Design Escape: 7 Remarkable Objects From the Cooper Hewitt

The concept of aging in place, which allows individuals to live independently and safely in their homes for as long as possible, has gained significant attention in recent years. This article explores several innovative remodeling products that blend functionality with aesthetic appeal, catering to the needs of an aging population without compromising on style. Drawing inspiration from design pioneers like Michael Graves and the accessible offerings of brands such as American Standard, the focus is on creating environments that are both practical and visually pleasing. For kitchen remodeling, touchless faucets are highlighted as a crucial upgrade. These fixtures are beneficial not only for individuals with arthritis or limited hand dexterity but also for anyone seeking a more convenient and hygienic experience. The Avery Touchless Faucet from American Standard is presented as an example, featuring hands-free technology that simplifies operation. This small change significantly enhances the quality of life, making daily tasks more manageable. In bathroom remodeling, safety is a paramount concern, particularly regarding fall prevention. The article recommends bathtubs with textured floors to minimize the risk of slips and falls. The Town Square S Bathtub from American Standard is cited for its textured surfaces and sloped lumbar support, which provides comfort and safety during bathing. Furthermore, faucets equipped with a Hot Limit Safety Stop are suggested to prevent accidental scalding. The Studio S 2-Handle Integrated Shower Diverter allows users to pre-set water temperatures, ensuring a safe bathing experience. For showers, the CVS Health Convertible Shower Chair and Stool by Michael Graves Design offers an adjustable, rust-proof, and lightweight solution that can be easily integrated into existing shower spaces, providing support and convenience. Addressing personal care needs, the CVS Health 3-in-1 Comfort Commode by Michael Graves Design is introduced as a versatile and discreet option. This commode is designed to blend seamlessly into a bedroom setting when not in use, appearing as a contemporary chair. It features a removable bucket for nighttime use, and its armrests can swing away to facilitate transfers from a bed or chair. Additionally, the height-adjustable seat rails allow it to be placed over a toilet for added stability, reflecting careful consideration for strength, stability, and security in its design. For living room remodeling, the article emphasizes the importance of comfortable and accessible seating. For individuals with limited mobility who may spend more time in recliners or armchairs, investing in ergonomic and durable options is crucial. The Samuelson brand is highlighted for its design-forward, heavy-duty chairs, particularly the Samuelson Tilt line. These chairs incorporate features such as a patented walker holder disguised as a design element and easily cleanable, durable fabric, addressing both mobility support and maintenance needs. Finally, the importance of lighting in senior safety is underscored, with certified aging-in-place specialist Max Tripodi advising on enhancing ambient lighting, especially with recessed lights. Smart lights that can sync with voice-activated devices are recommended to eliminate the need to fumble for switches in the dark, improving navigation and reducing fall risks. Replacing older, small toggle switches with larger, modern toggle switches is also suggested for easier operation for those with arthritis. These lighting solutions contribute to creating a safer and more comfortable living environment. #AgingInPlace #HomeRemodeling #AccessibleDesign #KitchenDesign #BathroomRenovation #SmartHome #SeniorLiving #UniversalDesign #ProductInnovation

The "At Home" chain offers a variety of high-quality, reasonably priced home decor items, ranging from vases and candles to seasonal decorations. This week's top-selling new finds include seven distinct items. A popular choice is the Natural Woven Rattan Vase, available in natural or white for $19.99, which has received positive feedback for its aesthetic appeal and value. Another highly sought-after item is the Cinnamon Scented Brooms, priced at $6.99 each, which are praised for their long-lasting scent that evokes a holiday atmosphere. For seasonal decor, the Orange, Yellow & Red Heather Wreath, 28″, costing $49.99, is noted for its vibrant fall colors and natural appearance, adding a significant visual impact to outdoor spaces like front porches. For Halloween, the Midnight Shadows Red & Black Rose in Skull Vase, 26″, priced at $74.99, offers a classy yet spooky decoration option that has been well-received as a gift and for creating a themed ambiance. A more luxurious item is the Honeybloom Natural Weaving Rattan Medium Table Lamp with Shade, 24″, which resembles designer pieces but is available at a fraction of the cost, at $49.99 for a small and $89.99 for a medium. This lamp is appreciated for its warm glow and textured, neutral design that blends with various decors. Additionally, Gold Taper Candle Holders with Handle, 3.5″, are selling for $9.99 each and are ideal for holding various taper candles throughout different seasons, offering portability and elegance. Finally, the Playing Card Box with Cards provides a stylish solution for storing a deck of cards, encouraging impromptu games and serving as an attractive accent piece for home furnishings like TV consoles. These items represent a diverse selection of home decor that are currently popular and flying off the shelves at At Home, catering to different styles and seasonal needs. #HomeDecor #AtHome #SeasonalDecor #RattanVase #ScentedBroom #FallWreath #HalloweenDecor #TableLamp #CandleHolders

Extra&ordinary; Design is a London-based studio founded by Hyunhee Hwang, specializing in creating design-led products that elevate everyday spaces. Hwang's extensive experience in the design industry in South Korea and England, spanning over a decade, has shaped her distinctive aesthetic. This aesthetic is characterized by a blend of playful colors, sculptural forms, and the innovative use of jesmonite, a versatile composite material known for its tactile qualities and ability to mimic natural stone. The studio's latest collection, named Scala, draws inspiration from the grandeur of Roman marble architecture, specifically focusing on the visual elements of marble block stairs and columns. The Scala collection encompasses a range of home objects, including vases, candle holders, incense holders, and decorative trays. Each item within this collection is individually cast and meticulously handmade, resulting in unique marble-like characteristics and finishes. This artisanal approach ensures that no two pieces are exactly alike, adding to their individual charm and exclusivity. The use of jesmonite allows for the replication of marble's luxurious appearance while offering a more sustainable and lightweight alternative. Beyond the Scala collection, Extra&ordinary; Design also features pieces from its Jumony collection. This collection includes accessory trays and wall-mounted planters, which are distinguished by their ruffled edges. These delicate, fabric-inspired details are a direct nod to traditional Korean garments and accessories, reflecting Hwang's cultural heritage and her ability to integrate diverse influences into contemporary design. The Jumony collection's design elements evoke a sense of softness and movement, contrasting with the more structured forms of the Scala collection, yet maintaining the studio's overarching commitment to unique and visually engaging objects. Extra&ordinary; Design's philosophy centers on transforming mundane household items into pieces of art that contribute to the overall aesthetic and atmosphere of a home. By focusing on unexpected forms, vibrant colors, and innovative materials like jesmonite, the studio aims to create objects that are not only functional but also serve as focal points in a space. This approach challenges the conventional understanding of home furnishings, encouraging consumers to view everyday objects as opportunities for artistic expression and personal style. The studio’s dedication to craftsmanship and thoughtful design is evident in every piece, making each a conversation starter and a testament to the beauty that can be found in the reimagining of the ordinary. #ExtraordinaryDesign #HomeDecor #Jesmonite #SculpturalDesign #InteriorDesign #HandmadeObjects #ScalaCollection #JumonyCollection #HyunheeHwang

