Halls Ridge Knoll Guest House by Bohlin Cywinski Jackson

The Wallis family, consisting of Jenna, an internationally acclaimed interior designer and owner of Jenna Wallis Interior Design, and her husband Ed, purchased a 1940s English cottage in the Hedgemoor neighborhood of Memphis with a vision to transform it into a serene and classic retreat for their family, including their two boys. Despite its charming exterior, the cottage required extensive renovation to accommodate a modern family while preserving its original character. After living in the house for about four years, the Wallises engaged Ryan Anderson of RKA Investments, a Memphis builder known for restoring older homes, and architect Charles Shipp to lead the renovation. Jenna's design philosophy centered on blending the old with the new, maintaining the home's classic charm while introducing contemporary elements. A significant challenge involved literally lifting the existing structure to create an open, airy space. The renovation team, including Ryan Anderson's business partner Chris Clark, worked collaboratively to achieve Jenna's vision, which included raising the living area's 9-foot ceilings to 11 feet to enhance natural light and spaciousness. Eight-foot windows were installed, flanking a custom fireplace, above which a vibrant painting by Atlanta artist Sally King Benedict became a focal point. Key areas of the home were meticulously redesigned. The kitchen was transformed with custom cabinetry extending to the ceiling for maximum storage, a beveled subway tile backsplash, and honed Carrara marble countertops. Jenna opted for unlacquered brass hardware, which develops a natural patina over time, to align with the home's original aesthetic. A breakfast nook, connecting the living area and kitchen, features sleek white walls, a streamlined banquette, and a rustic farmhouse table complemented by a brass globe chandelier. A framed 1966 Andy Warhol-designed Campbell's Soup dress, inherited from Ed's grandmother, adds a whimsical touch to this space. Throughout the living areas, white walls serve as a gallery for the Wallises' extensive art collection, which includes pieces by Memphis artist Megan Hurdle. In the parlor, a soft mint green ceiling, inspired by one of Hurdle's mixed-media works, adds a subtle color accent. Jenna's favorite space, her downstairs study, is distinguished by pale, high-gloss blue lacquered walls, a French pedestal desk, whimsical peacock figurines, and a modern brass starburst chandelier. Custom-built bookshelves by RKA Investments house the family's book collection, while art consultant Anna Wunderlich assisted in curating and displaying the family's diverse artwork, including a collection of oils and watercolors from Paris. The guest bedroom features a bold coral lattice wallpaper on an accent wall, framing an upholstered headboard, alongside French dressers and draperies made from Jim Thompson silk. The master bath was conceived as a spa-like retreat, with gray and white marble, built-in mirrors, millwork surrounding a white vanity, and elegant brass hardware. Antique light fixtures were incorporated to maintain the home's period charm. The renovation extended to the exterior, with Ryan Anderson and his team salvaging stone to create a cozy fireplace on a spacious, screened-in porch, which has become an ideal gathering spot for the Wallis family and friends. The project culminated in a home that perfectly blends classic charm with modern functionality, fulfilling Jenna's five-year vision. #HomeRenovation #InteriorDesign #HistoricPreservation #MemphisHomes #CottageRenovation #JennaWallisDesign #RKAInvestments #LuxuryInteriors #ArtCollection

Courtyard Village at Raleigh Hills, an independent retirement living community, originated from a concept developed in 1981 by Larry Draper and his mother-in-law. Their initial idea was to create an alternative to traditional nursing homes or in-home care, focusing on an independent facility where residents could actively participate in its management and operations. This concept led to the establishment of the first building with 67 apartments, built on the principle of understanding and fulfilling residents' desires. Over the past four decades, Draper has expanded this independent retirement living concept, opening approximately a dozen communities, including Courtyard Village. Located in Portland, Courtyard Village stands out as an affordable and appealing option for retirees. The community, which opened in 1999, is situated on 4.5 acres in SW Portland and caters to individuals aged 62 and above who seek an active and independent lifestyle. It offers 183 comfortable apartment homes, each equipped with spacious kitchens featuring a standard-size oven, stovetop, dishwasher, and fridge. A notable aspect of its pricing structure is the absence of community fees, second-person fees, or other hidden costs, with all agreements being month-to-month to simplify the transition for residents. The community's location is strategically chosen for convenience, being close to major grocery stores like Fred Meyer and New Seasons Market, as well as various other shopping and dining establishments. It is just a 10-minute drive from downtown Portland, nestled in the southwest hills of Washington County, with easy access to Beaverton, West Slope, Progress, and Garden Home. The tranquil setting, surrounded by trees, offers proximity to Highways 26 and 217. Transportation is a key feature of Courtyard Village, providing shuttles to local grocery stores, the post office, banks, and specialty shops. Medical and dental appointment transportation is also available four days a week, highlighting the community's commitment to resident convenience. Courtyard Village offers flexible, optional meal plans, allowing residents to enjoy healthy and flavorful meals prepared by chefs in the dining room. The daily menus are designed to balance nutritional requirements with gourmet appeal, featuring a range of options from home-style favorites to classic French dishes. Salads, vegetables, fresh fruit, complimentary beverages, and ice cream are consistently available for residents and their guests. The community places a strong emphasis on social engagement, offering a wide array of activities such as weekly park walks, special holiday buffets, antique excursions, and art projects. Residents are actively encouraged to provide feedback and suggestions for new activities and programs, fostering a resident-driven environment. This approach is encapsulated by General Manager Joanie Ceballos, who emphasizes saying "yes" to resident ideas to ensure their wants are met. This resident-centric philosophy aims to provide a social and active lifestyle, allowing retirees to enjoy the comforts of home without the burdens of maintenance. #RetirementLiving #SeniorCare #IndependentLiving #PortlandOregon #CommunityLife #AffordableHousing #ResidentCentric #SeniorLifestyle

