Chesterfield Designs

The annual WOW!house interiors showcase, now in its third year, is hosted at London's Design Centre, Chelsea Harbour. This event highlights the work of contemporary designers, with the 2024 edition featuring 19 distinct rooms and outdoor spaces, spanning over 500 square meters. Designers like Ken Fulk, Alidad, and Tolù Adèkó meticulously craft each space, focusing on every detail from soft furnishings to atmospheric scents. Claire German, CEO of the Design Centre, emphasizes the event's aim to astonish and inspire by demonstrating the exceptional achievements possible through collaborative efforts within the design industry. The showcase runs until July 4, 2024. Among the featured rooms is the Schumacher Courtyard Bedroom by Veere Grenney Associates. Grenney, a prominent figure in interior design, conceived the space as a tranquil 'one' room, ideal for writing or sitting, and envisioned it with an open fire, stating that only a dog is missing. This room pays tribute to the late American designer Billy Baldwin, known for his clean-cut and minimalist aesthetic, notably applied in John F. Kennedy's White House. Grenney also used this platform to introduce his latest fabric collection for Schumacher, a company with a long history of supplying high-quality materials to esteemed clients. The walls of the bedroom are adorned with a subtle 'Woodman Check' pattern, while a four-poster bed, favored by Grenney, features 'Suffolk Damask' pelmets and swags in a rich brown. Personal touches such as framed photographs, a vase of peonies, and coffee-table books contribute to the inviting atmosphere. Visitors frequently praise the room for its blend of cleanliness, contemporary style, order, precision, and comfort. Benedict Foley’s Zoffany Entrance Hall draws inspiration from Luchino Visconti’s 1963 film, _Il Gattopardo_ (_The Leopard_), infusing the space with a theatrical blend of Italian flair and English elegance. Foley describes the room as an invitation to imagine oneself in a Sicilian palazzo. Zoffany, a manufacturer renowned for its historical research and dedication to preserving traditional crafts, provided the fabrics and wall coverings. The room features luxurious silks in ruby and caramel, along with 'Wool Satin' and 'Long Gallery' brocades, whose designs originated from the Tudor estate Temple Newsam in West Yorkshire. A distinctive earth-toned, checkerboard carpet crafted from British wool by one of England's last skilled weavers completes the flooring. Foley highlights Zoffany's contributions to UK manufacturing and the artistry of fabric mills, describing his design approach as weaving together diverse visual references with a touch of humor, resulting in a vibrant mix of patterns, colors, and textures. The Colefax and Fowler Morning Room, designed by Lucy Hammond Giles, was created by the 2023 House & Garden 'Interior Designer of the Year.' Giles, an associate director at Sibyl Colefax & John Fowler, Britain’s oldest interior decorating firm, aimed to create a cozy, practical daytime room. The design incorporates blue-and-white ceramics, ivory scalloped lanterns, and walls covered in mustard-yellow Larsen linen. The linen curtains are embellished with Colefax and Fowler’s signature block-printed 'Gothic Stripe' silk in a custom chocolate color, meticulously hand-cut and stitched. Giles explains that the morning room is a less formal space than a drawing-room, intended for relaxed activities like enjoying coffee and a newspaper. She also delved into the Colefax and Fowler archives to find a sofa design, ultimately selecting an elegantly curved model initially made for the apartment of former designer Tom Parr and his partner, Fulco di Verdura. This sofa, re-created in a cream fabric with orange ribbon trim, offers a modern yet comfortable aesthetic, providing a perfect and elegant retreat. Jamb London Primary Bedroom, conceived by Charlotte Freemantle and Will Fisher, showcases the evolution of Jamb, a prominent purveyor of antique and reproduction 18th- and 19th-century furniture, lighting, and fireplaces. What began as a south London stall over 20 years ago has transformed into a successful business with a flagship store on Pimlico Road and multiple showrooms in the USA. For WOW!house, Fisher and Fremantle designed a luxurious bedroom enveloped in soft pink silk. The centerpiece is a Chippendale-style four-poster bed, upholstered with antique paisley shawls, complemented by lozenge-shaped mirrors and mahogany pot cupboards inspired by 18th-century cabinetmaker Gillows of Lancaster. The room also features a reproduction Georgian armchair with faux bamboo legs and a significant 18th-century Anglo-Chinese coromandel cabinet adorned with figurative scenes, reflecting historical English fascination with the Far East. A late-19th-century painting of a resting lion by American artist Newbold Hough Trotter is prominently displayed above one of Jamb’s distinctive chimneypieces, crafted from Grigio Carnico marble, completing the Romantic vision. The Sitting Room by Sophie Ashby for United in Design highlights a commitment to diversity and inclusivity in the design industry. Ashby, recognized as one of House & Garden’s 'Top 100' interior designers, co-founded United in Design in 2020 with Alexandria Dauley. The charity aims to provide opportunities for individuals from diverse and disadvantaged backgrounds. As this year's WOW!house charity partner, a portion of ticket sales will support inclusivity initiatives throughout 2025. Ashby’s eclectic room reflects the charity’s mission by featuring furniture, fabrics, and art created by Black, Asian, and ethnically diverse talents, including designer B.C. Joshua, photographer Sridhar Balasubramaniyam, and textile artist Dalia James. Notable elements include photographs by Lily Bertrand-Webb, a deaf Dominican-English photographer, and a copy of Ashby’s book, _Studio Ashby: Home Art Soul_, showcasing her decade of work. #InteriorDesign #WOWhouse #ChelseaDesignCentre #VeereGrenney #BenedictFoley #LucyHammondGiles #JambLondon #SophieAshby #UnitedInDesign

