Room by Room: A builder’s home in Central is enhanced by designer touches one space at a time

This article details the collaborative effort behind the transformation of a formerly notorious beach lot at 11 E. Asheville Street into a modern coastal haven in Wrightsville Beach. The project was a result of the combined expertise of homebuilder Tanner Konrady of Konrady & Son Construction, Architect Eric Jabaley of Dogwood Architecture, and Lead Designer Brandy Crawford of Bridgett Mazer Interiors, all working closely with homeowners Wanda and Ron Copley. The Copleys initially purchased a property known for its past as a fraternity party house, with the intention of tearing down the existing structure and building a new home. Their decision to work with Tanner Konrady stemmed from his previous work repairing their condo after Hurricane Florence, establishing a foundation of trust. Konrady, a fourth-generation builder with extensive experience in coastal construction, emphasized the importance of durability and low maintenance in beach environments. His approach involved building with consideration for salt air, high humidity, storm exposure, and sun damage, utilizing materials like closed-cell foam insulation, sound-dampening interior walls, hurricane-rated windows, and pre-finished PVC siding and concrete-look panel systems that are designed for longevity and minimal upkeep. Konrady's team also facilitated the installation of expansive sliding doors and oversized windows to maximize ocean views and promote indoor-outdoor living, requiring careful structural planning. The architectural vision, led by Eric Jabaley, focused on creating a modern yet coastal-inspired home that blended with the local aesthetic while capturing ocean views. Jabaley worked to incorporate Wanda Copley's sophisticated vision, which desired a modern design rooted in the Wrightsville Beach vernacular. A key design element is the top-floor main living area, which extends onto a spacious wraparound porch through large sliding doors, effectively creating an additional outdoor room for relaxation and entertaining. This seamless transition between indoor and outdoor spaces allows residents to fully experience the coastal environment. Brandy Crawford, the lead designer, guided the interior aesthetic toward a "coastal modern" style, incorporating light, clean lines, and a less fussy approach. Wanda Copley's bold sense of style and love for color, particularly pink, were central to the interior design. This is most notably expressed in "The Pink Room," an office that doubles as a guest suite, featuring a hot pink sleeper sofa, ottomans, acrylic chairs, and pink cabinetry. Other design highlights include a powder bath with a floating, backlit vanity, and a wall-mounted resin art installation by Alex Turco in the second-level sitting room, referred to as "living glass." The home also includes an independent downstairs suite for the Copleys' daughter, complete with a kitchenette, en suite, and private porch, designed for independent living. The success of the project is attributed to the strong synergy and communication among the homeowner, builder, architect, and designer. The team's collaborative approach and shared commitment to the client's vision resulted in a custom-crafted home that reflects a unique lifestyle and personality. The project serves as an example of how a unified team can transform a challenging property into a beautiful and functional coastal residence, built to withstand environmental elements while exuding modern elegance. #CoastalRetreat #InteriorDesign #ModernArchitecture #IndoorOutdoorLiving #WrightsvilleBeach #Architect #CoastalConstruction #Homebuilder #ModernHome #Innovation

Tom Cox, co-founder of HÁM Interiors, offers a tour of his London home, showcasing the design principles that define his family-run studio. HÁM Interiors, established in 2011 by Nick, Pamela, and Tom Cox, is recognized for its blend of timeless and contemporary design, focusing on creating comfortable and high-quality spaces for busy family lives. This article provides insights into Cox's personal design choices and the renovation process of his Victorian mansion block apartment. The property, a Victorian mansion block, was chosen for its location between two parks and its strong architecture, offering great views and abundant natural light. Despite being run down, it possessed salvageable features. The renovation involved a complete makeover, with a key modification being the introduction of a large, glazed partition between the kitchen and living room to open up the space. The apartment now includes two bathrooms and two bedrooms, with one bedroom repurposed as a dressing room, maximizing functionality within the existing structure. Cox's design approach emphasizes a bold color palette, leveraging the apartment's ample natural light. The living room features Farrow & Ball's 'Pigeon,' while the bedroom adopts a lighter but similarly toned 'Hardwick White.' The kitchen uses Dulux's 'Brilliant White' for walls, complemented by darker greens like Farrow & Ball's 'Card Room Green' for cabinetry, and an antique dresser to unify the aesthetic. This strategic use of color creates a distinct atmosphere in each area while maintaining a cohesive flow throughout the apartment. The kitchen, a central element of HÁM Interiors' business, was personally designed and installed by Cox's in-house team. A notable feature is the antique drapers table serving as an island, customized with antique castors for added height and a custom unlacquered brass sheet inlay for practicality and an edgy look. Lighting above the island was sourced from an antiques fair, and the tiles have a simple matte glazed finish. Cox expresses a preference for Liebherr fridges for their utilitarian design, Lacanche cookers for their colors and metal finishes, and Waterworks for kitchen taps, specifically the RW Atlas range. For china, Miranda Berrow mugs and Laguiole cutlery are highlighted. Artwork plays a significant role in Cox's home. He is an avid collector, sourcing pieces during his travels and through his design work, often frequenting antique shops and flea markets. HÁM Interiors also launched an online store for curated artwork. Sidney Teodoruk's early work is a personal favorite. Cox emphasizes the importance of framing, using a mix of antique and contemporary styles to create an eclectic feel. Picture lights and ceiling-mounted directional spotlights are strategically used to illuminate and enhance the details and colors of the paintings. The living room's design incorporates reclaimed glazed panels from a shop front, adapted and hand-painted in a distressed finish to preserve their character and create a sense of expanded space. The ceiling light is from Circa Lighting, available through HÁM Interiors' online store. The dining table combines a custom-made, painted base with an old farmhouse top. Furnishings include an antique armoire, serving as a bookcase and whisky cabinet, and an antique chest of drawers from Brownrigg. Fabric choices for the sofa are William Yeoward, while the window seat uses Christopher Farr fabric, and Fermoie cushions add varied textures and patterns. The bedroom and en suite bathroom are designed as a cool, calm, and connected space. High ceilings allowed for a three-quarter height wall between the two areas, incorporating an open archway instead of a door. This design choice maximizes light and space in the small bathroom and allows views of the reclaimed vanity and antique mirror from the bedroom. Tongue and groove detailing adds subtle texture in the bathroom, with a striking contrast between the shower tiles and the marble sink with reclaimed vanity. The bed from Soho Home features ticking fabric, reflecting a core element of HÁM Interiors' aesthetic. Lighting includes two globe lanterns from JAMB. Artworks in the bedroom include a large painting by British artist Maurice Cockerill, a trumpet piece by David Shrigley, and a reclaimed sign from Somerset. In the dressing room, joinery extends to the ceiling with integrated skirting details, painted in the same color as the walls, windows, and ceiling to create a unified and spacious feel. This room also serves as a display area for Cox's growing art collection, reflecting the studio's philosophy of incorporating art seamlessly into interior design. The article concludes by inviting readers to explore Studio HÁM's online shop and HÁM Interiors' studio for further design inspiration and services. #InteriorDesign #HomeTour #VictorianArchitecture #ColorPalette #KitchenDesign #ArtCollection #LivingRoom #BedroomDesign #BathroomDesign #HÁMInteriors

