We’re Crushing on This Art Nouveau-Style Speakeasy

Speaker design studio Silence Please has established its first showroom and listening space in a New York City loft, located in Manhattan's Bowery neighborhood. The extensive loft space is designed to function as a multi-purpose environment, featuring a showroom and seating area at the front, with a record shop named Duty Free Records and a tea room situated towards the back. Silence Please specializes in designing and producing high-fidelity, analogue speakers, which are characterized by their array of materials and distinct horns. The studio took the lead in the interior design of this new space, aiming to create an inviting, home-like atmosphere while simultaneously offering an elevated experience for visitors. The design philosophy was to foster a deeper connection to sound and create a unified space for listening and discovery, balancing an approachable, domestic feel with a dreamy, liminal quality. Upon entering the second-floor walk-up, visitors find a large open space with white-painted walls and an exposed ceiling. The front of the space features tripod speakers, along with tables and chairs designed in collaboration with Brooklyn studio Graine Studio, overlooking Bowery Street. Two dark-washed dining tables by Graine Studio are centrally placed on a black rug that extends towards the dedicated listening area. This intimate section is furnished with black leather Togo sofas, a small wooden dining table, a potted tree, and brushed aluminium speakers fitted with bright white horns. Silence Please aimed to present its speakers in a way that evokes the comfort of a large living room. The studio expressed a desire to merge a gallery aesthetic, recognizing the speakers as art, with the soft and intimate ambiance suitable for personal listening. This juxtaposition of gallery and intimate living space is considered a unique aspect of the design. A white dividing wall partitions the listening area, enclosing one side of the Duty Free Records vinyl shop, which is centrally positioned within the floor plan. Two passageways lead into the record shop, which is outfitted with thin display shelves, crates of records, and seating options. Beyond the record shop, the rear of the Silence Please space houses a tea room, furnished with smaller, boxy, geometric furniture pieces also from Graine Studio. A countertop is located to one side, while operational areas are discreetly concealed behind a white curtain, and a workbench is tucked into the furthest corner. The space is further enriched by artwork from various artists, including French abstractionist Frédéric Heurlier Cimolai. The main listening room serves as a platform for artists and the broader New York community, with the overarching goal of balancing sophistication with warmth to encourage engagement and connection among visitors. This initiative follows Silence Please's recent participation in the first New York iteration of the Collectible design fair, and the establishment of the space reflects a growing trend in dedicated listening environments. #InteriorDesign #Showroom #ListeningSpace #NewYorkCity #SpeakerDesign #RetailDesign #TeaRoom #RecordStore #LoftConversion

The concept of 'conversational seating,' also known as 'gossip seating,' is experiencing a resurgence in interior design. Originating in the 19th century with the French S-shaped 'conversation chair,' this seating arrangement prioritizes social interaction over television viewing. Initially, these chairs, designed for two people to sit face-to-face and exchange news, were a mark of sophistication in living spaces. However, their popularity, along with the broader conversational seating layout where chairs and sofas face each other, declined with the introduction of television, which shifted the living room's focus to entertainment. Today, interior designers are observing a renewed interest in conversational seating among their clients. Nina Campbell, a prominent interior expert, emphasizes the importance of this layout for fostering sociability. She highlights that effective seating arrangements are crucial for festive gatherings, much like seating plans at a dinner table. Campbell provides practical advice for implementing conversational seating, starting with the layout. She suggests creating a central focal point, such as a fireplace, and arranging seating to facilitate small group conversations. A classic setup involves placing a chair on either side of a fireplace, potentially supplemented by a 'chauffeur' chair pulled close to the wall. Incorporating a sofa or a corner banquette can further enhance group gatherings, making it conducive for activities like playing cards. Another key aspect is managing the number of chairs. Campbell advises using an odd number of chairs to encourage guest rotation and interaction. She references Elsie de Wolfe's 1913 observation about avoiding solitary chairs, as they can isolate shy guests. Instead, Campbell suggests that while two chairs side-by-side might not always spark conversation, positioning an occasional chair diagonally can create 'conversational triangles,' encouraging more dynamic interaction. Beyond arrangement, Campbell stresses the importance of aesthetics and comfort. She recommends a mix of fabric patterns—some with large designs, others plain, and some introducing color. She advises against cheap imitations of beloved fabrics, suggesting instead to invest in what is affordable, even if it's just for one chair or a pillow. For larger furniture pieces like sofas, durable, strong, and relatively plain fabrics are preferable to ensure longevity and avoid quick re-covering costs, with cushions and throws used for jazzing up the look. Incorporating antiques, re-covering them if necessary, helps retain a sense of history and character. Finally, comfort is paramount. Campbell suggests physically testing each chair before a social event to ensure it is comfortable and to assess the need for additional cushions. She also highlights the necessity of convenient surfaces for drinks, recommending side tables or a large central coffee table, preferably one with a shelf for tidying away daytime items, to ensure guests have easy access to their beverages and feel at ease. Conversational seating, in essence, is an arrangement of comfortable seating that faces inwards to promote social interaction. This arrangement ensures that chairs are close enough for easy hearing but spaced adequately for comfortable movement, often centered around a circular coffee table. #InteriorDesign #ConversationalSeating #LivingRoomLayout #HomeDecor #FurnitureArrangement #SocialGatherings #NinaCampbell #HostingTips #DesignTrends