The Chesterfield sofa, an iconic piece of furniture, originated in early 18th-century England and is recognized by its large, rolled arms and deep button tufting. Traditionally upholstered in grained leather, its historical significance contributes to its enduring appeal. The most widely accepted origin story attributes its creation to Lord Philip Stanhope, the fourth Earl of Chesterfield, in the 1720s. He reportedly commissioned a sofa designed to allow guests to sit comfortably without creasing their suits during extended social gatherings, requiring a low seat and high back. While the classic Chesterfield is often associated with traditional or vintage interior decor styles, contemporary iterations offer a wide range of options. Modern Chesterfields may feature button tufting only on the seats, come in various colors, or be upholstered in diverse fabrics such as velvet. Interior designers emphasize the sofa's versatility, noting that there are no strict rules for incorporating it into a living room. Its inherent sophistication is believed to elevate the aesthetic appeal of any space. When considering a Chesterfield sofa, several factors are important. Although traditionally a three-seat sofa, modern designs include loveseats and U-shaped sectionals, allowing buyers to select a size and shape that suits their specific needs and space constraints. The choice of material is also crucial. While leather offers durability and authenticity to the original design, other fabrics like velvet, microsuede, or linen can provide different aesthetic and tactile qualities. Velvet adds richness and glamour, microsuede offers a velvety texture similar to suede, and linen provides a lighter, more casual feel. The sofa's fill determines its comfort level; a luxury fill combining foam, fiber, feathers, and down can provide a plush, sink-in experience, making it a comfortable spot for lounging or naps. The comfort of a Chesterfield sofa is often a consideration, particularly regarding the button tufting. The buttons are typically set deep within the crevices, meaning they are not felt when sitting. While tufting can make the seat feel less plush compared to completely smooth cushions, many Chesterfields are designed with supportive yet soft seating to ensure comfort. Ultimately, the Chesterfield sofa remains a timeless piece, offering a blend of historical charm, elegance, and adaptability to various modern interiors. #ChesterfieldSofa #FurnitureDesign #InteriorDecor #SofaStyles #HomeFurnishings #LuxuryFurniture #DesignHistory #LivingRoomDesign #HomeDecoration

The Future Perfect, a prominent design gallery, has inaugurated a new exhibition space, Casa Perfect New York, within a five-story townhouse located in New York's West Village. This new outpost expands upon a successful concept first established on the West Coast, aiming to provide an immersive experience for viewing collectible homeware and contemporary designs. David Alhadeff, the founder of The Future Perfect, expressed his immediate desire to replicate the West Coast's Casa Perfect concept in New York upon its success. The core challenge involved identifying a location that could authentically embody The Future Perfect's artistic vision, ultimately leading to the selection of the West Village townhouse. The space is intentionally curated to resemble a lived-in residence, where contemporary and unique design pieces are seamlessly integrated into a domestic setting. While all items are available for purchase, the primary objective is to foster exploration and discovery rather than merely functioning as a retail store. Alhadeff emphasizes that the experience of the space takes precedence over the act of shopping, with the chosen townhouse designed to create a memorable and significant visitor journey. A central feature of the townhouse is a pale-wood staircase, designed by acclaimed British architect David Chipperfield, which serves as a vertical axis connecting all five levels of the building. This staircase, characterized by its dog-leg flights, ascends through an atrium, where a long brass lamp dramatically descends, drawing the eye upwards. The landings and walls along the staircase are utilized as display areas for artworks, further enhancing the gallery's residential aesthetic. The interior design of Casa Perfect New York employs a varied palette; some rooms feature minimalist white walls and black-painted wood floors, providing a neutral backdrop for the displayed designs. Other areas incorporate ombre wallpaper or a darker color scheme, adding diversity to the sensory experience. In the basement, an all-black kitchen houses wine coolers that ingeniously double as display vitrines for various vessels. A marble island countertop in the kitchen also serves as a platform for showcasing additional items. The exterior of the building features a rear facade clad in black-painted brick, which is visible from a ground-level patio area accessible through rotating glass panels. Casa Perfect New York introduces several artists and designers to The Future Perfect's roster for the first time, including Collection Particulière, Marcin Rusak, and Adam Pogue for Commune. The inaugural exhibition also features works by a diverse group of designers such as John Hogan, Eric Roinestad, Chris Wolston, Chris Stuart, Chen Chen and Kai Williams, Reinaldo Sanguino, Floris Wubben, Charles De Lisle, Marta Sala, Piet Hein Eek, Dimore Studio, and Philippe Malouin. This New York location builds on the success of Casa Perfect in Los Angeles, which has occupied a Beverly Hills villa once owned by Elvis Presley, following an initial year in a mid-century Hollywood Hills home. The Future Perfect's operations extend beyond these Casa Perfect locations, with additional spaces in New York at 55 Great Jones Street and in San Francisco at 3085 Sacramento Street. Established by David Alhadeff in 2003, The Future Perfect has consistently showcased individual works from various designers and studios, including Tbilisi-based Rooms, London-based Michael Anastassiades, and New York-based Ladies & Gentlemen Studio. The photography for the Casa Perfect New York gallery was provided by Douglas Friedman. #DesignGallery #HomeDecor #InteriorDesign #DavidChipperfield #TheFuturePerfect #NewYorkCity #WestVillage #CollectibleDesign #ArchitecturalStaircase

