The Luxurious Design Feature David Bromstad Is Always On The Look Out For

David Bromstad, a prominent figure on HGTV, known for his shows like 'Design Star,' 'Color Splash,' and 'My Lottery Dream Home,' advocates for a specific design trend in kitchens: white kitchens. Having won 'Design Star' and hosted multiple successful series, Bromstad has extensive experience and influence in the interior design world. His current show, 'My Lottery Dream Home,' highlights his talent for identifying both desirable homes and compelling narratives. Bromstad has also participated in other HGTV productions such as 'Rock the Block,' but 'My Lottery Dream Home' remains his most recognized work. Bromstad consistently advises his clients on 'My Lottery Dream Home' that white kitchens are a popular and stylish choice. In a recent episode from the 17th season, he enthusiastically pointed out the features of a "deliciously white kitchen," including its color scheme and elements like open shelving. Despite some differing opinions among other HGTV personalities regarding white kitchens, Bromstad maintains that they are very much in vogue. However, Bromstad emphasizes that merely having a white kitchen is not sufficient; it requires thoughtful execution to avoid appearing cold or sterile. He suggests incorporating warmth and texture through various methods. One simple yet effective technique is the integration of wooden elements, such as wooden shelves, which can instantly make a kitchen feel cozier. He also recommends using cabinets to store items that do not align with the white aesthetic, thereby maintaining a clean and open appearance in the space. According to Bromstad, the key to a successful white kitchen lies in moderation and attention to detail, preventing it from looking bland. In addition to white kitchens, Bromstad endorses manufactured quartz countertops as another crucial component of this trend. He views manufactured quartz as the optimal choice for countertops, citing its durability and ease of cleaning, which make it ideal for daily use and cooking activities. While quartz is available in various shades, white is the most frequently used. Bromstad has been observed praising manufactured quartz on his show, describing it as "indestructible" and expressing a desire to extend its use beyond just island countertops to the main counter spaces. He firmly believes that manufactured quartz is a timeless and enduring material for kitchen design. Bromstad's design philosophy extends beyond kitchens to other areas of the home. He champions the use of wallpapers with distinctive personalities to add depth and character to rooms, drawing on his expertise in color. He also highlights the importance of wood elements, whether in the form of window shutters or ceiling beams, to introduce warmth throughout a home. Above all, Bromstad encourages individuality and personal expression in design. He recommends accent furniture to infuse a home with personality and suggests that even exterior elements like landscaping and shutters can significantly enhance a house's overall appeal. Bromstad asserts that these design trends, particularly white kitchens paired with manufactured quartz countertops, are essential for anyone looking to update their home's aesthetic. #DavidBromstad #HGTV #InteriorDesign #KitchenDesign #WhiteKitchens #QuartzCountertops #MyLotteryDreamHome #HomeDecor #DesignTrends

Daniel Boddam, an Australian architect and designer, leads his eponymous studio in Sydney, focusing on creating spaces and furniture that inspire human engagement and connection with nature, while celebrating artisanal craftsmanship. His design philosophy is rooted in simplicity and the belief that design can foster a sense of calm and well-being. Boddam integrates a modern perspective with materials, colors, and textures inspired by the Australian landscape, aiming to articulate a unique Australian voice with global appeal. His latest furniture collection draws inspiration from the raw Australian environment. The 'Wave' sofa and chair, for instance, feature undulating forms reminiscent of ocean waves, emphasizing organic shapes and lyrical simplicity. The 'Portsea' side tables highlight elemental forms and quality craftsmanship, using materials like Calacatta marble and Travertine to add tactile dimension to circular and triangulated designs. These pieces, along with his 'Coast,' 'Geo,' and 'Monument' collections, are designed for enduring elegance, combining luxurious materials, revered artisanship, and timeless design. The material palette includes organic elements such as timber, travertine, stone, and marble, paired with neutral tones like sand, grey, and white, all reflecting natural inspirations. Boddam's design process begins with hand sketches, which are then translated into 3D models and integrated into architectural projects to visualize their spatial relationships. Boddam discussed two recent interior projects. For Carthona House, he aimed to create a breathable, light-filled, and well-crafted addition to an existing Federation-style home. His approach involved 'complement by contrast,' balancing the traditional qualities of the original facade with a striking blackened silhouette for the extension, and integrating indoor/outdoor living while maintaining privacy. Lindfield House, in contrast, offers a calm and refined atmosphere tailored to the clients' personalities, driven by considered simplicity and mid-century influences, achieved through layered materials and textures to create a luxurious and minimal interior. His early life was immersed in design, with both parents being architects. One of his first design memories involves playing inside Charles Rennie Mackintosh's Willow Chair, which left a lasting impression of craftsmanship. His curiosity about design persisted from childhood, eventually leading him to study architecture at the University of Sydney. Boddam finds inspiration in the simplicity and elegance of designers like Christian Liaigre, Vincent Van Duysen, and Joseph Dirand, admiring their craftsmanship and timelessness. Boddam splits his time between his primary residence in Byron Bay and an apartment in Bondi, Sydney. His Byron Bay home, built in the late 1990s, backs onto a natural reserve and was designed as a barefoot sanctuary to reconnect with nature, reflecting the spirit of the local landscape and an elevated expression of coastal living. For inspiration, he often turns to nature, taking walks along the coastline to clear his mind. He maintains a daily ritual of sketching concepts in the mornings, treating each design as a research project to build a narrative around a concept. Upcoming projects for 2021 include a recently completed Sydney harborside project—a contemporary interpretation of a Californian bungalow featuring an art collection—and the continued development of new furniture pieces using quality Australian materials. His dream projects involve collaborating with like-minded clients in inspiring locations, with a focus on quality craftsmanship and artisanal celebration, such as designing a stand-alone home in North America or a one-off eco-friendly villa. #DanielBoddam #AustralianDesign #InteriorDesign #FurnitureDesign #CoastalLiving #ArchitecturalProjects #MaterialPalette #ArtisanalCraftsmanship