This article highlights the second annual Modern Style showhouse by Atlanta Magazine’s HOME, which features a meticulously renovated 1980s contemporary house in Buckhead. The project signals a growing appreciation for the architectural style of the 1980s within the city, opting for renovation over demolition. Originally designed in 1987 by architect Larry Farrow, a cofounder of GreenbergFarrow, the house served as his family's residence until 2003. After a prolonged period of vacancy, the current owners embarked on a mission to revitalize the property. Rodolfo Castro of Castro Design Studio served as the residential designer, aiming to preserve the original architectural integrity while updating it for contemporary living. Castro's redesign involved opening up the floor plan to create more expansive kitchen and dining areas. Additionally, he oversaw the construction of an extension that includes a new bedroom suite and laundry room, alongside the renovation of a study and master suite, which now feature larger bathrooms and abundant storage solutions. Tate Builders & Associates, led by Emily and Steve Tate, managed the construction aspects of the project. Julie Witzel of J. Witzel Interior Design led the interior design efforts, establishing a cohesive modern aesthetic throughout the house with clean lines and warm accents. Her selections for lighting, flooring, and stone were instrumental in maintaining a consistent look across the various spaces, which were decorated by 12 distinct design teams. Witzel herself designed the conjoined living and dining rooms and collaborated with Kingdom Woodworks on the kitchen, breakfast room, bathrooms, and laundry areas. The diverse contributions from different design teams brought unique character to each space. GraysonHarris Interiors + Design crafted an electric blue, high-contrast master bedroom and bath, while Mallori Hamilton from Wakefield Beasley Interiors envisioned a serene and mellow guest suite. Justin Q. Williams of Trademark Design Co. created a cozy yet impactful bedroom, and Beth Kooby Sobbott designed a bohemian-inspired retreat for a teenager. Roche Bobois contributed a vibrant sitting room featuring Kenzo Takada’s iconic Mah Jong sofa. Katja Lauterbach of Duett Design designed a study emphasizing restraint and an adjacent bathroom with a minimalist aesthetic. Additional spaces include powder rooms designed by Kerry Jemison Weinheimer of Jemison Design and Leah Alexander of Beauty Is Abundant. Kolo Collection curated an avant-garde selection of outdoor furniture for the pool deck, complementing the original angular pool. The home's closets and pantries were outfitted by The Container Store with their Avera line, offering customized storage solutions. This collaborative effort transformed the 1980s architectural gem into a modern showhouse that honors its past while embracing contemporary design and functionality. #ModernStyleShowhouse #HomeRenovation #InteriorDesign #BuckheadHomes #LarryFarrow #RodolfoCastro #JulieWitzel #AtlantaDesign

The Metropolitan Opera's Patron Lounge, now known as the Keebler J. Straz Lounge, underwent a significant redesign by ELLE DECOR A-Listers Christine and John Gachot of Gachot Studios. This renovation marks a new chapter for the storied space, originally decorated by Billy Baldwin when the opera house opened in 1966. The Gachots, longtime fans of the Met Opera, were tasked with refreshing the lounge to reflect contemporary luxury while honoring its rich history and the grand aesthetics of the opera house. The original lounge, characterized by its wall-to-wall windows and domed ceiling, was designed by Baldwin to offer practical, flexible seating areas for guests. However, after decades, the space required a modern update. The Gachots were selected for their expertise in warm, sophisticated interiors, demonstrated in previous luxury hospitality projects like the Pendry Manhattan West and Detroit’s Shinola Hotel. Their approach to the Met Opera lounge involved a deep dive into the Met’s extensive archives, studying original sketches and photographs to reinterpret Baldwin's vision while introducing a fresh perspective. Inspired by Baldwin's initial layout, the Gachots divided the lounge into distinct zones for various activities, including a bar area, comfortable sofas, and tables for gathering. This zoning strategy ensures that the space remains versatile and inviting. The design seamlessly integrates with the opera's iconic common areas, such as the lobby with its red carpeting and travertine accents. The chosen color palette of blush, red, and camel complements these existing elements, creating a cohesive aesthetic throughout the venue. One of the standout features of the redesigned lounge is a glittering gold custom carpet by Creative Matters, which evokes the effervescence of freshly popped Champagne, serving as a luxurious counterpoint to the lobby's famous red carpet. Other custom elements include a brass Amuneal bar, screens upholstered in Clarence House fabric, and all furniture supplied by Roche Bobois. The bathrooms feature fixtures by Waterworks from the Bond collection, designed in collaboration with Gachot, alongside Waterworks sinks, mirrors, and stone. The lounge's new name, the Keebler J. Straz Lounge, honors a managing director on the Met Opera’s board who generously funded the renovation. Access to this exclusive space is reserved for Metropolitan Opera sponsor members. The redesign is intended to symbolize a renewed commitment to attracting and nurturing a new generation of opera enthusiasts and patrons, a sentiment echoed by both Straz and the Gachots. The project underscores the importance of cultural institutions and the role of design in preserving and evolving these significant spaces. #MetropolitanOpera #LoungeRedesign #GachotStudios #LuxuryInteriorDesign #CulturalRenovation #HospitalityDesign #NewYorkDesign #OperaHouse #InteriorDecor