Gilles Clement, an acclaimed designer and art dealer based in Greenwich, transformed a Colonial-style home in Purchase, New York, for a family of five. Clement's design philosophy challenges the conventional idea of aligning interior aesthetics with exterior architecture, emphasizing that personal identity and taste should dictate home design rather than architectural style or geographical location. His approach incorporates a bold, internationally inspired aesthetic, drawing from European flair and global influences, which is also reflected in his eponymous art gallery. The project began unexpectedly when Clement's future client purchased a distinctive and expensive Visionnaire console from his gallery. This uncommon purchase, made without Clement's direct sales involvement, piqued his interest, leading to a meeting that revealed the client's desire for a full home renovation. The client, who had lived in Manhattan, traveled extensively, and developed a strong appreciation for design and aesthetics, proved to be an ideal muse for Clement's distinctive style. She resonated deeply with his gallery's curated collection, which blends old and new elements and features art from international artists like David Datuna, Debra Franses Bean, Clement Kamena, Devorah Sperber, and Curtis Cutshaw. Clement characterizes his design style as "transitional and contemporary," opulent and luxurious, a sensibility that extends to the art, furniture, and decor showcased in his gallery and, ultimately, in his clients' homes. The Purchase home's transformation is anchored by its art collection, beginning with the Visionnaire console in the hallway, an Italian piece with a bold design featuring black beveled glass and cascading chains. Above it hangs a three-dimensional rendition of Vermeer's 'Girl with a Pearl Earring' by Clement Kamena, a creative duo composed of Clement's parents. This piece is part of their 'Jar Memory' series, which reinterprets art history masterpieces within jars, aligning with Clement's vision of making art accessible and collectible. The hallway is further enhanced by two Italian Terzani pendants, each crafted with seven handblown crystal balls. In the living room, an Il Pezzo Mancante lighting fixture, another Italian creation, acts as a central sculptural element, featuring handblown crystal balls and polished nickel and black powder-coated lacquer rods. The room also showcases another Clement Kamena 'Jar Memory' piece, a representation of Jeff Koons' 'Diamond,' chosen for its scale, color, and vibrant presence. Additional artwork includes a mixed-media piece by Natalia Kldiashvili, celebrating Coco Chanel's life through historical clippings and fashion collages. The space is completed with a luxurious silk rug from Nepal, distinctive Klismos chairs in black piano lacquer, and Clement's signature feather-adorned pillows. The powder room, curated around the homeowner's photograph of a woman with ostrich feathers, demonstrates Clement's commitment to integrating existing art into new designs. Despite its small size, the room achieves a "jewel box" aesthetic with dark paint, a mosaic brass-tile floor, a Maison Valentina vanity from Portugal, and a black toilet, an unconventional choice that Clement defends for its ability to blend seamlessly with the gold-leaf Japanese wallpaper and diamond-shaped lighting fixture from Holland. Clement emphasizes the critical role of lighting, often choosing sculptural, artistic fixtures from Europe that also serve as art statements. The kitchen, previously outdated, was expanded and reconfigured to accommodate the family of five and visiting grandparents. Clement personally designed the custom chandeliers, inspired by Brand van Egmond, to mirror the client's love for jewelry and glamour. The cabinetry, custom-built in Clement’s workshop, features piano lacquer with brass inserts. A backsplash combining solid brass and Nero Marquina marble, along with two angled Calacatta Gold Ultra Quartz islands, provides both luxury and functionality. The breakfast nook, an extension of the kitchen, features a Paolo Castelli chandelier, a custom silver-leaf ceiling, and Portuguese brass furniture. The dining room continues the opulent theme with Terzani lighting, Elitis wallpaper, custom furniture with Romo Zinc fabric, a custom rug, and a unique video artwork by MARCK from Switzerland. Throughout the home, Clement's design ethos is to create environments that are not only aesthetically pleasing but also mood-enhancing, viewing art as the "soul of the home" and a vital element in improving daily life. #HomeDesign #InteriorDesign #ArtCollection #LuxuryLiving #GillesClementDesigns #ContemporaryDesign #InternationalInfluence #CustomFurniture #WestchesterHome

The article introduces the 2024 'Extraordinary Faces of Home,' a compilation of talented and experienced professionals in the home design and renovation industry in Westchester. These individuals and businesses are recognized for their passion and expertise in creating beautiful and comfortable living spaces. The featured companies span various aspects of home improvement, from interior design to exterior landscaping. Blinds To Go, for instance, specializes in custom window treatments, offering a wide array of blinds, shades, shutters, and drapery. Their design consultants assist clients in selecting materials and colors that align with personal style and budget, ensuring both aesthetic appeal and functionality. All products and services come with a lifetime warranty, highlighting their commitment to quality and customer satisfaction. California Closets focuses on custom storage solutions for various areas of the home, including closets, entertainment centers, mudrooms, and home offices. They emphasize superior craftsmanship and innovative designs that optimize organization and space, allowing clients more time for personal pursuits. Their process involves expert design consultation and custom manufacturing in their Westchester plant, followed by timely installation. Ai Bo Gallery presents a curated collection of contemporary fine art, featuring sculptures, photography, glass, mixed media, and paintings from emerging and established artists worldwide. Owner Glenn Aber’s passion for art, particularly from Vietnam, China, and Southeast Asia, is evident in the gallery's diverse offerings, which cater to both homeowners and interior designers seeking unique pieces. Cara Saven Wall Design, led by Caronine Garbutt, offers bespoke wallcoverings. Their team customizes designs to fit unique wall shapes, adjust colors and scales, or create entirely new patterns. Their extensive e-catalogue features over 2,000 designs, available on various substrates, including wallpaper, fabrics, and roller shades, serving interior designers, corporate clients, and residential projects. TT Interiors, founded by Tanya Tochner, provides personalized luxury interior design services. Tanya's approach is centered on listening to clients to create spaces that are both beautiful and functional, reflecting their unique personalities and styles. The services range from complete renovations to full interior design, operating as a division of ROCKS Jewelry Gifts Home. Kanter’s Carpet & Home is known for its luxurious flooring solutions. Under the leadership of Brian Kanter and his team, this 75-year-old family business offers an extensive selection of carpeting, custom area rugs, hardwood, LVP, and window treatments. They are trusted by interior designers and discerning homeowners for their impeccable design and quality. Nationwide Maintenance & General Contracting Inc., spearheaded by Marcie Manfredonia, specializes in exceptional home renovations. Marcie's transition from commercial to residential projects was driven by a desire to create meaningful and personalized spaces that evoke joy, peace, and love for individual homeowners, fostering long-lasting client relationships. Henry B. Whitaker Garage Doors, now run by third-generation owners Casarra and Jonathan Cover, continues a legacy of custom-built garage doors. What began with limited options in 1949 has evolved to offer state-of-the-art, handmade custom wood garage doors that enhance home aesthetics. They emphasize that a garage door is a crucial first impression of a home. Morano Group Landscapes + Hardscapes is a family-owned, full-service exterior company providing design, development, maintenance, masonry, interior plantscapes, organic tree care, mature tree installation, holiday décor, and poolside landscapes for commercial and residential properties in New York and Florida. Finally, Jilco Window Corporation’s Design Team, with over 70 years of combined experience, crafts “Irresistible Kitchens.” Lou Righetti, Darrin Monaco, and Sarah Zobel work with clients to weave together personality and vision with design expertise, focusing on colors, textures, and functionality to create thoughtful and thorough kitchen designs. Overall, the article highlights these businesses as key players in transforming and enhancing homes in Westchester, each bringing unique skills and dedicated service to their respective fields. #HomeDesign #InteriorDesign #HomeRenovation #WindowTreatments #CustomStorage #FineArt #Wallcoverings #LuxuryFlooring #LandscapeDesign #GarageDoors #KitchenDesign #WestchesterHomes