This article details the design and aesthetic choices made for a private hunting lodge located in rural Louisiana, north of Baton Rouge. The project involved a collaboration between Baton Rouge-based architect Mark Matthews, design consultant Allyson Hicks of Allyson Hicks Design Consulting, and contractors Ryan Crum and Noah Wilson of Waterfront Custom Homes. The primary goal was to create a retreat that functions both as a family getaway and a hunting destination for friends, blending rustic elements with a refined, timeless appeal. The lodge is designed for large groups, featuring a main living area with a vaulted ceiling and antique beams, a casual dining space, and a kitchen accessible through an arched brick opening. In addition to a large primary bedroom, there are four guestrooms and a bunkroom equipped with four twin beds. Each guestroom boasts a unique design, avoiding the uniformity of a hotel, while the overall layout allows for flexible separation of family and guests. Public areas prioritize both entertainment and practicality, including a game room, a bar, an open-concept living and dining area, and a fully appointed outdoor kitchen. A large mudroom provides private, lockable closets for guests to store gear, and a separate drop zone is designated for hunters to shed muddy attire. The exterior features a lakefront area with deep porches, a putting green, and a firepit surrounded by Adirondack chairs. Allyson Hicks faced the challenge of incorporating design elements that reflect Louisiana's heritage and the lodge's purpose without resorting to a typical casual hunting camp aesthetic. The homeowner's preferences, such as a fondness for gray and a dislike for gold, guided the color palette and material selection. Gray tones were used on walls and trim, and metal finishes like polished nickel, gunmetal, and black iron were chosen. Louisiana-specific elements, such as exposed beams and old brick, were integrated into the design. A key aspect of the design involved balancing rustic and contemporary styles to ensure a current yet timeless look. Hicks achieved this by mixing worn, vintage-looking pieces with more streamlined furniture. Antique woods were a prominent feature, with weathered shiplap used for the outdoor kitchen ceiling, antique beadboard for accent walls, and antique doors complementing new stained alder wood doors. The bunkroom, designed for younger guests, incorporates remnants from the lodge’s wood beams and flooring for stair treads and upper-bunk railings, alongside shiplap walls and built-in storage. The refined-meets-rustic aesthetic extended to the use of galvanized metal, mirroring the lodge's roof indoors. Artisan Josh Guillory created a custom galvanized metal range hood for the kitchen, and light fixtures with a similar matte metal appearance were selected for the bar area. The kitchen also features oversized nickel handles on drawers and cabinets to introduce a masculine touch, alongside Mont Blanc quartzite countertops and a textured Milas white marble tile backsplash with chiseled edges. Lighting was thoughtfully curated to combine streamlined fixtures with cruder pieces that fit the rural environment, ensuring the lodge serves as a comfortable and inviting haven throughout the year. #HuntingLodge #RuralRetreat #InteriorDesign #LouisianaDesign #RusticChic #FamilyGetaway #ArchitecturalDesign #CustomHomes #TimelessDesign

