Nate Berkus Talks Design with Target and Story

Nate Berkus, a prominent figure in interior design for 26 years, shares his insights on the evolving landscape of home aesthetics, especially in the context of recent global events. Berkus, who gained widespread recognition after his 2002 debut on 'Oprah,' emphasizes the shift towards authenticity and personalization in design. He notes that the pandemic played a significant role in this change, moving clients away from Instagram- and Pinterest-driven trends to a desire for spaces that reflect their individual stories and needs. This shift has fostered a period of deep creativity, where clients are increasingly seeking unique, layered interiors. A growing appreciation for handmade and one-of-a-kind items marks another key trend. Berkus recalls attending art fairs as a child, where handmade goods were often overlooked, contrasting it with the current demand for such pieces in auction houses and among clients. This renewed interest extends to antiques, where online marketplaces like eBay, Etsy, and Chairish have democratized access. Clients are now more informed and actively involved in sourcing unique items from around the world, mixing them with handcrafted elements to create distinctive, personalized spaces. The ease of online shopping and shipping has made it simpler to assemble collections of vintage and antique objects, which Berkus believes are essential for a finished room. The concept of home functionality has also been redefined, with increased interest in separate structures for offices, studios, or guesthouses. This desire stems from a need for adaptable living spaces that can accommodate various activities and provide privacy, especially in a world where remote work and learning have become more common. Berkus highlights the appeal of guest rooms that offer comfort and independence, reducing concerns about proximity and hygiene. Furthermore, he discusses the emergence of 'sanitation rooms' or transitional entries equipped with advanced mechanics, like infrared lighting, designed to keep homes cleaner and safer. This trend resonates with Berkus's long-standing germaphobia, indicating a broader societal concern for health and well-being within the home environment. Social media, initially viewed with skepticism by Berkus, has become an integral part of the design world, mirroring the move towards authenticity. He explains that social platforms now serve as valuable tools for understanding clients' aesthetic preferences and for fostering genuine dialogue within his community of followers. Berkus differentiates his approach from simply reposting beautiful imagery, emphasizing his commitment to sharing his extensive experience, including successes, challenges, and mistakes, through initiatives like 'History Lessons.' This segment delves into the historical context and origins of design movements and objects, connecting personal aesthetic choices to broader cultural narratives. Finally, Berkus observes a shift towards a 'more is more' philosophy, redefined not by excessive spending or material accumulation, but by sentiment, practicality, and thoughtfulness. This means maximizing the utility and emotional connection within a space, designing for a new lifestyle that might include hybrid work arrangements or evolving family needs. The emphasis is on creating homes that are responsive and adaptable, greeting their inhabitants with comfort and functionality, regardless of immediate circumstances. This holistic approach underscores a deeper engagement with the home as a dynamic and evolving sanctuary tailored to individual well-being and evolving needs. #InteriorDesign #NateBerkus #HomeDecor #DesignTrends #AuthenticityInDesign #HandmadeGoods #VintageFinds #FunctionalLiving #SocialMediaAndDesign

Naoto Fukasawa, a renowned Japanese product designer, maintains that he does not adhere to a consistent overarching design philosophy, a claim that might seem unexpected given the purity, tactile warmth, and quiet sophistication evident across his extensive body of work. This assertion was made during an exclusive interview held on the sidelines of BODW In the City, an extension of the Hong Kong Design Centre’s annual Business of Design Week event, which concluded on January 18. Fukasawa elaborates that his objective is not to articulate a personal design philosophy but rather to craft objects that evoke a feeling of “rightness” in their users. This concept of “rightness” refers to a symbiotic relationship between an object and its user, where the object harmonizes with its environment rather than existing in isolation. Fukasawa challenges the notion that his approach itself constitutes a philosophy, clarifying that his primary aim is to achieve holistic unity within the user's environment. He emphasizes the interconnectedness of all elements, suggesting that no product exists independently. Even for a seemingly simple item like a water bottle, he believes that the entirety of life must be considered in its design. His perspective underlines the importance of integrating objects seamlessly into the user’s daily life and surroundings. During his visit to Hong Kong, Fukasawa delivered a talk at the B&B Italia showroom within the Colourliving emporium in Wan Chai. He expressed a long-standing desire to collaborate with B&B Italia, attributing this interest to the brand's focus on “life quality,” a characteristic he observed during his numerous trips to Italy. This shared emphasis on enhancing the quality of life through design resonated deeply with his own principles. An example of his collaboration with B&B Italia is the Grande Papilio armchair, launched in 2009. Despite its imposing, throne-like stature, which might seem to contradict his belief that products should recede into the background to highlight human life, Fukasawa clarifies that certain pieces can serve multiple functions. He acknowledges that some clients may desire a statement piece, but fundamentally, if an object is to be used, it must be designed for ease of use. For Fukasawa, beauty is an inherent function, suggesting that even a visually striking piece like the Grande Papilio armchair must also offer functionality and comfort when engaged with by the user. This nuanced view indicates that while he avoids an explicit philosophy, his design process is guided by principles of user harmony, environmental integration, and the functional role of aesthetics. #NaotoFukasawa #ProductDesign #DesignPhilosophy #JapaneseDesign #BODWInTheCity #BAndBItalia #FurnitureDesign #UserExperience #HongKongDesign

