House Tour: How One New Yorker Achieved Timeless Style In A Rented Loft

In Pelham, New York, designer Joan Enger of J. Patryce Design embarked on a project to transform a client's home into a soft-hued, textured environment that harmonized with the stately character of the neighborhood. The client, who had already undertaken significant renovations including updating bathrooms, replacing wood flooring, and upgrading the heating system, doors, and moldings, found the decorating aspect of her home daunting. Her introduction to Enger through a mutual acquaintance led to an immediate connection and the initiation of a comprehensive design overhaul. Enger's approach centered on meticulously furnishing the home with luxurious wallcoverings and a diverse array of chic, personalized pieces tailored to the client's preferences. A significant portion of the furnishings and rugs were custom-designed, allowing for considerable creative freedom in achieving a unique aesthetic. The entryway, for instance, features a striking wallcovering from Alt for Living, providing a vibrant and welcoming first impression for guests. The living room was conceived as a comfortable lounge space, anchored by a custom chaise lounge upholstered in a subtly striped fabric from Rogers & Goffigon, perfect for relaxation and reading, illuminated by a tent lamp from Visual Comfort. In the dining room, a blush-colored wallcovering from Kneedler|Fauchère sets a warm and inviting tone. Custom mirrors introduce geometric elements, complemented by an orb lighting fixture from Bourgeis Boheme, while Rogers & Goffigon fabric elegantly frames the windows. Contrasting elements are strategically employed throughout the home, as seen with sleek, lacquered custom consoles paired with Christen Maxwell stools that introduce a metallic shimmer. The family room is a study in layered textures and soft, warm neutrals, featuring two custom sofas upholstered in Schumacher chenille and custom club chairs in Holly Hunt fabric. A custom bronze and cerused oak cocktail table serves as a central piece, and Jim Thompson Fabrics window shades add a subtle pattern. A raffia console from Made Goods contributes an unexpected texture, and the mantle surround, built-ins, and a wool-and-silk area rug are all custom-designed. Custom millwork is a hallmark of the design, with Enger and her team crafting built-ins throughout the home, including practical solutions in the mudroom. The sunroom is designed to maximize natural light, creating a bright and comfortable space. Almost all its furnishings are custom, from the Holly Hunt fabric lounge chair and the wool flat weave area rug to the hexagonal lacquered linen coffee tables. Even the guest bedroom incorporates subtle patterns, with a Cisco Brothers daybed upholstered in Holland & Sherry fabric. The master bedroom exudes tranquility with a textured Wolf-Gordon wallcovering. The custom bed is upholstered in Holly Hunt fabric, and the bedding is from Signoria Firenze. A dark, vintage sunburst mirror above the bed creates a striking contrast against the room's lighter colors, flanked by two Visual Comfort lamps on custom nightstands. A plush lounge chair at the foot of the bed offers additional comfortable seating. The home also includes custom-designed cabinetry by J. Patryce Design for an office nook, showcasing the comprehensive and personalized nature of the project. #InteriorDesign #HomeDecor #LuxuryHomes #CustomFurnishings #TexturedInteriors #Wallcoverings #PelhamNewYork #JoanEnger #JPatryceDesign

This blog post showcases the meticulous redesign of an elegant Brownstone apartment located on 5th Avenue, Upper East Side, NYC, opposite The Met. The apartment is part of a 1926 block and retains classic period details, which the owners were keen to preserve while updating the interiors for modern living. Interior designer Joshua Smith was tasked with this challenge, aiming to create a timeless, elevated, and elegant space that was also highly livable and harmonious, providing a tranquil escape from the bustling city. The design process prioritized classic and timeless aesthetics over fleeting trends. Smith emphasized the importance of considering the building's architecture in relation to the interior design, blending antiques with comfortable, modern furniture to achieve a fresh, light, and serene atmosphere. This approach is evident from the entryway, which was designed to create a sense of arrival. Architectural interest was added through varying ceiling colors, complemented by an antique French mirror, vintage brass lamp, and Swedish chairs upholstered in Fortuny fabric, creating a welcoming and visually engaging space. In the large formal living room, Smith addressed the challenge of its size by creating distinct zones. The room features a desk area, a primary seating arrangement with a coffee table, and a grand piano at the opposite end. Contemporary elements, such as striking lamps from Christopher Spitzmilner, were introduced to balance traditional styles. A light sisal rug was used to add warmth and texture, while silk velvets from Romo Fabrics and detailed finishes like fringe on pillows added sophistication, with careful consideration given to every detail. The kitchen design capitalized on the original architecture, featuring simple cabinets that align with the classic Upper East Side paneled ceiling. Smith focused on functionality, incorporating custom-made barstools in vegan leather with contrasting welting and buttons. The eat-in kitchen area, considered the central part of the house, was designed to be soft and transitional in color. A custom banquette in vegan leather was paired with mismatched antique chairs, utilizing fabrics from Kravet and Schumacher, and wallpaper by Philip Jefferies, to tell a cohesive design story. The dining room serves a dual purpose, functioning as both a dining area and a home library with an inviting seating and reading space. The custom-designed green and cream diamond-patterned carpet served as the initial inspiration, bringing a fresh and youthful geometric element to the room. A 1940s Lucite glass table with a brass base and coordinating vintage porcelain lamps further enhanced the blend of old and new. Antique cameos in gilt frames added a touch of heritage. However, the designer expressed a desire to have used Fortuny fabric for the club chairs in this room for a more playful touch. The primary bedroom was designed to be a serene and beautiful sanctuary, with a focus on rich textures and fabrics to add modern appeal. Achieving the perfect ethereal softness on the walls required multiple attempts. A custom-designed modern bed by Dune, with Sabina Fay Braxton fabric on the headboard and a Christopher Spitzmilner lamp on the nightstand, contributed to the elevated look. The layout of the large bedroom also cleverly incorporates a seating area with a leather-topped antique desk and chair, maximizing the use of space. For the guest room, Smith opted for a more vibrant color palette, combining lavender blue and aqua with custom watercolor stripes on the walls. The Romo fabric on the custom bed served as the starting point for this room's color scheme. Vintage furniture pieces, such as a curved-back 1940s chair upholstered in contemporary purple wool fabric and a custom white lacquer nightstand, added character. The room also features detailed millwork, a custom marble floor, and a tufted Greek edge banquet cushion, demonstrating a cohesive design aesthetic throughout the apartment. The overall success of the redesign is attributed to its classic and timeless approach, consciously avoiding trends, resulting in a cohesive and deeply appreciated transformation by the clients. #LuxuryApartment #InteriorDesign #NewYorkCity #HeritageHome #TransitionalDesign #ElegantInteriors #HomeRenovation #ClassicStyle #CustomFurniture

