Copy Tracee Ellis Ross' Stunning Interior Decor Style With This Essential Piece

This article explores the concept of the 'finishing touch' in interior design, providing insights and advice from eight professional designers. The core idea is that while major furniture pieces establish the foundation of a room, it's the smaller details—accessories, art, and personal items—that truly complete a space and make it feel lived-in and cohesive. Designers emphasize that a room often feels incomplete until these final elements are added, often describing this realization as a "gut feeling" or a sense that "something is missing." Elizabeth Krueger Design highlights accessories like books, trays, throw pillows, candles, and vases as crucial for adding depth, texture, and color. They advise creative experimentation with placement, noting that accessories offer a playful way to layer design and can be changed non-permanently to refresh a space. Fresh flowers and plants are particularly noted for their ability to introduce life and luxury, while well-accessorized bookshelves can add sophistication and visual interest. Blaine Gabrisch from Talbot Cooley emphasizes that a well-designed room is styled to personal taste through layers of accessories such as books, art, pillows, and floral arrangements, which make a space feel more like home. Gabrisch also suggests keeping main furniture neutral to allow for periodic refreshes by changing accent colors through pillows. Les Ensembliers strongly advocates for art as the ultimate finishing touch, arguing that it brings soul and a contemporary vibe, even to traditional spaces. They note that while smaller items like accent tables and lamps help, investing in art is the most impactful way to transform a room's feel. Randy Heller Inc. / Pure & Simple Interior Design points out that homeowners often mistakenly believe filling a room with furniture completes it, whereas layering textures, art, and accessories is essential. Heller suggests incorporating unexpected elements that offer visual and tactile pleasure, such as sisal rugs, brutalist lamps, blackened mirrors, applied ceiling moldings, and fresh moss. For a quick refresh, fresh flowers are recommended, while more daring DIYers might consider wallpaper or paint. Matthew Carter Interiors prefers a more organic approach, avoiding purchasing all items at once to prevent a staged look. They often wait until the end to select smaller tables, lamps, and rugs, believing this flexibility allows for a more collected and authentic feel. Carter stresses the importance of scale, suggesting that a single large, organic item like a basket of maidenhair fern or a sculpture can be more effective than over-thought decorations. Bella Mancini Design focuses on elements that make a room feel inhabited, such as books, objects, and personal photographs. They liken art and accessories to the "jewelry of the room," used to punch up or dress down a space and further develop color stories. Mancini encourages collecting unique items to create visual interest. Courtney Hill Interiors emphasizes functionality, comfort, and a lived-in feel, ensuring that residents or guests "want for nothing." In a powder room, this translates to thoughtful juxtapositions of textures, colors, and patterns, alongside practical items like luxurious hand wash and monogrammed towels. They conclude that a lack of art and accessories clearly indicates an incomplete space. Finally, Jeff Andrews Design notes that finishing touches usually involve accessories, client's personal items, and a mix of new and old elements. Andrews highlights scented candles, seasonal flowers, and the presence of people enjoying the room as the best additions. Ultimately, a room is complete when it feels like home, filled with beloved objects that evoke enjoyment and bring the color story to life through pillows, photos, pottery, and books. #InteriorDesign #HomeDecor #DesignTips #Decorating #FinishingTouches #Accessories #ArtPlacement #SpaceStyling #Personalization

The "Showhouse Resource Guide" provides a comprehensive list of designers, brands, and specific items used in the "Design Hollywood at the Century" showcase, highlighting the creative vision and detailed sourcing behind each curated space. The guide categorizes the contributions by residence and specific rooms, offering insights into the diverse styles and design philosophies employed by the participating designers. For Residence 20A, Joan Behnke’s master bedroom and closets featured pieces from Scott Daniel for Environment (table lamps), Stark Carpet (area rug), Micucci (cashmere throws, pillow covers), and Holly Hunt (Christian Astuguevieille cabinet, Sandra Jordan drapery fabric). Other notable contributions included custom casegoods by G&E Custom, plaster work by Arte Bella, and various accessories from Charles Jacobsen and Vis-a-Vis. The master closets were styled by Clos-ette, with clothing from Brooks Brothers and Shopbop. Tim Clarke’s dining room showcased furniture and a rug from Grace Home