Nate Berkus recently undertook a design project for longtime associates who became clients, seeking to replicate the aesthetic of his former West Village townhouse. The clients, based in Los Angeles, purchased an Upper East Side residence with similar 1899 architectural characteristics, intending it as a New York City base for visiting their son. Berkus noted that the couple shared similar personal styles, extending to preferences in restaurants and clothing, making their desire for a home akin to his own a logical progression. The inspiration for the four-bedroom, four-and-a-half-bath property largely stemmed from Berkus's previous home, though certain elements were considered off-limits for direct replication. Berkus emphasized the collaborative nature of his own townhouse's design with his husband, Jeremiah Brent, and wished to respect Brent's unique contributions by not reproducing them for another client. Despite these considerations, many finishes, wallcoverings, and notably, a double-height white oak bookshelf, will be recognizable to those familiar with Berkus and Brent's design journey. Other features, such as a vintage French iron railing and the primary bathroom, represent entirely new concepts introduced for this specific project. Berkus highlighted that starting with a clear point of view facilitated the development of a cohesive design language for the entire residence. The objective was to create a comfortable family home with a timeless appeal, designed to remain relevant and avoid dating over the next 10 to 20 years. Specific areas of the home showcase this design philosophy. The stairway features custom double-height millwork, a direct replication from Berkus’s former West Village townhouse. A 19th-century French wrought iron railing, sourced from a Texas auction, was restored and customized to fit the space. The living room includes new white oak flooring, with a 19th-century French chaise placed by the window, offering a reading spot and connection to the city outside. A midcentury steel chair, reupholstered in Dedar fabric, serves as a sculptural element. The grand double-height family room on the garden level is accentuated by vintage French iron sconces. A custom-made sofa addresses the challenge of finding appropriate sizing for the space, while grasscloth wallcoverings add texture and dimension, moving away from a stark white aesthetic. The kitchen layout, including cabinets, range, and refrigerator, was largely maintained. Updates focused on finishes, appliances, cabinet paint, and an enlarged island featuring Italian stone with a notched edge, designed to accommodate family gatherings. The dining room, adjacent to the kitchen, incorporates a custom banquette, a natural oak table, and vintage chairs and ceiling light from 1stdibs. In the primary bedroom, Berkus opted for an antique tapestry found on LiveAuctioneers instead of replicating wallpaper from his own home, cutting it to fit behind the headboard to create a timeless look. A chandelier, a cherished family heirloom from the clients’ parents, was incorporated, symbolizing a new chapter for the homeowners. The primary bathroom was created by reconfiguring space from a home office, enabling the inclusion of a double vanity, separate WC, soaking tub, and stand-up shower. Classic finishes such as white oak floors, marble moldings, and a freestanding black enamel tub were selected. The home office retained its original architectural details, including banisters, hardware, windows, shutters, marble fireplaces, and paneling, all meticulously restored. The home office bathroom features warm, handsome spaces with walls painted in Benjamin Moore’s Great Barrington Green, a 1stdibs mirror, and Nero Marquina marble countertops. Berkus also shared insights on cost-saving measures, such as maintaining the existing layout, limiting plumbing and electrical relocation, and preserving original doors and hardware. Kitchen cabinets were repainted, and new stone countertops and backsplashes were installed. The stairs were repainted and fitted with a runner to conceal imperfections. Furniture sourcing combined high and low pieces, including catalog counter stools reupholstered in green leather, and the retention of original fireplace mantels. These approaches underscore a thoughtful balance between honoring existing structures and introducing new, personalized elements. #NateBerkus #HouseTour #UpperEastSide #InteriorDesign #HomeRenovation #LuxuryInteriors #TimelessDesign #VintageFinds #DesignInspiration

The article discusses designer Nate Berkus' recent bedroom project, highlighting his successful integration of contemporary and vintage elements to create a rustic modern aesthetic. Berkus is known for his ability to blend pieces from different eras and styles, making them feel harmonious and artfully considered, even in new constructions. This particular bedroom design showcases his mastery of this approach, emphasizing a refreshing simplicity that belies thoughtful curation. The core of Berkus' design philosophy, as demonstrated in this project, revolves around a neutral color palette and a minimalist approach to furnishings. Despite the apparent simplicity, the design incorporates meaningful vintage pieces that contribute a sense of luxury and history. Notable examples include a vintage-style flush mount light and a shabby-chic wooden wardrobe. The light fixture evokes the thoughtful interiors of the 19th and 20th centuries, suggesting a curated selection rather than mass-produced items. The wardrobe, with its intricate carvings and worn wood, serves as a timeless, functional element that has evidently endured over time. Berkus further enriches the vintage appeal by adding a three-tiered floor lamp, which appears to be mid-century in style. This demonstrates his willingness to mix various vintage aesthetics, preventing the space from feeling too uniform or period-specific. The lamp, crafted from gold metal and wrapped in leather, introduces warmth and a sense of luxury, effectively contrasting with the rustic charm of the wardrobe and the elegant simplicity of the overhead light. A key aspect of Berkus' talent lies in his ability to balance these vintage touches with modern design elements. The bedroom features an angular chair, a contemporary interpretation of a mid-century form, juxtaposed with a stark marble pedestal. The marble piece adds an organic luxury, showcasing how materials and forms can bridge different design eras. The success of this eclectic mix is attributed to Berkus' meticulous consideration of color, texture, and pattern, which ensures a fluid and modern feel throughout the bedroom, despite the stylistic contrasts. To complete the design, Berkus incorporates elements that introduce softness and align with the modern organic trend. This includes a plush, neutral-toned carpet, subdued gray curtains, and organic linen bedding. These textures soften the overall aesthetic and add comfort. A particularly bold and characteristic design choice, noted as typical of Berkus' style, is the framing of the bedroom's entrance with custom-made leather doors, accented with gold to tie into the luxurious details within the room. This project serves as a masterclass in combining diverse pieces to achieve a cohesive and inviting space that feels both rustic and modern.