Interior designer Charlie Ferrer's new Greenwich Village apartment in New York City is a testament to his evolving aesthetic, moving from a "spare masculine" midcentury modernism to a more eclectic, colorful, and "granny feminine vibe." Ferrer sought a pre-war building with a working fireplace in the West Village, a combination he found in a 1931 Bing & Bing condominium on Christopher Street, directly above the Stonewall Inn. This location, described as a "dynamic little intersection of energies," offered a livelier environment than his previous Chelsea residences. His stylistic shift mirrors a personal transformation, having grown up in Greenwich, Connecticut, with a "heteronormative white preppy" aesthetic. After moving to Los Angeles, coming out, and entering the furniture business, his design preferences naturally broadened. As a largely self-taught interior designer, Ferrer has expanded his studio to include luxury condominium model apartments and a vintage furniture collaboration with CB2. He notes that different projects and evolving interests taught him to integrate pattern and color into his designs. The apartment's inherent pre-war character, with its solid proportions and charming details like entry vestibule railings, facilitated this transition towards a layered and collected look. Ferrer, who also operates his own vintage design gallery, furnished the apartment by hand-picking pieces from his inventory. He describes his approach as "iterative or incremental, based on discoveries," rather than a pre-conceived "full vision." This method involved customizing chosen items to ensure they complemented each other. Examples of his unique customization include a sofa with added pleats, cast-bronze animal claw feet, and magenta piping. A swiveling "Elda" chair by Joe Colombo, selected for its "weirdness quotient," was reupholstered in a dark green alpaca-hair fabric. Striking molded acrylic dining chairs were given chartreuse-hued textile cushions to contrast with their rosy-amber bases, a design choice Ferrer playfully admits few clients would approve. These chairs pair with an antique wooden table featuring a figurative bronze sculpture by French artist César. In the bedroom, a 1930s archival print from French textile house Le Manach covers the bed, which Ferrer affectionately calls "grandma, but I think it’s super sexy." Above the bed hangs a collection of small crosses from a Parisian estate sale, recontextualized by Ferrer as an "aesthetic gesture" rather than a religious symbol. Unexpected details also appear in the kitchen, where the cabinet interiors are finished in Hermès-orange, contrasting with a wall lined in textured grasscloth. Ferrer justified the choice of absorbent grasscloth due to his minimal cooking habits. Ferrer continuously refines the apartment's details, even installing a new fireplace mantel just before the photo shoot. This collector's approach to interior design has created a personal sanctuary that balances the vibrant energy of the neighborhood with a distinctively curated aesthetic. The apartment serves as a compelling example of how personal narrative, playful experimentation, and a passion for vintage finds can converge to create a truly unique and evolving living space, demonstrating that personality and character can triumph over larger, more conventional layouts. #InteriorDesign #CharlieFerrer #NewYorkApartment #VintageFurniture #EclecticDecor #PreWarBuilding #DesignEvolution #CustomInteriors #GreenwichVillage