The Cooper Hewitt, Smithsonian Design Museum's exhibition, "The Jazz Age: American Style in the 1920s," is presented as the inaugural major museum exhibition focusing on American design trends during the 1920s. Despite its American concentration, the exhibition serves as a dynamic international showcase, reflecting the era's rapid cultural and technological advancements. Sarah Coffin, curator and head of product design and decorative arts at Cooper Hewitt, co-organized the exhibition with Stephen Harrison of the Cleveland Museum of Art. Coffin noted that previous European Art Deco exhibitions often overlooked American contributions. The exhibition's inception stemmed from the discovery of a significant collection of previously underexhibited 1920s materials during the Cooper Hewitt's multi-year renovation, coinciding with the Cleveland Museum of Art's holdings, which include pieces from the influential Paris 1925 International Exhibition of Modern Decorative and Industrial Arts. The two-floor exhibition is a visually overwhelming experience, featuring over 400 objects that embody the decadence, novelty, and eclectic styles characteristic of the Roaring Twenties, as described by F. Scott Fitzgerald as an "age of miracles, it was an age of art, it was an age of excess, and it was an age of satire." Organized around themes such as "Bending the Rules" and "Abstraction and Reinvention," the exhibition displays a diverse array of items, including furniture, flapper dresses, paintings, and Prohibition-era cocktail shakers, illustrating the cross-pollination of influences across various artistic media. Many contributing designers were European immigrants or had their works imported, while American designers often studied abroad, incorporating European techniques and aesthetics like tubular metal from the Bauhaus or bold colors from De Stijl. Examples include Ruth Reeves, who studied textiles with Fernand Léger in Paris before working on Radio City Music Hall designs, and Viktor Schreckengost, who blended his Vienna sculpture studies with his Ohio pottery background. Coffin emphasized that the exhibition highlights the vibrant exchange of ideas among designers from different countries converging in American urban centers, leading to an extraordinary amalgamation of modern design thinking on American soil. The installations showcase this international exchange, such as British designer Wells Coates’s Bakelite radio on German designer Kem Weber’s streamlined sideboard, both intended for mass production. Pieces like Russian-born craftsman Samuel Yellin’s wrought iron fire screen alongside Lorentz Kleiser’s tapestry of Newark’s transformation demonstrate the persistence of historical European aesthetics. Architectural influences are also evident, with Austrian émigré Paul Frankl’s "Skyscraper Bookcase" incorporating the zoning-enforced setbacks of new skyscrapers, a motif echoed on a smaller scale in Erik Magnussen’s Cubic coffee service. The exhibition aims to draw connections between objects, illustrating the palette and styles of the era, such as a Jean Dunand enamel vase placed beside a similarly colored dress. It also reveals influences between designers, like Edgar Brandt’s screen impacting the Rose Iron Works of Cleveland, highlighting a continuous artistic dialogue. The exhibition "The Jazz Age: American Style in the 1920s" remains open at the Cooper Hewitt, Smithsonian Design Museum through August 20. #JazzAge #AmericanDesign #ArtDeco #CooperHewitt #DesignHistory #CulturalExchange #ExhibitionReview #RoaringTwenties #ModernDesign

Design Miami/ Basel returned for its 13th edition, showcasing a diverse collection of new creative projects, iconic designs, and conceptual interpretations within the design genre. The event, held in the Herzog & de Meuron-designed fairgrounds, featured 43 international galleries representing modern and contemporary design, alongside ten special Curio presentations and large-scale installations, marking a significant celebration of both culture and commerce. This overview highlights several key installations and collections that captured attention. One notable presentation was the ‘(Con)temporary Home’ by Brazilian brand ETEL, designed by Italian architecture firm Superluna. This Collectors Lounge was conceptualized as a domestic environment, enclosed within a steel frame that subtly separated it from the fair's activity. The interior featured a curated mix of contemporary and historical Brazilian design pieces, complemented by photographs from Ruy Teixeira. A significant portion of the furniture offered to guests for relaxation, accompanied by champagne, included pieces by Jorge Zalszupin, honoring the Brazilian master on his 96th birthday. New York gallery Friedman Benda presented Nendo’s 'Watercolour Collection,' a series of 18 pieces designed to evoke the illusion of watercolor paintings on paper. Crafted from folded metal sheets, these objects utilized a special finishing technique to mimic paper, then hand-painted to create a light blue watercolor effect. The collection reimagined traditional furniture forms into abstract compositions, with the paint interacting with the shapes to produce a poetic, illusory quality. Belgian gallery Maniera collaborated with Dutch architect Anne Holtrop to present new works, including furniture, lighting, and accessories. These pieces formed micro-architectures that reflected Holtrop's distinct aesthetic, characterized by his unique sense of shape and material. Maniera's ongoing commitment involves commissioning architects to translate their signature styles into smaller-scale design objects. Design at Large, the annual initiative by Design Miami/ Basel, was curated by photographer François Halard in 2018. Halard explored the enduring impact of design through a series of nine diverse projects from the 20th and 21st centuries. The exhibition featured architectural elements by Jean Prouvé, interiors by Gaetano Pesce for the Dujardin children’s store, and a micro-architecture by RDAI. Halard's curatorial vision aimed to connect past influences with present and future design trends, emphasizing the continuity of ideas in art and design. ‘A New Layer Taiwan,’ presented by Spazio Nobile Gallery, showcased an initiative by the National Taiwanese Craft Research and Development Institute. This project fostered collaborations between Taiwanese craftsmen and international designers. Curator Lise Coirier brought together seven designers who worked with local artisans to produce a range of pieces, including ceramic works by Anton Alvarez and BCXSY, bamboo furniture by Sebastian Herkner and Jin Kuramoto, and lacquer objects by Julie Richoz and Wonmin Park. Olivier van Herpt, an Eindhoven graduate, presented 'Blue and White' for VIVID. This collection highlighted his unique ceramic 3D printing technique, which creates a distinct aesthetic. The series drew inspiration from the Delft tradition of blue porcelain, with cobalt pigment applied by hand before extrusion, resulting in a radial gradient pattern that symbolizes the collaboration between human interaction and machine precision. This project was initially commissioned by the Gemeentemuseum Den Haag. Calvin Klein made its debut at Design Miami/ Basel with an installation featuring Gaetano Pesce’s 'Feltri' chair, designed in 1987 for Cassina. The installation, inspired by a barn, was reinterpreted by creative director Raf Simons using vintage American heirloom quilts from the 19th and 20th centuries. It showcased 100 limited edition numbered chairs, marking a unique cross-disciplinary presentation. Lastly, 'Origins: Design from the Ancient World' was presented by Galerie Chenel and Oscar Humphries. Following his successful Curio installation from the previous year, Humphries, in collaboration with Paris’ Galerie Chenel, displayed Roman design for the first time at a design fair. The collection featured Greco-Roman artifacts, design, and architectural elements from 200 BC to approximately 200 AD, including columns, capitals, urns, and fragmentary sections from interiors and furniture. This exhibition aimed to introduce this material to a new audience and provide a fresh context, demonstrating the fundamental synergy and enduring influence of ancient design on contemporary genres. #DesignMiamiBasel #CollectibleDesign #ContemporaryDesign #DesignExhibition #ArchitecturalDesign #FurnitureDesign #ArtAndDesign #InteriorDesign #Craftsmanship

