inga sempé sheds new light on the clamp lamp for wästberg

The IKEA STRÅLA star lamps, a popular item in Christmas decor, have been updated for 2025 with new patterns and a red and gold colorway. These lamps, known for their Scandi-style XL seven-pointed star shape, are often quick to sell out. IKEA experts provide guidance on how to style these decorations, which are affordable at £5 but appear more expensive due to their elegant design. Scandi paper stars have been a prominent Christmas trend, and the IKEA STRÅLA is recognized as a trendsetter in this category. Maria O'Brian, Creative Leader for the STRÅLA collection, explains that the 2025 designs were created in collaboration with Evelina Kroon and Katie Kirk to combine traditional holiday elements with modern touches. The seven-pointed star symbolizes hope and the festive season, and when lit, it provides a warm and comforting illumination, ideal for the darker, colder months. Additionally, these stars align with the oversized decoration trend, making an immediate and striking statement with minimal effort. For styling, Maria O'Brian suggests placing the stars above a dining table to enhance a festive tablescape, in an entryway to welcome guests, or on a mantelpiece to add sparkle to a living room. Traditionally, Scandinavian paper stars are displayed in windows. When aiming for an authentic look, the principle of 'lagom,' meaning 'just the right amount,' should be embraced. The star is a bold, sculptural piece that benefits from being balanced with simplicity. Key styling tips include playing with scale and height by combining different available sizes to create visual depth, especially in window displays. Visual texture is also important; the delicate cut-outs and patterns of the STRÅLA stars are enhanced when lit, casting intriguing shadows. Pairing them with natural materials like solid wood furniture, woven textiles, or a simple greenery garland helps create an earthy aesthetic. The stars are impactful even in daylight, so styling them against a clean, neutral background, such as a white or pale gray wall, allows their geometric shape to provide a strong design contrast before they are illuminated in the evening. Given their popularity and rapid sales, alternative affordable options are also presented for those who may miss out on specific IKEA styles. #IKEA #ChristmasDecor #ScandiStyle #HomeDecor #SeasonalDecorations #Lighting #InteriorDesignTrends #BudgetDecorating

The Umleiter lamp, created by German industrial designer Veronika Gombert, addresses a common problem in interior design: illuminating areas of a room not directly beneath a pre-existing electrical ceiling point without resorting to unsightly ceiling cables or fixed hooks. Gombert designed this suspension light to offer flexibility in lighting placement, allowing users to position the light precisely where it is needed, rather than being restricted by the electrical outlet's location. The initial concept for the Umleiter lamp emerged in 2011 when Gombert faced a similar challenge in her own apartment, where the existing electricity outlets did not align with her furniture arrangement and interaction areas. Observing this recurring issue in many households, she sought to develop a practical and aesthetically pleasing solution. The innovative design replaces traditional pendant light wiring that might run conspicuously across the ceiling with a 1,500-millimetre metal tube. This tube extends from the electricity point, carrying the wiring discreetly to a conical lampshade. One end of the tube rests against the ceiling, while a steel wire supports the other end. This steel wire is fully adjustable, enabling users to modify the angle of the tube and, consequently, the position of the light source. The Umleiter lamp is engineered for remarkable versatility, offering 360-degree rotation and movement in three dimensions. It can be positioned anywhere within a one-meter radius of the power supply point, providing extensive reach and adaptability. Additionally, the height of the hand-spun conical lampshade can be adjusted, further enhancing its functional flexibility to suit various lighting needs and room layouts. Gombert emphasized her design philosophy, stating that she aimed for a tool-like object rather than merely a decorative lamp. Her goal was to create a solution that allows for adaptability, such as when furniture is rearranged or a table is extended to accommodate more people. She highlighted the product's ability to fulfill the fundamental purpose of a lamp – providing light precisely where it is required – in a flexible and user-friendly manner. Gombert acknowledged the simplicity of her solution to a common, yet often overlooked, problem and expressed curiosity about the public's reception. The Umleiter lamp is available in three distinct finishes: red-painted aluminium, black-painted aluminium, and mirror-polished brass, offering aesthetic choices to complement different interior styles. #Lighting #Lamps #IndustrialDesign #InteriorDesign #HomeLighting #AdjustableLighting #Aluminium

