2 Interiors Designers Talk Style, Inspiration & The Concept Of ‘Future Heritage’

The article presents a curated list of the top ten design stories of 2022, as selected by Wallpaper*'s design editor, Rosa Bertoli. The year marked a significant return of design weeks and events to the global stage, fostering an environment rich with innovation and creativity. The selection encompasses a diverse range of design narratives, from exclusive interviews with prominent figures in the design world to groundbreaking projects and new conceptual spaces. One highlight includes the 2023 horoscopes by Studiopepe, which explored the zodiac signs of renowned 19th and 20th-century designers. Chiara di Pinto and Arianna Lelli Mami of Studiopepe discussed the fascinating connection between astrological traits and the design philosophies of figures like Ludwig Mies van der Rohe (Aries, 'less is more'), Verner Panton (Aquarius, visionary), and Charlotte Perriand (Sagittarius, adventurous). They also noted Ettore Sottsass, a Virgo, whose need for order in everyday life contrasted with the chaos he contained internally, offering a fresh perspective on the geometry in his work. Another significant feature was Kelly Wearstler, a prominent American designer and Wallpaper*'s guest editor for the October 2022 issue. The article delves into her Beverly Hills home, exploring her insights on technology, craft, and her extensive portfolio of interior projects. Wearstler's influence, almost 13 years after being dubbed 'the presiding grande dame of West Coast interior design,' continues to grow, marked by her bold interiors, furniture design ventures, and a substantial social media following. The Tígín Tiny Homes project by Irish social enterprise Common Knowledge presented an alternative to conventional renting solutions. These mobile small homes, whose name means 'small house or cottage' in Gaelic, are designed with thoughtful considerations and eco-conscious materials, making their building information freely accessible. This initiative aims to inspire self-build projects and offer sustainable living options without being a universal housing solution. The article also features an interview with British-Nigerian designer Yinka Ilori, held in his new London studio ahead of his first solo exhibition at the Design Museum. Ilori discussed how traditional Nigerian parables and African fabrics deeply influence his work, emphasizing the power of storytelling as a core element of his creative process. Studio Formafantasma's new Milan studio, located in Assab One, is showcased as a testament to designers Andrea Trimarchi and Simone Farresin's ability to create holistic and aesthetically pleasing designs. The studio, which doubles as an office and home, features bespoke furniture designed to adapt to the post-COVID workspace, reflecting the blurring lines between professional and domestic environments. Collaborations in design are also highlighted, such as the all-season tent developed by Icelandic outerwear brand 66 North and German innovator Heimplanet. This tent, inspired by Icelandic shelters, boasts a geodesic dome structure, inflatable framework, and robust weatherproof materials, designed for extreme conditions and accommodating up to four people. An exclusive interview with Danish designer Bodil Kjær, celebrating her 90th anniversary, sheds light on her philosophy. Kjær, who defines herself not as a furniture designer but as an 'environment designer,' emphasizes solving defined problems with creations that serve as 'elements of architecture,' rigorously considering structure, functionality, and aesthetics. Molteni & C's new pavilion complex in Giussano, designed by creative director Vincent Van Duysen, integrates hospitality into the brand's architectural history. Inspired by Luca Meda and Aldo Rossi’s original showroom, the pavilion serves as a reception, restaurant, and hospitality space, surrounded by gardens, embodying the synergy between architecture and furniture. The Terra Carta Design Lab, founded by King Charles III and Sir Jony Ive, is recognized for its commitment to regenerative design. This initiative champions young designers developing high-impact, low-cost solutions to the climate crisis, emphasizing a shift from merely sustainable practices to restorative ones. Finally, the article explores the growing movement of regenerative design, with architect Michael Pawlyn advocating for a paradigm shift from sustainable practices to actively restoring ecosystems. This approach, which aims for humans to co-evolve with nature, involves nurturing biodiversity and reducing carbon footprints in the production of homes, infrastructure, furniture, and food, emphasizing integration with the web of life rather than separation. #DesignTrends #InteriorDesign #Architecture #DesignInnovation #SustainableDesign #DesignerInterviews #HomeDesign #RegenerativeDesign #LuxuryInteriors

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

Chencong Zhang, an interior designer and spatial experience designer, embarked on her creative journey driven by a deep desire to create spaces that evoke a sense of belonging. Her personal experience of longing for comfort and familiarity, stemming from being away from her family since the age of 11 and being unable to see them for over 4.5 years due to the pandemic, fueled this aspiration. Initially, Zhang pursued civil engineering as an undergraduate, a popular field in China at the time. However, after two years, she realized it was not her true calling and took a gap year to explore modern arts, design, and other creative avenues. This period ignited an urge to pursue work that resonated emotionally and could impact others' feelings positively. Her first significant step into interior design came in 2015 when she had the opportunity to work on a 7000 sq ft office in Shanghai. The project's goal was to create a comfortable, communicative working environment that seamlessly integrated with its spacious outdoor terrace. Zhang's creative input, particularly her use of colors and materials in material boards and Photoshop renderings, was highly praised. She also collaborated on designing and installing a ceiling installation made of stone and wood, a challenging but rewarding experience that solidified her passion for design. In 2016, Zhang officially began her interior design education at RISD (Rhode Island School of Design). There, she learned about transforming old spaces, gaining inspiration from successful case studies, and connecting with like-minded peers and professors. A pivotal experience was a 2018 visit to Morocco with the Architecture and Ceramics department, where she immersed herself in Islamic art, rich colors, and intricate patterns. This trip, and the subsequent creation of pieces reflecting cross-cultural exchange, broadened her perspective and reinforced the impact of cultural fusion in design. Zhang views storytelling as the core magic behind creating distinctive and tailored spaces. She emphasizes that interior design is about imbuing spaces with personality and crafting a journey for occupants. Her process involves extensive research and imaginative exploration of possibilities. She cites a hotel rooftop design project in Miami, where she integrated elements inspired by the local subtropical climate, lush landscapes, and Bahamian murals, resulting in a bold and unique space that garnered positive online reviews. Zhang attributes her ability to be a good storyteller of spaces to her sensitive nature, which allows her to deeply feel and, in turn, enable others to feel. Her time at RISD, interacting with artists from various disciplines like digital art, glassmaking, furniture design, and textiles, further enriched her understanding of different media and their application in expressing a space's personality. While acknowledging the challenges of bringing creative designs to fruition, including time, cost, and durability, Zhang highlights the importance of problem-solving. Her experience leading the construction administration for a 200-key, $50 million hotel renovation project taught her invaluable lessons in collaboration with consultants, contractors, and clients, and in making informed compromises to deliver high-quality results. She defines her role as a designer as helping clients realize their dreams, emphasizing listening to their needs, offering options, and respecting their perspectives. Zhang's personal journey underscores the message of following one's heart to discover one's true self and purpose. #InteriorDesign #SpatialExperienceDesign #CreativeJourney #StorytellingInDesign #RISDAlumni #CulturalExchange #ProjectManagement #DesignPhilosophy #Entrepreneurship