This article highlights various innovative design pieces from global makers, showcasing a blend of traditional craftsmanship and contemporary materials. The featured designers and studios, hailing from locations such as Brooklyn, Copenhagen, and Ukraine, emphasize unique artistic visions and sustainable practices in their creations. Each piece is a testament to meticulous design and material exploration, ranging from intricate glass sculptures to furniture made from reclaimed materials. The article begins by introducing Reevein Studios, specifically Sara Rosa Oppermann and Alice Soro Cilliara, who create mouth-blown glass sculptures. Their 'Spora' sculpture, available in amber and electric blue, demonstrates the artistic manipulation of glass into fluid forms. Following this, Djivan Schapira's 'Divergent' foyer and low tables are presented, characterized by resin inlaid with bronze wire, offering a modern aesthetic with intricate detailing. Kateryna Sokolova's 'Flock' chair for Noom, featuring an upholstered injection-molded soft-foam body and stained-ash feet, illustrates a combination of comfort and sculptural form. Faina's Victoria Yakusha contributes the 'Sontsehryv' sculpture, which stands out for its sustainable composition. This piece is crafted from Ztista, a proprietary blend of cellulose, clay, flax fiber, wood chips, and biopolymer, reflecting a commitment to eco-conscious design. Streicher Goods, led by Ethan Streicher, showcases a collection of lamps—Archie, Ping Pong, and Drum—fabricated using various stoneware clays, underglazes, mid-range glazes, and sometimes blown glass or 3D-printing processes. These lamps explore diverse material combinations and manufacturing techniques. Mansi Shah of Manu Nanu presents an interlocking vase made of hand-blown borosilicate glass in amber and cobalt-blue, demonstrating a sophisticated approach to color and form in glasswork. Nathan Litera's side table combines natural rope and grand antique marble, offering a textural and material contrast that evokes both rustic and luxurious sensibilities. Astraeus Clarke, by Chelsie and Jacob Starley, features the 'Lenox Small' three-globe light, available in wall sconce and chandelier formats, constructed from powder-coated steel, brass, and glass, indicating a versatile lighting solution. Eduardo Rivas of ERM Studio contributes the 'Materia Digital' cast-aluminum coffee table with a glass top, showcasing a blend of industrial materials with a refined finish. Kiki Goti's 'Belted and Buttoned Up' wall lights, made from aluminum, polished nickel, and steel, exemplify a contemporary and structured lighting design. Feyza Kemahlioglu of Feyz Studio, through Wexler Gallery, introduces the 'Glowing Sentiments' lighting collection, which incorporates hand-blown Murrine glass, brass chain, and Meerschaum, a hand-carved clay mineral, highlighting intricate details and unique material sourcing. Ciara Jade Dockery’s 'Creature Comforts' collection includes a Flokati wool pouf, a Mohair bench crafted from vintage rugs, and a Ply occasional table made of FSC-certified plywood. These pieces emphasize comfort, sustainability, and the repurposing of materials. Matt McKay presents the 'Jib' shearling and lacquer stool, the 'Ahoo' cashmere-upholstered lounge chair, and the 'Cap' resin and lacquer coffee table, all demonstrating a focus on tactile luxury and modern forms. Finally, Michelle McLaughlin of Calyer Ceramics features the 'Sprig' floor lamp, which features a ceramic stoneware base with a handmade glaze and a linen shade, showcasing a handcrafted approach to lighting. #MaterialInnovation #ProductDesign #SustainableDesign #Handcrafted #Ceramics #GlassArt #FurnitureDesign #LightingDesign #InteriorDecor