French designer Inga Sempé has collaborated with Italian tile manufacturer Mutina to launch a new collection of graphic tiles called Tratti. This collection stands out for its patterns that evoke a hand-drawn or hand-painted aesthetic, designed to be seamlessly integrated and allow for personalized arrangements. The Tratti collection includes three foundational base color tiles: white, beige, and grey. Complementing these are eight distinct single-patterned tiles, providing flexibility for designers and homeowners to mix and match according to their preferences. In addition to individual patterns, the collection also features three different pre-composed mixes, which consist of various patterns presented in white, grey, and dark grey color palettes. The tiles themselves are crafted from porcelain, each measuring 4 inches by 4 inches (10cm x 10cm). A key technical aspect of the Tratti tiles is their digital printing process, which applies a glaze to achieve the desired muted designs. This digital printing method allows for precision and consistency in reproducing the intricate patterns, while the glaze provides a protective layer and contributes to the tile's aesthetic finish. The material choice and manufacturing process ensure the tiles are durable and suitable for a wide range of applications. They are designed for both floor and wall installations, making them versatile for various interior and exterior spaces. This durability and adaptability mean they can withstand different environmental conditions, expanding their potential use in both residential and commercial settings. The article showcases several patterns from the Tratti collection, detailing their individual names and how they combine with the base colors. For instance, the "Triple" pattern is shown alongside the "Bianco" base color, demonstrating a clean and modern look. The "Tiers" pattern is highlighted, indicating another unique design option. The combination patterns "Aqua" and "Feutre" are displayed together, illustrating how different graphic elements can harmonize within the collection. The "Croisée" pattern is featured twice, emphasizing its visual impact and potential for repetition or variation. The "Epi" and "Croix" patterns further exemplify the diverse graphic language of the collection. The article also presents the pre-composed mixes in greater detail. The "Chiaro" mix is shown in two different images, providing examples of its appearance when installed. Similarly, the "Grigio" mix and the "Scuro" mix are presented, each offering a distinct combination of patterns and colors that are curated for ease of use while maintaining the collection's cohesive design philosophy. The overall approach of the Tratti collection emphasizes user creativity, allowing individuals to act as designers by combining different elements to create unique surfaces that reflect personal style and design sensibilities. The collaboration between Inga Sempé and Mutina brings together artistic vision with manufacturing expertise to produce a tile line that is both aesthetically pleasing and functionally robust. All photographic illustrations for the article were provided by Alessandro Paderni/EYE studio, ensuring a professional and detailed representation of the tile collection. This visual documentation effectively conveys the texture, patterns, and overall aesthetic of the Tratti tiles, offering readers a comprehensive view of the product's design and potential applications in various settings. The article serves as an introduction to this new product line, highlighting its innovative design and practical features for the home design and decoration market. #IngaSempé #MutinaTiles #GraphicTiles #TileDesign #InteriorDesign #HomeDecor #PorcelainTiles #ContemporaryDesign #ArchitecturalSurfaces

IKEA, a Swedish company established in 1943, has consistently offered affordable, innovative, stylish, and high-quality home goods, adapting to various trends over the decades. Beyond its well-known culinary offerings, IKEA's success is rooted in its continuous introduction of new designs and the reintroduction of popular past items, exemplified by collections like Nytillverkad, which reimagines classic pieces for contemporary circulation. The lighting section at IKEA often features particularly inventive and intriguing designs. Following the internet popularity of the VARMBLIXT donut lamp, IKEA has introduced another notable lighting fixture: the STRÅLA decorative table lamp. This lamp is part of a holiday collaboration with Gustaf Westman and is currently available for purchase. The STRÅLA decorative table lamp is described as sculptural and wireless, priced at an accessible $20, significantly less than the $99 VARMBLIXT donut lamp. For those seeking different aesthetics, the IKEA STRÅLÅ matchstick floor lamp from the same collection has also gained viral attention for its whimsical design. The collaboration with Gustaf Westman brings a distinctive style to IKEA's offerings. Gustaf Westman, a Swedish design studio founded in 2020, is recognized for its signature chunky aesthetic, characterized by large rounded edges and solid colors. While the studio's name might not be universally familiar, its design influence, particularly the distinctive chunky plate, has been widely observed on social media platforms. The STRÅLA lamp embodies this aesthetic, blending the simplicity inherent in Scandinavian design with bold, maximalist colors. This combination results in a piece that evokes a playful, upscale dollhouse charm, a quality that has already attracted the attention of design influencers. A key feature of the STRÅLA lamp is its wireless nature, which provides flexibility in placement and allows for easy repositioning when redecorating. The lamp's outer rings are adjustable, enabling users to modify their position from flat to askew, offering a customizable look. It also includes two dimmable settings, allowing users to adjust the light intensity to their preference. The integrated LED light eliminates the need for bulb replacement and offers enhanced energy efficiency and longevity compared to traditional lightbulbs. While the lamp operates on batteries, it is rechargeable via a USB-C port, enhancing its practicality and convenience. This makes the STRÅLA lamp a functional and stylish addition, reflecting current design trends and IKEA's commitment to accessible home decor innovations. #IKEALamps #GustafWestman #HomeDecor #InteriorDesign #STRÅLALamp #WirelessLighting #AffordableDesign #DesignTrends

Adriano Rachele's latest collection for SLAMP, named Drusa, draws inspiration from naturally occurring crystal formations that emerge from rocks. This concept is translated into a series of contemporary lighting fixtures designed to mimic the multifaceted appearance and light-play of these geological wonders. The Drusa fixtures are crafted from Lentiflex®, a proprietary material developed by SLAMP, which is then finished with a Velvet print. This combination of material and printing technique is engineered to create a dynamic kaleidoscope effect when light interacts with the numerous surfaces and angles of the fixture. The design principle behind the Drusa collection centers on a central light source within each fixture. This strategic placement ensures that light reaches and reflects off every individual facet and angle in a distinct manner. The result is an illusion of dynamic depth and texture, which changes depending on the viewer's perspective and the ambient lighting conditions. This careful consideration of light interaction aims to create an engaging visual experience, transforming the static fixture into an object that constantly shimmers and shifts with perceived movement. The Drusa collection offers versatility in its application, catering to various interior design needs. It is available in two primary configurations: a suspension version and a ceiling/wall version. The suspension fixtures are designed to hang from above, making them suitable for illuminating specific areas or serving as central decorative elements in a room. The ceiling/wall versions offer a more integrated lighting solution, suitable for general ambient lighting or for creating focal points on vertical surfaces. This dual offering allows designers and homeowners to incorporate the crystal-inspired aesthetic into different spaces and for diverse functional purposes. SLAMP, the manufacturer, is known for its innovative use of technopolymers in lighting design. Lentiflex®, the material utilized in the Drusa collection, is one such technopolymer chosen for its unique light-diffusing properties. The addition of the Velvet print further enhances these properties, creating a soft yet reflective surface that contributes to the overall crystal-like effect. The collaboration with Adriano Rachele, a designer recognized for his sculptural approach to lighting, underscores SLAMP's commitment to combining artistic vision with advanced material science to produce distinctive and functional lighting solutions. Overall, the Drusa collection by Adriano Rachele for SLAMP represents a modern interpretation of a natural phenomenon. By leveraging advanced materials and thoughtful design, the fixtures aim to bring the mesmerizing beauty of crystals into contemporary interior spaces. The collection's various forms and the intricate play of light and shadow are intended to create visually rich and engaging environments, enhancing the aesthetic appeal of any room where they are installed. The fixtures are presented as both functional lighting elements and sculptural pieces of art, embodying a fusion of nature-inspired design and modern manufacturing techniques. #LightingDesign #ModernLighting #HomeFurnishings #CrystalInspired #AdrianoRachele #SLAMPLighting #InteriorDesign #SculpturalLighting