The article highlights the approach of Interior Design by Emily, a design studio in Decorah, Iowa, which emphasizes the significant role of window coverings in enhancing both the aesthetics and functionality of a home. Emily, the owner of the studio, explains that window treatments are often undervalued but can profoundly influence the feel and utility of a space. Her firm offers custom window solutions and comprehensive interior design services, operating from its downtown Decorah location at 215 W Water Street. As an authorized Hunter Douglas dealer, Interior Design by Emily provides a diverse range of premium window treatments. These include options with cordless and motorized functionalities, cellular shades designed for energy efficiency, and sophisticated layered drapery. Emily notes that clients frequently seek general design assistance but ultimately find that window coverings address practical challenges they may not have initially identified. These challenges range from mitigating glare in home offices to maintaining cooler temperatures in bedrooms during summer and aesthetically framing outdoor views. In response to contemporary demands for safety and environmental consciousness, the studio prioritizes child-safe cordless designs, compatibility with home automation systems, and the use of eco-friendly fabrics. The showroom allows visitors to interact with full-size displays, explore various fabric samples, and collaborate directly with Emily to develop a personalized window covering plan. This tailored approach considers the client's individual style, budgetary constraints, and lifestyle requirements, acknowledging that each window and home is unique. The studio's objective is to provide a design process that is straightforward, enjoyable, and customized for every client. Emily underscores that the distinctiveness of each home necessitates bespoke design solutions. Interested individuals can gain further information or schedule a consultation by visiting the studio's website at www.interiordesignbyemily.com, stopping by the downtown Decorah showroom, or engaging with their social media channels for design inspiration and updates on ongoing projects. This branded content piece aims to showcase how Emily's design philosophy elevates window coverings beyond mere accessories, transforming them into integral components of modern home design. #InteriorDesign #WindowCoverings #HomeDecor #DecorahDesigner #HunterDouglas #CustomDesign #SmartHome #SustainableDesign #FunctionalDecor

Jojo Barr, founder of House Nine, details the renovation process of the living room in her new rural home, a project undertaken after she moved from London to the countryside. The living room serves as a sanctuary and the first room visitors encounter, located directly off the entrance hall. Despite being the darkest area of the house, receiving morning sunlight only until 10 am, its view of the valley makes it an ideal spot for relaxation. Barr anticipates that this room will eventually become a 'snug' once the ground floor is converted into an open-plan living space. The living room, a 5m x 5m square room with a working fireplace, required only cosmetic upgrades as its structure was sound. A key challenge was integrating the television. Barr typically advises against wall-mounting TVs but found it unavoidable due to the room's layout, ultimately placing a Samsung Frame TV above the mantle. She highlights the aesthetic appeal of the Frame TV, which displays artwork when not in use, and cautions about ensuring adequate heat protection in the chimney breast to prevent damage to electronics. Lighting presented another compromise for Barr, who prefers not to use downlights unless task-specific. However, the low ceiling necessitated their use, preventing the installation of a central pendant. Curtains were a significant point of contention; Barr strongly advocates for floor-length curtains, or those that 'kiss' the floor, contrary to the short curtains found in the room initially. She dispels the notion that short curtains are designed to facilitate heat circulation from radiators, arguing that long, lined, and interlined curtains are more effective at retaining warmth. For tricky window designs where floor-length curtains are impractical, Roman blinds, either sheer for privacy or blackout for total darkness, are recommended alternatives, with French café curtains being the sole exception to her rule against short coverings. The design objective for the living room was to create an effortless, comfortable, and warm environment suitable for both family relaxation and entertaining. Barr replaced the existing beige carpet with an engineered oak, white-washed floor from Chaunceys Timber, a bold choice that brightened the room. A woven jute rug was added to enhance comfort. The old bookcase cabinet and fireplace were retained and repainted. The room's character was further developed through the addition of tongue and groove to the ceiling and half-height wall panelling. The chosen color scheme is neutral and warm, complemented by earthy textures and autumnal accents, low-level lighting, vintage pieces, and unique finds. Comfort is prioritized, with a House Nine-designed sofa and ottoman featuring plump cushions to invite relaxation. Barr emphasizes a relaxed approach to her interiors, aiming for guests to feel at ease.