This article highlights seven innovative design studios from across the globe, showcasing their unique approaches to architecture and design. These emerging practitioners are recognized for transcending traditional disciplinary boundaries, from product design blending technology with furniture to architectural firms challenging physical space limitations through virtual installations. Norman Kelley, based in Chicago and New York, is featured for its sly and conceptual approach, often playing with visual expectations. Their "Wrong Chairs" exhibit, for instance, exaggerated elements of the iconic Windsor chair, making them appear "wrong" yet fully functional. Principals Carrie Norman and Thomas Kelley emphasize a rigorous playfulness in their work, valuing impact and gratification over overwhelming designs. Despite being geographically separated, they maintain constant collaboration, blurring the lines between academic and professional practice. Their work extends to residential rehabs and commercial projects, such as their first retail space for Aesop in Chicago, where they utilized reclaimed common brick, and a subsequent project in New York's Tribeca district, using ombré paint to reflect the neighborhood's character. Homeowner Sam Vinz, who commissioned Norman Kelley for a residential project, praises their ability to refresh existing concepts in an accessible manner. San Francisco-based Branch Creative, led by Nick Cronan and Josh Morenstein, specializes in making technology discreet or "invisible." Their product, Plume, replaces traditional Wi-Fi routers with hexagonal pods that blend into home decor, providing efficient wireless connectivity. Both Cronan and Morenstein bring extensive industrial design experience, having worked for notable companies like fuseproject and Ammunition. They ventured into developing futuristic devices, including the modular Google Ara phone and Athos exercise clothing that provides real-time muscle activity feedback, which they refined to be seamless and intuitive. Despite their focus on technology, they are passionate about furniture design, creating pieces for Council's Drift collection that combine classic forms with subtle illusions, emphasizing longevity and sophistication. SIBLING, a young Melbourne-based firm, is recognized for its experimental and participatory approach to design. The five directors—Amelia Borg, Nicholas Braun, Jane Caught, Qianyi Lim, and Timothy Moore—engage in a wide array of projects, including exhibitions, commercial fit-outs, and residential designs. They actively initiate their own research projects, such as the ON/OFF exhibition, which explored the digital and physical worlds by creating a space that blocked smartphone reception. These conceptual investigations inform their commercial work, exemplified by the DUST retail space that integrated a digital commercial platform into a physical setting. SIBLING's freedom from established practice allows them to design a business model that is unique to their founders' processes, clients, and community. Refik Anadol, a media artist based in Los Angeles, explores the intersection of architecture and digital art. Inspired by the Walt Disney Concert Hall, Anadol created large-scale video artworks that transform architectural facades into dynamic canvases. His collaboration with Gehry Technologies and the Los Angeles Philharmonic resulted in immersive experiences like "Visions of America: Amériques," where real-time custom software projected images responsive to music and conductor movements. Anadol's work also extends to public art commissions, such as "Virtual Depictions: San Francisco" for 350 Mission, which uses Twitter data to generate animations on a large LED display, exploring how public art interacts with public data. He envisions a "post-digital architectural future" where media architecture transcends traditional screens and VR. Tropical Space, from Ho Chi Minh City, focuses on eco-friendly and avant-garde architecture that utilizes simple building materials. Founders Nguyen Hai Long and Tran Thi Ngu Ngon specialize in designing porous homes that "breathe" in tropical climates, moving away from conventional closed-off modern Vietnamese housing. Their projects, such as the Terra Cotta Studio and the two-story Termitary House, showcase innovative facades made from traditional red baked bricks, providing both graphic appeal and natural ventilation. They also design custom furniture from recycled materials, emphasizing simplicity and cost-effectiveness while fostering social interaction within living spaces. APRDELESP, a Mexico City-based architecture office, distinguishes itself through a multidisciplinary approach that integrates commercial ventures with design practice. Founders Rodrigo Escandón and Guillermo González operate a variety of "subspaces" including a restaurant, a café that doubles as a furniture showroom, an art gallery, and a print shop. This model allows them to experiment with how space is used and to circumvent traditional design practices. They view these ventures not merely as revenue streams but as experimental projects to foster new thinking and better conditions for their design work. Their unconventional approach to client engagement and public relations emphasizes dynamic interaction over formal style, resulting in a design methodology that documents the full lifespan of a project through casual snapshots and detailed drawings of everyday objects. LCLA, led by Colombian architect Luis Callejas with bases in Oslo and Medellín, integrates landscape, cartography, and botany into architecture. Callejas, who gained prominence through public competitions and his work on the Aquatic Center in Medellín, challenges conventional architectural typologies by blending natural elements with built structures. His conceptual motif of the "island" highlights the potential for unique developments within contained environments. Callejas advocates for cultivating atmospheres rather than prescriptive sequences, using evocative collages as a key representational tool. His work, like "The River That Is Not" study for the Medellín River, proposes integrated strategies for hydrologic remediation and public engagement, demonstrating a political resonance in his designs. His current projects explore topographical sites in the Andes and Norwegian mountains, applying large-scale thinking to residential jobs. #ArchitecturalInnovation #DesignStudios #ProductDesign #SustainableArchitecture #MediaArt #UrbanPlanning #InteriorDesign #ExperimentalDesign #EmergingTalent

In 1967, fiber artist Sheila Hicks collaborated with architect Warren Platner to design two linen-and-silk wall panels for the Ford Foundation headquarters in New York City. Platner was responsible for the interiors of the 12-story modernist landmark, designed by Kevin Roche John Dinkeloo and Associates. Hicks's original wall panels, which featured rosettes threaded around metal discs, suffered significant damage over the years due to an attempted fire retardation treatment in the 1980s, the abrasion from Eames executive chairs in the conference room, and cigarette smoke in the auditorium. Recognizing the historical and artistic importance of these pieces, Ford Foundation President Darren Walker, appointed in 2013, initiated their replacement. He commissioned Hicks to recreate the murals. Hicks accepted the project without an artist's fee, underscoring her commitment to the foundation and her artwork. The re-installation took place in August 2014, with Hicks overseeing the process. This reprisal of her work for the Ford Foundation coincided with a broader resurgence of interest in Hicks's art, marked by other large-scale public commissions, including a yearlong exhibition at the Palais de Tokyo in Paris, and a general renewal of appreciation for weaving as an art form. The modern tapestry was produced in smaller, modular sections by Enrico Martignoni, the chief installer, and project leader Dominique Pastor. This modular approach was adopted to facilitate easier replacement if any section were to be damaged in the future. Crucially, the new silk-blend threads will not undergo the same caustic chemical fire-proofing treatment that damaged the original works. Additionally, the new panels are more cost-effective, utilizing a silk-blend thread and plastic discs in place of the original metal components. The article also touches upon the broader design elements of the Ford Foundation building. Warren Platner, known for his opulent modernist style, integrated bold metallics into his interiors, such as the gold-plated, floor-to-ceiling doors leading to the subterranean auditorium. The landscape designer Dan Kiley, celebrated for his work on projects like the Miller House and the St. Louis Arch, created the lush indoor urban garden within the Ford Foundation. Architects Kevin Roche and John Dinkeloo designed the headquarters with the employee in mind, reversing the traditional skyscraper layout to ensure every office had exterior views or overlooked the indoor park within the ten-story glass atrium. Skylights at the top of the atrium, framed in Cor-Ten steel, allow natural daylight to flood the space. Even the executive chairs, modified by Charles and Ray Eames, featured brown leather upholstery and brass accents to complement Platner's design, and notably, still included pull-out ashtrays. #SheilaHicks #FordFoundation #TextileArt #ModernistDesign #InteriorDesign #ArchitecturalRenovation #ArtInstallation #WarrenPlatner #KevinRocheJohnDinkeloo

