The Insider: Cobble Hill Brownstone Reno With Custom Woodwork Leans Into Japanese Aesthetic

Architects Andrea Fisk and Jess Hinshaw of Boerum Hill-based Shapeless Studio were tasked with transforming a newly acquired, two-bedroom condo in a partially completed building into a functional, inviting, and comfortable home for a young family. The condo, located on the periphery of the brownstone belt, presented a raw, unfinished space, but also boasted several appealing features, including a spacious outdoor terrace with city views, an attractive pre-installed developer's kitchen, and wide plank floors. The architects commenced their work by introducing a subtle texture to the walls using a limewash finish. A significant aspect of the renovation involved the design and installation of custom cabinetry for every room, crafted by ABC Millwork in Gowanus. The design philosophy for the cabinetry drew inspiration from the warm wood tones present in the existing kitchen. White oak was chosen for the units in the entry and living room, while walnut was selected for the primary bedroom. The built-ins in the primary bedroom, in particular, evoke a Japanese aesthetic, reflecting the architects' preference for simple, elegant, and well-organized design principles that resonate with Japanese design. The newly acquired furniture adheres to a chic modern style, featuring plush and comfortable fabrics. Notable pieces include a Kelston sectional sofa from Design Within Reach and vibrant orange Bollo chairs by Fogia. The living room seamlessly connects to the outdoor terrace, which was lushly landscaped by Elevations Landscape Design + Build using only container plantings. The millwork throughout the condo was designed with a strong emphasis on functionality and "program." The white oak unit in the entry hall serves multiple purposes, incorporating open and closed storage, a shoe bench, coat hooks, and display space. In the living room, a formerly blank wall was transformed into a multi-functional area, featuring seating, additional storage, a media center, a bar, and an ethanol Eco-Smart fireplace that does not require traditional piping or flues. The architects also custom-designed a dining table, made by Brooklyn-based Ivory Build, to perfectly accommodate four to six individuals. This is complemented by Tokyo dining chairs from Bensen, a pendant lamp by Astep x Gino Sarfatti, and a textured rug. The primary bedroom features gleaming cabinetry crafted from highly figured walnut, chosen to create a more subdued and moody atmosphere. This millwork encompasses a built-in headboard, integrated side tables, bookshelves, dresser drawers, and an elaborate closet. The closet's design is particularly noteworthy, featuring a slatted sliding door inspired by Japanese aesthetics. For the nursery, furniture was sourced from Crate & Kids. The outdoor terrace is outfitted with specific outdoor furniture and container plantings, selected by Gowanus-based Elevations Design + Build, to ensure continuous blooms throughout the season. The project successfully transformed a raw condo into a character-rich, comfortable, and highly functional home. #BoerumHill #CondoDesign #CustomMillwork #ShapelessStudio #InteriorDesign #ModernFurnishings #BrooklynRealEstate #FunctionalDesign #JapaneseAesthetic

A comprehensive renovation project was undertaken for a landmarked five-story brownstone in Cobble Hill, Brooklyn, prompted by the structural deterioration of its rear wall. The initial repair evolved into a complete top-to-bottom transformation, encompassing significant architectural and interior design changes. The project involved the installation of a new three-story wood and glass window system on the rear facade, enhancing natural light and views. The formerly low-ceilinged attic space was converted into a skylit home office, complete with a kitchenette and access to a newly created roof terrace. The restoration work paid careful attention to preserving historical elements, including the meticulous repair and reinstallation of original lacy plasterwork and other intricate historic details throughout the house. Concurrently, the homeowner, an interior designer, curated an entirely new color palette and furnishings scheme, blending modern aesthetics with the home's 19th-century character. Built in 1850 in the Anglo-Italianate style, the house is part of a unique architectural complex where three row houses are designed to appear as a single, larger mansion. This architectural type, characterized by its approximately 16-foot width and absence of a high stoop, is a notable, albeit rare, feature of the neighborhood. The English basement primarily serves for storage, with utilities entering at this level. The first floor, historically the staff and kitchen area, was reconfigured to improve light, airflow, and sightlines. The front room was preserved as a cozy sitting area with an arched window, while the kitchen and dining area were relocated to the middle and rear, offering expansive views of the backyard. The elegant second floor, known as the _piano nobile_, features a grand staircase leading to a central hall that separates a formal living room at the front from a more casual family room at the rear. The decorative plaster crown moldings on this level were restored, and the staircase was reinforced and given new treads. The third and fourth floors are dedicated to bedrooms, with a primary suite on the third floor and children's rooms on the fourth. The primary suite's layout was reconfigured so that it is entered from a generous hallway in the center of the house, rather than at one end, which is typical for row houses. A fitted closet connects the bedroom and bathroom, with the two-level bathroom design dictated by plumbing considerations. Children's rooms and bathrooms on the fourth floor were designed with vibrant patterns and colors. In the former attic space, The Brooklyn Studio created a functional penthouse study and a central kitchenette/bar area that opens onto an outdoor deck with a brick fireplace. An oval glass insert in the kitchenette floor allows natural light from the new skylight and sliding glass doors to extend to the floor below. The kitchen features a custom brass stove hood, a marble backsplash with prominent veining, and hand-blown glass knobs by Danish artist Nina Norgaard on the stained oak millwork. The design prioritized an airy feel by minimizing upper cabinetry. Throughout the renovation, existing floor structures were maintained where possible, with new parquet veneer flooring laid over original surfaces in some areas to preserve the underlying structure. #CobbleHill #BrownstoneRenovation #InteriorDesign #HistoricPreservation #TheBrooklynStudio #HomeOffice #Kitchenette #RoofTerrace #StructuralRenovation