Sarah Peake, founder of Studio Peake, showcases one of her most cherished interior design projects: a double-fronted Georgian cottage in South London. This project was particularly significant as it marked her first solo endeavor after establishing her studio. The cottage, located on a wisteria-filled terrace, previously featured an industrial aesthetic dominated by black and grey, and an unsympathetic 1980s rear extension. The initial phase of the project involved extensive renovation to restore original architectural elements such as architraves, doors, skirtings, cornices, and radiators, which had been lost or altered over time. The clients, who had moved into the house after their honeymoon, lived there for six months to understand its nuances before commissioning Peake. Their brief was to create a vibrant, distinctive, yet comfortable and cozy home. The kitchen, rather than being completely replaced, underwent a significant refresh to combine existing features with new additions. A new limestone floor, Lanyan Limestone by Artisans of Devizes, was installed, and the existing joinery was painted in a custom green matched by Dulux. Carrara marble replaced the laminate countertops, and new drawer handles were sourced from Lassco reclamation yard. A French polisher from Portobello Painters restored the timber cupboards, while a custom floor paint from Papers and Paints and 'Stone I' from Paint and Paper Library were used for the walls. To introduce coziness, soft furnishings were added, including curtain fabric from Namay Samay with a Samuel & Sons fringe, an A Rum Fellow rug, an embroidered cushion from William Yeoward, and a white lamp from Porta Romana, effectively balancing the hard surfaces. In the main living space, a bespoke yellow paint color, mixed by Papers and Paint, was chosen for the walls, extending the painted wooden floor from the kitchen. A colorful rug from Ornate Rugs complemented the vibrant walls. A fireplace surround made of Bardiglio marble from Jamb and a chandelier from The English House were key features. The client's appreciation for art was evident with a William Crozier painting from Piano Nobile displayed above the fireplace. The design aimed for an interesting yet unoverbearing space through a mix of patterns, plains, and finishes. A small, low-ceilinged area at the back was transformed into a cozy nook with bespoke TV and bookcase joinery by Billy Crawshaw, carpeted with Tim Page Claremont, and featuring a David Seyfried chair upholstered in Fermoie fabric with Besselink & Jones wall lights. The master bedroom, described as Peake’s favorite, achieved a balance of color and tranquility. The walls and joinery were painted in Fencing Blue by Papers and Paint Library. Curtain fabric from Lasso by Pierre Frey and a Kelly Wearstler headboard with Romo Linara piping were incorporated. A painting by Venetia Berry, already owned by the client, served as the color palette's foundation for the room. Bed linen from Gayle Warwick Siena, a throw from Once Milano, and a custom cushion made from Guy Goodfellow fabric with a Samuel and Sons fringe completed the space. Moving to the landing and stairs, the entrance hall was designed as a crucial introduction to the house. Sanderson ‘Hemp’ wallpaper provided a muted backdrop, contrasting with the more defined colors in adjacent rooms. The French polisher from Portobello Painters restored the handrail, and Edward Bulmer’s Celadon paint was used on architraves and doors. An antique chair, a Sarah Balme painting, a mid-century chandelier from Pamono, and a white lamp from Porta Romana adorned the half-landing. For the guest bedroom, situated opposite the main bedroom, the focus was on the view of the bed. A shaped headboard by Pat Giddens Ltd, upholstered in Holland and Sherry fabric, was a central element, complemented by Afghan hats from Etsy above the bed. Hand-dyed velvet cushions by Kirsten Hecktermann and a custom-embroidered rectangular cushion from A Rum Fellow added luxurious touches. An antique pedestal desk was brightened with modern pieces, including a Benchmark chair upholstered in Vaughan and Holly Hunt fabrics, a raspberry lacquered lamp from Salvesen Graham, and a gathered silk shade by Penny Morrison. Finally, the tiny box room underwent a significant transformation. Previously painted black with acid green wallpaper and a low, angled ceiling, it was re-envisioned with a ‘bed nook’ to maximize standing height. Billy Crawshaw paneled the walls with MDF, painting them in Edward Bulmer’s Fair Blue. Ottoline Devries’ wallpaper and fabric were used within the bed nook, along with Samuel and Sons contrast piping and Colefax and Fowler roman blind borders. A bookcase above the headboard and a wall light replaced a traditional bedside setup. The bathroom, largely preserved due to its existing good condition, received subtle enhancements using leftover stone and marble, Edward Bulmer Celadon paint on woodwork, a touch of Soane wallpaper, and a rattan mirror from Kempton Racecourse, demonstrating that minor changes can have a major impact. #InteriorDesign #HomeDecor #GeorgianCottage #StudioPeake #SouthLondon #Renovation #ColorfulInteriors #CozyHome #ArchitecturalRestoration

The McGee Home Refresh details the second phase of design updates made to Shea McGee's family residence in Salt Lake City, Utah, serving as a practical design laboratory. The article outlines various enhancements across different areas of the home, focusing on adding layers, textures, and character to the existing structure. Each section discusses the specific changes and the designer's rationale behind them. For the exterior, the refresh aimed to create a timeless appearance. While the home initially featured classic lime-painted brick and stone, new elements were introduced to enhance its character. These additions included a columned porch with a copper roof, stepped flairs and decorative vents on the brick, custom bifold shutters for upper windows, curved garden walls, a bluestone walkway, an oval window, and gas lanterns. These details were chosen to make the relatively new build blend seamlessly with a neighborhood that features both old and new architecture. In the entryway, functionality and aesthetics were balanced. A vintage chest was incorporated to provide hidden storage for everyday items like socks and toothbrushes. A key aesthetic change involved mirroring the living room's plastered brick technique onto the entryway's brick, adding warmth and texture and creating a cohesive visual flow between the two adjoining spaces. The living room refresh focused on adding architectural interest, deeper tones, and varied textures. Structural modifications included plastering the brick fireplace, adding tongue and groove paneling to the ceiling, and installing a curved opening to separate the living room from the staircase, echoing the exterior's brick elements. This space also served as a testing ground for new McGee & Co. products and allowed for the display of Shea's antique collections. The dining room was enhanced to introduce visual drama and better define its space. Half walls with sidelights were added to provide separation from the open-plan kitchen without completely closing off the flow. This, combined with the existing coffered ceiling, gave the room a more refined and distinct feel. Pierre Frey wallpaper, featuring a growing pattern, was applied to the walls, and the furniture consisted of a mix of new and existing pieces, including the Orville Extension Dining Table from McGee & Co. and affordable cushions from their Target collection. The pantry refresh primarily involved a paint color change to create a moodier, more personalized atmosphere. Green shades from the dining room wallpaper were extended into the pantry, with "Inspiration" by Portola Paints used on all cabinetry to add character to the small, windowless space. In the primary bedroom, the refresh was largely a furniture and styling swap. New McGee & Co. pieces, such as the Walt Bed in praline velvet, the Philippa Settee, and the Tali Burl Wood Dresser, were introduced, allowing Shea to test products in a lived-in environment. Wren's room, belonging to the oldest daughter, received subtle updates to reflect her evolving personality. Key changes included a Roslin Hand-Knotted Wool Rug and new bedding like the Briony Gauze Quilt and Inger Gauze Coverlet. Ottomans were swapped for more mature Channel Ottomans, and a woven bistro chair replaced a vintage chair, paired with a ruffle cushion. Ivy's room, for the younger daughter, focused on incorporating patterns. Willow Boughs wallpaper by Morris & Co. was used, complemented by the Pimpernel Wallpaper in the adjoining bathroom. Furniture remained largely the same, with the addition of the Prudence Chair in mohair velvet and the Mackenna Dresser. Styling elements like the Tess Ceramic Table Lamp and Neutral Swan artwork completed the refresh. Finally, the upstairs nook was restyled to add depth and warmth. A vintage tapestry found at an online auction was paired with the Clemence Chair and Goodrich Side Table from McGee & Co., transforming what was once a simple bench into a cozy and inviting corner. The McGee Home Refresh showcases a thoughtful approach to evolving a home's design over time, emphasizing layering, texture, and personal touches. #HomeRefresh #InteriorDesign #ExteriorDesign #HomeDecor #RoomTransformation #DesignProcess #ArchitecturalInterest #FurnitureStyling #StudioMcGee