A new book titled “Design in the Hamptons,” authored by architectural publisher and art critic Anthony Iannacci, challenges the conventional perceptions of Hamptons estates by showcasing 19 private homes designed by prominent New York architects and interior designers. Set to be released on September 9, this publication delves into residences that defy the typical mega-mansion aesthetic, including a small cottage featuring impressive gardens. Iannacci highlights that the selected homes continue a tradition of talented New York designers creating retreats in the Hamptons that offer a contrast to urban life in Manhattan. He describes this new wave of design as a “treasure trove of residential design,” emphasizing its respect for the Hamptons' renowned landscape. The timing of the book is noted as opportune, coinciding with a significant building boom, allowing it to present contemporary design concepts. Iannacci, who grew up visiting his family's beach cottage in Southampton, stresses that there isn't a single approach to how these homes facilitate living. The author observes a cultural evolution in the design, construction, and furnishing of Hamptons homes, marked by a renewed interest in modernist structures that incorporate traditional elements. He suggests that the pursuit of an authentic Hamptons experience is a personal journey for each homeowner. This approach often translates into living room layouts designed for intimate conversations or strategically placed picture windows framing specific natural features, moving away from generic or mass-produced design. Among the featured properties is the cottage belonging to designers Tony Ingrao and Randy Kemper. This home, originally part of the historic Lorenzo and Mary Woodhouse estate, was a carriage house. Upon acquiring the property in 2005, Ingrao and Kemper meticulously recreated the estate's legendary gardens, which had been lost. Despite the cottage's modest size, its expansive and lavish gardens now rival botanical institutions. The designers enhanced the former garage structure with elements like old barn beams and plaster walls, making the garden central to their design vision. They had previously sold a home in Montauk due to its unsuitable conditions for gardening, underscoring their commitment to cultivating the Hamptons property. Their walled-in garden, complete with antique brick walls and a fountain, serves as their primary outdoor living area during the summer, complemented by an adjacent shed used as an outdoor dining room. The pool is also intentionally surrounded by lush plantings to prevent it from dominating the landscape. In stark contrast, the book also features Todd and Lauren Merrill’s modern 1986 home in the Shinnecock Hills of Southampton. Merrill, a designer and antiques dealer, restored the Charles Gwathmey- and Horace Gifford-inspired house to its original, clean lines. He recounted that the house, when purchased two years prior, had been altered with '80s-style decor, including a curved tile backsplash and large murals, which he systematically removed to reveal the underlying architectural integrity. The 9,000-square-foot residence, though structurally sound, had its design diminished by superfluous elements like extra trim and moldings, which Merrill stripped away. Today, the home functions as a “design lab” for Merrill’s collection of mid-century and modern classic furniture, offering ample space and light for displaying his pieces. Architect Russell Groves, currently renovating his own 1970s ranch house in East Hampton, emphasizes the challenge of maintaining simplicity in the often-extravagant Hamptons. For a client’s six-bedroom shingled East Hampton retreat, Groves aimed to maintain the scale reminiscent of 19th-century homes, incorporating modern art and vintage accessories with classic details like wainscoting and wood banisters. Interior designer Suzanne Shaker collaborated with architect Cary Tamarkin on his Shelter Island family residence, constructed from old-growth cypress. The living room features Noguchi Akari pendants and a custom platform sofa, designed to maximize sea views, with clerestory windows operated by customized sailboat cranks. Shaker notes the quieter, less developed nature of Shelter Island compared to the Hamptons, informing their design’s focus on preserving and appreciating nature. Finally, the husband-and-wife design team Robin Standefer and Stephen Alesch of Roman and Williams transformed a 1970s suburban ranch in Montauk into what they call an “unfinished summer camp.” Their approach involved revealing the structure's bones by removing asbestos paneling and sheetrock, exposing wires, conduits, and ducts, and replacing sheetrock with tambour wood. These design choices have influenced their commercial projects, such as the café at Facebook’s headquarters and the Standard High Line hotel. The overall message conveyed by the book is that the ideal Hamptons escape is defined by personal happiness and authenticity, rather than size or adherence to fleeting trends. #HamptonsDesign #ArchitecturalDesign #InteriorDesign #ModernistHomes #LuxuryRealEstate #GardenDesign #CoastalLiving #DesignBook #NewYorkDesigners

The article explores how integrating pre-loved architectural features can introduce unique character and a sense of history into a home. It emphasizes that while many individuals look for vintage trinkets, larger second-hand architectural elements like kitchen islands, stained glass, antique doors, fireplaces, and antique sinks can significantly impact a home's aesthetic and story. These items offer a distinct charm that modern designs often lack, transforming spaces and making them feel aged and historic. One key unexpected item is a salvaged kitchen island, which can turn a contemporary kitchen into a more transitional space. An example cited is a 1930s commercial bakery island that became the focal point of a remodelled kitchen, chosen for its rare status and inherent character. These islands, unlike rapidly changing modern trends, are seen to improve with age, providing personality to an otherwise clinical environment. Stained glass is another highlighted feature, typically found in period properties but also available second-hand to imbue newer homes with a unique design and narrative. Designers recommend styling stained glass as art pieces or installing them where natural light can accentuate their details. The advice is to treat them as focal points, allowing the rest of the room to complement their beauty, thereby making them appear intentionally placed rather than salvaged. Antique doors are presented as features that add considerable value and character to homes. Designers frequently incorporate them into new construction projects to introduce instant charm and patina. These doors, whether left with chipped paint or stripped down to weathered wood, offer intricate details that would be expensive to replicate new, adding texture and warmth to a space. Examples include vintage arched doors that, despite requiring extensive refinishing, provided a unique shape and solid wood construction deemed too valuable to pass up. Fireplaces are discussed as a means to introduce rustic charm and a grand, heritage feel, even in newer homes. A reclaimed fireplace surround can anchor a space effectively, with designers advising against stripping or painting them to preserve their original patina and character. Styling them with mirrors, artwork, candles, or greenery enhances their decorative appeal, creating warmth and atmosphere, especially when juxtaposed with clean-lined, contemporary walls. Finally, antique sinks, including pedestal, marble, or farmhouse styles, are identified as elements that can entirely transform a kitchen or bathroom. They bring an old-school charm that modern fixtures often miss, creating depth and authenticity. The recommendation is to balance these vintage sinks with updated fixtures, such as polished nickel taps and marble backsplashes, to ensure they feel timeless rather than dated, embodying transitional design ideas that blend old and new with character. #InteriorDesign #VintageDecor #SecondHandFinds #ArchitecturalSalvage #HomeCharacter #AntiqueFurniture #KitchenDesign #BathroomDesign #StainedGlass