The article explores the concept of timelessness in design, challenging the often-overused descriptor and advocating for a focus on longevity, circularity, and adaptability in design processes. It begins by questioning the premature claims of timelessness made by designers, suggesting that true timelessness is earned over time, rather than declared. The piece highlights the subjectivity inherent in defining timelessness, arguing that it's difficult to establish universal principles for "good design" that transcend trends, technology, or personal taste. The author points out that terms like "iconic," "sustainable," "classic," and "authentic" are frequently employed with similar lack of critical examination. Despite the critique of the term itself, the article emphasizes the crucial importance of designing for the long term. It proposes that instead of focusing on "timelessness" as a product attribute, the industry should adopt terms such as circular, renewable, repairable, dismountable, adaptable, and regenerative to describe the design process and system. This shift in vocabulary aims to ground the concept of enduring design in tangible, responsible practices. The article suggests that acknowledging the extractive nature of design and striving for endurance becomes the primary viable claim of responsibility for designers and manufacturers. Throughout the discussion, the article showcases a curated selection of furniture, lighting, objects, and materials that embody a commitment to longevity. These examples include both historical pieces, some reissued with modern relevance, and contemporary designs that integrate principles of durability and adaptability. Specific items mentioned include the ‘Martini’ table by Eddie Olin, the ‘Drinking Set No. 238 Patrician III’ wine glass by Josef Hoffmann, the ‘Argento Liquido’ daybed by Supersedia, the ‘Tetrami’ console and ‘Topan’ lamp by Verner Panton, the ‘Juicy Salif’ squeezer by Philippe Starck, candy dishes by Oswald Haerdtl, the ‘Tua’ pitcher by Mario Botta, and the Beogram 4000c turntable by Bang & Olufsen. Also featured are a sculpture by Eva and Peter Moritz, the ‘Superwire’ floor lamp by Formafantasma, the ‘Alpaca Natural’ rug, and fabrics like ‘Déjà Vu Jamais’ by Dedar and ‘Ancient Writing 1936’ by Anni Albers. The article continues to present diverse pieces such as the ‘Réaction Poétique’ tray by Jaime Hayon, the ‘Nara’ console by Jean-Marie Massaud, the ‘Pan’ daybed and armchair by Gordon Guillaumier, the ‘Porthole’ mirror by Willo Perron, and the ‘Lofty’ chair by Piergiorgio Cazzaniga. Other notable items include the ‘Etruscan’ pitcher by Mentze Ottenstein, the ‘Toio’ floor lamp by Achille and Pier Giacomo Castiglioni, the ‘Grand’ rug by Nordic Knots, and ‘Feral’ fabric by Formafantasma. Further examples highlight the ‘Brutalist’ speaker by Transparent, the ‘Nymphenburg’ coat stand by Otto Blümel, a media unit by Fritz Haller for USM, ‘Perspectives’ candleholders by Mathias Kiss, the ‘Pigreco’ chair by Tobia Scarpa, ‘Table No. II’ by Devin Wilde, and custom tiles by Palet. The ‘CH07 Shell’ chair by Hans J Wegner, ‘Sculptural House Numbers’ by Reinoud Oudshoorn, the ‘Opus’ floor lamp by Walter Manici, the ‘Dylan Small’ sofa by Rodolfo Dordoni, the ‘Butterfly’ stool by Sori Yanagi, the ‘Rio’ coffee table by Charlotte Perriand, ‘Dinner Service’ cups and plate by Donald Judd, ‘Random Solo’ pendants by Chia-Ying Lee, the ‘C’ chair by ERM Studio, the ‘Saarinen’ table by Eero Saarinen, and the ‘123 chair by Michael Anastassiades are also included. Finally, the ‘Infilled’ chair by Soft Baroque, the ‘Floor Mobile Chandelier’ by Michael Anastassiades, the ‘Seconda’ chair by Mario Botta, and the ‘Nocturne Shell’ room divider by Middernacht & Alexander are presented, all demonstrating various facets of enduring design—whether through innovation, reissuing, guaranteed repairability, or inherent adaptability. The article concludes by asserting that these chosen pieces, old or new, are expected to withstand the test of time, with time itself ultimately serving as the final arbiter. #TimelessDesign #LongevityInDesign #SustainableDesign #ProductDesign #InteriorDesign #DesignPhilosophy #FurnitureDesign #LightingDesign #MaterialSelection