Loft apartments, characterized by their expansive open floor plans, soaring ceilings, and oversized windows, are highly sought after by urban dwellers. These spaces are often housed in former factory buildings and frequently retain industrial elements such as exposed pipes, support columns, or original wood-plank floors. Their long, uninterrupted walls provide an ideal canvas for showcasing large artworks or sophisticated designer furnishings. This article showcases ten distinctive loft spaces curated from the pages of *Architectural Digest*, illustrating how raw industrial spaces can be masterfully transformed into luxurious and unique residences. Each example highlights innovative design solutions and a sophisticated approach to modern living. One prominent example is a Manhattan loft designed by Shelton, Mindel & Associates. The master bedroom in this residence features a striking floating wall that elegantly silhouettes a 1954 lamp by Max Ingrand for FontanaArte. The headboard is upholstered in a Holly Hunt Great Plains fabric, complemented by Pratesi bed linens. The room is further adorned with chairs by Alvar Aalto and Kerstin Hörlin-Holmquist, demonstrating a blend of classic and contemporary design. In Seattle, designer Terry Hunziker undertook an extensive renovation of his own loft. He employed free-floating planes to intelligently define distinct spaces, such as a gallery area, within the expansive layout. This approach maintains the open feel of the loft while providing functional delineation. Another Manhattan loft, belonging to Bernd Goeckler, features whimsical Italian chairs that infuse a vibrant energy into the space. This design was a collaboration between architect Francine Monaco and decorator Carl D’Aquino of D’Aquino Monaco, showcasing how artistic furnishings can personalize an industrial setting. A New York loft, also designed by Shelton, Mindel & Associates, is furnished with iconic pieces by Charlotte Perriand, Knoll, and Poul Kjærholm, reflecting a commitment to high-quality, timeless design. The selection of these pieces contributes to a refined and sophisticated atmosphere. Investor Yoon Kim’s Manhattan penthouse, designed by David Mann and Brett McMullen of MR Architecture + Decor, features a custom-made De Angelis sofa covered in Edelman leather. A custom-made blackened-steel console by Soraya Ltd. and a Ball chair with goat-hair upholstery by Inmod add distinctive touches. A cowhide rug by Beauvais Carpets grounds the living area, while the walls throughout the loft are painted in a custom white blend by Benjamin Moore, enhancing the sense of spaciousness. The sheer scale of Yoon Kim's loft immediately impresses visitors, with large windows extending the visual dimensions and offering expansive views. The dining area is illuminated by a chandelier by David Weeks for Ralph Pucci and furnished with Eero Saarinen Tulip chairs by Knoll, alongside Hudson counter stools by Emeco, creating a contemporary and inviting space. In the New York loft of architect Steven Harris and interior designer Lucien Rees Roberts, monumental bookshelves serve to delineate the living and dining areas, effectively creating distinct zones within the open plan. A Sherwin-Williams taupe paint provides a neutral backdrop for a 1960 Georges Braque print and vintage Vistosi pendant lights. The dining table, a Rees Roberts + Partners design, is surrounded by Ib Kofod-Larsen chairs upholstered in Roger Arlington silk and adorned with Dorothy C. Thorpe Lucite candlesticks. Designer Campion Platt addressed the challenge of high ceilings in his SoHo loft kitchen by devising a “room within a room,” partially enclosing the kitchen area in his New York residence. He also integrated an illuminated cove above the walls to create a visually striking floating effect. In Manhattan’s West Village, a collaboration between architect Preston T. Phillips and designers Randy Kemper and Tony Ingrao of Ingrao Inc. resulted in a sun-drenched, art-filled loft for financier Chad Leat. The living area boasts a Ron Arad table atop a goatskin carpet by Patterson, Flynn & Martin, flanked by facing Vladimir Kagan sofas from Ralph Pucci International upholstered in Bergamo fabric. A red sculpture by Keith Haring adds a vibrant focal point. Finally, photographers Inez van Lamsweerde and Vinoodh Matadin's Manhattan residence was created by combining adjacent lofts by Simrel Achenbach of Descience Laboratories in collaboration with Daniel Sachs of Sachs Lindores. The living area features a crocheted mushroom stool by Anne-Claire Petit paired with Yves Klein’s 1961 Table Bleue, showcasing a unique blend of artistry and design. #LoftApartments #InteriorDesign #UrbanLiving #IndustrialChic #ManhattanLofts #LuxuryInteriors #ArchitecturalDigest #ApartmentDecor #SpaceDesign

The article presents a detailed tour of Leena Nasser's landmarked Upper West Side apartment in Manhattan, designed by Molly Torres Portnof of DATE Interiors. Leena, a social scientist, writer, artist, and dancer, sought to create a home that truly embodies her imaginative and free-spirited personality, a concept she refers to as her ‘creative womb’. The apartment, built in 1915, initially featured builder-grade finishes but possessed significant potential with its tall ceilings, exposed bricks, and a gorgeous terrace. The collaboration between Leena and Molly began during the closing of the apartment sale, fostering a strong connection from the outset. Leena's international lifestyle, with residences in New York, London, Argentina, and Saudi Arabia, influenced the design, as she frequently sent Molly ideas gathered from her travels. The design philosophy integrated a classic New York aesthetic with Parisian influences, culminating in a space tailored to Leena's unique tastes rather than being moderated for a broader audience. Molly highlighted the freedom of designing for an individual, allowing for a celebration of her client's identity. A significant aspect of the design involved incorporating Leena's interest in the divine feminine, the female form's strength, and her nature as a dreamer. An example of this is the mural in her bedroom, which was inspired by a dream she had about a waterfall cascading over a woman, brought to life to be a daily source of inspiration. This creative synergy enabled the realization of highly personalized elements throughout the apartment. The apartment is described as a 'feminine goddess sanctuary,' with each room possessing its own distinct 'magic' and feeling like a 'jewel.' Comfort and beauty were paramount, achieved through inviting elements like sheepskin armchairs and plump sofas, creating a soft and feminine ambiance. Live-edge wood shelving and terrace foliage were incorporated to bring natural elements indoors. The bathrooms feature zellige tiles, chosen for their unique textures and ability to evoke a spa-like, escapist atmosphere. Leena's passion for Arab history, forgotten Arab queens, and various cultures and fictional worlds also played a crucial role in the design. Historical elements are thoughtfully integrated throughout the apartment. A collection of her fairy tales, framed by Ilana Lobet, creates an arresting display on the exposed brick walls of the dining area, with over 75 unique pieces. The furniture in the main living space was specifically chosen to be light and movable, accommodating Leena's love for tango dancing and large-scale painting. The project not only resulted in a personalized sanctuary but also fostered a firm friendship between the client and the designer. Molly Torres Portnof shared insights into her design choices, highlighting the joy in Leena's appreciation for the apartment. She pointed to enlarging the terrace doors as a small change with a huge impact, significantly increasing light and life within the space. Her preferred color palette includes golden mustard with deep purples and greens, and she draws inspiration from Australian designers like Tali Roth and Flack Studio. Her favorite building, the Empire State Building, even influenced her company's name, 'Designing A Tiny Empire.' She also recommended the Demolition Depot in Harlem as a hidden gem for unique finds, emphasizing her attachment to her rug collection, which she views as 'pieces of art on our floors' that tell stories. #ManhattanApartment #InteriorDesign #ArtistHome #FeminineDesign #CustomInteriors #ExposedBrick #UpperWestSide #DATEInteriors #LeenaNasser