Cool Hunting presents a comprehensive guide featuring an array of products for design enthusiasts and those looking to enhance their living spaces. This curated selection spans various categories, offering innovative and aesthetically pleasing items for personal use, home decor, and culinary pursuits. Each product is highlighted for its unique design, functionality, and often, its underlying story or ethical considerations. Among the offerings is the 'André Leon Talley: Style is Forever' book, a companion to the SCAD exhibition, which celebrates the influential fashion icon. This book delves into Talley's improbable journey and his profound impact on fashion, featuring his personal and professional life and his enduring connection to SCAD. It serves as a tribute to a figure whose knowledge of fashion was legendary, as famously noted by Diana Vreeland. For those seeking relaxation and alternative beverages, Psilly Goose Euphoria non-alcoholic plants and mushroom beverage is introduced. Available with or without a light dose of Delta-9 THC, this drink combines Lion's Mane and Kanna with a natural passion fruit, hibiscus, and mango flavor, offering a balanced and enjoyable alternative to traditional cocktails, perfect for Dry January or social occasions. The 'Space Hoodie' from MQuan, a collaboration with Pure Heart Studio, offers a comfortable and stylish apparel option. This faded black, loose-fit hoodie is adorned with celestial motifs and is the result of a long-standing dream and friendship, combining art and collaborative manifestation. Vans' Sk8-Hi Waterproof Insulated Shoe reimagines a classic sneaker for all weather conditions. Designed to keep feet warm and dry in cold, rain, and snow, these shoes incorporate recycled and regeneratively farmed rubber, making them a practical and environmentally conscious choice for navigating various elements. A limited-edition Brompton X Shantell Martin P Line 4-Speed Bicycle showcases a blend of functionality and artistic flair. This unique bicycle features distinctive pink and black livery, a hand-drawn Brompton logo, and an artist-designed saddle, offering improved weight and performance for serious bike commuters. For enhancing home ambiance, Call of the Valley's Frankincense Natural Hand Rolled Incense provides a complex aroma with citrus and wood notes. Discovered in Mumbai, this product reflects the brand's commitment to natural fragrances and beautifully made goods. Braun's Classic Analog Alarm Clock offers a modern interpretation of a Dieter Rams design, featuring a minimal aesthetic, easy-to-read display, and quiet movement. Its automatic backlight and choice of colors make it a functional and stylish addition to any bedroom. The Pebble Index 01 Voice Memo Ring presents a minimalist solution for capturing thoughts and reminders. This unassuming ring records voice memos and sends them to a user's notes app or calendar, designed for simplicity with no subscriptions, charging, or Wi-Fi required. Bruno Munari's 'Design and Visual Communication,' translated into English for the first time, invites readers to rethink visual communication. This book, a compilation of lecture notes and class materials from 1968, connects art, architecture, and daily life, offering fresh perspectives on design. Verloop's Mismatch House Socks provide colorful and cozy comfort with slip-resistant patches and a fleece lining, available in various styles and colors. Private White V.C.'s The Shadow Parka is a British-made down parka designed for ultimate protection. Featuring high-rated down, a waterproof Ventile shell, cashmere-lined pockets, and military-grade zippers, it represents a lifetime investment in quality outerwear. Samsung's "TV of the Month Club" is a limited-time bundle of five premium TVs and audio devices, designed to elevate home entertainment. This collection caters to various cultural moments throughout the year, offering cutting-edge technology and design flexibility. Twelve South's Curve Mini Tablet Stand offers a portable and adjustable solution for tablet viewing. Made from lightweight aluminum with precision hinges, it folds flat for transport and protects devices with padded surfaces. Bernal Cutlery's Prince Stainless Steel Pizza Cutter is a finely engineered tool for pizza enthusiasts. Developed in collaboration with Flour + Water pizzeria and crafted by Prince in Japan, it combines beauty with performance. Stickerbox introduces a kid-friendly creativity machine that transforms spoken ideas into instant stickers. This device encourages imaginative play through a tactile, mess-free experience with thermal-print paper rolls. Wonderstate's Single Origin Farm-Direct Coffee Beans represent a commitment to ethical sourcing and expert roasting. With 20 years of experience, Wonderstate offers a rotating selection of high-quality beans from various regions, each roasted to highlight its unique flavor profile. Mazzer's Philos Coffee Grinder is a compact, single-dose flat-burr grinder for precision-focused coffee lovers. Engineered from dense metal, it delivers clean extractions for both espresso and filter coffee, suitable for any design-conscious countertop. Moismont's Shopping Bag No. 46 is a hand-woven cotton tote from India, offering a classic and chic everyday carry solution with multiple pockets. Pretty Snake's Argyle Kitty Socks feature a playful design with cats layered over an argyle pattern, available in various colors and lengths, made from combed cotton. Satisfy’s The Rocker running shoe offers high-performance design for runners transitioning between pavement and trail. It combines a breathable Rippy™ 66 monomesh upper with a Euforia™ super-foam midsole and a Vibram® TuneLug™ Megagrip outsole for stability and traction. Gantri's Baltra Table Light, designed by Kickie Chudikova, is a compact yet impactful lighting solution. Made from plant-based polymers and water-based paint, it provides dimmable light and makes a subtle statement. Roka’s Wind Down Glasses are designed to reduce exposure to blue light, promoting better sleep by filtering out short-wavelength green and blue light emitted by screens. These glasses are a practical solution for screen users who struggle with sleep. Armand de Brignac’s La Collection features six of the brand’s acclaimed Champagne releases, including the Blanc de Noirs Assemblage No. 4. This limited-edition set is an indulgent gift for collectors and connoisseurs. Discommon's The (Golf) Divot Tool offers a precisely machined single-prong divot tool with a removable ball marker, favored by greenskeepers for its minimal impact on grass roots. It exemplifies thoughtful design and engineering for golfers. HOSH's Black Mesa Blanket, inspired by mesas near the Hopi Reservation, is knit from washable Japanese wool. Created by artist DY Begay, it reflects the beauty of sunrises and sunsets, offered through an online platform for Native American artists. Lind's Ventana Redwood Surfboard is a collaboration combining an electric surfboard cartridge with a handcrafted wood surround. The board features repurposed wood from the historic Western Flyer, offering a unique blend of technology, artistry, and historical significance. #DesignDesires #Nesting #HomeDecor #Fashion #Gifts #CoffeeCulture #Technology #OutdoorGear #Artistry