Nate Berkus, a renowned designer, expresses a strong preference for old-world style fireplaces, stating that he feels compelled to renovate modern fireplaces to achieve a more antique aesthetic. He emphasizes that an antique mantel and chevron brickwork can instantly elevate a room and create a cozy atmosphere. Berkus’s inclination for charming, older hearths is evident from an Instagram post shared with his 1.9 million followers, where he showcased his appreciation for such designs. For those with modern fireplaces, Berkus suggests a straightforward renovation approach to achieve an antique look. This transformation does not necessarily require a significant financial investment. As an example, the article highlights a project by UK-based homeowners who acquired an ornate mantel for approximately $18 from Facebook Marketplace. They then constructed the hearth themselves using recycled tile and backer board, demonstrating a cost-effective way to achieve the desired aged appearance. Further enhancing the antique aesthetic, Mallory Fletchall from Reserve Home tiled the firebox of her fireplace, adding an old-school touch that creates a significant visual impact. This detail contributes to the overall charm and character of the fireplace, aligning with Berkus's design philosophy. Berkus also offers a crucial piece of advice for styling a classic fireplace: incorporating a piece of modern art on the wall above it. This strategy serves a dual purpose: it allows homeowners to infuse their personality into the space and creates an intriguing contrast between the old and the new elements. This juxtaposition ensures the design remains engaging and visually balanced. The article also includes recommendations for mantels and tiles that can assist in achieving this antique fireplace look. For mantels, options like the Pearl Mantels Berkley Fireplace Mantel Surround, Historic Mantels Designer Louis Cast Stone Fireplace Surround, Modern Ember Eastfield Wood Fireplace Mantel Surround Kit, and the Henri Mantel from Pottery Barn are presented. For tiling the fireplace, suggestions include the Sahara Porcelain Wall & Floor Tile from AllModern, Ochre Dual Glaze Tile from Heath, Columbia Plateau Tile from Fireclay Tile, and Gambit 8 Tile from Zia Tile. These product recommendations provide practical resources for readers inspired to undertake such a renovation. #NateBerkus #FireplaceDesign #AntiqueFireplace #HomeRenovation #DIYHomeDecor #InteriorDesign #DesignInspiration #HomeImprovement #DecoratingTips

Nate Berkus, a renowned interior designer and HGTV alum, is sharing his expertise on styling bookshelves, offering a preview of his upcoming book, "Foundations," set to be released on November 18. Through a quick Instagram tutorial, Berkus reveals his go-to hack, emphasizing that the secret to a well-styled bookshelf lies in variety and thoughtful curation, rather than simply filling every available space with books. His core philosophy revolves around achieving visual balance by arranging books both vertically and horizontally. When books are stacked horizontally, Berkus suggests placing an interesting object on top, such as a geode that has a personal history. He highlights that while a bookshelf's primary function is to store literature, it's equally important to incorporate negative space and decorative accessories. This approach allows for a more aesthetically pleasing arrangement and prevents the shelves from appearing overcrowded. Berkus recommends using various design accessories like small sculptures, pottery, and vintage paintings to fill these negative spaces, turning the bookshelf into a canvas for personal storytelling. He explains that these items, often collected over time, make a home feel more personal and evoke memories of where they were acquired. This method encourages individuals to create a visual narrative of their own journey and experiences through the objects they choose to display. This insight is part of a broader series of design tips Berkus shares with his two million followers, covering topics from home wellness to vintage finds. The mini-lessons have garnered significant positive feedback from his audience, with many expressing appreciation for his inspirational and helpful advice. Although the full extent of his design wisdom will be unveiled with the release of "Foundations," Berkus's initial tips provide a valuable starting point for anyone looking to enhance their home decor, particularly their bookshelves. The article concludes by offering a selection of hand-picked items to help readers emulate Berkus's styling techniques at home, encouraging them to begin curating their own meaningful displays. #NateBerkus #BookshelfStyling #InteriorDesign #HomeDecor #FoundationsBook #DesignTips #HomeAccessories #NegativeSpace #VisualBalance