This article explores various paint rules inspired by HGTV's David Bromstad, offering practical advice for homeowners looking to update their spaces. It delves into strategies for selecting paint colors that harmonize with existing furnishings and finishes, emphasizing that one does not need to be a color theory expert to achieve a cohesive look. Bromstad's insights cover a range of scenarios, from balancing bold walls with neutral furniture to leveraging saturated accents to temper daring paint colors. One key principle highlighted is the importance of choosing paint colors as a final step in the design process. Unlike common interior design advice, Bromstad suggests procrastinating on paint selection until more expensive items like furniture and accessories have been chosen. This approach allows the paint to serve as an adaptable, cost-effective element that ties the entire room together, rather than a fixed starting point that might limit other design choices. The article provides an example of this by suggesting that repainting a wall is significantly less expensive than replacing a brightly colored sofa, offering flexibility for experimentation. The discussion also touches upon specific color applications, such as using gray walls to add dimension and coolness to predominantly beige spaces. It notes that while beige has seen a resurgence, introducing mid-tone grays can prevent a color scheme from becoming too flat or overly warm. The article references Zillow findings, indicating that charcoal gray shades could even increase home value, suggesting that intentional use of gray remains relevant in modern design. Another practical rule addressed is the proper preparation required when painting wood. Bromstad emphasizes the necessity of sanding, filling holes with putty, and priming before painting to ensure paint adhesion and longevity. This attention to detail is crucial for a professional and durable finish, preventing issues like peeling paint that can arise from inadequate preparation. The article also encourages the use of dark trim with light walls to create contrast and sophistication, or alternatively, painting trim the same color as walls for an enveloping, cohesive effect in moody spaces. White walls are presented as a versatile backdrop for colorful decor and furniture, particularly when the goal is to make these items pop. Bromstad explains that white allows other colors to be shown in their true form and offers flexibility in changing accent colors without major redecorating efforts. For design novices, starting with neutrals is recommended, as it provides a forgiving foundation that can be gradually layered with more adventurous hues in low-commitment items. A crucial piece of advice concerns paint selection: never choose colors at the paint store. The article stresses the importance of taking swatches home to observe how colors interact with natural light, existing furnishings, and other colors in the space. It explains how lighting and surrounding colors can dramatically alter the perception of a shade, advocating for testing samples directly on walls before committing to a purchase. Lastly, the article addresses the unconventional use of dark colors on ceilings, particularly in rooms with tall ceilings (nine feet or higher), as a way to add depth and drama, distinguishing between suitable and unsuitable ceiling heights for such an application. It concludes by encouraging risk-taking with bold paint choices in small spaces, like powder rooms, due to their limited visual impact and ease of repainting if the design doesn't meet expectations, and by suggesting repeating at least one color between rooms to create a sense of unity across a home. #DavidBromstad #PaintRules #HomeUpdate #ColorTheory #InteriorDesign #PaintSelection #NeutralPalette #BoldColors #HomeImprovement

David Bromstad, a prominent figure on HGTV for nearly two decades, is recognized for his distinctive artistic design sense, eclectic style, and expertise in interior design. His captivating presence on screen is often attributed to these qualities, though some viewers hold less favorable opinions of him. Among his unique characteristics, his height is particularly notable, frequently appearing to tower over his co-stars and clients. This has led many viewers to question his exact height. According to IMDb, David Bromstad stands at an impressive 6'1". His lavish sense of style often includes chic shoes and boots, which likely contribute to an even greater perceived height. As a fashion-conscious individual, Bromstad frequently uses social media platforms to display outfits that further accentuate his tall stature. He is known to favor tracksuits with engaging patterns and textures, which not only add to his sartorial flair but also visually enhance his height. Bromstad's height appears to influence his preferences in interior design. Given his 6'1" stature, it is understandable that he gravitates towards homes that can comfortably accommodate taller individuals. This inclination is particularly evident in his appreciation for high ceilings, a feature he often advocates for when showcasing properties to clients on his show, "My Lottery Dream Home." In a Season 12 episode titled "Million Dollar Mom," Bromstad emphasized the design potential of high ceilings, suggesting they could inspire bold interior choices. He encouraged a client, stating, "You could really do some fun things up here. Add some beams, add some architectural detail." His fondness for high ceilings is not an isolated occurrence. During the second season of HGTV's "Rock The Block" remodel competition series, where he collaborated with other HGTV personalities, Bromstad incorporated real wood beams into his project's ceiling. This design decision served to elongate the room visually and introduce rustic textural elements. Bromstad explained that higher ceilings offer more opportunities to experiment with wood beams of varying sizes and thicknesses, thereby adding sophistication to a space. He posited that increased detail on a ceiling can enhance the perceived value and luxury of a home, stating, "The more detail you have on a ceiling, the more expensive a house looks." #DavidBromstad #HGTV #MyLotteryDreamHome #InteriorDesign #CelebrityHeight #HomeDecor #HighCeilings #ArchitecturalDetails

Johannes Budde's LITE is a unique light installation that challenges traditional perceptions of lighting design by merging elements of art and function. The piece playfully explores the boundaries of physics and established viewing habits through its 'floating candle' concept. Budde, a German designer, has crafted LITE using a combination of industrial and natural materials, specifically wired glass and sandstone, to create a sconce-style lamp that is both visually intriguing and interactively engaging. The core components of LITE include a large sheet of wired glass, typically used in industrial applications, and a base made from natural sandstone. The wired glass is upcycled from a German manufacturer, demonstrating a commitment to sustainability and material reuse. The sandstone is locally sourced from a family-owned business, minimizing transportation impact and supporting local economies. Budde meticulously cuts and files the sandstone to form cube-shaped feet that securely hold the wired glass sheet in place. One of the most captivating aspects of LITE is the illusion of a 'floating' candle. This effect is achieved through a cleverly designed screw connection with a pointed stick, inserted into the center of the glass sheet. From the front perspective, this attachment is not visible, creating the impression that the candle levitates unsupported. This design choice not only adds a magical element to the installation but also encourages a more intimate interaction, as users must manually light the candle. This interactive quality distinguishes LITE from many traditional art pieces, which often adhere to a 'no touching' rule. Budde's material selection is deliberate, combining the raw, industrial aesthetic of wired glass with the organic, earthy texture of sandstone. This juxtaposition highlights the beauty in repurposed materials and showcases how everyday substances can be elevated into sophisticated design elements. The use of sustainable and locally sourced materials underscores a thoughtful approach to design, focusing on environmental responsibility. LITE is presented as a piece that blurs the lines between art and functional design. While it serves as a lighting fixture, its conceptual nature and unique form provoke contemplation on the definition of art itself. The installation's antique sconce-like silhouette provides a sense of familiarity, yet its innovative execution and interactive component push the boundaries of what a light can be. The design invites viewers to question their conditioned viewing habits and engage with the object on a deeper, more personal level. #HomeDecor #ArtDesign #SustainableDesign #LightingDesign #IndustrialDesign #MaterialInnovation #JohannesBudde