The article details a design project undertaken by Emma Beryl Kemper of Emma Beryl, a New York City design studio, to transform a two-bedroom Greenpoint duplex. The condo, originally created from a storefront in a vintage row house approximately a decade prior, was characterized by a cold, "cookie-cutter" aesthetic and lacked personalized touches for the young family residing there. The primary objective of the renovation was to infuse warmth and character into the space, making it feel more like a home, and to significantly enhance its functionality. One of the initial challenges involved the original kitchen, which featured only a single wall of cabinetry and an island. Beryl reconfigured this area, adding a wine bar with a glass cabinet to create a smoother transition between the functional kitchen space and the open living room, integrating it more effectively with the adjacent dining area. Beyond the kitchen, the project focused on maximizing storage throughout the duplex. This included reconfiguring the upstairs bathroom and adding a shower to the downstairs powder room, thereby converting it into a full bath. Custom built-ins were designed for an awkward downstairs room, which served the dual purpose of concealing plumbing pipes and creating a cozy nursery for the family. To achieve the desired warmth and character, the design incorporated vintage pieces, hand-painted tiles, and a selection of specific furnishings and materials. Manhattan-based Jan Renovations carried out all the new construction work, including custom millwork. In the open living room, a vintage rug from ABC Carpet, a grasscloth-covered media unit, and a new sofa from Restoration Hardware were combined with the clients' existing coffee table and chairs. The floor-to-ceiling storefront windows, which made the living room feel exposed, were addressed by adding a built-in window seat with integrated storage, creating a barrier and softening the space with curtains. A custom-built narrow bookcase in the corner was installed to hide wires. The dining area features a built-in banquette that conceals a steel rail for the downstairs staircase, also providing additional storage. Rejuvenation chairs accompany a wooden farmhouse-style table, complemented by a West Elm chandelier. A wooden desk from Restoration Hardware is positioned alongside the dining area. The kitchen was enlarged while maintaining its general location, featuring a contrast of white upper cabinets and open shelves with dark navy lower cabinetry. Carrara marble countertops and handmade tiles on the backsplash were significant upgrades. The master bedroom, being small, was designed to maximize openness, with custom floating nightstands and walls painted in a moody dark hue. Lutron shades were installed for privacy on the frosted storefront windows. The door to the upstairs bathroom was relocated to the front entry, necessitating a complete change in the room's footprint. The bathroom's color scheme aligns with the kitchen and master bedroom, incorporating patterned floor tiles from Tabarka Studio and custom-made wall tiles to match the blue in the flooring. A Restoration Hardware vanity and Cedar & Moss sconce completed the new bathroom. On the lower level, a custom-built angled closet provides linen and coat storage. The downstairs nursery features a bi-level window seat, a long wall of storage, and a floor-to-ceiling closet, all custom-built from lacquered wood to conceal mechanicals while allowing access. Distinctive wallpaper from Hygge & West and Dwell Studio baby furnishings enhance the space. A shower was added to the downstairs bathroom by utilizing space beneath the staircase, with a sink from Restoration Hardware and floor tile from Wayfair. The article also mentions the availability of before-and-after photos to illustrate the transformation. #InteriorDesign #Greenpoint #CondoRenovation #EmmaBeryl #CustomMillwork #BrooklynDesign #HomeTransformation

The article explores the increasing trend of custom-built homes designed to deeply reflect the homeowners' unique hobbies, habits, lifestyles, and aspirations. It highlights various examples of newly constructed residences that integrate personalized features, from specialized storage solutions and accessibility considerations like elevators to bespoke artistic elements such as custom murals and wallpaper. This focus on personalization ensures that each home serves as a distinct extension of its occupants' lives. One featured home, built by Stonewood for empty nesters seeking an "Up North" feel near the Twin Cities, exemplifies luxury and natural integration. By combining two Lake Minnetonka lots, the design maximizes privacy and incorporates traditional elements like stone arches, cedar shingle siding, and custom iron handrails, all chosen for their durability and aesthetic appeal. The interior boasts extensive millwork, unpolished brass, and blackened hardware that will gracefully patina over time. Custom wallpaper in each room contributes to a unique narrative, while ample windows frame lake views. The home also incorporates forward-thinking materials and systems, including geothermal heating, superior insulation, and low-maintenance exteriors, achieving a blend of timeless design and modern sustainability without sacrificing beauty. Another project by Nor-Son Custom Builders demonstrates a "Mixed Media" approach, blending rustic charm with modern sophistication. This home features a juxtaposition of materials, with steel and metal accents alongside natural timber and stone. The exterior combines natural stone, brick, and cement board siding, while the interior showcases a three-story stairwell with metal railings, wrapped in brick, and reclaimed oak flooring. Reclaimed oak beams in the great room complement a concrete fireplace and countertops in the kitchen. A notable detail is the owner's suite headboard wall, crafted from reclaimed walnut sourced from trees removed from the building site, further emphasizing the integration of natural and repurposed materials. Gonyea Custom Homes' model home, initially showcased in the Parade of Homes, redefines the concept of a "model" by focusing on realism and attainability rather than a generic template. Strategically placed to leverage a preserved wetland, the kitchen is at the front, allowing the great room and dining area to enjoy scenic views. A unique staircase design includes a mid-level loft for versatile use as a music room, office, or sitting area, and a dedicated kids' space maximizes functionality. The home incorporates various colors beyond white, such as a soothing tan in the kitchen, and features unique light fixtures, custom wall paneling, and artisan tile work. Earth tones and curved, organic shapes like arches contribute to a warm and inviting ambiance. Streeter Custom Builder's "Old Romantics" project on a lakeside property blends classical aesthetics with whimsical, personal details. The East Coast–inspired exterior, with its stone and symmetry, gives way to an interior filled with character. A porthole window into the pantry and Grecian-patterned vent covers add antique charm. A hand-painted verdure mural in the dining room conceals a hidden jib door leading to a blushing pink china closet, adding an unexpected touch of whimsy. Custom tiling in the kids' shower with a "No Diving" motif and a pull-down world map at the kitchen table further reflect the homeowners' personalities and travel aspirations. Landschute's Cape Cod-inspired lakefront property, designed with two equally important "front" sides due to its lake visibility, focuses on classic style and extensive outdoor living. Gables, dormers, gray shingles, and white windows create an approachable, luxurious aesthetic. The home features multiple porches on both the front and lakeside, along with a boathouse, creating abundant spaces for relaxation and enjoying the waterfront. OA Design+Build+Architecture's "Coloring Outside the Lines" project emphasizes the connection between built and natural environments. The exterior features durable PVC decking with a cedar look, contrasting with stark panels and channel. The color palette, including a copper roof, blue and beige panels, and orange highlights, creates a complex yet calming impression. Inside, the primary suite showcases urban forested burl maple and Russian olive in the vanity, a Turkish quartzite counter resembling petrified wood, and hand-carved sinks with kimono patterns. A "rust wall" in the mudroom, designed to look like Corten steel, meets a spalted birch bench, celebrating the natural beauty of materials in various stages. Ron Clark Construction and Design's "Small But Mighty" walk-out rambler in Ridgewood Ponds targets downsizers who desire high-end finishes and ample space for entertaining. It features big windows, a cathedral vault with arched trusses on the main level, and a lower level designed for parties with a stone fireplace, wet bar, and billiards room. The design incorporates trends towards more color, layered looks, millwork, and stained cabinetry. A clever apothecary-style built-in at the stairs conceals functional doors behind decorative drawer fronts. Custom One Homes' "Life, Styled" project was tailored to a health-conscious couple's specific needs, including a chef’s kitchen, double island, and generous bedrooms. A dedicated wellness retreat on the lower level, complete with a workout area, infrared sauna, and adjacent outdoor hot tub, provides a private sanctuary. An elevator was included for longevity, ensuring the home can adapt to their changing needs over time. A sunroom connects the interior to the deck and outdoor kitchen, and the backyard features multiple entertainment areas, water features, and lounging zones, designed as an extension of the indoor living spaces. Howard Homes' "Natural Selection" project, designed by Albertsson Hansen Architecture and Interior Design, focuses on simplicity, functionality, and a strong connection to nature. The secluded home uses natural materials like a dramatic natural fir ceiling and a soapstone slab island. The color palette draws from the surrounding landscape, featuring whites and muted greens. Adaptability is key, with a main-floor office that doubles as an overflow bedroom via a hidden Murphy bed. The homeowners actively restored natural prairie grass and created a large garden, with all interior finishes and wood window sashes chosen to frame the natural views like art, reinforcing the idea of homes becoming a personal reflection of their owners' lives and habits. Finally, Bronder Construction’s cabin, designed by Rehkamp Larson Architects, on a central Minnesota lake, embodies "Cabin Fever" with Scandinavian flair and year-round functionality. Despite its narrow peninsula location, every room offers water views. The design prioritizes private indoor and outdoor gathering spaces, with a deep overhang porch featuring a fireplace and ceiling heaters to extend its use through seasons. Durable, polished concrete with heated floors on the first level and warm wood cladding throughout the main floor create a cozy, Scandi-inspired atmosphere. A remodeled bunkhouse and renovated storage shed with a rooftop deck provide flexible spaces for smaller groups, quiet reading, or remote work, catering to the post-COVID trend of balancing togetherness with individual space. #CustomHomes #InteriorDesign #Architecture #HomeBuilding #LuxuryHomes #PersonalizedSpaces #SustainableDesign #ResidentialArchitecture