Interior designer Neal Beckstedt adopted a unique strategy for integrating color into the House of ELLE Decor, a 4,100-square-foot penthouse in downtown Manhattan. Instead of either completely eschewing color or using it extensively, Beckstedt opted for a sporadic application to guide visitors through the apartment and introduce excitement. He drew inspiration from past issues of ELLE Decor and the palette of Farrow & Ball paints, envisioning a well-traveled international couple as the home's inhabitants. The design aimed to merge traditional and modern aesthetics, reflecting the building's late 19th-century architecture and recent condo conversion. Berwick Edel, an interior renovation company, executed the painting and wallpapering. Beckstedt's approach involved layering colors and creating contrasts to establish a progressive journey through the home, from an intimate foyer to a more neutral living room and culminating in a striking wine room. In the foyer, Beckstedt selected Farrow & Ball’s Pigeon, an earthy green-gray, for the walls to create an intimate welcome. This was complemented by Blue Gray on the wainscoting and Farrow’s Cream, a slightly darker cream, on the ceiling. All three shades were applied in Farrow & Ball’s Modern Emulsion finish. This subtle combination was intended to provide a contrast with the brighter living-dining area, making the white spaces appear crisper. For the expansive living-dining room, Beckstedt introduced an unexpected touch of color with a ceiling alcove painted in Farrow & Ball’s Setting Plaster, a warm, dusty pink, using Estate Emulsion, and an accent of Archive in the same finish. This creative use of color aimed to add a sense of surprise and drama. Beckstedt emphasized that the key to cohesion without being overly matching lies in the relationship between the chosen colors and artwork. In the guest bedroom, a single wall was painted in Farrow & Ball’s Red Earth, a sunbaked terracotta in Estate Emulsion. This bold backdrop was paired with desert-hued furnishings, including custom velvet bedding and a Dan Christensen painting, maintaining a calm and modern feel through a harmonious color family and varied textures. The wine room, located just off the living room, was designed as the most dramatic space. Beckstedt transformed it into a glossy red jewel box by painting the walls and ceiling in Farrow & Ball’s Picture Gallery Red with a Full Gloss finish. The rug, vintage sofa, Napoleon chair, and a Larry Zox painting all matched this scarlet hue, accented by black and brass in the floor-to-ceiling wine rack. This room was the only one to feature a glossy finish, providing a striking contrast to the matte finishes used elsewhere in the penthouse, and served as a focal point for drama and shine within the entire home. #InteriorDesign #ColorPalette #LuxuryPenthouse #ManhattanRealEstate #FarrowAndBall #PaintColors #HomeDecor #ModernTraditionalBlend #Showhouse

New York City lofts have a rich history, transitioning from industrial warehouses and manufacturing centers of the late 19th and early 20th centuries into desirable residential spaces. These structures were characterized by high ceilings, exposed brick, and large windows, originally designed to maximize natural light for industrial purposes. By the mid-20th century, as industries relocated from Manhattan, artists and creatives began to repurpose these buildings into versatile living and working environments. Today, lofts represent a fusion of historical character and contemporary design, offering a flexible foundation for innovative renovations. One such renovation project was undertaken by BOND, a design studio led by Noam Dvir and Daniel Rauchwerger. Their task was to revitalize a 1,000-square-foot Tribeca Loft situated within a landmarked New York City building. The goal was to preserve the loft's industrial heritage while integrating a modern, bright aesthetic. This particular loft had remained largely unaltered since the 1980s, necessitating a comprehensive update to accommodate contemporary living standards. BOND's approach emphasized careful preservation and enhancement rather than stripping away the original charm. The renovation involved significant structural and systems upgrades, including replacing old wiring, removing dropped ceiling panels, and installing a central air conditioning system. These improvements were crucial for modern comfort without compromising the loft's inherent character. A key design element was the introduction of a glass partition between the bedroom and living area. This strategic addition allows natural light to permeate the entire space, creating an open and airy atmosphere while still providing a subtle division between functional zones. This technique is commonly employed in contemporary loft conversions to enhance the sense of spaciousness. Reflecting the communal aspect of New York City loft living, BOND centered the design around the kitchen. A prominent 15-foot-long island, featuring waterfall edges and a distinctive cut-in detail, serves both as a practical workspace and a central gathering point. The island is complemented by walnut 'Tractor' stools from BassamFellows, fostering social interaction and connecting to the loft's historical role as a hub for creativity and community. The design philosophy embraced the loft's ability to evolve while retaining its original character. BOND achieved a balance between minimalism and warmth through carefully selected design elements. The bathrooms incorporate subtle yet vibrant pops of color, providing a playful contrast to the overall neutral palette. Gold and brown tones were chosen to complement the natural light streaming through the west-facing windows in the main living area. Sculptural furniture pieces, such as a metal coffee table, elevate the aesthetic while maintaining a sense of flow within the space. The loft also functions as a showcase for the owners' art collection, which includes geometric works by Mika Tajima and whimsical pieces by John Armleder. This integration of art into daily life harks back to the legacy of early artist-occupied lofts in the city, which often served as both residences and creative studios. The renovation successfully transforms a historic space into a modern, functional, and aesthetically pleasing home, honoring its past while catering to contemporary needs. #NewYorkCityLoft #LoftRenovation #BONDDesign #TribecaLoft #HistoricPreservation #InteriorDesign #ModernLiving #ArchitecturalRenovation #HomeDecor

This article highlights the fashionable Soho loft of renowned jewelry designer, Aurora Lopez Mejia, which is currently on the market for $4.95 million. The property is described as an “oasis in Soho,” a fitting epithet for its unique and luxurious features. The loft boasts impressive 11-foot ceilings and custom wood beams, distinguishing it from conventional living spaces. It is configured as a one-bedroom, one-and-a-half bathroom residence, offering both comfort and style. A standout feature of the loft is its expansive open kitchen, designed to cater to modern living and entertaining. The integration of sliding glass doors provides a versatile solution for spatial organization, allowing the living room to be completely separated from the office or library area. This adaptability makes the loft suitable for a work/live arrangement, appealing to individuals who require a dedicated workspace within their home. The design elements emphasize both aesthetic appeal and practical functionality, creating a harmonious environment. Further enhancing the luxurious appeal of the loft is the en-suite master bedroom. This private sanctuary is outfitted with custom cabinetry and additional wooden beams, contributing to the overall sophisticated ambiance. The master bathroom is particularly noteworthy, featuring an expansive layout with a freestanding soaking tub and elegant Carrera marble finishes. These details underscore the high-end nature of the property and its meticulous design. Storage is another practical aspect addressed in the loft's design. The sunny residence offers ample closet space, with at least seven closets indicated on the floorplan. This generous provision ensures that residents have sufficient storage solutions, maintaining the uncluttered and spacious feel of the loft. The combination of elegant design, practical features, and a prime Soho location positions this loft as a desirable property for discerning buyers. #SohoLoft #LuxuryRealEstate #HomeDesign #NewYorkCity #InteriorDesign #WorkLiveSpace #AuroraLopezMejia #ManhattanApartment

