to fragrance, showcases "Bal D’Afrique by Dozie Kanu." Founder Ben Gorham teamed with Portugal-based artist Dozie Kanu to capture the essence of the beloved fragrance through a showcase that merges Kanu's unique objects with photographic negatives from Adjoa Armah’s _saman archive_, creating a multi-sensory experience that extends beyond traditional perfumery. #MilanDesignWeek #DesignInstallations #Fuorisalone #LightingDesign #FurnitureDesign #MaterialInnovation #CollectibleDesign #ArtAndDesign

The Diarama collection of glazed porcelain stoneware tiles, designed by Dutch industrial designer Hella Jongerius for the Italian manufacturer Mutina, offers a versatile solution for incorporating color and vibrancy into interior spaces. These tiles are particularly well-suited for individuals looking to enhance their homes with visual interest and a sense of dynamism, requiring minimal effort in terms of design application. The collection, though unified by a single rectangular size of 9.4cm x 18.7cm, achieves remarkable diversity through its innovative use of color. A key feature of Diarama is its layered approach to color application. A variety of glazed colors are applied over seven distinct matte-colored bases, resulting in a broad spectrum of palettes. This technique allows the collection to cater to diverse aesthetic preferences, offering options that range from contemporary, ultra-modern appearances to designs that evoke a retro-inspired charm. The interplay between the matte bases and the glazed finishes creates a nuanced visual texture and depth, adding sophistication to any surface. The standardized rectangular dimension of the tiles, 9.4cm x 18.7cm, promotes ease of installation while also enabling various pattern formations, such as herringbone or stack bond, further contributing to the design flexibility. This consistent sizing ensures that the tiles can be seamlessly integrated into different areas of a home, from kitchens and bathrooms to living spaces and hallways, providing a cohesive design element throughout. Hella Jongerius’s design philosophy, often characterized by her experimental approach to materials and colors, is evident in the Diarama collection. Her ability to blend traditional ceramic craftsmanship with modern industrial design principles allows for a product that is both aesthetically appealing and functionally robust. The use of glazed porcelain stoneware ensures durability and ease of maintenance, making these tiles a practical choice for both residential and commercial applications. The collection's ability to transition between modern and retro aesthetics is particularly noteworthy. For a contemporary setting, homeowners can select combinations that feature bold, contrasting colors or subtle, monochromatic schemes. Conversely, to achieve a vintage or retro look, certain color pairings and matte base selections can evoke styles reminiscent of earlier design eras. This adaptability makes Diarama a suitable option for a wide array of interior design themes. In Singapore, the Mutina Diarama collection is exclusively distributed by Rice Fields. Pricing for these tiles is available upon request, reflecting the premium nature of their design and manufacturing quality. The availability through a dedicated distributor ensures that customers have access to expert advice and support when selecting and installing these specialized ceramic products. The article includes a gallery of eight images to provide further inspiration on how these tiles can be utilized in different interior settings, showcasing their versatility and visual impact. #Renovation #Tiles #CeramicTiles #HellaJongerius #Mutina #InteriorDesign #HomeDecoration #PorcelainStoneware #DesignInspiration

In northern Italy's Piedmont region, a distinctive modernist pavilion stands as a contemporary interpretation of a castle, enveloped by its own body of water and accessible via a drawbridge. This architectural marvel, designed by Duilio Damilano of Damilano Studio, sought to create a secluded oasis, blending Italian luxury with the serene aesthetics of a Japanese Zen garden. The client and architect shared a mutual admiration for Japanese design principles, which significantly influenced the project's interior and exterior elements. The exterior of the pavilion features a large garden, conceptualized by landscape gardener Paolo Roagna. This garden draws inspiration from symmetrical Japanese botany, incorporating sculptural Bonsai trees and water features harmoniously alongside indigenous trees and shrubs. The building's perimeter is defined by sculptural metal grid structures on opposing sides. These grids are not merely aesthetic; they provide essential shade during the summer months and are adorned with geometrically positioned square blocks of Fir wood, adding visual depth. The external walls are also crafted from Fir wood, treated with the traditional Japanese Shou Sugi Ban technique, which