Paris-based Palestinian designer Samer Selbak has developed the "Luffa" collection, a series of lighting and a space divider crafted from the luffa plant, naturally dyed with vegetables. This collection includes two pendant lights, Saffeer and Nafaq, and a space divider named Reef. The Saffeer pendant light is designed to hang diagonally, featuring an inner steel body encased in luffa to form a tubular shape, while the Nafaq pendant light shares a similar form but is suspended horizontally. The Reef space divider consists of luffa sheets in various dyed tones, arranged in a geometric pattern and supported by two steel bars, serving as both a functional and sculptural element. Selbak's design process incorporates traditional uses of luffa, which is known as a bathing sponge and for its culinary applications. The luffa naturally presents beige tones, but for this collection, Selbak employed natural dyes from vegetables like red cabbage, onion skin, and avocado skin to achieve muted shades of brown, pink, and blue. He describes this dyeing process as "magical and very surprising," highlighting how minor changes can lead to diverse results, which he finds more engaging than industrial dyes. After dyeing, the luffa material is heat-compressed and folded into its desired shape, then sewn into its final form. A key aspect of the Luffa collection is its ability to interact with light. When illuminated, the lights accentuate the luffa's inherent textures and patterns, creating what Selbak describes as a "sub-aquatic mystical presence." He notes that the interplay of light and shadow, colors, and shapes in the luffa resembles the beauty of corals, existing in a liminal state between plant and mineral, and between a living creature and an object. The material's porous nature, with its plant fibers, allows both air and light to pass through, contributing to its aesthetic and functional qualities. Beyond sustainability and aesthetics, Selbak's choice of luffa carries significant personal and cultural meaning. He selected the material to honor his Palestinian heritage, where luffa, often known as loofah, holds cultural relevance. He views this design as a symbolic act of resistance against "suppression and appropriation" that Palestinians face, aiming to re-highlight the beauty and potential of this "almost forgotten material," even its name having been appropriated. The use of luffa also connects to his childhood memories of his grandparents growing luffa in their garden and using it as a shower sponge, an experience that shaped his curiosity as an artist and designer. Selbak's background includes a master's degree in product design from the École des Arts Décoratifs, obtained in 2022, after which he established an interdisciplinary design practice focusing on interior objects and homeware. The Luffa collection exemplifies his commitment to integrating natural materials and cultural narratives into contemporary design, showcasing luffa's durable, biodegradable, and breathable properties while bringing natural elements into living spaces. #SamerSelbak #LuffaCollection #PendantLights #SpaceDivider #NaturalDyes #SustainableDesign #PalestinianDesign #Homeware #InteriorLighting

Artist and architect Inés Esnal has unveiled her Prism installation, transforming the lobby of a new residential building in New York City. The artwork utilizes colorful elastic ropes to create intricate triangular formations that serve to filter light, producing a dynamic interplay of vivid colors and optical illusions. This installation provides a stark and compelling contrast to the lobby's existing concrete walls, injecting an element of artistic vibrancy into the otherwise stark architectural setting. The Prism installation is characterized by its use of stretched elastic ropes, meticulously arranged to form geometric patterns. These ropes, varying in color, intersect and overlap, creating a complex web that interacts with the ambient light. As light passes through these colored strands, it is fractured and dispersed, casting a spectrum of hues across the lobby space. This optical phenomenon changes throughout the day, depending on the angle and intensity of natural light, offering a constantly evolving visual experience for residents and visitors. The design intention behind Prism is to introduce an element of surprise and visual engagement within a functional architectural space. By contrasting the inherent rigidity and monochromatic nature of concrete with the fluidity and vibrant palette of the elastic ropes, Esnal challenges conventional perceptions of lobby design. The installation effectively redefines the entrance area, transforming it from a transitional zone into an immersive artistic environment. Esnal's work often explores the relationship between art, architecture, and human perception. In Prism, she employs principles of geometry and optics to manipulate space and light, thereby creating an illusory depth and movement within a static structure. The triangular shapes formed by the ropes evoke the concept of prisms, which are known for their ability to refract light into its constituent colors. This not only imbues the space with aesthetic appeal but also invites viewers to contemplate the scientific and artistic principles at play. The installation aims to enhance the sensory experience of the building's occupants, offering a momentary escape from the urban environment. The selection of elastic ropes as the primary material allows for flexibility in form and an ethereal quality that belies the material's strength. This choice also contributes to the lightweight and seemingly gravity-defying appearance of the artwork, further emphasizing its illusory nature. The vibrant colors chosen are intended to evoke a sense of energy and warmth, counteracting the potentially cold aesthetic of modern concrete architecture. The overall effect is one of harmony between the artistic intervention and the architectural context, demonstrating how art can profoundly alter and enrich built environments. #ArchitecturalInstallation #PublicArt #LobbyDesign #InesEsnal #OpticalIllusions #ElasticRopeArt #NYCArchitecture #ColorTheory #GeometricArt