This article explores the enduring appeal of the chesterfield sofa, a classic furniture piece that originated in the 1700s. Originally commissioned by the Earl of Chesterfield, the design is characterized by tufted upholstery, rounded arms and a back of the same height, and often a nailhead trim. While traditionally associated with a masculine aesthetic, particularly in leather, contemporary versions are available in various fabrics like velvet and linen, offering a softer and more colorful appearance. The article acknowledges the challenge of finding high-quality chesterfield sofas due to the widespread replication of the design, which has led to many subpar options in the market. To address this, furniture experts conducted a comprehensive search and evaluation to identify the six best chesterfield sofas currently available, ranging from classic interpretations to more modern styles. The featured sofas include the Arhaus Berwick Sofa, recognized as the 'Absolute Best Chesterfield Sofa' for its superior upholstery and easy-to-clean linen performance fabric, though it comes with a high price tag. The CB2 Savile Leather Tufted Sofa is highlighted as the 'Best Modern Chesterfield Sofa,' offering a contemporary twist with sharp lines and chrome legs while retaining the tufted leather. For those seeking a faithful reproduction of the original design, the BOWERY HILL Leather Tufted Back Chesterfield Sofa on Amazon is praised as the 'Best Classic Chesterfield Sofa,' distinguished by its tufted upholstery extending to the bottom of the sofa and high-quality smooth leathers. The Poly & Bark Lyon Sofa is presented as the 'Best Chesterfield Sofa Without Nailhead Trim,' catering to individuals who find the traditional nailhead detail off-putting, relying instead on high-quality Italian leather for a classic flair. The Kelly Clarkson Home Provence Rolled Arm Sofa stands out as the 'Best Budget Chesterfield Sofa,' providing the classic look at an affordable price with surprisingly nice faux leather options. Lastly, the Pottery Barn Chesterfield Sofa is noted as the 'Best Made-To-Order Chesterfield Sofa,' offering extensive customization options in terms of width, seat depth, and over 100 fabric choices, though it lacks leather options. The article also provides guidance on what to look for when purchasing a chesterfield sofa. Key characteristics include tufted upholstery, a back and arms of the same height, and traditionally rounded arms, though some modern versions feature squared-off designs. The importance of luxe upholstery, whether leather, muted linen, or bright velvet, is emphasized as a key factor that makes a chesterfield sofa stand out. Additionally, subtle design choices, such as the number of seat cushions (single upholstered for traditional, divided for modern), contribute to the overall aesthetic and craftsmanship of the piece. The selection process prioritized quality materials and thoughtful design variations to present a curated list for various preferences and budgets. #ChesterfieldSofa #HomeDecor #FurnitureDesign #SofaStyles #InteriorDesign #LuxuryFurniture #ModernFurniture #ClassicDesign #HomeFurnishings

Visiting a design center offers a unique opportunity to explore fine furnishings, textiles, and lighting, providing inspiration for home interiors. Historically, these centers primarily served "The Trade," meaning designers and architects, and were not always accessible to the general public. However, this has evolved, and now most design centers welcome individual visitors, even though direct sales to consumers are often limited. The experience allows individuals to see high-quality, custom-made items that are not typically found in retail stores. Upon entering a design center, visitors are met with a sophisticated atmosphere, often featuring a large, well-lit atrium and impeccably curated showrooms. These showrooms represent multiple high-end home furnishing lines. While some items, like an Italian silk fabric retailing at over $1,800 per yard, might seem financially out of reach, the primary benefit of a visit is the inspiration gained and the opportunity to experience luxurious designs firsthand. For those planning a visit, several guidelines can enhance the experience. It is recommended to hire a professional designer, as most showrooms operate on a wholesale model and will only sell to designers. A designer can also help navigate the vast selection, preventing creative overload and assisting with practical aspects like ensuring custom furniture dimensions fit a specific space. Engaging with showroom associates is encouraged, as they possess specialized knowledge about product construction and durability, often having visited factories where items are made. Knowing room dimensions beforehand is also beneficial, as furniture can often be custom-adjusted. Conversely, there are certain actions to avoid. Visitors should generally refrain from asking for direct pricing or attempting to purchase items immediately, as most showrooms do not sell directly to the public. However, exceptions exist, such as certain stores within a design center or during occasional floor sample sales. The Seattle Design Center, for instance, offers a service to connect visitors with an in-house designer to facilitate purchases. Visitors should not feel intimidated by the high-end environment; showroom staff are generally helpful and can provide product specifications through “tear sheets.” It's also advisable to make an appointment if seeking extensive assistance, as associates manage busy schedules, and patience is key given that many furnishings are custom-made to order. Ultimately, a design center visit is about exploration, experience, and education. Even if a full-scale interior design project or immediate purchase isn't feasible, the exposure to diverse, high-quality designs can serve as a valuable source of inspiration for DIY renovations and home furnishings, offering insights into designs unavailable in conventional retail environments. #DesignCenter #HomeFurnishings #InteriorDesign #LuxuryDecor #ShowroomEtiquette #CustomFurniture #DesignInspiration #TextileDesign #MitchellChapman