Studio Fauve, led by interior designer Charlotte Sylvain, undertook a significant renovation of a 19th-century brownstone in Cobble Hill for new homeowners who had recently relocated from London. The property, characterized by its corner lot, two box bay windows, original architectural details, and high ceilings, initially featured dark interior finishes and outdated cabinetry. The objective of the renovation was to revitalize the space using a design philosophy centered on pale neutrals, organic shapes, and natural materials. The project involved extensive new construction and millwork, with Sylvain's husband, architect Shikar Thakur, overseeing these aspects. While the renovation was primarily a cosmetic upgrade, avoiding major structural wall changes, it did include modifications to the floor plan and plumbing system. Several bathrooms were remodeled, including the addition of a new one on the top floor. The kitchen underwent a complete overhaul, featuring custom cabinetry and a distinctive breakfast nook. New white oak flooring was installed throughout the house, and an updated HVAC system was implemented. Specialized paint finishes were also applied to various surfaces. Sylvain's design approach, emphasizing "neutral, natural, simple," guided the selection of new furnishings and lighting for approximately half of the home, complementing existing pieces owned by the clients. The parlor level's entry hall offers views into both the living room and the newly designed kitchen. A custom curved banquette, inspired by contemporary French designer Pierre Yovanovich, was incorporated into one of the box bay windows in the kitchen, paired with an existing Ton table. The kitchen also features luxurious Calacatta gold marble countertops and backsplash, with lighting from Wastberg. In the living room, the homeowners' Minotti sofa was retained, augmented by a new wood chair from Crump and Kwash and a pedestal side table from Burke Decor. Textured rugs and textiles were strategically used to enhance comfort and warmth within the space. The primary bedroom combines a New Works ceiling fixture, a Design Within Reach bed, a bench from The Citizenry, nightstands from Pinch via Future Perfect, an Armadillo rug, and lamps from Ferm Living, all harmonizing with the room's original moldings and fireplace. A new hallway with a walk-in closet connects to the primary bathroom, which features blonde French limestone flooring from Historic Decorative Materials. Shower tiles from Clé are complemented by polished brass fixtures from Studio Ore. The custom vanity is topped with vintage Arabescato marble, and sconces from Rose Uniacke complete the look. The top floor includes a bedroom for the homeowners' teenage daughter, designed with her input, and an adjacent bathroom. The closet in this room features cane bifold doors. The bathroom's walls are finished with tadelakt, a waterproof plaster in a muted green hue, contrasting with retro-style mosaic tiles from Clé. The Watermark tub is fitted with aged brass fixtures from Studio Ore, and an Allied Maker sconce illuminates the vanity. Adjacent to the primary bedroom, a home office features walls painted in Farrow & Ball's Down Pipe, a contemporary desk from Another Country, and a classic Eames chair. #CobbleHill #BrownstoneRenovation #InteriorDesign #StudioFauve #NeutralDecor #NaturalMaterials #CustomMillwork #KitchenRemodel #BathroomDesign #ArchitecturalDetail

A Swiss embroidery designer and her British brand consultant husband undertook a meticulous renovation of their 1910 brownstone in Cobble Hill, Brooklyn. Their primary design vision was to integrate oak wood extensively throughout the home, creating a space that reflected both the homeowner's Northern European heritage and their shared appreciation for Japanese aesthetics. Designer Claire Hung was instrumental in translating this vision into reality, paying close attention to the intricate details of the wood, such as ensuring no visible cathedral grain patterns were present, opting for a streamlined look by cutting down the center of such markings and mixing panels. The renovation focused on achieving a specific warmth in the oak wood, described as "warm, but not too warm," a testament to the homeowner's detail-oriented nature, stemming from her profession. This design philosophy extended to the selection of other materials, where travertine was chosen over marble for its quieter, more understated feel, harmonizing with the oak. The integration of stone is evident where it tops parts of the stair treads and forms the fireplace mantel, seamlessly matching the oak's stain. Beyond aesthetics, the renovation incorporated functional elements. The main living area and stairwell feature slatted oak panels that enhance the ceiling's height. Hidden storage solutions were ingeniously built, such as pull-out wood boxes under the first few steps and additional storage beneath a nearby window bench, designed to keep children's toys out of sight. The living room boasts an extra-low sofa, appearing almost sunken, which was a collaborative effort between the millworker and an upholsterer, featuring a luxurious yet stain-resistant linen fabric from Métaphores. The walls were painted with Benjamin Moore’s Scuff-X finish for added durability, particularly important for a family with young children. The renovation, which spanned over two years, also addressed the primary bathroom layout. While the family intends to stay, the designer considered future resale value, incorporating a bathtub by the window for an enhanced experience. The primary bathroom and bedroom are connected by a glass threshold, and a full wall mirror amplifies natural light, making the space feel more expansive. The overall design successfully marries a rich wood aesthetic with practical, family-friendly solutions, resulting in a home that is both beautiful and highly functional. #BrooklynBrownstone #OakWoodDesign #HomeRenovation #InteriorDesign #JapaneseInspired #EuropeanHeritage #CustomMillwork #HiddenStorage #TravertineStone

