TXDW Dallas — Sara Story Talks Layering, Collections and Pedigreed Furniture

The thrill of discovering unique furnishings and the regret of missing out on a coveted piece are common experiences for interior designers, as recounted by nine professionals in the field. These designers share their personal anecdotes of both significant acquisitions and elusive 'holy grail' items, offering insight into the passion and pursuit involved in curating exceptional interiors. Will Meyer, a devotee of Danish design, recently acquired a Hans Wegner daybed but continues his quest for the perfect Papa Bear chair, an iconic piece he believes will eternally remain stylish. Amy Lau's 'big find' was a set of sculptural Dommus chairs by Joseph Walsh, which she commissioned for her New York apartment after a studio visit in Ireland, impressed by their handcrafted and expressive design. Pierre Yovanovitch expresses a long-standing desire for a rare and expensive Uno Ahren masterpiece, specifically his 1927 inlaid Mahogany Secretaire, admired for its flawless execution and unique Garden of Eden imagery. Nate Berkus laments multiple missed opportunities to purchase a Picasso ceramic owl. He first encountered one while working at an auction house in Chicago, unable to afford it then, and later saw others in Paris and on 1stdibs, observing its increasing value with each sighting. Miles Redd's most significant discovery is a mirrored bathroom by David Adler, found in a Chicago salvage warehouse. This unique piece, which he uses as both a bathroom and a dining room, holds special value due to its singular nature and the emotional connection it provides, making him feel as though he is 'inside of a diamond' every morning. Alexandra Champalimaud recalls admiring the Mattia Bonetti Rock dining table at a design fair, describing it as extraordinary and full of personality, but ultimately passed on it due to not having a suitable space. Martyn Lawrence Bullard shares an auction disappointment involving a Jacques Adnet Hermès Saddle leather daybed. Despite thorough research and a set budget, he missed the piece by two bids, regretting his hesitation and emphasizing the importance of passionate pursuit in auctions, as he has been unable to find a similar item since. Robert Couturier maintains a detached perspective on objects, viewing himself as a temporary owner and valuing history over intrinsic monetary worth. However, he holds a particular affection for a painting by Jean Baptiste Greuze depicting an angel. This piece, inherited from his great-grandfather and a constant presence in his grandmother's home, evokes profound memories of his upbringing and the love of his grandmother, offering a sense of 'bonheur' and timelessness. Michael Smith expresses his admiration for the Lovö chair, designed by Axel Einar Hjorth in 1932. He had bid on this dynamic and remarkably modern piece at auction but was unsuccessful, wishing he could have incorporated it into one of his classic yet modern projects. #InteriorDesign #FurnitureDesign #HomeDecor #Designers #LuxuryInteriors #ArtAndCollectibles #DesignStories #Acquisitions #LostOpportunities

The custom furniture design process offers a unique solution for homeowners seeking specific pieces that are not available through mass production. This process can range from customizing existing designs to creating entirely bespoke items tailored to individual needs and aesthetics. Several Dallas-based artisans and studios specialize in different levels of customization, providing a wide array of options for clients. The first tier of customization involves selecting an already designed piece from a maker's collection and then choosing specific details such as wood species, stain, dimensions, or finishes. For example, Scout Design Studio allows clients to customize elements like wood veneers and stains on their curated furniture options. This approach offers a balance between uniqueness and a more streamlined production process. Another level of customization involves updating vintage items. Many local furniture makers, including Scout Design Studio, source vintage pieces that can be refinished, reupholstered, or lacquered to meet a client's specifications. This option is often more affordable than commissioning a brand-new, fully custom piece, providing an eco-friendly and character-rich alternative for home furnishing. The most comprehensive form of custom furniture design is a fully bespoke piece. Here, a designer works closely with the client to create something entirely unique, starting from a concept, mood board, or even a basic sketch. The design process may involve detailed sketches, 3D renderings, or watercolor paintings to visualize the final product. The Collective, for instance, specializes in bespoke pieces that can incorporate creative functionalities, such as hidden dog beds or integrated wine fridges within credenzas, or even credenzas with TV lifts. This level of customization ensures the furniture perfectly fits the space, aesthetic, and functional requirements of the client. Commissioning custom furniture is generally more expensive than purchasing mass-produced items, with costs potentially ranging into the thousands or tens of thousands of dollars, depending on the complexity, materials, and finishes. The waiting period for custom furniture is also a significant consideration, as fabrication can take 12 to 14 weeks, with bespoke pieces requiring additional time for design approval. Artisans like Taylor Cunningham from The Collective maintain client engagement during this period by providing regular updates on the piece's progress. The extended timeframe is attributed to the less efficient, one-at-a-time production method. However, a key advantage is that custom pieces typically come fully assembled, with full-service, white-glove delivery often included, ensuring the item is placed exactly where desired. Dallas is home to several reputable custom furniture makers. The Collective offers interior design services, in-stock furnishings, and bespoke pieces, with options to customize everything from chairs to game tables. Scout Design Studio, which began with vintage refurbishing, now provides its own custom line and bespoke design services, alongside quick-ship items and home decor. CasitaDallas specializes in custom-upholstered pieces, wood tables, and case pieces, allowing clients to personalize finishes, fabrics, and dimensions. Madre focuses on colorful interior design and offers custom headboards, beds, daybeds, tables, and consoles. Childress Fabrics & Furniture, a long-standing family-operated business, specializes in traditional/transitional furniture and a vast selection of fabrics, including waterproof options for outdoor living spaces. Finally, The Wright Edge is known for modern, live-edge wood furniture, with owner Doc Wright emphasizing resin work and 3D designs, such as melting-effect countertops. These Dallas-based studios collectively showcase the breadth and artistry available in custom furniture creation. #CustomFurniture #FurnitureDesign #DallasArtisans #HomeDecor #BespokeFurniture #InteriorDesign #FurnitureMaking #ScoutDesignStudio #TheCollective