This article highlights seventeen leading interior design firms and individual designers based in Charlotte, North Carolina, providing an overview of their unique styles, services, and notable projects. Each entry includes the owner's name, a brief description of their design philosophy, and a noteworthy project or interesting fact. The firms featured offer a range of services from full-service residential and commercial design to specialized areas like new construction interiors and antique sourcing. House of Nomad, a full-service firm in South End, draws inspiration from world travels and has been recognized in publications like Domino and HGTV. Barrie Benson, known for blending modern and traditional elements, has seen her work featured in Architectural Digest and Elle Decor. Lucy and Company, also in South End, offers comprehensive design services, with their work spanning from New York to San Diego. Charlotte Lucas Interior Design, founded in 2012, is distinguished by its use of bold colors and whimsical details, and its owner also co-owns a fabric and wallpaper company. Holly Phillips of The English Room is recognized for her vibrant color palettes and unexpected mix of styles, with her designs appearing in Better Homes & Gardens and House Beautiful. Mary Tobias Miller Interior Design, based in Dilworth, excels at sourcing unique pieces and has been in the industry since 1983. KBN Interiors specializes in new construction, handling everything from space planning to material selection, and has received awards for their kitchen designs. Amy Vermillion Interiors caters to diverse clients, including private jet design, and has been featured in The New York Times Magazine and Charlotte Magazine. Circa Interiors & Antiques combines an antique shop with a design studio, offering 18th to 20th-century English and Continental antiques, with owner Cindy Smith’s work showcased in Southern Accents and VERANDA. Georgia Street Design, operating since 2010, emphasizes creating well-designed spaces that foster family memories and has a presence at Slate Interiors. Traci Zeller Interiors, an award-winning firm, balances modernity with tradition, and Traci Zeller herself has been recognized as one of Charlotte’s most stylish individuals. New South Home focuses on mixing current trends with classic styles, ensuring functionality for families, and has received the 'Best of Houzz' award for five consecutive years. Dwell by Cheryl, founded by Cheryl Luckett in 2012, offers sophisticated yet approachable designs on a realistic budget and has won the Best of Houzz Design award for six years. Ashley DeLapp Interior Design, rebranded from Evaru Design, is known for mixing vintage with new, layered patterns, and bold colors, with Ashley DeLapp having a background in architecture. Jacy Painter Kelly Interiors provides creative and casual designs with a preference for clean lines and bold colors, and Jacy Painter Kelly also collaborates on projects through 431 Designs. The Redesign Company, led by husband-and-wife team Tim and Christina Lewis, integrates their skills to improve living spaces for families, with Tim being a therapist and Christina a designer. Lauren Nicole Designs, owned by Lauren Clement, focuses on reflecting clients' personalities, offering a range of services including online e-design, and has also received 'Best of Houzz' awards. #InteriorDesign #CharlotteDesign #HomeDecor #DesignFirms #LuxuryInteriors #ResidentialDesign #CustomDesign #DesignTrends

Jessica Schuster, founder and president of the New York-based design firm Jessica Schuster Design, discusses her journey into interior design, her approach to projects, and her creative philosophy. Schuster's firm handles a diverse portfolio, including residential, commercial, and hospitality spaces across the country, with notable projects such as residences in New York and the Esmé Hotel in Miami Beach. She emphasizes crafting unique spaces that balance the unusual with the familiar, maintaining a global awareness while committing to enduring interiors, defining "timeless joy" as the beauty of well-designed pieces that withstand time. Schuster initially pursued communications at New York University before earning an associate degree in interior and architectural studies from Parsons School of Design. She considers her entry into interior design as more of a natural evolution, influenced by her childhood exposure to design through her parents' home building project in Palm Beach and early internships in the field. When she established Jessica Schuster Design in 2013, she integrated lessons from previous firms, particularly the importance of operational organization, transparency with clients, and fostering a collaborative and innovative studio environment. Her creative energy is sustained through constant engagement with the world, including travel, art galleries, and design fairs, which she believes infuse fresh perspectives into each project. Schuster tailors her approach to diverse clients, ranging from families to bachelors and hospitality clients, educating them on how design can enhance their lives and create personalized luxurious experiences. She notes that each project dictates its unique palette, though she has recently gravitated towards deeper, saturated colors and the juxtaposition of contemporary pieces with antiques, such as Italian and French mid-century or Brazilian designs, to create dynamic and layered spaces. For hospitality projects, Schuster aims to create engaging spaces that spark conversation and evoke emotion. She is currently involved in a project at Windham Mountain Club in New York, where she is designing various spaces, focusing on creating a cohesive narrative while ensuring each area feels distinct. She acknowledges that both the architecture and location of a space inform her designs, but she also strives to create a sense of refuge, especially in bustling urban environments like New York, by balancing architectural elements with interiors that offer an escape. Designing her own apartment has presented a unique challenge, marked by a slower, yet rewarding, process. Her personal space has evolved into a more classical design, inspired by French classic designers and their use of timeless materials, serving as a sanctuary that reflects her current life stage. Currently, her firm is engaged in multiple projects across South Florida, NYC, the Hamptons, Malibu, and the Caribbean. Looking forward, Schuster aims to expand her portfolio further into hospitality and high-end residential design, consistently upholding the firm’s commitment to creativity, collaboration, and elevating spaces. #JessicaSchuster #InteriorDesign #DesignPhilosophy #HospitalityDesign #ResidentialDesign #TimelessDesign #CreativeProcess #ClientCollaboration #NewYorkDesign