involves burning the wood to enhance its durability. The single-floor dwelling utilizes pigmented micro cement throughout. Externally, this material is acid-etched to mimic the appearance of natural stone, while the interior surfaces are left smooth. The internal layout is designed to foster continuous interaction with the surrounding natural environment, largely achieved through expansive sliding glass walls. The interiors showcase a thoughtful curation of design pieces, where luxury meets functionality and artistic expression. In the sitting room, a playful ‘Cactus’ coatrack by Guido Drocco and Franco Mello immediately captures attention, positioned near a painting titled ‘Sardinia’ by Andrea Lo Papa. The room also features an enveloping ‘Pack’ sofa by Edra, illuminated by Ingo Maurer’s ‘Lacrime del Pescatore’ lighting. A hand-crafted rug by Mohebban Milano and a collection of wooden sculptures by Austrian artist Daniel Eggli further enrich the space. The dining room offers a contrasting palette to the building's earthy brown tones. It features a gold leaf table, designed by Dilmos Milano, complemented by ‘Ella’ chairs by Jacopo Foggini for Edra, which are described as having soft, gleaming molten amber hues. The ‘Scrigno’ sideboard, with its mosaic mirror shards, adds a deeper luster, reflecting the jewel-toned scheme. Damilano describes these colors as representing the 'earth and territory, warm and material colors.' The kitchen and bathrooms maintain a practical yet refined aesthetic. The kitchen, hand-built in oak by a local carpenter, is designed for industrial efficiency, a material choice echoed in the bathroom. The bathroom is equipped with ‘Origini’ taps by Gessi, ‘I Ching’ towel warmers by Elisa Ossino for Tubes, and sanitary ware by Cielo Ceramiche. In the main bedroom, a burnished dragon motif, painted by artist Riccardo Brotini, adorns the entire back wall, drawing inspiration from Japanese mythology where dragons symbolize cosmic guardianship and control over natural elements. A foldaway bed is integrated into the ceiling, allowing for flexible use of the space, which also connects to the terrace, pool, and gardens through sliding glass doors. The design team's overarching goal was to create a dynamic yet meditative natural experience, with the metal mesh and interlocking wooden blocks forming an optical illusion that changes as one moves around the pavilion. This integration of Italian luxury with Japanese Zen principles culminates in a home that emphasizes well-being and a harmonious connection with its environment. #ModernistPavilion #ItalianLuxury #JapaneseZenGarden #ArchitectureDesign #PiedmontHome #DuilioDamilano #InteriorDesign #ShouSugiBan #LandscapeDesign

The article introduces the Diesel Home Collection, a collaboration between fashion brand Diesel, lighting brand Foscarini, and furniture brand Moroso. This collection, showcased at the Salone Internazionale del Mobile in Milan, features a range of furniture and lighting designed to express the Diesel style through ironic, irreverent, and creative means. The lighting collection, developed with Foscarini, offers lamps inspired by various themes, from rock music to retro aesthetics. The Graf collection, for instance, draws inspiration from pop music, featuring graphic representations of DJ consoles and natural elements on its opaque weave fabric. These lamps are available in hanging, table, or floor versions and provide a warm, diffused light. The Rock lamp, a standout piece, is an artistic interpretation of a split volcanic rock, with a rough, dark exterior and a shiny, iridescent interior that creates dramatic visual effects when illuminated. Stud, another lighting design, embodies rock energy with metal nails on its base and a chrome-plated diffuser reminiscent of mirrored sunglasses, offering variable lighting effects. Cage lamps are inspired by old lanterns, featuring a luminous body protected by a decorative metal cage with an irregular structure. These come in white, black, and light green, offering different moods and visual transformations when switched on. Glas reinterprets classic work lights found in warehouses and factories, using innovative materials like glass with a silver-colored surface to create a unique decorative element with a retro feel. The Fork lamp is an ironic nod to camping, with a canvas shade resembling tent stitching, available in floor and table versions. Tri-p is a portable floor lamp with an umbrella-like structure, designed for easy transport and featuring a changeable elastic fabric shade. For furniture, the collaboration with Moroso resulted in the "Successful Living from Diesel with Moroso" collection, designed to embody a relaxed and comfortable informal lifestyle. This collection targets consumers who appreciate simple shapes combined with high-quality materials and distinctive, pure-lined designs. Patrizia Moroso, who oversees the design projects, explains that