
I’m Over Gallery Walls — Here’s the *Big* Swap I’m Doing Instead
The author recounts her evolution in home decor, specifically moving away from the traditional gallery wall concept in her living room. Initially, a collaborative gallery wall with her roommate featured colorful artwork, much of it acquired in her early 20s and printed at college centers. This setup, while serving as a bonding experience, eventually felt overwhelming as her personal style developed and her living situation changed.
Upon her roommate's departure, the author embarked on a decor "restart" in 2025, a process that included dismantling the crowded gallery wall. She found the previous arrangement of 10 to 20 frames of diverse, colorful artwork visually excessive. Her new preference shifted towards "gallery clusters," a concept involving smaller groupings of one to three frames, which offers a simpler aesthetic.
Another significant change in her approach to art was limiting typographical pieces. Previously, her collection included several art pieces with text, which she now finds overwhelming, especially given her professional engagement with words. She now prefers imagery over text on her walls, allowing for a more visually serene environment.
Furthermore, the author is embracing large-scale art. She notes that big art pieces can make a significant statement without contributing to visual clutter, unlike a densely packed gallery wall. She highlights two recent acquisitions, "Peaceful Sunday" from PSTR studio and "Gather" from Gavalina, both chosen for their lightweight nature and ease of hanging. She acknowledges that large art can be expensive but emphasizes its impact. While she expresses a personal fatigue with certain popular prints, like the blue Matisse body print, she encourages individuals to choose art that resonates with them.
Her current decorating philosophy centers on acquiring personal art and taking a slow, deliberate approach. She advises seeking out vintage shops, art from travels, sidewalk sales, and works by emerging artists to curate a collection that truly reflects one's personality. This shift involves investing time and potentially more money, but she believes the wait is worthwhile for a home that feels genuinely personal. The author acknowledges that some of her walls remain blank, indicating that this is an ongoing process of thoughtfully selecting unique pieces rather than filling space quickly.
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