The article discusses six expert tips for designing a home that can adapt to various life stages, catering to first-home buyers, upsizers, and downsizers. Ebony O’Brien, Evolve studio manager at Bold Living, emphasizes the importance of understanding priorities, which can differ significantly across these groups. For first-home buyers, affordability and space for growth are often key, while upsizers may prioritize flexible rooms that can evolve with a changing family structure. One crucial tip is to opt for classic and timeless designs in major elements like kitchen cabinets and bathroom tiles. This approach ensures lasting value and allows homeowners to personalize their interiors with accessories without frequent major renovations. A neutral design provides a versatile foundation that can be easily adapted to different styles over time. Flexibility in floor plans is another critical consideration, particularly for upsizers and downsizers. Designs that allow for rooms to be repurposed, such as converting extra bedrooms into home offices or hobby spaces, are highly beneficial. For instance, the Bold Living 'Athena 351' design offers spacious living areas, multiple bedrooms, and separate zones, accommodating the needs of growing families and multi-generational households by providing a kids’ retreat and a master bedroom separated from other living areas. Functionality is also paramount; homes should be stylish yet practical for daily life. Examples include incorporating a mudroom for families with children or avid gardeners to manage dirt and mess, and designing wider hallways and accessible bathroom spaces to accommodate changing mobility needs. The article highlights practical features like placing washing machines and dryers at bench height with storage underneath to prevent bending. The integration of indoor and outdoor spaces is another key design principle. Creating a seamless connection between the outdoor living area, indoor kitchen, dining, and living spaces promotes a cohesive environment suitable for families and entertaining guests. The Bold Living 'Balwyn' design is cited as an excellent example of this indoor-outdoor flow. Effective storage solutions are essential for all homeowners. The recommendation is to choose designs that include built-in cabinetry to minimize clutter. Bold Living offers existing floor plans with ample storage and the option for customization to meet specific storage requirements. Finally, understanding when to save and when to splurge is crucial for managing budgets at different stages of homeownership. First-time buyers, for example, might prioritize affordable designs with essential features like three bedrooms, open-plan living, and indoor-outdoor connectivity, like the 'Felix' design from Bold Living. Prospective buyers can explore design ideas and display homes at Bold Living's Evolve Design Studio and various display locations across Southeast Queensland. #BuyingAndBuildingNew #FeaturedHomeBuilders #FeaturedHomeDesigns #HomeDesign #Interior #InteriorDesign

This article is the second part of a five-week series detailing the design project of the Hilltop Estate, specifically focusing on its living and dining areas. The living room and dining room are presented as a cohesive, larger space, characterized by a high ceiling vault. The design approach emphasizes a sense of continuity, achieved through elements like uniform drapery and symmetrical chandeliers. The color palette employed throughout these spaces is softened, featuring peaceful and calming tones, with black accents strategically used to complement the bold steel windows. In the living room, a focal point is created by built-in shelving constructed around a limestone fireplace. The design pays meticulous attention to molding details and the selection of décor accessories. A notable feature within the built-in shelving is a flannel-textured wallpaper backdrop, adding a subtle textural dimension to the space. The article highlights the Studio McGee design approach of mixing furniture styles, illustrated by the use of spindle lounge chairs that complement a cream-colored sofa without being an exact set. Furthermore, a blue-gray sofa with a distinct shape and upholstery is incorporated, contributing to a diverse yet harmonious furniture arrangement. Shea McGee, the designer, articulates the design objective for the living space: to create an environment that feels elegant and refined but remains comfortable and practical for the clients' lifestyle. This balance between aesthetics and livability is a core principle guiding the design decisions for the Hilltop Estate. The dining room, which adjoins the living area, features two prominent long walls. These walls are utilized to introduce height and scale into the space. One wall is adorned with a sideboard and a mirror, which not only serves a functional purpose but also reflects the surrounding views, enhancing the room's spaciousness. The opposite wall features a large hutch, providing both aesthetic interest and valuable storage capacity, contributing to the room's overall functionality and style. The integration of these elements ensures that the dining room, while distinct, maintains the overarching design philosophy and aesthetic continuity established in the living room. The article underscores the thoughtful consideration given to every detail, from architectural features to furniture selection and decorative accents, all working in concert to create a sophisticated yet comfortable living and dining experience within the Hilltop Estate. The design aims to blend traditional and modern elements seamlessly, resulting in a timeless and inviting home. #HilltopEstate #InteriorDesign #LivingRoomDesign #DiningRoomDesign #HomeDecor #DesignContinuity #FurnitureStyling #StudioMcGee