IKEA, often perceived as a retailer for “beginner” furniture or a destination for Swedish meatballs, is actually a treasure trove of affordable, high-quality items favored by many interior designers. These designers utilize IKEA's offerings not just for their cost-effectiveness but also for their potential for customization, extending their longevity and aesthetic appeal beyond typical expectations. The brand has even seen vintage pieces command high prices on platforms like 1st Dibs, indicating a growing recognition of its design credibility. IKEA also consistently introduces new collections aimed at design enthusiasts, exemplified by its recent collaboration with Swedish designers Gustaf Westman and Evelina Kroon, set to launch later this year. This commitment to design and affordability means that many interior designers integrate IKEA products into their own homes, transforming them through various styling and customization techniques. Several designers highlight specific IKEA products and their creative applications. Sam Sacks, for instance, customized inexpensive IKEA armchairs, similar to the BUSKBO model, by re-upholstering them with luxurious fabrics to achieve an "elevated Gypset vibe" on a limited budget. She also incorporated an IKEA shelving unit, resembling the ELVARLI system, into her cottage's great room to organize books, records, and a stereo system without contributing to clutter. Jessica Davis of Atelier Davis frequently uses current, basic IKEA pieces for their affordability and minimalist design. She utilized the LACK shelving unit for books in her children's hallway and KALLAX series pieces for cubbies and benches. Davis also constructed an extra-long desk unit in her office using the LAGKAPTEN/ALEX table bar system and customized plain IKEA kitchen cabinets for her studio space by painting them a muted blue and adding unique hardware. Other designers appreciate IKEA's versatile and durable outdoor and dinnerware options. Meghan Jay has moved her IKEA Tärnö café set three times across different states, valuing its portability, foldable design, and the "French café vibe" it adds to her backyard, occasionally even using it indoors for guests. Amber Guyton of Blessed Little Bungalow endorses IKEA's Färgklar dinnerware set for its quality and affordability, using it daily in her own home. Noz Nozawa enhances the simple JUTHOLMEN modular outdoor sofa with custom cushions, highlighting the sofa's minimal frame as a perfect base for aesthetic personalization. She also praises the HOVET mirror for its quality and size, integrating it into her bedroom against a hand-painted mural. Lizzie Pincoffs, an interior designer, transformed basic SEKTION kitchen cabinets in her home with new paint and antique brass hardware, demonstrating the potential for significant upgrades on a budget. Lindsey Waters, an interior designer from Jacksonville, Florida, recommends the KALLAX shelf unit paired with KNIPSA seagrass baskets for organized storage in her office and as a playroom toy storage solution. Nina Grauer, a principal designer at Dekay & Tate, customizes BESTA storage units with unique hardware and furniture legs, turning standard cabinets into distinctive credenzas. Grauer also favors LACK shelves for shoe storage, citing their effectiveness as a sleek display piece in closets. For midcentury-style seating, she suggests the EKENASET armchair, which can be elevated with custom upholstery. Emily Moss, a Florida-based interior designer, uses the handcrafted Alseda stool as a versatile accent piece and in children’s spaces. Finally, Cecile Gottlich of Studio Cecile recommends the REGNSKUR/SUNNEBY pendant lamp for its midcentury aesthetic and affordability, along with JAMNMOD scented candles for their decorative potential. #IKEA #InteriorDesign #HomeDecor #BudgetDecor #CustomFurniture #DesignerTips #HomeRenovation #AffordableHome #DIYHome

This article explores the best items that interior designers have purchased from Wayfair, highlighting that even professionals utilize the online retailer for their projects. It addresses the common challenge of vetting product quality on e-commerce sites, especially when items lack customer reviews, and offers a unique solution: gathering recommendations directly from experienced designers. The piece underscores that designers frequently find high-quality and stylish pieces on Wayfair, ranging from major furniture items to smaller decorative elements, often at competitive price points. The article features several specific recommendations from various designers. Corine Maggio, founder of CM Natural Designs, praises a sleek, modern chandelier from Modway that perfectly complemented a breakfast nook. Laura Collins of For Porter expresses her satisfaction with Wayfair's in-house furniture, noting the extensive range of textiles and diverse furniture styles available. Abbie Naber of A. Naber Design highlights a twin-over-full solid wood bunk bed from Viv Rae, emphasizing its suitability for budget-conscious clients in kids' rooms due to its hard-to-find configuration and quality. Allison Handler of Allison Handler Design shares her preference for Wayfair's outdoor furniture, acknowledging the practical need for affordable options in climates with harsh seasonal changes, allowing for replacement when necessary. Leigh Jendrusina, owner of Salthouse Collective, recommends Wayfair for sourcing end tables and stools, citing her successful purchases of a shower stool and two different end tables for recent projects. Finally, Alexis Vitale, owner of Vitale Design Group, champions the Eisley Upholstered Standard Bed, appreciating its solid wood frame, cotton-blend material, and the ability to customize fabrics while keeping costs low, making it an ideal fit for a cabin setting. Collectively, these designer endorsements demonstrate that Wayfair offers a wide array of products that meet professional standards for quality, style, and value across different categories, including lighting, seating, bedroom furniture, outdoor pieces, and accent tables. The article serves as a curated guide for consumers seeking reliable and stylish home furnishings on Wayfair, validated by the insights of interior design experts. #WayfairFinds #InteriorDesigners #HomeDecor #FurnitureShopping #ShoppingGuide #AffiliateMarketing #BudgetDecor #DesignTips