Tiffany Thompson, founder of Duett Interiors in Portland, Oregon, shares insights into her journey from working at Nike to establishing her interior design firm, emphasizing the unconventional path she took and the unique principles guiding her business. Born and raised in Queens, New York, Thompson initially had no exposure to interior design as a career. Her early life was immersed in sports, leading her to believe that a career not requiring formal attire was her calling. After playing soccer in college, she worked for a basketball team in Miami, which eventually led her to a position at Nike in Chicago at 22, and later in New York and Portland. Throughout her time at Nike, Thompson found herself naturally decorating her dorms and apartments, an activity she initially dismissed as a viable career. Her friends, however, consistently sought her help with their spaces, paying her modest sums or offering free food. This informal side hustle grew, especially after she purchased a house in Portland in 2016. At Nike, Thompson moved through various roles, starting as an administrative assistant and transitioning into marketing for influencers before it became a mainstream concept. She built significant relationships, including with figures like Virgil Abloh, by focusing on genuine connections rather than transactional interactions. She later worked as a tech rep, discussing Nike products, and eventually joined the apparel design team in Portland, where she managed product lines for athletes like Serena Williams and Rafael Nadal, and contributed to women's sportswear footwear, including Air Force 1s. Her core strength throughout these roles was storytelling, connecting products to new consumers by highlighting their heritage and tweaking designs. Thompson credits her Nike experience with teaching her how to run a $50 billion company, including identifying market gaps and converting opportunities into sales. She also learned the importance of making mistakes and seeking guidance from leaders. Storytelling remains a cornerstone of her design philosophy; she uses it to connect clients emotionally to their spaces, drawing inspiration from diverse sources like global architecture and personal travel experiences. Her design approach often starts with the "why" behind a design choice, engaging clients in the narrative before presenting the aesthetic. This method is deeply personal, stemming from her own experience of being adopted and her desire to create comfortable, belonging-infused spaces for others. The transition to full-time design was unexpected; Thompson was fired from Nike, an event she now views as a necessary push to pursue her passion. Her first clients were acquaintances and friends, including an NFL player and an NBA superstar, who trusted her based on her reputation and past work ethic at Nike. These high-profile projects, including designing a $17 million condo in San Francisco, prepared her for the demands of high-end clientele. She now works on a variety of projects, including residential homes, a custom build for the NW Natural Street of Dreams, and an English Tudor-style house. She also participated in a TV show for Discovery+ and HGTV, redesigning spaces for teenagers who made significant contributions during COVID-19, which allowed her to apply luxury design concepts to more approachable projects. Thompson is deliberate about her project selection, prioritizing compatibility with clients, as she views the design process as an intimate, emotional collaboration. She aims for her designs to serve as backdrops for clients' memories rather than temporary trends. Her firm, Duett Interiors, reflects her belief in harmonizing client needs with unexpected, beautiful outcomes. She emphasizes creating grand moments and activating the five senses rather than adhering to a minimalist or maximalist label. She strives to build an all-female or majority-women team with diverse cultural backgrounds and perspectives to ensure variety and prevent her designs from becoming repetitive. Thompson plans for Duett Interiors to grow steadily, focusing on quality over quantity, with an eventual expansion into product design and television to showcase her firm's ethos to a broader audience. She and her boyfriend are also committing to planting roots in Oregon, aiming to contribute to and diversify the local design scene, highlighting the state's unique advantages like no sales tax and a vibrant artisan community. #InteriorDesign #BusinessDevelopment #Entrepreneurship #StorytellingInDesign #NikeInfluence #FinancialLiteracy #PortlandDesignScene #WomenInDesign #ClientRelationships

Interior designer Nate Berkus has recently advocated for the inclusion of bouclé fabric in kitchen design, a move that challenges conventional interior decorating norms. Bouclé, traditionally favored for cozy living areas and bedrooms due to its luxurious and soft texture, is now being introduced into a more utilitarian space: the kitchen. Berkus showcased this innovative approach in an Instagram post, featuring two distinct Los Angeles kitchens, both incorporating the same bouclé-upholstered bar stools. The featured stools boast a minimalist design, characterized by sleek black frames complemented by soft gray, bouclé-covered cushioning. This selection marries the refined aesthetic of bouclé with practical kitchen furniture. Melissa Read, Creative Director at Studio Burntwood, highlights the growing popularity of bouclé, noting its inherent femininity, tactile appeal, and its capacity to infuse warmth and softness into any environment. Read also points out the expanding collections of bouclé fabrics from luxury houses, offering a wide array of colors and textures suitable for various upholstery and window dressing applications. Berkus's rationale for integrating bouclé into the kitchen stems from his philosophy of selecting enduring furniture pieces that can adapt to different spaces over time. He emphasizes the longevity and resilience of the stools, a sentiment echoed by Read, who clarifies that bouclé, typically made of wool, is surprisingly hardwearing and durable despite its delicate appearance. This characteristic makes it a viable option for high-traffic areas like the kitchen. The adoption of bouclé in the kitchen aligns with the rising 'quiet luxury' trend, which prioritizes subtle elegance and quality craftsmanship. The fabric's ability to add texture and a sophisticated aesthetic makes it versatile for various furniture types, including headboards, ottomans, and accent armchairs, as suggested by Read. The article encourages readers to consider incorporating bouclé into their home designs, whether in luxury kitchens or more traditional living and bedroom settings. To facilitate this, the article provides examples of bouclé furniture available for purchase, including a CB2 Peg Upholstered Bar Stool, an Anthropologie Brooke Dining Chair, and a CB2 Boucle Ivory White Pouf. These selections demonstrate how bouclé can be integrated into different areas of the home, providing comfort, style, and a touch of modern sophistication, thereby elevating the overall design aesthetic. #NateBerkus #BoucléTrend #KitchenDesign #InteriorDesign #LuxuryFabric #HomeDecor #CelebrityStyle #Furniture #MinimalistKitchen