This page provides a comprehensive job board specifically for the interior design industry, hosted by Business of Home. It features a wide array of job opportunities across various roles and experience levels, from entry-level design positions to senior leadership and specialized roles such as architectural drafters and project managers. The jobs are primarily for full-time positions, but part-time, freelance, and internship opportunities are also listed. The platform caters to both job seekers and employers, offering functionalities to filter job listings by location, category, employment type, and compensation. The job board currently displays numerous openings from various design firms and companies. For instance, WECSELMAN DESIGN in Miami is seeking an Interior Designer for high-end residential projects, emphasizing a candidate with strong design sensibility and a curated eye. Jeremiah Brent Design in New York is looking for a Senior Design Documentation Specialist on a contract basis for a historic estate renovation, as well as a Senior Designer specializing in Furniture, Fixtures, and Equipment (FF&E;) for the same project. Mia Todd Studio, also in New York, is hiring a Designer/Senior Designer to lead high-end residential projects from concept to installation. Downey, a boutique residential design firm in New York City, is seeking a Senior Interior Designer with a strong background in architectural design and project management. Bruce Fox Design in Chicago is searching for a Senior Interior Designer with a mature and creative approach to innovative projects. Beyond traditional interior design roles, the board also lists specialized positions. CarbonShack is looking for a Multi-Line Sales Representative for sustainable designer fabrics, Sunthreads, with a commission-based compensation structure and performance bonuses. Marc Phillips Decorative Rugs in Los Angeles has an opening for a Sales Account Manager to cultivate relationships with designers, architects, and trade professionals. Studio Michael Ellison in New York requires a Senior Designer with a passion for luxury interior design and experience in private residential projects. Chused & Co. in Brooklyn is seeking a Senior Interior Designer/Project Manager to lead residential projects, focusing on architectural knowledge and technical drawing ability. Jennifer Messina Interiors in Mill Valley, CA, is hiring an Interior Design Project Manager to oversee all phases of projects, balancing creative vision with logistical precision. Ashli Mizell Inc. in Philadelphia is looking for a Senior Interior Designer for high-end residential projects across the Northeast, coastal Florida, and the Northern Rockies. Jerry Pair in Atlanta needs a Marketing Specialist to engage in various marketing facets within the luxury interior design industry, including e-commerce management and content creation. Julie Hillman Design, an AD100 firm in New York, is seeking an experienced Interior Architect for high-end residential projects. Studio MRS, an Elle Décor A-List firm in New York, is looking for a full-time Interior Architectural Drafter. The platform also provides resources for users, such as a job FAQ section and a dedicated page for employers to submit job postings. Featured jobs are highlighted, indicating potentially urgent or high-profile opportunities. Additionally, there is a classifieds section for other related services, such as office space rentals for designers. The overall structure of the page is designed to efficiently connect interior design professionals with relevant employment opportunities and industry resources. #InteriorDesignJobs #DesignCareers #CreativeIndustry #ProjectManagement #ArchitecturalDesign #SalesAndMarketing #ResidentialDesign #LuxuryDesign

This article details a significant renovation project undertaken by Shakespeare, Gordon, Vlado: Architects (SGVA) on a late 19th-century, four-story townhouse in Park Slope, Brooklyn. The clients, a couple with two young children, sought to address the common challenge of disconnectivity across multiple floors in townhouse living, aiming for better spatial interaction between family members and access to the garden. Architect Amy Shakespeare's innovative solution involved a complete gut renovation and a re-imagining of the internal floor levels in the lower half of the building. The redesign involved lowering the floor plate at the back of the house to create a sunken living room directly accessible at garden level. The kitchen's floor was also lowered, reducing the number of steps from the entry level and improving connectivity to both the entrance and the garden. This extensive structural modification was feasible due to the building's prior state, which consisted of four rundown apartments with no original features deemed worth preserving. The upper floors, the third and fourth, maintain a more traditional layout, accommodating a master bedroom, children's rooms, and additional bedrooms for visiting family. These floors also feature dedicated spaces for entertainment, such as movie-watching and video gaming nooks. Throughout the home, the design incorporates a predominantly white color palette, punctuated by bold, jewel-toned wall colors and dynamic textile patterns, adding vibrancy to the interiors. Upon entering, a vestibule and mudroom are located at the front, leading to a double-height library situated centrally in the floor plan. This library is distinguished by a striking wall of teal-colored bookshelves. Sustainable materials were a key consideration in the project, with extensive use of 100 percent certified wood, including fumed oak for the flooring. The double-height central space is illuminated by a Triad 15 light fixture from Apparatus. The sunken living room, furnished with a sectional sofa from B&B Italia, offers direct access to the garden. Visual transparency between spaces is enhanced by a glass panel incorporated into the kitchen's wood railing. The kitchen features a blue Lacanche range with nickel trim, a high-priority item for the clients, along with appliances from Sub-Zero/Wolf. The painted wood cabinetry was custom-built by the general contractor, Fulton Contracting. Nancy Angel, a Brooklyn-based designer, was responsible for all custom upholstery, including the dining area banquette adjacent to the kitchen. From the kitchen, an unobstructed view extends towards the front of the house, across the top of the library. Tempered glass and steel were used for the new stair railings, contributing to the open and modern aesthetic. The top floor includes a black-painted TV room, which also accommodates a queen-size platform bed for guests. On the exterior, the architects created a geometric composition on the blown-out back wall using standard-sized Marvin windows. Despite the lot being fully built out, a balcony was added by indenting the back wall to form a small terrace. The backyard was designed by Joanna Pertz Landscape Architecture, featuring a play area with a sandbox and swings at its far end. The project successfully transformed a multi-level townhouse into a cohesive and family-friendly living space. #ParkSlope #TownhouseRenovation #ArchitecturalDesign #InteriorDesign #FamilyLiving #SGVA #FloorLevelModification #SustainableMaterials #BrooklynRealEstate