In 2017, Snarkitecture and Gufram collaborated on the 'Broken' series, which featured mirrors and a bench with frames that appeared stone-like but were actually made of polyurethane and coated in concrete-looking Guflac paint. This innovative use of materials created an ambiguous mix of hard appearance and unexpected softness in their initial collection. Now, the Italian radical design brand Gufram and the experimental New York architecture and design studio Snarkitecture have revisited this collection, introducing a new edition of furniture in a pastel pink shade. The inspiration for this new color came from classic bubblegum, chosen to add a fresh layer of playfulness to the 'Broken' series. This specific shade of pink was meticulously developed over the last year in close collaboration with the Gufram team. The newly colored 'Broken' bench by Snarkitecture for Gufram and the 'Broken' mirror are central to this updated collection. This pink furniture collection was specifically created for a special display at K11 Musea in Hong Kong. K11 Musea, inaugurated in 2019 by Adrian Cheng, serves as both a retail and art venue. For its annual 'Art Karnival' event, Gufram exclusively presented an immersive, all-pink showcase to debut this new color palette for their collaboration with Snarkitecture. The event provided a unique platform to highlight the playful and innovative nature of the revisited collection. Accompanying the full-sized pink furniture pieces, a collection of 'Guframini' was also launched in the same bubblegum pink shade. These 'Guframini' are miniature versions of some of Gufram’s most iconic radical design classics, including the 'Bocca' sofa and the 'Cactus' coat stand. These miniature versions were exclusively created for the K11 Musea event, further expanding the pink theme across their product range. Charley Vezza, Gufram’s global creative orchestrator, explained the choice of pink. He noted that Gufram had never previously released a product in this color. For the 'Broken' series, pink was a significant departure from Snarkitecture's usual black and white palette, signifying a deliberate and well-considered color choice. The decision to use pink was a simple yet bold one, encapsulated by the question, 'Pink… why not?' The collaboration highlights Gufram's legacy of radical design and Snarkitecture's experimental approach, demonstrating how a change in color can recontextualize and inject new life into an established collection. #Snarkitecture #Gufram #FurnitureDesign #PinkFurniture #RadicalDesign #ProductCollaboration #DesignExhibition #K11Musea #InteriorDesign

The Sonoma-based interior design firm Hommeboys, led by Alex Mutter-Rottmayer and Austin Carrier, has opened a new studio and launched three new capsule collections for their furniture line, Haus of Hommeboys. The firm is known for its thoughtful design approach and hands-on craftsmanship, blending classic Wine Country aesthetics with a modern, refreshing twist. Mutter-Rottmayer and Carrier, who have been married since 2019, have previously garnered acclaim for their designs in projects such as Healdsburg’s Marine Layer tasting room and Sonoma’s Valley Bar + Bottle restaurant. The new studio, which also houses a woodshop and cabinetry studio, is situated just off the plaza in downtown Sonoma. This expansion represents a significant step for the Hommeboys, fulfilling a long-held ambition to establish their own showroom. Mutter-Rottmayer expressed a mix of excitement and apprehension about the venture, acknowledging the risk involved in showcasing their unique design vision to a wider audience, but emphasizing their consistent desire for a dedicated space. The Hommeboys’ design philosophy is characterized by an emphasis on mixing materials and incorporating organic and natural elements. They experiment with various shapes in plaster, stone, and wood, aiming for a look that is both earthy and deeply connected to the Californian landscape. This approach is reflected in their furniture line, which features organic and natural materials. One of their new capsule collections for Haus of Hommeboys draws inspiration from rustic themes. This collection includes dark, ebony-stained, hand-notched cedar furniture, designed to evoke a raw, rustic, and edgy feel. The shapes within this collection are described as anthropomorphized, influenced by the golden hills of California. The design process at Hommeboys is driven by creativity and a desire to have fun. Alex Mutter-Rottmayer highlighted an instance where green velvet from a photo shoot was spontaneously used to cover a bedroom’s walls, illustrating their adaptive and playful approach to design. This method emphasizes utilizing available resources and embracing unexpected inspirations to shape their distinctive interiors. #InteriorDesign #Sonoma #DesignStudio #FurnitureDesign #HausOfHommeboys #WineCountryDesign #OrganicDesign #Craftsmanship