This article features a high-end, newly constructed townhouse in Cobble Hill, Brooklyn, designed by Dumbo-based CWB Architects. The clients, fans of modern design, requested a home that would integrate traditional exterior details to blend with the historic neighborhood, yet feature a distinctly contemporary interior. The 5,600-square-foot, five-story structure was designed to overcome the common challenges of traditional row houses, such as dark and narrow spaces, by incorporating innovative architectural solutions. Brendan Coburn of CWB Architects addressed the client's desire for a home that didn't feel like a typical row house by designing a corner building that maximizes natural light from windows on three sides and a skylight. A key feature is a double-height space that vertically connects the two lower floors, enhancing the feeling of openness. The main staircase, with open risers, coils through the center of the 24-by-52-foot house, serving as a central element that unites the different levels. The layout includes a garden level with a family room and kitchen, an elegant parlor floor housing a music room, two upper floors dedicated to family bedrooms, dressing rooms, and a home office, and a penthouse TV room with a roof deck offering skyline views. The cellar provides a playroom for children, and a separate 16-by-20-foot structure in the garden includes an in-law apartment and a garage. Ejeanne Interior Design of Monmouth Beach, N.J., selected the furnishings for the interior spaces. While previous CWB projects in the neighborhood utilized a traditional 'kit of parts' to mimic 19th-century aesthetics, this townhouse expresses a more modern sensibility. This is evident in the design of two bay windows – one on the side off the parlor floor and a two-story bay at the rear – which feature steel construction and a more modernist vocabulary. The entry vestibule maintains a typical typology, but the interior doors are flush, made of quarter-sawn white oak with modern hardware. Horizontal boards line the entry hall wall, extending through the entire stair tower to create a continuous, textured element that visually connects the house from top to bottom. Specific interior details include a harmonious square music room on the parlor level with floor-to-ceiling windows and radiant heated six-inch engineered flooring with walnut veneer. The formal living room/dining area is distinguished by a large oriel window, which is a bay window that does not reach the ground, featuring both fixed and operable panes. This level also includes a butler's pantry and a powder room. The double-height, 18-by-18-foot family room, adorned with precast concrete paneling around the fireplace, is a central gathering space. The open kitchen features painted wood cabinetry and Caesarstone countertops, complemented by mudroom closets that match the house's doors and a large pantry that reduces the need for extensive upper cabinetry. Vertical slats on the landings of the staircase enhance safety and add an interesting visual element. The entire second floor is dedicated to a master suite, complete with his and hers dressing rooms and a home office. The master bathroom, at the client's request, includes two windows but no tub. The rear facade features a double-height glass wall that projects a few feet outwards. The modernist patio and planting design for the garden, which includes the separate carriage house, were created by Dumbo-based landscape architect Joanna Pertz. The overall design successfully marries historical exterior compliance with contemporary interior functionality and aesthetics, reflecting the clients' modern design preferences within a traditional urban context. #CobbleHill #TownhouseDesign #ModernInterior #CWBArchitects #HistoricDistrict #BrooklynHome #LuxuryRealEstate #InteriorRenovation #ArchitecturalDesign

The decision of whether to paint original woodwork in old homes, particularly brownstones and row houses, is a common dilemma for homeowners, architects, and designers. This choice is influenced by factors such as the owner's personal preference, the architectural style and era of the house, and the inherent quality and condition of the wood itself. While design trends fluctuate, with fads like all-white interiors giving way to bold colors such as navy blue or hot pink, natural wood finishes and neutral painted options like cream or gray remain popular in Brooklyn. Interior designer Louisa Roeder, for instance, opted to paint the well-preserved mahogany woodwork in her 1870s Prospect Heights brownstone white during a 2014 renovation. Her goal was to achieve a modern kitchen aesthetic, and she found that extending the white paint to the parlor floor and hallway woodwork significantly modernized the space, moving away from a Victorian feel. She acknowledged the decision as a "big gamble" due to its permanence. Fellow interior designer Tamara Eaton bases her decisions on the quality of the craftsmanship. She meticulously preserves elaborate, high-quality woodwork, such as mahogany with mother-of-pearl inlays, but is more liberal with painting lower-grade wood, as demonstrated by her choice to paint an entire parlor level with less distinguished woodwork a dark gray. Eaton emphasizes that owning a townhouse means embracing its history while adapting it for modern living, highlighting the constant negotiation between preservation and modernization. Preservationists, including Andrew Dolkart, a notable author and former director of Columbia University's Historic Preservation program, often consider painting original, unpainted woodwork as sacrilegious. Dolkart argues that if the intention was for the wood to be painted, less expensive materials like plaster would have been used. He points out that before the 1870s, woodwork was commonly painted, often with faux graining. In the late Victorian era, elaborate, natural woodwork on main levels was a status symbol. Pine and poplar in secondary spaces were typically meant for painting. The early 20th century saw a rise in white-painted woodwork with the Colonial Revival and natural oak in Arts & Crafts interiors. The mid-to-late 20th century 'brownstoning movement' led to stripping paint to reveal original wood beauty. Dolkart asserts that painting over beautiful original wood destroys the character of an old house, questioning the purpose of buying such a home if its historical artistry is not appreciated. Conversely, architect Jeff Sherman of Delson or Sherman often recommends painting woodwork, even if his clients frequently prefer restoration. He suggests that old moldings often require patching and replication, and sometimes stripping reveals inferior wood species like poplar. Sherman believes that painted molding can unify a home's aesthetic, especially in shades of white or pale gray, which can lighten and authenticate dark, wood-heavy rooms. Interior designer Fawn Galli embraces color, sometimes painting both woodwork and walls the same hue for a modern look or using contrasting colors. She famously painted a newel post in her Carroll Gardens brownstone hot pink, viewing it as an opportunity to inject fun and even shock into a space. Galli acknowledges that while townhouses tend to be dark, beautiful wood should be left natural, with an icy gray paint on the walls to brighten the space. #InteriorDesign #Woodwork #HomeRenovation #Brownstones #ArchitecturalPreservation #BrooklynHomes #DesignTrends #HistoricHomes