The "Bulb Fiction" show, held in the Hernals neighborhood of Vienna at the Klaus Engelhorn Depot, showcased a diverse collection of lighting objects, spanning from the late 1960s and early 1970s to contemporary designs. Curated by Michael Turkiewicz of designandart.at and Gabriele Ruff, the exhibition explored the future of lamp design in anticipation of the phasing out of incandescent bulbs and the transition to energy-saving alternatives. The show featured newly commissioned pieces alongside historical lighting, creating a dialogue between past and present design philosophies concerning illumination. A central theme of the exhibition revolved around the question: "What will happen to lamp designs when incandescent bulbs run out?" This query prompted Vienna-based designers to conceptualize and create light sources that address the evolving landscape of lighting technology. The curated collection highlighted innovative approaches to this challenge, emphasizing both aesthetic considerations and practical solutions for energy efficiency. Among the notable exhibits was mischer'traxler's "Relumine" lamp, which ingeniously integrated two lamp typologies that share or contend for the light source of a single fluorescent bulb. This design demonstrated a creative use of existing energy-efficient technology within a novel form factor. POLKA presented their "Perlenlicht" lamp, an oversized, pearl necklace-like prototype designed as a wall-mounted light object. Monica Singer of POLKA described the piece as playing with the alteration of dimension and context, transforming an everyday object like a pearl necklace while also referencing traditional Viennese staircase lighting, often characterized by simple glass globes. Another innovative piece featured was claassen & partner's "Van Zipper" light, a design that allows users to adjust the light's intensity by opening or closing zippers. This interactive element provided a tangible connection between user action and light output. PRINZGAU/podgorschek contributed the "Kreis -Kugell - Zufall" chandelier, a sophisticated design produced by the renowned glass manufacturers J&L Lobmeyer, blending artistic expression with traditional craftsmanship. The exhibition also included works from a wide array of other designers, such as Michael Anastassiades' "Kinetic -2 Pendulum Lamp," Charlotte Dumoncel d'Argence's "Vanitas Lamp," NEXT architects & Aura Luz Melis' "Slow Glow Lamp," and Tejo Remy's "Milk Bottle." Other participating designers included Florence Doleac, Joel Degermark, Lonneke Gordijn/Drift, Rody Graumans, Stuart Haygarth, Tomas Hoke, Chris Kabel, and Marcus Tremonto, all of whom contributed to the diverse exploration of contemporary lighting design and its future. The show underscored the ongoing evolution of lighting solutions in response to technological advancements and environmental considerations. #ViennaDesignWeek #LightingDesign #BulbFiction #EnergyEfficientLighting #ContemporaryDesign #ProductDesign #Exhibition #MischerTraxler #POLKA

The article delves into the history and design of the iconic Bubble Lamps, a creation by industrial designer George Nelson and his studio, George Nelson Associates, Inc. These lamps are celebrated as prime examples of American modernism and demonstrate the innovative use of modern materials and production techniques. The inspiration for the Bubble Lamps arose from a practical challenge Nelson faced: the high cost of a silk-covered Swedish pendant lamp he desired for his office. This led him to recall a newspaper image depicting Liberty ships undergoing mothball treatment, where their decks were covered in netting and sprayed with a self-webbing plastic. This technique sparked the idea for a new, more affordable lighting design. In 1947, combining the aesthetic appeal of the Swedish pendant with the practical application of the self-webbing plastic, Nelson and his team developed the first Bubble Lamp. The Bubble Lamps are characterized by an internal steel wire skeleton, which is then spray-coated with a translucent plastic polymer. This specialized plastic, initially observed in the mothballing process, creates a unique finish that is simultaneously opaque and transparent. The resulting lamp functions not only as a light source but also as a sculptural art piece. When illuminated, it emits a consistent, soft glow. The lamps were designed in various shapes, including the classic spherical ball and the elongated cigar, and are available in multiple styles such as pendant, floor, table, and wall lamps. This versatility has allowed them to become a staple in modern interior design. The article emphasizes Nelson's role as a founding father of American modernism and his significant contributions to furniture, lighting, and accessories, particularly during his tenure as director of design at Herman Miller. His ability to merge aesthetic vision with innovative material application resulted in timeless designs that continue to be relevant. #GeorgeNelson #BubbleLamp #HermanMiller #IndustrialDesign #MidcenturyModern #LightingDesign #Modernism #InteriorDesign #ProductDesign