The article details the creation of Whimsy Valley, the Western North Carolina mountain retreat of photographer and historic preservationist Perry Vaile. Vaile and her husband embarked on a long journey to find and build their dream mountain home, ultimately settling on a property near Burnsville after a previous attempt in Chimney Rock was thwarted by a landslide specialist's warning, which proved prescient when the property was destroyed by Hurricane Helene. This experience highlighted the importance of thorough environmental assessments before purchasing land for construction. With the new property, Vaile collaborated with local contractor Chris Jarrett over two years to construct a home that harmonizes with its natural surroundings. Her background in historic preservation influenced the architectural choices, such as incorporating bark siding as a nod to late 1800s architect Henry Bacon, who popularized this style in Linville, North Carolina. This design decision aimed to give the new build vernacular sensitivity and integrate it respectfully into the region's architectural history. The interior design reflects Vaile's photography career, lending her an eye for creating visually compelling spaces. She combined antique pieces, diverse patterns, and a carefully curated color palette to achieve a timeless yet whimsical atmosphere. The living room features vaulted ceilings, providing a sense of grandeur and allowing for the inclusion of a stained-glass window sourced from a decommissioned church, which casts magical light when illuminated by the south-facing sun. The kitchen is designed to evoke warmth and character, channeling an "eccentric grandma" aesthetic. A William Morris patterned backsplash complements soft blue cupboards, adding texture and personality to the space. The master bedroom is built around a blue patterned wallpaper, inspired by an inn Vaile photographed, and features antique doors from an architectural salvage center in New Orleans. For her daughters' bedroom, Vaile aimed for a playful yet chic English bed and breakfast feel, incorporating gingham curtains and wallpaper from House of Hackney, with wood paneling completed by Vaile and her husband. Outdoor elements were also carefully considered. Vaile, who always desired to live near water, created an artificial stream that mimics natural rock formations and winds through the yard, providing a soothing soundscape and a scenic place to relax. The master bathroom features a copper tub as a focal point and an antique dresser with a marble countertop and stone sink, a resourceful find from Facebook Marketplace. The home also includes a wraparound deck equipped with rocking chairs, designed to offer expansive views of the surrounding mountains. The property is further enlivened by six miniature ponies, which roam the grounds, adding to the idyllic, storybook ambiance of Whimsy Valley, where Vaile's mother also resides in a nearby cabin, fostering a nostalgic, close-knit family environment. #MountainRetreat #HomeDesign #InteriorDesign #HistoricPreservation #WesternNorthCarolina #WhimsyValley #ArchitecturalDesign #CustomHome #OutdoorLiving

The new owners of a classic brick row house in Cobble Hill sought to maintain its original 19th-century details while significantly improving its functionality and natural light, particularly on the garden level and top floor. Having previously worked with Manhattan-based Platt Dana Architects, they engaged the firm for a comprehensive renovation. The parlor floor, with its preserved arched opening, moldings, and mantels, largely retained its historical character, but required the addition of a powder room. The garden level, originally dark and uninviting due to low ceilings and an obstructing rear balcony, was a primary focus for transformation. Platt Dana Architects, led by partners Kate Platt and Hope Dana, undertook extensive work throughout the house, including replacing almost every wall, ceiling, millwork, lighting, molding, doors, and hardware. A key intervention on the garden level involved opening up the ceiling to expose original wood joists, which added height and a rustic aesthetic to the kitchen area. The existing rear balcony off the parlor level, which cast shadows on the garden-level kitchen, was removed. The old wood and glass doors leading to the garden from the kitchen were replaced with lighter steel-and-glass units, and the dining area was repositioned closer to these new windows, featuring a new banquette for garden views. The kitchen itself was relocated to the center of this floor. On the parlor level, the architects addressed a previous renovation that had introduced chunky wood-framed doors and windows at the back. These were replaced with a sleek steel-and-glass system from Optimum, echoing the modern elements on the garden level and significantly enhancing natural light in the rear seating area. The front hall's second opening was doubled in width, and a new powder room was strategically added. The original floors, arches, fireplaces, and radiators on the parlor floor were meticulously preserved to honor the house's heritage. For improved safety on the stairs, an unusual 'pig’s ear' handrail was custom-fabricated. The homeowners' passion for books was accommodated through the design of distinctive thin, square-shaped bookcases that line walls throughout the middle of the parlor floor and create a cozy reading area off the primary bedroom. The existing stair connecting the parlor floor's sitting room to the kitchen below was retained, but the back wall around it was entirely rebuilt with black steel windows that integrate with the lower level's new facade. The all-new kitchen features a marble-topped island, custom wood cabinets painted in Farrow & Ball's Cornforth White and Stiffkey Blue, panel-ready appliances from Sub-Zero and Miele, and a Wolf range. Reclaimed heart pine flooring from The Hudson Company was chosen to match the home's existing wood. A TV/family room is situated beyond double doors at the end of this level. The garden-level powder room was updated with a unique wall covering made from recycled magazines. The primary bedroom and its adjacent sitting room on the floor above maintained their original layout, with Platt Dana adding a long built-in banquette and new bookshelves. The primary bathroom was entirely reconfigured and gutted, resulting in a skylit space on the top floor with a new gray and white mosaic floor. The top floor underwent a complete gut renovation to create four new bedrooms and two bathrooms. The house's entire rear facade received a new stucco coating, and the customized Optimum windows include a special bottom panel in the center bay that opens for pet access. The terraced backyard design was executed by Red Hook-based Dimastery Studio. The renovation successfully blended historical preservation with contemporary design solutions, significantly improving light and functionality for the new owners. #HomeRenovation #CobbleHill #PlattDanaArchitects #InteriorDesign #RowHouse #BrooklynDesign #NaturalLight #HistoricPreservation #CustomMillwork