the collection explores two coexisting aspects of contemporary trends: a darker, underground-inspired aesthetic with an aggressive and enigmatic feel, and a lighter, nature-inspired one with soft, welcoming shapes. This approach led to the creation of the Camp and Rock collections. The Camp collection includes the Nebula Nine Sofa, described as soft like a large cloud with generous shapes and stonewashed linen covers, providing an ideal space for relaxation. The Cumulus Chair offers similar comfort with its large cushions. This collection also features hand-painted wooden furniture such as the Overdyed Lounge Chair, Overdyed Side Chair, and two tables (rectangular Overdyed Table and round Overdyed Side Table). The painting technique, known as ragging, reveals the natural wood streaks and creates a special vintage effect, complemented by black-painted steel support structures. The Rock collection takes a different direction, drawing heavily from music, concerts, and visual idioms. The Xraydio 2 Disc occasional table features an X-ray print of a DJ console on glass, using electric blue and black shades to create a strong, evocative, and iconic effect. The Xraydio 1 Razza table uses a similar process with an image of a ray fish. The 3-panel screen, Xraydio 3 Natura Morta, displays a photographic image playing with the archetype of a seventeenth-century still life. Further rock-inspired elements include the Bar Stud stools, available in two heights, and the Ego Stud mirror, both adorned with studs on leather. A special item is the Flightcase storage unit, inspired by musician's instrument cases, available with two or three doors. The entire collection aims to create an alternative and distinctive mood, where each product possesses a strong identity that is further enhanced when combined, resulting in a laid-back, fun, and rock-inspired atmosphere. #DieselHomeCollection #FurnitureDesign #LightingDesign #MilanDesignWeek #Foscarini #Moroso #InteriorDesign #ContemporaryDesign #ProductLaunch

Netflix's recent film, _La Dolce Villa_, starring Scott Foley and Maia Reficco, centers around a businessman's journey to Italy to deter his daughter from renovating a dilapidated Tuscan villa. While the movie romanticizes the experience of acquiring and restoring an Italian home, it also draws attention to real-world initiatives. The exterior shots of Olivia's Italian home in the film were captured at a stunning property known as Il Torrino dei Gelsi. Located in eastern Lazio, approximately half an hour outside Rome, this breathtaking estate covers over 10 hectares and features a main farmhouse with an adjoining 12th-century tower. The farmhouse at Il Torrino dei Gelsi has undergone meticulous restoration, preserving its original architectural elements such as stone walls, handmade tiles, beamed ceilings, and terracotta flooring. For those enchanted by the property, three charming apartments are available for rent, each boasting similar authentic details like vaulted ceilings and period furnishings. Some of these apartments are also equipped with mini kitchens and double bedrooms, offering enhanced comfort for guests. The idyllic surroundings, characterized by centuries-old mulberry and olive trees and rolling green hills, provide a picturesque and satisfying view. In addition to its residential offerings, Il Torrino dei Gelsi includes a versatile annexe called Chalet del Baco. This space is well-suited for various events, including weddings, business meetings, and family gatherings. It features a large, elegant wrought iron gazebo capable of seating 200 people, complemented by an in-house kitchen and staff dedicated to facilitating seamless event planning. The catering service emphasizes the use of high-quality, locally sourced ingredients, honoring traditional regional cuisine. The filming for _La Dolce Villa_ extended beyond Il Torrino dei Gelsi, with interior scenes constructed on a soundstage at Cinecittá Studios in Rome and other sequences filmed in Tuscany. The movie subtly references Italy's well-known €1 house initiative. This program, which has gained considerable media attention in recent years, involves various small Italian towns selling vacant, rundown properties for a symbolic price of €1. The primary aim of this initiative is to attract new residents and revitalize underpopulated regions. The article further mentions similar real-life renovation projects, such as the BBC series _Amanda and Alan: The Italian Job_, which chronicled Amanda Holden and Alan Carr's efforts to transform a €1 property in Salemi, Sicily, and later in rural Tuscany, with a current series focusing on a property in Andalusia, Spain. These projects underscore a growing interest in the restoration of historic European properties and the cultural and economic benefits associated with such endeavors. #Netflix #LaDolceVilla #ItalianProperty #IlTorrinoDeiGelsi #Renovation #Travel #FilmingLocation #EuroOneHouses