The article highlights several brick-and-mortar stores in the North Texas area where interior designers frequently shop for home decor, furniture, and accessories, offering a guide for consumers seeking high-quality and unique items. It emphasizes the enduring value of in-person shopping for home furnishings despite the prevalence of online retail, allowing shoppers to confidently assess their choices. Anthropologie is identified as a versatile destination, known for hip home goods, furniture, and accessories, including drapes for tall ceilings. Kim Armstrong of Kim Armstrong Interior Design praises Anthropologie’s drapes for their high-end appearance due to embroidery work and their affordability compared to custom options. The brand offers locations in Allen, Dallas, Fort Worth, Frisco, and Southlake, and customers are advised to check stock online or by phone. Arteriors Outlet, with locations in Dallas and Plano, is a source for stylish modern furnishings, lighting, and accessories at discounted prices. Lindsey Mathias of Lindsey Mathias Design notes that Arteriors' pieces are contemporary with an edgy twist, featuring interesting textures and forms. The presence of two local outlets ensures a wider selection for D-FW shoppers, complemented by a flagship showroom in Dallas. CB2, a Crate & Barrel sister brand located in Uptown Dallas, offers a mix of contemporary and vintage-inspired designs. Mathias recommends CB2 for whole-house furniture, accessories, and glassware, particularly for accent pieces, tableware, and seasonal decor that mimic one-of-a-kind or vintage finds. The article also suggests utilizing CB2's online platform for browsing before visiting the store. Empire Rugs in Southlake is highlighted by Ann Bridgman of Just the Thing Decorating as the premier source in the Metroplex for hand-knotted rugs. The store offers a wide variety of traditional, modern, tribal, and antique designs, coupled with exceptional customer service and competitive pricing. Shoppers can visit or make an appointment to explore the extensive collection. Inessa Stewart’s Antiques & Interiors, situated on Dragon Street in Dallas, specializes in European antiques. Kim Armstrong points out that Inessa Stewart and her husband personally curate a diverse inventory of styles, sizes, and price ranges, all directly imported from Europe. A unique service offered is the ability to alter finishes, allowing customers to customize pieces to their preference. Mecox, located in Inwood Village, Dallas, is praised by Lindsey Mathias for its blend of antique, vintage, and contemporary finds, original artwork, and custom creations. The store is an excellent option for those seeking quick updates, offering immediate availability and fast delivery services for furniture and accent pieces. Mathias particularly appreciates their selection of coffee table books. Muse on Slocum, also in Dallas, is recognized for its eclectic mix of antique and secondhand furniture, accessories, and lighting. Kim Armstrong describes the owner as having a discerning eye, curating high-end, unique items ranging from small vases to large armoires. Pieces from Muse on Slocum are said to elevate a home's style, making it feel luxurious and collected, as exemplified by Armstrong’s purchase of Ferrell Mittman chairs which were re-covered in a custom fabric. #HomeDecor #InteriorDesign #DallasFortWorth #ShoppingGuide #RetailStores #LuxuryHome #AntiqueFurniture

Austin's design landscape, traditionally celebrated for its architectural prowess with influences from Texas Rangers architects and contemporary figures like Craig Dykers, James Dodson, and Michael Hsu, is now experiencing a flourishing furniture design scene. This resurgence is fueled by the city's innovative environment, attracting creatives, particularly those with backgrounds in architecture and traditional design, to explore smaller-scale, more intimate projects. This article delves into the practices of three distinct furniture design companies—Muhly, Yucca Stuff, and Maček Furniture—to offer a comprehensive understanding of Austin's dynamic furniture design community. Muhly, established in 2021 by lifelong friends Ann Edgerton and Megan Carney, exemplifies contemporary design with a focus on both aesthetics and functionality. Their work, such as the Lindheimer Credenza, reinterprets classic pieces through modern lenses, showcasing natural wood grains and cross-sections. While primarily working with wood, Muhly also experiments with materials like steel for outdoor furniture, as seen in their powder-coated Lineage Bench and stainless steel Flecto Fire Pit. Their iterative design process, involving extensive hand drawings, has resulted in creations that have attracted significant public and professional interest, including collaborations with interior designers like Kelly Wearstler and commercial clients such as La Condesa restaurant. Yucca Stuff, founded by Daniel Morrison, embraces a Texas-centric sensibility, blending domestic hardwoods with unique materials like limestone. Morrison, an architect by training and a self-taught woodworker, explores the harmonious integration of contrasting materials. His design philosophy centers on finding the most aesthetically pleasing way for different materials to interact, evident in pieces like the Odessa Coffee Table and the Concho Table. These designs ingeniously resolve the interface between porous limestone and hardwood through innovative joinery. Yucca Stuff's success led to a collaboration with Design Within Reach in 2022 and features in DIOR's flagship New York store and across East Asia and the Middle East, highlighting the brand's global appeal and Morrison's continuous exploration of new materials, including Mexican lava stone. Maček Furniture, led by Mark Maček, boasts 28 years of experience, producing high-quality custom furniture. Maček, also initially from an architectural background, discovered a passion for the tangible nature of woodworking. His design ethos is rooted in functionality, which has evolved through years of custom work, yet he maintains a distinct level of craftsmanship. Collaborations with architects and designers, such as the Kathleen Desk created with Ann Tucker, demonstrate his ability to adapt his design language while retaining his signature style. Maček also dedicates time to academia, teaching wood design at The University of Texas School of Architecture (UTSOA), where he mentors young designers and imparts both the theoretical and practical skills of woodworking. A significant factor contributing to Austin's thriving furniture design scene is The Splinter Group, a large communal maker space in East Austin. This workshop accommodates 25 tenants and 40 artisans, serving as a hub for the region's leading furniture designers, including Muhly, Yucca Stuff, and Maček Furniture. The Splinter Group fosters an inspiring environment characterized by a free exchange of ideas and experiences. Mark Maček, as one of the wood shop’s three managers, emphasizes the critical importance of such affordable and collective spaces for woodworkers, metalworkers, and ceramicists. He highlights that craftsmanship is inherently communal, with designers relying on a local network of makers, suppliers, and enthusiasts to push the industry forward. #AustinDesign #FurnitureDesign #Woodworking #CustomFurniture #MaterialInnovation #DesignCommunity #Craftsmanship #InteriorDesign #TexasDesign