This article details the transformation of a dilapidated 100-year-old barn in the Hudson River Valley into a sophisticated guesthouse and entertaining space. The structure, which originally had soft walls, a partly rotted foundation, a mud floor, and a bat infestation, was deemed barely salvageable. However, the homeowner enlisted the expertise of Connecticut-based architecture and design firm Hendricks Churchill, led by wife and husband team Heide Hendricks and Rafe Churchill, known for their ability to blend historical preservation with modern elements. Rafe Churchill, the lead architectural designer, spearheaded a comprehensive overhaul. This involved stabilizing the foundation, stripping the barn down to its timber frame, and rebuilding it with modern amenities such as insulation, plaster walls, radiant floors, and new windows. Despite these extensive renovations, Churchill meticulously preserved the barn’s original charm, particularly its aged timber posts, beams, and weathered ceiling. To accommodate the new roof structure, a new one was built over the existing ceiling, a technique previously employed in their own 1871 home. Further enhancing its functionality, a full bathroom, kitchenette, and a basement level featuring a garage and sauna were added. Heide Hendricks, the lead interior designer, collaborated with the homeowner, who possessed a keen eye for furniture, art, and textiles. The design process began with a vintage dark brown leather Togo sectional, a piece the homeowner acquired even before the demolition phase, which established the retro-relaxed vibe of the double-height living area. The interior palette is characterized by earthy tones, including caramel browns, charcoal, and subtle pink accents, chosen to highlight the various tactile elements within the space. These elements range from reclaimed oak floors and plaster walls to wicker dining chairs and a Japanese boro textile. To achieve an aged patina effect, the plaster walls were tinted rather than left pure white, avoiding a stark appearance. The kitchenette cabinetry was painted in Farrow & Ball’s Dead Salmon, a muddy pink, introducing an unexpected touch of color to the dining area. The dining space is furnished with a vintage dining table and chairs, complemented by artwork, specifically a framed Calvin Klein scarf depicting Andy Warhol’s _Electric Chair_, positioned above the sink. A clear glass railing frames a raised bedroom loft, accessed by an oak zigzag staircase, which overlooks the living room. In the loft, a vintage table and stools create a secluded workspace, offering guests a private retreat. The designers deliberately adopted a minimalist approach, minimizing extraneous elements such as elaborate window treatments, built-ins, and excessive accessories. Motorized shades were installed in place of traditional drapery, a compact vertical bookcase replaced a conventional one, and rugs were used sparingly to emphasize the plain oak floors. This intentional restraint, as Hendricks notes, was key to the project’s success, ensuring the barn retained its essential character while gaining modern functionality and a chic aesthetic. #BarnRenovation #GuesthouseDesign #HistoricPreservation #InteriorDesign #ModernRustic #HendricksChurchill #HudsonRiverValley #SustainableRenovation #VintageDecor

The Courtyard House, designed by D'WELL, is a 920-square-meter farmhouse situated on the outskirts of Surat, India. Completed in 2024, the residence is conceived as a sanctuary for a family seeking a tranquil environment away from urban congestion, fostering a lifestyle integrated with nature and shared family moments. The design prioritizes a connection to the natural surroundings and the creation of intimate, well-lit spaces. The architectural approach emphasizes a contextual design, integrating the structure harmoniously with the site's natural elements. Key to this integration is the extensive use of locally sourced materials, contributing to both the aesthetic and environmental sustainability of the project. Concrete, a primary material, is employed for its thermal mass properties, which help regulate indoor temperatures in Surat's climate. This strategic material selection, combined with passive design strategies, aims to reduce the building's energy consumption. A central courtyard serves as the focal point of the house, influencing both its spatial organization and environmental performance. This open-air space enhances natural ventilation, allowing cool air to circulate throughout the interiors and mitigating the need for excessive artificial cooling. The courtyard also acts as a primary source of natural light, illuminating various rooms and reducing reliance on artificial lighting during the day. The arrangement of rooms around this central element fosters a sense of community and provides a private outdoor oasis for the residents. The interior layout features interconnected spaces that facilitate family interaction while also providing areas for individual retreat. Large openings and strategically placed windows blur the lines between indoor and outdoor environments, offering panoramic views of the landscape and drawing the garden's tranquility into the living spaces. The design incorporates minimalist aesthetics, characterized by clean lines and a neutral color palette, which accentuates the natural textures of the materials and the interplay of light and shadow. Sustainability is a core principle in the Courtyard House's design. Beyond material selection and passive cooling, the project likely incorporates other eco-friendly features such as rainwater harvesting or solar energy integration, although specific details are not provided. The objective is to create a living environment that is not only visually appealing but also ecologically responsible and conducive to well-being. The project reflects a growing trend in residential architecture towards designs that prioritize user comfort, environmental performance, and a strong connection to nature. By addressing the specific climatic conditions of Surat and the client's desire for a peaceful retreat, D'WELL has crafted a home that embodies thoughtful design and sustainable living principles. The Courtyard House stands as an example of how modern architecture can blend with local context to create functional, beautiful, and environmentally conscious spaces. #ResidentialArchitecture #CourtyardHouse #SustainableDesign #DWELLArchitects #SuratIndia #ModernArchitecture #NaturalVentilation #EcoFriendlyDesign