Interior designer Greg Natale has cultivated a distinct style since establishing his studio in 2001, characterized by a bold, eclectic approach to integrating architecture, design, and decoration. His work is far from conventional, often incorporating intricate layers of color and pattern, which he considers an innate aspect of his design philosophy. Clients typically seek his expertise for interiors that eschew muted tones, reflecting his signature maximalist aesthetic rather than a pared-back style. Natale's design methodology is comprehensive, extending beyond singular projects to include product development. He has ventured into furniture design, creating a range of residential wood-based pieces for Mortice and Tenon, alongside a line of more minimalist furniture for Stylecraft. These collaborations underscore his commitment to a 360-degree design approach, ensuring that every element within a space contributes to a cohesive vision. A notable collaboration includes a collection of six distinct New Zealand wool rugs designed in partnership with Designer Rugs. Natale emphasizes the critical role rugs play in his integrated design approach, serving not only as decorative elements but also as foundational anchors for furniture arrangements within a room. The names of these rugs—Corfu, Malibu, Monte Carlo—might suggest a relaxed ambiance, but their design ethos is rooted in a structured approach. The inspiration for the rug collection stems from Natale's passion for repeat patterns. He values the architectural quality of these patterns, noting their effectiveness in defining a room's aesthetic from multiple perspectives. His international travels have also significantly influenced the collection's designs. For example, the "South Beach" rug draws inspiration from an Art Deco building's screen wall, while "Palm Springs" reimagines a historical Chinese pattern encountered in that desert locale. Natale encourages both his team and his clients to embrace a holistic design journey, one that is characterized by continuous integration and innovation. He advocates for taking risks and pushing creative boundaries, believing that such an approach yields more engaging and interesting outcomes. His philosophy suggests that design does not need to be overly serious, but it should possess depth and layering to capture and hold interest. Through his studio and various design endeavors, Greg Natale continues to challenge conventional design norms, offering vibrant and distinctive interior solutions that reflect his unique vision and passion for design. #InteriorDesign #GregNatale #HomeDecor #PatternAndColor #RugDesign #FurnitureDesign #LuxuryInteriors #DesignInnovation

The article presents a conversation between Kanye West and his interior designer Axel Vervoordt, focusing on design philosophy, artistic collaboration, and their shared vision for creating timeless spaces. The discussion, moderated by a representative from The Hollywood Reporter, took place at Yeezy's Calabasas offices and was timed with the release of Vervoordt's memoir, 'Axel Vervoordt: Stories and Reflections.' Kanye West initiates the conversation by recounting his first encounter with Vervoordt's work at The European Fine Art Fair, describing a striking coffee table that evoked a sense of timelessness and soulfulness. Vervoordt reciprocates, highlighting West's immediate passion for art and design and their mutual dedication to continuous learning and improvement. He emphasizes the importance of serving people through their work, a sentiment West frequently expresses regarding his family and wider audience. Delving into Vervoordt's background, the designer shares how his instincts for art, design, and interiors originated from childhood experiences, appreciating the beauty in humble things. He discusses his journey as an art dealer, curator, and designer, emphasizing his eclectic eye and ability to blend different genres and time periods. Vervoordt recounts how his travels and early experiences buying antiques and art shaped his understanding of living with beautiful objects in a casual, spirited way, contrasting it with the display of wealth without genuine connection. He describes his evolution from collecting surrealist works to embracing artists like Lucio Fontana, who created new dimensions and spaces, and Gunther Uecker, whose nail art he initially found aggressive but later understood as deeply spiritual and focused. The conversation touches on their personal lives, with Vervoordt admitting to a limited engagement with television and news, preferring to maintain an open mind free from negative influences. West, similarly, prefers documentaries and selectively engages with media, such as the Olympics. Both artists acknowledge the constant struggle with ego in their creative processes. Vervoordt shares the story of acquiring his 12th-century castle in 1984, which he and his wife meticulously restored, and how he eventually felt a deep connection with the structure, transforming it into a living entity that continues to evolve. West expresses his profound admiration for Vervoordt's ability to mix old and new, Eastern and Western elements, recognizing him as an originator of this influential style. Vervoordt likens his approach to organizing a dinner party where diverse individuals converge, creating an inspiring exchange. Both agree on the concept that all time is now, with the past and future being present in the moment. West introduces his philosophy book, 'Break the Simulation,' and his nuanced view on photographs, which he believes can distract from the present by fixating on memories or future aspirations. He connects this to fashion, advocating for timeless design over fleeting trends. The discussion then shifts to their collaborative project on a new community development in Los Angeles. West envisions their work as representing humanity for centuries to come, emphasizing the significance of designing spaces that communicate an understanding of proportion and affect human mood positively. He criticizes designs driven by ego or lack of responsibility and expresses a desire to make high-sensibility design accessible to everyone, transcending traditional class distinctions. Vervoordt concurs, highlighting the importance of connecting with the origin of nature and striving for timelessness in their creations. The conversation also includes West's reflections on Virgil Abloh's appointment at Louis Vuitton, framing it as a moment of creative challenge and a reminder of the cyclical nature of loss and gain. He articulates his evolving ambition to move beyond being a 'number one brand' towards a more impactful, UNICEF-like approach, channeling information to help as many people as possible. Vervoordt supports this, stating his own lifelong pursuit of doing his best rather than being the best, drawing a parallel to the spiritual connection he seeks in dressage. They conclude by discussing the deceptive nature of the word 'dream' in the context of fashion, advocating for actionable ideas and 'community' over 'company' or 'brand.' #KanyeWest #AxelVervoordt #InteriorDesign #DesignPhilosophy #TimelessDesign #ArtisticCollaboration #Architecture #Yeezy #CreativeProcess