Rebecca Constable, an interior designer known for creating timeless and inviting homes that also accommodate daily life, recently launched Room by Room Interiors. This new venture offers ready-to-go design schemes, providing an accessible and affordable alternative for individuals seeking design assistance without the commitment of hiring a full-time designer. These schemes include comprehensive guidance, from key design principles to specific recommendations for paint colors, furniture, and accessories. Constable's design journey began after transitioning from a career in management consulting and project management at John Lewis. Following the birth of her children, she sought a more flexible profession, initially redesigning her own home and then assisting friends and family, which organically led to the growth of her interior design practice. She notes the significant overlap between project management and interior design, highlighting the organizational aspects crucial to both fields. Her personal home is characterized by a vibrant and layered approach, incorporating color, pattern, and various textures. Each room is distinct, and Constable frequently uses different fabrics to achieve this variety. She also emphasizes the use of natural materials such as oak floorboards, marble tiles, and quartzite counters, embracing the natural wear and tear these materials exhibit over time. Her favorite room is her and her husband's bathroom, which she describes as a calm and luxurious space for relaxation. Constable's design philosophy is deeply influenced by her Swiss grandmother, whose home featured a rich collection of antiques, self-painted oil paintings, and hand-decorated furniture. This eclectic mix of old and new, combined with a love for color and pattern, defines Constable's style. Her own home reflects this sensibility, blending antique pieces with more modern elements. Regarding her latest endeavor, Room by Room Interiors, Constable explains that the platform addresses the challenge many people face in finding the right design elements for their homes. By curating complete design schemes, the service aims to simplify the decorating process for those who lack the time or inclination to research extensively. This initiative makes professional interior design principles and product selections available to a wider audience. Constable also shared a wish list of ten items that align with her design aesthetic and current preferences. These items include a versatile sofa bed from The House Upstairs, a Folia Scalloped Natural Linen Wall Light from Lights & Lamps for architectural detailing, and a Wilmington Reeded Bedside Table from Alfred Newall, valued for its curves and the timeless quality of limed oak. Other items comprise a Frill Pouffe from Six The Residence for bedrooms or dressing rooms, a Dunes Rug from Pelican House x Lucy Williams, praised for its brown and blue color combination, and an Exton Mirror from Vaughan, considered a timeless piece suitable for various spaces. The list also features Marton Side Tables from The White Company for their utility in small spaces, a Ma Ma Lay Rattan Tray from Kalinko for desk or bedside organization, Brass Wiggle Handles from Bias Editions for a fun and luxurious touch, and a Rosemary Willow Diffuser from Bamford, appreciated for its fresh scent and aesthetic appeal. These selections collectively showcase Constable's commitment to functionality, natural materials, and a balanced blend of classic and contemporary elements. #InteriorDesign #HomeDecor #RoomByRoomInteriors #RebeccaConstable #DesignInspiration #Furniture #HomeAccessories #TimelessDesign #NaturalMaterials

The article explores the perennial question of whether to follow interior design trends, gathering insights from various interior designers on how to approach trends in a way that results in a stylish yet timeless home. The author highlights that the year's trends have emphasized an anti-trend sentiment, with transitional styles dominating over fleeting micro-trends. This shift prompts a deeper discussion on the longevity and impact of trend adoption. Catherine Ebert, an interior designer, suggests that trends are acceptable in moderation and only when they align with personal preferences and the existing home aesthetic. She advocates for integrating new trends subtly, using them to complement existing furnishings rather than replacing everything. Ebert provides an example of combining organic shapes with geometric elements, demonstrating how contrast can create a more engaging and interesting space. Kati Curtis, another designer, echoes this sentiment, stating her preference for creating spaces that blend various styles to achieve a unique and timeless aesthetic. She emphasizes curating environments that possess character and history, always considering the home's architectural style to avoid the transient nature of trends. Curtis also acknowledges that exposure to design and art shows inevitably influences her, but she reinterprets these influences to maintain a cohesive and enduring design. The inherent downside of blindly following interior design trends is the risk of creating a home that quickly becomes outdated, necessitating frequent overhauls. To circumvent this, the article promotes adopting a transitional style, which involves harmonizing diverse styles, eras, and trends. This approach prevents a home from being overly committed to a single, potentially short-lived look. Jennifer Davis, a designer, emphasizes that homes should reflect the inhabitants' personalities and stories, rather than merely current popular styles. She warns against the costly and unsustainable practice of constantly updating interiors to keep up with trends, instead advocating for investments in well-crafted, timeless pieces that are both eco-friendly and contribute to a beautiful, lasting home. In considering how to thoughtfully incorporate trends, the primary recommendation is to select only those that genuinely resonate and integrate seamlessly with the home's existing aesthetic. It is advised against undertaking extensive and expensive renovations solely to align with a current trend. For those drawn to potentially ephemeral trends, like the author's fondness for wavy pieces, the advice is to introduce them through small, inexpensive items that can be easily replaced. Bethany Adams, a designer, suggests experimenting with throw pillows or decorative vases, which allow for personal style exploration without significant financial commitment. She cautions against investing heavily in trendy furniture or architectural modifications unless thoroughly considered and potentially with professional guidance, as today's trend can quickly become tomorrow's faux pas. Jennifer Walter offers a concluding piece of advice: if there is any hesitation regarding a trend, it is best to wait. If a trend demonstrates longevity, it will likely become accessible at more affordable price points in mainstream stores. When uncertainty persists, limiting trend adoption to smaller, easily changeable accessories like pillows or candlesticks is prudent. Major, permanent alterations such as tiling floors or painting kitchen cabinetry should be approached with caution. However, if working with an interior designer, trusting their expertise and understanding of personal comfort zones is encouraged. #InteriorDesign #HomeDecor #DesignTrends #TimelessDesign #TransitionalStyle #HomeStyling #DesignPhilosophy #SustainableDesign