The article profiles the interior design firm Breckinridge Taylor, founded by Charles Taylor and Breck Woolsey, focusing on their return to Dallas from California and their impact on the local design scene. Both designers, originally from Texas, met in San Diego and decided to establish their business in Dallas, citing the city's abundance of opportunities for small businesses. They experienced initial delays in launching due to their ongoing individual projects but eventually succeeded in forming their company. Breckinridge Taylor is noted for its collaborative style, which blends vintage aesthetics with an eclectic mix of traditional, midcentury, and contemporary elements. The designers incorporate unexpected shapes and finishes into their work. Taylor describes his style as more contemporary, often mixing it with midcentury modern pieces, while Woolsey combines traditional and midcentury modern with Hollywood Regency influences. They aim to introduce current design trends to Dallas, often drawing from what is popular on the coasts or their personal tastes. Beyond their interior design services for residential and commercial spaces, such as the Osgood O’Neil salons, Breckinridge Taylor has ventured into furniture design. They collaborated with Mecox to create a line of 70 wood furniture pieces available in various finishes and also designed a rug collection sold at Interior Resources. Additionally, they have created special edition Lucite furniture for Plexicraft and will soon feature their updated vintage pieces at Again & Again. They have also launched a separate furniture line called Whilom Inc., which will soon be available at Mecox. On the commercial front, the duo has completed the interior design for John Tesar’s Spoon restaurant in Preston Center. They credit their success to the support and endorsement of bloggers, tastemakers, and influencers. Both designers expressed admiration for the architecture and innovative design of the Perot Nature and Science Museum, which they view as an example of the originality they hope to see more of in Dallas. The Design District in Dallas is highlighted as their favorite area, recognized for its comprehensive resources for designers and its potential for future growth with new restaurants, living spaces, and hotels. The article also mentions their participation in charitable events, including a Habitat for Humanity competition and a Dwell With Dignity event, demonstrating their engagement with the local community. #InteriorDesign #HomeDecor #DallasDesign #BreckinridgeTaylor #FurnitureDesign #CommercialDesign #VintageModern #EclecticStyle #TexasDesigners

Childress Furniture and Fabrics, a prominent Dallas-based family business, stands as a comprehensive resource for design needs, specializing in fabrics but also offering bespoke furniture and custom soft furnishings. The company's origin story dates back to 1958 when Barbara and Eugene Childress, en route from Chattanooga to California, settled in Dallas after their car broke down. They initially worked at Olive & Myers Manufacturing, a furniture company, before establishing their own upholstery business on Forest Avenue. Their entrepreneurial spirit and strong work ethic were evident early on, as they swiftly relocated and resumed operations on the same day an electrical fire forced them out of their Canton Street location. The business, initially focused on upholstery, saw significant expansion and evolution under the guidance of the Childress family's six children: Mike, Brian, Sherry, Debbie, Kenny, and Kristi. A pivotal moment occurred in 1989 when Mike, realizing a demand for customers to physically interact with larger fabric samples, proposed opening a dedicated fabric store. This led to the acquisition of a warehouse at 2512 Ferris Street. Despite initial trepidation about the financial commitment, the new store quickly garnered success, necessitating the expansion into the entire warehouse space and establishing a new entrance on Good Latimer. This expansion also allowed Childress to further develop its custom furniture building services. Recognizing that many clients were remodeling existing furniture, the family ventured into creating new pieces. They innovated by displaying sample furniture frames upholstered in white, enabling customers to visualize their custom designs and fostering trust. Over the years, Childress has navigated both triumphs and hardships, including the passing of Mike in 2017, but has consistently operated as a close-knit unit. Each family member has found their specific role within the company, with Kenny managing the Dallas store, Brian overseeing the workroom, Debbie running the Addison store, and Kristi handling bookkeeping. Barbara Childress, the matriarch, continues to maintain an oversight role. Today, Childress Furniture and Fabrics is known for its extensive selection of velvets, linens, silks, and leathers, as well as its custom capabilities in draperies, pillows, bedding, sofas, chairs, and headboards. The business emphasizes customer relationships, often transforming clients into long-term friends. Visitors to the Dallas store on Good Latimer might encounter Kenny's wife, Nancy, or long-time employee Kottun Cottongame, reinforcing the family-oriented atmosphere. The presence of family pets like Turbo and Kaizer further contributes to the welcoming and unique environment that has made Childress Furniture and Fabrics a beloved institution in the Dallas design community for decades. #ChildressFurniture #FamilyBusiness #DallasDesign #CustomUpholstery #FabricStore #InteriorDesignResources #FurnitureManufacturing #EntrepreneurialJourney #HomeDecor