Furnishings, sconces from Circa Lighting, and wallpaper by Caba/Barkskin. His own designs for dining chairs and decorative accessories were also featured. Waldo Fernandez’s Great Room incorporated a bronze sled-based ottoman by Calvin Klein Home, a floor lamp from Circa Lighting, and several Jean Royere-inspired pieces by Waldo’s Designs, such as the Ours Polaire sofa, chairs, sconces, and a console. Other unique items included a vintage Moroccan rug from Mansour and French Georges Jouve vases from JF Chen. Jane Hallworth’s Bedroom 2 included bathroom sconces and table lamps from Circa Lighting, wall and drapery fabric from Beacon Hill, and a walnut music console from BDDW. Blackman Cruz provided a bronze record side table and a molar stool, while Lee Stanton contributed vitrines and artwork. The room also featured a rug from Jamal’s Antique Rug Collection and paintings by Jaime Orozco. Kathryn M. Ireland’s kitchen and family room highlighted a sectional sofa from Grace Home, a console from Environment, and her own designs for sheer curtain drapery, pillows, and a coffee table. Photographs from Peter Fetterman Gallery and a rug from Woven Accents completed the space. Robert A.M. Stern Architects designed the elevator vestibule with Farrow & Ball ceiling paint, an overhead light from Maison Gerard, and sconces by Pascal Boyer. Dragonette supplied a decorative screen, and a bench from Bernd Goeckler was upholstered with Edelman Leather. Adam Bram Straus’s powder room and hallway utilized Stark Carpet for wall upholstery fabric and Farrow & Ball paint. His own designs for the vanity and bookcases were fabricated by Showcase Cabinets, with art from Los Angeles Modern Auctions and John Wolf Fine Art. Between Residences 20A and 20B, Cliff Fong’s passage featured Farrow & Ball paint, furniture, lighting, and art from Galerie Half and JF Chen, and rugs from Woven Accents and J Illoulian. In Residence 20B, Natasha Baradaran’s powder room and hallway displayed a spider rug by Neisha Crosland from The Rug Company, an axel console by Jean De Merry, and a custom mirror from Downtown. Her own facett bench was upholstered with Dedar fabric from Kneedler-Fauchere. The powder room included a Ramo mirror by Jean De Merry and a Doria crystal chandelier from Downtown. Oliver M. Furth’s elevator vestibule featured Farrow & Ball paint, an antique malayer carpet from Stark Carpet, and unique items such as 19th-century North Korean Bandaji chests from Susanne Hollis and “Argente” stools by Paul Evans from Galerie XX. JF Chen provided Dutch Bubble-Glass sconces and a convex horn mirror. Trip Haenisch’s master bedroom and closets included a rug from The Rug Company, bathroom sconces from Circa Lighting, and Fromental Wallcoverings wallpaper. Custom Cal king beds and throw pillows were sourced from Thomas Lavin/Mark Alexander and Hollywood at Home/Peter Dunham, respectively. Marmol Radziner & Associates’ Bedroom 3 showcased Beacon Hill throw pillow fabric, Calvin Klein Home bedding, and a goat fur rug from The Rug Company. Custom walnut beds and leather-wrapped nightstands were created by Marmol Radziner Cabinet Shop. Nickey • Kehoe’s Bedroom 2 featured Stark Carpet wallpaper, a tapestry art piece from The Rug Company, and chairs from Nickey · Kehoe. Walnut supplied niche book wallpaper, and artwork was sourced from Sears Peyton Gallery. David Phoenix’s Great Room incorporated Beacon Hill fabric for drapes and furniture, Jean De Merry cocktail tables and sconces, and an area rug from Natural Carpet Company. Warner Bros. constructed the sectional sofa and club chairs, while fine art and sculpture were provided by Travis Hansson. This detailed guide serves as a valuable resource for understanding the design elements and collaborations that brought the showcase to life. #InteriorDesign #Showhouse #DesignHollywood #HomeDecor #LuxuryDesign #InteriorStyling #Furniture #Textiles #Lighting

The article offers an exclusive glimpse into Rosie Huntington-Whiteley’s personal wardrobe and living space, featured in "THE COVETEUR: Private Spaces, Personal Style." This new book, set to release in October, is an extension of The Coveteur's popular online content, known for its in-depth explorations of the closets and homes of fashion-forward individuals. The book showcases the aesthetic signature of The Coveteur, with meticulously arranged fashion items and decor. "THE COVETEUR: Private Spaces, Personal Style" compiles insights into the private worlds of over 40 prominent figures from the fashion and entertainment industries. Notable personalities such as Karlie Kloss, Christian Louboutin, Bobbi Brown, and Tommy Hilfiger are among those whose personal styles and living environments are documented within its pages. The book aims to provide an intimate look at how these individuals curate their spaces, reflecting their unique tastes and sartorial choices. Rosie Huntington-Whiteley's feature highlights her Los Angeles residence, specifically a blush-pink dressing suite. This dedicated space, described as "rose-hued," is