Jennifer Crystal Foley and her husband, Mike, hired interior designer Liza Reyes for their 1930s Hancock Park, Los Angeles home renovation. While the exterior, subject to local council review, largely remained unchanged, the interior was slated for modernization. Reyes, however, acted as a "protector of the house," advocating for the preservation of many original details in the front half, such as dining room ceiling moldings and ornate iron balusters, a sentiment the Foleys shared. In the foyer, Reyes initially envisioned a grand round table with an oversized vase, a "quintessential entryway." However, due to space constraints and the room's curved walls, she opted for a custom oak floating shelf by local furniture maker Taidgh O’Neill. This provided a practical spot for keys and phones for the Foleys and their two daughters, Ella and Dylan. On the opposite wall, Reyes thoughtfully displayed nutshell ankle shakers, a memento from the Foleys’ trip to Zambia, evoking cherished travel memories upon entering the home. Despite the absence of a console, Reyes commissioned a bespoke rug from Mexico-based company Mestiz, entrusting its creator, Daniel Valero, with minimal input beyond color proofs and a concept photo of a bird. The kitchen design, a collaboration with architect Daniel Rodriguez, incorporated Reyes’s signature rules: paneled dishwashers and pull-out trash cans to seamlessly integrate with white oak cabinetry, and dedicated storage for cookbooks within the island. A central stove was a key feature, specifically requested by Mike, the primary cook. This design allowed him to engage with family and guests while cooking, with convenient drawers for utensils and cookware flanking the stove. The kitchen's perimeter was finished with pietra cardosa, a durable and acid-resistant stone, chosen for its aesthetic appeal and low maintenance. Mike expressed his daily enjoyment of the kitchen, particularly when entertaining. An upholstered window bench around a corner was strategically placed as the first focal point upon entering the house. While it serves as a comfortable spot for reading or relaxing, Jennifer humorously noted its practical use as an excellent laundry-folding station. The primary bathroom features a vanity with a dip, originally intended for Jennifer to apply makeup, but in practice, it provides extra space for skincare products, with a ledge naturally dividing the space for Mike. The family room boasts a gallery wall that blends intentional design with spontaneity. Reyes curated the family’s artwork, including children's creations and pieces by Jennifer's great-uncle, artist Bernhardt Crystal. She created paper mock-ups to plan the layout and frame dimensions. Jennifer appreciated the unexpected combination of their baby pictures with their daughters' art, describing it as an "art quilt" of their family, highlighting the personal and sentimental aspects of the home's decor. The article showcases a home that balances historical preservation with modern living, reflecting the family's personality and practical needs. #HomeTour #InteriorDesign #LAHome #Renovation #LizaReyesDesign #CustomFurniture #KitchenDesign #WindowSeat #GalleryWall

This blog post offers an exclusive tour of Dallas-based interior designer Erin Sander's custom-built home in University Park, highlighting her unique design philosophy of 'relaxed, refined luxury' and 'Belgian farmhouse' aesthetic. The 5,000-square-foot estate, featuring four bedrooms and five baths, was constructed from the ground up on a quarter-acre lot, with Sander herself drawing the floor and architectural plans. The design emphasizes natural light and understated yet impactful details, drawing inspiration from her travels and other design projects. The home’s architectural features include a long hallway terminating in a window, with steps leading to the second floor, designed to create visually appealing focal points. Custom light fixtures and detailed wood flooring were also designed by Sander. The living room, a space optimized for practicality for her young children, features performance fabrics, a custom grasscloth-covered coffee table, and artwork by Katrine Hildebrandt. An annex, originally Sander's home office, now serves as a family study. This vaulted, story-and-a-half space offers ample storage and privacy. The kitchen is a central highlight, showcasing rift-sawn white oak flooring and hand-hewn Douglas fir beams. A striking pale blue Lacanche oven range, chosen early in the design process due to its year-long procurement time, sets the tone for other blue accents in the space. Other notable kitchen elements include an unlacquered brass faucet by Waterstone and a backsplash by Clé Tile. Over the eye-catching island, custom-made fixtures from Urban Electric Company in a hand-hewn brass finish are suspended. Scandinavian-designed stools provide practical seating, and decorative bowls, including a vintage piece from Sander’s grandmother and ceramics by Sara Kersten, add personal touches. The honed marble countertops were intentionally chosen to observe their wear and tear over time, informing her client recommendations. Café curtains made from hand-blocked fabric by Galbraith & Paul add another layer of detail. The dining room combines vintage McGuire chairs, re-covered in Peter Dunham fabric, with contemporary art by Addie Chapin. Exposed brick and a light fixture from Currey & Company contribute to a modern yet cozy atmosphere. A collection of pewter dishes, including pieces from her mother and finds from the vendor Unrefined, adds dark contrast and personal history to the dining area. A custom coffee station, a testament to the family’s love for coffee, features a La Spaziale espresso machine with walnut panels, open shelving, and an Ann Sacks’ Savoy series backsplash. This functional space is equipped with refrigerator drawers for coffee essentials. The primary bedroom boasts a whimsical Oly Studio light fixture depicting a flock of birds, vintage cabinets from Juxtaposition Home, custom lamps, and quadrille bedding. The master bathroom includes custom white oak vanities and hand-cut limestone floors laid in a unique pattern, accented with tiny blue celeste marble mosaics. The home's exterior features a mix of materials like lime-washed brick and cedar shake, surrounded by live oaks and potted olive trees, creating an approachable street view. A custom wood bench from David Sutherland is nestled among Savannah holly trees in the backyard. The article provides a comprehensive look into an interior designer's personal residence, showcasing a blend of functionality, luxury, and personal style. #InteriorDesign #CustomHome #DallasHomes #HomeFeatures #LuxuryInteriors #BelgianFarmhouse #DesignerHome #HomeDecor #ErinSanderDesign

This blog post details the comprehensive renovation of a Sydney home, transforming it from an outdated French Provincial style into a functional, social, and contemporary living space suitable for a family with two teenage daughters. The primary goal of the renovation was to create diverse living areas, allowing family members to gather or enjoy personal space, while also updating the aesthetic to a clean-lined interior. The renovation began by stripping back the existing structure, which was in good condition despite its outdated design. A key change involved reconfiguring the ground floor. A previous bedroom and pantry near the kitchen were removed to accommodate a new home study, a spacious linen cupboard, and a dedicated family room. The entrance, which originally opened directly into the living area, was redesigned to include an alcove, improving the flow and privacy of the main living space. This also involved converting a former front garden into a north-facing courtyard with crazy paving, enhancing outdoor living options. Functionality was a central theme, exemplified by a clever, full-height multifunctional joinery unit. This unit, designed on tracks, allows the kitchen and dining areas to be either open-plan or closed off, providing flexibility for different occasions. The choice of materials also reflects the clean-lined aesthetic, with engineered boards replacing various floor finishes to create a cohesive flow throughout the house. The renovation extended to the lower ground floor, where additional communal living space was created. This area now features a bar, a kitchenette, a window seat, and a tropical-themed living area furnished with cane armchairs and a feature wall painted in Dulux Warm Spice. A significant exterior change involved replacing a bulky external staircase, which obscured views of the pool and backyard, with a lighter, spiral staircase from Enzie. This new staircase was strategically placed to maximize views and allow direct, easy access from the pool area without tracking water through the main house. Upstairs, the master bedroom underwent a significant reconfiguration. The previously open-plan bathroom was redesigned to include a separate walk-in robe leading into an en-suite bathroom. False ceilings were removed, and previously covered windows were revealed, dramatically increasing natural light. The addition of five new skylights further brightened the interiors, contributing to the fresh, contemporary feel. The owners sought an interior that would serve as a neutral backdrop for their eclectic furnishings and art, a vision brought to life by interior designer Kathryn Bourke. Brendon Harper of Harper Building Services, who worked on the house, emphasized the owners' desire for a contemporary, clean-lined interior. The project also faced challenges, such as working with existing ceiling heights, which were viewed as design challenges rather than insurmountable obstacles. Ultimately, the renovation achieved a transparent floor plan that balances openness and privacy, successfully transforming the Sydney home into a highly functional and aesthetically pleasing modern residence. #HomeRenovation #SydneyHome #FamilyLiving #InteriorDesign #ModernDesign #FunctionalSpaces #KitchenDesign #BathroomRenovation #OutdoorLiving #ContemporaryStyle