Metaphor Interior Architecture, a Jakarta-based interior design consultancy, services clients globally. This firm, composed of creative individuals, aims to provide optimal design solutions, specifically focusing on The Zora Kanade cluster. Christine, a senior associate, spearheads the design for Kanade Type 12. She reveals that her prior work on the Samasana Club House at The Zora provided a foundational understanding of the developer's design aspirations for the Kanade Cluster, which she extended to its three show unit houses. Her approach to the design brief involved analyzing the high-end target market and varied price points of the three housing units to determine appropriate interior design concepts. This led to distinct designs for each show unit, all incorporating a Japanese sensibility tailored for a modern, affluent demographic. Christine explains that the Japanese philosophy is translated not through direct imitation, but through the principle of 'balancing,' akin to Zen philosophy. This balance is evident in the harmonious use of colors, materials, and room composition, which collectively contribute to the desired ambiance. Elaborating on design balance, Christine highlights that each room's decor aligns with its function. For instance, a spacious area between the living and dining rooms demonstrates their strategy for balancing different zones within a single space. They also collaborate with Henco Home Decor to supply custom-designed furniture. Regarding color palettes, earth tones like brown or gray form the base, augmented by accent colors such as burnt orange, teal, and combinations thereof. While orange might not be traditionally Japanese, teal and olive are chosen for their natural associations, reflecting leaf colors. These accent colors are strategically employed to infuse a modern and luxurious feel into the Japanese aesthetic. Acknowledging the Japanese preference for simplicity, Christine clarifies that the target market's demand for luxury necessitated a nuanced approach to color, resulting in a unique modern atmosphere. The three show units, contrary to having a common thread, are each designed with distinct interior concepts to cater to their specific target markets. For example, the Type 12 unit targets a mature clientele prioritizing luxury, while Type 8+ and Type 10 units are designed with younger families in mind, featuring more youthful aesthetics. To ensure each unit resonates with potential buyers, the design process incorporates diverse consumer style preferences. These customer needs are then translated into unique designs for each unit, varying in color and overall concept. Material selection prioritizes both aesthetics and ease of maintenance, with choices like solid surface, marble, or laminate ensuring durability and practicality. #InteriorDesign #JapaneseDesign #LuxuryHomes #MetaphorInteriorArchitecture #HomeDecoration #DesignPhilosophy #ColorPalette #MaterialSelection

This article highlights the comprehensive renovation of a contemporary Bay Area home, transformed by interior designer Noz Nozawa of Noz Design into a Japanese-inspired sanctuary. The project, initially a cosmetic update of the kitchen and bathrooms, escalated into a full gut renovation of the 4,000-square-foot residence. The homeowners, a young family, sought a visually tranquil, modern, and functional living space, drawing inspiration from the wife's Japanese upbringing. While significant structural changes were minimal, such as the addition of a Jack and Jill bathroom, nearly every aspect of the house was updated, including a new roof, exterior roller shades, and skylights. Nozawa adopted a restrained, material-focused palette to achieve an atmosphere of calm. She collaborated with Brimer Workshops to custom-design cabinetry and built-ins throughout the home. These pieces primarily utilized local, sustainably sourced wood varieties like silvered oak, gray elm, and red elm, ingeniously concealing clutter behind rich wooden surfaces. For artistic accents, Caroline Lizarraga Decorative Painting contributed a moody mural for the powder room, evoking San Francisco's city lights at night. The design incorporated features to support the family's entertaining needs. The living area was conceptualized with flexible seating arrangements, including a Flexform sectional, a daybed, and Ligne Roset swivel chairs. This setup allows guests to engage with hosts in the open kitchen or enjoy the panoramic city views. A transparent Da Vinci fireplace was chosen specifically to maintain unobstructed vistas. A unique request involved accommodating a collection of approximately 300 wine glasses for entertaining. Nozawa ingeniously integrated storage for about 150 glasses within kitchen drawers and dining area cabinetry, exemplifying the design's commitment to minimizing visual clutter. Further efforts to reduce clutter included wall-height cabinets crafted from salvaged red elm to house the family's guitar collection. To avoid traditional curtains in the window-heavy interior, a motorized exterior shade system from Lutron, controllable via smartphones, was installed for privacy and sun protection. Japanese cultural influences are subtly woven throughout the home, extending beyond the minimalist aesthetic. A 300-year-old Hinoki cypress slab, imported from Japan, serves as the dining table. A hidden broom closet door features a subtle reference to the Japanese mending technique of kintsugi. The home integrates heirloom pieces, such as Japanese Tansu chests and a dragon image symbolizing prosperity, alongside contemporary furniture from brands like B&B Italia and Cassina. The primary bathroom includes a Hinoki plunge tub, maintained at a constant 36 degrees Fahrenheit, with an external refrigeration unit to regulate its temperature. Nozawa, who is half-Japanese, consciously balanced a commitment to Japanese modern aesthetics with the home's inherently Western architecture. The entryway embodies the project's essence, combining contemporary and traditional elements. A supermodern, site-specific glass lighting installation by Jeff Zimmerman, resembling giant milk drips, provides a striking contrast to antique Japanese wall panels from the clients' collection. This blend of old and new, East and West, reflects the clients' current identity and heritage, creating a unique and harmonious living environment. #JapaneseInspired #CaliforniaHome #InteriorDesign #MinimalistAesthetic #CustomCabinetry #NaturalMaterials #FlexibleSeating #SmartHomeTechnology #CulturalIntegration