James Baker's curiosity was piqued by a boxy building near the Baton Rouge Country Club, hidden behind a tall, vine-covered barrier, recognizing its departure from the traditional south Louisiana architectural style. One Sunday, he discovered the secluded home was for sale and scheduled an open house. This timing was serendipitous, as he and his wife, Marsha, had been contemplating building a new home. Upon visiting, they were immediately captivated by the property's design, which featured massive windows looking out onto a lush private garden and a dramatically designed pool. Within days, they made an offer on the house. The home’s appealing features—streamlined structural details, an open floor plan, ample space for art, and a seamless connection between indoor and outdoor living—are characteristic of the tropical modern architectural movement prevalent in Miami. The house, built a dozen years prior, reflected the original owner’s preference for this South Florida aesthetic. Consistent with tropical modern design, tall and wide windows and doors throughout the home offer expansive views of the landscape and water features. Polished marble flooring extends from the interior to the exterior, creating a cohesive and luxurious feel. The overall ambiance is Zen-like, filled with natural light, and conducive to relaxed living, offering a warmer interpretation of typical modernism. Despite their previous homes being more traditional, the Bakers found the contemporary vibe of this house perfectly suited for their extensive and growing art collection, which primarily consists of bold and abstract pieces. The home's empty white walls provided ideal gallery spaces for displaying art acquired during their travels, as well as works by Louisiana artists sourced through Ann Connelly Fine Art in Baton Rouge and Soren Christensen Gallery in New Orleans. For the renovation, the Bakers enlisted Todd Normand of Bernhard Normand Construction. The project involved relocating a bar nook in the main open room to a separate living area, adding a fireplace and bookshelves to the opposite side of the room, and redesigning the master bathroom to include a sleek vanity alcove. Designers Helaine Moyse and Patrick Tandy, long-term collaborators with the Bakers, helped integrate the couple’s existing classic furniture with new contemporary pieces. This blend is exemplified in the dining area, where an 8x8-foot abstract painting by Meredith Pardue is framed by Venetian glass sconces and paired with a weathered antique Spanish dining table. Marsha noted that the mix of antique and modern elements, encouraged by the designers, prevented the space from feeling overly contemporary, maintaining a sense of warmth. The existing kitchen, featuring contemporary glass, metal, and exotic wood cabinet panels, initially challenged Marsha’s preference for all-white kitchens. However, replacing the dark granite backsplash with a multi-hued linear version brightened the space, and she eventually grew to appreciate its unique style, especially noting James's enjoyment of cooking there. Marsha, alongside friends Stacey Davis and Stacy Johnson, recently launched Envy, a decorating firm that began with holiday décor and expanded into full-service design. Through Envy, Marsha sourced window treatments and other furnishings for their new home, adding personal touches to the already impressive structure. The couple also took on most of the landscaping themselves, incorporating ferns, elephant ears, and other tropical-inspired plants around existing palm trees, with some natural materials from Red Onion and additional trees from Steve Rowley of Hydro-Scapes. They enjoy working in the flowerbeds and spending evenings on their marble-floored porch, which remains shaded and comfortable, watching the sunset with their three dogs. The once-mysterious home has become a cherished, comfortable space for the Bakers. #ModernArchitecture #TropicalModernStyle #HomeRenovation #InteriorDesign #ArtCollection #OpenFloorPlan #OutdoorLiving #LouisianaHomes #BatonRouge

Dominic Bradbury, author of several definitive books on Midcentury Modern, discusses the nuances and foundations of this design era in an interview. Bradbury's latest book, 'Mid-Century Modern Designers,' serves as an encyclopedia profiling the pioneers who shaped the aesthetic across furniture, glassware, ceramics, and textiles. The book features well-known figures like Alvar Aalto, Charles and Ray Eames, and Florence Knoll, alongside lesser-known designers, highlighting the cross-pollination of ideas that defined the period. Bradbury's expertise in Midcentury Modern design evolved into a passion approximately ten years ago, leading him to author multiple books on the subject, including Midcentury houses, architecture, and furniture, in addition to the new book focusing on designers. For 'Mid-Century Modern Designers,' the selection of featured individuals prioritized masters who designed for the home or domestic use, encompassing furniture, lighting, textiles, glassware, and ceramicists. The aim was to achieve a global representation of designers, balancing prominent names from the 1950s and 1960s with emerging talents who deserve broader recognition, such as Marco Zanuso, Vico Magistretti, Børge Mogensen, Nanna Ditzel, and Greta Grossman. Bradbury defines Midcentury Modern design as a broad concept, encompassing the International Style through to expressionism and New Brutalism in architecture. In design, the focus is on the more expressive, sculptural pieces of the 1950s and 1960s, characterized by innovation, experimentation, engaging composition and form, and an optimistic use of color and abstract patterns. He emphasizes the joyful, playful, and sophisticated quality of much of Midcentury Modern design. While there is a clear link and crossover between early Modernist design and Midcentury Modern design, with some pioneers spanning both pre- and post-war periods, the Midcentury era introduced new levels of innovation and imagination. Early Modernist pioneers explored new materials and production methods suitable for modern living, but Midcentury design reincorporated color and pattern, offering an intrinsic appeal. This period retained the belief that good design could improve life, but without the dogmatic rigidity of the 1920s and 1930s. The genesis of the amorphic and futuristic forms seen in Midcentury Modern design can be attributed to three main factors. Firstly, many designers, such as Harry Bertoia and Irving Harper, also worked as sculptors and artists, fostering strong connections between art, sculpture, and design. Secondly, the emergence of new materials like plastics and fiberglass allowed designers to experiment with abstract and unusual shapes. Thirdly, futuristic architectural plasticity, exemplified by architects such as Oscar Niemeyer and Eero Saarinen, influenced design, as these architects also designed furniture. Bradbury considers Midcentury Modernism more accurately described as a collection of movements that evolved into a highly influential style. He suggests an endpoint around 1975, when other design trends began to emerge, although the style continues to be reinterpreted today. The popularization of Midcentury Modern design began roughly 10 to 15 years ago, influenced by contemporary designers like Jonathan Adler and Orla Kiely who referenced the style. Key producers also revisited their archives, reissuing classic designs, while collectors recognized the value of original pieces. Eventually, larger brands and retailers adopted the Midcentury Modern aesthetic, further solidifying its popularity. Bradbury highlights the enduring inspirational quality of Midcentury Modern design as a key component of its ongoing appeal. He is currently working on a new book about Nordic houses, including 20th-century classics and Midcentury Modern masterpieces, which will be released next year. #MidcenturyModern #DesignHistory #DominicBradbury #Designers #FurnitureDesign #ArchitecturalDesign #InteriorDesign #DesignEvolution #PhaidonPress