The article explores various interior design styles and introduces several Dallas-Fort Worth (D-FW) designers who specialize in each. It emphasizes the importance of identifying one's personal style as the initial step in finding the right interior design professional, given the diverse talent available in North Texas. The article segments popular interior styles into Traditional, Eclectic, Modern, and Transitional, providing insights into each aesthetic and highlighting local experts. Traditional design is characterized by 18th and 19th-century influences from England, France, and Italy, often incorporating elements from Asia like chinoiserie. Key features include darker woods, ornate trim, and layered textiles. Contemporary interpretations of traditional design focus on comfort and inspiration, as seen in the work of Lisa Henderson of Lisa Henderson Interiors, who mixes styles and travel finds for a fresh approach. Emily Larkin of EJ Interiors prefers antique pieces with clean lines and incorporates botanical art and floral fabrics. Lindley Arthur of Lindley Arthur Interiors, who also owns a space at Antique Row, emphasizes personalized design through unique antique finds and avoids repetitive aesthetics, often using French and Italian antiques, hand-blocked textiles, and textured wallcoverings. Laura Lee Clark Falconer of Laura Lee Clark Interior Design combines classical architectural proportions with modern art or furnishings, sometimes adding Asian influences. Eclectic interior design is defined by layered interiors, vibrant colors, unexpected fabric combinations, and global influences. It is a challenging style to master due to its lack of a fixed formula, aiming to reflect a client's unique personality. Shauna Glenn of Shauna Glenn Design is a maximalist who champions bold color use, frequently mixing patterns and incorporating black-and-white accents. Javier Burkle of Burkle Creative blends old and new elements through layering techniques, resulting in cozy, masculine spaces that often feature windowpane checks, pinstripes, and significant personal mementos. Kim Armstrong of Kim Armstrong Interior Design integrates clients' personal collections and heirlooms, advocating for designs based on individual preferences rather than trends, and uses Lucite, vintage textiles, and vibrant patterns. Modern interior design prioritizes simplicity and functionality, with clean lines, natural materials, and open floor plans, encompassing midcentury modern and Scandinavian influences. Designers like Mil Bodron of Bodron/Fruit draw inspiration from design masters like Eames and Le Corbusier, focusing on scale, composition, and proportion while eschewing fleeting trends. Joshua Rice of Joshua Rice Design developed his style through exposure to sophisticated modern architecture, believing every item in a space should serve a functional, intriguing, or aesthetic purpose. Ginger Curtis of Urbanology Designs adopts a relaxed modern approach, blending organic, biophilic elements and juxtaposing vintage pieces with modern artwork to create dynamic, layered environments. Transitional interior design offers a balance between traditional and modern aesthetics, featuring clean lines, soft curves, warm colors, curated accessories, and architectural lighting. This style is adaptable and ever-evolving, often incorporating vintage or antique accents. Shannon McGough of Poppy McGough Design House, drawing from her hospitality design background, simplifies spaces using neutral palettes, natural materials like iron, wood, and stone, and incorporates distinctive lighting. Philip Vanderford of Studio Thomas James favors a restrained, contemporary approach, using bold colors and unique furniture silhouettes, with art serving as a narrative element. Christina Garcia Lysaught of Layered Dimensions Interior Design notes the evolving nature of transitional styles, combining modern warmth with tailored traditional elements to create streamlined, up-to-date looks. #InteriorDesign #DallasDesigners #HomeStyle #TraditionalDesign #EclecticDesign #ModernDesign #TransitionalDesign #NorthTexas

The article introduces "digital antiquing" as a burgeoning trend, aligning with a broader interest in "grandma hobbies" such as crocheting and plant care. This modern take on antiquing allows individuals to explore and purchase vintage and antique items for their homes from the convenience of their digital devices. The practice combines the nostalgic charm of traditional antiquing with the accessibility of online platforms, enabling enthusiasts to discover unique pieces that add character and history to their living spaces. For those new to digital antiquing, the article advises starting with lower-risk items such as lighting, rugs, and decorative accessories like vases. These items are generally easier to integrate into a space, are less likely to pose significant measurement challenges, and represent a smaller financial commitment. When considering larger upholstered pieces like sofas, a more thorough approach is recommended. Prospective buyers should meticulously measure their available space, understand desired seat heights and cushion comfort, and request as many detailed photos and specifics from sellers as possible, given the inability to physically inspect the item beforehand. The article then curates a list of online platforms and retailers where individuals can engage in digital antiquing. Olive Ateliers is highlighted as a celebrity-favored marketplace known for importing vintage treasures and antiques from around the world, with new pieces arriving weekly. Claude Home is presented as an online gallery suitable for decorators who appreciate a blend of vintage and modern aesthetics, offering collectible vintage items, contemporary art, and a diverse selection of furniture, lighting, mirrors, and decor. Etsy is recognized not only for handmade goods but also as a significant source for antiques and vintage items, often sourced from private sellers. The platform's "Vintage Home Decor" section and specialized categories like vintage glassware are particularly noted. eBay, a well-known auction site, is identified as a valuable resource for finding specific vintage furniture pieces, allowing users to search by keywords, decades, and bid on items. One Kings Lane offers a vintage section alongside its contemporary high-end furniture and decor, enabling users to filter by specific styles such as French Parlor or English Library. Jayson Home features a dedicated vintage section with hundreds of furniture and decor items, including a unique "Curiosities" category. Rejuvenation stands out for its curated selection of antiques and vintage furniture across various historical styles, with the added benefit of restoration services. 1stDibs is showcased for its extensive inventory, boasting over a million furniture listings, and provides comprehensive filtering options by period, style, material, and origin. Everything But The House is an online estate sale auction marketplace, offering unique pieces and deals similar to physical estate sales, with the convenience of online bidding and manufacturer-specific searches. Mid-Century Mobler specializes in midcentury modern furniture, importing hand-selected pieces from various European countries. Finally, Chairish is presented as a more budget-friendly alternative to 1stDibs for vintage furniture, while AptDeco provides a streamlined platform for individuals to sell and buy used furniture locally, akin to an organized online garage sale with integrated delivery services. #DigitalAntiquing #VintageFurniture #HomeDecor #OnlineShopping #AntiqueCollecting #InteriorDesignTrends #GrandmaHobbies #FurnitureShopping #UniqueFinds