This article highlights the successful transformation of a Boston brownstone condo into a family-friendly home, expertly blending contemporary aesthetics with traditional elements by interior designer Kristen Rivoli. Situated in Boston's Back Bay, the late 1800s brownstone's two-floor condo had not been updated since the late 1980s, necessitating a significant renovation to meet the needs of a modern family with two young children. The primary goal was to create an open-plan living space while honoring the building's historical character. Kristen Rivoli's design approach focused on opening up the floor plan, particularly the kitchen and family room areas, to foster a more spacious and communal environment. Care was taken to preserve and recreate classic architectural details, such as mouldings and trim work, ensuring the new design remained consistent with the brownstone's original style. The curved stair opening was thoughtfully mirrored in the new kitchen entrance, adding a refined touch. The main living area, expansive enough to span the entire width of the building, was strategically divided to serve multiple functions. By utilizing back-to-back sofas, Rivoli created distinct zones for a cozy sitting area and a dining space. A custom banquette was incorporated into the bay window, providing versatile seating for both everyday meals and larger gatherings, while also allowing occupants to enjoy views of the Public Garden. The opposite side of the room was designated as a comfortable reading area, centered around an existing fireplace, highlighting the deliberate use of the home's original features as focal points. The design incorporated practical considerations for family living. All furniture fabrics were chosen for their stain-resistant properties, offering the luxurious look of high-end materials without sacrificing durability, a crucial aspect for a household with young children. The walls in the main living space were custom painted in a chartreuse strié, contributing to a warm and inviting atmosphere. A significant part of the renovation involved converting a small, cramped kitchen and the old dining room into an open-island kitchen seamlessly integrated with a new family room. This new family room was designed for a casual lifestyle, featuring a custom cabinet for toy storage and a comfortable sectional, promoting family togetherness. Dark Phillip Jeffries grass cloth wallpaper was applied in the family room and the adjacent office to create a connected, cozy ambiance. The office, a dedicated workspace for the client, also saw existing antique chairs lovingly restored with new fabric. Additional design elements include a bold powder room featuring David Hicks-inspired wallpaper in red, adding a vibrant touch. The primary bedroom was designed around the client's favorite hydrangea purple/blue, creating a serene retreat with a sitting area by an old fireplace and a deep blue desk. The children's rooms were adorned with a coastal blue palette and a whimsical, water-themed wallpaper in their bathroom, reflecting their interests and providing ample space for play and relaxation. The overall project successfully transformed an outdated condo into a harmonious and highly functional family home, praised by the designer for its new open kitchen and family room, which significantly enhanced the sense of space. #BostonBrownstone #CondoRenovation #OpenPlanLiving #FamilyFriendlyDesign #InteriorDesign #HistoricPreservation #ContemporaryTraditionalBlend #KristenRivoli #HomeTour

The article details the thoughtful reimagining of a century-old Brooklyn brownstone by the design studio Enso, co-founded by Yuria Kailich and Joel Harding. Located just one block from Prospect Park, this three-story home, originally constructed in 1888 by architect William Flanagan, has been transformed into a midcentury-inspired haven, particularly appealing during the autumn season. Enso's renovation philosophy emphasizes softness, restraint, and meticulous craftsmanship, creating a space that embodies a quiet intelligence. The interior design incorporates an eclectic array of furnishings, balancing high-end pieces with affordable finds, and significantly featuring vintage items sourced from platforms like 1stDibs, Amsterdam Modern, and Chairish. A subtle yet distinct mid-century modern aesthetic permeates the home, evidenced by design elements such as a paper lampshade, a geometric coffee table, chrome accents, a modular wall unit, and Nordic Knots rugs. These contemporary and vintage additions are harmoniously juxtaposed with the home's original architectural features, including period moldings, cornicing, and stained glass transoms in the living area, which contribute to a sense of timeworn elegance within the eclectic decor. A significant aspect of the renovation involved addressing the inherent challenges of a historic property. The architecture firm Practical Arts collaborated on the project, creating several bespoke elements to overcome these quirks. For instance, in the primary bedroom, a custom wall-to-wall upholstered headboard, composed of three striped fabric panels, was designed to not only visually enlarge the room but also ingeniously conceal electrical cords, negating the need for extensive structural modifications. Another innovative solution tackled the issue of immovable standing AC units. Enso devised custom millwork to integrate these units seamlessly into the design. In the living room, a credenza made from solid white oak with woven rattan panels and a slatted top was crafted to allow for both storage and efficient airflow. Similarly, in the dining room, a sideboard, drawing inspiration from the work of Jean Prouvé, features sliding doors with rhythmic circular cutouts, which provide necessary ventilation while also serving as a compelling visual feature. The design studio Enso draws its inspiration from the Buddhist principles of enso, which encompass zen, transience, and the unhurried passage of time. These values are deeply embedded in the home's aesthetic, which is characterized by the use of natural materials, tactile finishes, and an overarching sense of calm and tranquility. The resulting atmosphere is one of understated sophistication; the space avoids excessive polish or preciousness, yet it manages to convey an exquisitely elevated impression. The renovation successfully blends historic charm with contemporary and mid-century design elements, creating a unique and serene living environment. #BrooklynBrownstone #MidcenturyModern #HomeRenovation #InteriorDesign #EnsoDesignStudio #HistoricHomes #VintageFurniture #CustomMillwork #ArchitecturalPreservation