Giving your home a makeover doesn't have to break the bank, according to interior designer David Bromstad of HGTV's "My Lottery Dream Home." Bromstad emphasizes the importance of meticulous planning for any design project, particularly when working with a budget. His primary advice for finding budget-friendly interior decor is to "plan, plan, and plan more," stating that money is a fundamental aspect of every design endeavor. Bromstad suggests creating a concrete budget plan where all desired items are listed before commencing any design projects. He advises reviewing the allocation of funds for supplies and decor, such as pillows, and ensuring that everything is meticulously bullet-pointed. This detailed approach, he explains, enhances efficiency. To effectively implement Bromstad's budget-friendly advice, individuals should approach their design projects with the same financial discipline applied to significant expenses like international trips or cross-country moves. The most cost-effective strategy involves understanding precisely where funds are being allocated. Bromstad recommends thoroughly reviewing budgets and compiling a comprehensive list of all intended purchases, leaving no detail unaddressed. The method for tracking and breaking down the decorating budget can be tailored to individual preferences, whether through handwritten notes or digital tools like spreadsheets, which allow for categorized expenses and easy total calculations. Considering the desired end goal and the perfect design style for the space is crucial. While a dream list of items might exceed the budget, it serves as a valuable starting point. For instance, when updating a living room, it's beneficial to categorize existing decor items that complement the overall aesthetic alongside new pieces to be added. This method provides a clearer understanding of money expenditure and helps prevent future financial surprises. Additionally, refining the search for home decor to affordable retailers is a practical way to save money, a practice Bromstad himself employs, citing Target as a frequent shopping destination. Thrifting presents another affordable option, particularly for those aiming to create a curated and vintage ambiance. Bromstad suggests exploring estate sales for valuable decor items and furniture, such as designer brands or antique pieces, to maintain budget control. This strategy allows individuals to acquire unique and high-quality items at a fraction of their original cost, contributing to a distinctive home aesthetic without overspending. Ultimately, Bromstad's advice centers on proactive financial management and strategic shopping to achieve desired interior design outcomes within budgetary constraints. #DavidBromstad #BudgetDecor #InteriorDesign #HomeMakeover #DesignTips #AffordableHomeDecor #BudgetPlanning #Thrifting #HGTV

This article offers a glimpse into the daily routine and professional insights of award-winning interior designer Martin Brudnizki, known for his work on prominent establishments such as Annabel’s in London, The Beekman in New York, and Fortnum & Mason in Hong Kong. Brudnizki's life is characterized by a constant geographical shift, dividing his time between London, the English countryside, and New York, reflecting the international nature of his work. His mornings vary significantly depending on his location; in London, he starts early at 5:20 AM with coffee and a gym session, while in the countryside, he engages in gardening and walks within a national park setting. Regardless of location, his initial professional task involves checking emails from his New York studio to address overnight communications. Brudnizki's professional life is a blend of creative oversight and client interaction. His role involves reviewing all aspects of design, including drawings, materials, prototypes, and presentations, ensuring the progression of various projects. Client meetings, either at his studio or their offices, are a regular part of his schedule. He emphasizes the importance of face-to-face interactions in the hospitality interiors industry, highlighting that the tactile and emotive nature of design cannot be fully conveyed through digital means. The article touches upon the challenges faced by the hospitality sector, noting that some of his recently completed projects, like restaurants in New York and a hotel in Los Angeles, were awaiting opening due to prevailing circumstances. Despite this, his design company, MBDS, and his product line, And Objects, continue to adapt and thrive. Beyond his professional commitments, Brudnizki enjoys a vibrant social life, frequently dining with friends. His preferred London spots include Annabel’s and Scott’s for formal gatherings, and The Fox & Pheasant pub for more casual outings. In New York, he favors The Little Owl, King in the West Village, and La Grenouille in Midtown. His travel preferences have evolved; while he once enjoyed long-haul trips to the Maldives and Asia, he now gravitates towards shorter European excursions, particularly to Greece and Italy. The Amalfi Coast and Positano, with stays at Le Sirenuse, are recurring destinations, as is Venice around Christmas, where he stays at The Gritti or the Danieli. Brudnizki's personal style is detailed, reflecting a commitment to being well-presented, both professionally and personally. For client meetings, he opts for tailored suits from brands like Drake's, paired with a Breguet watch. He incorporates personality into his attire with items like P Johnson shirts and Missoni socks. Even at home, his clothing choices, such as Carrier Company dungarees and knits for gardening, are considered. For colder weather, he wears a Barbour jacket or an Yves Salomon coat, and Hunter boots for countryside walks. He values longevity in clothing, maintaining pieces from Yves Saint Laurent, Prada, and Lanvin for nearly two decades. He has recently taken to bespoke tailoring for suits, choosing fabrics and designs that are unique to him. His leisure activities include a passion for gardening, which he views as an area of exploration and learning, anticipating the fruits of his labor from the previous year. Reading, especially biographies and gardening books, is another cherished pastime. He mentions specific literary interests, such as 'A Curious Friendship: The Story of a Bluestocking and a Bright Young Thing' by Anna Thomasson, and works by gardening authors Russell Page and Monty Don, underscoring his varied intellectual and recreational pursuits. #MartinBrudnizki #InteriorDesign #LuxuryLifestyle #DailyRoutine #TravelPreferences #PersonalStyle #HospitalityDesign #Gardening #EliteTraveler

The Spear's Interiors Index 2025 highlights the industry's top interior designers, those capable of creating properties, private jets, and yachts that meet the demanding standards of high-net-worth individuals. The article emphasizes that the best interior designers skillfully integrate lighting, flooring, furniture, textiles, and color to produce a harmonious space that appears effortlessly designed. This expertise involves distilling a client's desires into a cohesive and functional environment. The index introduces three Senior Statespersons: Andrew Winch, David Linley, and Anouska Hempel, recognized for their established reputations and significant contributions to their respective markets and the broader design sector. Anouska Hempel's firm, for instance, operates under the philosophy that every design should embody 'mystery, romance, theatre and perfection.' These individuals are crucial in shaping the ethos of their firms and the industry as a whole, providing leadership and setting high standards for design excellence. The selection process for the Spear’s Interiors Index is rigorous, involving the Spear’s Research Unit which annually assesses and updates its rankings. This process includes collecting data from and about advisors and firms, evaluating submission forms, compiling nominations, conducting peer reviews, and analyzing third-party sources. Researchers also gather references and recommendations, consult with experts, and carry out numerous interviews. Each advisor is then scored using a proprietary system that weighs various attributes, and these scores directly inform the new rankings in the Spear’s Indices. The rankings are first published online and subsequently in print, as part of the annual Spear’s 500 directory, which features leading advisors across all indices. Among the distinguished designers, eight are awarded the 'Top Flight' ranking, the highest achievable in the Index, which underscores the depth of talent within the Spear’s Index. Noteworthy among these is Martin Waller, whose travel-inspired design house, Andrew Martin, is celebrated for its 'kaleidoscopic' designs. Kelly Hoppen, another Top Flight designer, counts prominent figures like David and Victoria Beckham among her clientele, highlighting her appeal to high-profile clients. These designers are instrumental in establishing trends and redefining luxury, comfort, and functionality in their projects. The article also profiles several other interior designers, including Sharon Lillywhite of Oliver Burns Studio, known for her thoughtful luxury designs in projects ranging from Belgravia townhouses to Italian lakeside villas. Charu Gandhi, from Elicyon, a former member of the Candy & Candy design team, has completed high-profile projects globally, including multiple apartments in One Hyde Park and a large penthouse in Dubai. Laura Hammett, who founded her firm with her husband Aaron, provides comprehensive services including architectural and spatial planning, focusing on creating authentic, livable, and timeless spaces tailored to client preferences. Sameena Singh, founder of Littlemore, specializes in hospitality, branded residences, and ultra-high-net-worth projects, often commissioning bespoke art and furniture. Philippa Thorp, of Thorp Design, operates internationally on projects that emphasize longevity and quality. Matthew Williamson, initially a fashion designer, transitioned into interior design, bringing a 'joyful maximalism' to his projects, including work on Belmond’s La Residencia and London’s Design Museum. These designers, with their diverse styles and areas of expertise, are all capable of translating client wishes into exceptional spaces, whether their taste leans towards minimalism or maximalism. The selected advisors operate worldwide, undertaking projects from North America to Asia, consistently delivering designs that reflect sophisticated personal styles and address practical requirements. #InteriorDesign #LuxuryInteriors #HighNetWorthClients #SpearsIndex #DesignExcellence #ArchitecturalDesign #HomeDecor #LuxuryYachts #PrivateJets