Domino's associate style editor, Julia Stevens, navigated the challenge of organizing over 100 collected items in a new apartment with limited storage. Moving from Bushwick to a three-bedroom Williamsburg apartment, Stevens and her roommates faced a lack of closet and storage space, necessitating an innovative organization solution. Inspired by Jordan Ferney's library-esque shelving system, Stevens decided to maximize vertical space by constructing a large-scale shelving unit in her living room, which would also serve as a central decorative element. The project began with acquiring two pieces of unfinished pinewood for $15 each from a local lumberyard, intended to complement existing shelves. Additional materials from Home Depot included three upright shelving tracks, twelve twin track brackets, and nine toggle anchors. With the assistance of an experienced builder friend, a drill, and a measuring tape, the 5 1/2-foot-tall system was assembled. Stevens emphasized the importance of precise measurements to avoid errors during installation, a tip she humorously summarized as "Measure twice, drill once!" The completed shelving system functions not only as a robust storage solution for Stevens' extensive collection but also as a striking visual centerpiece above the entertainment area. Stevens provided three key tips for styling and restyling shelf systems, focusing on practicality and aesthetics. Firstly, she recommends prioritizing function by organizing items according to how frequently they are accessed. Cookbooks, teapots, and matchboxes, for example, are placed on lower, easily reachable shelves, while the top shelf is ideally suited for displaying art due to its ample vertical space. This approach avoids clutter and ensures ease of use. Secondly, Stevens advocates for trusting one's instinct during the styling process. She recounted an instance where a too-colorful arrangement felt off, prompting adjustments like flipping book spines to create a more neutral aesthetic. This highlights the importance of personal comfort and visual harmony. Thirdly, she suggests shaking things up by creating contrast through varied arrangements and object combinations. This includes mixing horizontally and vertically stacked books, combining old family heirlooms with new IKEA pieces, and ensuring different quantities of items in groupings. She noted that odd numbers of items generally create a more aesthetically pleasing arrangement. These principles allowed Stevens to transform a storage necessity into a dynamic and personalized focal point within her living space. #ShelfSystem #HomeOrganization #DIYShelving #LivingRoomDesign #StorageIdeas #InteriorStyling #SmallSpaceSolutions #HomeDecor #PersonalizedDesign

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

The conversation pit, a distinctive feature of midcentury residential design, has experienced a resurgence in popularity, particularly on social media platforms like Instagram. These sunken lounging areas, once a hallmark of design from the 1950s through the 1970s, are now viewed as symbols of intimacy and connection in an era where living spaces often blend various functions. The appeal lies in their deliberate impracticality and their ability to transport one to a bygone era of leisure and intentional social interaction. In a world increasingly dominated by open-plan layouts, the conversation pit offers a thrillingly specific and dedicated space for human connection, contrasting with the blurred lines between work, play, and living that characterize modern life. One of the most iconic examples of a conversation pit is found in the Miller House, designed by architect Eero Saarinen in 1958 for industrialist J. Irwin Miller and his wife. The design aimed to create a clear division within an open floor plan while eliminating the visual clutter of furniture legs. Saarinen collaborated with architect and interior designer Alexander Girard to bring this vision to life, incorporating bold colors and graphic prints. The Miller House's conversation pit, featured in a 1959 issue of *House & Garden*, was celebrated as a sophisticated space for social gatherings, strategically designed for comfortable lounging and an unobstructed view of the owners' art collection. Its influence extended to more public spaces, such as Saarinen's TWA Flight Center at JKF Airport, which included a bright red, public version of the conversation pit in its 1962 design, further highlighting the feature's potential to create distinct social arenas within larger open spaces. Despite its initial popularity, the residential conversation pit saw a decline in mass appeal by the 1970s, with a 1978 Housing Magazine poll indicating a lack of confidence in the feature. However, it experienced a revival in the 1980s, appearing in New York Midtown lofts and celebrity homes, such as Halston's Manhattan penthouse designed by Paul Rudolph. Halston himself articulated the desire for a relaxed, reclining space after a long day, reflecting a shift towards comfort and informality in home design. By 1981, *Architectural Record* optimistically declared a revival of the conversation pit as a simple way to encourage intimate gatherings, signaling its enduring appeal as a design element that fosters closeness. Today, modern interpretations of the conversation pit are found not only in residential interiors but also in commercial and experiential spaces, such as Spring Studios, PUBLIC Hotel, and Madhappy's flagship store. These contemporary designs maintain the original spirit of inviting people to gather, relax, and engage in designated, informal activity. Designers and cultural commentators note the conversation pit's "effortless and chic" quality, attributing its lasting allure to its ability to make people feel at ease and its confident, elegant form. The feature's ability to create a specific "vibe" and its presence on mood boards indicate that the conversation pit will continue to be a relevant and aspirational design element in the future, prized for its unique blend of comfort, style, and social facilitation. #ConversationPit #MidcenturyModern #InteriorDesign #ResidentialArchitecture #HomeDecor #DesignTrends #SocialSpaces #EeroSaarinen #AlexanderGirard