Texas Design Week Houston will host a panel discussion on Thursday, April 17, from 11 am to 1 pm, at Ann Sacks, focusing on the importance of decorative arts in interior design. The panel features prominent figures in the decorative arts world: Guillaume Féau of Féau Boiseries Paris, master verre églomisé artist Miriam Ellner, and designer Sara Story. The event includes an illustrated talk, book signings, and cocktails, and is part of the broader Texas Design Week Houston schedule. Guillaume Féau represents Féau Boiseries, a Parisian company established in 1875 known for preserving and recreating centuries-old wood paneling. The firm possesses an extensive collection of antique decorative paneling, including fragments from Napoleon’s office and pieces by notable designers such as Jansen, Emilio Terry, Alberto Pinto, Madeleine Castaing, Jacques-Émile Ruhlmann, and Jean-Michel Frank. The archive also contains historical elements like rooms designed for Madame de Pompadour and 18th-century chinoiserie panels. Féau Boiseries has collaborated with leading interior designers including Jacques Garcia, Jean-Louis Deniot, and Michael S. Smith, and their work has adorned the homes of influential patrons like Henry Frick, Henry Ford, and the Getty family. Under the leadership of Guillaume Féau and Angélique Féau-Leborgne, the company is expanding its presence in the United States with a new showroom in New York City’s D&D Building, aiming to provide easier access to their archives and reproduction panels spanning from the 17th century to the Art Deco period. Miriam Ellner, a master of verre églomisé, will also participate. Her artistry involves transforming plain glass into intricate decorative pieces using techniques like gilding, painting, and applying layers of gold and silver leaf, powdered potions, and other materials. Her New York City studio, where she works with a team of artists, produces custom wall panels, doors, ceilings, decorative screens, tables, mirrors, and abstract art. Ellner’s work is highly sought after by top designers such as Michael S. Smith, Bunny Williams, Emily Summers, and Peter Marino. She is recognized globally as a leading practitioner of verre églomisé, as highlighted by Glenn Adamson, former director of the Museum of Arts and Design. Her new book, “Golden Glass: Verre Églomisé,” showcases her unique artistry and experimental approach. Ellner's training includes a century-old art school in Brussels, where she learned decorative painting, gilding, trompe l’oeil, and the preparation of materials, followed by specialized training in verre églomisé with Frances Binnington in London. Sara Story, a Houston native based in New York City, has established an international design practice with projects worldwide and her own lines of lighting, wallpaper, and furniture. She is included in the AD 100 list and has been featured in numerous design and lifestyle publications. A significant career milestone was the 2014 feature in Architectural Digest showcasing the contemporary Hill Country ranch house she designed with Lake/Flato. Story is also deeply involved in the art world, serving on the Board of Ballroom Marfa, a founding member of Proyecto Dracula, and a Board of Trustees member for the New Museum, as well as a member of the Guggenheim Museum’s International Director’s Council and the Design Leadership Network. #TexasDesignWeek #DecorativeArts #InteriorDesign #GuillaumeFeau #FeauBoiseries #MiriamEllner #VerreEglomise #SaraStory #DesignPanel #LuxuryInteriors

Patrick Parrish, a renowned dealer in high-end design, reflects on his decades-long career, which began with buying furniture from the back of trucks at the sprawling Chelsea flea markets. He discusses how the flea market landscape has changed significantly since the pre-internet era, noting the decline of New York's once-vibrant scene, which previously attracted celebrities like Andy Warhol. In contrast, he highlights that Los Angeles still maintains a strong flea market culture, largely due to venues like the Rose Bowl, which benefit from favorable weather and ease of access for car owners, unlike the aggressive, weather-dependent environment of New York. Parrish, now with a young son and ongoing home renovations, no longer engages in early morning buying trips. Instead, he shares his accumulated wisdom in his book, "The Hunt: Navigating the Worlds of Art and Design," published by Powerhouse Books. This book offers advice for both novices and seasoned collectors, including a strategic tip to always ask to use a dealer's bathroom to discreetly scout for hidden inventory. He explains that his current method of sourcing pieces is less about physical excursions and more about discerning opportunities, such as selling specific pottery pieces to fund bathroom tile for his own renovation, illustrating the fluid nature of his business. The discussion also touches upon various design trends and predictions. Parrish expresses a nuanced view on the Memphis Group, a postmodern Italian design movement, acknowledging its cyclical revivals while humorously recalling its original production and subsequent re-emergences. He candidly admits his inability to consistently predict the "next big thing" in design, citing past instances where he overlooked valuable pieces, such as Paul Evans's brutalist metal furniture, which now commands high prices. He speculates that the next trend might transition from Memphis to streamline American and European design from the 1910s, particularly Italian futurist styles, which are characterized by colorful yet severe aesthetics and the use of real materials over laminates. Fashion at flea markets is another topic addressed by Parrish, who advises on wearing layers due to unpredictable weather and dressing appropriately to avoid affecting negotiation outcomes. He explains that dealers, including himself, can often gauge a buyer's financial capacity based on their attire, influencing price discussions. For instance, high-end clothing or accessories worn by a buyer can make dealers less inclined to lower prices. Parrish also shares personal anecdotes, including missing out on a valuable Frederick Weinberg plaster wall light in the 1990s and his experience acquiring exclusive Tom Sachs Mars Yard Nikes. He notes the unique ethos behind the Nikes, where the artist encourages wear and tear over pristine preservation or resale. A significant point of discussion is the underrepresentation of women designers in the art and design world. Parrish expresses his frustration with the imbalance, actively seeking recommendations for talented women designers to feature in his gallery. He acknowledges the difficulty in finding them, often resorting to platforms like Instagram to discover emerging talent. Finally, he offers practical advice on dumpster diving and sidewalk finds in New York City, cautioning against upholstered items due to bedbug concerns but encouraging the retrieval of solid, non-gross furniture if no one is around, drawing from his own experience of finding a stool recently. #DesignDealer #FleaMarket #DesignTrends #CollectingArt #VintageFurniture #NewYorkDesign #MemphisGroup #InteriorDesign #PatrickParrish