Arjealy Wisseh, a 2021 Interior Design alumna from Rochester Institute of Technology (RIT) and founder of Maiyn Design, has gained international recognition through her work being published on Moro, a global platform dedicated to interior design inspiration, professionals, and products. The featured project showcases a co-working office design and her contributions to a six-story space. This comprehensive project, developed in collaboration with peers Emma Canny and Raquel Rojas, exemplifies a successful fusion of traditional and modern interior design elements, catering to both commercial and residential applications. The article highlights several key aspects of the featured design, illustrating how Wisseh and her team balanced different aesthetic principles. The co-working office space emphasizes functionality and collaboration while incorporating modern design trends. Elements such as an open, inviting layout with abundant natural light, ample seating, and integrated greenery contribute to a vibrant and productive environment. This design approach reflects contemporary workplace needs, prioritizing comfort and aesthetic appeal to enhance employee well-being and productivity. The inclusion of various seating options and green elements suggests a focus on creating flexible and biophilic spaces, which are increasingly important in modern office design. Further illustrations within the article provide a detailed look at the residential components of the project. A kitchen rendering reveals an open-concept design that seamlessly integrates with living areas, promoting a sense of spaciousness and connectivity. This open-plan layout is a hallmark of modern residential design, fostering interaction and accessibility. The kitchen's aesthetic likely combines sleek, contemporary finishes with traditional materials or subtle classic details, achieving the project's overarching theme of blending styles. The use of neutral color palettes, clean lines, and integrated appliances further enhances the modern appeal, while specific design choices could introduce traditional warmth or texture. The bathroom design, depicted in a rendering, features a black, white, and gray color scheme, equipped with a shower and a dual sink. This monochromatic palette is characteristic of modern design, offering a sophisticated and timeless look. The inclusion of a dual sink enhances functionality, especially in shared living spaces, while the overall minimalist approach to fixtures and finishes maintains a contemporary feel. The design likely incorporates high-quality materials and efficient layouts, balancing luxury with practicality. The article also showcases various other functional areas, including open workspaces with desks and seating, demonstrating a thoughtful approach to space planning and utility. Tall bookshelves in an open workspace suggest an emphasis on both storage and visual interest, contributing to the professional yet inviting atmosphere. A lounge area featuring a wall-installed electric fireplace further illustrates the blend of styles, combining modern comfort with a traditional element that provides warmth and ambiance. This detail highlights the team's ability to create cozy and inviting zones within larger commercial or residential settings, adding a touch of domesticity to a professional environment or enhancing relaxation in a home setting. Finally, a large, open room with a long conference table and chairs is presented, indicating the project's capacity to accommodate formal meeting spaces. This area maintains the overall aesthetic coherence, featuring a design that is both professional and visually appealing. The choice of furniture and room arrangement likely reflects a balance between modern ergonomics and a classic sense of formality, ensuring that the space is suitable for various professional functions. Overall, the project by Arjealy Wisseh and her team demonstrates a sophisticated understanding of how to merge traditional and modern design philosophies to create versatile and aesthetically pleasing environments for diverse uses. #InteriorDesign #ModernDesign #TraditionalDesign #CoWorkingSpace #ResidentialDesign #CommercialDesign #RITAlumni #MaiynDesign #MoroPlatform

This article highlights 25 influential power duos comprising high-end clientele and their style gurus who collaborate to curate spectacular interiors, ranging from private homes and palaces to public monuments and retail spaces. These partnerships are notable for their impact on the design world, setting high standards for aesthetics and functionality. The article details various collaborations, showcasing the diverse styles and approaches employed by these design teams. One prominent duo features hip-hop superstar Kanye West and Belgian designer Axel Vervoordt. Vervoordt, known for his tasteful minimalism and admiration for the Japanese aesthetic concept of wabi (exalting simplicity), was enlisted by West to perfect his Los Angeles crib's look. Vervoordt's client list also includes Bill Gates, Sting, and Calvin Klein, underscoring his reputation in high-end design. Actress Gwyneth Paltrow partnered with Robin Standefer and Stephen Alesch of Roman and Williams for the Goop Lab in Brentwood, her first permanent store. Roman and Williams, named for their grandfathers, also opened the Guild, a showroom and café in Soho, indicating their expanding influence in the design and lifestyle sectors. Fashion mogul Tom Ford and William Sofield, an inseparable pair for 25 years, have redefined luxury retail spaces. Their collaborations on stores in Madison Avenue and Rodeo Drive are renowned for their opulent design, challenging conventional retail aesthetics. Sarah Jessica Parker initially sought decorating tips from movie executive Eric Hughes in the '90s. His design career officially launched in 2002 after Parker commissioned him to design her Bridgehampton home. Hughes is currently working with architect Morris Adjmi to merge Parker's two West Village townhouses, demonstrating a long-standing and evolving client-designer relationship. The Beckhams, Victoria and David, chose antiques dealer Rose Uniacke to decorate their $44 million Holland Park palace in London. Uniacke is celebrated for her ability to modernize historical settings, creating a unique blend of classic and contemporary design. Lauren Santo Domingo, co-founder of Moda Operandi, continued a family tradition by enlisting French designer Francois Catroux to work on her 18th-century Paris apartment. Catroux has a history with the Santo Domingo family, having worked with them since the early '90s. LVMH CEO Bernard Arnault consistently collaborates with architect Peter Marino, who has designed numerous Louis Vuitton stores, including the flagship on Place Vendôme, showcasing Marino's significant role in shaping the luxury brand's physical presence. Actor Brad Pitt engaged starchitect David Adjaye for sustainable housing projects in New Orleans following Hurricane Katrina. Pitt's Make It Right Foundation, with Adjaye's involvement, constructed over 100 homes in the Lower 9th Ward, highlighting a commitment to socially conscious design. Adjaye later gained acclaim for his work on the National Museum of African American History and Culture. Raf Simons, during his tenure at Calvin Klein, relied on artist Sterling Ruby to infuse the brand's shows, headquarters, and flagship store with distinctive, vibrant energy. This partnership highlights the intersection of art and fashion in design. Collectors Edythe and Eli Broad have a long-standing relationship with Pritzker Prize winner Frank Gehry, commissioning him for their Brentwood manor and the Walt Disney Concert Hall in Los Angeles. Their collaborations underscore their patronage of groundbreaking architecture. French luxury boss Francois-Henry Pinault entrusted Parisian designer Pierre Yovanovitch with his personal office and the Hôtel de Clermont-Tonnerre, the headquarters of his Artémis conglomerate. Yovanovitch is known for incorporating vintage touches into contemporary settings. Former Vice President Joe Biden and his wife Jill selected Victoria Hagan, known as the “queen of restrained elegance,” to design their official private residence. Hagan's clean, timeless interiors aligned with the Bidens' aesthetic preferences. Designer Robert Couturier, celebrated for French-inspired exuberance, is collaborating with artist Jeff Koons to combine two Upper East Side townhouses. This partnership merges Couturier's classic style with Koons's grand artistic vision. John Pawson and Ian Schrager have a two-decade-long friendship and professional collaboration, extending from apartments at the Gramercy Park Hotel to Schrager's penthouse at 40 Bond, and now the West Hollywood Edition hotel. Their work emphasizes minimalist yet luxurious design. Tory Burch first met designer Daniel Romualdez in the late '90s and subsequently hired him for her apartment at the Pierre, followed by numerous homes and over 100 stores, including her Long Island location, showcasing a long and fruitful design partnership. Fashion designer Alexander Wang and Ryan Korban are close friends who collaborate on various projects, including Wang's flagship store and private residences, highlighting a youthful and contemporary approach to design. Ken Fulk, known for his flamboyant designs, is the trusted designer for Silicon Valley's elite, including Instagram's Kevin Systrom. Fulk designed Systrom's home and his wedding, demonstrating his versatility in creating bespoke experiences. Jamie Drake, known for his crisp and colorful rooms, has designed multiple properties for Michael Bloomberg, including his Upper East Side townhouse and his Georgian estate in Southampton, and also restored Gracie Mansion during Bloomberg's mayoral term. Michael Smith decorated the private residence of the Obamas in the White House, earning praise from former First Lady Michelle Obama for upholding the building's history. Smith also designed their 8,200-square-foot Kalorama home after their departure from office. The bond between decorator Stephen Shadley and Oscar winner Diane Keaton spans over 30 years and four homes. Keaton even documented their creation of her 8,000-square-foot Brentwood compound in her book, "The House that Pinterest Built," illustrating a deep, enduring creative partnership. #DesignDuos #InteriorDesign #LuxuryHomes #ArchitecturalPartnerships #CelebrityDesign #HomeDecor #HighEndClientele #ResidentialDesign #CommercialDesign