The article showcases Nate Berkus' approach to styling bookshelves, emphasizing a curated eclectic aesthetic that prioritizes vintage and characterful items. It highlights that styling shelves is more than just organizing objects; it's an opportunity to express personal style and enhance a home's uniqueness and character. Berkus' recent Instagram posts, featuring his past bookshelf designs, serve as the primary inspiration, illustrating his method of layering larger vintage pieces, such as books and vases, with smaller trinkets to fill empty spaces. This layered technique is presented as an effective strategy for decorating shelves. A key aspect of Berkus' style, as described, is his preference for antique items that convey a narrative and hold sentimental value, contributing to the authenticity and individuality of each display. These items include handcrafted ornaments, old books, and personal photographs. The article positions Berkus' styling as a prime example of the "bookshelf wealth" trend, suggesting that a well-styled shelf display can significantly enrich a room with an inviting and distinct character. To help readers replicate this look, the article provides a list of recommended items inspired by Berkus' aesthetic. These suggestions include a French Glaze Ceramic Collection (Extra Small) from Pottery Barn, described as a quaint pot that adds antique charm and an eclectic feel. Another recommendation is a Bust in Profile Framed Print (16x16) also from Pottery Barn, which echoes the vintage photographic and print elements seen in Berkus' displays. For a touch of sophistication and storage, the ASTIER DE VILLATTE + Serena Carone Mon Prince ceramic jewelry box from NET-A-PORTER is suggested for holding meaningful keepsakes. The importance of books on a bookshelf is underscored with the recommendation of the Juniper Books George Orwell Book Set from Saks Fifth Avenue, acknowledging books as foundational elements of a bookshelf display. Additionally, a HUNTING SEASON Set of two ceramic candle holders from Net-A-Porter is advised for adding a rustic and organic touch. Finally, a Vintage French Ornate mirror from Etsy is recommended to mimic the characterful decorative mirrors Berkus incorporates. The overall message is that intentional and collected styling, as exemplified by Nate Berkus, can transform bookshelves into captivating focal points within a home. #NateBerkus #BookshelfStyling #EclecticDecor #VintageHome #InteriorDesign #HomeDecoration #ShelfDecor #CuratedSpaces #AntiqueFinds

Giulio Barresi, the Head of UX, Controllers at Logitech, shares his unique perspective on design and his journey from aspiring biologist to a leader in technology design. Raised in Geneva with a Norwegian mother and Sicilian father, Barresi initially pursued a traditional path with an emphasis on biology. However, he soon found himself drawn to more artistic fields, ultimately deciding to study media interaction design. His early work involved photography, which evolved to incorporate coding, electronics, and visuals, reflecting a multidisciplinary approach to design. Barresi acknowledges that his professional journey was not without its moments of doubt and self-questioning, a common experience he views as a healthy challenge that drives continuous growth and improvement. He credits various mentors and supporters for shaping his perspective, including a high school English teacher who instilled in him the importance of perseverance and activism, and a filmmaker friend who encouraged him to professionalize his passion. After an initial period at a smaller design studio, Barresi joined Logitech, where he has been instrumental in developing their global product lineup, ranging from personal workspace solutions to gaming equipment. As the Head of UX, Controllers, Barresi recently spearheaded the creation of the MX Creative Console, a innovative set of tools designed for professional creatives. Despite his work with advanced technology, he maintains a simple approach to capturing nascent ideas, often relying on sticky notes and readily available surfaces for jotting down thoughts. He also expresses an interest in exploring audio recordings as a future method for documenting his ideas, envisioning himself using a small recorder to vocalize concepts as they emerge. In the "Friday Five" segment, Barresi shares five items that currently capture his interest. First, the Beosound A5 by Bang & Olufsen, a portable speaker that he values for its blend of brand heritage and modern design, seeing it as a way to share the immaterial experience of music. Second, he highlights the Norwegian "Ostehøvel," or cheese slicer, appreciating its unique purpose and its connection to his cultural heritage, beyond its practical utility. Third, the Dyson Cordless Vacuum Cleaner earns his admiration for its ability to transform a mundane chore into a more enjoyable experience through innovative engineering and design, showcasing how technology can effectively solve user problems. Fourth, Barresi discusses "Under," an underwater restaurant in Norway. He describes it as an unforgettable culinary experience, combining Michelin-star dining with the unique architectural marvel of being five meters underwater, offering views of marine life. Finally, he selects the Unikko Pattern from Marimekko. This 60-year-old Finnish design, he notes, remains timeless and vibrant, contrasting with the often austere Nordic climate by bringing warmth and sparking conversation through its use in fashion and home decor. The article concludes by showcasing some of Barresi's work for Logitech, including a webcam, an editing console, a vertical computer mouse, a wireless mouse, and a compact mechanical keyboard, illustrating his contributions to contemporary technology design. #GiulioBarresi #Logitech #UXDesign #ProductDesign #Technology #IndustrialDesign #CreativeTools #DesignPhilosophy #BangAndOlufsen