Located in Highland Park, Dallas, this home, curated by Ashby Collective, showcases a blend of eclecticism and modern luxury, transforming a blank canvas into a space with a distinctive identity. The design approach, termed "Highland Park Eclectic," reflects the neighborhood's luxurious charm and the homeowner's sophisticated yet playful style, according to Annie Bacon, senior designer at Ashby Collective. The homeowner, originally from the UK, sought to infuse the modern architectural base with timeless personality and a collected, refined yet inviting feel. The client provided inspiration combining vintage rugs layered under modern classic furniture, playful silhouettes, and rich textures. The primary living room exemplifies this fusion, featuring vintage elements like a traditional woven rug alongside mid-century leather furniture and luxurious marble, further enhanced by a Santa & Cole Tekio Circular Chandelier. The dining room continues the theme of contrasting styles, pairing classic furnishings with contemporary pieces. A large-scale Persian-style rug introduces warmth and intricate patterns, while modern dining chairs in a bold red provide a striking contrast. An abstract pendant light adds a modern edge and luxury, complementing the 18th-century hewn oak dining table and art pieces. The designers emphasized the use of rich tones and layered textures, meticulously curating furnishings and decor, blending classic modern furniture with organic lines to achieve effortless elegance and a timeless aesthetic. The second living area features vibrant colors, with yellow velvet armchairs and striking wall art. The space feels both elevated and uplifting, with a patterned rug adding warmth against the yellows and pale wood. The artfully arranged bookshelf displays meaningful decor, contributing to the room's accomplished design. Various forms of wood, including an abstract coffee table, introduce a modern organic touch. The designers sourced unique pieces globally, including quirky artifacts, bold artwork, and beautiful books, to create a home with soul, sparking curiosity and conversation. The kitchen, designed in a chic sage green (Benjamin Moore's Cabin Fever), balances luxury finishes with warmth. A quartzite counter and backsplash tie into the home's sophisticated grandeur. Wooden elements, such as midcentury modern bar stools and rustic chopping boards, add patina and warmth, while contemporary lighting by Holly Hunt integrates old and new seamlessly. The guest bedroom, with its warm color scheme of yellows, soft oranges, and warm browns, offers comfort and luxury. It features rich textures, including a velvet-upholstered bed, drapes, plush cushions, and soft carpet, balanced by a dramatic ebonized dresser. Annie Bacon noted her favorite space as the primary suite, describing it as a moody sanctuary. The bedroom is enveloped in woven chambray-colored grasscloth wallpaper, creating depth and softness. A custom 14-foot-wide walnut bed with integrated nightstands anchors the room, balancing the vaulted ceiling. A silk-patterned rug and pink velvet loveseat introduce whimsy and romance, resulting in a glamorous, organic, and intimate space. The en-suite bathroom, a complete reimagination, features pale pink limewash walls, striking blue marble tiles, and a fusion quartzite countertop. Custom-stained oak cabinetry, dark plaster walls, exposed polished nickel plumbing, and Belgian bluestone floors create a luxurious retreat. The media room is a vibrant, monochromatic pink space, painted in Benjamin Moore's Roman Shade, showcasing the client's openness to bold choices. The music room blends contemporary design with vintage inspiration, featuring a classic Eames lounge chair and ottoman, a 1970s-inspired geometric rug, and brass accents, evoking a luxurious, retro ambiance. The overall design by Ashby Collective is an eclectic work of art, merging vintage furniture and angular shapes with soft materials and luxurious finishes, embodying a "loud luxury" trend that is fun, luxurious, and comfortable. #HomeDesign #EclecticInteriors #LuxuryLiving #TransitionalDesign #VintageDecor #ModernFurniture #DallasHomes #InteriorDesign #AshbyCollective

This comprehensive guide highlights some of Nashville's premier home decor establishments, catering to a diverse range of styles and needs, from artistic pieces and framing services to unique gifts and furniture. It features six distinct businesses, each offering specialized products and services that contribute to enriching a living space. Bennett Galleries, established in 1978 in Green Hills, specializes in custom archival framing and features a curated collection of fine art from both established and emerging artists. They are recognized for their expertise in providing framing solutions for various art types and settings, from formal to modern. The gallery also offers an exceptional selection of art available for viewing on their website, serving interior designers and homeowners seeking unique artistic additions. COLOR, located in the White Bridge neighborhood and operating since 2005, is presented as a distinctive home decor and gift destination. This store emphasizes a personalized shopping experience, assisting customers with hostess gifts, bridal registry setups, and designing elaborate tablescapes. COLOR's inventory is dynamic, continually changing to include various home accessories, lighting fixtures, dinnerware, and other items, with a price range of $10-$400, offering options to refresh living spaces and find meaningful gifts. Epergne, situated in Belle Meade, offers an exquisite selection of tabletop items, ceramics, china, and fine table and bed linens. The store's collection is inspired by the extensive travels of its owners, Laura Chadwick and Susan Dyke. Epergne stocks prominent brands such as William Yeoward Crystal, Matouk, Juliska, John Derian, Gien, Agraria, and Mz Wallace, making it a go-to spot for unique gifts and elegant home essentials that are not commonly found elsewhere in the city. Ed Nash Studio, based in East Nashville, showcases the work of London-native artist Ed Nash. Nash, an alumnus of Reading University with a background in Fine Art and Psychology, creates large acrylic paintings characterized by vivid color transitions that evoke landscapes and deeper emotions. His abstract yet approachable pieces are suitable for various environments, from corporate installations to residential dining rooms. As an art appraiser, Nash also assists clients in finding the perfect placement for their art, highlighting his dual role as an artist and a consultant. GasLamp Antiques & GasLamp Too, located in the Design District/100 Oaks, is renowned as one of Tennessee's largest antique malls. It is a favored destination for designers, artists, and home decor enthusiasts seeking unique and salvaged items. The stores maintain a constantly updated inventory that includes furniture, art, and jewelry, ensuring a fresh array of discoveries for those looking to add distinctive touches to their homes or wardrobes. Margi’s Furniture & Design in Green Hills provides a blend of elegant and modern furniture with eclectic and timeless decor. The store offers a carefully curated selection of home furnishings alongside personalized interior design services. Whether customers are searching for a specific piece of furniture, decor, or guidance on fabric choices, Margi’s aims to fulfill diverse home design needs, further enhanced by convenient parking facilities. #NashvilleHomeDecor #InteriorDesign #ArtGalleriesNashville #AntiqueStores #FurnitureStores #TabletopDecor #LocalArtistsNashville