Designer Rebecca Philipson undertook a significant remodel of a 1990s-built, 5,300-square-foot home in Aurora, Ohio, focusing on transforming the kitchen, great room, and lounge into more open and inviting spaces. The homeowners sought to infuse warmth and an open concept into their residence, a vision Philipson brought to life through a blend of traditional and rustic elements, with distinct French Country influences. Central to the design is the incorporation of Amish hand-hewn ceiling beams and elaborate stonework, which serve as prominent features, particularly in the lounge. This area, designed for relaxation and entertaining, includes a wet bar, a built-in refrigerator, and custom alder cabinetry. The adjacent sunroom houses a pool table, creating a seamless flow for social gatherings and post-dinner interactions. The overall layout was reimagined to foster a sense of togetherness, allowing family and guests to interact comfortably across the connected rooms. Philipson achieved this open concept by strategically removing the wall between the great room and kitchen, then linking the kitchen to the lounge. Archways were introduced to formalize these open transitions. The kitchen underwent the most substantial transformation. Previously walled off, it featured an angled peninsula, an irregularly shaped island, and low-hanging soffits. Philipson replaced these with faux beams to maintain the rustic aesthetic and installed a central island with seating for three. The homeowners' desire for warmth and intricate details was met through design elements such as decorative island legs. Attention to detail extends throughout the kitchen, with intricate touches found in the baseboards, legs, valances, and along the bottom of the island cabinetry. The refrigerator was artfully concealed with cabinet panels and mirrored glass, designed to resemble an armoire rather than an appliance, fulfilling the client's wish for cabinetry that emulated furniture. A built-in coffee maker contributed to a decluttered countertop space. The great room further showcases the sophisticated stonework, with cream-colored stone extending from floor to ceiling around the fireplace. This central feature is flanked by built-in cabinets that mirror the design of the kitchen's concealed refrigerator. Oversized iron hardware on the cabinetry adds a dramatic flair, complementing the multi-tiered iron chandelier, which serves as a focal point. Recessed lighting supplements the chandelier, with all lighting choices made to enhance the room's warm ambiance. The remodel successfully integrated rustic charm with French Country elegance, creating a cohesive and welcoming environment across the main living areas. #HomeRemodel #AuroraHome #FrenchCountryStyle #RusticDesign #KitchenRenovation #GreatRoomDesign #LoungeArea #InteriorDesign #OpenConcept

Studio AHEAD, led by Homan Rajai and Elena Dendiberia, introduced its innovative Cork Collection at the Collectible Design Fair, subsequently available through The Future Perfect. This collection challenges conventional perceptions of cork furniture, moving beyond its traditional humble and woodsy associations to present it as a sophisticated, futuristic, and chic material. The San Francisco-based studio, drawing from its founders' diverse Iranian and Russian heritages and strong Northern California influences, applies a "borderless" design philosophy that honors craftsmanship and local history while envisioning future design aesthetics. The Cork Collection, consisting of a table, bench, and stool, is characterized by its blend of rounded cork elements with reflective metal, creating silhouettes that are both sculptural and approachable. This design choice aims to answer the question of what future furniture would look like if it embraced both humanity and nature responsibly. The inclusion of reflective surfaces aligns with the solarpunk aesthetic, a movement that envisions technology and nature coexisting harmoniously, while the tactile cork provides an earthy foundation. This creates a compelling dialogue between technological advancement and organic materials, a hallmark of Studio AHEAD’s distinctive approach. This collection further expands Studio AHEAD’s ongoing commitment to exploring renewable materials in design, building upon the success of their earlier Sheep Collection, which utilized Northern California wool. Both collections underscore the studio’s belief that sustainable practices and sculptural design are not mutually exclusive but can be integrated to produce furniture with significant cultural depth and contemporary relevance. By harmonizing cork and chrome, Studio AHEAD continues to advance its vision for responsible and forward-thinking design, demonstrating how everyday materials can be transformed into objects that are both environmentally conscious and aesthetically striking. The collection's debut showcases a modern interpretation of sustainable design, where materials like cork are elevated to a high-design status through innovative pairings and thoughtful forms, offering a glimpse into a future where design is both beautiful and responsible. #StudioAHEAD #CorkCollection #FurnitureDesign #SustainableDesign #HomeFurnishings #CollectibleDesignFair #TheFuturePerfect #ModernDesign #SolarpunkAesthetic