Soren Rose Studio undertook the redesign of a Tribeca loft, leveraging the space's inherent advantages: generous natural light from large industrial windows, double-height ceilings, and ample square footage. The studio's approach aimed to create a fresh, contemporary New York City style by contrasting old and new elements within the design. The interior is characterized by a predominantly monochromatic scheme, featuring white walls and light-colored wood flooring throughout, which enhances the open and airy ambiance of the home. This neutral base is strategically punctuated by boldly colored accent walls, modern furniture, and graphic artwork that introduce visual interest and break the monotony. The loft’s main living areas are bathed in refreshing daylight, thanks to the expansive industrial windows. The furniture selection represents a deliberate blend of high-end contemporary pieces and meticulously curated vintage items. This juxtaposition serves to mirror the inherent contrasts found within New York City itself, creating a dialogue between different eras and styles. The common areas are integrated into a single, long interior space, yet each zone is distinctly defined through variations in pattern, furniture arrangement, and color choices, ensuring functional separation without sacrificing the open-plan feel. In the dining area, shelving units are integrated along an interior wall, positioned beneath a strip of large windows. A cool, linear chandelier is suspended above a round marble table, adding a contemporary touch to the dining experience. The residence also extends its design philosophy to an outdoor area, which provides a relaxing escape. This exterior space is thoughtfully adorned with various leafy greens and furnished with the same modern-vintage pieces that populate the interior, ensuring thematic consistency throughout the property. Soren Rose Studio, known for its expertise in both interior design and furniture creation, showcases a coherent and engaging design aesthetic in this Tribeca loft, emphasizing a balance between historical context and contemporary living. #TribecaLoft #InteriorDesign #SorenRoseStudio #NewYorkCity #ModernVintage #LoftLiving #ContemporaryDesign #HomeDecor #UrbanLiving

This article highlights the transformation of a 750-square-foot apartment in a 1910 prewar building on the Upper West Side of New York City, designed by Homepolish designer Marissa Bero. The project aimed to update a space previously occupied by a Broadway lighting designer for 50 years, which included a disco ball in the entry, dated track lighting, and wall-to-wall carpeting. Bero's design philosophy for this renovation was an "eclectic Hollywood Regency with luxe fabrics and finishes, a touch of chinoiserie, and just the right amount of kitsch," tailored to the new homeowners, Michael and Luca, and their contemporary aesthetic. The renovation began with addressing the pre-existing outdated elements, such as removing the disco ball and old lighting, and replacing the wall-to-wall carpeting. After creating a clean palette, which involved refinishing hardwood floors and installing new light fixtures, Bero introduced vibrant colors and patterns. The homeowners' passion for collecting unique vintage pieces significantly influenced the design, leading to an interior filled with retro art prints and colorful tchotchkes. Key design elements include a chinoiserie wallpaper accent wall and a deep plum-hued velvet sofa, blending old-school elegance with sleek mid-century lines and whimsical touches. Bero emphasizes her strategy of mixing styles and eras, noting that a cohesive look is achieved through a consistent color palette and by repeating design styles or motifs. For example, if an Art Deco furniture piece is introduced, another one from the same era is included in the room to create unity. She also points out that pieces from different eras can harmonize if they share similar lines, curves, or motifs. In the living room, to maintain an airy feel and capitalize on the natural light from large windows, Bero opted for simple white paint and sheer linen drapes. Color was strategically introduced through vibrant throw pillows and a bookcase adorned with colorful books and plants. The bedroom features a rich blue tone, balancing opulent and contemporary styles. Recognizing Luca's extensive wardrobe, Bero prioritized ample storage solutions while maintaining a cozy and romantic atmosphere. Bero encourages homeowners not to shy away from bold design choices, suggesting that initial intimidation can lead to the most rewarding outcomes. The article concludes by presenting this apartment as a prime example of successful style integration and personalized interior design, demonstrating how a blend of diverse elements can create a uniquely appealing and cohesive living space. #InteriorDesign #ApartmentRenovation #EclecticStyle #HollywoodRegency #NYCDesign #ColorPalette #KitschDecor #HomePolish