Hungarian designer Zsuzsanna Horvath has created the Illan Pendant Light for Italian lighting company Luceplan, utilizing a unique process of laser-cutting birch plywood. The lamp's design was first showcased as a prototype at Salone Satellite during the Milan Furniture Fair, capturing the attention of Luceplan. The name 'Illan' is derived from a Hungarian word signifying something temporary or fleeting, a concept that Horvath aimed to embody in the delicate and minimalist aesthetic of the lamp. The core of the design involves precisely scoring equidistant lines through a thin sheet of birch plywood using laser-cutting technology. This intricate cutting method allows the material to take on a new form, responding to the forces of gravity when suspended. As Horvath explained, the idea emerged from her experimentation with laser-cutting techniques applied to various materials, where geometrically cut sheets of paper and wood acquire novel characteristics under their own weight. Upon suspension, the plywood naturally drapes into a distinctively curved lampshade shape, contributing to its ethereal and artistic appeal. Inside the elegant plywood structure, a warm-toned LED light source is integrated. This light gently permeates through the fine slats of the plywood, producing a soft, golden, and diffused illumination. Horvath highlighted that the simple, concentric cutting motif transforms the wood into a three-dimensional sculptural object. This object is not static but dynamically responds to even the slightest air movement, adding a subtle, living quality to the design. The warm glow of the light further enhances a relaxing sensation, reflecting beautifully off the wooden surface. The designer views the Illan Pendant Light as a bridge between art and design, successfully balancing functional utility, aesthetic appeal, and a touch of magic that enriches everyday life. This perspective underscores the lamp's ability to transcend mere functionality and become an engaging piece within an interior space. The Illan Pendant Light is available in three different sizes, with the largest version capable of reaching up to a meter in width. This variety in size offers flexibility, allowing the lamp to be used either as a singular statement piece or as part of a grouped cluster of varying dimensions, catering to diverse spatial and aesthetic requirements. Horvath, who is both a designer and architect, operates her own studio in Copenhagen. The Illan Pendant Light has received significant recognition, being shortlisted for the prestigious Dezeen Awards 2020 in the lighting design category. It was nominated alongside other innovative lighting solutions, including a bedside lamp designed to read to children and a rotating ring light. The article also references other examples of plywood designs in lighting, such as laser-cut plywood lamps by Italian studio Bjørne and a modular lighting collection by Tino Seubert and Theodora Alfredsdottir, underscoring the growing trend and versatility of plywood in contemporary design. #PlywoodDesign #LaserCut #PendantLight #Luceplan #ZsuzsannaHorvath #BirchPlywood #LEDLighting #InteriorLighting #DesignAward

Shakúff, a Brooklyn-based design and manufacturing studio, has unveiled its latest lighting fixture, the Tamar Wand pendant light. This innovative design showcases a tubular shade meticulously enveloped in delicate strings of blown glass, offering a distinctive visual and textural appeal. The creation of the Tamar Wand involves skilled glassblowers who intricately stretch borosilicate glass into thin strands and then artfully swirl them around the exterior of a central glass tube. This specialized technique results in a unique drizzled surface that is designed to capture and refract light, creating a mesmerizing effect. Joseph Sidof, the creative director of Shakúff, expressed his admiration for the glassblowing process itself, describing it as a captivating cycle of blowing, melting, and reshaping. He noted that the name 'Tamar Wand' playfully alludes to the inherent magic and transformative nature of this ancient craft. The Tamar Wand is an evolution of Shakúff's existing Tamar pendant, incorporating modern advancements while retaining its artisanal core. The illumination for the pendant comes from internal LED strips, which are integrated along a stainless-steel rod. This rod serves a dual purpose: it acts as a conductor for the LEDs and aids in their cooling, ensuring optimal performance and longevity. The design philosophy behind the Tamar Wand aimed to bridge traditional craftsmanship with contemporary aesthetics, making it suitable for modern, linear architectural spaces. To further enhance its contemporary feel, the pendant light is accented with brushed brass or chrome detailing. These metallic finishes provide a sophisticated contrast to the organic texture of the blown glass, reinforcing the fixture's appeal in modern interior design schemes. The Tamar Wand represents a harmonious blend of traditional glassblowing artistry and cutting-edge lighting technology, offering an elegant and eye-catching lighting solution for various environments. The product details specify the Tamar Wand as the product name and Shakúff as the brand. This product is featured on Dezeen Showroom, a platform that provides an accessible avenue for brands to introduce new products and display their design achievements to a wide global audience. The article emphasizes that Dezeen Showroom content is an example of partnership content, indicating a collaborative promotional effort. This new lighting piece reflects Shakúff's ongoing commitment to exploring innovative ways to incorporate classic techniques into modern design. #LightingDesign #PendantLight #BlownGlass #BorosilicateGlass #InteriorDesign #ModernLighting #Shakuff #DesignInnovation

Finnish furniture company Vaarnii has launched a new series of pendant lamps, the Hans Pendant series, drawing inspiration from the techniques of Swedish industrial designer Hans-Agne Jakobsson. Jakobsson, prominent in the mid-20th century, was known for his pioneering use of wood veneers in lighting designs. Vaarnii, which primarily uses locally-sourced pine for its products, has adopted this method to create a lighting collection that diverges from its typically chunky and Brutalist aesthetic. The Hans Pendant series reintroduces designs originally conceived by Jakobsson, which had been off the market for decades. Vaarnii has re-engineered three of Jakobsson's original pendant designs, utilizing solid Finnish pine in conjunction with circular strips of high-quality pine veneer. This approach efficiently uses pine, highlighting its natural tone and grain to create designs that appear substantial yet maintain a visual lightness. The collection comprises three distinct pendant lamp models, each named with a numerical identifier and indicating its diameter in centimeters. The 1001 Hans Pendant 38 features a beehive profile, offering a distinctive shape. The 1002 Hans Pendant, characterized by an ovoid profile, is available in two sizes: a standard 46 cm and a larger XL 70 cm. Lastly, the 1003 Hans Pendant presents a diamond profile and is offered in a 60 cm version and an XL 90 cm size. A key characteristic of these lamps is their inherent individuality. Due to the natural variations in the pine veneer, each lamp possesses a unique appearance. Furthermore, the company highlights that the color of each lamp will evolve and change over time as the pine ages, adding another layer of distinctiveness to each piece. This natural aging process ensures that no two lamps will remain identical, contributing to their unique charm and character as they become part of a living space. Vaarnii's decision to revive Jakobsson's techniques underscores a commitment to sustainable material use and a blend of historical design principles with contemporary production. The focus on local Finnish pine not only aligns with the company's brand identity but also supports responsible sourcing. The re-engineering process demonstrates an effort to bring classic designs back to the market while adapting them to modern manufacturing capabilities and aesthetic sensibilities, ensuring their relevance and appeal to a new generation of consumers interested in authentic and well-crafted home furnishings. #Vaarnii #PineVeneer #PendantLamps #HansAgneJakobsson #FinnishDesign #LightingDesign #WoodVeneer #HomeDecor #SustainableDesign