The owner of a discreet, yet classic hunting lodge in western Minnesota, an avid waterfowler, tasked Mark Larson of Rehkamp Larson Architects with creating a sanctuary that embodies his passion for hunting, which he describes as "more of a lifestyle than a hobby," while also serving as a retreat for family and friends. The owner's inspiration stemmed from the rustic hunting cabins depicted in Terry Redlin's paintings, aspiring for a similar aesthetic in his own lodge. This vision involved a design that is both rustic and elegant, a place where nothing is too precious and everything is functional. Externally, the lodge is designed to appear simple and quiet, resembling a utilitarian-style barn. It features galvanized steel siding and a gambrel roof, intentionally conveying a practical and agricultural aesthetic. Larson notes that when the building is unoccupied, it seamlessly blends in as a barn. However, the interior contrasts with this utilitarian exterior, incorporating traditional timbers throughout. Mike Nicklaus of Big Wood Timber Frames supplied reclaimed wood elements for the beams, flooring, ceiling, and trim, including a notable large barn door with hound hardware. Interior designer Brooke Voss of Brooke Voss Design collaborated on the interior, establishing a cool, masculine lodge ambiance. This was achieved by layering materials and patterns such as leather, plaid, and houndstooth, which are characterized as rustic and time-honored. The design palette extended to the kitchen, where cabinetry is painted in deep earthy hues, eschewing white, and a center island, also crafted by Big Wood, resembles a piece of found furniture. Burnished-metal lighting is installed above the island. Additional decor includes antler fixtures by Fish Fisher from Bozeman, Montana, various taxidermy pieces, and artwork collected by the owner over the years. A gas fireplace with a limestone surround and chimney further contributes to the lodge's interior warmth and character. The layout of the lodge is functional, with a small entrance near the garage leading to a game-cleaning area and mudroom on the first level. The second level hosts the main living, dining, and kitchen areas, offering extensive views of fields and hay bales. This floor also includes two bedrooms and a bathroom. A guest bathroom stands out with its metal wainscoting and tartan wallcovering, while a loft area incorporates a small office space and bunk beds, maximizing the use of space. Architect Mark Larson, along with associates John Kirk and Corey Pederson, and Robbie Hyland of HBRE, describe the project as an intriguing blend of agricultural and cabin aesthetics, a novel combination for their firm. The design process navigated the "healthy tension" between utility and comfort to find a balance where the lodge could serve both as a dedicated hunting cabin and a comfortable family retreat. This required careful coordination of three-dimensional form and space planning. The owner's frequent visits, particularly during hunting season and throughout the year, underscore the lodge's role as a personal sanctuary that reflects his lifelong passion and appreciation for the rustic elegance depicted in Redlin's art. #HuntingLodge #RusticDesign #ReclaimedWood #ArchitecturalDesign #InteriorDesign #BarnConversion #TerryRedlin #MidwestHome

This blog post highlights a four-story townhouse located at 356 President Street in the historic Carroll Gardens neighborhood. Built in 1869, the property has recently been listed for just over $4 million, showcasing a blend of historical architectural details and modern upgrades. The exterior of the townhouse features an arched doorway, original paneled doors, Italianate cast iron hand railings, and an impressive cornice, all preserved within a historic district. Inside, the residence has undergone recent restoration efforts to maintain its original charm. These restorations include eight fireplaces, five of which boast ornate marble mantels, as well as plaster moldings, ceiling medallions, decorative trim, and the original wood floors. The property is currently configured as a three-bedroom owner's duplex, with the garden floor housing the bedrooms and the parlor floor dedicated to living spaces. Additionally, the third and fourth floors are designed as two separate rental apartments, offering potential income. The parlor floor hosts a dedicated dining room adjacent to an eat-in kitchen. The dining room features a fireplace framed by an intricately carved marble mantlepiece. The owner's renovated kitchen is noted for its ample natural light, courtesy of large windows, and its direct access to a deck. One of the rental apartments also includes a kitchen with nearly floor-to-ceiling windows, ensuring bright living spaces throughout the property. Bedroom configurations vary, with one bedroom offering a lofty aesthetic characterized by exposed ceiling beams and an exposed brick fireplace painted white. Another bedroom retains more historic elements, including its own fireplace and tin ceilings. The outdoor space has also been significantly upgraded by a landscape architect. The backyard now features vertical cedar fencing, new retaining walls, built-in seating, and a bluestone patio, accessible from the kitchen's deck. This redesigned outdoor area provides a private retreat. Overall, the townhouse at 356 President Street presents a meticulously restored property that balances its historical integrity with contemporary living needs, offering both a luxurious owner's residence and income-generating rental units within a desirable Brooklyn neighborhood. #CarrollGardens #Townhouse #BrooklynRealEstate #HistoricHomes #LuxuryRealEstate #ArchitecturalDetails #HomeRestoration #NYCRealEstate