This article details the transformation of artist John Alexander's SoHo loft into a family home, meticulously designed by Richard Mishaan, without compromising its inherent bohemian character. John Alexander, who moved to New York in 1980, initially occupied a raw, expansive loft characterized by 20-foot pressed-tin ceilings, abundant natural light, and minimal internal divisions. The original space featured a rudimentary kitchen and a storage room used as a bedroom, epitomizing the typical 1970s artist's loft experience. Over a decade, Alexander made some structural improvements, adding a couple of bedrooms and upgrading the kitchen and bathrooms. However, the loft largely retained its open, airy quality, serving primarily as a vast studio and living area. The dynamic of the space shifted significantly with the arrival of Fiona Waterstreet and her son, Harrison, in the early 1990s. Waterstreet undertook the task of domesticating the loft, integrating her global textile collection, chintz furniture, and ceramic artwork. Despite these personal touches, Waterstreet desired more defined rooms and a greater sense of English-style coziness, which the open-plan loft inherently lacked. The opportunity for a more cohesive design arose when Waterstreet engaged with designer Richard Mishaan, whom she and Alexander knew socially. Mishaan, an art collector whose wife, Marcia, had studied under Alexander, had a pre-existing appreciation for their artistic sensibilities and their unique living space. Mishaan's challenge was to introduce structure and warmth without sacrificing the loft's expansive dimensions or its artistic, unpretentious spirit, a concern particularly voiced by Alexander, who valued the open layout. Mishaan's solution involved creating ingenious 17-foot-tall screens made from ebonized-oak frames and natural linen panels, along with metallic open bookshelves. These elements were strategically used to delineate various zones within the once-undivided living area, establishing an entryway, dining area, living area, a den for Alexander’s sports viewing, and a small sitting area adjacent to the bedroom and kitchen. This configuration, which Mishaan compared to a presidential suite, effectively introduced distinct rooms while maintaining a sense of fluidity and openness. The design incorporated Waterstreet’s existing textiles and art. The new screens also served a practical purpose, featuring gallery rods for displaying a rotating collection of small artworks and the linen panels providing crucial acoustic dampening. The metallic bookshelves offered storage for books previously scattered on the floor and showcased Waterstreet’s ceramic pieces. Fabrics from Waterstreet’s collection, such as a chevron print and an ikat, were used to reupholster furniture, including a pair of French chairs. A suzani from Homer adorned a daybed. The furniture arrangements were designed to be flexible, with chairs and zebra-print cubes easily moved between the dining room and other areas, and the screens themselves light enough to be repositioned. Mishaan’s approach was one of preservation and enhancement, ensuring that the loft’s original features, such as the metal ceilings and unstained floors, were maintained. He also exercised restraint in the use of color and pattern, allowing the resident artists' significant artwork to remain the focal point. Mishaan even persuaded Waterstreet to keep a chintz-covered camelback sofa, refreshing it with a vibrant burnt orange upholstery that complemented Alexander’s blue hollyhock painting, proving that effective decorating could amplify, rather than diminish, the impact of the art and the space’s intrinsic charm. This thoughtful transformation successfully blended bohemian spirit with functional family living, creating a harmonious and aesthetically rich environment. #SoHoLoft #RichardMishaan #InteriorDesign #ArtistHome #BohemianStyle #HomeTransformation #ArtisticInteriors #NYCInteriors

This lookbook explores ten examples of loft conversions and renovations across New York City, showcasing how designers have ingeniously utilized open spaces through the strategic insertion of partitions, storage solutions, and other architectural elements. Loft apartments, characterized by their expansive open floor plans, soaring ceilings, and large windows, are a quintessential part of New York City's architectural landscape, often found in converted commercial, manufacturing, or warehouse buildings. Their industrial heritage provides a vast, flexible canvas that has been continuously reimagined by creatives. The featured projects demonstrate a variety of approaches to organizing these open interiors, including the removal of existing walls, the addition or reduction of mezzanines, and the integration of glass or wooden storage units, all while often embracing and highlighting the building's original structural components. One featured project, Another Seedbed in Williamsburg by Ignacio G Galán, Jesse McCormick, and Future Projects, transformed a 19th-century cast iron hat factory into a dual-purpose loft apartment that functions as both a residence and an event space. This was achieved by strategically placing plywood and clay-covered volumes to define private areas within the open plan, complemented by movable furniture to facilitate easy conversion for performances. In Dumbo, Crystal Sinclair Designs introduced a library mezzanine and a substantial glass partition to demarcate space within a loft, leveraging the building's 14-foot ceilings for the mezzanine addition and using the glass to enclose the bedroom while maintaining an open feel for the rest of the apartment. No Architecture's 'The Urban Tree House' in West Village saw the combination of two skyscraper units into a double-height apartment, which now features an extensive wooden structure with net beds spanning above the living area, designed to connect the interior with the adjacent Hudson River Greenway. Andrea Leung's renovation of her own Tribeca loft involved a complete gut renovation, including the removal of a mezzanine level. She organized private spaces in a linear fashion, concealing all but the living and dining areas behind a mirrored wall, drawing inspiration from hidden rooms in her grandmother's penthouse. Tala Fustok Studio's Manhattan loft in West Village employs a large glass and maple wood storage unit to separate the kitchen from the living area, with a custom corten steel staircase leading upstairs. The design emphasizes the apartment's tall ceilings and large windows, while limestone-washed walls add a softer touch. Worrell Yeung revitalized a NoMad loft, removing all internal walls to expose the building's original structures and pipes, then inserting bookcase units and cabinetry to redefine the space for a growing family. Light and Air's Frame Loft in the Financial District, originally a cluttered commercial building, was transformed by removing internal partitions to maximize the generous floor area and natural light from large windows. The studio also reduced the footprint of an overhead storage loft to increase ceiling height, integrating light wood shelving, seating, and a desk. In Clinton Hill, Dean Works inserted a Baltic birch plywood volume into a Brooklyn loft, creating additional storage and a private sleeping area further enclosed by a glass partition, positioning the living area near windows, the kitchen centrally, and the bedroom at the entrance. Julian King's Soho Loft, housed in a former silk warehouse, features a sculptural sleeping mezzanine and a built-in bookcase, maintaining an open feel under 13-foot ceilings. The mezzanine, which holds only a bed, is subtly hidden behind a partial wall with integrated LED lighting. Finally, Worrell Yeung's Chelsea Loft renovation focused on preserving continuous public living zones and maximizing daylight by minimizing partitions, concentrating private rooms on one side of the apartment, and updating a large kitchen island. #NewYorkCityLofts #InteriorDesign #OpenSpacePlanning #LoftConversions #ArchitecturalRenovations #CreativeInteriors #ResidentialArchitecture #SpaceUtilization