Krysti Lyn, a whole home designer, discusses her career journey, design philosophy, and personal experiences. She reveals that her career in design began at the young age of seven, identifying it as an innate gift for "seeing in scale." This ability allows her to visualize how objects fit within a room beyond their aesthetic contribution, a skill she considers a designer's superpower. Despite not actively choosing this path, she expresses gratitude for the opportunity to fulfill her purpose daily, serving clients who benefit from her unique perspective. Lyn specializes in a transitional design aesthetic, which involves blending and merging various design styles and periods. She emphasizes her versatility and ability to select appropriate materials for her clients, attributing her success to this client-centric approach. Her professional journey, however, has not been without challenges. She openly shares that her personal and work life was significantly impacted by domestic violence. This experience, while difficult, ultimately strengthened her resolve, teaching her the importance of self-advocacy and re-focusing on her future. She highlights that this period of adversity made her more determined and taught her to establish boundaries, including learning to say "no." Her professional goals include maintaining her status as an authority on design options, continuously integrating new products, tools, and styles into her practice. She prides herself on creating timeless designs for her clients, understanding that her work involves a significant degree of responsibility and trust. These two elements, she notes, are fundamental to her profession. She considers the ability to build and maintain trust with clients as paramount to her success. When asked about her recommendations for a friend visiting Los Angeles, Lyn outlines a personalized itinerary. This includes a casual meal at In-N-Out Burger, followed by a three-day staycation at her home in Palm Desert, complete with a hot tub, private massages, charcuterie, and Malbec red wine. The trip would also feature a short visit to Las Vegas for a show and a stay at a luxury hotel, interspersed with visits to quaint local spots for improv or murder mystery dinners. A morning drive to Malibu for breakfast to enjoy the scenic views is also on the list. For those interested in Hollywood, she mentions a visit to a famous celebrity cemetery. Significantly, she emphasizes introducing her friend, Kathy, to as many clients as possible, revealing Kathy's integral role as a faithful assistant, confidante, and source of support throughout her career. This acknowledgment underscores the importance of personal relationships in her professional life. Lyn also touches upon the role of mentorship in her career, stating that she did not have a traditional mentor. Instead, she navigated her early career through prayer and faith. She acknowledges one instructor from Harrington design college who authored a notable Modern Furniture Resource Book, and expresses that being recognized by Harpo Studios for her participation in "The Ugliest Room Contest" was a pivotal moment, making her feel understood and appreciated early in her career. This recognition served as a validation of her unique talent and approach to design. #InteriorDesign #HomeDecor #TransitionalDesign #DesignPhilosophy #Entrepreneurship #PersonalJourney #CreativeProfession #ClientRelationships #LosAngeles