Lindsey Adelman Studio has unveiled its latest lighting collection, 'Paradise,' which embodies an ethos of wanderlust and spontaneous luxury. Launched in March 2021, the collection was conceived by designer Lindsey Adelman prior to the COVID-19 pandemic, drawing inspiration from the concept of a nomadic lifestyle and redefining luxury as freedom and optionality. Adelman aimed to create pieces that encourage the mind to wander and to approach the world with fresh perspectives, rejecting habituated ways of thinking and experiencing. The 'Paradise' collection features elegant and unconventional compositions, combining textured Venetian-inspired glass orbs with brass curb chains and clusters of metal fringing. The design intentionally avoids straight vertical lines, a common challenge in lighting design, to achieve a more organic and fluid aesthetic. Adelman was influenced by a bracelet she owned, seeking to reinvent traditional chandelier elements into sculptural pieces that set a mood. A key innovation in the collection is the collaboration with textile artist Taryn Urushido, who crocheted electrical wires onto heavy chains, transforming the electrical component from something to conceal into an opulent, drapey element. The collection manifests a bohemian, almost Moroccan textile-like quality, designed to appear spontaneous and less prescribed in its placement within a room. This aesthetic aims for opulence and indulgence while suggesting a dynamic quality, as if the pieces could change at any moment. The design incorporates oversized, jewelry-esque rings for suspension and utilizes long, needle-like pins to attach additional glass vessels, enhancing its intricate and artisanal feel. 'Paradise' evolved from 'Paradise City,' an immersive sculptural work Adelman presented at Design Miami Art Basel in 2019. This continuity of theme reflects Adelman's design philosophy, where all her collections engage in a conversation with each other, allowing clients with multiple pieces to maintain a cohesive yet varied aesthetic. The collection offers versatility, available in chandelier, pendant, and sconce forms, and is highly customizable. Adelman emphasizes that the added details in the 'Paradise' collection highlight its optionality, suggesting that elements like the 'baubles' could move, ensuring nothing feels rigidly fixed. This flexibility and the extensive custom work offered by her studio allow clients to tailor the pieces to their specific needs, a core driver of her design process. The collection is characterized by its blend of heavy brass chains, slender polished pins, and a palette featuring shades of pink and amber, creating a riot of irregular and unpredictable forms that celebrate spontaneous design. #LindseyAdelman #LightingDesign #ParadiseCollection #LuxuryLighting #InteriorDesign #GlassArt #BrassDetails #CustomLighting #BohemianDesign

In an episode of HGTV's "My Lottery Dream Home," interior designer David Bromstad, known for helping lottery winners find their ideal homes, suggested a simple yet impactful design swap to elevate the elegance of a space: replacing modern kitchen light fixtures with crystal chandeliers. This recommendation was made while assisting first-time homeowners in finding their dream home, specifically in a spacious, open-concept living room and kitchen area featuring gray cabinetry, modern appliances, and white pendant lights. Bromstad's advice highlighted how a crystal chandelier could instantly introduce a touch of glamor and sophistication. Bromstad has consistently advocated for crystal chandeliers as a means to add instant sophistication and glamor to any room. He emphasized that these elegant lighting solutions are no longer confined to dining rooms but can be effectively utilized in various areas of the home, including living rooms, bedrooms, and even bathrooms. The versatility of crystal chandeliers allows them to serve as a stylish statement lighting idea, brightening up different spaces within a residence. The key to successfully incorporating a crystal chandelier lies in considering the size and scale of the room where it will be placed, as well as the overall interior design style of the space. The wide array of crystal chandelier styles available ensures that they can complement diverse aesthetic preferences, ranging from modern to traditional. For traditional or rustic-style living rooms, Bromstad suggested opting for fixtures with aged brass, or candle-style or antler-style chandeliers. To achieve a cohesive look, it is important to match the metal finishes of the chandelier with other hardware present in the room. Conversely, for contemporary homes, a simpler and less ornate crystal chandelier would be more appropriate to align with modern decor. This approach allows homeowners to select a chandelier that not only illuminates the space but also enhances its design identity, making it a focal point of sophistication and style. #DavidBromstad #CrystalChandelier #HomeDesign #InteriorDesign #GlamDecor #LightingFixtures #HomeImprovement #DesignHacks

Nicole Roby, a Birmingham-based interior designer, has launched a new lifestyle brand called Rome Curate. The brand offers a diverse collection of home furnishings, décor, and skincare products designed to be both timeless and functional for everyday living. Roby, a mother of three young children, emphasizes the durability and ease of maintenance of her products, ensuring they can withstand daily use and spills. The Rome Curate collection features custom furnishings and carefully selected notable finds that reflect a classic aesthetic. Roby's motivation for creating Rome Curate stemmed from identifying a gap in the market for accessible yet elevated design pieces. Her goal is to provide customers with curated items that facilitate the creation of an elegant living space without sacrificing practicality. She highlights that every piece in the collection is designed with functionality in mind, intended to be lived on and enjoyed. This philosophy is particularly evident in the materials chosen for items like furniture and rugs, which are made to be easily cleaned. In addition to furnishings, Rome Curate offers a hand-picked selection of rugs featuring timeless patterns and colorways, designed to serve as foundational elements for any room. The brand also supports local artists by showcasing their home décor and art, which complement the overall aesthetic of the collection. A unique aspect of Rome Curate is its inclusion of luxurious Korean skincare products. Roby integrates her family's connection to Korean beauty traditions, offering high-end brands known for their exclusive formulations, such as The History of Whoo and O HUI. As the holiday season approaches, Rome Curate is presented as a destination for holiday décor and gifts. Examples of seasonal offerings include Christmas tree door hangers made with solid brass and real leather, as well as stylish candles and the aforementioned luxury skincare products, suitable for stocking stuffers. To celebrate the launch, Rome Curate and Nicole Roby Designs are hosting a giveaway for a $5,000 gift card towards home furnishings and rugs, coupled with a two-hour design consultation worth $500. The brand's products are available online through their website and by appointment at their showroom located at 3409 5th Ave S, Birmingham, AL 35222. #RomeCurate #NicoleRobyDesigns #InteriorDesign #LifestyleBrand #HomeFurnishings #HomeDecor #Skincare #BirminghamBusiness #HolidayShopping