designed exclusively for her extensive wardrobe. The article details the suite's organization, mentioning immaculately arranged furs alongside designer pieces from Isabel Marant and Dries Van Noten. Lingerie, crafted from silky draped fabrics and delicate lace in jewel tones, is noted to be overflowing from drawers and draped over plush hangers. Further descriptions emphasize the luxurious details within the dressing suite, including vintage floor-length satin robes adorned with hand-painted roses climbing up their hems. The overall impression conveyed is one of extreme organization and exquisite taste, transforming the space into what is described as a "Coveteur dream come true." This sneak peek serves as an enticing preview for the book, promising readers an intimate and aspirational look into the private realms of fashion icons. All images presented in the article are credited to The Coveteur, with the content being republished via Harper’s Bazaar US. The article is categorized under 'Homes' within the 'Culture' and 'Interiors' sections, underscoring its focus on personal spaces and interior aesthetics as much as on fashion. #InteriorHomes #RosieHuntingtonWhiteley #TheCoveteur #FashionStyle #HomeDecor #CelebrityHomes #LuxuryInteriors

In home design, distinguishing between timeless elegance and fleeting trends is crucial. Interior designer Megan Khahil highlights several decor items that, despite their initial popularity, can detract from a home's overall aesthetic and make it appear dated or tacky. This perspective emphasizes the importance of thoughtful selection and long-term design versatility over temporary fads or budget shortcuts. One common culprit is industrial pipe shelving. While once considered a cutting-edge design element for its raw, urban appeal, its widespread adoption has led to overexposure, diminishing its novelty and impact. Khahil suggests that true industrial style should be intentional and polished, recommending cold-rolled steel floating shelves paired with authentic brick or stone accents instead of faux finishes. This approach introduces tactile materials purposefully, avoiding the generic appearance often associated with mass-produced pipe shelving. Another item to avoid is peel-and-stick decor, including tiles, wallpapers, and decals. While these products promise quick and affordable transformations, they frequently bubble, lift, and peel over time, revealing their temporary and inexpensive nature. Such shortcuts undermine quality and craftsmanship, ultimately cheapening the room's design. Khahil advocates for investing in authentic and durable materials like patterned tiles, natural stone, or high-quality wallpaper, asserting that a bit more effort results in a lasting and refined space. Plastic picture frames also fall into the category of tacky decor. Khahil points out that glossy plastic frames, especially those attempting to mimic more luxurious materials, often warp, scratch easily, and devalue the artwork or photos they contain. She advises using more substantial frames made from metal, wood, or high-quality resin. Mixing different frame styles and finishes thoughtfully can create visual depth and interest, enhancing the room’s aesthetic rather than detracting from it. Fake plants, despite their low-maintenance appeal, rarely replicate the life and vibrancy of real foliage. They gather dust, fade, and can signal neglect rather than style. Khahil recommends incorporating low-maintenance real plants such as snake plants, pothos, or monstera to bring authentic life, improve air quality, and add warmth to a space naturally. Animal print, when used excessively, can also make a room feel cluttered and loud. While a subtle touch of animal print can add personality, an overload crosses the line into tackiness. Khahil suggests using one or two statement pieces, like an accent chair or a throw pillow, combined with neutral colors or textures to balance the visual impact. Barn doors, once a symbol of farmhouse chic, are another decor item that has become overexposed. Their strong rustic character limits design flexibility and can quickly date a home. For privacy and space-saving solutions, Khahil recommends sleek pocket doors, which offer greater long-term versatility. Alternatively, open-framed entryways can create a classic architectural statement without committing to a restrictive trend. Finally, cheap souvenirs, often mass-produced and lacking authenticity, contribute to clutter without offering functional or aesthetic value. Khahil advises curating meaningful, handcrafted items from travels that serve a purpose or transforming travel photos into gallery walls or coffee table books to incorporate memories stylishly and purposefully. The overarching message is to prioritize thoughtful selection, quality materials, and timeless design over fleeting trends and inexpensive fixes to create a sophisticated and enduring home environment. #HomeDecor #InteriorDesign #DecoratingTips #DesignTrends #TackyDecor #HomeStyling #DesignAdvice #TimelessDesign