Robert Highsmith and Stefanie Brechbuehler, the husband-and-wife founders of the design firm Workstead, have curated their living room with a collection of "unexpected heirlooms." Mr. Highsmith, 43, is described by Ms. Brechbuehler as the couple's lead collector, whose passion has filled their home with objects reflecting his thoughts, loves, and curiosities. Ms. Brechbuehler, 47, finds inspiration in being surrounded by these meaningful pieces, which range from ancient urns to midcentury modern furniture. The couple relocated from a farmhouse in Salisbury, Conn., to Charleston, S.C., and strategically displayed their favorite finds in their living room for daily enjoyment. The article highlights three key items that contribute to the unique ambiance of their living room. The first is an "Easy Upgrade" item: a weeping fig tree priced at $395 from Hyams Garden and Accent Store. The couple emphasizes the technique of using a large-scale plant or branches that touch the ceiling to create a lively and enveloping atmosphere. This “scale trick” is consistently applied in their designs, providing an unexpected visual element that pulls a room together. They purchased a nine-foot-tall weeping fig tree shortly after moving to Charleston, illustrating their commitment to this design principle. The second featured item is a "Splurge": a 19th-century boat bench priced at $2,800 from Obsolete. Mr. Highsmith has admired Obsolete in Los Angeles since his student days, finding inspiration in its curated vignettes. After establishing Workstead, he acquired this storage bench, salvaged from a boat and made of chestnut. Its wave and scroll forms, along with its practical utility—featuring doors to contain clutter—appealed to him. The bench currently serves as storage for family board games and a seating area with a view of a park, demonstrating its multifaceted functionality and whimsical quality. The third unique item is an "One of a Kind" antique weather vane from Eldred’s auction house. Mr. Highsmith’s collection includes objects chosen for their essential geometric shapes, which have influenced his light fixture designs at Workstead. Among these pieces are a rusted metal cone, a spherical iron form for casting glass floats, and a marble cylinder used as a pedestal. The timeworn weather vane from Nantucket, crafted from cedar shakes with a galvanized steel nose cone, is a particular favorite. Mr. Highsmith appreciates its beauty as a sculpture and its past functionality, noting how its new context in his living room brings delight to both the couple and their guests. #InteriorDesign #HomeDecor #Workstead #CollectingArt #AntiqueFurniture #HomeStyling #RealEstate #CharlestonLiving

This article explores where San Francisco's leading interior designers source furniture, offering insights into a range of options from antique markets to high-end showrooms. It highlights the value of in-person shopping for furniture, allowing individuals to experience materials and comfort firsthand, contrasting it with online marketplaces like Facebook Marketplace. The piece acknowledges the broad spectrum of furniture options available in San Francisco, from luxurious showrooms such as the San Francisco Design Center to more accessible options like Stuff by Luxe, which is set to reopen. Nine prominent San Francisco interior designers share their preferred destinations for furniture acquisition. Noz Nozawa of Noz Design frequently visits the Alameda Point Antiques Faire on the first Sunday of each month. This vintage market features dealers from across the West Coast, offering a variety of items from furniture to jewelry. Nozawa recounts a notable find of midcentury chairs for $60 each, later discovering their significantly higher value as original Maurice Pre designs. Emilie Munroe, founder of Studio Munroe, recommends Arden Home in Hayes Valley for its diverse selection and custom order capabilities, particularly praising their uniquely shaped beds. She recently furnished a residential project in Paris using pieces from this store. Kendall Wilkinson of Kendall Wilkinson Design is a regular at Coup d’Etat in the Design District, describing it as an immersive gallery rather than a showroom. This store is known for its bold and sculptural pieces, including hand-blown glass light fixtures and solid steel vanities, making it Wilkinson's choice for unique and statement-making items. Heather Hilliard of Heather Hilliard Design suggests Bright on Presidio in Presidio Heights for its collection of functional and distinctive light fixtures sourced globally, with a particular fondness for Christiane Perrochon’s table lamps. Anu Jain of Atelier Oleana recommends March, a home goods store in Presidio Heights, for high-quality kitchenware and living room accents, valuing its thoughtfully crafted glassware, ceramics, and linens. She views March not only as a resource for her projects but also for thoughtful gifts. Marea Clark of Marea Clark Interiors, known for creating comfortable residential spaces, favors Hewn in the Design District for its timeless and classic pieces. She notes the showroom's curation of exceptional manufacturers and diverse selection of furniture, fabrics, lighting, and rugs from eclectic designers. Eva Klein of Loczi Design, whose projects span various styles, highly recommends Kneedler Fauchère within the San Francisco Design Center for contemporary furniture and unique fabrics that elevate a space. This wholesaler offers art, accessories, furniture, and lighting. Kristen Peña of Kristen Peña Interiors suggests The Future Perfect in Pac Heights, which collaborates with artisans to produce unique items ranging from candlesticks to sofas, providing an experiential shopping opportunity. Lastly, Tineke Triggs of Tineke Triggs Interiors, with three decades of experience, frequently sources from The Perish Trust, a “modern day general store” near the Painted Ladies, appreciating its curated selection of plates, artwork, and mugs by local artisans that provoke conversation. #InteriorDesign #FurnitureShopping #SanFrancisco #HomeDecor #AntiqueMarkets #DesignShowrooms #LocalRetailers #ProTips