The Petit Palais in Paris is currently hosting an exhibition dedicated to Charlotte Perriand, focusing on the significant role photography played in the development of her renowned interior designs. This unique exhibition delves into Perriand's creative process, presenting her inspirational photographs alongside the finished products they informed. The core idea is to illustrate how Perriand's observations of the natural and urban environment, captured through her camera lens, directly translated into her groundbreaking furniture and interior architecture. Perriand's engagement with photography as a preliminary study method began in 1928, when she joined the influential Le Corbusier/Pierre Jeanneret studio as a furniture design associate. During this period, she dedicated herself to exploring the 'laws of nature' in various contexts, from bustling cityscapes to serene mountain landscapes. The exhibition features a substantial collection of 380 photographs, many of which depict objects and forms discovered during her extensive walks and explorations. This photographic archive underscores her philosophy that the modernist movement was driven by a spirit of inquiry and a process of analysis rather than a mere stylistic trend. Her keen eye for the world around her is evident in these images, revealing a designer who constantly sought inspiration from her surroundings. A key highlight of the exhibition is the direct juxtaposition of these inspiration photographs with their resultant designs. For instance, the skeletal structure of fish bones is shown to have directly informed the design of her 'Banquette Tokyo.' Similarly, the elegant lines of a reclining human figure are presented as the muse behind her iconic 'Chaise Longue Basculante.' Other examples include the 'Chaise Ombre' from 1954, shown with its photographic precursor, and the 'Table Basse' from 1984, which evolved from an 'Art Brut Grès plage Normandie vers' photograph from 1935. The 'Chaise longue bambou' from 1940 draws inspiration from a 'Paysanne corse' photograph from 1937, demonstrating Perriand's ability to translate organic forms into functional and aesthetically pleasing furniture. Furthermore, the exhibition reveals Perriand's innovative approach to design by showcasing how she was one of the first designers to integrate photography as an essential tool throughout her furniture and interior design projects. This method allowed her to meticulously analyze forms, textures, and compositions from the real world, subsequently abstracting and reinterpreting them into her distinctive modernist aesthetic. The exhibit also includes images like 'Immeuble de l’Armée du Salut en construction, vers' from 1931, which inspired the 'Meuble de séparation' from 1954, and 'Pont à poutrelle' from 1933, leading to the 'Table Gigogne' from 1951. These examples highlight her holistic approach, where even architectural elements and everyday structures found their way into her furniture designs. In essence, the exhibition at Petit Palais offers a profound insight into Charlotte Perriand's meticulous design methodology and her enduring legacy as a modernist pioneer. It demonstrates how her photographic practice was not merely a documentation tool but a fundamental component of her creative process, allowing her to bridge the gap between observed reality and innovative design solutions. The careful arrangement of photographs and finished pieces effectively illustrates her journey from capturing momentary inspirations to crafting timeless pieces of furniture and interior spaces, firmly establishing her as a designer who saw the world through a uniquely analytical and artistic lens. #CharlottePerriand #InteriorDesign #ModernistDesign #DesignHistory #PhotographyInDesign #PetitPalais #FurnitureDesign #LeCorbusier #DesignProcess

In the realm of home decor, trends are constantly shifting, and while designers often have strong opinions on what's currently fashionable or outdated, consumer preferences can sometimes present a contrasting view. This article explores a recent survey conducted by furniture and decor company Living Spaces, which polled 400 individuals about their favorite couch styles. The surprising outcome revealed that the classic Chesterfield sofa was the least popular choice, garnering only 9 percent of the vote. The Chesterfield sofa is traditionally recognized by its distinctive features: large rolled arms that are level with the backrest, and deep button tufting across the upholstery. Historically, these sofas have been associated with a formal, often masculine aesthetic, frequently pictured in settings like old-fashioned hotel bars, typically upholstered in dark leather. This traditional image appears to contribute to its lower popularity among contemporary consumers who may perceive it as overly formal or unsuitable for modern, casual living spaces. However, the article challenges this perception, arguing that the Chesterfield's classic design can be reinterpreted to fit current aesthetics. It suggests that certain elements can be modified to update its look and make it more appealing. For instance, removing the traditional nailhead trim, which often accentuates its formality, can instantly modernize the sofa. The choice of upholstery also plays a significant role; opting for softer materials like velvet or linen instead of heavy leather can transform its appearance and comfort level, making it more suitable for everyday relaxation and casual home environments. Beyond material changes, altering the sofa's silhouette can also refresh its appeal. The article recommends looking for Chesterfield variations with longer legs or an exaggerated back to introduce a more contemporary flair. It also points out that tuxedo sofas, which are closely related to Chesterfields but typically feature straight arms and tufting, offer a modern alternative that still retains a touch of classic elegance. This subtle distinction allows for a similar aesthetic with a less imposing feel. To further illustrate its point, the article showcases four modern renditions of the Chesterfield sofa, demonstrating how this classic piece can be updated and integrated into diverse home aesthetics. These examples aim to prove that with thoughtful customization and a fresh perspective, the Chesterfield sofa can transcend its traditional image and become a stylish, comfortable, and desirable furniture item in contemporary homes, potentially overturning its 'least popular' status. The presented selections include the Dylan Sofa in Sapphire Olive, Chatham Sofa, Savile Leather Tufted Sofa, and Ms. Chesterfield Fabric Sofa, each offering a unique take on the classic design. #ChesterfieldSofa #SofaTrends #FurnitureDesign #HomeDecor #InteriorStyle #DesignInspiration #Upholstery #ModernClassics

The article offers an intimate look into the daily life and professional philosophy of renowned interior designer Stephen Sills. Originally from Oklahoma, Sills divides his time between his primary residence and studio in New York City and his country home in Bedford, Westchester. His work schedule in New York City is highly dynamic, involving interactions with clients, visits to artisans in Queens and Brooklyn, and studio meetings. He emphasizes the detail-oriented nature of his firm's work, where much is handmade, requiring constant oversight of vendors to ensure designs are executed correctly. Sills highlights the value of his long-standing team, some of whom have been with him for nearly 25 years, indicating a close-knit and efficient operation. He maintains strong relationships with his clients, focusing on understanding their expectations and desired living atmospheres to achieve optimal results. Travel, particularly to Europe, serves as a significant source of inspiration for Sills. He mentions his fondness for Paris and London, having previously worked on The Connaught Hotel, and has recently explored destinations like Torino, Italy. These trips provide an opportunity to slow down from the fast pace of New York and discover new products and design concepts. Beyond his professional life, Sills dedicates considerable time to personal pursuits. Gardening has been a passion for the past 15 years, involving the design and planting of his extensive garden in Bedford. He collaborates with a gardener who has assisted him for two decades, underscoring his appreciation for skilled support. Another creative outlet for Sills is painting, primarily of objects, which he finds therapeutic and complementary to his design work. This activity allows him to experiment with compositions and colors without additional pressure. In terms of personal style, Sills prefers a casual aesthetic, often wearing Brunello Cucinelli or jeans and a cashmere sweater when not meeting clients. However, he makes an effort to dress more formally with a jacket or tie for client engagements, reflecting his respect for traditional elegance while adapting to modern comfort. He values quality clothing and occasionally has shirts custom-made in Paris, which he pairs with casual attire. Sills also unwinds by watching Netflix or Amazon Prime Video, finding solace in engaging narratives. He particularly enjoys documentaries, citing the Tina Turner documentary as a recent favorite due to his personal friendship with the singer and admiration for her resilience and talent. Looking ahead, Sills is preparing for the release of his third book, which will feature his most recent, unpublished projects from the past nine years. The book aims to be instructional, detailing his design process and work methodology. Initially planned for an earlier release, it has been postponed to May to allow for a book tour. A key piece of advice he offers is the importance of continuous learning, recognizing that both successes and failures contribute to personal and professional growth, especially in understanding what one does not want to pursue in life. #InteriorDesign #StephenSills #LuxuryLifestyle #NewYorkDesign #TravelInspiration #Gardening #ArtAndAntiques #DesignPhilosophy