Award-winning photographer Steven Laxton undertook a significant DIY renovation of his three-story early 20th-century home in Cypress Hills, Brooklyn, after realizing it was not as move-in ready as he initially believed when he purchased it in 2016. The extensive renovation, much of which was completed during the 2020 lockdown, included replacing floorboards, switching out doors with salvaged antique ones, and paving the back garden. A major focus of the project involved stripping layers of paint from historical woodwork, such as the pier mirror and staircase, to restore them to their natural wood finish. Laxton chose the Cypress Hills location due to its proximity to Highland Park, a 643-acre green space, which offers park views from some rooms and is a significant amenity for him. Despite the four-bedroom, 3.5-bath house being larger than he needs as a single occupant, he has enjoyed decorating the various rooms with his distinct arty style, occasionally renting them out for additional income. His design approach emphasizes bold colors, unique vintage finds, and quirky lighting elements. In the entry foyer, Laxton painstakingly removed multiple layers of paint from a carved door to reveal the natural wood. He is an enthusiastic collector of period lighting and furniture, often sourcing pieces online and in person. For example, a High Victorian piece is featured in the entry foyer. His philosophy is to acquire "interesting things that are solid and well made and have some personality to them." The parlor level of the house was already partially open-plan, with wide openings between rooms and a removed wall separating the kitchen and dining area. The living room blends contemporary and vintage items, featuring a sofa from CB2, artwork by Bryan James, and a chandelier from Restoration Hardware. Mid-century reissues, such as a Noguchi coffee table and a Mies van der Rohe tubular steel chair, are also present, alongside a distinctive brass lamp found on Facebook Marketplace. In the kitchen, Laxton updated the backsplash, faucet, and cabinet hardware. As a photographer, he emphasizes layered lighting, preferring not to use the existing recessed ceiling lights, stating that "Lighting can completely change a space." Chandeliers are used as sculptural elements throughout the home. The artwork displayed is a mix of his own creations, friends' work, and pieces he has acquired. An existing sunroom off the back of the house features a 1950s dinette set, one of the few items Laxton brought from his previous apartment, offering a view of greenery. The powder room on the parlor floor is decorated with thrifted vintage portraits, chosen purely for their whimsical appeal. Upstairs, each bedroom and a reading room has a unique character, achieved through bold wallpaper, deep paint colors, vibrant bed linens, and additional vintage lighting. Laxton completely renovated the top-floor bathroom, combining vintage and new fixtures. A red bedroom on the lower level, described as "a world unto itself," showcases his incremental design process. This room includes two early 1960s George Mulhauser lounge chairs, sourced from different states, and vintage lamps found online. A 19th-century Chinese carved wood piece serves as a distinctive wall decoration. The backyard, originally just dirt, was transformed by Laxton with laid pavers, a 6-foot-high privacy fence made of horizontal wood slats, and a picnic table constructed from leftover wood. He considers this outdoor space a valuable investment, utilizing it for outdoor dining and entertaining throughout the summer months. The project highlights Laxton's hands-on approach to home renovation and decoration, reflecting his personal style through a curated collection of vintage and contemporary elements. #CypressHills #HomeRenovation #DIYDesign #VintageStyle #InteriorDesign #BrooklynHome #SalvagedItems #LayeredLighting #StevenLaxton

This article details the comprehensive gut renovation of a two-bedroom prewar apartment in Brooklyn Heights, transforming it from a dated and worn space into a functional and aesthetically pleasing home. The homeowners, initially drawn to the apartment's convenient location rather than its condition, lived in the space for a year to understand its nuances before embarking on the renovation. They collaborated with Brooklyn-based Claire Hung of Claire Hung Design, whose vision resonated with their desire for a thoughtful transformation. Hung's design philosophy is significantly influenced by Japanese and Scandinavian aesthetics, both emphasizing beauty in simplicity. This approach naturally complemented the homeowners' existing collection of mid-century furniture pieces. A major challenge encountered during the renovation was the apartment's ceilings, which were heavy with structural beams throughout. To address this, Hung employed creative lighting solutions, such as installing junction boxes on the sides of beams and swagging fixtures to achieve desired illumination in areas like the hall and over the dining table. The design also incorporated custom millwork to redirect visual focus away from the intricate ceiling structure. To enhance the overall brightness of the north-facing apartment and highlight the new furnishings, all walls were painted in Benjamin Moore's Decorator's White, and new wheat-colored oak flooring was installed to add warmth. The bespoke millwork, including custom built-ins, was crafted from oak with a dark chocolate stain. Key structural changes included removing a wall to open up the galley kitchen, integrating it with the living space, and expanding its footprint with an elongated countertop and peninsula. The kitchen and both bathrooms, which were remnants of the building's 1980s co-op conversion, underwent complete overhauls. In the kitchen, previous dropped ceilings were removed to restore height, and alternative lighting, such as under-cabinet lights and wall sconces, was implemented. The custom millwork in the kitchen cleverly conceals appliances like the fridge, freezer drawers, and a dishwasher, along with a pull-out drawer for trash and recycling bins. Oak veneer was used for the cabinetry, specifically rift sawn to achieve vertical lines and avoid prominent wood grain patterns. The marble countertop was designed to drop before reaching the window, preserving the view, and the windowsill was finished with the same stone. Throughout the apartment, minimalist design principles were applied. For instance, door casing around the new red oak veneer doors was omitted to maximize space and create a clean, contemporary appearance, a choice Hung noted makes small spaces feel more expansive. Emtek hardware was selected for the doors. The primary bathroom was expanded by incorporating space from a former closet, and it features Breccia Roma marble on the floor and a continuous shelf from the shower to the vanity. The guest bathroom is distinguished by lime-washed walls in a custom color from Portola Paints. These design decisions collectively contributed to a serene and functional home that reflects the clean lines and understated elegance of Japanese and Scandinavian design. #InteriorDesign #ApartmentRenovation #BrooklynHeights #JapaneseDesign #ScandinavianDesign #CustomMillwork #PrewarApartment #ClaireHungDesign #HomeRenovation