Colton Dixon Winger, cofounder and owner of the styling agency Cuniform, has expanded his expertise from personal wardrobe curation to sustainable home design. Winger’s approach, rooted in the philosophy of repurposing existing items and sourcing vintage or pre-owned goods, mirrors his successful strategy in fashion. His venture into interior design began with "rearranging services," where he would reorganize a client's current furniture and decorative items to create more cohesive and intentional spaces. This hands-on method stems from his lifelong interest in architecture and interior arrangement, a passion he cultivated since childhood by constantly reconfiguring his own room. Now, Cuniform Interiors operates with a dedicated head of design, Bethanie Jones, and offers comprehensive services, including 3D renderings, structural modifications, and full kitchen remodels. A significant challenge in this expansion has been adapting the sustainable ethos from clothing to home furnishings, as the logistics of transporting and sourcing larger items differ considerably. However, the core principle remains consistent: prioritize what a client already possesses and, when new items are necessary, seek out sustainable and second-hand options. One notable project involved Mia Malave, a long-standing styling client of Cuniform, who sought Winger’s help when moving into a midcentury modern home in West Seattle. Malave desired an open, interconnected living space where conversations could easily flow between the living room, dining room, and kitchen. Her existing kitchen, however, was enclosed by walls and low-hanging cabinets, obstructing the desired open-plan feel. Winger collaborated with Casual Surveying Co., a local design-build firm, to dismantle these barriers, creating an open-concept kitchen furnished with midcentury-appropriate walnut cabinets and a central oak island. For Malave's guest room, Winger skillfully repurposed her existing rug, table, and other decor, augmenting them with unique finds like a vintage metal ladder from Epic Antique to serve as a blanket holder. The furniture for the ground floor was meticulously sourced, with nearly every piece being vintage or recycled. This commitment to intentional, sustainable sourcing often requires patience, as clients may need to wait longer for the perfect, ethically acquired item rather than settling for readily available new products. For instance, a Parisian desk was acquired from local antique dealer Kassie Keith, and a large bamboo dining table was found on Craigslist for a mere $100, complemented by refurbished German chairs. After several attempts to find a suitable sofa, Bethanie Jones located an investment-quality 1970s Milo Baughman piece from her warehouse, which became a central element in Malave’s living room. Malave, still searching for a coffee table, has embraced the deliberate pace and vintage aesthetic, acknowledging that her preference for timeless, well-preserved older items aligns perfectly with the midcentury character of her home. The process highlights Cuniform's dedication to functional design and conscious consumption, demonstrating that beautiful, meaningful spaces can be created through thoughtful selection and repurposing rather than relying solely on new purchases. #HomeDesign #InteriorDesign #SustainableDesign #VintageFurniture #MidcenturyModern #Repurposing #ConsciousConsumption #WardrobeCurator #SeattleInteriors

This article, part of Business of Home’s "Shop Talk" series, features Ariene Bethea, owner of Dressing Rooms Interiors Studio in Charlotte, North Carolina. Bethea, who began her retail journey by reselling vintage furniture online before opening her brick-and-mortar store in 2013, discusses her unique approach to retail and interior design. Her shop is curated to feel like a home, encouraging customers to visualize how vintage and antique pieces, mixed with contemporary accessories, can be incorporated into their own spaces. Bethea sources her inventory primarily from estate sales, online auctions, antique markets, and flea markets, while also working with upholsterers and vendors for custom pillows, coffee table books, and candles, maintaining a balance between old and new items with a strong emphasis on vintage finds. The typical customer base for Dressing Rooms Interiors Studio is split evenly between industry professionals, such as interior designers, and regular consumers. The demand varies depending on the specific vintage piece, with designers often seeking items for clients and individual customers purchasing items they love for their own homes. Bethea highlights Faire as a favored vendor platform, which connects her with handmade and small-batch items from various makers across the country, allowing her to support woman-owned and minority-owned businesses. Coffee table books, particularly those featuring Black designers, are consistent bestsellers, indicating a strong market for niche and culturally specific items. Her current favorite item in the shop is a five-piece, cream-colored 1980s Henredon Folio modular sofa, which she considers her best find. Reflecting on her journey, Bethea advises her past self to always "buy what you love," a principle she adopted early on despite pressures to stock neutral colors in previous multi-merchant spaces. This commitment to her personal aesthetic has been crucial to her brand's identity. One of her biggest daily challenges is balancing the demands of sourcing unique products for the shop with her interior design services. She maintains distinct sourcing strategies for each, seeking one-of-a-kind vintage and handmade items for her store and different manufacturers for clients. The existential challenge for her business lies in the constant pressure to introduce new-vintage items or products weekly to keep the store fresh, a task that requires continuous searching and effort. Bethea wishes customers had a better understanding of the cost and effort involved in sourcing, hauling, cleaning, and sometimes recovering vintage items. She explains that the price reflects not only the materials but also the labor and expertise required to find and prepare these pieces, especially those in excellent condition. She also advocates for customers to embrace more color in their homes, moving beyond popular neutrals like gray and navy, and encourages them to appreciate the quality difference between mass-produced items and the carefully selected, well-made products in her shop. She explains that while a $20 pillow from a big-box store might seem appealing, its longevity and quality significantly differ from a $200 down-filled pillow from a specialty shop. Regarding the Charlotte market, Bethea notes that local customers tend to prefer neutrals, contrasting with buyers in other states who are more open to colorful and patterned vintage pieces. Despite this, she has successfully cultivated a customer base that appreciates her vibrant aesthetic. Bethea expresses optimism for the future of small businesses, particularly after the pandemic highlighted their importance to local communities. She believes that small businesses, which offer unique and local experiences often sought by travelers, will continue to thrive with increased support from cities and local communities. The article underscores the value of personalized curation, quality, and a unique vision in the competitive retail landscape. #ShopTalk #RetailBusiness #InteriorDesign #VintageFurniture #SmallBusiness #Entrepreneurship #CharlotteNorthCarolina #HomeFurnishings #CustomerExperience