The article details the collaboration between interior designer Lynn Biase and mixed media artist Jenn Lewis to transform Lewis' new West Harrison home into a vibrant, family-friendly space that seamlessly integrates her distinctive artwork. Lewis, known for her bold, graffiti-style paintings and collages, sought Biase's expertise to create a fun and comfortable environment for herself, her two teenagers, and for hosting social gatherings. Biase had previously worked with Lewis on her former residence, indicating a pre-existing professional relationship built on trust and a shared aesthetic understanding. The design approach prioritized integrating Lewis's artwork, which the artist noted felt organic due to Biase's color choices throughout the home. The house's open layout, high ceilings, and large windows were naturally conducive to displaying art, creating a bright and airy atmosphere. Biase employed a 'high/low' design philosophy, combining custom-made elements with existing features and sourced items to achieve a cohesive yet unique look. An example of this is seen in the foyer, where the existing natural grass cloth wallpaper was complemented by a custom graphic stair runner that extends to the upstairs landing, establishing a striking entrance. The upstairs landing was transformed into a dedicated family area, featuring a game table with a built-in chess board to accommodate Lewis's son's hobby. Sculptural accessories from Current Home further adorned the shelving in this space, adding visual interest. In a previously neutral powder room off the foyer, Biase introduced an arched Arteriors mirror and patterned wallpaper by Kelly Wearstler, significantly enhancing its character. The kitchen saw minor yet impactful updates, including a black and brass faucet, modern black hardware, and pendant lights over the island, all contributing to a contemporary feel. Biase also introduced a pop of color with bright yellow chairs in the kitchen's breakfast area, a departure from Lewis's usual preference for grays. This sunny hue was echoed in the adjoining family room through throw pillows, connecting the spaces visually. For comfort, a custom coffee table with a fabric center was designed to match a large cream-colored sofa from RH, fulfilling Lewis's desire for a soft place to relax. The dining room features watercolor-inspired wallpaper from Emma Hayes, which harmonizes with the gray tones of the dining table and light fixture, while Arhaus dining chairs with antique brass accents add a touch of sparkle. The living room's design began with another bold wallpaper selection, complemented by a rust-colored sectional for visual contrast. In Lewis's office, Biase opted for a cool gray paint, providing an ideal backdrop for the artist's work and highlighting the walnut desk and wool patterned rug. A sitting room adjacent to the primary bedroom showcases one of Lewis's paintings of a bookshelf, seemingly custom-made for the space. The overall design successfully brought Lewis's artistic vision into her living environment, creating a home that feels both fresh and welcoming, according to the artist.

Yoselin Alonso, the associate interior designer at METHOD & CONCEPT, approaches interior design as more than just surface aesthetics, seeing it as a holistic discipline that encompasses functionality and architecture. Her upbringing provided a foundational understanding of construction, with her father, a builder, teaching her practical skills like door installation and stair construction from a young age. Her mother, a seamstress, further cultivated Alonso's inclination towards working with her hands and fostering creativity. At METHOD & CONCEPT, Alonso collaborates with Chad Jensen, extending beyond traditional design tasks to integrate art and architecture. The firm, which is a sister company to the Thomas Riley Artisans’ Guild, functions as both a design studio and an art gallery, emphasizing the fusion of design and art. This approach ensures that artisanship is central to all projects, with spaces meticulously planned to highlight artworks. The team often commissions custom furnishings or millwork from Thomas Riley to realize specific visions or functional requirements, or they design entire rooms around a client's beloved art pieces. Alonso stresses that artists are considered integral to the design process itself. Alonso's role is comprehensive, involving her in every stage of a project. Her responsibilities range from conceptualizing designs and attending client meetings to conducting site visits, ordering materials, and developing project plans. She excels in creating 3D renderings, a skill Jensen notes was a valuable addition to the team. Additionally, Alonso is actively involved in developing METHOD & CONCEPT’s proprietary line of soft goods, which is scheduled for release in an upcoming season. Chad Jensen sought specific qualities when hiring for the associate interior designer position, describing his ideal candidate as a 'unicorn.' He was particularly drawn to Alonso's dualities: her polished and articulate presentation contrasted with her willingness to engage in hands-on tasks, such as driving a pickup truck and getting her hands dirty. Jensen observed that he and Alonso share a common design philosophy, prioritizing intentionality in their projects. This involves carefully considering how individuals will experience each space, its practical usage, and how the ambiance of a room transforms throughout the day. Jensen also values Alonso's genuine passion for her craft and her eagerness to learn, noting that she often dedicates weekends to the studio to learn from him, as he is also a practicing artist and maker of furniture and functional art objects. Alonso's personal creative inspirations often stem from her parents' native Mexico, drawing from places like Las Pozas, a surrealist garden in Xilitla. This sense of discovery fuels her desire to create unique and meaningful designs. At 27, she is rapidly refining her unique style, influenced by her work with Jensen and the METHOD & CONCEPT team, as well as her desire to remain close to her family in Bonita Springs. She expresses contentment with her current professional and personal environment, affirming that she has found her ideal place. Her initial attraction to the company was solidified by observing Chad Jensen's office, which showcased materials, sketches, and renderings that illustrated a detailed and considered design process, aligning with her preference for thoroughness in design. #InteriorDesign #HomeDesign #ArtIntegration #ArchitecturalDesign #CustomFurnishings #DesignProcess #CreativeInspiration #LuxuryInteriors