Jamb founders Will Fisher and Charlotte Freemantle, known for their bespoke lighting tailored for leading interior designers, are set to launch their new Deco collection. This collection, which will debut at London Design Week, features five distinct pieces that deliberately eschew current trends, focusing instead on timeless design and exceptional craftsmanship. The duo, operating from their London home and studio, emphasizes traditional skills and meticulous attention to detail, a philosophy that stands in contrast to the rapid-fire launch cycles common in contemporary design. The Deco collection is characterized by a glamorous and somewhat majestic aesthetic, designed to soften the edges of each piece in a romantic fashion. This romantic sensibility extends from their previous work, including their distinctive pink room at the Wow! House at Chelsea Harbour Design Centre. Will Fisher's background in studying antique objects heavily influences their design process. The team initiates new designs by identifying original antique pieces that serve as the foundational inspiration. Their deep immersion in historical objects led to the early twentieth-century themes evident in the Deco collection, drawing from movements and periods such as The Bloomsbury Group, the Roaring Twenties, and the Belle Époque. The collection highlights a focus on rich materiality, combining hand-planished metal, luminous alabaster, and shimmering silk textiles to create compelling juxtapositions. Some designs incorporate hand-carved patterns, which are then cast using the traditional lost wax technique, a method Will Fisher describes as the "noblest form of manufacture." Charlotte Freemantle is particularly interested in integrating decorative fabrics, a concept carried over from the Wow! House show, into their new product lines. She notes that drapery softens and diffuses light in a room, and similarly, the textiles in their collection evoke the gentle glow of candlelight, enhancing the overall ambiance. Often described as the "jewelry of the home," lighting in the Deco collection aims to create unique and inviting atmospheres. The pieces are designed to complete and complement diverse interior aesthetics, whether mid-century modern or traditional, effectively bucking trends and potentially establishing new ones. To illustrate their versatility, the designers have photographed the collection in various in situ settings, demonstrating how these objects can seamlessly integrate into different environments. The article specifically mentions pieces like the Hopper Alabaster wall sconce, the Thelma pendant light with its hand-stippled brass frame and optional linen or silk skirt, a new floor lamp styled with antique furniture, and the Hatton Rod, which embodies the Art Deco aesthetic with its alabaster bowl and brass detailing, offering both down and uplighting. The collection will be available from Jamb at 95-97 Pimlico Road, London, and through their website. #JambLighting #DecoCollection #LondonDesignWeek #BespokeLighting #InteriorDesignTrends #AntiqueInspired #Craftsmanship #AlabasterLighting #LuxuryLighting

Brigette Romanek, an interiors expert known for her work with celebrities like Gwyneth Paltrow, Beyoncé, and Joe Jonas, has launched her second furniture design collaboration with Mitchell Gold + Bob Williams. Following her initial furniture line, Romanek has now unveiled a six-piece lighting collection named "Luce." This new collection is inspired by vintage Italian glam and prominently features the popular design trend of curves, incorporating soft, glowing orbs and an antique brass finish. The pieces aim to add a "sexiness to the silhouette" and extend into a room in a "friendly way," according to Romanek. The Luce collection includes various lighting fixtures, such as table lamps, floor lamps, wall sconces, and a chandelier, with prices starting at $930. Romanek provided styling tips for each type of fixture to help homeowners integrate these statement pieces into their decor. For wall sconces, which are available in single and double configurations, Romanek suggests using them to illuminate transitional spaces like hallways, mudrooms, and entryways. Their dramatic gooseneck arcs and soft luster make them suitable for framing art or mirrors, drawing extra attention to these features, as demonstrated by Romanek herself above her fireplace. Regarding table lamps from the Luce collection, Romanek recommends placing a single lamp on a credenza to brighten it up, or using two lamps at each end for a more dramatic effect. She also highlights their dimmable functionality, suggesting they are ideal for creating a romantic glow when placed on a table between two lounge chairs. The Luce floor lamp is described as one of the collection's most versatile items, capable of creating cozy library vibes. It can be positioned next to, behind, or on either side of a sofa, between two chairs, or paired with a side table, offering numerous styling possibilities. Romanek has incorporated this fixture into her own den. Finally, the Luce pendant lamp, which Romanek refers to as a "jewel," features three tiers of bulbs originating from a flush mount. She installed this piece above her bed and also notes its suitability for powder rooms, where the globes provide a complimentary glow, enhancing makeup checks. The collection offers an opportunity for individuals to bring a touch of A-lister-approved style into their homes. #BrigetteRomanek #LightingDesign #ItalianGlam #HomeDecor #MitchellGoldBobWilliams #CurvedFurniture #CelebrityDesign #LuxuryLighting #InteriorDesignTrends