The Castlefield Design District in Toronto serves as a comprehensive hub for home decorators, offering a wide array of furniture options that cater to diverse tastes, from contemporary styles to salvaged and reclaimed pieces. The district's significant concentration and large scale of shops make it possible to fulfill all design needs within a single area. This article highlights ten prominent furniture stores in the district, each with its unique offerings and price points. Elte Mkt specializes in contemporary furniture, particularly appealing to condo and loft residents. It provides a varied selection, including sofas, sectionals, coffee tables, and beds, alongside an extensive inventory of over 2,000 rugs, all at competitive prices compared to other stores in the vicinity. The Door Store, despite its name, is a haven for upcyclers, featuring a rich collection of architectural salvage items such as mantels, fixtures, antique hardware, and unique finds like marble tables and vintage Singer chairs. Shelter is a large store known for its frequent sales and a broad range of modern-inspired furniture. Its offerings are generally in the mid-price range, with dining room tables typically costing between $1500 and $2000. The store prominently features beds, sofas, coffee tables, and chairs. Metropolis Living, previously located in the Junction, offers a curated selection of quirky vintage finds, presenting a stark contrast to the district's more sleek establishments. Owned by siblings Phil Freire and Maggie Gattesco, it's described as a kitschy museum of salvaged goods. Modani, a Miami-based company, provides modern and contemporary furniture across various price points, including affordable options. It is also noted for its selection of reasonably priced patio furniture, frequently offering discounts and sometimes free delivery. Kantelberg and Co. showcases an eclectic mix of furniture and accessories within its 4,500 square foot showroom. This includes traditional antiques, 19th-century pieces, and rustic items, with an ever-changing inventory that encourages repeated visits. Elte stands as one of the long-standing anchor stores in the district, occupying a vast warehouse. While it offers high-end items, such as rugs that can cost up to $10,000, it also provides more affordable selections and furniture for every room, featuring designers like Calvin Klein. Sharon O'Dowd, similar to Kantelberg and Co., is a primary source for traditional antiques, predominantly from Europe and Quebec. The store also excels in custom furniture design using reclaimed and salvaged materials, and provides restoration services for antique pieces. The Art Shoppe, in its second location on Kincourt after relocating from Yonge and Eglinton, offers a large selection of furnishings ranging from modern to country/casual styles. Its collection caters more to traditional tastes than to contemporary design enthusiasts. Barrymore Furniture, a well-established Toronto business, is renowned for its high-quality, custom-built sofas, which, while not inexpensive, are designed for durability. In addition to sofas and chairs, the store provides a comprehensive range of contemporary home furnishings. #FurnitureStores #CastlefieldDesignDistrict #TorontoDesign #HomeDecor #InteriorDesign #ContemporaryFurniture #VintageFurniture #AntiqueFurniture #CustomFurniture

The Chesterfield sofa, an undisputed icon in furniture design, has undergone a significant revival in recent years, leading to numerous contemporary reinterpretations. While its exact origins remain shrouded in mystery, popular belief attributes its creation to Lord Phillip Stanhope, the 4th Earl of Chesterfield, in the late 17th century. The intention was to allow gentlemen to sit upright without creasing their attire, a functional requirement that has since evolved into a symbol of timeless elegance. Traditionally, a Chesterfield sofa is characterized by its luxurious leather upholstery, deep button tufting, nail-head trim, and a low seat base. A key identifying feature is the uniform height of its arms and backrest. Modern furniture designers, however, have embraced the challenge of reimagining this classic. They are experimenting with a diverse range of fabrics and making subtle adjustments to its traditional form, ensuring that almost every contemporary sofa collection features a Chesterfield interpretation. Despite its neatly tailored appearance, the Chesterfield's inherent structure can be softened and made more inviting with the addition of cushions and a sheepskin throw, enhancing its cozy appeal. Several brands have introduced their unique versions. Loaf's 'Bagsie' sofa, starting from £1745, offers a deep-buttoned Chesterfield with slightly lower armrests than the conventional design, emphasizing a more relaxed upholstery style and deeper seating for enhanced comfort. According to Charlie Marshall, Founder of Loaf, the Bagsie is their best-selling model due to its blend of comfort and style. Swoon Editions contributes to the trend with its 'Winston Three-Seater,' priced from £1099. This model features exaggerated scrolled arms, feather-filled cushions, and brass stud trim, departing from traditional castor feet in favor of a more modern brass cuff. Rume's 'Smithfield' sofa, starting from £3,384 plus fabric, stands out with its buttoning extending into the seat pad and is showcased in a vibrant orange cotton velvet. This model, known for its large arms, deep buttons, and bright nickel studs, requires a week of meticulous upholstery work. Sofa.com offers the 'Amelia,' a modern simplification of the classic Chesterfield, starting from £2000 for a two-seater. While retaining the original shape, the Amelia dispenses with button and stud details, focusing on a fixed high back and rounded arms to provide a cocooning seating experience. For those seeking a more traditional aesthetic, Delcor's Chesterfield, from £1976, remains faithful to its roots, featuring a firm build with independent springs for superior support and an extensive choice of 10,000 fabric options for personalization. Finally, Sofa Workshop's 'Grande Dame,' starting from £1989 for a two-seater, exemplifies another faithful interpretation. Available in various configurations, including options without buttons or with seat cushions instead of a sprung seat, it allows for complete customization. Charlie Marshall advises prospective buyers to prioritize sofas with solid beech frames, held together by screws and dowels, over those made with glued and stapled chipboard for longevity. He also recommends feather-filled cushions for optimal comfort. These modern iterations demonstrate the Chesterfield's enduring appeal and its successful adaptation to contemporary living spaces. #ChesterfieldSofa #FurnitureDesign #HomeDecor #LivingRoom #SofaTrends #InteriorDesign #ClassicFurniture #ModernInterpretation #HomeFurnishings