The "Hide Out" house, a Frank Gehry-designed residence from the 1970s located in Los Angeles' Sawtelle Japantown, has undergone a significant renovation by local studio Dan Brunn Architecture. Commissioned by art collectors, the project aimed to restore and reinterpret Gehry’s original minimalist aesthetic, which had been altered by previous owners, the Janss Family. The renovation focused on creating an open and art-friendly space while integrating elements of Japanese design to complement the neighborhood's character. The 3,600-square-foot home was redesigned to feature an open-air area on the first floor, intended for displaying artwork by one of the new owners, artist James Jean. Dan Brunn Architecture reincorporated architectural details typical of Gehry's style from the 1970s and 1980s, which had been removed during the Janss Family's ownership. A notable exception was the oversized rectangular skylight, a key original feature that was preserved and continues to flood the central part of the home with natural light. The material palette of the renovated Hide Out is deliberately simple, consisting primarily of walnut, concrete, and glass. White walls and pale concrete floors establish a clean, gallery-like backdrop, contrasted by striking walnut elements. A handcrafted, sculptural walnut staircase serves as a central feature, adding warmth and visual interest. The design emphasizes an open-plan layout, with minimal furnishings to ensure that the art collection remains the focal point. Inspiration from Japanese design is evident throughout the home, particularly in the furnishing choices and a unique architectural insertion. For instance, a reclaimed timber coffee table was custom-made using traditional Japanese joinery techniques. A standout feature is a walnut volume, inspired by traditional Japanese tearooms, which is integrated into the living space. This versatile nook functions as a reading area, a meeting space, or a meditation room, offering a secluded and serene environment. This Japanese-inspired reading nook is strategically positioned to overlook a lush garden planted with traditional Japanese flora, including bamboo, gingko, and maple. This integration of indoor and outdoor spaces enhances the tranquil atmosphere of the nook and connects the home with its surroundings. The renovation by Dan Brunn Architecture successfully blends the architectural legacy of Frank Gehry with modern minimalist and Japanese influences, creating a functional yet artistic residence that reflects the tastes of its art-collecting owners. #FrankGehry #DanBrunnArchitecture #JapaneseInspiredDesign #HomeRenovation #ReadingNook #MinimalistDesign #WalnutInteriors #LosAngelesArchitecture #SawtelleJapantown #ArtCollectorsHome

This article details the interior design transformation of a unique, stoopless turn-of-the-20th-century brick and limestone row house in Park Slope, Brooklyn. The project was spearheaded by Park Slope-based interior designer Jennifer Morris of JMorris Design, who executed a comprehensive renovation and redecoration. The house, notable for its well-preserved original features like woodwork, plaster decoration, and diamond-paned leaded windows, presented a foundation for a glamorous modern aesthetic tailored to the homeowners, a family with teenage twins and a younger son. The residence spans four floors. The ground level features two entrances, leading to a reception room and a service entrance that opens into a hallway, playroom, guest bedroom, and bath. The main living area, referred to as the piano nobile, is located on the high-ceilinged second floor. The third floor accommodates the primary bedroom, a newly designed luxurious bath, and a sitting room, while the children's bedrooms are situated on the top floor. A significant part of the renovation focused on the kitchen, previously a long, dark galley-style space with a single small window, located in a rear extension off the formal dining room. Mark Pennell of Pennell Design redesigned the kitchen within its existing footprint, dramatically improving its character by integrating large expanses of window glass. Jennifer Morris then infused the space with a glamorous aesthetic, blending new acquisitions with existing client pieces. The homeowner's preference for 'Miami energy' — playful, iridescent, and shiny elements — guided some of the decorating choices. Throughout the house, Morris meticulously blended modern design with the home's historic integrity. In the downstairs reception room, elaborate plaster relief panels and parquet flooring were in excellent condition, complemented by new marble tile flooring in the vestibule. The reception area features Philip Jeffries grasscloth wall covering with a subtle sheen, and charcoal paint for moldings and trim. An existing powder room was updated with a water-jet-cut mosaic stone floor, porcelain tile wainscoting, and a compact corner sink. Upstairs, a landing area between the living and dining rooms showcases Trove wallpaper with a falling feather motif, a Julian Chichester console, and a client-owned glass chandelier, alongside an unexpectedly successful IKEA rug. The front parlor, or living room, was envisioned as a serene space with a powder blue and cream color palette, featuring a scalloped pendant light and sofa from Mitchell Gold Bob Williams, blue velvet armchairs with chrome legs, and a modern coffee table from Modern Interiors of Brooklyn. Benjamin Moore’s Mineral Ice provided a silvery cast to moldings against white walls. The dining room stands out as the only area where the original woodwork, including built-in cabinets, a coffered ceiling, and leaded glass pocket doors, was preserved unpainted. This decision maintained a historical contrast to other areas where previously painted wood was refreshed. A round white table from Modern Interiors of Brooklyn was chosen to enhance light, and a Schumacher patterned wallpaper added subtle texture. An original undulating window seat under leaded glass windows received a custom cushion. The primary bedroom was updated with Benjamin Moore’s Veil Cream on moldings, while the adjacent sitting room was furnished with existing client pieces. The primary bath was completely renovated to create a sparkling environment using a mix of glossy and matte glass tiles, with a door leading to a roof terrace. Two top-floor children's baths were also fully redesigned, featuring graphic tile floors and glimmering half-walls with tiles from Nemo, and a utility-style double sink from Kohler. The teenage daughter's bedroom was designed to be feminine yet bold, incorporating magenta accents on the lower walls and carpet tiles for easy future updates. #InteriorDesign #ParkSlope #HomeRenovation #JMorrisDesign #ModernGlamour #KitchenRemodel #BathroomDesign #HistoricHome #BrooklynInteriors