This article features an interview with Vance Burke, a prominent interior designer known for his modern aesthetic that occasionally incorporates equestrian themes. Burke, who divides his time between Santa Monica and Palm Springs, has a rich background in design, having studied in New York and Paris and worked for notable firms like Donghia Associates and Parish-Hadley. He also worked for Jed Johnson, where he gained experience with high-profile clients like Mick Jagger and Richard Gere. Burke emphasizes a collaborative approach to design, working closely with both architects and clients to ensure a fun and stress-free process. The designer shares insights into his philosophy, stating that design is a continuous collaboration. He believes in creating a consistent experience, from the landscaping and architecture to the interior upholstery, rugs, and art, ensuring everything feels cohesive and unique. Burke highlights the importance of understanding and prioritizing client happiness, acknowledging that there isn't a single 'right' solution in design but rather multiple valid approaches. When it comes to integrating equestrian elements into modern interiors, Burke suggests starting with foundational elements that possess an earthy, organic integrity, such as reclaimed-wood floors or rough-cut stone. He advocates for juxtaposing these natural textures with sleek modern walls and a high-contrast, dressage-inspired color palette, perhaps using saddle leather, off-white linen, or dark navy and black accents, along with lacquered surfaces. For accessories, his mantra is "fewer, bigger, better," recommending select pieces like a Deborah Butterfield sculpture, a Susan Rothenberg drawing, minimalist black and white photography, or a Tang dynasty horse to continue the equestrian narrative. Burke also notes that equestrian clients are often passionate about their horses, sometimes prioritizing barn aesthetics over their own homes. Burke discusses the influence of fashion on interior design, particularly in color trends. He cites the 1980s equestrian style with its dark, jewel-toned colors like burgundy and emerald, and patterns such as paisley and plaid. He sees both fashion and interior decorating as a process of reinterpreting the past to create something new, combining classic and modern elements. He praises brands like Hermès for their ability to blend these aspects seamlessly. He also recounts a personal, albeit challenging, horse-riding experience during a ride-a-thon in India, where he rode Marwari horses, which ultimately deterred him from further riding. Looking ahead, Burke is venturing into furniture and fabric design, with plans for a new fabric line currently in its preliminary stages. He also humorously shares his "retirement plan." The interview was conducted by Carol Cohen Hodess, editor at large for Equestrian Living magazine, who has worked with Burke on her own homes. The full article originally appeared in "Equestrian Living June/July 2017." #InteriorDesign #EquestrianDesign #VanceBurke #ModernInteriors #DesignPhilosophy #HomeDecor #CollaborativeDesign #FashionInfluence #LuxuryLiving

Nestled in Kings Worthy, just outside Winchester, stands 'The Bowie,' a home designed by David Ivory, a lifelong David Bowie fan. This residence uniquely blends cutting-edge technology, sustainable living, and a deep homage to the iconic artist. David Ivory, born and raised in Winchester, built The Bowie on land inherited from his mother's property, a significant investment over time. After studying Economics and History and a brief pursuit of a music career, David focused on marketing before channeling his passion for design into this distinctive home. Working with Witcher Crawford architects, David aimed to create a house that made a statement rather than blending in. The exterior is clad in sustainable Frake Noir timber, which has weathered to a soft grey, complemented by a slate and zinc roof. The clean white walls, black-framed windows, and a projecting dormer create a balanced, modern aesthetic that still respects its surroundings. Inside, the minimalist design provides a canvas for David’s extensive collection of Bowie memorabilia and art. The interior features a monochromatic palette punctuated by bold color accents, such as the red Ligne Roset Togo sofa and a Wurlitzer Niagara jukebox exclusively stocked with Bowie’s 80 singles. Vintage magazine covers and a wall of sliding glass doors further enhance the artistic and open feel of the space, creating an immersive experience for visitors. The home integrates advanced technology through the Control4 system, making it a fully automated smart home. David can remotely control various features, including blinds that automatically close when temperatures exceed 23°C to maintain coolness. Ceiling speakers in every room allow for a customized audio experience, with a different Bowie album playing in each space. The cinema room offers a dedicated ‘Bowie Vision’ setting, transforming the space into a private screening area for Bowie films, documentaries, and concerts. Even the doorbell features Bowie’s voice, adding a unique touch. Sustainability is a core aspect of The Bowie's design, incorporating an air source heat pump, solar panels, a mechanical ventilation heat recovery system, and an electric vehicle charger. The house is also incredibly well-insulated, prioritizing eco-friendliness. Even functional areas, like the bathroom, feature sleek, matte grey surfaces and minimalist fixtures, maintaining a contemporary and serene atmosphere. Inspired by Bowie’s multifaceted creativity, David meticulously oversaw every detail, integrating modern technology with vintage treasures. The 1970s, Bowie’s most prolific decade, served as primary inspiration, evident in items like an 8-track player with Bowie’s full catalog, a Brionvega radio, and an Olivetti Valentine typewriter. A limited-edition, signed Bowie self-portrait is prominently displayed, anchoring the collection. Building The Bowie presented challenges due to the pandemic and Brexit, leading to material shortages and increased costs. The plot's small size and narrow access also required extensive planning. Despite these hurdles, David finds the result highly rewarding, with guests praising the smart technology and comfortable accommodations. David appreciates Hampshire's scenic countryside and cycling routes, reflecting on his childhood spent exploring the outdoors. He also recommends a visit to Winchester Cathedral to learn about William Walker, a diver who saved the cathedral’s foundations. The Bowie is more than a home; it's a testament to creativity, innovation, and David's passions, offering an immersive experience that blends music, art, and history. The property is available for stays through hostunusual.com/property/the-bowie/. #HomeDesign #DavidBowie #SmartHome #SustainableLiving #ArchitecturalDesign #HampshireHomes #InteriorDesign #MusicHomage #VintageCollectibles