This article explores six distinct homes that successfully merge traditional interior design elements with modern aesthetics, demonstrating that these seemingly contrasting styles can coexist harmoniously. It challenges the notion that traditional decor must be antiquated or stuffy, instead showcasing how it can be integrated with contemporary sensibilities to create unique and comforting spaces. The first example is a historic Tudor-inspired house in Austin, Texas, owned by Carrie and Robert Hicks. Interior designer Carrie Hicks, along with architect Paul Lamb, preserved the home's 1926 charm while incorporating a modern, Mies van der Rohe-inspired steel and glass addition. The dining room, in particular, features an eclectic mix of furniture and art from various eras, including a Collection Particulière asymmetrical dining table, Rose Uniacke Hoof tables, Faye Toogood sconces, and an Ultrafragola mirror by Ettore Sottsass, alongside works by Berndnaut Smilde and Victor Vasarely. This project exemplifies the challenge of blending opposites to create a cohesive design. Next, the article highlights Ashley Stark Kenner's transformed 19th-century Upper East Side town house in New York. Initially intended as a minor fix-up, the project evolved into a gut renovation led by Lichten Architects. Only the façade remained, with significant structural changes including basement excavation, a new top floor, and terraces. Kenner, drawing on her extensive design background, guided the aesthetic towards a 'laid-back, organic, beachy, a little bit French' style. The living room features 1957 Pierre Jeanneret chairs, a custom sofa, a Kelvin LaVerne cocktail table, and artworks by Julian Schnabel, Brent Wadden, and Damien Hirst, illustrating a fresh take on a historic abode. A Park Avenue apartment owned by West Coast transplants showcases how California breeziness can be integrated into traditional New York decor. Designer Young Huh achieved this by using a light, bright, and airy palette of peaches, creams, and rose shades. She incorporated traditional elements like wainscoting and crown molding into the new-build high-rise, creating architectural interest. The formal living room, designed for entertaining, features a custom pomegranate-patterned rug, Art Deco Dedar-upholstered Bergère chairs, a vintage Murano chandelier, and an ancient Greek terra-cotta Aphrodite statue, blending different eras and styles effectively. Matthew Bees' Charleston apartment exemplifies a 'nouveau traditionalist' approach, characterized by a love for formal interiors infused with bold colors, varied textures, and unexpected decor choices. Notable features include a zebra rug, a flamboyant Louis Philippe bed crown, and a statue of Narcissus. Bees' aesthetic is described as 'meaningful and layered,' combining a serious collection of English antiques with playful elements like dark foyers opening to airy living spaces and the prominent use of green and yellow hues, reflecting his connection to nature and his personality. Finally, a New Jersey colonial home designed by Fawn Galli is presented as a 'funky traditional' space. Galli collaborated closely with the homeowners to understand their collective tastes, encouraging them to create a Pinterest board and observing their clothing styles. Her intuitive approach led to a home office with musical instruments, a swing chair-appointed bedroom, and an eclectic blend of vintage and modern elements with vibrant prints and textures throughout. The exterior's charming all-white facade belies the layered and dynamic interior compositions, where things have a 'weird sparkle' and traditional elements are 'jazzed up.' These examples collectively demonstrate the versatility and appeal of mixing traditional and modern design principles to create personalized and inviting living spaces. #TraditionalDesign #ModernInteriors #HomeDesign #EclecticDecor #InteriorStyling #ArchitecturalRenovation #HomeDecor #DesignFusion #ResidentialArchitecture

The November 'Zeitgeist Edit' highlights a shift in the interior design industry, emphasizing the growing desire for immersive, experiential design over purely digital interactions. This month has seen a surge in brick-and-mortar offerings, designer apartments, and unique sources for home decor, reflecting a collective craving for tangible experiences in design exploration. A significant trend observed is the rise of 'Suite Living,' characterized by designer show apartments and hotel suites that offer immersive style showcases. London, a city not traditionally known for this concept due to its architectural stock, has recently unveiled two notable collaborations. Uchronia, in partnership with Pantone, designed a hotel suite at the Oriental Hyde Park during Frieze Week, infusing a traditional setting with fantastical designs inspired by the color celadon. Simultaneously, Róisín Lafferty collaborated with Artemest to transform a minimalist new-build apartment in the Ambassador Building at Embassy Gardens, injecting vibrant color and playful forms to redefine its character. Another emergent concept is that of 'Third Spaces,' which extends beyond traditional home and work environments to include places where people linger and engage. This month, the discussion around third spaces has gained traction, informing the design of independent concept stores and coffee shops in London. Even major retailers like John Lewis have introduced 'Lounge' concepts, providing members with spaces to relax amidst bustling shopping environments. A specific example is BOYS! BOYS! BOYS! on Warren Street, a wine bar and bookshop that also serves as a community hub for events, offering a physical space for connection and cultural engagement. The article also points to 'Dinner and a Show' as a burgeoning theatrical interior trend, particularly evident in the recently re-opened Wild Cherry restaurant in New York. This establishment, part of the restoration of the Cherry Lane Theatre and spearheaded by A24, offers moody, Art Deco-inspired interiors alongside live performances. The restaurant's design creates a dramatic and immersive dining experience, reinforcing the idea that interiors are becoming increasingly theatrical and integrated with performance art. Conversely, the trend of 'Traveling on Hand Luggage' is noted as being on the decline. The previous allure of minimalist, spontaneous travel is giving way to a preference for a more luxurious 'golden age of travel' aesthetic. This is reflected in the design world's embrace of travel trunks as functional home furniture, exemplified by La Erre's installations at the London Design Festival, and luxury accessories like RIMOWA's cocktail sets within its suitcases, suggesting a return to more elaborate and comfortable travel experiences. Finally, the 'Online Only' shopping model is experiencing a downturn, as consumers increasingly seek out physical retail experiences for interior design purchases. The opening of Bert & May's 'The Mix' in East London, a concept store housing various interiors brands like Farrow & Ball and Pluck, signifies a demand for tangible shopping environments where customers can touch and feel products. Similarly, Matilda Goad's MG&CO; on Ebury Road, a hardware and lighting store with charming, retro interiors, illustrates the appeal of brick-and-mortar shops that offer an enjoyable and immersive browsing experience, contrasting with the impersonal nature of online transactions. The article also highlights the growing acceptance and quality of artificial plants, with brands like Fake It now making high-end faux foliage accessible to the public, previously only available to designers. #DesignTrends #InteriorDesign #HomeDecor #ExperientialDesign #RetailSpaces #LuxuryTravel #ThirdSpaces #TheatricalInteriors #BrickAndMortar