George J. Kacek Hall, an Illinois Tech residential building, opened in August 2020. Named after alumnus George J. Kacek (EE ’54, M.S. ’55), the hall represents a revitalization of a legacy Ludwig Mies van der Rohe building. The renovation was overseen by alumnus and College of Architecture Professor Dirk Denison. The building integrates classic modernism with contemporary living standards, primarily catering to first- and second-year students. Its design emphasizes social interaction and academic support, featuring two large lounges on each floor. The 'social lounges' are situated on the south side of the building, while the 'study lounges' are located on the north side, offering views of downtown Chicago. Kacek Hall provides a variety of living arrangements, including single-, double-, and triple-occupancy rooms, all sharing common-use bathrooms. Each residential space is furnished with a twin-size bed, a desk, a chair, a dresser, and closet space for each resident. The beds are designed to be bunkable, providing flexibility for room configuration. The facility ensures student safety and convenience with 24-hour staffing by Community Desk Assistants, requiring HawkCard tap access at the main entrance and community desk. Beyond living spaces, the hall offers comprehensive amenities designed to enhance the student experience. These include lounge areas on every floor for relaxation and community building, as well as laundry and fitness facilities conveniently located in the lower level. High-speed internet access and cable TV services are provided by Comcast, ensuring students have reliable connectivity and entertainment options. The hall's commitment to creating a well-rounded living environment is further supported by its unique architectural design. The residential floors are configured in a “pod-style” arrangement, where student rooms are organized around central study and social lounge areas. This innovative layout allows corridors and shared spaces to receive natural light and views from all four sides of the building. This design choice aims to mitigate a common drawback of traditional dormitory living—the lack of natural light—thereby creating a more inviting and comfortable atmosphere for residents. The hall's room dimensions are approximately: Single Room: 9' 8" wide X 11' 6" deep X 8' high, with a closet of 41" wide X 22" deep X 7' 1" high. Double Room: 9' 5" wide X 11' 6" deep X 8' high, with a closet of 52" wide X 22" deep X 7' 1" high. Triple Room: 9' 10" wide X 22' deep X 7' 1" high, with a closet of 18' 9" wide X 11' 7" deep X 8' high. #StudentHousing #UniversityLife #ArchitecturalRenovation #ModernistDesign #CampusAmenities #ResidentialLiving #IllinoisTech

The Carpenter Hall House, a five-story timber-and-tin tower located on the slopes of Brisbane's Eildon Hill, has been a thirty-year labor of love for its architect Russell Hall and client Jennifer Hall. Commissioned in the mid-1980s by Jennifer Hall, who desired to live in a tower due to her "Rapunzel complex," the house was completed in 2018. It has been recognized as a nationally significant piece of architecture by the Australian Institute of Architects since the early 2000s, yet access to its interior has been limited. The house employs a traditional nineteenth-century timber construction technique, featuring exposed stud bracing, single-skin walls, and tall timber stumps. These elements are enveloped by diagonal sunshades made of galvanized steel, which complement the timber structure's pattern. While its materiality aligns with Queensland's timber-and-tin building tradition, the Carpenter Hall House deviates significantly in its construction methods and design. Russell Hall eschewed the then-common skewnailed abutted timber construction, which he believed would compromise structural stability. Instead, he adopted a technique similar to roof truss construction, utilizing machine-pressed nailplates gang-nailed to studs to ensure robust timber-to-timber connections. The dwelling's plan and form also depart from typical Queensland timber houses on stumps. Russell extruded the building vertically and introduced a unique geometric variation based on two dodecagons (twelve-sided polygons). The top-level studio occupies a smaller dodecagon with a 2.7-meter radius, circumscribed by a larger dodecagon with a seven-meter radius, whose fragments define the outlines of the four lower levels. The number twelve is a foundational element, with each side of the larger dodecagon measuring precisely twelve feet, a measurement Russell relates to the human body, being twice Le Corbusier's "modulor." The number twelve also appears in the exposed timber frame, which has twelve distinct segments, with each facet four bays wide and each level three bays high. Russell Hall's design exhibits a fascination with mathematical forms and a penchant for the surreal, reminiscent of Antoni Gaudi's work. The house evokes legendary fables, particularly Rapunzel and Sleeping Beauty. A staircase with organically shaped railing panels ascends through the dark timber interior, featuring colorful stained-glass windows that offer glimpses of the distant city, emphasizing the abode's remoteness. The ascent past ornate furniture and an antique four-poster bed leads to a needlecraft studio at the top of the tower. This space is capped by a lantern containing fluid-filled prisms that project rainbow patterns both inside and out. Despite its extraordinary design, the Carpenter Hall House did not receive the 2018 Robin Dods Award from the Queensland Chapter. However, its timeless quality suggests it transcends being merely a "2018 building" or even a "1980s building." It is envisioned as a timeless architectural piece that will be admired for centuries, akin to Gaudi's Casa Batlló. #CarpenterHallHouse #RussellHallArchitects #BrisbaneArchitecture #ResidentialDesign #TimberAndTinConstruction #ArchitecturalInnovation #QueenslandArchitecture #BespokeDesign