Clerkenwell Design Week 2025, held from May 20-22 in London, showcased a vibrant array of design innovations, installations, and product launches. The event, known for transforming commercial design into an engaging exhibition, utilized iconic venues such as the 14th-century Charterhouse, a new space in Smithfield Market, and the medieval St Bartholomew’s Church, dubbed ‘Church of Design’ for the occasion. The atmosphere was notably lively, attracting significant crowds across various showrooms and venues. Among the standout installations was 'A Week at the Knees' by artist Alex Chinneck, a surrealist sculpture crafted from 7,000 bricks. This piece mimicked the Georgian façades of Charterhouse Square but dramatically bent across a path, inviting visitors to experience its distorted form. Although Clerkenwell Design Week concluded on May 22, Chinneck’s installation remained accessible until early July. Another notable public artwork was 'Harmonic Tides' by Arthur Mamou-Mani, which featured two sweeping 3D-printed walls with integrated bench seating. Designed to evoke the natural movement of water, the undulating walls were constructed from a sugar-based bioplastic (PLA) and incorporated LED lighting and a calming soundtrack, creating an immersive and tranquil environment. Additionally, 'Brick from a Stone: Arch Revival,' a collaboration between Hawkins\Brown and Webb Yates for Albion Stone and Hutton Stone, was unveiled on Clerkenwell Green. This double-arched pavilion, made from British stone bricks, demonstrated the inherent strength of stone through incredibly thin, load-bearing arches, merging ancient techniques with modern engineering. The event also featured unique interactive experiences, such as 'Beasley’s Biscuit Bar' by Sons of Beasley, located at Hawkins\Brown’s Clerkenwell Road studio. This installation revived a local historical anecdote about London’s first 'biscuit bar,' offering visitors Yorkshire Tea and homemade biscuits within a retrofitted servery. The space also showcased colorful furniture made from Plykea offcuts and provided a live-making demonstration, blending historical homage with contemporary design. In terms of product design, Hand & Eye presented a tactile range of slip-cast terracotta, stoneware, and porcelain wall lights, all handmade in their Devon workshop, as part of the British Collection. David Irwin introduced the 'Caston' chair for Origin Furniture, notable for its elegant form and circular design principles, featuring a tubular steel frame and zero-waste 3D-knitted upholstery that is fully recyclable. SCP debuted the 'Archer' chair by Magnus Long, a cantilever design with a tubular metal frame and plywood seat, displayed in the Church of Design. Mirage, in collaboration with AMDL Circle, launched ‘Terrae,’ a ceramic surface collection exploring the emotional connection between ceramics, light, and space, presented at Charterhouse. Curiousa introduced 'Carnival,' a sculptural lighting collection displayed in the underground space of the House of Detention. This collection combined hand-blown glass, porcelain, and wood in playful, Harlequin-inspired forms. NaughtOne launched 'Fin,' a new lounge chair by Daniel Schofield, inspired by 1960s space-age design and constructed with a simple plywood frame, minimizing its embodied carbon. Italian brand Bolzan showcased the 'Milo' bed, a cocooning design with a soft, foldable headboard, at Old Sessions House. Bolzan also exhibited headboards from their 'Woven Dreams' collection, including 'Fiocco' by Martino Gamper and 'Rosary' by India Mahdavi, both previously admired in Milan. The event successfully combined large-scale installations, product launches, and interactive elements, solidifying its reputation as a significant event in the design calendar. #ClerkenwellDesignWeek #LondonDesign #ArtInstallation #FurnitureDesign #LightingDesign #SustainableDesign #ArchitecturalInnovation #ProductLaunch #InteriorDesign

The article details the collaboration between interior designer Lynn Biase and mixed media artist Jenn Lewis to transform Lewis' new West Harrison home into a vibrant, family-friendly space that seamlessly integrates her distinctive artwork. Lewis, known for her bold, graffiti-style paintings and collages, sought Biase's expertise to create a fun and comfortable environment for herself, her two teenagers, and for hosting social gatherings. Biase had previously worked with Lewis on her former residence, indicating a pre-existing professional relationship built on trust and a shared aesthetic understanding. The design approach prioritized integrating Lewis's artwork, which the artist noted felt organic due to Biase's color choices throughout the home. The house's open layout, high ceilings, and large windows were naturally conducive to displaying art, creating a bright and airy atmosphere. Biase employed a 'high/low' design philosophy, combining custom-made elements with existing features and sourced items to achieve a cohesive yet unique look. An example of this is seen in the foyer, where the existing natural grass cloth wallpaper was complemented by a custom graphic stair runner that extends to the upstairs landing, establishing a striking entrance. The upstairs landing was transformed into a dedicated family area, featuring a game table with a built-in chess board to accommodate Lewis's son's hobby. Sculptural accessories from Current Home further adorned the shelving in this space, adding visual interest. In a previously neutral powder room off the foyer, Biase introduced an arched Arteriors mirror and patterned wallpaper by Kelly Wearstler, significantly enhancing its character. The kitchen saw minor yet impactful updates, including a black and brass faucet, modern black hardware, and pendant lights over the island, all contributing to a contemporary feel. Biase also introduced a pop of color with bright yellow chairs in the kitchen's breakfast area, a departure from Lewis's usual preference for grays. This sunny hue was echoed in the adjoining family room through throw pillows, connecting the spaces visually. For comfort, a custom coffee table with a fabric center was designed to match a large cream-colored sofa from RH, fulfilling Lewis's desire for a soft place to relax. The dining room features watercolor-inspired wallpaper from Emma Hayes, which harmonizes with the gray tones of the dining table and light fixture, while Arhaus dining chairs with antique brass accents add a touch of sparkle. The living room's design began with another bold wallpaper selection, complemented by a rust-colored sectional for visual contrast. In Lewis's office, Biase opted for a cool gray paint, providing an ideal backdrop for the artist's work and highlighting the walnut desk and wool patterned rug. A sitting room adjacent to the primary bedroom showcases one of Lewis's paintings of a bookshelf, seemingly custom-made for the space. The overall design successfully brought Lewis's artistic vision into her living environment, creating a home that feels both fresh and welcoming, according to the artist.