This article provides a detailed tour of celebrity chef, event planner, and lifestyle expert Travis London's Brooklyn apartment, highlighting his unique approach to interior design and budget-friendly decorating. London describes his apartment as a "love letter to himself," reflecting his vibrant personality and diverse experiences living in Paris and Milan. Unlike his previous residences, which were distinctly French or modern, his New York apartment is a blend of cultures and styles, mirroring the city's diversity. Each room in his two-bedroom apartment by Level One Holdings is designed to represent a different aspect of his persona. The bedroom, for instance, draws inspiration from Los Angeles with masculine, clean lines and features a personal photo. The combined office/guest room is characterized by its bright, white, and simple aesthetic, which London states reflects his straightforward and meticulous work ethic. The living room, his favorite space, embraces a maximalist philosophy inspired by European design, where bold fabrics and prints are mixed to create a cohesive yet vibrant environment. London encourages mixing seemingly disparate elements, citing his living room's black and white wallpaper, blue and white patterned rug, pink chairs, and green sofa as an example of how contrasting elements can work together harmoniously. The apartment was brand new when London moved in, requiring minimal renovation beyond the introduction of color. He initiated the design process by acquiring a green velvet couch, which served as a foundational piece around which the rest of the apartment's decor was built. London is also adept at mixing and matching prints, offering advice on how to combine wallpaper patterns effectively—suggesting the pairing of a print with a pattern rather than two prints to avoid clashes. His bathroom features Beverly Hills Hotel-inspired wallpaper next to a hallway wallpaper with blue dots, demonstrating this principle. A significant aspect of London’s decorating philosophy revolves around achieving a stylish look on a budget. He emphasizes that many of his seemingly luxurious items are surprisingly affordable and practical. London advocates for online shopping for affordable decor, noting that many companies offer returns or setup services, mitigating the risk of online purchases. He suggests ordering fabric swatches beforehand to ensure satisfaction. His budget-friendly tips include opting for matte over glossy hardware, using decanters to elevate the appearance of beverages, and incorporating fresh flowers regularly. He frequently shops at online retailers such as CB2, Wayfair, Overstock, West Elm, and Spoonflower for custom fabrics and wallpaper. London also shares a crucial shopping secret: being wary of drop-shipped items, particularly from large companies that may significantly mark up prices. He advises searching for alternative retailers for non-exclusive, drop-shipped products to find better deals. Furthermore, he prioritizes practicality in his fabric choices, selecting versatile, easily washable materials to accommodate his two dogs. For example, his office's white couch is made of washable micro-suede, which he finds to be a lifesaver for easy cleaning. This pragmatic approach underscores his belief that decorating should be inclusive and adaptable to everyday life, allowing for beautiful, yet functional, spaces without the fear of damage being financially crippling. #CelebrityHome #ApartmentTour #InteriorDesign #BudgetDecorating #BoldDecor #MaximalistDesign #TravisLondon #HomeStyling #NewYorkApartment

This article details the transformation of a former San Francisco warehouse into a raw yet refined living space and art studio for art dealer Francis Mill. Collaborating with designer Stephan Jones, Mill sought to create an environment that embraced the building's industrial past while providing a flexible and functional backdrop for his extensive art collection. The 1,200-square-foot loft, originally a pharmaceuticals warehouse from 1937, boasted 11-foot ceilings and raw wooden door frames, which were preserved and highlighted. The design philosophy centered on incorporating the space’s idiosyncrasies, such as original Y-shaped concrete columns, and creating uninterrupted vistas often punctuated by sculptures and defined by curtains. Recognizing Mill's tendency for frequent art and furniture rearrangements, Jones designed many elements to be modular and flexible. This included “anchor zones” with stationary furniture, like a minimalist wooden banquette and daybed in the living room niche, and low-profile pieces to maintain clear sight lines. A pivoting blackened-steel door serves both as a focal point and a space divider, while a built-in steel bookcase with staggered black-painted wooden boxes pays homage to sculptor Louise Nevelson. Jones and Mill intentionally enhanced the loft's industrial character by further chiseling the pitted concrete walls, moving away from a previous attempt to polish them. This approach aimed for a more soulful space that would serve as a versatile setting for Mill's evolving art collection, aligning with his philosophy of continuously engaging with art rather than seeing a space as 'finished.' The once-large, open kitchen was reconfigured into a discreet galley kitchen. An initial hesitation from Mill about adding a dropped ceiling led to a compromise: a partial ceiling that exposes a structural pillar and concrete, emphasizing the building’s original texture while delineating the space. The kitchen’s lack of natural light was creatively leveraged, allowing for the display of delicate works on paper and the installation of a projection screen. In the master bedroom, a conventional sliding-door closet was replaced with an art-inspired concept for wardrobe storage. Mill describes it as a 'Donald Judd–style plywood box' crashing into the bedroom, fitted with steel shelving for shoes, often left open. Throughout the home, unexpected details contribute to the space's unique charm, such as flat files in the art studio containing white Legos, a feather collection, and sand, which Mill refers to as his 'urban sandbox.' Even massive works, like a floor-to-ceiling black steel sculpture by Brian Wall, offer intimate details due to the human-scaled proportions of the space. The design reflects a continuous work in progress, embodying Mill's dynamic approach to living with art. #WarehouseConversion #LoftDesign #ArtGalleryHome #SanFranciscoInteriors #IndustrialChic #ModularFurniture #StephanJonesDesign #FrancisMill #ArtCollectionDisplay