The Woodhouse Lodge, an A-frame structure built in 1962 in Greenville, New York, has been transformed into a modern retreat by New York-based interior designer Megan Pflug. Pflug, an alumna of RISD with a background in fine art, relocated from Brooklyn to Greenville to open this 10-room hotel. Her design philosophy for the lodge centers on blending midcentury modern aesthetics with historic elements, resulting in a "modern meets rural" atmosphere. She achieves this by combining contemporary items with antiques, creating a space that feels authentic and inviting rather than overtly stylized. The lodge's first floor features a common area encompassing an open kitchen and a lounge with a fireplace. Pflug considered the kitchen to be a central feature of the hotel and devoted considerable effort to its modernization, incorporating soapstone countertops and a white ceiling. The lounge area is characterized by clay plaster walls, contributing to a simple and timeless ambiance. Throughout the lodge, Pflug integrated a variety of vintage pieces to honor the building's midcentury modern heritage while introducing a fresh perspective. Attention to detail is evident in various aspects of the renovation. Shaker rails were installed in most rooms to acknowledge the lodge's traditional nature, and fine details were incorporated to foster a relaxed atmosphere. The guest rooms feature custom felt and leather headboards paired with Brooklinen sheets, and each bathroom is stocked with natural amenities from Village Common. The exterior, which was originally reddish-brown, was updated with a blue-black paint from Farrow & Ball, modernizing the hotel's appearance. Pflug and her husband reside on the second floor of the A-frame. They are also developing a new event space and wine bar on the property, slated to open in the spring. The Woodhouse Lodge, conceptualized as an escape for city dwellers, offers a unique blend of historical charm and contemporary design, providing an ideal weekend getaway in the Catskills. The renovation showcases a thoughtful approach to design that respects the building's past while catering to modern sensibilities, making it a compelling destination for those seeking a tranquil and stylish retreat. #WoodhouseLodge #CatskillsGetaway #MeganPflug #AFrameDesign #HotelRenovation #InteriorDesign #MidcenturyModern #RuralEscape #BoutiqueHotel

Robert Elliott Custom Homes is addressing the demand for housing in Lake Highlands, a desirable Northeast Dallas neighborhood, by developing two new communities in White Rock Valley: White Rock Bluffs and Havenwood Heights. Lake Highlands is known for its family-friendly atmosphere, excellent public schools within the Richardson Independent School District, including White Rock Elementary, and strong community ties, attracting generations of families who often return to raise their own children there. The challenge of finding available homes in this sought-after area is significant due to its popularity. The new developments are situated on a 12-acre site at the intersection of Walnut Hill Lane and White Rock Trail, offering residents convenient access to local amenities. These include the Lake Highlands Town Center, White Rock Lake, Flag Pole Hill, the Dallas Arboretum, and popular family-oriented establishments like Shady's Burgers. The project involves repurposing commercial land to create luxury homes, providing high-quality housing options in an area where demand consistently outstrips supply. An example of the homes available in White Rock Bluffs is a property located at 9514 Still Creek Ln. This 5,654-square-foot luxury residence was designed by Brent Slocum and Poppy Bourg. The interior features white oak hardwood floors throughout, contributing to a sense of timeless elegance and warmth. Large floor-to-ceiling Pella windows are incorporated to maximize natural light within the living spaces. The kitchen is designed as a gourmet space, equipped with a six-burner gas Wolf cooktop and Calacatta marble countertops. The layout of the home at 9514 Still Creek Ln. emphasizes the kitchen as the central hub, with the living area, dining room, and an office/flex space arranged around it. The kitchen's design includes high-end finishes such as Calacatta marble, Visual Comfort lighting, and a 48-inch Wolf range. Creative design elements, such as a hidden pantry seamlessly integrated behind a wall of cabinetry, contribute to a custom aesthetic. This design aims to create a functional and elegant environment suitable for both raising a family and entertaining guests. Further features of the home include a primary bathroom with marble floors and countertops, a free-standing tub, a separate shower, and an expansive walk-in closet. A third-floor suite provides additional flexible space, accommodating various family needs. Robert Elliott Custom Homes, with decades of experience in custom home building, applies its expertise to understand and meet the expectations of luxury homebuyers. The community of Lake Highlands offers numerous family-friendly activities and fosters a tight-knit, family-oriented environment, as highlighted by listing agent Brandon Meek. Meek notes that the strong community bonds and friendships children form are a significant benefit of living in the area. The property at 9514 Still Creek Ln. is currently listed by Brandon Meek for $2.050 million, representing a premier offering in the new White Rock Bluffs development. #RobertElliottCustomHomes #WhiteRockBluffs #LakeHighlands #LuxuryHomes #DallasRealEstate #FamilyFriendlyCommunity #CustomHomeDesign #RichardsonIndependentSchoolDistrict

This article highlights the completion of a contemporary hillside home in Camelback Canyon, Phoenix, a collaborative project by PHX Architecture, Vallone Design, Greey|Pickett, and DLB Custom Homes. The homeowner's vision for a California contemporary aesthetic, combined with a resort-like ambiance, guided the design process. Architect Erik Peterson of PHX Architecture emphasized the project's unique location, which allowed for a broader range of material and color choices compared to more restrictive areas like Scottsdale and Paradise Valley. The home was strategically built on a steep hillside to maximize views of Echo Canyon, the desert, and city lights, achieving an effortless indoor-outdoor flow. The upper level encompasses the living room, dining room, kitchen, and primary suite, while guest rooms, a theater, and the garage are situated on the lower level. The primary suite is conceptualized as a private sanctuary, featuring an outdoor shower and a tranquil water feature, contrasting with the expansive views from the public areas. Interior designer Shane Mehrer of Vallone Design drew inspiration from the architectural elements, integrating exterior materials such as stone walls into the interior spaces. The design philosophy aimed for a streamlined yet comfortable aesthetic, a warm contemporary feel that balances with the sleek architecture. This is evident in the great room, which features warm wood flooring and natural stone, complemented by a custom sectional by A. Rudin upholstered in performance velvet, cowhide ottomans from Bernhardt, and an area rug from David E. Adler Fine Rugs. A unique sculptural lighting fixture was custom-designed for the great room to add visual interest and compensate for limited wall space for art. One of the most notable features of the home is the interior stairwell, which incorporates a large tree that was unable to be preserved during construction. The tree was transformed into an art piece within the stairwell, and a custom butterfly installation made from crushed glass by artist Matt Schwenk was commissioned, adding a personal touch for the homeowner. Landscape architect Russ Greey of Greey|Pickett designed the exteriors to align with the home’s minimalist aesthetic, incorporating synthetic turf and wood decking to extend the resort-like atmosphere. Greey also integrated butterfly motifs into the landscape, including backlit art panels and a mural on the guest house with individual fiber-optic lighting, further personalizing the outdoor spaces. The kitchen was designed to be clean and open, featuring counter stools by Vanguard Furniture, reflecting the minimalist and integrated design approach. The project, which took approximately two and a half years to complete, is described as a significant success, attributed to the cohesive teamwork of all involved designers and builders. This collaborative effort resulted in a sophisticated hillside residence that seamlessly blends contemporary design with its natural surroundings, offering both luxury and a profound connection to the landscape. #HillsideHome #MinimalistDesign #ContemporaryArchitecture #InteriorDesign #LandscapeArchitecture #ScottsdaleRealEstate #LuxuryHomes #CustomHomes #IndoorOutdoorLiving

This blog post highlights a significant property for sale at 189 Crown Street in Crown Heights, an early 20th-century row house listed at $2.5 million. The dwelling is part of a development known as “Easy Housekeeping Houses,” designed by Arthur G. Carlson for Realty Associates. These homes were specifically marketed to appeal to homebuyers seeking practical layouts and modern conveniences without the need for domestic staff, as advertised in 1915, emphasizing features like "artistically tinted tiled mantels," hardwood floors, and tiled baths and kitchens. The exterior is characterized by tapestry brick, a common feature in the area, and the property includes a private garage accessible via a shared alleyway. The interior of the house retains several original period details, contributing to its historic charm. The main floor features wood flooring extending from the entry through the living and dining rooms. A notable architectural element in the living room is an Arts and Crafts-style mantelpiece with brown and orange-tinted fireplace and hearth tiles, consistent with the original advertisements. The dining room is particularly rich in historical decorative elements, including a coffered ceiling, a plate shelf, and wainscoting that appears to be ornamented with Lincrusta, a type of embossed wallcovering. The galley kitchen is equipped with white cabinets, a tile floor, and modern stainless steel appliances, including a dishwasher, and offers direct access to the rear yard. The upper level of the house contains three bedrooms and a full bathroom. A distinctive feature on this floor is a passthrough connecting the front and rear bedrooms, which still has its original built-in storage and a sink. The bedrooms displayed in the listing feature wood floors and picture rails, preserving their historical aesthetic. The article notes that images of the two full bathrooms within the house were not provided in the listing. The property also includes a finished English basement, which is more than 50 percent above ground, according to PropertyShark. This basement level offers additional living space, comprising another full bathroom, a kitchenette, and an extra bedroom, enhancing the home’s functionality. Externally, the property boasts a paved rear garden with designated planting beds, offering space for outdoor dining and recreation. Steps at the back of the yard lead to a door providing access to the garage located on the shared alley. The house has been under the same family’s ownership since the 1980s, though it was previously listed for sale in 2015. Cornelia Thomas of Compass is the listing agent for this Crown Heights property, which is presented as a distinctive offering in the local real estate market, combining historical integrity with practical amenities in a desirable location. #CrownHeights #RowHouse #BrooklynRealEstate #HistoricHome #ArtsAndCraftsStyle #GarageAccess #PeriodDetails #ArthurGCarlsonDesign #BrooklynArchitecture