Designer Jenna Gross of Colordrunk Designs curated the dining room for House Beautiful's 2023 Whole Home project, aiming to create a versatile space suitable for both casual and formal gatherings throughout the year. The room's existing historic murals served as a central element for all design decisions. To enhance the murals and make them a focal point, Gross opted for a high-gloss, chinoiserie-inspired blue paint by Farrow & Ball on the trim and ceiling of the oval room. This choice was deliberate to ensure the intricate artwork would pop and be fully appreciated by guests. A key design strategy employed by Gross was the use of two round dining tables instead of a single long, formal table. This arrangement was specifically chosen to foster more intimate conversations among guests and prevent the room from feeling overcrowded, especially given its size. The tables selected were white cerused pedestal tables, known for their durability and a finish that negates the need for tablecloths, contributing to the room's brightness and contemporary feel, particularly important in a windowless space. The color palette of the murals was echoed in the room's furnishings. A circular, four-seater tête-à-tête was positioned to offer a comprehensive view of the dining tables, the fireplace, and an adjacent sunroom. This piece features a cheerful floral fabric with vibrant cobalt trim, directly referencing the bright colors present in the wall art. For the fireplace, a crimson-red upholstered fender was introduced, inviting guests to comfortably relax and enjoy a digestif during colder evenings. This element also serves as a cozy gathering spot. To complete the artistic narrative, a commissioned artwork by Sky Hoyt was placed above the mantel, providing a modern interpretation that complements the existing gallery-style wall paintings. While the room features heavy molding that could suggest a formal ambiance, Gross intentionally incorporated bright green wicker chairs from Made Goods to inject a sense of youthfulness and levity into the dining space. These design choices collectively create an elegant yet approachable dining environment, where art and comfort converge for memorable social occasions. The article also provides a comprehensive list of specific products and brands used in the dining room's design, including furniture, lighting, fabrics, and accessories. Notable mentions include Aronson Woodworks for dining tables, Dunes and Duchess for the fireplace fender, Fibreworks for the rug, Sanderson for fabrics, Fabricut for drapery, and Visual Comfort & Co. for lighting. Art pieces were sourced from Anne Irwin Fine Art, while various accessories came from Replacements. This detailed sourcing allows readers to identify and potentially replicate elements of the design, underscoring the article's practical value for home decorators and enthusiasts. The dining room is presented as part of the broader Whole Home 2023 project, suggesting a curated collection of innovative design ideas across different rooms within a single residence. #DiningRoom #InteriorDesign #HomeDecor #ColordrunkDesigns #WholeHome2023 #ArtDecor #ColorPalette #FurnitureArrangement

Brooke Adler, an interior designer, was tasked with transforming a "cold, white box" living room in a new 3,300-square-foot Myers Park home into a sophisticated, adults-only speakeasy-inspired space. The homeowners desired a distinct area separate from their family room, with a particular focus on catering to the husband's preference for a moodier, color-saturated environment ideal for enjoying cigars and bourbon. Adler's design approach began by addressing the lack of dimension, color, and lighting in the original room. To achieve the desired moody atmosphere, she selected 'Backwoods' by Benjamin Moore for the walls, trim, and the impressive 14-foot ceiling. This dark green hue provided the rich, saturated color the homeowner envisioned, while the tall ceilings and large windows prevented the space from feeling overly dark. Automated shades were installed for practical light control, subtly maintaining a touch of white in the otherwise deep-toned room. Lighting was a crucial element in establishing the speakeasy ambiance and ensuring proper scale for the high ceilings. Adler chose a gold statement chandelier from Hudson Valley, which provided ample illumination and introduced a modern twist, aligning with the husband's preference for contemporary design elements within the traditional context. This piece served as a central focal point, drawing the eye upwards and enhancing the room's luxurious feel. While the fireplace and built-in shelves were existing features, all other furnishings and decorative elements were new additions. Adler incorporated an area rug from Stark, a custom upholstered sofa from Highland House, and an elegant onyx coffee table from Vanguard Furniture. The seating arrangement was further complemented by leather accent chairs, also from Highland House, featuring custom blue piping for a subtle pop of contrast. Gold accent tables from Arteriors flanked the sofa, and a gold bar cart from Villa & House was strategically placed to hold cocktail accessories, reinforcing the speakeasy theme. For the window treatments, blue drapes were chosen, and Adler enhanced their visual impact with a custom Christopher Farr Cloth trim. This trim introduced an orange accent, creating a vibrant contrast that picked up on subtle orange tones in the sofa, adding depth and visual interest without overwhelming the room. The drapes were designed to provide privacy and control light while harmonizing with the dark color palette. Finishing touches personalized the space and further cemented its unique character. A painting commissioned from local artist Libby Smart was hung above the fireplace, serving as a prominent art piece. Prints from Wendover Art adorned the adjacent wall, adding to the room's curated aesthetic. The interior of the bookshelves was elevated with a gray grass cloth from Thibaut, providing texture and refinement. Adler meticulously accessorized the shelves with a collection of meaningful items, including a basket found in the Outer Banks, an antique bowl from a Texas market, Wedgwood china belonging to the wife's mother, and the family's record collection. These personal artifacts imbued the room with a sense of history and individuality, making it truly bespoke.

