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What Looks Like Wallpaper in This Bathroom Is Actually Tile
The article explores interior designer Dina Bandman's creative use of tile in a kids' bathroom, specifically her room design for the San Francisco Decorator Showcase. Given carte blanche, Bandman aimed to create a joyful, memorable, and happy space for children, centering her design around a cheerful cherry red. The article highlights three distinct applications of tile within the bathroom, demonstrating how a humble material can be used in versatile and imaginative ways.
Bandman's design features a striking New Ravenna mosaic tile that initially appears to be wallpaper. This mosaic, inspired by the Otomi people's artwork from central Mexico, served as the primary inspiration for the room, leading to its nickname, "No Drama Llama." The pattern intricately incorporates symbols of native flora and fauna, such as foxes and llamas, creating a vibrant and playful visual. The designer had long admired this particular mosaic and seized the opportunity presented by the showcase to finally integrate it into a project.
For the lower half of the walls, Bandman opted for a more subdued approach to balance the dominance of the mosaic. She selected classic white subway tile, ensuring it would not compete with the bold upper section. To add a touch of detail and coherence, she introduced a double ticking stripe in red at two varying heights. This stripe detail was extended beyond the tilework, appearing on the window shade, sconces, and even the monogrammed towels, effectively tying together different elements of the room's decor.
In the shower stall, the graphic red accent was further incorporated to maintain design cohesion throughout the space. Here, Bandman crafted a framed border using the red tile on the two walls within the enclosed shower area. This application provides a subtle yet impactful continuation of the color scheme and design motif. To prevent the bold wall tile from overwhelming the space, Bandman chose a simple marble hex design for the floors. Additionally, she painted the ceiling a barely-there blush color, a delicate detail intended to introduce a soft, light pink hue without being overpowering, demonstrating a judicious use of restraint in the overall design.
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