Vincent Celano, the founder of New York-based Celano Design Studio Co., has established a reputation over three decades for creating transformative experiences in hospitality and architectural design. His work is characterized by lifestyle-driven concepts and a strong emphasis on authenticity and sustainability. Celano achieves this by integrating personalized approaches, thoughtful conceptualization, and collaboration with local artists and makers in his projects. His portfolio includes collaborations with major hospitality entities such as José Andrés Group, Hakkasan Group, and Marriott Hotels, as well as Resorts World Las Vegas. Recent notable projects highlight his diverse design capabilities. These include Catezza in Red Bank, NJ; La Concha Autograph Collection in San Juan, Puerto Rico; and Meximodo in Metuchen, NJ. One featured project, The Hiatus Clearwater Beach, Florida, is an 88-room boutique hotel developed in partnership with 3H Group. This Hilton property, located along Clearwater Beach, boasts ocean and bayside water views, a lobby bar and lounge, a restaurant, and a rooftop pool bar. The hotel's design incorporates teak wood planking and warm, clay-colored wallcoverings, while the reception area features jewel-box-like sculptural white-washed wood desks with brass accents. A layered textured glass chandelier, inspired by local shells, hangs in the lobby, complemented by coral-colored gradient glass screens that evoke the property's sunset views. A significant artistic element is a large hand-painted mural by local artist Derek Donnelly, depicting a woman and floral motif, which has become a community landmark and an iconic beacon for the hotel. Celano describes The Hiatus as embodying a relaxing, modern coastal experience, allowing guests to pause and rejuvenate. The color palette, dominated by greens, symbolizes harmony with nature and draws inspiration from coastal foliage, promoting feelings of growth, renewal, and vitality. Another project, ¡VIVA! in Las Vegas, Nevada, is a Mexican restaurant by celebrity chef Ray Garcia. Celano Design Studio Co. infused the vibrant culture of Oaxaca, Mexico's mezcal bars with a Las Vegas twist, resulting in an approachable, lively, and sophisticated 8,000-square-foot space. It features an indoor promenade patio, a main dining area, a feature bar, a 1,000-square-foot outdoor patio, and a private dining room. An infinity mirror at the entrance creates an interactive art installation, while a mural from the patio extends into the bar, serving as a backdrop for a tequila bottle display. The bar's central design element is a large wood and rattan ceiling feature, with 'petals' inspired by the blue agave plant, casting dramatic shadows. The dining room includes a large driftwood sculpture surrounded by four round banquettes with channel tufting. The outdoor patio maintains an eclectic and residential feel with a wood trellis, overgrown greenery, colorful upholstery, graphic patterns, and area rugs, making it suitable for elegant dinners or casual drinks. The Barbershop Cuts & Cocktails in Las Vegas, Nevada, offers an authentic old-school barbershop experience. The design, inspired by gilded barbers, emphasizes polished chrome, white porcelain, and crafted wood details. Dark hardwood floors, vintage tin ceilings, decorative chandeliers, and tufted furniture create a classic ambiance. An extensive wall of shelves and an 1885 vintage Brunswick bar are stocked with a vast collection of brown spirits. The lounge area features a custom-designed motorcycle lamp wall and a disappearing stage for live performances and karaoke, offering an unexpected twist to the traditional barbershop setting. Meximodo Cocina & Cocteles in Metuchen, NJ, is a modern Mexican restaurant that blends vibrant colors, rich textures, and crafted details with classic Mexican cooking. Large windows allow a full view of the lively interior, while colorful metal flowers and lush greenery define the patio dining area with residential-style seating and graphic patterns. The design incorporates colorful porcelain tiles, sculptural stepped wood banquettes, bright hues, and a rose tunnel featuring thousands of floating roses above the main dining room, along with a custom floral wallcovering and a hanging garden swing, to create a festive and unforgettable celebratory destination. #InteriorDesign #HospitalityDesign #RestaurantDesign #HotelDesign #LuxuryInteriors #EclecticStyle #TransformativeExperiences #AuthenticityInDesign #Sustainability