Cortney and Bob Novogratz, a design duo with seven children, have spent 25 years transforming the American interior design landscape. Their approach is characterized by a colorful, contemporary, and uplifting style, applied to over 70 residential and commercial projects. The couple's success stems from their ability to understand what makes a space inviting and livable. Their journey began two decades ago when they invested in and renovated a dilapidated townhouse in Chelsea, New York City. This initial project, which they found both enjoyable and successful, led them to acquire and develop two more properties in SoHo. This positive experience prompted Bob to leave his real estate career to pursue design full-time. A notable project, Centre Market, involved reworking an entire street. They successfully predicted the area's potential for growth, transforming old, rundown gun stores into desirable properties. They emphasize that the worse the initial condition, the better, as it deters most people, and extensive renovations are often necessary regardless of the starting state. The Novogratz's distinctive aesthetic, known as "the Novogratz look," is an eclectic blend of modern, clean lines, vintage elements, vibrant color accents, and prominent art pieces. They advocate for using color freely, particularly in bedrooms, which are separate spaces where bolder choices can be made. Feature walls behind beds, with a strong pop of color, are a common technique. They also sometimes opt for white walls, allowing furniture and art to introduce color. When it comes to brand partnerships, they frequently collaborate with CB2 (Crate&Barrel; 2), for whom they design. Other preferred brands include Kartell, The Rug Company, and ABC Carpet & Home, all chosen for their modern aesthetic and innovative designs. For those embarking on a renovation, their advice is to start with a fresh, neutral canvas, such as white walls. They suggest finding one standout piece, whether vintage or new, to serve as a focal point. They encourage an iterative design process, emphasizing that the space doesn't need to be perfect immediately and will evolve over time. They also recommend prioritizing investments in essential areas like the kitchen and bathroom. Their creativity is fueled by their children, who keep them connected to contemporary culture, and by seeking inspiration from diverse sources in major cities worldwide. Their design process prioritizes uniqueness, aiming to create distinct, interesting, and creative spaces for every hotel or home project. They believe in avoiding a standardized look. The most rewarding aspect of their work is the tangible outcome, starting with a vision and culminating in a completed project. They acknowledge that outcomes vary but strive for genius, achieving good results most of the time. They are known for frequently refreshing their own homes, with Cortney reportedly revamping elements every 90 days, especially during spring, to keep their spaces updated and vibrant. #InteriorDesign #HomeRenovation #ColorTheory #EclecticStyle #DesignProcess #Novogratz #ModernDesign