RAAD Studio recently undertook the redesign of a luxury apartment located at 240 Centre Street, a Beaux-Arts style former police headquarters in New York City. The building, over 100 years old, was converted into 55 luxury condominiums in the late 1980s. This particular apartment, now showcasing RAAD Studio's vision, features a blend of classic grandeur and modern design. The most striking element of the redesign is found in the master bedroom, which incorporates one of the building's signature domes into its ceiling. This arched, original wood ceiling creates an impressive and unique focal point, enhanced by nautical-style windows carved into the canopy. The design includes wedge-shaped skylights, open wooden shelving, and contemporary built-ins along the room's lower perimeter, all contributing to an expansive and visually captivating space. Beyond the master bedroom, the loft maintains a distinctly modern aesthetic while thoughtfully preserving historical details. Exposed brickwork throughout the apartment serves to bridge the gap between contemporary design elements and the building's enduring classic charm. This contrast is particularly evident in the open kitchen, which combines a stone counter, sleek metal stools, and stainless steel appliances. To prevent an overly austere appearance, the kitchen incorporates staggered pendant lighting, rustic brick, and a built-in bench, which collectively soften the industrial edges and introduce warmth into the area. The redesign by RAAD Studio exemplifies how historical architectural features can be integrated with modern sensibilities to create a sophisticated and inviting living space. The project highlights a successful balance between respecting the building's heritage and introducing contemporary functionality and style. The transformation of this loft underscores the potential for creating arresting and functional interiors within historically significant structures. #RAADStudio #LoftRedesign #CentreStreet #PoliceBuilding #LuxuryApartment #BeauxArtsArchitecture #WoodenDome #Nolita #InteriorDesign #HistoricConversion

Cafe curtains are experiencing a significant resurgence, drawing inspiration from the nostalgic charm of French bistros and family-run cafes. Once considered dated, these half-length window coverings are now at the forefront of interior design trends, particularly within homes embracing a homespun and vintage-inspired aesthetic. The renewed interest in cafe curtains is driven by their ability to create a warm and inviting atmosphere, making them suitable for various rooms such as kitchens, living rooms, and bedrooms. The origin of cafe curtains traces back to 19th-century Vienna, Austria. During this period, European cafes adopted them to offer patrons privacy while still allowing natural light and views of the outside world. This historical context underscores their primary function: providing privacy for the lower portion of a window while leaving the upper section open to sunlight. Integrating cafe curtains into contemporary home interiors involves careful consideration of placement and hardware. Interior designers emphasize simplicity and a pared-back approach to the curtains themselves, shifting focus to the accompanying hardware. Options range from minimalist poles to vintage brass, with antique clips offering an additional touch of style and opulence. These hardware choices can be sourced new or secondhand, providing flexibility for different budgets and aesthetic preferences. Proper installation, including knowing how to hang curtains effectively, is crucial for achieving a polished look. Cafe curtains offer a blend of style and practicality. They are particularly effective in areas requiring an extra layer of privacy, such as bathrooms, bedrooms, and overlooked kitchens or living rooms, without completely blocking natural light. Interior designer Kelly Hoppen highlights their timeless appeal and effectiveness in providing privacy while letting light filter in. She recommends using sheer, creased linen fabrics for an eclectic feel. Beyond privacy, cafe curtains allow for creative expression through color and pattern. While traditional white linen is common, incorporating colored trims or playful patterns like deckchair stripes can add a modern twist. Striped cafe curtains, for instance, are trending and can easily complement diverse interior styles, from floral to geometric, serving as a subtle way to introduce pattern without overwhelming a space. Thinner stripes typically offer a classic look, while bold, thick stripes in vibrant colors provide a contemporary update. The versatility of cafe curtains extends beyond their traditional use in kitchens. They can enhance the social atmosphere of a kitchen, creating a cafe-like ambiance, especially in open-plan kitchen diners where they can subtly zone spaces without impeding conversation. Furthermore, they are increasingly being adopted in bedrooms, where their whimsical appearance complements bed linen and offers a practical solution for privacy without sacrificing natural light. This makes them ideal for overlooked bedrooms, simplifying the process of getting dressed while maintaining a bright environment. The enduring charm and practical benefits of cafe curtains make them a compelling choice for homeowners looking to add a touch of vintage elegance and functionality to their living spaces. #CafeCurtains #VintageDecor #HomeDecor #InteriorDesign #PrivacySolutions #KitchenDesign #BedroomDecor #WindowTreatments #NostalgicInteriors