The Manner, a new hospitality concept by Standard International in SoHo, New York, aims to merge elements of a hotel, private residence, and members’ club. This establishment, designed by architect Hannes Peer in collaboration with Standard International's in-house team and chief design officer Verena Haller, is Peer's first hotel project. His design philosophy for The Manner draws inspiration from Aldo Rossi's concept of cities carrying layered memories, which he translated into a rich and varied material palette and a sense of curated intimacy throughout the space. The hotel is situated on a quiet street in SoHo, surrounded by local restaurants, coffee shops, boutiques, and various stores. This vibrant neighborhood served as a key reference point for Peer, who sought to emulate its diverse textures, colors, and styles within the hotel's interior. The lobby exemplifies this approach with its blend of marble, metal, leather, wood, ceramic, and cement. Notable artistic additions include a hand-glazed terracotta frieze by Giovanni De Francesco and a sculptural piece by Nicholas Shurey. The second-floor area, known as the Apartment, further showcases the hotel's unique design elements. It features a glossy cork ceiling, columns adorned with textured ceramic reliefs by Ben Medansky, and an elevator wall covered in over 5,000 bubble-like tiles, a subtle homage to Giò Ponti's Parco dei Principi. The 97 rooms and suites are characterized by a bold color scheme, incorporating jewel tones such as mango walls, lipstick-red headboards, and ultramarine closets. Custom furnishings are prevalent, and some rooms include serpentinite green or muted chartreuse sofas or banquettes, with the two-story terrace penthouse featuring rich red lacquer and velvet accents. The design emphasizes warmth and human connection, fostering an environment where guests feel like they are stepping into a series of curated, intimate residences rather than a conventional hotel. This vision is reflected in the absence of televisions in rooms and a traditional check-in desk, prioritizing privacy and a strong sense of intimacy. The Apartment space is designed for guests and their friends to relax and socialize, particularly during aperitivo hour. A rooftop lounge offering skyline views is also planned to open in the spring, adding another dimension to the guest experience. Beyond the guest accommodations, The Manner integrates various dining and social spaces. Chef Alex Stupak oversees The Otter, a ground-floor all-day restaurant featuring an international seafood menu, including lobster rolls, specialty cocktails, and scallop crudo. The restaurant's interior is distinguished by a large mural by Spanish muralist and architect Elvira Solana. Another highlight is Sloane’s, a moody bar on the second floor, which is described as Verena Haller's favorite space. Sloane's boasts a collection of art, lighting, furniture, and fabrics gathered from global travels, with an alcove decorated with gold leaf. This bar offers a unique take on classic New York dishes and cocktails, such as chicken nuggets and dirty martinis with caviar. Overall, The Manner aims to provide a distinctive hospitality experience in New York City, combining thoughtful design, diverse materials, artistic collaborations, and a focus on creating a welcoming and inclusive atmosphere that blurs the lines between a hotel, a private home, and a social club. #NewYork #SoHo #HospitalityDesign #HotelArchitecture #InteriorDesign #BoutiqueHotel #LuxuryTravel #HannesPeer #StandardInternational

The article offers an exclusive tour of interior designer Marissa Corvino's recently designed Hoboken home, highlighting her design philosophy and the practical application of her aesthetic in a family living space. Corvino Design, founded by Marissa Corvino in Hoboken, NJ, aims to create functional, personalized, and architecturally sound spaces. Her design aesthetic is described as bold yet refined minimalism. The home, a renovated townhome on Garden Street in Hoboken, built in 1901, was partially demolished when purchased, providing Marissa with a unique opportunity to create a modern design from scratch. The residence accommodates Marissa, her husband Frank Corvino, and their three children: Mia, Leonardo, and Grace. It features five bedrooms and five bathrooms. The inspiration behind the decor and renovation draws significantly from architectural giants like Le Corbusier, known for functionalism with bold sculptural details, and Joseph Dirand, who combines minimalism with warmth and fullness. Marissa's goal was to create a space that seamlessly integrates adult and children's daily lives within an urban environment where every inch counts. This involved intentionally keeping the middle of each floor plan open and utilizing arches for structural support to give the illusion of a wider brownstone. A key aspect of the design strategy was to conceal belongings, maintaining a minimal yet full aesthetic. For instance, the parlor floor incorporates recessed open shelves with concealed storage underneath. The playroom is thoughtfully designed with toy storage, two desk areas, and a sofa with a trundle bed, providing dedicated spaces for relaxation, schoolwork, and playdates. Three standout design elements in the home are the Calacatta Viola Marble in the kitchen island from Basstone, the extensive use of plaster by Kamp Studios, and custom furniture crafted by Corvino Design. During the renovation process, an unexpected expense arose with the replacement of the sewer line, which was damaged after the removal of an oil tank. A significant challenge during the project was Marissa's pregnancy halfway through, which necessitated a last-minute modification to the floor plan to incorporate an additional bedroom. Marissa emphasizes that the project aimed to serve as a fresh inspiration for family urban living, demonstrating that a home filled with art, plaster, and marble can still be child-friendly and suitable for cooking and entertaining without constant worry. For those looking to update or redecorate their homes, Marissa offers advice: be patient, invest in quality over quantity, and embrace color. The article provides a detailed room-by-room breakdown of specific pieces, materials, and collaborators involved in the project, including Nicole Franzen for photography and Eve Singer from Broyt for styling. This includes custom pouf sectionals, vintage Vladimir Kagan swivel chairs, Calacatta Vagli fireplace stone, custom entry doors in the living room; NR Wood Design millwork, Studio Henry Wilson hardware, Calacatta Viola island stone, and a LaCanche Sully range in the kitchen; Bas Stone Travertine Navona table and a custom dining bench in the dining room; a vintage mirror, Articolo Lighting sconces, and Petra Grey Marble vanity in the powder room; a custom staircase in the hallway; custom nightstands and bed, Allied Maker sconces in the main bedroom; and NR Wood vanity, Arabascato Corchia stone slab, Watermark plumbing fixtures in the main bathroom. Marissa's closet features G’s Woodworking millwork and Calacatta Viola stone, while the playroom has custom millwork by Corvino Design. #InteriorDesign #HobokenHome #MarissaCorvino #CorvinoDesign #HomeRenovation #MinimalistDesign #FamilyLiving #UrbanLiving #ArchitecturalInspiration #LuxuryInteriors