The choice of trim color in a home is a detail that, while often overlooked, significantly contributes to the overall aesthetic of a room. Many home design experts offer differing advice on trim treatment, ranging from bold accent colors to off-white shades designed to mask wear and tear. However, David Bromstad, host of HGTV's "Color Splash," provides a unique and stylish alternative for homeowners seeking to move beyond traditional white trim while addressing practical concerns like scuff marks and maintenance. Bromstad's recommendation stems from an inquiry by a fan, Alicia from Michigan, who considered using black trim to conceal scuffs. While black is often perceived as a color that hides dirt, Bromstad cautions against it, drawing from his personal experience with black floors. He notes that black surfaces tend to highlight footprints, paw prints, and lint, making them surprisingly difficult to maintain. Conversely, he points out that white trim, despite its light appearance, is often better at hiding dust and is easier to touch up when minor damage occurs. For those determined to have darker trim, Bromstad suggests an espresso stain as an excellent alternative to black paint. His rationale is that a stain penetrates the wood, making dirt and scuffs less noticeable than they would be on a painted surface. This approach is particularly effective if the baseboards are made of wood with visible grain, as staining can enhance the natural beauty of the material while introducing a rich, dark, and warm tone to the space. Homeowners can achieve this look using products like BEHR's espresso water-based interior stain, which is readily available and affordable. When opting for a stain, it's crucial to ensure the chosen hue complements other elements in the room and to consider applying the same stain to all wooden baseboards to prevent any visual clashes between different wood shades. If the existing trim is already painted, a wood stain might not be the most suitable option, as it relies on penetrating the wood grain. In such cases, Bromstad advises using a dark brown paint, such as BEHR's iced espresso interior paint and primer, to achieve a similar dark aesthetic. Regardless of whether a stain or paint is used, proper preparation and priming of the trim are essential for a successful and long-lasting finish. Utilizing a paint and primer in one product can simplify the process. Furthermore, careful attention to protecting surrounding surfaces with tape and drop cloths is necessary to prevent accidental paint splatters, ensuring that the project remains straightforward and avoids the additional task of paint removal. #DavidBromstad #HomeDesign #InteriorDesign #TrimPaint #EspressoStain #ColorTheory #HomeImprovement #DIYHomeDecor

Chris Goddard, founder of his Fayetteville, Arkansas–based design firm, initiated his career during college in the 1980s, driven by a passion for visual merchandising that evolved into interior design. Despite studying business, he found himself doing small design jobs for free, learning painting and wallpapering to understand the process thoroughly. His accidental foray into design became serious when a wealthy client gave him a blank check to redo her house, prompting him to learn about resources, pricing, and the design industry without formal training. He frequented design centers in Tulsa and Dallas, impressing showrooms with his assertiveness and ultimately opening his own 18,000-square-foot store, Beauregard, in 1992, which housed a design studio, workrooms, and a florist. Goddard's early projects were notable, with his first-ever design job published in Architectural Digest when he was just 21. This unexpected recognition led to numerous projects for the same family, including corporate headquarters, boats, and planes. His firm now handles 20 to 60 projects annually, comprising 40% commercial and 60% residential work. He emphasizes the importance of continuous learning, detailing how he educated both himself and his clients on the value of quality materials and bespoke design elements in a region initially lacking high-end design exposure. He also works with institutions like Crystal Bridges Museum of American Art, designing installations that merge art with livable spaces. His career, however, has not been without significant challenges, including a memorable incident where a client's yacht sank due to incorrect screw lengths used during window treatment installation. This experience, though initially terrifying, taught him the critical importance of meticulous measurement and attention to detail. Goddard maintains a philosophy against having a singular “look” as a designer, instead striving to create spaces that perfectly reflect the client's personality, as if a designer was never involved. This commitment extends to never reusing the same fabric or furniture piece twice, meticulously archiving samples from each project to ensure uniqueness. The evolution of the design industry, particularly the rise of the internet and knockoff markets, led Goddard to close his retail store after 15 years, shifting his focus entirely to his design firm. He continues to value the in-person experience of shopping and encourages clients to find unique treasures during travels, rather than relying solely on online purchases. Despite his traditional approach to sourcing, his team incorporates modern tools like 3D renderings to meet contemporary client expectations. He acknowledges the difficulty of social media visibility given the NDAs he signs for high-profile clients, often only sharing tight shots of details. Recognitions in his career include ASID and Interior Design Society awards in 2019, and being named among the top 100 firms globally by the Andrew Martin Interior Design Review. Goddard navigates the challenges of client expectations, pricing transparency, and working abroad, where he has faced issues with customs. He attributes his global growth to word-of-mouth referrals rather than advertising, highlighting the personal nature of service-based businesses. His current endeavors include developing his own fabric, furniture, and bedding lines, marking a new phase in his extensive design career, which he hopes will allow him to expand beyond constant travel and hands-on project management. He also discusses the cyclical nature of design trends, noting a return to '70s and '80s aesthetics with a modern twist, and the importance of allowing creative individuals downtime to recharge. When hiring, he seeks talent that complements his strengths, emphasizing the need for adaptability and technological proficiency in an evolving industry. Goddard values his ability to now decline projects that don't excite him, recognizing that passion is crucial for successful outcomes. His firm's resilience during economic downturns is partly attributed to its recession-proof location and a strategic balance between residential and commercial projects. #InteriorDesign #ChrisGoddard #DesignCareer #LuxuryDesign #BespokeDesign #ClientRelationships #DesignBusiness #ArkansasDesign