Dorothée Meilichzon, a French interior designer, transformed the Henrietta Hotel's ground-floor restaurant in London into Henri, a space that fuses Parisian bistro aesthetics with British pub characteristics. Located in a 19th-century Covent Garden townhouse, Henri serves French dishes with British ingredients, reflecting a blend of culinary traditions. Meilichzon's design for Henri mirrors this fusion, incorporating art nouveau elements typical of French brasseries alongside the oakwood paneling and leather upholstery found in British public houses. Upon entering, guests encounter an informal bar area featuring red Coralito marble counters, where snacks and aperitifs are served. The lighting scheme in this area includes bulbous brass lights and table lamps with plum blossom-inspired scalloped shades, creating a dimly lit ambiance. This choice of lighting pays homage to Covent Garden's history as a fruit and vegetable market. The cozy pub atmosphere is further enhanced by forest-green paint, dark timber wainscoting, and a bar fitted with leather-upholstered stools. Belle Epoque details, such as spherical lights and gridded mirrored panels, are integrated to ensure a visual flow between the bar and the main dining room. Meilichzon specifically designed custom seating banquettes for Henri, some featuring decoratively curved backrests and concealed cutlery storage. The designer noted the inclusion of art nouveau elements, such as the detailing on the banquette arms, frosted glass globes, Thonet chairs, and bespoke organic suspensions, all contributing to the brasserie-like feel. Despite the restaurant's compact size, a variety of seating arrangements are accommodated. Near the entrance, smaller booths upholstered in duck-egg blue leather and velvet, framed in a darker midnight hue, offer an intimate setting. As the space expands towards the open kitchen at the rear, the design transitions to a warmer color palette. This area features terracotta wall tiles and larger banquettes, upholstered in rust-colored velvet with glossy red arms and backrests, suitable for group dining. The dining experience is complemented by custom-made marble-topped tables with dramatic skirts and classic bentwood bistro chairs from Thonet. The walls are adorned with an eclectic mix of artworks, photographs, framed mirrors, and blackboards displaying daily specials, adding to the restaurant's decorative appeal. One notable design decision was the retention of the restaurant's existing floral ceiling murals, hand-painted by French artists. These murals provide a contrast to the structured grid of the honeycomb parquet flooring below. Henri represents another collaboration between Meilichzon and Experimental Group, a French hospitality firm for whom she has previously designed hotels in various locations including Venice, Ibiza, Biarritz, and the Cotswolds. The interior design successfully blends different cultural and historical styles to create a unique and inviting dining environment in London. #InteriorDesign #RestaurantInterior #LondonHospitality #FrenchBrasserie #BritishPub #ArtNouveau #CustomFurniture #DorotheeMeilichzon #HenriRestaurant

In the spring, patrons and neighbors of the Elite Cafe were concerned about the sale of the 35-year-old restaurant, fearing that its historic interior would be gutted. However, reassurance came with the news that San Francisco restaurateur Andy Chun, known for his sensitive 2014 remodel of Schroeder’s, was leading the buying group. Chun stated his intention to preserve much of the Art Deco interior, while offering a contemporary interpretation of the 1920s and 1930s decorative style. The Elite Cafe, located at 2049 Fillmore Street since 1981, resides in an Art Deco building originally commissioned for the Lincoln Grill in 1932. Building permits from September 1932 indicate an estimated cost of $5,000 for the structure, designed by Irvine & Ebbets in the “modernistic” style. The firm was noted for its Art Deco apartment buildings in San Francisco. For the Lincoln Grill, Irvine & Ebbets incorporated colorful tiles, with black and yellow zigzag patterns above transom windows and as wainscoting along the facade. A raised zigzag cornice and a large, repeated diamond pattern etched in cement adorned the building's top. Stepped designs framed the Philippine mahogany front doors and main plate glass window. These exterior details, along with a reconfigured neon sign from the 1980s, largely remained intact until the recent remodel, which saw the zigzag and diamond patterns obscured by black paint. Inside, the remodel, designed by BCV Architects, involved painting nearly all the wooden surfaces in shades of gray, including dark bluish slate (Benjamin Moore’s Polo Blue) for booths, the bar, and woodwork, and a charcoal color (Englewood Cliffs) for the walls. Chris von Eckartsberg, principal architect at BCV, explained that the booths had been previously painted and required refinishing. The design team aimed to maintain the cafe's essence while updating the color palette to a more luxurious collection of hues. The moldings on the high ceiling were highlighted in white, complementing a new retro-inspired white and black hexagon tile floor, which mirrored the original magnesite floor. However, most Art Deco light fixtures, whether original or added through previous renovations, were removed. Curved Art Deco glass sconces in the booths were replaced by small brass lampshades, which were described as more suitable for bedside reading. While the previous sconces were not original to the 1930s, the replacements were seen as less appropriate for the cafe's style. The non-working bells to summon waiters were kept, but the rails for privacy curtains were over-polished. A press release announcing the reopening mentioned the use of marble and brass for working surfaces to acquire a graceful patina over time. Many existing fixtures with their own patina were discarded for new "faux" old elements. The previous ceiling lights, white milk glass in a skyscraper shape with era-appropriate fans, were replaced by cheaper-looking fixtures that unsuccessfully attempted a Deco style. A mahogany workstation separating the kitchen from the dining room was replaced by an out-of-place mesh-like charcoal drape. The most significant change was the repainting of the back bar, which previously showcased the warmth of polished mahogany reflecting bottles and glasses. The new bar, along with the booth tabletops, was covered in white, veined Carrera marble, providing a more utilitarian but less comforting surface. The Elite Cafe, along with other historic San Francisco restaurants like Tadich Grill, Sam’s Grill, and the Far East Cafe, are among the few that retain elements of their original interiors. While Chun and his team preserved the restaurant's basic structure, largely by painting over existing elements, this approach is criticized as an easy solution for interior designers, leading to a space that has lost decades of warmth and character. #ArtDeco #HistoricPreservation #RestaurantDesign #InteriorRemodel #SanFrancisco #ArchitecturalHistory #EliteCafe #DesignCritique #UrbanLandmarks