The LUMNES collection of lamps, designed by product designer Isabel Brouwers, takes inspiration from the mesmerizing phenomenon of photo-luminescent algae. This unique lighting series is a direct result of Brouwers' experience during a swimming journey in Cambodia, where she encountered a species of algae that naturally produces light. The designer sought to capture and immortalize this fascinating moment, allowing the installation to evoke the marine plant's captivating properties within an interior setting. The LUMNES series specifically draws its essence from the *Pyrocystis fusiformis* algae, a particular species renowned for its bioluminescent capabilities. A key characteristic of this natural light production is its reliance on oxygen. Brouwers has cleverly integrated this biological requirement into her lamp design, where the lighting fixtures themselves react to the ambient oxygen levels, thus echoing the algae's photogenic behavior. Each lamp in the LUMNES collection is a unique piece, crafted through the traditional and intricate method of glassblowing. This handcrafted approach ensures that every lamp possesses individual variations, much like organisms in nature. Furthermore, the glassblowing process itself inherently involves the use of oxygen, a detail that serendipitously aligns with the scientific principle behind the algae's luminescence, where oxygen is essential for light to originate. This meticulous attention to both aesthetic representation and scientific accuracy underscores the thoughtful design process behind the LUMNES series. The inspiration for the LUMNES lamps stems from a personal encounter with nature's beauty, specifically the luminous algae observed by Isabel Brouwers. Her objective was to translate this ephemeral natural phenomenon into a tangible, artistic product. The resulting lamps are not merely sources of illumination but are also sculptural interpretations of the *Pyrocystis fusiformis*, capturing its form and the environmental conditions necessary for its glow. The hand-blown glass technique employed in their creation emphasizes the organic and fluid shapes that characterize the algae, making each lamp a delicate and artistic representation of its natural muse. The interactive element, where the lamps' light production is linked to oxygen, creates a dynamic and living quality, inviting observers to engage with the product on a deeper level, appreciating the intricate connection between light, life, and environmental factors. This project highlights a unique intersection of natural inspiration, traditional craftsmanship, and innovative design thinking. #LightingDesign #ProductDesign #IsabelBrouwers #LUMNESLamps #Bioluminescence #Glassblowing #NatureInspiredDesign #HandmadeLamps #ArtisticLighting

The importance of a well-conceived lighting plan in home design is often underestimated, frequently being an afterthought rather than an integral part of the initial concept. Good lighting significantly contributes to an inhabitant's well-being, optimizes functionality, and elevates the overall aesthetic of a room, transforming an ordinary space into something remarkable through strategic fixture selection and placement. This principle was vividly demonstrated at the recent WOW!house design exhibit held at the Design Centre, Chelsea Harbour in London, England. The exhibition featured 22 unique rooms, each crafted by leading interior designers, where lighting often took center stage. The WOW!house exhibition, open to the public for a month in June to support the United in Design charity, was not a traditional house but an innovative installation. It comprised a series of exterior and interior spaces within the atrium of the Design Centre. These spaces were diverse, ranging from entries, kitchens, dens, bars, and dining areas to libraries, bathrooms, bedrooms, and outdoor courtyards, all brimming with originality and creative design solutions. Across most of these spectacular settings, lighting played a prominent role in defining the ambiance and functionality. One of the most striking examples was the grand entry of the installation, which featured an dramatic leaf chandelier by Cox London. Victoria Davar, founder of Maison Artefact, specifically requested a five-meter ceiling height to ensure the fixture was not only accommodated but also given pride of place, asserting its visual dominance upon entry. Davar emphasized that this height aligns with classical design principles. Her design philosophy for the entry embraced a blend of classical and modern elements, where the chandelier was framed against a traditional-surround fireplace. This approach allowed each element to balance the other, creating a dialogue between the old and the new. Davar intentionally utilized negative space, leaving the wall above the fireplace blank, to allow the chandelier to stand out as a sculptural piece without visual interruption, fostering a sense of airiness. Another innovative approach was seen in the courtyard room designed by Emma Sims-Hilditch. This multi-functional space, envisioned to support various aspects of country living such as a boot room, dog wash station, and gardening area, integrated classical elements of heritage country homes with modern touches. Sims-Hilditch positioned an oversized Charles Edwards lantern as a focal point above an island, drawing inspiration from classical English country house lanterns. The lantern received a contemporary update through its coloration, painted in Farrow & Ball's Lulworth Blue. Wall lights, inspired by carriage lanterns, and pendant lights with fabric shades in corner spaces were strategically placed to layer the lighting, ensuring both functionality and comfort. Sims-Hilditch underscored the importance of soft lighting and avoiding bare bulbs, opting for a layered system that included John Cullen Lighting for downlights and Soane Britain for wall lights. The bathroom designed by 1508 London exemplified how lighting can transform a functional space into a luxurious retreat. The design studio incorporated an advanced lighting system by John Cullen Lighting and Lutron, offering three distinct illumination programs: Ritual, Revitalizing, and Revery. Paris Albert, an associate at 1508 London, explained that “Ritual” supports daily cleansing routines, “Revitalizing” enhances vanities and showers for rejuvenation, and “Revery” creates a dreamlike state for relaxation. These options, accessible at the touch of a button, elevated the bathroom experience from mere utility to a restorative escape. Interior decorator and antiques dealer Daniel Slowik presented his morning room design, emphasizing subtle, layered lighting rather than bright, centralized fixtures or intrusive task lighting. He advocated for side lights, often converting decorative vases or antique items like Arts & Crafts candlesticks into lamps, to create ambient illumination. Slowik aimed for a subdued, not overlit, atmosphere, focusing on objects that also serve as beautiful design elements. While generally disliking overt task lighting, he integrated a brass floor lamp discreetly next to a reading chair, chosen for its distressed appearance that conveyed a sense of history and permanence. The unifying theme across all these designs is the necessity for lighting to be an intrinsic component of the overall design strategy. A thoughtful approach to illumination enhances comfort and functionality, highlights the aesthetic, and can dramatically transform a room into a unique and spectacular environment. #HomeDesign #InteriorDesign #LightingSolutions #WOWHouse #DesignExhibition #ArchitecturalLighting #DecorativeLighting #SmartLighting