Holly Hunt, a significant figure in the interior design industry, has been inducted into the 2024 Interior Design Hall of Fame. Born in 1942 in San Angelo, Texas, Hunt initially pursued a career in fashion after majoring in English at Texas Tech. Her early professional experience included an executive training program at Foley’s, a Houston department store, and a role as an assistant buyer in millinery, followed by designing for a costume jewelry company in New York City in 1969. Hunt’s pivotal entry into the design world occurred in 1983 when she acquired R.J. Randolph, a struggling showroom at Chicago’s Merchandise Mart. She rebranded it under her own name, HOLLY HUNT, and embarked on a mission to redefine the showroom experience. Her approach was revolutionary for its time, focusing on elevating customer service, improving product display, and introducing transparency in pricing—a practice that faced initial industry resistance. Hunt curated showrooms that resembled actual living spaces, integrating architectural details, artwork, and a diverse mix of products and styles. She championed established designers like Vladimir Kagan and Rose Tarlow, while also discovering and promoting emerging talents such as glass artist Alison Berger and furniture maker Christian Astuguevieille. The company’s sophisticated branding and marketing materials were developed with the avant-garde graphics studio Thirst, all united by a commitment to superior quality. A key collaboration in the early 1990s was with French furniture designer Christian Liaigre, whose sleek, monochromatic aesthetic resonated with Hunt’s own. Hunt’s company became instrumental in manufacturing and distributing Liaigre’s designs in the U.S., influencing American interior design with rich dark woods and creamy textiles. This partnership gained significant recognition when André Balazs's Mercer Hotel in Manhattan opened with Liaigre-designed interiors in 1997. Hunt’s strategic vision extended to expanding her showrooms, notably opening one in the nascent Miami Design District in 1998. Designed by architect Alison Spear, this showroom deviated from conventional layouts, offering a luxury boutique experience accessible to all. Another Manhattan showroom, intended to open in October 2001, was successfully launched just two months after the 9/11 events, demonstrating Hunt’s resilience and foresight. She navigated the 2008 recession by restructuring her company, which led to the creation of Holly Hunt Modern, a collection that surpassed the profitability of her previous collaborations. In 2014, Knoll acquired HOLLY HUNT for $110 million. Hunt remained CEO for two years, overseeing expansions in Dallas and Los Angeles, and continued as a consultant until 2019. During this period, she undertook design projects such as a penthouse at the Surf Club in Miami Beach. Currently, Hunt leads House of Hunt, a Chicago-based interior architecture and furniture studio, engaging in projects ranging from product design, like the Dune sofa for HOLLY HUNT, to comprehensive home renovations. Her career trajectory is marked by continuous evolution and an adaptability to challenges, consistently eschewing rigid business plans in favor of dynamic engagement. #HollyHunt #InteriorDesign #HallOfFame #FurnitureDesign #ShowroomInnovation #DesignEntrepreneur #LuxuryDesign #ChristianLiaigre #DesignIndustry

A recent auction by Wright in Chicago showcased influential and rare 20th-century furniture designs, highlighting pieces that have significantly shaped the world of modern interiors. The sale featured approximately 320 items, ranging from benches and bureaus to desks and daybeds, attracting considerable attention from collectors and design enthusiasts. The total proceeds from the auction exceeded $1.4 million, underscoring the enduring value and appeal of these iconic designs. Among the standout pieces was the renowned Marshmallow Sofa, designed by Irving Harper in 1956. This piece, a symbol of post-war optimism, features rows of discs seemingly exploding off its metal frame, influenced by the atomic age and serving as a precursor to the pop art movement of the 1960s. One of only 186 original sofas produced by Herman Miller between 1956 and 1961, this particular sofa, wrapped in vintage Alexander Girard upholstery, fetched $10,000 at the auction. Production of the Marshmallow Sofa was discontinued in 1961 but resumed in the 1980s, solidifying its status as an absolute classic and icon of American midcentury design, as noted by Wright CEO Richard Wright. Another item of significant interest was a 1956 office chair designed by the architect Frank Lloyd Wright. This chair, characterized by its industrial and space-age aesthetic, was originally created for the Price Tower in Bartlesville, Oklahoma. Frank Lloyd Wright conceived both the building and its interior furnishings to achieve a harmonious design. Richard Wright, emphasizing the chair's significance, described it as one of Wright’s best designs from his later period, originating from his only realized skyscraper. The chair, with its sloping leather-clad arms, broad base, and variegated green-striped upholstery reflecting the architect’s affinity for nature, sold for $11,250 despite Wright's own admissions about the often-uncomfortable nature of his furniture designs. The auction also featured a pair of 1955 teak, cane, and upholstered benches by Swiss architect Pierre Jeanneret. These benches, originating from the M.L.A. Flats building in Chandigarh, India, which Jeanneret helped design in the 1950s, embody his minimalistic aesthetic with simple forms and V-shaped legs designed for durability. They sold for $31,200, more than double their initial auction estimate, reflecting the high demand for Jeanneret's work. Concluding the notable sales was a 1974 Conoid headboard and platform bed designed by George Nakashima. Crafted from Persian walnut, this Zen-looking bed showcased an overhang with a natural edge and sliding doors for concealed storage. Nakashima’s design philosophy emphasized the inherent qualities of wood, often highlighting imperfections like knots and cracks, which he stabilized with butterfly joints. This piece sold for $27,500, significantly exceeding its estimate, demonstrating the continued appreciation for Nakashima's unique approach to woodworking and furniture design. #WrightAuction #20thCenturyFurniture #MidcenturyDesign #IrvingHarper #MarshmallowSofa #FrankLloydWright #PierreJeanneret #GeorgeNakashima #DesignAuction