This blog post showcases a contemporary Californian retreat designed as an ultimate escape for a young family that divides its time between various locations in the United States, including Washington, Idaho, and Hawaii. This single-story house features seven bedrooms and nine bathrooms, all centered around a courtyard with a water feature and stepping stones, creating a zen-like atmosphere that connects different parts of the house. Each wing of the home provides a distinct living space, offering private quarters for relaxation, while the main area consists of an expansive open-plan living space that seamlessly extends into the surrounding desert landscape. The design, led by Lucas Interiors, aims to balance function and form, focusing on an effortless indoor-outdoor living experience through extensive glass doors that open to numerous exterior areas, crafted with the assistance of BYLA Landscape Architects. The property, situated on a golf course, features breathtaking views that inspired its transformation. The designers introduced organic forms and textures to soften the rectilinear architecture and its strong lines, utilizing a limited number of materials to achieve a harmonious aesthetic. A key design element is a Japanese-inspired speakeasy bar, drawing inspiration from Bar Tambi in Tokyo. This bar contrasts with the home's generally lighter, sunnier desert-style spaces, featuring rich emerald greens, navy blues, bronze accents, and dark, moody woods. The core palette of the home is neutral to establish a tranquil and organic environment, with colors layered to evoke the mood of the desert landscape. The home's primary bathroom has undergone a significant remodel, incorporating a Japanese "wet room" concept with a soaking tub, emphasizing a restorative and social experience for the clients. This design choice highlights a blend of Japanese aesthetics and functionality. Further cultural influences from Japanese gardens are evident in the use of natural materials and tactile fabrics throughout the spacious interiors. The design incorporates robust materials like steel, wire-brushed woods, and large-format stone to add depth and interest, elevating the overall aesthetic. Custom pieces, such as Alexander Lamont woven copper lanterns flanking the primary bedroom's custom bed platform, juxtapose the crisp, linear architecture and complement the soft textiles. The design also emphasizes flexibility and privacy, accommodating varied groups of people for different durations. Despite its open layout, the house provides intimate areas for retreat, balancing a grand, open Californian feel with private spaces. The extensive entertaining areas are refined by smaller, welcoming spots for relaxation, successfully fulfilling the owners' desire for a serene and versatile retreat. #CaliforniaDesign #JapaneseInfluence #ModernHome #InteriorDesign #SpeakeasyBar #IndoorOutdoorLiving #LuxuryLiving #ArchitecturalDesign #DesertHome

A New Hampshire family, seeking a city pied-àterre in Boston, commissioned Desiree Burns of Desiree Burns Interiors to design a space that encapsulates the Japandi aesthetic. This design philosophy, a fusion of Japanese minimalism and Scandinavian functionality, was particularly appealing to Burns, who had recently returned from a trip to Japan, inspired by contemporary and functional interiors. The project involved a collaborative effort between the clients and Burns to achieve a minimal-organic style, primarily utilizing a neutral color palette. Burns highlighted several exquisite details within the home. In the living room, a custom floating white oak media console and a slatted feature wall were central elements. These pieces were meticulously crafted by New England Custom Cabinetry. Complementing these custom fixtures, wabi-sabi sconces were installed on either side, along with an integrated, hidden custom-LED strip along the crown molding to provide ambient lighting, enhancing the room's serene atmosphere. The primary bedroom features a subtle yet captivating vignette. This area was adorned with Japandi-inspired greenery and various accessories. To maintain the neutral color palette while adding visual interest, white plastered artwork was incorporated, providing texture without introducing additional color. This approach ensured a calming and cohesive aesthetic throughout the private space. The dining area showcases the core principles of Japandi style through its selection of furnishings and decor. Cloud pendants were chosen as a significant design element, strongly reflecting the overarching theme. Custom art prints, sourced from artexplore.net, further reinforced the aesthetic with their neutral color palette and organic stone shapes. A white oak dining table from lekkerhome.com, paired with matching chairs, contributes to an earthy and grounded feel, fostering a sense of natural tranquility. In the bedroom, the clients expressed a desire for a low-profile, modern bed frame, which was sourced from roveconcepts.com. A chaise lounge was strategically placed along the window, creating a dedicated reading nook with a view. The overall design intention for this space was to evoke a calming and serene environment, allowing for relaxation and repose. The designer's favorite elements, such as the custom floating media console and the slatted feature wall in the living room, underscore the project's commitment to bespoke and thoughtfully integrated design. The collaboration between the clients' vision and Burns's expertise resulted in a home that perfectly balances the simplicity, natural materials, and sophisticated comfort characteristic of Japandi design. #JapandiStyle #InteriorDesign #BostonHomes #DesireeBurnsInteriors #MinimalistDesign #ScandinavianDesign #JapaneseDesign #CustomCabinetry #NeutralPalette