The November 'Zeitgeist Edit' highlights a shift in the interior design industry, emphasizing the growing desire for immersive, experiential design over purely digital interactions. This month has seen a surge in brick-and-mortar offerings, designer apartments, and unique sources for home decor, reflecting a collective craving for tangible experiences in design exploration. A significant trend observed is the rise of 'Suite Living,' characterized by designer show apartments and hotel suites that offer immersive style showcases. London, a city not traditionally known for this concept due to its architectural stock, has recently unveiled two notable collaborations. Uchronia, in partnership with Pantone, designed a hotel suite at the Oriental Hyde Park during Frieze Week, infusing a traditional setting with fantastical designs inspired by the color celadon. Simultaneously, Róisín Lafferty collaborated with Artemest to transform a minimalist new-build apartment in the Ambassador Building at Embassy Gardens, injecting vibrant color and playful forms to redefine its character. Another emergent concept is that of 'Third Spaces,' which extends beyond traditional home and work environments to include places where people linger and engage. This month, the discussion around third spaces has gained traction, informing the design of independent concept stores and coffee shops in London. Even major retailers like John Lewis have introduced 'Lounge' concepts, providing members with spaces to relax amidst bustling shopping environments. A specific example is BOYS! BOYS! BOYS! on Warren Street, a wine bar and bookshop that also serves as a community hub for events, offering a physical space for connection and cultural engagement. The article also points to 'Dinner and a Show' as a burgeoning theatrical interior trend, particularly evident in the recently re-opened Wild Cherry restaurant in New York. This establishment, part of the restoration of the Cherry Lane Theatre and spearheaded by A24, offers moody, Art Deco-inspired interiors alongside live performances. The restaurant's design creates a dramatic and immersive dining experience, reinforcing the idea that interiors are becoming increasingly theatrical and integrated with performance art. Conversely, the trend of 'Traveling on Hand Luggage' is noted as being on the decline. The previous allure of minimalist, spontaneous travel is giving way to a preference for a more luxurious 'golden age of travel' aesthetic. This is reflected in the design world's embrace of travel trunks as functional home furniture, exemplified by La Erre's installations at the London Design Festival, and luxury accessories like RIMOWA's cocktail sets within its suitcases, suggesting a return to more elaborate and comfortable travel experiences. Finally, the 'Online Only' shopping model is experiencing a downturn, as consumers increasingly seek out physical retail experiences for interior design purchases. The opening of Bert & May's 'The Mix' in East London, a concept store housing various interiors brands like Farrow & Ball and Pluck, signifies a demand for tangible shopping environments where customers can touch and feel products. Similarly, Matilda Goad's MG&CO; on Ebury Road, a hardware and lighting store with charming, retro interiors, illustrates the appeal of brick-and-mortar shops that offer an enjoyable and immersive browsing experience, contrasting with the impersonal nature of online transactions. The article also highlights the growing acceptance and quality of artificial plants, with brands like Fake It now making high-end faux foliage accessible to the public, previously only available to designers. #DesignTrends #InteriorDesign #HomeDecor #ExperientialDesign #RetailSpaces #LuxuryTravel #ThirdSpaces #TheatricalInteriors #BrickAndMortar

This article presents an in-depth conversation with architect Bjarke Ingels, marking nearly ten years since his last interview with Archinect. The discussion focuses on BIG's extensive work in 3D printing and its implications for the architectural profession, as well as the emerging role of artificial intelligence in design. The interview begins by exploring BIG's latest collaboration with construction technology specialists ICON: a collection of pre-designed, 3D-printable homes for ICON's new CODEX catalog. Ingels details the philosophy behind these designs, which originated from investigations into how single-family homes could leverage 3D printing technology. He explains the three distinct collections within CODEX: the 'Storm' collection, featuring hurricane-resistant designs; the 'Fire' collection, offering resilience against wildfires; and the 'TexNext' collection, reimagining traditional Texan typologies like shotgun and porch houses through a 3D printing lens. These collections aim to provide affordable, customizable housing solutions that respond to specific environmental challenges and regional aesthetics. The conversation then delves into how previous 3D printing projects, such as the Mars Dune Alpha simulation habitat, the hospitality project with Liz Lambert, and the 100-home Wolf Ranch development, have informed BIG's approach to the CODEX collection. Ingels highlights that these earlier experiences demonstrated the potential for organically delivering large-scale communities. The traditional method of viewing demonstration homes and purchasing a plot for later construction is contrasted with the efficiency of having 3D printers on-site, capable of delivering a wider variety of customized homes on demand. This approach, termed 'home delivery on-demand,' offers increased customization for a broader audience and can be applied to both large developments and individual plots. Ingels also discusses the specific circumstances where 3D printing offers advantages over conventional construction methods. He points out that innovations driven by the challenges of building on the Moon and Mars, such as ICON's new robotic arm printers, are now yielding benefits for Earth-bound construction. These advanced printers can create taller, more complex structures with reduced site preparation, increasing quality and speed while lowering costs. For the immediate future on Earth, low-rise structures, particularly single-family homes, are best suited to leverage 3D printing's benefits, including effortless customization and freedom of form, which represent significant improvements over traditional methods. Furthermore, the article explores the concept of new business models for architects. Ingels suggests that the product-based model, exemplified by CODEX, allows architects to refine and improve their designs over time, similar to product manufacturers. This contrasts with the traditional service-based model where each project starts from scratch. He envisions a future where architects could generate ongoing royalties from their intellectual property, even after retirement, as seen with his co-founded design practice, KiBiSi. This product-oriented approach also enables continuous feedback and iteration, leading to enhanced quality and efficient delivery. Finally, the discussion addresses the impact of artificial intelligence on architectural practice. Ingels reflects on the progression of design tools, from crayons to rulers to mice, each offering new possibilities while requiring a shift in control. He posits that AI represents the next evolution, allowing young designers to leverage a creative force comparable to that of a large, experienced team. AI eliminates barriers to entry for delivering complex visions with precision and skill, much like modern digital camera technology has democratized film production. Ingels expresses excitement for architecture-focused AI systems like ICON's 'Vitruvius,' acknowledging that while these technologies are in their early stages, their rapid pace of improvement, driven by global collaboration and learning, promises a future of immense potential for the architectural profession. #BjarkeIngels #BIG #ICON #3DPrinting #ArchitecturalInnovation #ArtificialIntelligence #HomeDesign #SustainableArchitecture #FutureOfArchitecture