This article features an interview with Norwegian designer Daniel Rybakken, who discusses the trajectory of his career, from his childhood influences to his current projects in lighting, furniture, and electronics. Rybakken highlights a consistent vision across his work, despite evolving into various design disciplines. He attributes his early exposure to fashion and graphic design, through his parents, to shaping his aesthetic and compositional interests. Rybakken emphasizes that his primary motivation is the act of creation and inventing new products, rather than financial gain, a perspective he believes is supported by Scandinavia's robust social safety net. The interview delves into specific products that have marked significant milestones in his career. The Counterbalance light for Luceplan is identified as his first industrial piece and a particularly memorable design, pioneering the slender, graphical, and geometric silhouette that later became prevalent in lighting. He also discusses his recent forays into furnishings, including the 124° wall-mounted mirrors and the Kiila collection for Finnish manufacturer Artek. Rybakken notes the unique challenges of designing for Artek, given the company's rich heritage with Alvar Aalto, and his approach to balancing contemporary design with modernist principles. The Kiila collection, consisting of functional "domestic helpers" like a bench and coat tree, marked his initial venture into wood as a primary material, where he aimed for a logical and sober aesthetic, distinct from traditional Danish woodcraft. Rybakken also introduces the W172 Bokeh floor and pendant light for Wästberg, explaining his exploration of transparency and 'not transparency' using frosted glass to create a blurred effect, referencing the photographic term "bokeh." He reveals that he is currently engaged in collaborations with multiple furniture companies and a Japanese technology company, exploring new territories beyond his established work in lighting and furniture. The designer shares insights into his decision to live and work in Gothenburg, Sweden, explaining that it offered more opportunities for designers compared to Norway at the beginning of his career, and now serves as a retreat from the competitive design scene in Stockholm. He stresses the importance of avoiding common influences like design blogs to maintain originality in his work, finding inspiration instead through travel, particularly to places like Japan. Rybakken expresses admiration for designers like Dieter Rams and artists like Donald Judd, appreciating their minimalist approaches and the conceptual layers in their work. Finally, he discusses his interest in photography, considering the image—rather than the physical object—as the ultimate result of his design process, echoing his admiration for artist Thomas Demand, who creates stylized, strange images from cardboard models, blurring the lines between reality and artifice. His approach underscores the belief that design is fundamentally about communication, and the image is the primary medium through which this communication occurs, outliving the temporary nature of physical objects or installations. #DanielRybakken #ProductDesign #LightingDesign #FurnitureDesign #ScandinavianDesign #Artek #Luceplan #Wästberg #IndustrialDesign #DesignPhilosophy #InteriorDesign

This lookbook, sponsored by Danish design company D Line, showcases ten diverse interiors that effectively integrate architectural hardware and sanitary ware to provide both functional and aesthetic value. The article emphasizes how practical hardware, such as door handles, taps, and drawer pulls, serves as crucial physical touchpoints, influencing how individuals interact with and perceive a space. D Line, established in 1971, has a rich history of collaborating with renowned designers, including Knud Holscher, Arne Jacobsen, and Tom Dixon, to create products that offer timeless accents and complement natural material palettes in various settings. The featured projects span a range of environments, from educational institutions and restaurants to residential homes and medical facilities. One notable example is St Catherine's College at the University of Oxford, where Arne Jacobsen's modernist design from 1962 extended to every detail, including the AJ lever handles, which echo the college's overall curved forms. Similarly, the SAS Royal Hotel in Copenhagen, another Jacobsen project from 1960, utilized steel AJ lever handles that harmonized with the cool duck-egg blue walls and other silver hardware, preserving its original design intent in Room 606 despite subsequent remodelling. Norm Architects, a Danish studio, is highlighted for its work on two distinct projects. The Äng restaurant in Sweden, which features a greenhouse-like structure and a subterranean wine cellar, incorporates D Line's gunmetal finish L lever handles, matching other metal fixtures and structural components. In the Archipelago House in Sweden, a holiday home blending Scandinavian and Japanese aesthetics, charcoal L lever handles from D Line's Holscher range provide a graphic contrast to the light wood furnishings and neutral finishes. The Dentology+ clinic in Antwerp, also by Norm Architects, defies traditional clinical aesthetics by using soft, neutral finishes and charcoal-toned L lever handles to foster calmness. Residential projects further exemplify D Line's versatility. A private summer residence in Denmark by Rubow Architects employs the L lever handle to achieve an unobstructed finish, contributing to the home's indoor-outdoor ambiance, with its neutral tones and extensive use of floor-to-ceiling windows. Barbara Bendix Becker's atelier in Copenhagen showcases brass Arne Jacobsen lever handles alongside other Nordic design classics, seamlessly blending with warm-toned metal finishes and honey-coloured wooden elements. In a bathroom scheme by Emil Thorup in Copenhagen, D Line's Qtoo bathroom hardware in a brushed-steel finish provides a metallic contrast to sage-coloured walls and natural materials. The collaboration between &Shufl; and D Line offers customizable bar handles in various colours and finishes, designed to upgrade IKEA kitchens, bathrooms, and wardrobes. Finally, Luke Arthur Wells's interior scheme, featuring rounded furniture and soft textures, is further softened by D Line's FAT lever handle, a design by Tom Dixon, which is thicker and more rounded than conventional door furniture. Overall, the lookbook illustrates how D Line's architectural hardware, when thoughtfully integrated, can enhance the tactile and visual experience of interiors, contributing to a sense of timeless elegance and cohesion across diverse architectural styles and functions. The selection of projects emphasizes the importance of refined details in creating well-designed spaces that resonate with their natural surroundings and the intended user experience. #InteriorDesign #ArchitecturalHardware #NaturalMaterials #TimelessDesign #ScandinavianDesign #DLine #NormArchitects #ArneJacobsen #TomDixon

David Bromstad, a prominent HGTV personality and the inaugural winner of "Design Star," is known for his vibrant and daring approach to interior design. He frequently shares expert advice with DIYers, including common design mistakes to avoid. A key piece of Bromstad's guidance for styling interiors involves the ceiling, which he believes should always be included in a room's color palette, whether painted the same color as the walls or a different one. When it comes to tall or vaulted ceilings, specifically those over 9 feet high, Bromstad advocates for the use of darker hues. He contends that while some might think a darker ceiling would shrink a space, it can actually create the opposite effect, giving the illusion of an expansive, infinite night sky and contributing to a modern and stately aesthetic. Bromstad actively encourages homeowners to be bold and brave with their ceiling color choices, especially in rooms with significant height. Choosing the perfect dark shade for a tall ceiling involves careful consideration of the room's existing elements. A darker ceiling can effectively highlight architectural features such as intricate crown molding or cornice work, and can draw attention to statement windows. Homeowners should also consider the desired level of contrast between the walls and the ceiling. A strong contrast, such as light walls paired with a dark ceiling, can instantly add visual interest. Alternatively, a monochromatic scheme, where walls and ceiling share a similar dark tone, can imbue a room with a distinct personality and mood. However, Bromstad does advise strategic use of darker paints, particularly warning against black paint in high-traffic areas due to maintenance challenges. This concern could extend to ceilings, as dust and cobwebs would be more noticeable against a dark background. It's also worth noting that not all design experts agree with Bromstad's approach; fellow HGTV star Nate Berkus, for example, tends to favor lighter ceiling colors. Ultimately, Bromstad emphasizes that a tall ceiling presents a unique opportunity for bold and vibrant design choices, promoting self-expression through interior design. He encourages homeowners to follow their personal preferences and choose colors that resonate with them. If a daring, darker color for a high ceiling appeals to a homeowner, Bromstad's advice is to embrace it, famously asking, "who doesn't want a fuchsia ceiling?" This perspective highlights his philosophy of pushing conventional boundaries and personalizing living spaces with impactful design decisions. #DavidBromstad #CeilingPaint #TallCeilings #InteriorDesign #ColorPalette #HomeDecor #DesignTips #HGTVDesign