The article introduces the Dedicate Lamp system, designed by Thomas Bentzen for Muuto, highlighting its versatility and unique design philosophy. Traditional lighting often limits users to singular solutions, but the Dedicate Lamp challenges this convention by offering a comprehensive system that integrates primary, secondary, and ambient light sources. This approach aims to provide more dynamic and mood-conjuring illumination for various spaces. Bentzen's design draws inspiration from two distinct sources: the classic architect's lamp, which influenced his education and work, and the industrial crane. The architect's lamp provided a foundational understanding of functional lighting, while the industrial crane offered a model for mechanical form and function on a grander scale. Bentzen describes an almost obsessive dedication to translating these industrial crane principles into the lamp's design, ensuring that its movement and operation intuitively convey the underlying forces at play. The development of the Dedicate Lamp spanned five years, beginning in 2018. During this period, Bentzen explored numerous forms and iterations to achieve a versatile lighting solution. The result is not a single lamp but a system comprising three distinct models, each capable of being paired with one of four different bases: Table Clamp, Wall Mount, Table Pin, and Table Base. This modularity allows the lamp to adapt to diverse environments and functions, moving beyond the limitations of a typical desk lamp. Bentzen emphasizes that the design is a "nod to its predecessor," aiming to elevate function in a contemporary context without losing sight of the original essence of task lighting. The lamp's construction features a spring-armed aluminum body and a machined steel base, equipped with an LED light. This configuration enables its use as a traditional desk lamp, a swing-arm sconce, or a secondary light source for accentuating walls or providing focused spot lighting. A key feature of the Dedicate Lamp is its wall-mount option, which liberates it from horizontal surfaces. This allows the lamp to be installed on walls or other vertical planes, offering direct and focused illumination where needed. Bentzen also addresses a common issue in modern lighting design: the glare and unflattering light often produced by minimalist LED lampshades. He notes that a significant goal was to design a shade that mitigates these problems, ensuring a more pleasant lighting experience and avoiding discomfort for others in shared spaces. The lamp incorporates a simple push-button switch conveniently located on its die-cast aluminum lamp head. The Muuto Dedicate Lamp is available in Black or Brown Green and comes in three sizes, with prices ranging from $445 to $549. The four distinct base options further enhance its adaptability, making it a multifaceted lighting system suitable for various residential and commercial applications. #DedicateLamp #ThomasBentzen #Muuto #LightingDesign #HomeFurnishings #VersatileLighting #IndustrialDesign #TaskLighting #LEDLamp

The 'Illan' lamp, designed by Hungarian architect and designer Zsuzsanna Horvath for Italian lighting company Luceplan, is a distinctive pendant light crafted from laser-cut birch plywood. This unique fixture utilizes precise laser-cutting technology to create equidistant circular lines from a thin sheet of plywood. These delicate wooden outlines are then suspended together, forming the body of the lamp. The design is characterized by its simplicity, apparent weightlessness, and a harmonious blend of emotion and technological creativity. Horvath's prototype for the 'Illan' lamp first garnered attention at Salone Satellite during a previous Milan Furniture Fair. The name 'Illan', meaning 'something temporary' or 'fleeting' in Hungarian, reflects the designer's intention to celebrate the transient moments of beauty encountered in everyday life. Horvath describes the lamp as emerging from the exploration of laser-cutting various materials, where geometrically cut sheets of paper and wood acquire new characteristics when suspended by gravity. She considers the 'Illan lamp' to exist at the intersection of art and design, balancing functional quality, aesthetic appeal, and a touch of the magical elements desired in daily existence. The fabrication process involves innovative materiality and construction, contributing to the lamp's sculptural integrity. When installed, the thin wood pieces naturally fall into a unique curved form. A golden-hued LED light source is discreetly placed within the upper section of the lampshade. This light permeates the translucent wooden structure, producing a warm, diffused glow that enhances the ambient atmosphere. Horvath emphasizes the lamp's defining attributes as translucency, flexibility, and a subtle undulating movement. The simple, concentric cutting motifs transform the wood into a three-dimensional sculptural object. This structure is designed to react to even the slightest air currents, creating a gentle, dynamic movement. The warm illumination from the LED light reflects off the wooden surfaces, producing a relaxing sensation and a harmonious visual resonance. The 'Illan' lamp stands as a testament to combining advanced fabrication techniques with poetic design philosophy, creating a lighting fixture that is both functional and artful. #PendantLamp #LightingDesign #ZsuzsannaHorvath #Luceplan #BirchPlywood #LaserCut #HomeDecor #ItalianDesign #MilanFurnitureFair