As 2015 concludes, design industry experts forecast key trends for the upcoming year, highlighting a shift towards creating home environments that serve as sanctuaries amidst the pressures of modern life. The overarching themes for 2016 interiors emphasize simplicity, serenity, and seamlessness, aiming to help individuals disconnect and detox. This is reflected in the prevalence of warm yet calming color palettes, natural textures, soft shapes, and increasingly tailored and intuitive furniture designs for both residential and office spaces. One significant prediction is the dual color of the year from Pantone: Rose Quartz and Serenity. These pastel pink and powder blue shades, while seemingly sweet, represent a broader societal movement towards gender fluidity and equality, signifying a more unilateral approach to color. This forecast aligns with trends observed in British wallpaper brand Graham & Brown, which incorporated dusty pinks and pale blues accented with warm metallics. Calico Studios had already anticipated this with their Aurora line of gradient wallpapers, inspired by ombre skies and created with ultramarine and indigo dyes. A "Design Detox" is also expected, with major paint and wallpaper brands opting for quiet and calming hues. Stacy Garcia notes that the constant demand for connectivity has fostered a desire for quiet simplicity. This translates into a move from cold grays to warmer stone tones, exemplified by Sherwin-Williams' choice of Alabaster (SW 7008) as its 2016 Color of the Year, symbolizing new beginnings. Benjamin Moore selected Simply White OC-117, while Valspar's "Comfort Zone" palette offers a restorative antidote to fast-paced lifestyles, aiming to balance mind, body, and spirit. Warm metals, including rose gold, brass, copper, and gold, are anticipated to remain dominant, particularly in bathrooms and kitchens. London-based interior designer Gemma Gordon-Duff suggests pairing these metals with raw, natural materials like marble and wood, highlighting their timeless quality as a good investment. Examples include Dornbracht’s Cyprum, an 18-carat patina made from a copper and gold alloy, Patricia Urquiola’s Cuna bath for Agape with a tubular copper frame, and Arik Levy’s Bowl collection for Inbani, which combines white ceramic with copper and marble details. The "Rough Luxe" trend involves the instant aging of materials and the addition of texture and depth to spaces. Jon Sherman of Flavor Paper predicts the rise of wallpapers mimicking industrial finishes, adding an unexpected and sensory dimension to sterile environments without the practical challenges of actual rough materials. Similarly, Piet Hein Eek’s tromp l’oeil papers for NLXL replicate painted bricks and salvaged wood, while John Whitmarsh’s cement tile collections for Clé use gypsum cement castings from reclaimed materials. Customization in interiors is also gaining traction, with online furniture brands like Hem and Tylko offering customers the ability to personalize designs, from fabrics and sizes to unique shapes and forms, utilizing advanced algorithms and 3D software. ShopFloor, launched at NeoCon, also uses generative algorithms for customized furniture and wall coverings. Retro technology is softening its aesthetic, integrating into home decor rather than standing out as purely functional devices. Samsung’s Serif TV, with its I-shaped profile and concealed wiring, reintroduces the stylized television concept of the mid-20th century. Michael Young’s portable Bluetooth speaker for Brionvega blends 1960s styling with modern tech in a stitched leather case, echoing early portable radios. New York-based Symbol crafts modern audio HIFI consoles and vinyl storage, bridging technology with fine furniture. "Tailored Materiality" emphasizes the use of varied materials, colors, and textures in workplaces to create more inspiring and personalized environments. Steve Delfino of Teknion notes an increased focus on materiality to influence wellness and productivity. Teknion’s upStage™ offers diverse material options, including textiles, wood veneer, glass, and metal finishes, drawing inspiration from residential design. The Alumni chair by Jesse Visser and Geke Lensink features various base options and upholstery choices, making it suitable for both home and office. West Elm’s new office division also aims to make workspaces feel less traditional through diverse finish options. "Seamless Functionalities" highlights a move towards intuitive, multi-functional furniture. Heloisa Righetto of WGSN Lifestyle observes that while multi-functional furniture isn't new, its integration is becoming more fluid. Werner Aisslinger’s ‘Bikini Island’ sofa system for Moroso allows for extensive customization, accommodating various activities within a living space. Wireless charging stations are increasingly being integrated into furniture and lighting, as seen in Ikea’s new product line. Le Lit National’s Origami bed by Elise Fouin incorporates decorative storage pockets and a desk into its headboard. Finally, 1970s-inspired furnishings are making a comeback. Stacy Garcia notes that the era’s relaxed, free-spirited nature has influenced both fashion and interiors, characterized by bold, raw, and globally-influenced elements. Her Calabasas furniture collection reflects this, as does Lenny Kravitz’s collaboration with CB2, which features polished metals, geometric patterns, walnut, and sheepskin, inspired by 1970s New York club culture. Ionna Vautrin’s Chouchin pendant lamps for Foscarini also evoke the 70s with their lantern shapes and specific colorways. In the realm of office design, "Agile Planning" continues to evolve, with increasing demand for flexible and adaptable products that can adjust to changing work landscapes, as seen in Poppin’s Series A Desk System, Teknion’s hiSpace, and Humanscale’s QuickStand height-adjustable workstation. #DesignTrends #InteriorDesign #ColorForecast #HomeDecor #FurnitureDesign #OfficeDesign #MaterialsInnovation #SmartHome #Sustainability

The year 2024 has seen interior design evolve, influenced by global events and technological advancements. While 2023 focused on simplicity and individuality, 2024 continued these themes, integrating "crafted experimentations" and subtle interventions. The design world grappled with unexpected societal shifts, including rising voices from the global South and the widespread impact of artificial intelligence, leading to discussions about digital equity and misinformation. Despite ongoing environmental initiatives, natural disasters underscored the need for resilient design solutions. Key design trends in 2024 balanced new technologies with timeless principles. "Dark mode" became a prevalent aesthetic across web, graphic, product, and interior design. Modern nostalgia remained a strong influence, blending historical aesthetics with contemporary elements. Environmental consciousness continued to drive design, with a focus on creating spaces that benefit both people and the planet. Overall, 2024 trends were an evolution of previous years, offering upgrades and reinterpretations rather than entirely new concepts. Color palettes prominently featured earth tones, aligning with Pantone's 2025 Color of the Year, Mocha Mousse. The year also marked a return to luxury materials, characterized by sharper, darker, and colder finishes that reimagined classic styles with a bolder presence. Hospitality interiors, particularly coffee shops and pop-up restaurants, adopted community-centric layouts, where communal seating around a central point fostered shared culinary experiences. Minimalist decor transitioned into "quiet luxury," manifesting as a refined, spa-like aesthetic in residential, commercial, and hospitality settings. A notable shift in form was the re-emergence of sharp geometric edges, contrasting with the organic shapes that had dominated in previous years. This geometric revival was evident in pitched roofs, grid-based layouts, and angular furniture and fixtures. Based on an analysis of over 1000 projects, specific trends identified included pitched roof interiors, the sophisticated combination of concrete and steel in varying shades of grey, and the aforementioned "quiet luxury" style. Further trends encompassed community-centric culinary spaces, sculptural islands as focal points, and the return of sharp rectangular forms. Color choices leaned towards rustic brown and muted burgundy, while mahogany wood saw a resurgence in popularity. Dark accents were widely incorporated, and living trees were increasingly used as central design elements within interior spaces. These trends collectively illustrate a year of nuanced refinement and adaptation within the interior design landscape. #InteriorDesign #DesignTrends #Architecture #Materiality #ColorPalette #GeometricForms #QuietLuxury #HospitalityDesign #SustainableDesign

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces